Showing posts with label 7.1 headphones. Show all posts
Showing posts with label 7.1 headphones. Show all posts

Technical Pro HPB820 Professional Headphone

Technical Pro HPB820 Professional Headphone
Customer Ratings: 4 stars
List Price: $59.00
Sale Price: $39.15
Today's Bonus: 34% Off
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  • Dynamic Super Bass Contoured body for superior comfort Lightweight design and air tight construction Advanced design for serious music lovers
  • Enhanced noise reducing design Driver Unit: 50mm Impedance: 32ohmSensitivity: 105dB ±3dBFrequency Response
  • Professional super bass driverSuper Cushioned ear pads Portable headphone case designed for safe storage

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I bought these headphones because of their price. But more importantly, because their specifications said they accept 100mW of power at 32 ohms and that specification exactly matches the output of the FiiO E06 headphone amplifier. So I can use my Sony Handycam to drive the FiiO E06 headphone amplifier which then drive these Technical Pro HPB820 headphones. With the FiiO E06 amplifier and the Technical Pro HPB820's I can monitor the sound I am recording with my Sony HandyCam.

Since the sound is at least 50% of any video, then it's best to monitor the sound being recorded so adjustments can be made while recording. That way, with good sound and a good picture, your video has a better chance of succeeding. If you mount a good shotgun microphone to the top of your camcorder your video can approach professional quality.

The HPB820's weigh only 9 pounces and the ear cushions block out external sound well enough to accurately monitor the sound being recorded on your video.

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Avid Recording Studio

Avid Recording Studio
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: Price Unavailable
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  • 2-input, 2-output audio interface
  • 24-bit/48 kHz(better-than-CD) sound quality
  • XLR microphone input with gain control and 48V phantom power for condenser microphones
  • 1/4" instrutment input with gain control
  • 1/4" stereo headphone output

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Customer review from the Amazon Vine Program My first thought was, "I wonder if Avid makes an upgrade to this set that includes Pro Tools M-Powered bundled with M-Audio Fast Track Pro"? This is indeed the basic version. But how basic is it? I would say this is almost perfect for anyone wanting to start mixing their own tracks with their own instruments and prerecorded loops. Basic for a purpose.

The M-audio Fast Track functions as an external soundcard and 'router' for all of your music gear. When you plug in the M-Audio, all the audio from your computer immediately goes through the Fast Track--it processes the sound from then on out, which is a good thing (I would wager that the M-Audio soundboard is better than your laptop's). The Fast Track is the entry level audio interface that M-Audio offers which is bundled with Avid Pro Tools SE (second only to Pro Tools M-Powered) that allows the price to be very attractive for first time music editors (for your own music, or someone else's). This is why the M-Audio is limited with only 1x XLR (Audio--e.g. a MIC input), 1x 1/4" input (Electric Guitar for example), 1x Headphone output, and 1x USB slot. The latter limits you to no MIDI input, and limited 'multi' performance sessions (multiple 'live' instruments at a time). With the Pro Tools SE software, you are only able to record 2 simultaneous live tracks--1 from the Amp in and 1 from the XLR input (any acoustic instrument with the help of a mic).

My setup was an Electric Guitar plugged into the 1/4" input on the M-Audio with a 3.5mm headphone to A/V male cable hooked up to my stereo system. The latter actually took the place of an external Amp, and with the Pro Tools SE software, became a lot more versatile with over 30 sound effects and tweaking capability. It was very easy to record, and picked up very well. You will have to adjust some things to get the right volume, however the learning curve is very straightforward. If you are using an electric guitar, you can adjust the sound to make it sound however you want. From maximum drive for heavy metal to a clean, wang for classic rock. Anything.

**Know that in order to use a MIDI controller (a Keyboard with a USB output), you will have to hook it up to your computer, not the audio interface. The only way to get most of the instrument sounds on Avid Pro Tools is with a MIDI controller**

What does it mean if you just have an instrument like me (Electric Guitar) and that's it? You will have to rely on Avid's prerecorded instrument loops for drums, piano, bass guitar etc or import them from another source. If, however, you do use a MIDI controller then you will be able to create tracks from over 100 different virtual instruments exactly how you want. So if you are wanting these tracks to be solely created by you, then it will be necessary for you to have a MIDI controller. The only way to play those virtual instruments is to have a MIDI controller.

