Showing posts with label best buy headphones. Show all posts
Showing posts with label best buy headphones. Show all posts

Stylophone Retro Pocket Synth

Stylophone Retro Pocket Synth
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $20.99
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  • Miniature stylus operated synthesizer is a recreation of the 1967 classic
  • Choose from three different retro organ sounds, Optional vibrato effect
  • Tuning knob on bottom allows you tune the Stylophone or do pitch-bend effects
  • Built in speaker with volume control, Optional headphone jack
  • Input for MP3 player mixes your music with the Stylophone and outputs everything through the built-in speaker

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I recently saw this thing for 25% off, and thought i'd give it a try. I wasn't sure what it would be like, but it is pretty fun. My favorite thing about the new stylophones is the MP3 jack, you can play your mp3s through the speaker and jam along, it's quite fun. I might have given it five stars, but after about ten minutes of playing the keyboard area was obviously scratched by the stylus. I'm betting the build quality is not as good as the original, but hey, it works and is very cheap to buy.If think you might like it, go for it. Even if it does break later on you barely spent any money on it and you had some fun.

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This is something I bought for just because I needed a portable keyboard on the go. I have fallen in love with this piece of equipment. Not only was it cheap , but it can play in three octaves using a switch and it can bend pitch almost up an octave. It also works as a portable speaker (sadly its Mono). You can also use it with earphones or a Amplifier. Overall this stylophone synthesizer is loads of fun.

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just got this in today, and i love it, it has that now antique synth sound, like out of a fellini movie, response is excellent considering the price, nice and loud, with three dif octaves and a pitch knob on the bottom, i love it, you cant get sounds from scary movie to church organ,and to beat all that, very very cool design, it looks like a anacronism embedded in the dashboard of a 57 chevy, or imagine a furturistic 350 style top panel on a fender tube amp, ok thats silly, but this things cool

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The Stylophone is a fun instrument but its not a toy. Like any instrument, it can be used as a toy as a means of entertaining oneself or a child. However the more you know about music and especially electronic music, the more likely you will be able to coax music from the Stylophone. I am a musician and I love it's quirky transistor organ sound. In this day and age of everything being digital its nice to have such an affordable electronic analog instrument available, if even just for the novelty of it. By running the Stylophone through a few effects (think Korg Mini-KP) via the 1/8th inch output you can really start to tap into some amazing sounds. It definitely has a cheesy retro sound to it, but this is part of its charm. Arranging music is all about color, texture, and contrast and the Stylophone can sometimes add just the right amount of slightly nasty wheeze to a track to really make it stand out. If you don't believe me just ask David Bowie.

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It might be easy to pass this mini-synth off as just a useless toy. Yes, it is plastic and yes, it is dirt cheap!

However, this is a reproduction of a classic instrument invented in the 1960s and has found it's place in many influential recording since it's release in 1967. Featuring all the original features of the original with an added audio through input and volume control, this little bit of Electronic Music Gadgetry is one cool stocking stuffer for the Electronic Musician.

Noted recordings which feature this instrument are David Bowie's 'Space Oddity', Kraftwerk's 'Pocket Calculator' and it's featured regularly on a few They Might be Giants songs.

Most of us can afford the small penny this thing costs and I seriously recommend it!

Vox amPlug Metal Guitar Headphone Amp

Vox amPlug Metal Guitar Headphone Amp
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $34.97
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  • Available in three styles: VOX AC30, Classic Rock, and Metal.
  • AUX in jack lets you jam along with your CD/MP3 player.
  • 100% analog circuit faithfully simulates the response of the original amps.
  • AC30 emulates the AC30 top boost sound of a vintage VOX AC30.
  • Classic Rock gives you the great high-gain sound of a UK-made 100W amp.

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When you're just beginning to learn guitar there are two things you want. You want to play LOUD, and you don't want anyone to hear how bad you play. This thing solves both of those problems. Sure you could get one of those "Mini" amps, but they aren't really all that mini, then you need a cord from your guitar connected to the mini amp, and then you need headphones connected to the mini amp.

With this, it's so small, you just plug it into your guitar, and plug your headphones into it. Done.

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After reading about this gadget from a number of reliable sources, I went ahead and gambled the 40 ducats on it and couldn't be happier. The first time I popped this little doohicky into my Ibanez RG, plugged in the phones, maxed the gain and slowly raised the volume I was nearly slammed into the wall by forcefield of metal madness. I attacked the Phrygian scale then glided into my favorite riffs. Power chords: BANG! Who knew you could get such big amp sound out of this tiny plastic box?

Substitute a plain old minijack cable between the phones jack and anything with speakers and you have an improvised amp with sound as big as the remote speakers allow.

It also has a minijack auxiliary input so you can jam along to your iPod or PC output in virtually total silence. No more annoying neighbors banging on your walls when you get the urge to shred at 2:00 a.m.

It would be nice if there was some reverb on the device, but metal holds up well with big gain so I'm not complaining. The device also has a tendency to swing around while you play -if you are a highly mobile shredder this might annoy you (but can easily be fixed with a bit of gaffers tape).

If you're on a budget or just want to jam loudly in peace, you could do much worse than this. Throw one in a gig bag with a set of decent phones (and an iPod if you want) and you may as well be carrying a pocket sized amp with you. Note also that this was designed for METAL -it's all about the gain. If you are looking for something bluesy or some other wimpy sound, consider the other amPlugs.

Read Best Reviews of Vox amPlug Metal Guitar Headphone Amp Here

This is a very neat little product, The sound is decent, however, not clean. If you are looking for a clean, undistorted sound, this is not right for you. If you like distortion, this headphone amp is nearly perfect. It may say Metal, but, it does so much more. You can get anything from just a little crunchiness to a Metal (not too heavy, gets too distorted) sound. I paired this amp with a pair of Sony MDR7506 Pro's and it allows me to play all night a move around without waking up anyone in the house, or the neighborhood. It is also nice that I am no longer confined to on area in the house to play. I can move around freely and not put myself into complete seclusion when I wanna break out my guitar. I would recommend this product to anyone whose ever had to put up with roommates or household members complaining about your guitar playing.

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If you play metal and wanna warm up before a show this is your best buddy. Crunch is awesome, as if a pedal was being used. Volume control, mids, and highs also controlled by dails. Plus its so small it won't be I'm the way of your lap when seated or standing. Buy it, It's amazing. . Stay metal!

