Showing posts with label 5.1 headphones. Show all posts
Showing posts with label 5.1 headphones. Show all posts

Koss M5 Lapel Mic with Adhesive backed Mounting Holster

Koss M5 Lapel Mic with Adhesive backed Mounting Holster
Customer Ratings: 5 stars
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The microphone works great. It is unidirectional, so unwanted noise is limited to the noise behind the person talking in the microphone. It seems to work very well when actually attached to a shirt, no matter the actual facing of the mic. The holster is pretty handy, it makes putting the mic in a good location easy. I tend to keep it on the base of my monitor where a bezel helps me point it right at me. All in all I can't find any reason to dock it stars.

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Audio-Technica ATH-M50S Professional Studio Monitor Headphones

Audio-Technica ATH-M50S Professional Studio Monitor Headphones
Customer Ratings: 5 stars
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  • Exceptional audio quality for professional monitoring and mixing
  • Collapsible design ideal for easy portability and convenient storage
  • Adjustable padded headband for comfort during long mixing or recording sessions
  • Frequency Response: 15 - 28000 Hz
  • Cable Length: 3.50 M

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I'm not a professionalI'm just a person who really loves her music, and I don't know much of anything the specs on this pair of headphones. What I can offer is what I did and how these headphones sound from an average person's point of view.

First off, I got this pair of headphones about a year ago, and I got them for about $130, tax included. When I got them, they sounded pretty good; just about as good as my pair of skullcany ink'd earbuds (those earbuds are pretty awesome even though they do break after about three months). Before purchasing the headphones, I read a couple reviews about how this pair of headphones need to be "burnt in". I did some research on google, and found out what "burning in" was (basically you plug in the headphones and play white noise/ pink noise for a certain number of hours). So I burnt in my headphones for about 60 ish hours (I wasn't really countingI was just playing the noise while I labored over homework). To my surprise, they sounded better after that. The m50 headphones actually gets better as it ages (the voices get crisper, the sounds sound more natural).

Honestly, I love this pair of headphones (they sound way better than my (5th) pair of skullcandies now) for several reasons:

I don't feel them after a while. It feels like I'm just plainly not wearing them

The material's comfortable (I have really flat straight hair and an average head) and isn't too big or small.

The sound quality is amazing. I'm not kidding when I say that the voices are so much crisper. The sound quality is really balanced too. The skullcandies tend to put more emphasis on the well, heavier side of music (beats, etc). A classical piece sounds as good as say a deadmau5 song though the m50's (which is pretty darn good).

The headphone jack is really well built. It's not going to fall apart like my skullcandies anytime soon.

A couple things that might be helpful to know:

The cord's insanely long. I had to get a ribbon to tie up most of it. Otherwise I end up tripping on it or tangling it.

The sound quality's still really amazing at low volumes. My ears are really sensitive (more than an hour or two with the skullcandies at the lowest volume on my I-pod will make my ears feel awful), and the m50's don't hurt my ears. I listen to the m50's for 4-5 hours a day, and my ears are fine (the volume is usually on 2-4 on my laptop, which is a Dell Studio).

I wear glasses, and after a while, the glasses frame will leave an indent on the sides of the headphone cushions. I wouldn't advise wearing flimsy plastic frameless glasses with this pair of headphones.

The headphones block sound pretty well. When I put them on, I definitely can't hear my mom talking (sorry, Mom). I can hear her voice if she shouts, but I can't make out the words. I travel with my family a lot, and the headphones did a good job blocking out the airplane noise.

These fold in pretty well. It took me a while to figure out how they fold in since they can flip, turn, and twist in every which way.

What I actually listen to: J-pop, J-rock, rock, pop, classical, techno, a bit of country, well, a bit of everything.

The only thing I'm worried out for this pair of headphones is where the cord connects to the left "ear cup". It's not as strong as the headphone jack. I guess it's not supposed to be?

I don't have any other pair of headphones, so I don't really have anything to compare the m50's to, but if the price ever falls below 130, I'd get a second pair (my current pair never leaves home). Some of the old reviews say that these headphones used to be below 100, but I doubt that the price would ever fall that low again. I should probably stop procrastinating and get back to my homework now.

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I've had these headphones for about a week and a half now, and I love 'em. They are not ideal for all listening situations, however. I typically use the M50s with a FiiO E11 Portable Headphone Amplifier connected to my iPad via a FiiO L3 Line Out Dock (LOD) Cable, or connected to my laptop via the cable the E11 comes with (which plugs into the headphones/audio out jacks on computers, MP3 players, iPads and iPhones, etc). This gives me great sound when I listen to various alternative and rock stations through the TuneIn Radio app for iPad or to lossless music on my laptop. But when I watch a movie on my iPad or laptop, I prefer to listen through my Sennheiser HD555 Professional Headphones, because they have a better soundscape than the M50s. Open back headphones, such as the 555s, typically have more spacious soundscapes than closed back headphones such as the M50s. ("Soundscape" refers to perception of distance from the source. If an automobile is approaching from the rear left in a movie scene, with the 555s I can easily discern its location and can hear/"feel" its approach, whereas I do not get such a sense of depth or soundscape with the M50s. But when listening to rock with the 555s, I do not get the sense of immediacy and presence nor anywhere near as much bass as I do with the M50s, which is why I'm glad I own both headphones.)

