Showing posts with label headphone ratings. Show all posts
Showing posts with label headphone ratings. Show all posts

Mackie Mixer Bag for 802-VLZ3 (802-VLZ3 Bag)

Mackie Mixer Bag for 802-VLZ3
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $34.99
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  • Orginal Mackie Accessory
  • Designed specifically for Mackie 802VLZ3
  • High-impact, high-density foam and durable nylon

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I've read a number of customer reviews online that say this Mackie 802-VLZ3 bag is over-sized. This is concerning, especially since the bag comes with a quality velcro attaching divider that makes for a snug fit for the mixer as well as provides a compartment for the external power adapter. This is a pro quality bag that was correctly engineered ... by with confidence {8^D

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Only reservation is that the bag is a little too large but it does the job. Seems durable enough. Nice

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I bought this small Mackie mixer for acoustic gigs and parties. Its a great case for a great mixer. One more word is required for this post, so the word is Mackie.

Sonoma Wire Works GJ2 GuitarJack Model 2

Sonoma Wire Works GJ2 GuitarJack Model 2
Customer Ratings: 4.5 stars
List Price: $199.00
Sale Price: $129.00
Today's Bonus: 35% Off
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  • 1/4-Inch (6.5 mm) instrument input - nickel-plated solid brass Switchcraft (10,000 MTBF) jack
  • 1/8-Inch (3.5 mm) stereo mic/line input (no phantom power is provided)
  • 1/8-Inch (3.5 mm) stereo headphone/line output with increased drive for headphones
  • Dock connector designed for use without removing most cases
  • Sleek and rugged aluminum shell

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There are only two products on the market (that I know of) that provide a STEREO line input for the iPad: The Line 6 Mobile In audio interface, and Sonoma's GuitarJack audio interface. I've owned both, so allow me to compare the two...

The Line6 Mobile In is cheaply constructed in a plastic shell. Even the parts that look like metal in the picture, are just grey plastic. The Mobile In provides two 1/8'' inputs, one for a guitar (it includes an adapter cable) and another for stereo line-in. Only one input will function at a time, I believe (I purchased this purely for the stereo line-in, as I am not a guitar player at all).

The Mobile In DOES NOT WORK for stereo line-in on a new iPad using Garageband or any other audio app I wanted to use it with. Their company claims it's supposed-to, but it doesn't. The stereo input is treated as mono, defeating the entire purpose of why I bought it. Ended up returning the product since I had no faith that their company would be able to resolve the problem in a timely fashion. As I understand it, they still haven't fixed that issue.

IN CONTRAST...

The GuitarJack has solid construction and a sleek metal body. You can immediately tell it's a quality device. Its stereo input worked perfectly on the new iPad, whether it was in GarageBand or the other apps I had used. Note, you may have to configure it in one of their recommended apps first, but that's quick and easy to do. From what I understand, you can use both its 1/4'' guitar input and 1/8'' stereo input at the same time, but I haven't bothered to try that yet.

You can use the GuitarJack directly with the iPad, however you may need to remove whatever case you have your iPad in (as I did with my INVELLOP case). When using the GuitarJack this way, you will need to lay the iPad COMPLETELY flat (as in, not tilted, even a little). The other option is to use an extension cable, which you WILL want to get; even if the iPad and GuitarJack are on a perfectly flat surface, it's still too easy to accidentally disconnect the two. Sonoma markets their own extension cable for the GuitarJack, but it's pricey ($25+). Instead, I purchased a cheap, no-name iPad dock extension cable that is over a foot longer than Sonoma's, one-fifth the price, and works just fine with the GuitarJack.

One annoying thing I found was that when the GuitarJack is connected, the iPad's built-in speaker and headphone jack become disabled, and you need to use the GuitarJack's headphone output to hear *anything*. I understand the input jacks taking precedence over the iPad's built-in mic (and I understand that the iPad's built-in headphone jack can also be used to connect mics) but I really wish it didn't auto-disable the speaker, and acted more as an auxiliary headphone output instead. I wanted to be able to mic monitor without NEEDING headphones, but I usually keep headphones with me anyway, so it isn't thaaaat big of a deal.

