Avantree Sacool Bluetooth Stereo Headset with Mic and Pouch, White/Blue

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List Price: $39.99
Sale Price: $36.59
Today's Bonus: 9% Off

June 8, 2013 These headphones receive audio ok from both my computer and my iPhone. There is a speaker embedded in them enabling 2 way conversations while making calls on my iPhone. But I can't walk around with them because any movement causes them to fall off. The price for these ear phone is pretty reasonable, but what good are sweat resistant earphones if you can't move around with them on?

August 31, 2013 The battery no longer charges.

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I bought these to use with my IPad. I use it primarily to watch videos and newscast links from Facebook while I'm in the same room as my family. So audio fidelity was not critical to me. I wanted easy pairing, reliable connectivity and comfortable fit. This headset fits the bill perfectly and as a bonus, the sound is pretty good!

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Even with the phone a foot/two away from the device, the bluetooth headset cannot maintain a constant connection, resulting in audio cutting in and out. Extremely annoying, especially when listening to music. I do not have this problem with any other bluetooth devices that link to my phone.

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Brilliant item! fits well and good sound. i use it everywhere, in gym, jog, on the train. Great value for money for sure.I have no hesitation to recommend it to anyone.

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The headphones were great at first but the music started cutting out and there was no distance between me and my phone. Not sure what the problem is...

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VOX AMPHONESBASS Active Amplifier Headphones

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List Price: $145.00
Sale Price: $99.99
Today's Bonus: 31% Off

• Headphones with built-in am Plug technology that allows you to obtain lead tone immediately
• Headphones made by Audio-Technica, the trusted name in headphones
• The headphone amp uses a new reactor circuit that's based on the Valve Reactor technology featured in Vox amps, delivering incredibly dynamic lead tone
• Totally analog design that faithfully simulates the circuit response of the original amp
• The Bass version which provides a wide-range sound, including a new Bassilator circuit that realistically simulates the resonance of the speaker cabinet and floor.

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It is all you need to play bass anywhere! Perfect for studying and play along. Very pratical, good sound quality, good construction.

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I work at night, so I practice at !:00 in the morning, You can plug in your tascam or mp3 player and get excellent tone out of your Bass

From these Phones, My only dislike is the short and thin cord you plug into your Bass, not much room to move around, just need to buy an extension,

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SM Pro Audio M-Patch 2 Passive Volume Control/Switch Box

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List Price: $219.00
Sale Price: $149.00
Today's Bonus: 32% Off

• Passive volume attenuation control Independent Main & Aux controls A/B multiple outputs.

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This little passive monitor controller if perfect for my situation. I run an analog summing mixer with outboard gear, and I send my final summed signal to this controller and back into my DAW, and this allows me to switch between my two sets of studio monitors, and have an 1/8" input to switch to for reference checks, and final playback (avoiding the analog summing chain) and not have to mess with the volume on my monitors. Even if you keep everything in the box, this unit is helpful if you use a digital "virtual" mixer, and don't want to suffer from bit loss by having your digital faders below unity, but need control over monitor levels. I like that it is passive, has 2 switchable inputs and two switchable outputs, and much more affordable than other options (some of which are not passive). The headphone amplifier sucks, which means I don't have to plug it in at all. I have other options to drive headphones, and don't really mix with them anyway.

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This box does everything I need it to. It's passive, so it doesn't color the sound, it makes for easy switching between my two sets of monitors, and even has an auxiliary input (RCA connection) with separate volume control (which I use to patch in an xbox. Gotta take 5 from working every once in a while!). The main volume knob is really smooth and has some slight resistance, which makes it feel great when dialing in levels.

I chose to mount it under my desk with the included brackets (mounted upside-down so the box is hanging) so that it's right at arm height for extremely quick access. People have said the headphone amp isn't great, but I've never used it as I connect my headphones directly to my interface when needed, so I can't comment on that claim.

I don't tend to throw money around for the studio all "willy nilly", but I'm sure glad I purchased this unit.

For something that really doesn't do much, it's definitely a unit that make working a lot more enjoyable.