I wanted the straight cable version of the M50s because of previous experience with coiled headphones cables becoming stretched out and unsightly over time. The straight cable is 11 feet long, which means that it needs to be folded up and rubber-banded or twist-tied when the M50s are used with a portable music player by someone who is out and about or moving around a lot.

I like that the M50 ear pads can be replaced for around $20 a pair (at present, and apparently not through Amazon). I own a pair of Sennheiser HD580s that are now over a decade old, and the ear pads are pretty much worn out, making wearing the 580s very uncomfortable as well as no doubt negatively affecting their audio quality. Replacement ear pads for the 580s cost around $50! (Replacement ear pads for AKG's Quincey Jones Q701 headphones retail for about $35 EACH or $70 a pair!) The M50 headphones are circumaural, meaning that their ear pads cover the ears (as opposed to sitting on the ears like supra-aural headphones), and cover my ears just fine (I'd say that my ears are somewhere between medium and large in size).

And I like that the M50s can be folded up and stored and carried in the soft pleather protective pouch they come with. When folded up the M50s and folded up cable could fit, tightly, in a box that is approximately 5" x 7" x 4".

My hat size is about 7 5/8 (about 23 7/8 inches), and while the M50s fit me fine and are reasonably comfortable, after an hour or so they begin to feel a tad uncomfortable, meaning that I start to get that "clamping" sensation that headphone wearers talk about. At this point I begin adjusting the headphones a bit. Some folks deal with this kind of problem by putting their headphones over, say, a head-sized speaker cabinet to stretch them out, but I'm reluctant to do that because I take it for granted that my head will cause the M50s to stretch over time, and I wouldn't want to risk pushing them in the direction of becoming not tight enough. And as many reviewers of the M50s note, they get hot after a while (very quickly when I wear them while working out on an exercycle or elliptical, otherwise after about an hour). When wearing them during exercise I need to have a towel, rag, or cloth handy in case I need to wipe sweat off the pads. I'm bald but find the headband reasonably comfortable.

I like the M50s for listening to some classical music, whereas there is some classical music that I prefer to listen with the aforementioned Sennheiser HD555s (e.g., opera, which I find benefits from headphones with more spacious soundscapes).

If you are in the market for headphones and are considering the M50s, I recommend that you check out Tyll Herstens' positive (he recommends them) YouTube review of the M50s (which is available both on YouTube and at Mr. Herstens' excellent site, Inner Fidelity; there is also a written review at Inner Fidelity). Mr. Herstens has done some serious technical research on the question of headphone burn-in, and you can find his articles on that at Inner Fidelity (once at the site, search for "burn-in" or "break-in"). If you are interested in reviewing technical data and graphs for headphones, including the M50s, check out the "Build A Headphone Graph" section in the "Learning Center" of the HeadRoom site. There you can create and compare graphs for up to four different headphones at a time.

Finally, the M50s are marketed as offering "maximum isolation," so how good are they at noise isolation? I wouldn't wear them for noise-cancelling purposes (we don't want to confuse noise-isolating headphones with noise-cancelling headphones; see the Wikipedia entry for noise-cancelling headphones for more information), such as when I ride my lawn tractor. They are too nice for such use, but if I didn't care about that I would still prefer my AblePlanet active noise-cancelling headphones for such use, because they work really well at blocking out loud noise like the sound of a lawn tractor. The M50s are more than adequate for noise-isolation when I use an exercycle or elliptical, and probably do offer the maximum amount of noise-isolation that closed-back headphones which are not active noise-cancelling headphones can offer.

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These are the best sounding headphones I've had, even right out of the box, and the bass showed noticeable improvement after only a few hours of use.

They're light, comfortable, and have amazing clarity even with their bass response. No muddy bass at all, it sounds crisp and heavy even at lower volume. They're a noticeable improvement over the other sets I have, a Grado SR80i and Sennheiser HD280 Pro's; the construction seems better than the 280's, too, with solid mountings and rotation on the cups and a reinforced cable at the jack. The cable is long enough to reach across my living room to my receiver with extra slack to spare, and with this straight cable version I don't get the tangles I have with my 280's.

All around great headphones, and I'm really happy with them. Awesome music headphones, but the clarity makes them great with dialog in movies and the bass in games is powerful without being overbearing.