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Wow, this little thing blew away my expectations. Way better then amplitube or any of that crap. When I can't play my half stack 6595+/Mesa at night in uh this I'm and it blows me away how heavy it sounds. It has a very full tubeish sound, flip on the neck pup and you have the les Paul bluesy sound, back on the bridge and play some Metallica Pantera or whatever metal style you play without worrying about the neighbors. Awesome.

Behringer Speaker MS40 Digital 40-Watt Stereo Near Field Monitors

Behringer Speaker MS40 Digital 40-Watt Stereo Near Field Monitors
Customer Ratings: 4.5 stars
List Price: $229.99
Sale Price: $179.99
Today's Bonus: 22% Off
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  • 2-way active studio monitors ideally suited for computer studios, audio and multimedia workstations and keyboard monitoring
  • Built-in powerful 2 x 20-Watt amplifiers with immense headroom
  • Powerful woofers and high-resolution tweeters provide an ultra-linear frequency response
  • Ultra-high resolution 24-bit/192 kHz D/A converters for an incredible dynamic range
  • Optical and coaxial inputs to directly connect digital audio sources by S/PDIF interface

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If you need a inexpensive home theater PC speakers MS40 are fun. Their mids and highs are sweet e the mid-bass line is satisfatory. Those ones who intend to listen to MP3 and watch movies on PCs will enjoy MS40.

On other hand, if you need a reference monitor for recordings, forget it! No way! MS40 is quite uneven, lacks resolution and clarity on mid band and its treble has absolutely no resolution. Bass lines isn't good enough also, because of its lack of control and velocity (they are boomy speakers). Their quite apparent boxiness also let MS40 down.

Looking for a entry level reference monitor? I would recommend to spend a bit more and get KRK Rockit RP5G2 or a M-Audio BX5A. They cost twice as much, but sound 4 times better. You can't afford any of them as your budget is short, so go with M-Audio AV30 or AV40. In my opinion, even the chep M-Audio AV20 offers better mid and treble resolution than behringer MS40.

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I bought these Behringer MS40 speakers from amazon a few weeks ago, and had the exact same problem as some other reviewers, right speaker would make loud rattle sound when low frequency sound or bass is on. After I researched this problem online, it seems this is quite a common problem with the MS40, one reviewer even exchanged and got the same problem with the 2nd set of MS40. I didn't really want to ship the stupid thing back to amazon unless I have to. So I opened up the right speaker, trying to find what's causing the rattling. It seems to me that it is the untied cable that is causing the rattling, there are two loose cables (one thick, one thin), directly behind the sub-woofer, and comes loose by default. So I duct taped these cables securely to the internal wall of the speaker, making sure they will not touch the sub-woofer at all, then I put everything back, tested it with a heavy bass, and the rattling is gone.

Other than the rattling problem, the speaker sounds nice. But Behringer really should've taken care of the rattling problem at the factory, this problem has existed for over 3 years, and still these speakers being shipped today still comes with this problem. I am disappoint. I will probably not buy a Behringer speaker again in the future.

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These are excellent amplified speakers, with great fidelity for their size and unusual flexibility to accept both analog and digital inputs. The exposed and delicate woofers, however, had me worried. I searched the web for speaker grills that had four mounting holes to match those of the MS40 (screw holes exactly 4 15/16" across from each other). I hit paydirt in my search, have just finished installing the grills and have uploaded a photo to show how they look installed. These grills are Item 260-420 from Parts Express. They come singly, so buy two. These are a perfect fit in size and color for the MS40. Mounting these grills takes about 5-10 minutes per woofer, requires no drillling or modification to the MS40 and is reversible. In my opinion, there is no effect on sound quality. Cost with shipping is about 18 bucks for two grills. Lastly, I have no affiliation with Parts Express.

Brief How-To: Place one of the enclosures on its back and remove the four screws with a 3mm hex driver. Lift off the plastic ring. Save the ring and four screws if you want to restore to original later. Mount the circular grill bracket using the four screws that came with the grill kit. Put the included steel clips on the screws to act as spacers against the rim of the woofer, aligning them to conform to the rim without extending over the woofer cone. Carefully screw the mounting bracket onto the screw holes in the MS40 enclosure, alternating between screws until the bracket is flush with the enclosure don't overtighten the screws. Push the circular grill onto the bracket -it goes on easily and can be removed for cleaning when needed. Repeat the process for the second enclosure. Enjoy.

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These Behringer MS40's are rockin' my apartment big time. I have had plenty of speakers in my day, but these are the best combination of size and sound. I still find myself thinking "where's the sub at" on occasion when enjoying these speakers, because the low end sounds beautiful. I remember when you would have had to of placed tower speakers sporting 10" cones or had a sub cabinet to get this sound. Best part is that the mid range and highs sound GREAT too!! With about 8-10 feet of seperation between the speakers the imaging is right on. When I watch movies with them you get what they intended to mix. Dialogue is centered, cars sweep across the room, and explosions rock the walls. I listen to quite a bit of music and enjoy various styles. It really doesn't matter what the genre because the end result is always excellent. My only advice would be to make sure that you are not to close to the speaker when listening. I originally place them about 3' from each end of my couch and realized that the "sweet spot" was my kitchen...I switched their placement to the opposite end of the room and have sounded great ever since. Seriously well balanced speakers...not like they are the best, but I have not found any better for the price. Something else that makes them awesome is the input section. I have my computer running through one input, my tv/dvd through another and sometimes friends will drop by and we plug their ipod straight into another input...two volume controls allow me to adjust the computer and tv/dvd seperatly. These speakers are SWEET for the Price!!!

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I purchased a set of these new, and actually have a fair amount of Behringer equipment. I like it because there are some subtle misunderstandings with the equipment they sell, and that means you can usually get it very cheaply.

I am very happy with these, and actually suspect that much of the whining about midrange is from people who previously had multi-media speakers, and miss the exaggerated midrange. I have faith in Behringer, and these speakers are probably quite flat in their dynamic response. On the other hand, I have considerable flexibility in driving them through a good mixer, and can get what ever I want out of them. My only criticism is that these speakers are very directional as a result of their design, and it can be difficult to find the listening "sweet spot".