Minus one star for making an extension cable a basic necessity (and additional purchase, where they *attempt* to rip you off) as well as the disabled speaker/headphone thing. This is an expensive iPad accessory (it costs about twice as much as the Mobile In), but it's constructed well, looks dope, and, most importantly of all, IT ACTUALLY WORKS!!!

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Very solidly built unit, and I'm using the new ipad (ipad 3) with it. Works very well, and the sound is the best that I have heard. I also have an amp kit interface and there is simply no comparison in sound quality to the Guitarjack 2. The amp kit amplifiers and pedals sound awesome though. Sonoma, Four track and Studio track work well for recording with the Guitarjack 2.

My headphones seem to work perfectly using the iPad headphone jack, but have found the Guitarjack 2 headphone output noisy sometimes. Would really like to be able to use Bluetooth headphones, so perhaps this something that could be added as a new feature someday.

Finally, I recommend you also purchase the dock extender, as it offers more flexibility than plugging directly into the iPad.

No regrets on purchasing this unit. It's a keeper!

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GuitarJack2 turns my iPhone and iPad2 into a excellent digital recording platform. I can connect a powered mic using one of the 1/8" inputs, a guitar in the 1/4" input, and a headset for monitoring into the second 1/8" input. The device itself is solidly built and the integration software is well designed and easy to use. It's not the cheapest input device (I own one of those, too) but it is the BEST and well worth the money if you're serious about using an iPhone or, particularly, the iPad for recording. Tip: make sure the iPhone/iPad and GuitarJack2 are on a flat surface to ensure a solid connection.

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I've really enjoyed the guitarjack model 2. It's rugged and compact enough that I carry it around in my pocket a great deal of the time. I get startling good tones from both my electric guitars and the acoustic/electric ones.

I have an iphone 3gs and have to shut down all the background programs, turn on airplane mode and reboot the phone to keep the sound from crackling, but it's worth this extra step to have such a powerful creative tool. I'm sure this isn't a problem with newer hardware. It's great fun to flip through the amp and pedal combinations and find just the sound you're looking for.

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I've been reviewing any audio input device I could get my hands on for iOS since the original iPhone was released, and since the 3G, 3GS and 4/4S, the world of audio input for iPhones, iPads and iPod Touches has become much more complex, but way better!

Use for Audio Recording

The GuitarJack Model 2 seems the perfect fit for almost any kind of audio-only recording in iOS. It works in perfect unison with FourTrack, a very nice multitrack audio recording app for the iPhone (made for this product), and works well with most other audio recorders (I prefer FiRe 2). Stereo or mono, line or mic level, 1/8" or 1/4" (or both at the same time), it's extremely flexible, and the sound levels are great (and adjustable).

The signal quality is great, with no noticable noise, and sounds much better than using analog inputs through the iPhone's headphone jack, and a little better than competing dock interfaces like the Fostex AR-4i.

Use for Video

However, it falls short when you want to use it along with the built-in Camera app, or other video recording apps... this wouldn't be an issue for many people, but a lot of people I know are looking for an awesome dock input that also works perfectly with video recording. It seems that the input sometimes switches from internal mic to the GuitarJack, but not always, when using Camera or some other video recorders. If the GuitarJack worked better with video, I'd give it five stars.

Build Quality

The build quality of this device is excellent; it looks sharp (gun metal finish with a beautiful shine!), feels extremely solid, and doesn't come unplugged unless you give a good pull. For an even more secure fit, put a line of blue or gaffer's tape along the top and bottom to affix it to your iPhone. This is the smallest, but most flexible, and best-looking iOS dock connector audio interface yet.

My Recommendation

If you want to record audio-only, this is the best option. If you want to record video with the GuitarJack, you're in for a world of hurt; look elsewhere.

You can find even more details, pictures, and a video review on my website:

Samson Go Mic Compact USB Microphone - Plug n' Play

Samson Go Mic Compact USB Microphone - Plug n' Play
Customer Ratings: 4.5 stars
List Price: $89.99
Sale Price: $39.99
Today's Bonus: 56% Off
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  • Portable USB condenser microphone
  • Plug and Play Mac and PC compatible, no drivers required
  • Custom compact design that clips to a laptop or sits on a desk
  • Perfect for recording music, podcasting and field recording
  • Ideal for voice recognition software, iChat, VoIP and web casting

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Having misplaced my Blue Snowflake USB mic, I decided to give this recently introduced, competitively priced USB mic from Samson a try. (Samson is maker of the highly popular and effective Zoom personal digital recorders--the H2 and the H4n.) It's an attractive, fully outfitted piece of equipment, with handsome packaging (a small black box and zippered carrying case with aesthetics apparently inspired by iPod). It's smaller and lighter than the Snowflake--more diminutive than the picture would suggest. Yet the audio quality strikes me as being somewhat warmer and richer, favoring the bass frequencies of spoken narration more than the Snowflake, which has slightly cleaner and clearer definition at the treble end.