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These headphones are great! I chose these since I didn't want the coiled cord version (I think it looks tacky in the year 2011) but they are identical in every other way to the ATHM50. These are great all-around headphones, and you'd be hard pressed to find anything at this price-point to give you an all-around experience aside from open headphones (Grado SR125i being one of the open headphones at this level to potentially challenge the ATHM50S).

Sound: 4.5/5

Wow. I prefer these to its famed open "little" brother, the ATH-AD700 due to more accurate and tight sounding audio. It sounds great, the bass can be heard and is not muddy. However, if you prefer bass like Beats headphones, these are going to be a little disappointing, as they don't bring skullcrushing bass. There is no lack of bass, however, as Daft Punk bass gets the drivers bouncing with lots of bass. Now, I know these are closed headphones, but the soundstage is a bit lacking. I personally don't mind as much, but for those that like immersion in their music, a quiet environment with open headphones will be better for you. If you just need seclusion and want to listen to music in a louder environment or want to be considerate to others, these headphones are going to fit all but the pickiest Basshead (I missed the call for dinner a few times with these on, and trust me, I was quite hungry at the time). Very balanced sound.

Comfort: 4.75/5

These headphones are nice, and I can wear them for hours. The issue with this is that they can get a pit warm on your ears (sometimes I think my earwax feels like its melting, but maybe I just want that to happen because I think that would be cool). Now, those with large ears and/or ears that stick out might find these a little small or constricting, but for me, they fit just fine.

Value: 5/5

Unless you go to open headphones at this price-point, you won't find better overall headphones. These aren't the best possible headphones you could find, but then you're talking about $500+ headphones. Check out head-fi and audiophile forums. These get quite a lot of praise, and are frequently considered the best at this price point, and the quality of these headphones shows it.

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After researching lots of closed back cans and listening to several I agree with all the other rave reviews for these. The ONLY criticism I could say is that they don't have a removable plug. For sound quality though you will have to spend north of $500 to come close to these. DONT waste $$$ on Beats! It's just marketing.

Line 6 Spider IV 75 75-watt 1x12 Modeling Guitar Amplifier

Line 6 Spider IV 75 75-watt 1x12 Modeling Guitar Amplifier
Customer Ratings: 5 stars
List Price: $499.99
Sale Price: $299.99
Today's Bonus: 40% Off
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  • 75 watts; 1x12" Celestion Custom speaker; three-quarter closed-back cabinet for a tight, snappy response
  • 300+ hand-crafted presets from 50 world-famous bands and guitarists including Johnny Marr, Slipknot, 311, Meshuggah, Lacuna Coil, As I Lay Dying, Steve Stevens, The Donnas, Minus the Bear, Pete Anderson, more; 200+ dialed in song-based presets
  • 16 tonally superior amp models with the vintage characteristics and nuances; 20 Smart FX (4 at once) with deep editing; Quick Loop, Auto-Wah, Intelligent Pitch-Shifter plus inspiring echoes, mods, delays, reverbs and more; 64 user-created presets
  • Bass, Mid and Treble knobs that behave like the EQ controls from each modeled amp; Drive knob; Channel volume; Master volume
  • 1/4-inch input; 1/4-inch headphone/direct output; 1/8-inch CD/MP3 input; built-in chromatic tuner; FBV foot controller jack
  • 300+ hand-crafted presets from 50 world-famous bands and guitarists including Johnny Marr, Slipknot, 311, Meshuggah, Lacuna Coil,
  • 75 watts; 1x12" Celestion® Custom speaker; three-quarter closed-back cabinet for a tight, snappy response
  • 300+ hand-crafted presets from 50 world-famous bands and guitarists including Johnny Marr, Slipknot, 311, Meshuggah, Lacuna Coil,
  • 16 tonally superior amp models with the vintage characteristics and nuances; 20 Smart FX (4 at once) with deep editing; Quick Loop,
  • Bass, Mid and Treble knobs that behave like the EQ controls from each modeled amp; Drive knob; Channel volume; Master volume
  • 1/4-inch input; 1/4-inch headphone/direct output; 1/8-inch CD/MP3 input; built-in chromatic tuner; FBV foot controller jack

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I started two years ago with a 15 watt Spider III, then along with other amps, bought a Spider Jam. I thought they were all great. Now they come out with Spider IV, and the difference in the sound is dramatic. They are getting very, very close to tube sound. So much so that for the lousy $299, compared to say $1000+ for 75 watts of tube, this is a real steal.

Loaded with features, and hundreds of presets, it has something for everyone. The Pitch Shifter and 18 available manual settings just add to the fun. And it will work with either generation of FBV pedalboard. Says so right in the manual. The only difference I see is with the generation II pedal you get a USB port.

Does it sound as creamy and smooth as my Peavey Delta Blues or Crate Palomino tube units? No, there is still a little digital overlay around in there. But most people who are looking for a great home based amp, or maybe a church or small gig amp, this is a WINNER and the price is just nuts. Forget the Peavy Vyper, this is hands down much better and you don't have to sink another couple hundred in a pedal to get to all the presets like the Vyper.