A clue about Behringer stuff:

A design technique they use is electronic power cutoffs to eliminate noise from low amplitude signals. This means if you don't have enough input amplitude to drive them, you may get faint or no sound out of them. My guess is that this is the case with the sets that can be had for 70 bucks because one or more speakers is faint, or not producing sound at all. See what I mean about getting Behringer stuff cheap? .

PS There is no hum out of them, they are absolutely silent when not being driven

DO buy these if you have a moderate (No more is required) understanding of sound system architecture, and can set them up properly!

DON'T buy these if you want something to plug in to your ipod or TV set, and are going to give up because 5 seconds after you do you are unhappy with what is coming out of the speakers. What you want are multimedia speakers.

Finally, if you want to chance a "Damaged" pair that isn't producing good sound out of one or more speakers, go right ahead, but do so at your own risk. I bought them new, but as soon as I plugged them in got faint sound out of one speaker until I went through and made certain they were being driven with a strong signal, and all the interconnects were solid Then Presto! (As I say to myself Oh yeah Behringer stuff)

(Red Trim) SumacLife Microsuede Sleeve w/ Neoprene Bubble Padding for Sony Xperia Tablet Z 10.1-inc

(Red Trim) SumacLife Microsuede Sleeve w/ Neoprene Bubble Padding for Sony Xperia Tablet Z 10.1-inch Android Tablet + White VG Handsfree Stereo Headphones w/ Windscreen Microphone + SumacLife TM Wisdom Courage Wristband
Customer Ratings: 5 stars
List Price: $49.99
Sale Price: $21.99
Today's Bonus: 56% Off
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I have a Sony Xperia Z Tablet with a Poetic case. The tablet (with case on) fits perfectly inside pouch. I like to use it for more cushion and protection when traveling with my tablet. I don't, however, like how the tablet fits inside the restraints without the case on. It's not as snug as I would like. But overall I am extremely happy about this purchase. Not bad for $14.99 (without earbuds)

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Fender Mustang II Electric Guitar Amplifier

Fender Mustang II Electric Guitar Amplifier
Customer Ratings: 5 stars
List Price: $269.99
Sale Price: $199.99
Today's Bonus: 26% Off
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  • 40 Watts
  • 1-12" Fender® Special Design Speaker
  • One channel (with 24 presets)
  • Controls: Gain, Volume, Treble, Bass, Master, Preset Select, Modulation Select, Delay/Reverb Select, Save Button, Exit Button, Tap Tempo Button

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As far as amps that model vintage tones. This is the best.

For my ear, Line 6, Vox, Crate, Digitech etc are nowhere near the Fender Mustang if you are comparing Vintage tones.

I have played amps and effects from many companies, as well as many of the 'hybrid amps' that combine tube and digital tones, and if you are looking for the best recreation of Vintage Blues, Rock, Hard Rock, Country tones... the type of tones that you get from some of the famed Fender amps, the Mustang Series is as good as you are going to do.

I originally bought the Mustang I for my 9 year old son to be his first practice amp and when we hooked it up for him, I could hardly let him play.

The tone editing is easy through the controls on the amp. It is easy and straight forward to see what you need to do to tweak your sound just by turning knobs. When you add the Fender FUSE to the mix and start to download new tones from the web and tweak it with dozens of stomp boxes and effects that are free to play with and try and keep on your amp this is an amazing value. (not to even mention the Ableton recording software that comes for free with the amp.)

The reason I love this amp is because of the faithful recreation of the great Fender amps like the Bassman, Deluxe Reverb, and Twin Reverb. I have never heard a digital sound replicate tube amps even close to this well.

I have heard several people say that they would never buy this amp because it is not a tube amp or because they are not computer savvy.

For the Tube amp snobs...

Nothing is going to match the sound of a really great Fender Tube amp. But if you want to recreate great fender amps at low volumes the Mustang will be a great practice amp for you. OR... if you want to bring an amp to practice that weighs a fraction of what your Fender Tube amps weighs, the mustang is a great choice. I am selling my only tube amp now that I have the Mustang II because I don't gig and really need an amp that I can practice with at night while the kids are in bed.

For the Non-Computer folk...

There is plenty to keep you occupied on this amp without ever plugging it into a computer. And if you want to give it a try, it couldn't be easier to download new sounds and tweak your favorite tones.

For the Metalheads...

This amp probably is not for you. Go try and buy a higher gain Line 6 or the Vox ADT series of hybrid amps to get some really heavy tones. There are some decent metal tones to download on the FUSE, but the real strength of this amp is Vintage tones.

Let me make it clear! I played my son's Squier Mini guitar through this amp and it sounds really amazing. I have a Fender Strat, Squier Tele and a Les Paul and they all sound amazing in this amp.

This is the first piece of guitar equipment that has given me absolutely NO buyers remorse. Unbeatable value. A great toy. A perfect practice tool. You can't beat it.

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I can't say enough about how impressed I am with this amplifier. Fender has really packed a load of usable features into an affordable, excellent sounding package. I've had the amp for two weeks now and am still exploring all of its capabilities, but it's one of the most exciting guitar products to come my way in years.

First of all, the different amp presets sound absolutely killer and the included FUSE software allows for easy editing and you can store an unlimited number of presets on your computer. There are many amp models and effects to choose from and the FUSE interface is so simple even an old school knob twirler like myself can handle it. Using the computer, you can replace the factory presets on the amp with your own, making it a truly custom amplifier.

Secondly, I was really impressed with the sound I can get from the amplifier. I have always preferred tube to solid state and this is the first modeling amp I've really been impressed with. It just sounds fantastic, with real differences between the various amp models you can choose from. It's been a real treat to be able to explore the different models, such as the Bassman, the Deluxe, Princeton, Twin, and other Fender and non-Fender amplifiers. The 12" speaker sounds great and the forty watts provides plenty of power, at least for my purposes.

Lastly, Fender has outdone themselves with the options they include. The amp features an input for your audio/MP3 player-great for those of us who like to practice along with music, a headphone output that doubles as a speaker emulator for recording, and a USB connection for connecting to the FUSE software and recording software. Fender has also included free recording software (Ableton) and their Amplitube software (as seen on the most recent iPad commercial). And you get all of this for two hundred bones. Well done, Fender!

If you're interested in this amplifier, do yourself a favor and check out the demo video on Fender's website. It's a really nice overview of the features and they also have sound samples of some of the presets you can listen to. The amp sounds just as good in person.