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I have used this controller everyday for about 6 weeks. The overall function of the unit is strait forward simple. I was very concerned about adding this controller to my signal path, I typically monitor strait out of my converters to my power amp. With the M-Patch in the signal path, the sound seemed relatively un-effected, the stereo image and depth of field all seemed right, plus I could switch sources and monitors on the fly. The ability to switch input sources and monitors on the fly has me listening to more records, and my work flow has improved. My only big gripe is that the headphone output level is also tied in to the aux and stereo level volume. I wish that the headphone amp had it's own gain stage (i had assumed this because this part of the controller is active). To be clear, the headphone volume control adds/subtracts but the relative signal is subject to the level the aux or stereo volume is set to. The construction and appearance are very good. I am very happy with my purchase, and I would have given this 5 stars if the headphone amp did not seem quirky in the gain stage.

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I was very excited to get this unit. the functionality is great, theoretically. The problem is that it's VERY cheaply made. After 3 months of owning in a smoke-free studio, the connections are starting to crap out. Left channel is in and out and somehow the headphone volume has crossed with the main volume and they no longer function independently of each other. Such a bummer. Of course this all starts to happen AFTER the 30 day return period. Wish I could recommend this unit but I would say money is better spent elsewhere...

This is a very versatile and cost effective piece of equipment. It does exactly what I need it to do.

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MEElectronics NoiseSHIELD Active Noise Canceling Headphones with Headset Functionality, Black

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List Price: $119.99
Sale Price: $117.99
Today's Bonus: 2% Off

Want to know how these noise canceling headphones stack up against the more expensive competition? More importantly, want to know how they sound and if they're worth a shot? Check out our in-depth video review and decide for yourself! Spoiler alert: WE LOVE THEM. Watch to find out why.

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I compared the MEE NS63 headphones against my everyday Sennheiser HD-201's I've had for years. With the MEEE's over three times the current price of the HD-201s I hoped the difference in quality would be noticeable. Frankly I was blown away, first by the sheer difference in volume with identical settings on my fairly ordinary AIWA shelf sound system. But the spaciousness, separation, and bass clarity were simply in other league from the Sennheiser's.

I used a range of reference recordings that included large ensembles such as orchestra, chamber groups, and jazz trios, rock bands, to solo instruments like cello, classical and steel string guitars, mandolin, piano and solo violin. They represent a variety of production points of view (i.e. ambient, dry, closed and distant miking acoustic, electric instruments and electronic sound.

The difference across the board was one of richness and presence. I was especially surprised at the bottom end because the MEEE write up indicated the phones were especially designed for balance rather than the bass-heavy specs other consumer brands often go for. There's clearly no shortage of bottom end here.

The NS63 includes a noise suppression function that requires two AAA batteries. You can engage the NS function with or without the audio playing. To be honest it's not a primary use for me but to check it out I took both pairs of phones on a recent trip by commuter train into and out of Grand Central in Manhattan and put them to work against the typical din of cell phones, noisy kids, and the ubiquitous excessively loud conversationalist two rows back.

I have to say the masking effect was not spectacular: I noticed it mostly in the high frequency range and, when compared to wearing the passive HD-201, yes, I could tell the difference but not overwhelmingly so.

Trying later at home upstairs behind a closed door while my wife played an acoustic piano downstairs I confirmed the effect is most noticeable in the higher frequencies. The NS63s are the only noise-cancelling phones I've ever tried; I can't really say how they compare to BOSE or other brands known for NS.

Regarding the mechanics of the phones:

I wish the battery compartment were hinged or otherwise tethered to the phones. It repeatedly slipped out of my hand onto the floor at home while opening it and I can easily imagine it doing the same on a train and bouncing away under a seat or worse. Opening and closing the lid really could be smoother, especially for someone using the NS feature on a regular basis as battery life is rated at 32 hours.

The detachable mini-plug cable is a nice idea, although the supplied cable is only about three feet long compared to at least twice that on the Sennheisers. Another practical feature the NS63 has is a large audio mute button built-into the outer left phone that's very easy to grab and press suddenly very practical.