The Samson Go was seen instantly by my iMac, and recording was as advertised: "Plug n' Play." The mic is somewhat more sophisticated than the Snowflake in terms of "latency" settings (it permits direct monitoring via headphones connected to the mic to insure no delay, or lag time, between transmission and reception), and there's a three-way switch for directional patterns (the manual could be clearer, however, about the difference between "cardioid" and "cardioid 10 pad.") No matter. The mic performed virtually flawlessly right out of the box, with no tampering with the switch.

It's extremely sensitive, slightly more so than the Snowflake. Yet I was unable to avoid the "P" popping sounds, regardless of how close I got to the mic and muted my consonants. So be prepared for the addition of some sort of "pop filter" device (either one sold on Amazon or a self-designed one, using a nylon stocking).

The mic can be clipped to the top of a computer screen or mounted on a mic stand (using a supplied adapter or ordering a properly sized one from Samson). Yet with its heavy base plus the flexible, tilting mic, it can be placed on a flat surface--much like the Snowflake, but with greater stability and without any intrusive cable. (The Snowflake tends to "flop around," requiring some balancing of the device by the user.)

My biggest disappointment thus far is that the clip, as alluded to by another reviewer, does not open far enough for attachment to a desk-top computer (it should be an ideal fit with most notebook machines). Although the Snowflake doesn't use a spring clip, it suffers from the same limitation. If you're especially concerned about durability, the Snowflake appears to be the heavier, more rugged mic, with thick metal and no tiny switches or spring clips to wear out. The Samson is the more delicate and refined of the two. But don't kid yourself. Either mic will exceed the capabilities of your computer's built-in mic and perhaps the owner's expectations. On the other hand, neither is a match for the Shure SM7B that I'm accustomed to using at a local broadcasting studio. Still, Samson would appear to have a winner with this little wonder, whether it's used in conjunction with a computer to record full-frequencied music or "realistic"-sounding narration.

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In the realm of digital recording, the idea of a USB-powered condenser mic was really just an inevitability, but Samson has truly impressed me with their Go Mic. This little microphone has a surprisingly rich sound to it, and captures an impressive dynamic range. The transducer is a mere 10mm, but don't let the diminutive size of it fool you; you can capture some high-quality, professional sounds with this microphone. I use mine primarily as a to-go mic for my laptop recording studio, capturing vocals and guitars with it.

One caveat I would like to mention about using this device in a multitrack context: the use of the default driver for this device is definitely not recommended. Check out ASIO4ALL, a free driver that recognizes your audio hardware and gives them a generic but highly effective ASIO driver, which cuts down on latency big time. Definitely avoid the default Windows driver if you're looking for performance.

The great thing about this microphone is that it has a headphone jack on it, which further reduces the effects of latency in a multitrack context. While it does not reduce latency per se, it can remove the latency between what you hear out of your speakers, making multitrack recordings well-timed. The headphone jack was the deciding factor between this and the Blue Snowflake, which is similarly priced. I have no experience with the Snowflake, but I know it does not have a headphone jack and its clip with which to mount the mic on a laptop is free-hanging, not spring-loaded like the Go Mic. The thing I love about the Go Mic's clip is it will attach to either the top or the side of your LCD screen, which is handy.

If you're a musician who travels with any frequency, definitely look into the Go Mic. You can't go wrong for the price, and its size is tiny enough to stow away in even the smallest laptop bag (even netbook bags). The quality of sound is great, too. This product, alongside my Korg nanoKEY, makes studio productions on the road a reality for me, and I'm thrilled with my purchase.