(The Mustang I is a 20 watt amp with an 8" speaker, but has all of the same goodies as the II if you don't need the power and want to save a hundred bucks.)

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I bought this amp to play my guitar in a jazz trio-guitar, piano, violin. When I listened to the amp by itself, it sounded fine, other than most of the amp settings have oodles of fuzz in them which doesn't really work with jazz. O.K., I found a couple settings (twin reverb, e.g.) that sounded clean enough...but when playing with the other two instruments, the bass response of the Mustang II is totally lost. Make no mistake, you get a lot of goodies to play with, including the cool, but poorly documented FUSE software (hack around, you can make it work). I'd suggest this amp for someone who is starting to play and wants to get a feeling for what effects (chorus, flange, etc.) they like; what kind of reverb (hall, room, etc.), if they like a modelling amp, etc.etc. But I think you'll be very disappointed in the tone if you play even at very moderate volume levels with others....it is a very "bright" amp-you hear the high tones well-too well, really, but you might as well not have that low E string on your guitar. Maybe they really meant this amp to be used with electric ukuleles.:>}

UPDATE: After using the FUSE software for awhile, I found out that you can have better bass response and a cleaner sound than those awful presets that come with the amp...as one reviewer noted, the first thing to do is to get rid of the presets, hook up the FUSE software to your amp and choose some presets to replace the factory presets that work for your kind of music, in my case, jazz. Don't just pick a factory preset that you figure is "good enough", like I did before I wrote the original review...there really are a bundle of good presets that I figure were developed by teenagers that can't read music or tab, but have great ears.:>} (just jealous).

Here's a quick guide to the FUSE software:

1.After the software has been loaded from the disc, you will have to register-hit "logon" and follow instructions.

2. Now to load a preset: go back to the FUSE software (a picture of an amp with oodles of hyperlinks should be on the screen). IGNORE all the hyperlinks except the one on the right that says Media Library. Click on that link-you are now there!

3.On the middle of the screen there are the words (hyperlinks) "Computer Amp Web". Click on Web and a very long list of presets will appear-pick one that looks good to you and RIGHT CLICK on it-it will say Download Preset-click on that. Your guitar is connected to your computer with the USB chord and the amp is on, right? Also make sure the PRESET knob is turned so you see a red or green light-if the light is amber, turn the knob until you have a red or green selection.

4. Plug in your guitar and play the preset you just selected from the Web menu and see if you like it-if not, go to Media Library, pick another one, RIGHT CLICK and download...ah, that's the one? On your amp, press SAVE-it will start to blink; press SAVE again-the preset has now replaced one of the aforementioned awful factory presets on your amp.

5. Turn the Preset knob to another red or green position (so you don't over-write the preset you just saved), go back to the Media Library and repeat the process until you've replaced all the red and green presets you want to; you can always over-write any preset later that you decide wasn't all that good after all.

I thought I'd toss these brief instructions in because the manual instructions are, well, manual instructions....you have to hack around a bit to get the idea. Hope these hints were of help. You might want to look at the "Comments" section on this review for suggested presets with the FUSE software that are cleaner than the factory versions.

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I passed on all the Fender G-Dec units for years,(still glad I did), instead buying the Line 6 Spyder Jam and then a Line 6 Spyder IV. They are both great amps for sure, but for the money, Fender has really got this one right. The clean tones on this are just great. The ability to modify with FUSE is an additional layer of gravy. The amp is just about perfect for bedroom, studio or practice. I bet more than a few of these quietly show up in Nashville studios...

I still love my Line 6 units, especially my Spyder Jam cause I can play along with tracks, and I love the accuracy of the models in the Line 6 Spyder IV. But if you are in the market for a great practice amp, or an amp that will take you from super clean to vintage dirty for special effects on a demo, Fender hits the mark on this one. It's just ridiculous what is in this for $199.

I compared this to a VOX Valve modeling amp, not even a contest. Against a Spyder IV, individual tastes will vary.

Only complaint is the "stacking" of the six effects onto just two knobs. But that is a minor complaint. Most people don't use chorus and flange at the same time anyway.

If you are in the market for a cheap, reliable modeling amp that is less cost than a Digitec RP500 pedal, you owe yourself to look at this thing. Right now, it is the biggest bang for the buck. I only wish I had bought the Mustang III, but it was not available yet when I purchased.

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After reading reviews and watching several online demos, I was convinced this amp was worth a try. Considering I do at least 85% of my playing while 3 kids are sleeping in the house, I wanted something that sounded good at low volumes and ideally through headphones as well. I am a compulsive tinkerer on my PC, so the USB-powered Fuse was icing on the cake for me.

First the bad: My initial impression when unboxing the amp was that it felt a bit cheap and toy-like. The knobs look and feel fragile and the black covering looks cheap with obvious seams visible. The light weight makes it feel as if it may break if I sit or stand on it. The jacks (including main input) are clad in black plastic instead of metal. Most of the presets didn't seem very usable out of the box as they were too "processed" for my taste. Too much compression, reverb, etc. The Bassman and Twin Reverb were exceptions and I found them usable without much tweaking.

Now the good: I have played through a variety of modeling amps/software from the roland cube to amplitube and some of the iphone/ipad stuff. This is by far the best sound I have heard from something that does not have tubes in it. The ability to run my ipod directly into the amp with backing tracks is a huge benefit. I find the amp great for hassle-free recording as well (with surprisingly good results). It is really fun to tweak and create various sounds using the Fuse software. I plan on using this amp as my ONLY amp for playing at home. I'll keep the micro cube for when I need to be on batteries, but that's about it.

A few final notes: Make sure to update the firmware as there have been improvements and this will possibly improve sound if you have an earlier build (did on mine). One word of caution my glowing review is from someone who plays blues, funk, and vintage tones almost exclusively. I wouldn't necessarily recommend this for metal or more aggressive styles. For all this does, it is money well spent and provides a great-sounding practice amp at all volumes (and through headphones). Don't forget to download other users' presets and additional fender presets. Takes about 5 seconds to add them, try them, and decide to keep or not...

