Showing posts with label headphones for ps3. Show all posts
Showing posts with label headphones for ps3. Show all posts

Sennheiser Momentum On Ear Headphone - Green

Sennheiser Momentum On Ear Headphone - Green
Customer Ratings: 4 stars
List Price: $229.95
Sale Price: $199.78
Today's Bonus: 13% Off
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wanted a pair of headphones that were also compatible with my iphone. did my research before getting these and I'm so happy with the purchase. they come with a soft drawstring bag and a soft shell case. soft cloth covering on the ear cups. metal headband. plastic iphone remote. I've traveled three times with them and I usually just wear them around my neck because I never have the extra room in my bag. doesn't bother me but it's just something to be conscious of. got a bit of a pinhead and a thinner build and these still look proportional and great. picked the ivory color because it matches most of my stuff. amazing sound quality. great build quality. great aesthetic. only complaint is that they're pretty tight so you'll need to give your head/ears a break after about an hour. have gotten pretty used to it by now so it's not bothering me too much now.

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I won these headphones from a contest Sennheiser was having (thanks, Sennheiser)and love them. great build quality, and sound. The one and only complaint I have is the comfort. Since they are on-ear, and I have Dumbo sized ears, they hurt if I wear them for more then an hour. I'm sure that won't be a problem for other people who have small to average sized ears, though. I've always loved Sennheiser and will continue to buy from them.

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I need some time to figure out if I really like them in the long run, obviously they are made to impress from the first look and first sound, and it's so cool this is Sennheiser, because there is always more than just impression.

I connect to smartphone, put the volume down so I can hear and talk with people and I can still hear most of what I need of the music. These are not planar magnetic headphones for 1000$ and etc, so don't expect magic.

They definitely beat the beatz (no pun), so let's hope more of this kind of quality headphones and style will come, and not either high-end or crap.

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If you like headphones with a lot of bass these are great, and they also put out a lot of sound. They are also really well made too: the headband is metal, ear cushions are cloth, and it includes two detachable cords. There's some chrome, black, and either a metallic shade of green, blue, pink or white on the headphones depending on which one you buy. They look both retro and modern. One cord has a iPod volume control. I like that it ships with 2 cords. Usually the cord is the first thing to go, so having an extra is nice.

I've owned these for about 1 month now and use them for both travel and at home. It comes with 2 cases, but only use the cloth case for travel. These are not sound isolating headphones though. Depending on where you sit on an airplane you can hear the jet engines loud and clear. I think they sound awesome though so I don't care that they are not sound isolating. Both bass heavy music and instrumental music sound great.

The metal headbands seem to be a little tight though, but have gotten used to it over a months time.

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It has a very nice rich bass, equivalent to the new Beats Studio. The only thing bad about it is the poor fit for me. Because of the fit the leak is bad. The ear cup isn't as soft as the ones on Studio for sure.

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Beats Studio Over-Ear Headphone (Black)

Beats by Dre Studio High-Definition Headphones Black, One Size
Customer Ratings: 4 stars
List Price: $299.95
Sale Price: $229.95
Today's Bonus: 23% Off
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I'll start out by saying I collect mid-priced headphones(between $50 $300). It may be an odd hobby, but it gives me a certain perspective that others may not have. I'm also an engineering major, and I found the general lack of objective, in-depth headphone reviews on Amazon to be disconcerting. So, here I am, taking a shot at reviewing some of the headphones I either own or have spent a lot of time listening to.

I've devised a simple six-song test and rating system, where 0 2 is abysmal, 2.1 4 is poor, 4.1 6 is mediocre, 6.1 8 is above average, and 8.1 10 is excellent.

The songs are very diverse; I was trying to represent a wide range of genres. They are "The Chain" by Fleetwood Mac(encoded in 256 kbps Ogg Vorbis), "Every Planet We've Reached is Dead" by Gorillaz(256 kbps .ogg), "Concerto Grosso #26 in D major" by Handel(256 kbps .ogg), "I Know You Are, But What Am I?" by Mogwai(500 kbps .ogg), "Afro Blue" by Triplexity(192 kbps .ogg), and "The Patient" by Tool(500 kbps .ogg).

I listened to everything on an iAudio 7 with the equalizer set to flat and all the sound effects turned off.

Sound Quality(6.8/10)

The Chain(6/10) bass is nice and deep, slightly exaggerated, but still pleasant to listen to. Distortion is present, but very minimal. Mid tones and highs are somewhat underrepresented and bland, but otherwise sound decent. Instrument separation is a bit muddy. The main negative here is the sound stage, which is tiny.

Every Planet(8/10) lows and highs both sound very smooth and rich in this song. Mid tones, as before, are underrepresented and bland. Instrument separation is good, but the sound stage is very underwhelming.

Concerto(6/10) the bass in this song is deep and vibrant. Lows are nicely responsive. Mids and highs don't have quite the balanced presence they should have. Instrument separation is fairly muddy. Once again, the sound stage is lacking.