Read Best Reviews of Samson Go Mic Compact USB Microphone - Plug n' Play Here

There are a lot of great reviews here already, which prompted me to purchase this mic, but it seemed the number of reviews for my particular use were lacking, so here's another review from a singer-songwriter perspective.

Background: I have been playing music and writing songs for years, and I'm a gearhead so I already own tons of recording equipment in all shapes and sizes. You name a recording interface, I've probably owned it at some point, and I currently have a fully functional pc recording setup with a rackmounted pc and USB interface.

That being said, I can't carry my setup around in my pocket. Inspiration can strike at anytime, and this mic is so small that I can put it in the case and fit it in my pocket with my cellphone and keys. The pics offer no perspective on how small it really is, but to be sure, this thing is TINY.

I use REAPER as my DAW, and having used so many interfaces, I've done a fair share of troubleshooting to get devices to be recognized and function as they should, but this mic is truly plug-n-play. The mic has the omni switch on the side, which is a great feature and makes a world of difference depending on your application. The mic is super hot, and picks up sound beautifully in both modes. My intention was to have a small mic to plug in and record rough versions of "in progress" material, but just for kicks I plugged some earbuds into the headphone out to check out the direct monitoring. It works as advertised, but what I did not realize is that the pc sees the Go Mic as a mic input AND an audio output, so the headphone out can be used to monitor the WET signal from the DAW, which is GREAT news, since I like a little reverb and compression whenever possible, and it's nice to be able to eq to my taste. I add these FX in the chain so that I'm still recording just the dry signal from the mic, but I get to hear it in real time with whatever EQ and effects I like. I experienced no latency, but USB is USB, so any latency would be the fault of the computer rather than the mic anyhow.

Depending on the environment you're recording in and on your proficiency in the post production department,it's easily possible to get high quality tracks using this mic. If someone says otherwise, it's either because they own much more expensive mics, whose existence they need to justify, or because they don't know what they're doing. This is not a $1k ribbon mic, but it does stand up to several mics all the way up to the $200 range.

This mic sounds great, has an impressive form factor, and once you factor in the crazy low price, you really can't go wrong here. If it were lost or stolen, I'd order another one immediately without hesitation.

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I just received the Samson Go Mic today. First impressions:

1. beautiful packaging (very Apple-like)

2. Awfully cute, small condenser mic

3. Sound quality is remarkably good

I tested the mic and was surprised at how clean it sounded. Lacks some bass unless you're right up on it, but is perfect for on-the-road podcasting, on-line meetings or webinasrs.

Con:

Only one, the clip is really meant for a thin laptop screen and not a regular monitor. So that limits the usefulness to remote uses.

For the price, it's one of these gotta have toys that's actually a real mic. Good job Samson!

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I just received my Samson Go Mic two days ahead of schedule and I could not be happier. I took it out of its impressive package, clipped it to my Asus Netbook which I am running on Ubuntu Linux, plugged it into a USB port set my sound preference and away I went. For the last two hours I have been playing my mandolin and singing at my computer and playing back on my stereo speakers. The sound is clean and natural. I can't believe this little gem only cost me fifty bucks (it's worth the ninety list price).

I am set up next to a noisy heater that the mic has not picked up when I have it set at either cardioid setting. When I set it for omni-directional, I walked fifteen feet away and it picked me up clearly without me raising my voice.

The mic's actual size is similar to a large pencil eraser. It folds into itself for storage in a nice little case that come with it. It is a sturdy, serious piece of equipment.

Yee Haw, highly, highly recommended!

2.5mm To 3.5mm Stereo Audio Jack Adapter (2 rings)

2.5mm To 3.5mm Stereo Audio Jack Adapter
Customer Ratings: 3 stars
List Price: $9.59
Sale Price: $0.78
Today's Bonus: 92% Off
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I don't know who came up with the idea of fitting a 2.5mm stereo jack to the Treo 650, and above all, why? There might be a reason, but we shall never uncover the truth.

This $6.99 cable will save your life. There are a handful of these adapters on the market but this one is the best, because it is flexible, and also, because the way it is designed, it won't ruin your device by bending the jack input.

Pros: cheap, well designed, good audio quality (for 128/192kpbs mp3s, that is)

Cons: small, you'll likely lose it at some point.