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This amp is great. It has seemingly endless modeling capabilities. It makes my playing sound professional. The greatest sounds I have had in 28 years of playing.

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I've owned several Line 6 products and this is probably the best yet. The tones from this amp are quite impressive, in particular the clean tones are amazing. I've used and owned several vintage and modern tube amps and I have to say this amp is one of the best I've played. Make no mistake, it's not a Mesa or Bogner but for the money this is an amazing amp. The range of tones and effects that you get with this make it a no brainer for anyone who plays a variety of music. It will get as loud as you need it to so gigging with this amp is no problem.

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I don't gig. It is unlikely that I will ever play in front of a crowd. But if you're like me, play as a hobby and like to fart around with various sounds and genres, this amp is a blast. It is very likely that I will play a Johnny Cash song on Tuesday and a Metallica song on Wednesday. Pretty much just make sure your guitar is in tune and dial up the sound. No pedals, no hours of minor tweaks, just punch it up and learn the song. Virtually every genre is represented here. I also have to mention that although I like metal, I rarely play it. I prefer traditional R'n'R sounds and the Spider IV recreates tons of my favorites in addition to the high gain ultra noisey sounds. Even with the best modeling in the world, my Les Paul does not sound like a Strat being played through 65' Fender. It sounds digital. No getting around it.

Something else that weighed into my purchase was durability. Although I only play for fun, I still play 2-3 hours a day. My 9 year old also is learning to play, so it gets a lot of use and moves from game room to garage to bedroom daily. The one thing that was common in virtually all of the reviews of Line 6 amps was that they were long lasting and durable. I have a family member that is a professional musician and one of his band members gig with the larger 120 just becuase they can take such a beating.

Ultimately I decided that for the price ($300 at the time), I couldn't beat the Line 6. There is just no comparing a tube amp with effect pedals against a solid state modeling amp. They sound better, more prefessional. They are also designed to be played loud to get the most out of the tubes. Although the Line 6 sounds tinny and at max volume, for in home play, it sounds terrific. There are mountains of reviews that compare the Line 6 to Vox, Marshall or Fender. They are ALL better than the Line6, every one of them. But be prepared to pay 10 times the price for effects pedals, head units, cabinets, cables, etc. to get those flawless professional sounds. Good amp, great value.

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I own several tube amp combo and half-stack. However, I wanted a smaller, lighter combo that would be easy to transport and wouldn't need any pedals, but would also be loud enough to practice with a drummer. The line 6 spider IV 75-watt combo was the perfect solution. Up to this point I haven't been very impressed by solid-state technology. Sure, the cleans are glassy and crystal-clear, and some sound ok with the gain cranked and mids scooped at super low volume, but as soon as you turn up the volume a bit or try to dial in a smooth, bluesy overdrive, the sound turns to crap. Not so with the spider IV. I've been extremely impressed with all the different amp models. ALL of them. The different amp models each have their unique sound and characteristics, which means that your tonal options are literally limitless. I play mostly metal and hard rock, thougn I use less gain and more mids than is typical among players of the genre.I'd describe it as a hard rock tone with a vintage edge. And I was able to get that tone in less than a minute of fiddling. The tone in general is surprisingly warm and organicvery tube-like, which is a comparison that I don't make lightly. Additionally, the highs don't have that artificial "tinny" sound that so often occurs in solid-state. Solos and leads have more of the natural, smooth quality that tube amps are valued for.

The effects are fun to play with, though I've never used many effects in my playing. I really like having multiple user pre-sets, so I can dial in the tones that I use the most and then switch between them at the press of a button. The artist pre-sets are cool; it's interesting to see Line 6's take on the sound of many popular bands and songs. Some are surprisingly good, like Cliffs of Dover, Master of Puppets, and Sunshine of Your Love, while others don't really sound like the artist, like Killswitch Engage.

I'm also impressed with the quality of the celestion speaker that comes with the amp; it holds up pretty well even at higher volumes. The tone has continually improved as I've broken in the speaker.

Just in conclusion, there's basically nothing this amp can't do at least fairly well. All the amp models actually sound good (can't say the same about my roland cube), and when you combine that with all the effects, tuner, mp3 connection, and user and song & artist presets, it's a winning combination. This will never be my main stage amp, but for practice purposes I couldn't be more pleased with the spider IV.

*edited to add*: A few months later I bought the FBV express pedal board. It's a simple, affordable way to get more out of the amp by making channel switching easy and adding a volume/wah pedal. Especially if this is your main amp, I recommend getting a FBV pedal to go with it.