I could not find this anywhere on the box, but the required space for this program is around 7.5gb. Installation took about 5 minutes.

*Few Problems (Nothing major, trust me):

I have a Windows 7 64-bit laptop that ran the program flawlessly with no CPU lag even when using max effects on multiple tracks.

1. When I first ran the program it hung 25% of the way through its 'loading'. After the first time, I never encountered this problem again, and it starts up within 10 seconds.

2. When I unplugged the M-Audio Fast Track from the USB port while Pro Tools was running, it froze my computer completely so that I had to do a hard reset.

3. When using the Fuzz-Wah effect for guitar without the 'Guitar Amp' effect selected, it would intermittently pick up so that sometimes the effect worked, sometimes not. It worked when enabling the Guitar Amp again however.

4. When the Guitar Gain switch is turned up on the M-Audio, as well as the Input switch, so that the right volume is on Avid Pro Tools for recording my guitar, there is audible crackling, hiss noise through the sound output, though it did not appear to come through on the recording.

What impresses me most about the Avid Recording Studio is its simple, easy-to-use interface that allows great recording and a very professional way to begin making your own music. If you are familiar with any editing software for video (Avid, Final Cut, iMovie etc.) then you will already know how to do most of the editing on the sound clips. There are limitations to this kit so that the price can be where it is, however for someone needing just the basics; this will be a largely trouble-free way to start the path to your own music production.

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I've been composing for a while and I just got really tired of recording my music using my computer's sound card. Quality just ruins it. So I got this product expecting it to solve all my problems. It did, and I find myself working on my songs every day.

The included software is really the whole deal, it has a lot of effects and loops. Just as described above. Some cons: takes about 30 min to install. There should be a more detailed chapter on the user guide to help you configure the M-Audio interface properly. It's all about latency; if you don't configure this right you'll find noise in every recording and it just becomes tedious. took me about 15 min reading online to get this thing right. Once you're all set, you'll feel like a pro.

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Customer review from the Amazon Vine Program The installation is quick and simple. For me it was easy, having used several other audio editing systems including some basic training on an advanced Pro-Tools system. Avid and Pro-Tools are the industries go to production choices, using the Avid Recording Studio is a great way for a newbie to learn the basic audio skills of recording. The equipment is pretty much plastic, light weight and feels sort of sturdy. I would recommend it for someone eager to learn the basics of audio recording and editing. The interface is a simpler version of a full professional studio, and has the capacity for adding advanced software. Anyone looking for a future in the recording industry or just wanting to record their own music or sounds for fun should check this out. One recommendation: follow the instructions exactly, do not mix it with other systems and have a great time.

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This quick review is for the interface hardware only, I haven't used the Pro Tools software that comes bundled with it.

I run Fl Studio 10 and Reason 4 on my PCs (Vista 32bit Home) and was having trouble with latency issues (pops, clicks, crackles) with the stock issue audio interfaces. On investigating the issue, I learned that these applications work best with fast running PCs (at least 1.9Ghz)and sound cards that can handle ASIO sound drivers. The best ones cost well over $100 bucks and require you to pull your PC apart to install the card, which I didn't want to mess with...

This little USB powered box comes with a proprietary ASIO driver, but it will also work with ASIO4ALL, a popular ASIO driver available free on the web. Installation & setup was fairly easy.

I had to set the latency control way up there, but this unit took care of most of the annoying sound glitches (I still need faster CPUs). Probably can get better performance with some additional tweaks.

This interface also works nicely with my new Blue ENCORE 100 microphone didn't get any noticeable hiss until I turned the the Mic Gain all the way up.

I haven't tried the guitar input.

*****UPDATE 9/21/12****** After upgrading to Reason 6.5, I finally dug my electric guitar out of the mothballs, and the guitar input on this interface works perfectly...

The top mounted controls on this unit are handy, but note that the headphone output is a 1/4" jack(as it should be) if you use headphones with a mini plug, you'll need an adapter.

As of this time, Amazon's price for this device is by far the best (goes for about $120 at local music stores), so if you are experiencing a similar issue with DAW latency OR need a simple way to hook a traditional microphone up to your computer, this could be an easy and inexpensive fix.

******UPDATE 10/24/12*****

I bought a new computer, and this device works fine under Windows 7 (64 bit, but some of the software I use is still 32 bit) Instead of messing with the Avid studio CD that came with it, I downloaded the driver directly from the M-Audio website. No problems...