The ear pads are slightly smaller and rounder on the MEE's than on the HD-201. I have big ears and appreciate the extra size; the MEE's fit my ears more snugly, which perhaps suits the noise suppression function better. However there's no lateral side-to-side play in the MEE phones at all, as there is in the HD-201's, and this makes them slightly less comfortable for longer listening periods.

Speaking of size, there's every bit as much adjustment `pull' in the MEE phones as the HD-201's and my big head had plenty of clearance on top.

The pillbox-style carrying case is a great idea that should fit easily in an average shoulder bag and certainly a suitcase. The MEE's phone cups are hinged and work comfortably regardless of how far they've been pulled out to adjust for head size. The hinges themselves are made from brushed metal with plastic reinforcement. Although they feel fairly solid I'd get in the habit of using two fingers thumb outside, index inside to gently open and close them, especially if you plan to store the phones frequently.

I've used my HD-201s for home recording and always regarded them as a nicely balanced, if not spectacular, pair of phones. Hearing the NS63's reminded me of the sheer joy of listening I had as a kid with my massive `water-filled' KOSS headphones. If you're looking for a similar kind of rush, I'd recommend them.

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Since I wear earrings, I like how these headphones fit over your ears and doesn't make it uncomfortable on your ears. I owned another pair of headphones of a different brand which would press on my earrings into my skin behind my ears which made it very uncomfortable. In addition, the MEElectronics headphones have a better value as they also have great sound quality and come with multiple cords and a sturdier carrying case compared to the other brand headphones I used to own. I highly recommend this product for anyone looking for high quality headphones without breaking your wallet.

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I primarily use my MEElectronics NoiseSHIELD headphones when recording MIDI loops for worship at my church. Deep, rich bass and crisp, accurate highs create an amazing listening experience. The headphone design naturally isolates the listener from most unwanted background noise. When ANC is engaged background noise is attenuated to an even greater degree. Whether I'm working with MIDI software, or listening to music, my MEElectronics NoiseSHIELD headphones do a fantastic job for a fraction of the cost of similar products. With superior comfort, sound quality, and noise-canceling ability, these headphones rock!

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I have only owned one other noise canceling headphones (search my reviews) and these headphones by MEElectronics are by far superior. The sound quality was on par with a $600 pair of headphones I own and use for recording voice overs. I love the sleek, fold-able design and compact carrying case. I just toss these in my Coach tote bag and am good to go. I used these on my NYC subway commute and was more than pleased with the performance over the louder than life subway and occasional subway-preacher. The only negative comment I have is with regards to the weight. I am user to lighter headphones and these felt a bit heavy on my head after a few hours of wear.

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Focusrite VRM Box USB Interface with Headphone Output Featuring Virtual Reference Monitoring Techno

Customer Ratings:
List Price: Price Unavailable
Sale Price: $75.00
Today's Bonus:

• Virtual Reference Monitoring lets you audition your mix in different environments through different speakers just using headphones
• Provides a significant audio upgrade from low-grade laptop headphone outputs
• Pocket sized and built to last
• Pro Tools Native and HD friendly
• High-quality audio playback interface

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This is an excellent product, plain and simple. It is NOT a replacement for a good set of nearfield monitors, and as far as I'm concerned, no sane person (with a modest budget) would mix anything solely with the VRM. BUT, used alongside your trusted monitors, it gives excellent references and enables one to make a better guess at how mixes will fare in other environments and on other speakers.

I am running Cubase 6.5 on a PC laptop, with the Yamaha-Steinberg UR28M as my audio interface (fantastic value as well, BTW), my nearfields are powered KRK Rokit 6, and I'm feeding the VRM a S/PDIF signal using a high-quality S/PDIF cable. I had the unit up and running in about 2 minutes, and the S/PDIF locked in immediately. I have been using it for 2 days now, comparing old mixes I've done, music I'm presently working on, and listening to music I know very well. With the VRM I am listening on my trusty old AKG K270 headphones. There are better headphones out there, but I know and love the K270s.