MXL Studio1-USB USB Desktop Recording Kit

MXL Studio1-USB USB Desktop Recording Kit
Customer Ratings: 4 stars
List Price: $129.95
Sale Price: $104.95
Today's Bonus: 19% Off
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  • Frequency response is 40Hz to 20kHz, sampling rate is 44.1kHz and 48kHz
  • No special drivers required, Mac and PC compatible
  • Includes USB cable, desktop stand and carrying case
  • No Special Drivers Required
  • Mac and PC Compatible
  • Frequency Response: 40Hz to 20kHz; Sampling Rate: 44.1kHz and 48kHz; Inlcudes USB cable, desktop stand and carrying case
  • No Special Drivers Required; Mac and PC Compatible

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If you're looking for a good sounding microphone that is far superior to any standard PC microphone, this is a good choice. However, the most unique feature that set's this microphone apart the headphone jack is a real disappointment. It is *NOT* a realtime feed from the mic. Rather, the headphone jack is the output of a USB sound card that is integrated into the Microphone. There is significant latency between the microphone input and the audio output, so much that it really is useless as a recording monitor. This feature doesn't allow this microphone to be distinguished from any other USB condenser mic that lacks an audio output.

The headphone jack is possibly useful for setting levels, etc., when you're working with a PC that lacks a sound card, or need to have the microphone a significant distance from your p.c. or laptop. If you have a long USB cable and need to roam, maybe the headphone jack is useful.

There are many good points about this mic recording is warm and full sounding; you do get that 'NPR' sound. While the mount is light, it's adequate. The 10' USB cable is quite generous, and the hard plastic case has pre-cut foam and is a nice touch.

Overall, I am satisfied with the product, but I am disappointed that the promising feature the headphone jack for real-time monitoring, is not what it is implied to be. It is a USB sound card and suffers all of the latency of your internal sound card.

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I'm disappointed. I'd read good editorial reviews about it on other sites, but neglected to read the user reviews here on Amazon -the latency issue with the headphone jack would have been a deal-breaker for me. The sound quality of the mic itself is nice for the price, but I found there was a background hiss possibly due to the inexpensive USB interface; I've noticed the same problem with other sub-$100 USB interfaces, and suspect they all use the same chip/circuitry. Acceptable for podcasting, interviews, etc. in the field where the built-in USB interface is less cumbersome, but not for serious voice work in a home studio. You will definitely want a shock mount if using a floor mic stand, as it's very susceptible to picking up stand thumps.

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This microphone is as described, and I highly recommend it for the home-studio enthusiast. It was completely "plug & play" on my XP laptop and I was recording immediately with no hang-ups or need for extra hardware drivers. The mic picks up high and low frequencies nicely, but I recommend buying a windscreen to cut down on "Ppops." The carrying case is durable and the foam inlay protects all the components in seperate compartments. A well-designed package, overall.MXL Studio 1 USB Microphone with Headohone Jack, Desktop Stand, USB Cable, and Carrying Case

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Here is my review.

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This microphone is very easy to use (just plug and go!). Some of the extras that come with it are not the greatest including the desktop stand which is pretty cheap and so small that it isn't even that practical. The microphone itself, though, works fine and is worth it for the money if you aren't looking to record at a very high level. I used it to record voice overs for a play and it worked just fine.

CAD Audio DH100 Drummer Isolation Headphones

CAD Audio DH100 Drummer Isolation Headphones
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $33.41
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  • High output Neodymium drivers
  • Foam cushions for maximum comfort and sound isolation
  • Cut ambient noise levels by19dB

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These headphones are old school CooooooL retro style which is what i like about them. VERY, VERY good external sound isolation, not sound cancelation! You can't hear shit with these things on which means you have to lift the no-lead side ear cup to converse with anyone. But thats fine. i don't want to talk much any way while doing music.

Very comfortable, especially if you have large ears or sensitive ears that get sore from direct pressure contact against them, like mine. I HATE things pushing against my ears and bending the shit out of them! Your ear sits completely inside the cups so you can wear them for hours no worries.

I play bass guitar using these headies and they have REALLY good bottom end audio frequency ranges and top ends are very solid also. The input jack has a neat wind on wind off set-up, with the 3.5 mini jack inside the main jack for ipods or tablets, or what ever. The Single sided lead is way better than those left and right Y shaped leads that get in the f.....g way for everything and anything!

Downsides? The only one i could think of was the curly spring jack lead, while VERY stretchy, it's too short for walking ALL around a room playing guitar, but its perfect for MOST uses because it doesn't tangle around your feet trying to trip you over at only 18-24 inches long unstretched. They'd probably work perfectly for an ipod while walking, running or riding a bike but you wont hear shit from outside of these things so don't get run over.

Quality? Yep! Way better construction than my mid level Sennheisers, which were made of 100% cheapo crapy plastic but still sounded good. These are quality WELL beyond the measley price asked for them and represent great value for people who aren't suckers for similar high performance headphones from trendy Corporate branded marketing hype products at 7-10 times the price. Get'em!