JAM Studio Quality Guitar input for iPad, iPhone and Mac

JAM Studio Quality Guitar input for iPad, iPhone and Mac
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $99.00
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  • PureDIGITAL instrument connection for pristine sound quality
  • Designed specifically for electric guitar and electric bass
  • No configuration, just plug in and play
  • Made for GarageBand, Logic, and MainStage, Works with iPad, iPhone 4 and Mac
  • MFi certified by Apple "Made for iPod/iPad/iPhone for absolute compatibility

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After reading reviews for other products that plug into the headphone jack, I decided to go midrange and buy the apogee jam. I received this today and have gathered first impressions. I will update this review as I draw more conclusions, and the rating may or may not change as a result.

First Impressions:

For 100$, I was expecting an awful lot out of this gadget. I don't have a lot of money for guitar pedal effects and a really nice amp, so the result of that is that my time spent at the amp tweaking the limited settings at my disposal is frustrating. The verdict on the Jam? Nothing! As in it took no time at all, took no difficulty, no tweaking. I plugged the 1/4" cable in and into the Ipad, loaded the free version of ampkit, and I was getting wonderful sound immediately. Those first thirty minutes with this new toy melted away in a flash as I played around with the included distortion pedal on ampkit. Some key features I noted as positives:

Pros:

1) Excellent sound, right out of the box. No batteries to put in, no complicated setup, no install. It just worked straight away!

2) No delay, at least as far as I can tell. This seems to be something people are curious about, and at least so far as I can tell there's not one iota of delay from what I do and what comes out of the speakers. I simply may not be discerning enough, but to me there's no noticeable pause.

3) Sensitivity is solid. I was able to modulate my picking style and achieve big differences in the output. For some reason I was expecting the digital out to be muddy. It may have been a silly thought, but it's definitely solid in terms of its adjustment to you.

4) On-the-fly gain adjustment works very well, and I love that it gives you a readout of the noise level on the device itself. It allows you to easily get to a good spot.

Cons:

1) Cost. Obviously this isn't that much for a good guitar input. You could easily spend a lot more for fancier gadgets; however, 100$ is nothing to sneeze at when you play as a hobby. It's definitely worth it since it's no hassle compared to what I have read about other products

That's my list of cons I know for sure so far. There are other issues that I worry about that cannot be ascertained in a first impression. I intend to update these at another time.

Potential cons:

1) Output to a larger speaker. The Jam itself has no way to route your output sound to a larger speaker, and I am not certain that a good solution is going to pop up just yet. If I want to find a backing track on youtube on my laptop and get the guitar and track to my headphones, I'm not sure I'll be able to. I expect there is a reasonable solution for this, though

2) Durability. I have read other stories about the unit failing. Mine was not DoA, but that's about all I can tell so far. It seems like it will hold up to shock. It doesn't feel cheap to me, and it has no little parts to lose (like a battery flap, for example). Time will tell if this guy goes the distance

All that said, I am elated with my purchase and give it a tentative five-star rating. I intend to play with it a lot more, and at this stage I am not quite sure which of the several guitar apps I should lay down my money on. Ampkit seems really good so far with its free effects and amp, so I may go with that.

UPDATE, 12-17-2011

After several months of use, I feel confident in updating my review a bit for those who want some more information! The device has not given me one iota of trouble so far. I can now add some more annoyances to the short list.

CONS:

1) Not being able to charge the iPad at the same time while using the Jam has caused a few situations where I had to put down the guitar after several hours of fooling around with recording and whatnot. I know! Who says I should take a break, right?! This has not been a major issue, in reality, but it is a potential one if you are away from somewhere where you can charge up.

2) The digital connection locks tightly into the port, which is good (it's not going to get ripped out of there), but it gets to feeling a little flimsy and makes me nervous about damaging the cable head itself or the port to the iPad. If you're careful, no issue should ever pop up, but there's that distant possibility.

All in all, any quibbles I have are minor and should not deter you from considering this purchase. This device along with a few key apps have rendered the Vox AC30 miniamp I bought entirely obsolete. The apps play a big role in this, for sure. I'll talk about my setup briefly, as well.

Ampkit and garage band are both awesome for their own reasons. Ampkit has such a breadth of interesting sounds and presets and customization on your output that it's a must. The problem is that you lack the smart instruments and the ability to record in an organized way. Garage band's guitar sounds and interface are a little more annoying to deal with (needing to set the instrument monitoring and the tracklength every time is annoying). Specifically, the guitar sounds feel somewhat limiting and more difficult to customize. They are nice, but I like Ampkit a lot more. The multitrack recording and smart instruments make garage band indispensable for actual generation of musical ideas! Therefore, I wish I could port my ampkit output sound into garageband. Too bad!

All in all, the apogee jam is confirmed as an excellent amp input. Never once have I had a malfunction of the device or any popping or noise that was not setting related. No issue of detection or anything. No batteries for the device, no hassle. The price is the biggest deterrent, but if all the other iPad interfaces have such nasty trouble, then it's best to save your money and grab a good one at the first shot, and the Apogee Jam is definitely a good one!

How about my Potential cons section from before? Let's see...

1) Ipad can use an aux. cable to output to a larger speaker without hassle. I can import backing tracks into iTunes no problem. It's a little more annoying than booting up youtube and flying, but it's not bad. You can also enable multitasking in the garageband app that will allow you to open up other programs while still getting guitar output, so potential con #1 was not a concern.

2) Durability. No troubles on my end. No failure at all. I have been pretty gentle with it, but it has seen its share of slogging around in by guitar bag. Solid device!

What more can I say? I'd buy another if this one broke or got lost without a second thought. There is no better alternative so far as I can tell without being exorbitantly expensive.

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If you are like me, my research for a guitar connection to my iPad left me with choosing between the iRiffport and the Jam. I recently purchased, and then returned, the iRiffport. I am very pleased that I purchased the Apogee Jam as a replacement. Here are the reasons why:

1) The connector on the iRiffport (the one that goes into the iPad) is not a strong connection at all; it feels as though it could disconnect at any time. I have a stand to put my iPad on when jamming such that the iPad is in landscape mode, so the cord feels as though it will come out of moved the wrong way. With the Apogee Jam, the connector is just like the iPad's connector, except it ALSO has the "prongs" that come out of it, securing the connector into the iPad. To remove the connector from the iPad, you need to squeeze the buttons on the connector to make the "prongs" go in so it can be removed...very, very secure. I use the "Gumdrop" case on my iPad, which has a flap that goes over the charging port when not being used. This flap feels pretty tawt when it is open while the charging port is being used. IMPORTANT: if you have such an iPad case, like me, I certainly feel that the Jam will provide a much more secure connection to your iPad over the iRiffport. In fact, the structure of the iRiffport connector was so large, that I felt that it did not fit well through my case. On the other hand, the Jam's connector is the same small size as the iPad's original connector. This is also something to consider if you intend to use your iPad in portrait mode on a stand with the connector on the bottom of the iPad.