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This looked like an ideal product I own several M-Audio products already and they are all amazing! The interface itself works tolerably with other applications, but I bought the package because it came with a version of Pro Tools. A limited version, but it's still Pro Tools. However, it simply doesn't work. I installed it on my MacBook running Lion and it never runs. It doesn't ever get past the quick start screen. I tried installing it on my old G5 iMac running Snow Leopard, but it says it's incompatible with that product. There is no product support, and I've written to Avid, Pro Tools and Amazon, and so far (60 days) no one has returned an email message with any help. I wouldn't recommend that anyone buy it.

PreSonus studio control station (Complete Creation Studio)

PreSonus studio control station
Customer Ratings: 5 stars
List Price: $369.95
Sale Price: $299.95
Today's Bonus: 19% Off
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  • Features -
  • Main speaker volume adjustment
  • 3 stereo inputs (two balanced TRS, one RCA Aux/Phono)
  • Three sets of balanced TRS speaker outputs each with level adjustment
  • Talkback microphone with volume control to feed headphone and Cue output

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Great product at a great price. PreSonus outdid themselves with this product. I like the features it has and the ease of use. Definitely a product worth looking at if you are seriously thinking about becoming a mix engineer at a home/project studio level and have more than one set of monitors.

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Aria AS-100C Sinsonido Travel Guitar - Classical

Aria AS-100C Sinsonido Travel Guitar - Classical
Customer Ratings: 4.5 stars
List Price: $629.95
Sale Price: $588.80
Today's Bonus: 7% Off
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  • Mahogany body with removeable frame
  • Breaks down for travel
  • Built in preamp with headphones for silent practicing
  • Comes with padded travel bag
  • Licensed by SoloEtte

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I bought a Soloette classical, then had a chance to test the Aria Sinsonido AS 100-C. It is almost identical, with very similar sound and controls. And why not since the Aria is a licensed design from Wright, the makers of the Soloette. It also uses a Wright Technology pickup system. If what you seek is a practice guitar, not a concert performer, buy the Aria Sinsonido and save yourself about $340.

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I bought my Aria AS-100C 4 or 5 years ago at a high end guitar store in San Francisco and I have been very happy with it. The fretboard width (2 inches at the nut) and length are the same as on a true classical guitar. The guitar uses ball end style nylon strings that are threaded through the end of the fretboard -note the tuning gears are in the "body" of the guitar where the bridge would normally be, which allows for a shorter guitar 34 inches. The only complaint I have about this arrangement is that the first string (high E) cuts into the mahogany. To alleviate this, I cut a tiny bit of insulation off a lamp wire and threaded the string through that and wedged it as close to the hole as possible so the string is resting on the insulation instead of the wood on it's way to the nut.

The Sinsonido comes with a padded carrying case that is about 35.5 long x 10.5 wide, by 3 to 4 inches deep. When using the case, you disassemble the guitar by taking off the foam padded frame. I take this guitar with me when I fly and so far, I have been allowed to carry it on board (in addition to my other carryon) and stash in in the overhead compartment, even though it is longer than the 22 inches allowed by the airlines. If you were required to check the guitar in its padded case instead of carrying it on, I think there is a chance that it could be damaged.

I also use my Sinsonido at home for practicing instead of my true acoustic classical guitar when I don't want to disturb others. It comes with headphones for silent practicing, but you can also hook it up to an amplifier. It uses a 9 volt battery.

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I bought this guitar as a "silent" classical guitar practice tool.

A couple of problems compared with the original Soloette:

1) Neck was 48mm not 52mm (the model Amazon sent me had a 48mm neck).

2) The top of the guitar is completely flat. Unlike the Soloette which attempts to mimic the depth of a regular classical guitar.

3) Aria tuners on this guitar feel like cheap plastic toys. But I cannot honestly say how well they maintain strings in tune. I sent the guitar back as soon as I realized (1) and (2).

I ended up forking over the full price for a Soloette and I believe it was worth every penny if you are trying to work on your classical guitar technique.

Hope this review saves some aggravation for somebody.

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I've hesitated to review this for a while, because I don't like to be mean.

The good:

+ cheap

+ supposed to deliver a great amplified sound (can't confirm)

+ great idea. Based on the well-regarded soloette.

The bad:

built cheap.

The body feels very heavy for what it is.