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My Sennheiser HD-280 headphones finally blew after 2 years of abuse so I went looking for some replacement headphones for drumming practice. I bought these after reading about all of the other competitors, and my short advice is to stick with the Sennheisers.

On the plus side, these headphones stay on your head (better than the Sennheisers, actually), are more comfortable, block out just the right amount of room noise, are almost loud enough (not quite as loud as the Sennheisers), and are dirt cheap for what they are.

On the negative side, they don't sound very good (overly loud midrange to my ears, and weak treble), and aren't really loud enough IMHO. Also, because of these issues, they really are a one-trick pony (where the Sennheisers can do double-duty as tracking cans).

If I had to do it over again, I'd just shell out the extra $50 for the 280s.

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For the money these are fine headphones,good sound and great isolation.My kit is in a very small space & these offer good isolation.Well made and fit my larger than average head well.Good fit around the ears.

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*Physical Features*

These are over the ear, closed headphones with foam cushions, not particularly stylish, but not offensive either. I have an average size head, and these aren't particularly uncomfortable until wearing them for a while, which is going to be the case with ANY sound isolating headphone, and these are way more comfortable than most (although they also block sound less that others, more on that later). The cord is permanently attached, coiled, and is about 3 1/2 foot long at rest, maybe 12 feet long if really stretched out. At first glance it seems to have a 1/4 inch phono jack, but the tip screws off to reveal an alternative standard stereo mini jack that will fit into most portable players or your computer. The ear pieces are hard plastic along with a plastic and wire headband. It's very possible if you dropped these that the earpiece connection would be permanently broken. Where it rests on top of your head is really just a thin piece of cloth over plastic, but they get away with this because it's pretty light and really it's held in place by clamping to the sides of your head.

*Sound quality*

When I first put them on, I was shocked at how inadequate the sound was. Spending more time with it, I discovered that it does a very good job on the low end of the spectrum, clear enough mids, and the high end is pretty seriously absent. You won't get exciting cymbals, for instance, or any of the other ear candy that tends to lie in that part of the spectrum. Overall, though, there is reasonable frequency isolation, it's not a particularly muddy sound.

*Sound isolation*

This is adequate, but somewhat meager as far as sound isolating headphones go, rated at only 19db. Still, when playing drums, my snare is usually tightened up like a pistol shot and these do take the edge off to a comfortable level. I don't know what other reviewers are talking about when they say you can't hear anything with these on. I'm guessing they mean if you have them on and music playing, which is the case with most closed ear headphones. These are nothing special, when I'm (for instance) playing drums with a metronome I can hear the drums loud and clear over the click, but they're attenuated to a safe enough volume level so they do the trick for their intended purpose. It's obviously muffled, but you can talk to people with them on, as well as hear other sounds in the room. For example, I have a loud computer fan and I could still hear it faintly up to about 10 or 15 feet away. I have very good hearing, though. And a loud fan.

These do a fine job of keeping the sound IN. That's pretty typical with closed ear headphones, though.

*Price*

Well, yah, you wouldn't really be reading this review if the price didn't catch your attention, would you! There's really no point comparing them to more expensive headphones, it just wouldn't be fair to compete in the same league. These are about as inexpensive as they get, so you do get a surprisingly lot of bang for your buck if your use for them is drumming.

*Recommendation*

If you're on a budget, these do a fine enough job if you're the target audience (a drummer practicing). They'll capture the bass guitar fine, which is what you're usually playing with, do an ok job with the rest of the mix, and they'll cut the drum volume to a safe level that you can play a long time at. I wouldn't be excited about these as a studio headset, where you might be singing or soloing over the playback. The audio is just not inspiring because of the weakness in the high end. Nor is it useful for mixing for the same reason, nor for listening to quality music for enjoyment.

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The muffs do not have a secure slide on the left. So they're constantly cockeyed and require adjustment to the point of madness. The quality of the audio is good... But the lopsided feeling takes away from the recording experience in a large way. I will definitely not purchase from CAD again, but I will wear these out just the same. And they have a constant humming in them.... Definitely going to buy Vic Firth's from now on.

Black & Gold Leopard Design VG Faux Leather Standing Portfolio Case Cover for ZTE V98 Windows 8 / A

Black & Gold Leopard Design VG Faux Leather Standing Portfolio Case Cover for ZTE V98 Windows 8 / Ainol Novo 10 Hero II / Ainol Novo Hero Quad / Idolian Studio 10 / Nextway F10X / Xelio P1001 / Linsay Star X-10HD / Linsay Cosmos F-10HD / Zeki TBD1083B 10.1 inch Tablets + Black Handsfree Hifi Noise Isolating Stereo Headphones with Windscreen Microphone and Soft Silicone Ear Tips
Customer Ratings: 4 stars
List Price: $54.99
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My black and gold turned out to be red and black, other than that its a nice case. Did not return item because I needed a case right away, otherwise I would have returned it.