2) Probably the largest reason I prefer the Jam over the iRiffport: you can hear sound directly from the iPad. With the iRiffport, you MUST use headphones or attach external speakers. I tried headphones with the iRiffport and playing the guitar was very awkward. Nonetheless, with the Jam, I could attach headphones or external speakers to the iPad if I chose to do so. I wanted something that could make my iPad an amplifier for easy mobility around my house, without having to purchase another amplifier or external speakers. With the Jam, I have this.

3) The Jam has a gain meter (i.e., an LED) and a gain control. The iRiffport does not. When not being used to measure the level of the incoming audio, the LED lets you know if you are connected to the iPad, but not to any software (blue light), or if you are connected to the iPad AND to a software application (green light). There are no batteries needed for the Jam or the iRiffport.

4) I personally like that I can use my own guitar cord with the Jam. If the cord breaks, I simply replace the cord, not my iPad connection device. The iRiffport uses its own cord, and the connection to my guitar did not feel as strong as my "normal" guitar cable I used with the Jam.

5) Although a fairly minor point, it is nice to know that the Jam is advertised by Apple (look at their website and their Garageband video). And, since I have Garageband on my iPad, I was pleased to see that the advertising material on the Jam states specifically that it works with Garageband.

So far, I'm very pleased with the Jam.

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I bought a cheaper interface first, to 'try out the concept' of playing and recording with an iPad. As a guitar player and songwriter, feel free to take my word for it. It works!

That said, the cheaper mic port connectors can be noisy and problematic, and will be quite unpleasant if you have any hopes of using some of the higher gain settings on any of the amp sims in GBand or elsewhere.

If you play guitar, sing and/or write songs and want to do so on the iPad, save yourself the $30 or $40 you'll end up spending on a cheaper interface and go straight to the Apogee. You'll save money because once you run into the limitations of the other interfaces, you're going to end up buying the Apogee anyways!

The Apogee will give you a clean and direct digital connection to the iPad. The mic input on the iPad actually has circuitry that changes the sound to favor the range of the human voice. Guitars sound okay, bass not so much. Again, any gain of any magnitude whatsoever will produce a lot of squealing and feedback in the headphones if you're using a cheaper interface.

In GarageBand with the Apogee, guitars sound great and so does my Fender Precision bass. I play it through a cleaner amp setting and it sounds tremendous. I haven't run a mic through it yet, but it's a clean interface so with an adapter any dynamic (no phantom power, sorry) mic will sound great. Plenty of great vocals (and instruments) have been recorded over the years with simple dynamic mics, so please don't buy into the advertising myth that you absolutely have to have a shock-mounted, phantom powered microphone to get a great recording. You don't.

There's also the question of volume. The cheaper interfaces are too quiet (one way of dealing with the feedback issue). The Apogee lets you play plenty loud with whatever sound you like. Very nice I must say!

For songwriting on the go, traveling, whatever, Garageband and the Apogee can't be beat. I say this as a long time Windows user, and I can assure you I'm not dumping my Thinkpad anytime soon, but this is really a blast. Being able to tap out a beat, record guitars, vocals whatever on this little iPad is really nice in terms of songwriting workflow. As other have said, you'll get so involved the time just whooshes away!

If you want phantom power and a more sturdy, powered setup, try the Alesis audio dock. For me, though, this is perfect.

Bottom line: If you're a songwriter looking to replace your old four track, SKIP the cheaper interfaces. Spend some more money now and you'll be glad you did.

*** Addendum: Latency with GarageBand is very good, but not air-tight. You'll feel a bit of drag when doing any sort of moderately fast soloing, but it's not that bad at all. I've just been spoiled with the very low ASIO latency I get on my PC. My feeling is that this is not due to the Apogee hardware, but rather imposed by the software. GB has to gear itself for the best latency under the worst circumstances, which would be an iPad 1 with virtual instruments and effects on every track. Hopefully future releases of GB will give users some ability to tweak latency for various scenarios and hardware levels.

I also tried this on my wife's Macbook with the (included) USB converter cable and it works great. No driver installation or anything. Very nice!

Why 4 stars and not 5? You've got to jump through some serious hoops to get a 5 star rating, otherwise it has no meaning! Apogee did a nice job here but that's it. There's nothing special going on here that won't be done at least as well and more cheaply by other manufacturers. Apogee could have priced this much more cheaply but prefer to cash in on the cachet of their name. This is in their own best interest, and seeing as they're the first to introduce a compact digital interface for the iPad, I'm happy to pay the premium for now.

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I bought the Apogee Jam after being thoroughly disappointed with the iRig guitar interface. Like most inexpensive interfaces, the iRig uses the Mic input on the headphone jack of the iPad/iPhone for results that are noisy and low-fi, which simply takes the fun out of apps like Amplitube or GarageBand.

The Apogee Jam uses a direct digital in via the Dock connector, and cleared all that junk up in a hurry. It works perfectly in both Amplitube (v2.5 and up) and GarageBand, with low noise and a clean, fat signal. The input gain control is simple and useful, and because the headphone jack isn't being used you can hear your instrument through the iPad speaker if you wish.

There isn't much more to say. I am using it with a 3rd-gen iPad and iPhone 4S, and finally have a pocket-sized guitar rig that I can really enjoy. Huzzah!

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HEADS UP for people with newer ipad with lightning connector, you will need to purchase a lightning to 30-pin connector. Other than that seems pretty solid.

Shure SE535-CL Triple High-Definition MicroDriver Earphone with Detachable Cable (Clear)

Shure SE535-CL Triple High-Definition MicroDriver Earphone with Detachable Cable
Customer Ratings: 4.5 stars
List Price: $549.99
Sale Price: $478.00
Today's Bonus: 13% Off
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Fantasmagical! Only non-real words can describe these ear buds! I could talk about these forever but, I'll widdle it down to just a few facts to influence your decision ;)

Pros:

1. EVERYTHING.

2. 2 subwoofer drivers per bud

3. 1 tweeter per bud.