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It's just a cable, I didn't have any issues. Works fine with my Nokia E51. Note you want the 2-ring variant (this one) not the 3-ring variant if you have regular headphones. If you have headphones w/ integrated headset you need the 3-ring variant.

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The format is great.. having it a little bit longer makes it more flexible so you put your Treo in the pocket and the risk of having the plug disconnected is low. Great product.

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Did what it was supposed to do, although the cord between the two ends is much longer than is shown in this picture, which was kind of disappointing as I wanted to avoid having extra cords to get things tangled in.

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I read reviews here where people complained of crackles during their workouts. But I figured I'd just be walking to work, not jogging, so i'd have no problems...

WRONG!

Any movement at all will cause this cheap technological nightmare to make crackling, popping, snapping sounds. Even just walking at a normal pace, with your iPod in you interior jacket pocket. Or in you shirt pocket. Or in your coat pocket. Or in your hand.

Very UNportable. Boo.

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Samson SW7AVSCV10-N6 Airline 77 Vocal Headset System - Channel N6

Samson SW7AVSCV10-N6 Airline 77 Vocal Headset System - Channel N6
Customer Ratings: 4 stars
List Price: $429.99
Sale Price: $299.99
Today's Bonus: 30% Off
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  • XLR and unbalanced 1/4-inch outputs with mic/line level output switch
  • True diversity UHF wireless headset system with PLL frequency control
  • The QV10e Vocal headset has a microphone element that's perfect for singers who need hands free performance.
  • Channel N6

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I tried the Samson Airline 77 in Jan of 2010 ... the description looked interesting, and I had a need for a wireless

headset mic without a body pack. After testing it out, I immediately returned it.

It had two problems, one major and one minor.

The major problem was that if the headset was powered off, the receiver would emit a lot of static as output,

which causes havoc with a sound system.

The minor problem is that it's difficult for some performers to remember which switch on the headset is

power and which is mute ... by touch alone. (And, if they hit the wrong switch, we're suddenly blaring

static to the audience). We worked around this by putting some gaffer tape over the power switch.

The two performers who tested the headset both found it difficult to wear as the instructions desired...

with the transmitter against the center back of the head ... they felt a more natural place for it would

be against the bottom back of the head.

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I have used one for years and am looking for another since the government reserved my old frequency range for emergency services. Before buying I HIGHLY recommend that you make sure it is not in the 698-803 MHZ range.

I loved the fact that there is no wire hanging down to a belt pack. Women should try one on if they don't want to mess up a hairstyle, but I loved it. And my AAA battery lasted a LOT longer than the 9V in my other systems. I liked the fact that the mic didn't come directly in front of my mouth as well. It sits on the side of the lip. It isn't the most comfortable, BUT it is still my favorite.

Read Best Reviews of Samson SW7AVSCV10-N6 Airline 77 Vocal Headset System - Channel N6 Here

Just a great tool for aerobic classes. It was difficult for me to order this item because it is "Market protected" and I am in switzerland. Thanks Amazon I saved more than 300 USD. (Swiss Price is between 650 and 750 USD.) Take care of it, I use it alreday for 1 year and it s a bit fragile!

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I teach a large Zumba class in Cambridge, MA. and need to be heard over the music. I chose the Samson Airline 77 because of the great reviews I've read and the performance it delivers. If you are an instructor whose looking for a great microphone--THIS IS WHAT YOU'RE LOOKING FOR!

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I had used this product in several of the health clubs that I teach in. I started teaching an additional Tae Bo class in a local recreational center where I needed to provide my own stereo and microphone equipment. You can't beat teaching a class without a battery pack! The other thing I love about this microphone over many others is that it takes triple A batteries instead of the traditional 9V. Love it!

Roland OctaCapture USB 2.0 Audio Interface

Roland OctaCapture USB 2.0 Audio Interface
Customer Ratings: 4.5 stars
List Price: $819.00
Sale Price: Price Unavailable
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  • Two combo XLR/TRS inputs with premium mic preamps (VS Preamps), two TRS outputs, coaxial I/O, headphone out, and MIDI I/O.Graphical Control Panel software provides fast, intuitive control of the VS Preamps
  • Phantom power, ground lift, and Hi-Z switches. One-click AUTO-SENS function intelligently sets optimal input levels for the preamps.
  • Extreme low-latency VS Streaming driver. Low-noise, wide-range power supply. Compact with durable aluminum body and Direct Box functionality. Bundled with Cakewalk SONAR X1 LE
  • Eight Premium Mic Preamps premium-grade digitally controlled mic preamps with independent phantom power, low-cut filter, phase invert, and digital compression for each channel.
  • Extreme Low-Latency Driver OCTA-CAPTURE offers incredible stability and industry-leading low-latency USB performance via Roland's proprietary VS STREAMING technology. You can use multiple deviceson the same USB bus without compromising.