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Monoprice Enhanced Bass Hi-Fi Earphones with Built-in Microphone and In-line Controls for iPhone, i

Monoprice Enhanced Bass Hi-Fi Earphones with Built-in Microphone and In-line Controls for iPhone, iPod, and iPad
Customer Ratings: 2 stars
List Price: $35.19
Sale Price: $13.73
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Update October 2, 2013

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2 pairs later, I have decided these earbuds are not for me. Yesterday I pinched one of the cables slightly causing the sound to go out for one of the sides. I've only used the earbuds for less than a month, and they have been in my pocket every day. I'm not sure if most people use earbuds as much as I do but a few days after receiving these earbuds, the plastic piece that holds the tiny speaker separated exposing wiring. I want to like these but unfortunately with my experience I can only give them 2 stars. There are much better products out there and I will use them for now on.

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Update August 28, 2013 3 Star Review

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Well the cons of my original review were apparently worse than I thought. It seems like the right earbud has pretty much cut out completely and now if I rotate the wire on my MacBook slightly it cut out completely. My Galaxy Nexus, and most of the other headphone jacks that I use have this same issue. Also the rubber pieces seems to pop out a bunch which is quite annoying when the weather is super humid out like it is now since they send to stick to everything in my pockets.

I am planning on buying another pair so I can make sure my review is super accurate which is why I revoked my review from five starts to three for the moment. For a few extra dollars, the skullcandy earbuds without the volume controls seem like a better buy at this moment.

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Original Five Star Review Posted July, 22 2013

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I am comparing these ear buds to the SkullCandy Ink'd 2 with a microphone as shown here. Skullcandy S2IKDY-010 Ink'd 2.0 Earbud Headphones with Mic (Black/Red)

The outside of the ear bud is constructed out of metal and the rubber ear pieces come in assorted sizes. The wire is not cloth on the outside like other MonoPrice ear buds but it is the flat style which from my experience, prevents tangles. From what I can tell, the headphone jack is gold tipped and the control located on the left earbud speaker wire includes a pause button, inline microphone, and volume controls. The pause button works with Android but unfortunately the volume controls do not work with Android 4.2 on my Galaxy Nexus at the moment. I have not tried these ear buds on an iPhone but I can change the volume on my MacBook Pro just fine as well as pause my music and use the microphone.

Compared to the SkullCandy Ink'd 2 ear buds:

They sound about the same although the volume control is a compelling feature that the Mic'd Ink'd 2 ear buds do not have. Neither of these ear buds are top of the line to say the least but for the price, they are difficult to resist. Both styles have the flat cord style which is nice as far as preventing tangles goes, however the MonoPrice ear buds for the connectors and plastic pieces feel a bit more sturdy and don't have a bunch of logos (in fact there is only one logo). Both also come with different sized earpieces.

At the time of writing, these ear buds are $13.73 while SkullCandy's are $18.99. Although SkullCandy has a lifetime warranty on their products, normal use typically wears them out on the connector between 3-6 months. I am not sure of MonoPrice's warranty policy but the typical cost and time of shipping a pair of ear buds to Utah and dealing with SkullCandy's website may not be worth the extra price for SkullCandy products (I've probably shipped back a total of 30 products back to SkullCandy, I'm getting too old for this).

Pros:

>Sound really well and have more features than other leading products.

>Seem to be well built

>Don't have a bunch of branding

>Are not too costly

Cons:

>The metal casing for the actual ear buds can get cold in air conditioning and feel a bit weird if you are not used to it

>With my Galaxy Nexus (which I use for audio playback via the headphone jack every day), the cord comes out slightly with just a little yang however it still will stay mostly in the headphone jack. I tried this with various Dell Desktops, Laptops without any issue and my MacBook Pro (which often has headphone plugged into it as well) which also did not have this problem.

>When listening to some music while walking, it seems like you can hear the cord moving.

>In a way, the rubber pieces make a vacuum on your ears which cause a weird effect if you have ears like mine.

Overall: If you are the fence or are deciding between the SkullCandy Mic'd Ink'd ear buds (and do not send products in for warranty when they break) I would buy these. I've only had these for a day so I will check in if I break them and compare them to other similar products in that regard.