The tuners are crappier than those I've seen on sub $100 chinese classicals. These go out of tune *while* playing (even during tuning).

The body wings fall off at any inclination, even when I'm still seated practicing scales. I'm not exactly duck walking!!

can't adjust action

The action can only be adjusted to a certain extent due to the nature of the construct. If the body profile was slightly curved like the top of a real guitar, it might be able to have action that approximates a real classical. Unfortunately, the profile is just a flat slab.

I'm not a Julliard trained classical guitarist. However, I've played many hundreds of guitars to get an understanding of a good guitar from a bad. To me, this is a bad guitar. With some major tweaking, it may be acceptable.

If you need a classical travel guitar and have space: I'd recommend getting a cheap student guitar with a piezo, stuffing it with cotton, and using a headphone amp.

If you need something purely electric, spend more money on something else.

For me, I'll likely build something.

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I am neither guitar expert nor professional guitarist. I am not qualify to rate the sound quality of this music instrument but as a frequent traveller who loves playing guitar, I strongly recommend this travel guitar since her price is affordable and the most important is the idea that you can take her with you everywhere repeat everywhere by all means of transports moreover you can enjoy playing her anytime you wish. Only a question of how long this instrument last that I have observe.

Parts Express 12-Feet 3.5mm Stereo Male to Male Cable

Parts Express 12-Feet 3.5mm Stereo Male to Male Cable
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $3.52
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This cable allows me to connect my laptop's headphone jack to my receiver's FAUX (front auxiliary) jack so I can play internet radio from the laptop (Jango is great, and free), or my laptop's DVD/CD player, into my receiver and out through Polk speakers. Or I can connect my MP3 player or TV as well. It will work to connect anything with 3.5 mm input and output jacks.

The build quality is excellent. The cable is as thick as the male pins themselves, suggesting the wiring is better than those skinny short connecting cables you get with some devices. The ends have good strain relief and the pins appear well made.

The excellent sound quality still surprises me whenever I use this cable. And the convenience of just plugging this into whatever I want to use at the moment is an important consideration. Now I just sit back in my recliner with my laptop connected to my receiver several feet away and have total control of volume, equalizer, tracks, and selections using my wireless mouse.

HOWEVER, I did have to do some very minor modification to get this to work perfectly. My laptop's headphone jack is recessed and the shoulder of this cable's plastic barrel ends hit the edge of that recess, preventing the pin from being fully inserted securely. This caused some hum unless I forcefully pushed the pin into the headphone jack. Any movement would then cause the hum to return until I pushed the pin back in. So, I took my trusty pocket knife and trimmed the plastic shoulders down to about 45 degrees. A 5 minute job to do both ends. This cable has worked perfectly since that very minor modification. I now have zero, zilch, nada, no hum or buzz when using this cable.

Five stars for sound quality, five stars for build quality, five stars for convenience, and five stars for those virtues at such a ridiculously low price. But I gave it four stars overall because of the modification I had to make. I have decided to order another one, just to have it if I need it. At a cost of less than three and free shipping it would be foolish not to.

Will you have to trim the ends on your cable? Maybe not, but it is easy to do if needed. I do suspect that some of the reviewers complaining of buzz or hum may need to do the modification. Or it could be a ground loop which is a grounding problem of the components interacting with the building's electrical ground; then using ANY cable for the connection could cause the hum or buzz (not just THIS cable). Actually, a ground loop sounds like a BUZZ, not a hum. A HUM would more likely be caused by a connection problem. In addition to the hum (before the trimming), I also had ground loop buzz when I connected my computer to my sound system. After trying a few remedies I read online, I finally fixed it by plugging the laptop's 3 prong plug into a 2 prong cord, with some of the cord's rubber removed so the 3rd prong sits in the open. It doesn't hurt a thing, and the buzz is completely gone. It is curious to me that all of my A/V components have 2 prong plugs rather than 3 prongs; could ground loop buzz be the reason?

By the way, I had intended to purchase a CD changer for my sound system, but now that I have this cable there is no need since I can easily use my laptop DVD/CD player. So I have just ordered an Audio Technica AT-LP120 phono with the money I saved by getting this cable. (Yes, I will be able to use the cables that come with it to attach to this cable to connect that phono to my receiver's front aux jack, as well!)