4. crossover in between them all (No matter what sound level you select they will deliver with zero distortion and acoustical perfection).

5. Industrial strength shielded cord.

6. Solidly built splitter.

7. Gold contacts at ear bud swivels and jack.

8. Ear buds swivel to minimize cord tangle.

9. Replaceable cord.

10. Comfortable in the ear when worn correctly.

11. 6 different ear bud grommets to suit each individual ear hole size and depth.

12. 37dB of insulation. So say a F-18 Super Hornet is landing right above your berthing you'll feel the vibrations, but won't hear the noise!! HURRAY!

Cons: dun dun dun

1. Price. They are worth every penny and you'll be SOL if you have to switch to a lower standard for some unGodly reason.

2. The cord. Although it's one of the best I've played with, the shielding inside will make for this little loop to form. One must untwist in the was its wrapped. It isn't that big of a pain, but you want to keep it straight so the cord won't get kinked.

3. Swivel ear buds. Fantasmical idea and I wouldn't go back to the other style...EVER. But one should clean it occasionally. (Exceptionally gentle though theres a mini gold wire centered for the electric to flow through.

4. The around the ear loop doesn't hold it's shape very well. It will re-bend when it goes around your ear but it'd be easier if it just stayed.

All 4 of the cons aren't really cons. Their just nuances of an amazing piece of technical marvel. These are by far the best ear buds I've used and the best personal sound instruments I've heard in general! Meaning their better then even the over the ear and around your head types.

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The 535 has been improved in several areas from the earlier 530 model, the latter of which I have two samples. The build quality has been discussed elsewhere. It is substantially solid and commendable. The replaceable cord is almost indestructible, but it being replaceable it is a non-issue.

More important is the sound quality which has been dramatically improved in a number of ways due to refinements to the shaping of the cavity within which the balanced armatures are fitted (I speak about the "speakers" inside which are more comparable to tuning forks than typical electo-magnetic speakers.) The crossover points between these armatures may also have been refined and adjusted for flatter response meaning audibly flat, rather than just measurably flat. The external shape of the device was changed too, and it should fit more comfortably for many ears once one gets used to inserting them.

While a few listeners reported hearing "no difference" between the 535 and Shure's earlier 530 model, I strongly disagree. Or given that many people really can't hear even dramatic differences, it is merely true for them, but not true for those who can hear minute but significant changes between designs of audio equipment. The 535 is different from the 530 physically period. And sonically in a number of areas any sophisticated golden ear can hear. Among my audiophile acquaintances we could easily hear the improvements as follows:

1. Increased clarity and "transparency" throughout the frequency range resulting in better delineating of instruments, one from the other, and the textures and shapes within the sound. For example, the airy whoosh of a flute, the tinkles in the distance of a softy struck triangle at the back of the stage, the rosiny draw of the bow of a string instrument, the brassy rasp of a trombone, and the shimmer and afterglow of a brushed cymbal.

2. Higher resolution of the soundspace, such that the leading edges of percussion instruments penetrate with greater force, impact and speed. The fading tails of sound decaying away are easily distinguishable and followed to its silence.

3. The sound images locked-in-the-head feeling has been reduced significantly and the soundscape is now wider, many sounds seem to exist outside the head, even at a distance from one's ears.

4. More spatial clues and sound reflections are audible, such as naturally recorded hall ambiance and slap echo against a stage wall.

5. The bass is important to most listeners, it being the foundation for the rest and the rhythmic underpinning of music. The 535 excels in this area, even over Shure's 530 earlier model which provided deep bass surely, but not with the 535's impact, solidity and tightness, definition and textures. There are other brands with seemingly MORE bass or lower bass capability. This may be an illusion. For plumbing the deepest bass we have the requirement for very high definition. The 535 is, by a long shot, superior you need to seal the earbud to your ear canal to hear it in all its glory.

6. One can continue describing sonic improvements over earlier designs, but there are space limits. Conclusion: I have not yet heard a more enjoyable, and most importantly, accurate portable device to date. The price, understandably, will be a factor for most people. However for the discerning listener who demands the quality of sound the 535 can furnish and will install CD Redbook standard or higher resolution audio files in their music players/iPods, the Shure 535 will be a stunning addition to their musical enjoyment on the go, in a plane, while exercising, or at home.

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Most people are looking for assurances that the reviewer of a product is qualified, so allow me to indulge briefly: I'm a lifelong musician, sound engineer, and headphone enthusiast/general audiophile. I love music not only for the artistry and quality of arrangement, musicianship, etc, but also for the beauty of sound that comes from the recording/mastering process, ultimately delivered through your speakers or headphones.

The first thing most listeners will notice with the 535's is their phenomenal mid-range response, which is largely out of style in most of today's popular (read: crap) audio products. The tight, clean bass is delightfully present in the mix without clouding over other ranges. The treble is bright and organic, not harsh and overpowering. The improved bass response, build design, and crossover sets these apart from earlier and lower models (I actually did an A/B test with the 425s vs 535s since I own both the 535s won by a huge margin). I love cranking these puppies up...it feels like the music is emanating FROM MY BRAIN. Make sure you get a good seal on the 535's and they will change your life. Boom.

I have been very loyal to Shure for the past 5 years or so for their honest sound, quality builds, and great customer service. I had the E4G's and SE425s for several years, and when the cord broke on the former pair, they shipped me a brand new pair without question.

Bottom line: these aren't for "pop" audio listeners looking for destructively rumbling bass and over-cranked, shimmery highs. Try Bose, you will be more happy with the inaccurate replication of the music. For those seeking full, powerful, honest sound with a great build and innovative features, buy these and don't look back.

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These earphones sound AMAZING! They are exactly what I would expect to hear after paying $500. But, (and it's a big "But") after using these for slightly over one month the supposed durable cable connector (the part that connects to the ear phone itself) became loose distorting and cutting off sound every time I moved the cable. I figured it was just the cable so I paid an additional $40 for a replacement cable, and quickly discovered it was not the cable itself but the input point on the ear phone! Now I have to send them back to Shure for repair! This in my opinion is simply unacceptable for a pair of $500 earphones hence the 2 star rating! And just a caveat, I in no way mistreated the earphones. They were kept in the case (the case is poor quality btw) when not in use, and were handled exactly as instructed! So, I recommend if you buy these, make sure the connection is not loose, and wiggle the cable while music is playing to make sure there is no break in sound! If so send them back immediately or you'll be stuck having to deal with Shure directly!