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Pioneer DDJ Series DDJ-WeGO BLK Digital DJ Controller, Black

Pioneer DDJ Series DDJ-WeGO BLK Digital DJ Controller, Black
Customer Ratings: 5 stars
List Price: $399.00
Sale Price: $245.00
Today's Bonus: 39% Off
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  • Ultra-compact and affordable DJ controller
  • Plug & Play with bundled Virtual DJ LE software
  • Pulse Control Provides Visual Prompts via Various Types of Illuminations Directly on the Unit
  • Multi-colored LED for customization of lights to match the user's style
  • USB powered with built-in soundcard

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The Pioneer DDJ series are mostly of plastic chassis (only exception is the DDJ-SX which is metal). I own 2 DDJ models, the T1 and the ERGO-V. I'm reviewing this product to let hobbyists and beginners know that this is a good product if you're looking on something to start with. As a professional turntablist, it's not a very serious product. As far as controllers go in this price range, you'll never regret paying for what it is "cheap and cheerful" not "cheap and nasty". The 2 deck layout is nice, the buttons are tactile and responsive unlike the Gemini CNTRL/FirstMix series or Numark Mixtrack. Like the ERGO-V, it's powered via USB but doesn't have "docking space" to tuck your laptop under the controller. Buyer beware, with all touch top sensitive platters I recommend buying a case or a lid for your controller unless you're a hardware junkie who can repair it at home. I know some other reviewer stated that the faders feel plasticy but I also own a few Pioneer mixers as well, as far as the fader buttons, they all feel plastic. What does matter is about the feel of it gliding back and forth and working reliably. All their faders are of the same standard whether if you pay $200 or $2000. They don't wear out unless you're just flat out abusing them. My only concern when I demoed the WeGO is that it's very light and feels easier to break.

Conclusion:

PROS:

Actually cheap and cheerful, not cheap and nasty

Tactile and responsive buttons

Quality faders

Compact design

USB powered

MIDI compatible w/ other DJ software

Cons:

Professional standpoint, not "club-worthy" more of a small gig to gig or bedroom set

Too light which feels like it's easier to snap

First-timers, invest in a lid or case to protect the platter otherwise you'll know what I mean later.

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Pros:

Controls feel logically laid out

Jog wheels are weighted

Regardless of how you feel about Virtual DJ, the software and the hardware work great together

Lots of lights on this controller. Looks great in a dark room. Lights are also useful for monitoring your mix

Controller is bus powered, meaning it takes all of its power from your computers USB port. Amazing when you consider...

...it has a built in audio interface. Plug your speakers directly into it, as well as your headphones for beat matching

Extremely portable, probably close to best in class for this, it's feature set, and price

Already key mapped for Traktor Pro 2, and they work wonderfully together

Cons:

Light weight and plasticky feeling cross fader*, but not as bad as really early offerings

Feels sturdy enough for the bedroom, not necessarily for crazy house parties

Cost is low IMO, but still possibly prohibitive to the target market

Not much else, yet, but this is my first controller so I have nothing to compare it too. And I suspect that's exactly what Pioneer has in mind

If you're thinking about starting to DJ using a controller as opposed to turntables or a CDJ, this device from Pioneer could be a great starting point. I came from using 2 Technique 1210's and a Vestax mixer over 10 years ago, to getting this on a whim and feeling like I picked up right where I left off.

It's incredibly easy to set up so you'll be spending all of your time in the mix as opposed to troubleshooting. The fact that it's bus powered is a pretty big win in my opinion. Power goes out and you can still keep it moving so long as you've got some battery powered speakers. I do...some pretty good ones from JBL and Logitech, that I usually have handy if a need arises. It's one of those things where it's really not a big deal until that one time it is....then it's amazing. Regardless of that, anything that removes a wire from my life is a good thing.

I can't speak to the durability yet as I've only had it for a short time. I can say for sure that it offers a lot for it's size and cost. Enough that it should be able to grow with me for a while until I feel I need to expand. Key word is expand, because even after I add to my rig, I can still see this serving as an FX controller for Ableton or Reason.

In short, if its your first foray into mixing with controllers, give it a shot. There are others available in this price range that in all likelihood offer similar functionality, so it could just be a matter to preference. I feel pretty good about my purchase at this point because I'm having a TON of fun.

*Edit 11/16 as the rest of the faders are pretty solid.

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Very good equipment..

recomended for amateur dj s

is very light and has a lot of functions

but you need to have amps

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The Asio Sound Card that the WeGo came with keeps displaying errors. I looked it up online and it is a common occurence. Because of the sound card error the WeGo doesn't play right away and you have to keep trying to turn it off and back off again. It got pretty scary right before a gig I had when it decided to not recognize the Asio sound card. Also, everytime you try to minimize the screen our log off of the virtual dj screen it freezes everytime. So, don't try to minimize the screen while djing or you will be without music. Once it's going and you don't do anything but play music your fine.

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Received the Pioneer DDJ WeGo for Christmas. I am an amateur DJ that spins house parties and the occasional reception/events for friends.

I am very happy with this controller. It is hard to beat its features/benefits for the price.

I also like that it is extremely portable. I use it with DJay by Algoriddim and it has worked flawlessly.

It is capable of handling most of the tasks that an amateur DJ would need.

I agree with other reviewers that it is likely a too small for a club DJ application...but anyone spinning at that level has the $$$ to spend on Pioneer's more professional gear.