The size is great. You can throw it in a pocket of your laptop bag and it gives a nice, ample signal. Great little headphone amp in and of itself.

My conclusion is that this is a no-brainer for the small project studio owner who is looking to get a better sense of how one's music will translate to the real world.

At about a hundred bucks, this thing is a huge value. I got mine used for $69 (free shipping), and I could not be happier unless it came with a roll of hundreds and the keys to Kaley Cuoco's apartment. Sorry, Kaley.

OK, if you're a hobbyist/geek who does entire projects without any nearfield monitors, then yes, I WOULD recommend this over a mere stereo feed from your laptop to your headphones. Better imaging and tonal balance, hands down. But this is not the purpose of the VRM. It is a reference tool, and an excellent one at that.

Buy it.

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Some time ago I decided to save some bucks and bought the Focusrite Saffire Pro 24 instead of the Focusrite Saffire Pro 24 DSP, that already had the VRM system built in. Now I decided to get the VRM Box to go along with my Focusrite Interface. This is a great product for those who mix and sometimes depend on headphones. Also it is a great reference tool. I have both KRK monitors that the VRM Box emulates and it is very accurate. Of course it is not a substitute for them, but does take you a long way.

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So, having owned or used some of the monitors that the VRM box "simulates," I can say it actually "parodies" their sound more than anything. I downloaded the latest software before using.

When I first used it I plugged in my AKG K701s, which I use to check EQ on most of my mixes. When I first enabled VRM on the default settings, my gut reaction was "ICK!" I what sounded like comb filtering on anything that was panned dead center, i.e. any vocal centric music. I went through some of the models, and it wasn't getting any better.

Now, I had read before purchasing that they were tested primarily on Sennheiser HD 280 Pros, which I also own. These are closed headphones, unlike the AKG cans, and usually sound so boxy to me that I ONLY use them because they are tolerable and don't leak during tracking. I started them out without VRM, and they sounded like their usual boxy selves, and then I engaged VRM. I closed my eyes, suspended my disbelief, and there it was. I felt like I was listening to some Genelecs, albeit in a large, relatively live studio. I listened for 10 more minutes, letting my brain adjust to the sound of the VRM box through the phones. Then I disengaged VRM. WHOA! I was again reminded of how terrible the HD 280s sound, except more so! I engaged VRM again, and suddenly they sounded much more full and accurate.

I then went back to my AKGs, and they still sounded better and more accurate without VRM engaged, so I'll be using the HD 280s with this. For mixing. I'll listen to everything else on the 701s.

As far as the D/A conversion goes through the USB port, it's not distracting. It's not FABULOUS, but doesn't get in the way. I haven't bothered using the S/PDIF.

Overall, I recommend it as a useful tool to supplement your mixes, not a substitute for actual monitors. I leave a star off for the rooms sounding too wet, and for the way it undesirably messes with the clarity of center panned tracks. I'm sorry, but real speakers just don't make vocals sound like the speakers are pointed at each other.

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This really works! It's not a substitute for near field monitors but it is an asset. Once you've established your basic mix, you have 3 environments and 10 very accurate reference monitors modeled to check your mix against. The NS 10 and the Auratone C5 settings are my favorite. I've used the real thing and they both are very much like the real thing. Great for detail balance and imaging. I've spent more and gotten much less! For $100.00 you cannot loose!

this device first appeared as a built-in feature in the more expensive focusrite pro 24 DSP model, now focusrite decided to give us a chance to experience the same audio technology feature in a small, ultraportable stand-alone unit. what can i say? focusrite has simply done it again! the vrm box will save you thousands of dollars in your home or pro music studio setup. if you're into music production, you already know what i mean by that. this may not be the ultimate reference monitor box to get that perfect mix but it will certainly give you an idea of what you're (not) doing in the final mixdown with all the various virtual speaker monitors included in the software. the VRM box is a great help for musicians, audio engineers and music producers. at $99, the VRM box is probably the best investment for your music production setup.

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