NOTE: When plugging or unplugging this cable, be sure the devices are turned off or that the receiver or device is set to some input other than the input for this cable. Failure to do so can cause a loud buzz or pop as the cable is removed or inserted. This sound is unnerving and I imagine it could damage speakers. Don't ask me how I know this.

ADDED MUCH LATER: I received my phono; this cable worked great as a fill-in until I received the RCA cables I ordered to make permanent connections between phono and receiver. I don't remember the last time something so inexpensive has served me so well. Maybe never!

ADDED 1/13/2012: I have been using this cable for a few months now with no problems. It is holding up well with no fraying or breaking of the rubber. I did notice that the first photo is the same as my cable, but the two 'users' photos appear to be a different cable (those photos with notes complaining of quality). Look for yourself and see that the end barrels and/or the pins are different from the first photo.

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Bought this for connecting a computer to a tv. No movement and no lack of sound. Works just as expected

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This cable works fine and arrived quickly. I use it to connect an older mp3 player to my stereo system in order to listen to the files. The length is nice, good to stretch across a (small-ish) room.

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This long, sturdy cable was all I needed to hook up my iPod to my receiver and control it from a far distance. It can be used for a bunch of other situations as well (laptop to receiver, iPod to car, you name it).

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Used to connect a music player to the aux jack in my car stereo. First cable was mono only----only got sound out of my right speakers. Replacement cable they shipped me had a different problem---volume had to be cranked WAY up before you heard anything, and even then the sound was very tinny with no low end. The shorter cable that I was replacing had none of these issues...so I know it's not a problem with my equipment. The seller, however, sent the replacement at no cost and refunded my money promptly when the replacement cable also didn't work.

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Mackie 402-VLZ3 Premium 4-Channel Ultra-Compact Mixer

Mackie 402-VLZ3 Premium 4-Channel Ultra-Compact Mixer
Customer Ratings: 5 stars
List Price: $129.99
Sale Price: $99.99
Today's Bonus: 23% Off
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  • Sleek, rugged steel chassis
  • Sealed rotary controls to resist dust and grime
  • 4 high-headroom line inputs

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I got the Mackie 402-VLZ3 to replace an Alexis multimix, and the difference is stunning. There's almost no noise or hiss when recording with the Mackie. For $99, this level of quality was a nice surprise to me. Highly recommended. You can turn it up quite a bit before noticing any hiss.

This is not USB or firewire, so you will need a stereo RCA to mini (1/8) cable to connect to your PC line-in. It doesn't come with any cables. It does include a downloadable license for Tracktion 3 software.

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I bought this so I could connect both my guitar and mic to a Roland SonicCell and record audio using Logic on my mac. The pre-amp is great; better than expected. I reduced both hiss and hum in my audio tracks.

The only minor complaint is that channel 3&4 do not have separate level controls (treats as stereo); I don't need the extra channel at the moment, but it would have been nice to have as a spare channel (since it is advertised as a 4-channel mixer, which is true, but...)

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My guess is that anybody reading a review on the Mackie 402-VLZ3 is trying to decide whether to buy Mackie or Behringer.

It is true you can get what appears to be a lot more mixer from Behringer for significantly less money than the 402 VLZ3.

So it makes perfect sense to buy Behringer until you learn your lesson -"Fool me once, shame on you, fool me twice shame on me."

OK, I've been a fool at least a half dozen times, and I am now an officially recovering Behringer addict.

I've also got Behringer's largest mixer, the Eurodesk MX9000, taking up space in my office. It will take 2 men to haul outside and heave into the dumpster.

I never, ever abuse equipment, but I am struck by the failure rate of Behringer gear. And also, I've tried to get things fixed. Forget about it!

Hate to review Mackie by talking about Behringer, but the bottom line is this: Mackie gear is utterly reliable. It has never let me down. And it is not expense. The only problem is confusion when Mackie is compared to other products which are really not in the same class.

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I use this for sporting event presentation. Music is played via Ipod to mini plug to RCA tape input. A Shure SM58S is used via XLR cable as the main microphone and a Line 6 XDR955 wireless microphone is used for frequency worry free reliability. One input remain open for adding a second ipod for the national anthem, for another performers music input device or for a back up mic. The output is via two Harbinger APS12 powered speakers that cover a space that is over 400' feet wide. We place the speaker side by side so that we on have to run one extension cord and there is no annoying echo like delay that can make hearing difficult. XLR to ¼" adapters are needed to connect the ¼" mixer output to the XLR cables. You can't have too many XLR cables with quality connectors.