Got the new pair and they were awesome, so much so, they got stolen. Now I'll have to fork over another $500...geez...

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I hope that this review will help someone who is "on the fence" on investing in a pair of SE535s.

I have owned multiple pairs of Shure headphones, some middle of the line and also pair of top of the line SE530s. I use my headphones almost daily, for work and for pleasure, and when I use them I use them for many hours at a time. In fact, I think I place an extra level of use on my headphones, more than most people would. I travel the world for business and I take my headphones and Iphone with me where ever I go. I don't need to spend any time raving about the high quality and exceptional sound that Shure creates with their headphones, there are plenty of reviews that can attest to their superior fidelity and you should expect nothing less than perfection when laying out $500 for a pair of headphones, however I want to focus on the customer support.

After 6 months or so after my original purchase I started to have problems with my SE530s, specifically the left earbud would cut out at the lower connection. I sent the headphones in and they were immediately replaced with a new pair. All was good until about 6 months or so the problem happened again, so I sent that pair in for repair and they were replaced. All in all, I replaced these SE530s three times, the last time almost a year AFTER the original warranty ran out. Shure customer service were always courteous when I called, and replaced my product(s) without issue and almost immediately after receiving my old headphones at their department.

Now, don't take this review as a problem with Shure's products. I believe that anytime a company produces a product there can be problems that occur. What I experienced with my SE530s were an exceptional product, with exceptional sound, that had a hard time under exceptional usage. Now, this could have been bad luck, or hell a bad design for all I know. Shure stood by their product and looked out for me as a customer. That is what I want people to take away from my review.

In the end, I purchased the SE535s and decided to keep my SE530s as a backup. I felt the SE535s with the replaceable cables would function better under the extreme usage that I put my headphones though and so far they have performed as I expected them to.

There are few things in the world that you really get what you pay for. The Shure SE535 headphones are in a class by themselves within this group.

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How to Get Rid of Ihome Headphones Troubleshooting

Introduction

IHome players make it easy to connect your iPhone, iPad or iPod touch and play the audio through an external speaker system. Common problems experienced with iHome players include the player not recognizing the Apple device, the player not charging the Apple device, audio problems, alarm problems and more. Try resolving your issues through troubleshooting before contacting iHome support or exchanging your player.

iHome Doesn't Recognize Device

The version of iOS currently installed on the device may be not supported by your iHome system. Connect your Apple device to your computer and then check for an available firmware update in iTunes. Install any available firmware updates and then try using your device with your iHome player.

Disconnect your Apple device from the iHome dock. Check the connector on your device to make sure that nothing appears damaged and also that there's nothing in the connector; repeat this process for the iHome dock. Clear any dirt or debris that could be preventing the devices from making a stable connection. Additionally, ensure that you're using the dock associated with the Apple device you're using; if you're not using the dock built specifically for your device, the connection may not be good.

Disconnect your Apple device from the iHome speaker and make sure it isn't locked or frozen. If the device is locked or frozen, hold down the power button to perform a soft reset; this forces all running programs to close and the device to shutdown. Restart the Apple device, ensure it's running correctly and then reconnect it to the iHome player. If you regularly experience problems with your device freezing, see if a software update is available or restore the device to its factory settings.

If you're device works properly prior to connecting it to the iHome player and the software is up to date, your player just may be too old for the iHome player to recognize. This is a problem because older models of iPods and iPhones can only be upgraded to a certain point, and some older models of these devices aren't capable of being upgraded to a version of iOS that works with iHome.

iHome Power Problem

Make sure the power cable is firmly plugged in to both the iHome player and an AC power outlet. If either of the connections on the power cable are loose, the iHome player may not power on.

Disconnect some devices connected to power outlets that share the same circuit breaker and then try resetting the circuit breaker to resolve your iHome problem. The circuit breaker may have been tripped by a major electrical event, such as lightening, or as the result of having too many electrical devices connected to that series of outlets.

Connect your iHome player to a different power outlet. The AC outlet you're using may be defective or have any number of other problems. Avoid trying to fix issues with a potentially defective power outlet on your own unless you're a qualified electrician. You can test the outlet by plugging another device that you know works into the same connector on the same outlet.

Sound Problems

Poor audio quality through your iHome speakers can be the result of having the volume cranked up too high. Try reducing the volume to see if that addresses your problem.

Turn down the level of the bass. High bass can also result in bad audio.
The file on your Apple device that you're trying to play through the iHome speakers may not be a high quality file. These audio imperfections in the file may not be noticed through your headphones, but can become apparent when you listen to that audio file through a good set of speakers. If you created the file on your own, try creating the file again with higher-quality audio settings. Alternatively, if you didn't create the file, it may just be a low-quality file.

If you don't hear any audio through the iHome speakers, disconnect the iHome player from AC power and wait for 30 seconds. Reconnect the iHome player to AC power and see if it resumes working. Sometimes, iHome players suffer an internal glitch where no audio is played for connected devices and the player needs to be reset. Also, try restarting your Apple iPhone, iPod or iPad.

iHome Won't Charge Apple Device

If you're not using a dock compatible with your device, the device may not be seated properly, resulting in a poor connection with the player that may result in the iHome not charging your Apple device.

This may be a sign that your Apple device is frozen and not responsive. Disconnect the Apple device from your iHome player and then try performing some of the suggestions in the second bullet point within the iHome Doesn't Recognize Device section.

This may be a sign that your Apple device has a defective battery. If you feel this is the case, contact Apple and see what your options are.

iHome Alarm and Clock Problems

If you don't like the default snooze time on your iHome player, try holding down the snooze button and then pressing the "+" and "-" buttons to adjust the snooze time for your iHome's alarm.

Most iHome players have two alarms. If your alarm isn't going off, ensure the alarm you want to use is the active alarm.

If your alarm isn't going off on the correct day, ensure that your iHome's calendar is set to the correct day. If you set the time but didn't set the correct date on your player, the alarm may not go off on the correct day.

If your iHome player features Time Sync and the time isn't changing to correspond with your Apple device, update your iPod, iPad or iPhone firmware. If that still doesn't work, your Apple device may be too old to support this feature.