Click Here to Read More Reviews >>

I have two of these units strapped together to provide for a total of 16 ports. I am absolutely thrilled with the performance. I had a single MOTU 828 MKII which was working fine but I really wanted more ports and you cannot use ASIO drivers for multiple devices. I was particularly impressed with the documentation of this product which is significantly better than what you get used to for music products that you end up buying. Someone actually tried to write a manual which made the product useable quickly. Greatly appreciated! I will alert you to a few things NOT in the manual or not obvious that will help a lot and avoid problems:

Do NOT use the Octa-Capture on a USB 3.0 port. Despite the spec saying they are backward compatible you will get nothing but horrid garbage if you try to record. The interface can be seen and configured without a problem from the Octa-Capture control program but that is deceptive. Put it on a USB 2.0 port or be sorry. I spent a LOT of time wondering what was wrong before I figured this simple thing out.

If you put two Octa-Captures together you set the clock master to have VS100 Expansion mode OFF and the slave to have it on. Then you connect the S/PDIF out of the master to the S/PDIF in of the slave unit. You HAVE to leave the master S/PDIF in and the slave S/PDIF out ports unused. Don't try to be clever and find a new IO path because that will make the system NOT work. Again, not documented but something to think about. Take your main outs from the slave not the master. Make sure the digital audio port is set to auto on both units.

Be aware that you can only use 4 ports if you are running 192Khz sampling rates and that you cannot strap two Octa-Captures together if you do that also. Serves you right since why would you run that high a rate anyway? Just not necessary. This unit performs like a charm in 24 bit/96 Khz sampling mode. Very very fast drivers also.

By default, the first analog input has high Z input enabled and the eighth one has compression enabled. You may wish to change this immediately. They assume a guitar is going direct into 1 and a bass drum mic is going into 8. They make it obvious when you look on the front panel. Another thing I like about the interface.

I absolutely LOVE that I can put a noise gate on per channel with these units. Wonderful for hooking up noisy old analog drum machines, bass line synths, and keyboards that I have. Also having the pre-amp per interface is great for things like my Waldorf Blofeld that has notoriously low output levels and needs a bit of juicing up before getting into the D/A converters.

The per channel compression is wonderful because I set it up to act as a limiter so I don't blow my speakers or brain up when dealing with very hot inputs.

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This unit works great with an HP Pavilion Dv7 laptop Win7 64. My DAW is Reaper. I am using separate HD 7200 for audio recording and have 8 gigs of ram. This replaced my defective MBOX3 which I returned to Avid after hours of trying to get it to work.

For the same price, I was able to get the Octa-Capture which does much more than the MBOX ever did. You can record up to 10 tracks at a time. WOW! Also, there are 10 outputs, and each pair of outs has it's own mixer. The practical application is different monitor mixes for each band member. (time to upgrade to in-ear monitors) There is a screen on the unit which doubles the information provided via the Win7 driver control panel. So that means you can use the unit as a mixer without the computer.

Also included is MIDI in/out. This was a must for our Roland V-drum kit which triggers our Superior Drummer software. A word about latency: This goes down to 48spls. This is the fastest turn around I have ever used, and it is certainly the fastest I have seen for a USB 2.0. It works if your just triggering a software synth very nicely. However, when my band tried triggering the synth and recording 8 tracks of 24bit audio, we experienced occasional dropouts in playback and recording (once ever 10-20min) This is more the fault of the computer than the OCTA-CAPTURE, as I'm sure on a more powerful system you could probably avoid dropouts. For example, I bet an i7 MacBook Pro would probably be perfect for this unit. Or, probably a powerful desktop. The most stable compromise we found for out computer was setting the buffer to 128, which allowed for flawless recording and decent low latency midi triggering and monitoring. (My drummer suggest we get a second computer for recording so we could just use one computer for triggering via the Octa-Capture)

Final word: This thing is built sturdy, worked out of the box, and does everything it's supposed to do, just like ever Roland product I have ever owned. Emphasis on "it works." You will not regret this purchase.