I love how such a quality mixer unit comes in such a small package. The mute button is an essential function. I am interested in the Mackie PROFX8 8-Channel Compact Effects Mixer with USB for the slide volume controls, but I am glad for the small size of the Mackie 402-VLZ3 Premium 4-Channel Ultra-Compact Mixer which make transport, set up and take down easy.

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I purchased this to replace my Behringer Xenyx 502 mixer which was starting to have some scratch on the primary mix volume control. The Behringer unit sounded completely fine to me for the time I owned it, but I was blown away when I hooked the Mackie up in its place. The sound is noticeably more clear. The Mackie also feels much more solid in the controls and I like the layout and design more on the Mackie. With the Behringer, the headphone volume is affected by the main mix volume control (except for the tape-inputs). On the Mackie, the headphone volume control is 100% independent from the main mix volume control, which I think is the way it should be.

As a headphone amp, the Mackie is superb. I'm running Sennheiser HD598's and they sound absolutely beautiful, crystal clear on this Mackie mixer. I can say the same for my Dynaudio BM5A studio monitors as well. If you're debating between a Behringer mixer or a Mackie, I'd say definitely go with the Mackie. It's well-worth the extra $.

Peavey Tour TNT 115 Bass Combo Amp Black

Peavey Tour TNT 115 Bass Combo Amp Black
Customer Ratings: 5 stars
List Price: $649.99
Sale Price: $499.00
Today's Bonus: 23% Off
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  • 600W maximum lightweight class D power15" specially designed speaker High Frequency tweeter7-band graphic EQ
  • Effects Loop Master Volume Headphone output Tweeter on/off switch DDT speaker protection Powered speaker output with Speakon jack
  • Convenient kick-back design Legendary Peavey reliability Lighted

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I got my son this amp for Christmas...this is his review of the amp: My mom got me this amp for Christmas after we looked at a few others; it looked and sounded like a great deal for the price. She got it for me and it is everything a bass player could want!! Crisp clear sound -the deep bass stays deep and the high stays high! I play it for hours and it never gets hot. It's too strong for just that one speaker and it could push 2 or 3 more other cabinets with no problem. It's a good quality combo! I play in a small church and it does fine. All notes are heard to perfection! It has a tweeter speaker that has an on/off switch to allow you the option of having it on or off for the sound you're looking for. I would strongly recommend this combo for any event!!

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Korg MA1RD Visual Beat Counting Metronome - Red

Korg MA1RD Visual Beat Counting Metronome - Red
Customer Ratings: 4 stars
List Price: $40.00
Sale Price: Price Unavailable
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  • Innovative "Beat Counting" display clearly shows: Number of Beats / Current Beat / Beats Remaining
  • Tempo (30 to 252 BPM) can be set three ways: Full Steps / Pendulum Steps / Tap Tempo button
  • 9 Beats and 8 Patterns offer rhythmic diversity; Full octave (C4-B4) of reference tuning pitches
  • Headphone jack with adjustable volume; Fold-out leg for easy viewing
  • Memory backup saves your settings; Auto power-off preserves battery life

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I bought this as a b-day gift for a drummer. He loved it. It's got different time signature settings, tap-tempo function, volume adjustment for headphone. easy to use. must-have for drummers.

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This metronome has great features and is compact for the price, but I wish the description had been clearer. This metronome does not make a "clicking" sound, but rather a beeping sound with two tones high for beat 1 and low for the following beats.

For setting and getting a tempo with my band, the tones are quite annoying. I am going to return this and hopefully find a small/cheap metronome that clicks, even if I have to give up on some of the fancy beat counting and tempo tap features.

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Good metronome overall, gives lots of flexibility in in various tempos and subdivisions. The tap feature is nice and isn't found on many metronomes in this price range, the volume knob is also handy during times when you don't want a super loud "bing-bong" going on the whole time. Pretty easy to use and the controls aren't hard to figure out. The only reason I gave 4 instead of 5 stars is that it doesn't feel super strong, so don't throw it around too much.

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Excellent features for a good price. The only drawback? The digital sound. It's not as pleasing as the "wood block" tone found on more simplistic metronomes.

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This thing works so far. The plastic is thin and cheap though, so don't expect it to survive any abuse. It should serve you well as long as you don't drop it.