Read Best Reviews of Roland OctaCapture USB 2.0 Audio Interface Here

I need to record classical chamber groups and piano, and wanted something portable with a good clean sound. One thing I needed was at least 4 phantom powered mic inputs. I didn't want outdated firewire (and don't have a port on my machine anyway), and I didn't want to spend more than 500.

SO

I bought a zoom R24 a few weeks ago, spent the first week being excited about all the goodies (its a sampler! Its a drum machine! It's a piece of crap!!), then let down as more and more...noisy inputs, squealing when phantom power was engaged, timing drift, driver problems and audio cutting out...it was basically unusable for my purposes.

Today I got the octa-capture in the mail, set it up. First impression was how sturdy and solid it felt, the knobs all rubberized (unlike the cheap plastic ones on the R24). Drivers were immediately installed and recognized accurately, all inputs were detected. First thing when I played music from my computer through this device, I was shocked at how clear and crisp every sound was. The R24 seemed to actually degrade the quality of sound! This was like night and day, I couln't believe how drastic the comparison was. The sound on the preamps for the mics are great as well, recorded singing and solo mbira playing this afternoon and was stunned at the quality. And the auto sense button really works, great for a quick setup.

So glad I got this device, glad I shelled out the extra bucks for the quality. The integration of software and hardware is where this thing shines, and that is where music recording has been moving in the last 20 years. Buy it, you won't regret it.

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+1 on the Roland Octa-Capture, despite the price I started out in the $400 budget range and was beaten into reasonableness by purchasing and returning other products.

I'm a windows 7 x64 user, a happy owner of a fastrack pro but wanted more tracks. I just went through an extensive search, and one thing I kept seeing come up was the relatively new Roland Quad-Capture and Octa-Capture. However because of budget constraints and the fact that I use Studio One V2, I decided to to the FW route and try the FireStudio Project big mistake I wrote a separate review for that product, which is ultimately a one-star as would be any review I'd give to a FireWire product at this point.

In the end after a lot of painful purchase/return trial-and-error, I paid up considerably from my original ~$400 budget for an Octa-Capture and boy was I amazed it turned out to be totally worth it. This thing worked perfectly out of the box, the driver / mixer software is awesome, it has a lot of nice features which I thought I didn't need such as a good interface on the front panel, quick and handy load/save of mixer pre-sets, and even some decent preamps and compressors. Also great software metering which is something I didn't realize I was missing on my old FastTrack. I bought this thing very reluctantly because it was "the only game in town" that had more or less universally good reviews. Now I am totally glad I did, and I do not hesitate to recommend that you do the same.

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Similarly to another reviewer, I was trying to stay in the $400-500 range for a USB audio interface. After a disastrous experience with the 1818vsl, I gave the Roland a shot. I was very impressed with how well this thing works.

The unit took me less than 2 minutes to get up and running. And what can I say? It just plain works! This unit records 8 simultaneous channels at low-latencies with no trouble. I am convinced that the drivers are the key to achieving this. I have yet to hear a pop or click; the audio is pristine.

Physically, the unit is solid and quite small actually; it is a nice travel size. The software mixing interface is very simply designed and is clearly intended to be mastered in no time. The auto-sense level feature is amazing!

In terms of functionality and portability, the Octa-capture works perfectly for the musician who is attempting to be a sound engineer at the same time he/she is playing with the band. I love this thing!

Bottom line: if you want 8 XLR inputs on USB (PC users take note), this is the way to go.

CoverON HYBRID Dual Heavy Duty Hard BLACK Case and Soft RED Silicone Skin Cover w/ Kickstand for SA

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I liked the product when i saw it but unnfortunately it did not fit my phone. I would try another product.

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I just found that it hampered the use of the on/off switch as well as the volume control. I was often turning off my phone while taking pictures.

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I liked this case but it did not fit the phone for which I ordered it for. I typed the phone type it when ordering and it was not a match for the phone. I gave it to another family member and it did fit their phone. The kickstand it also a little hard to open!!

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