I Know You Are(7/10) bass, as expected, is nice and vivid. Distortion was too high near the beginning of the song, but gradually leveled off. Highs were nice and crisp, but mid tones were lacking. Instrument separation, as was the case with most other songs, is a bit muddy, and the sound stage, while not as bad in this song, is still mediocre.

Afro Blue(8/10) the lows in this song were pleasantly punchy, and the highs were fairly crisp and smooth. Mid tones were muddy, however, as was the overall instrument separation(no surprises here). The sound stage is similar to what it was in "I Know You Are, But What Am I?"; it is more present than in most songs, but doesn't have the fullness I would expect of circumaural headphones at this price.

The Patient(6/10) right off the bat, the bass guitar in this song sounds great. Treble is decent, but underrepresented, as are the mid tones. The primary complaint I had in this song was actually not the sound stage(which isn't emphasized anyway), but the instrument separation, which I felt was greatly lacking in precision.

Overall Sound(6.8/10) the bass from these cans is overall clean and pleasant. Somewhat exaggerated, but not greatly so. Distortion, while present at times, is also in small amounts. These aren't the subs-attached-to-your-head that some might expect before having listened to them. Treble sounds above average, but slightly underrepresented. The mid tones even more so to the extent that they come across as bland. Instrument separation is also a bit muddy(although not too terrible). Another reviewer commented that these headphones were designed to sound slightly muddy, but I find this hard to believe, since the advertisement on Amazon claims "precise audio clarity". But as I've mentioned time and again, the biggest drawback to these cans is the sound stage, which just wasn't there. Overall, though, I would give these headphones an above average score in terms of sound quality.

Design(9/10)

These are a closed-air, cirumaural design, and a very attractive one at that. I like the styling very much. Lines on these phones are aggressive, but clean and elegant at the same time. They are also very comfortable. They're lightweight and have plenty of padding. My only complaint here is the headband, which I felt was too rigid, and didn't conform to my head as much as I'd have liked. I also like how mobile these are they fold up, and come with a nice case to carry them around in. Great for traveling.

They are also built pretty well. I would rather see more aluminum at this price, but the plastic they're composed of is nice and solid. They seem durable, and I doubt they would fall apart anytime soon.

Noise Isolation(7/10)

Noise isolation in these Monsters is accomplished via the closed circumaural design, which features plenty of thick padding, and active destruction of outside sound waves entering the headphone. I am a fan of the former; the latter, not so much. In my experience, active noise cancellation interferes with sound quality, not only because of the waves that must be emitted to interfere with incoming ambient noise, but also because an external headphone amplifier can't really be used with noise-canceling headphones due to their built-in amplifier, which is typically not of premium quality. It's difficult to judge on a case-by-case basis, because the built-in amp can't be removed, but going by the sound produced by the Monster Beats, I don't think they're an exception to this rule.

All of that aside, the Monsters were definitely designed to be noise-canceling, so I won't dock points for that. What I will take off points for is relative effectiveness, which I didn't feel was where it should be, all things considered. They do block quite a lot of noise, but plenty of noise still bleeds through. I've heard noise-canceling headphones that are considerably more effective. Then again, I've also heard much worse, and these, in my opinion, are above average.

Bottom Line(6/10)

Monster Beats by Dr. Dre are a good, above-average sounding and noise-isolating pair of headphones that feature a comfortable, highly stylish, and mobile design. This doesn't come close to justifying their high price, however. Sound quality should be significantly higher in this price range. But as always, different people perceive sound quality in different ways, and I highly encourage you to listen for yourself to a wide range of headphones before spending money. Those interested in good, deep bass at or under the price of the Monsters should also listen to various Beyerdynamic headphones, and the ATH-D40fs model by Audio Technica.

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Customer review from the Amazon Vine Program

I have been really satisfied (and still using) with the Sennheiser HD-595 Premier Headphone (which cost about $300 at the time; the most expensive headphone I've ever spent). Sennheiser is known for making leading professional headphones/microphones/etc.

...And then there's MONSTER.

As far as I'm aware, I've only known MONSTER for selling really really expensive overpriced cables for TV/home theater/audio input components. Well, Monster has teamed up with hip hop artist/actor/record producer, Dr. Dre (made Eminem famous) and created this "High-Definition" headphones, which they call BEATS.

I'll be comparing the Monster Beats headphone with the Sennheiser HD-595, since it's the most expensive headset that I own (till this one), and I'd be shocked to find something that sounds better than the HD-595 (that's around the same price range or less).

I think it's obvious most people will expect the bass to be the #1 priority with this headphone, considering it's by MONSTER + Dr. Dre and called Beats. Well, it definitely doesn't disappoint there. The Monster Beats definitely wins in terms of bass. (Of course, Dr. Dre's genre relies heavily on it). If you listen to lots of rock/rap then you'll love the bass on these. If you get headaches with bass or you just can't stand it, then obviously, these aren't really for you.

The Monster Beats headphones require two AAA batteries to listen. You cannot use the headphones if no batteries are inserted, or if you don't have the switch to ON (located on the right side of the headphone). The batteries go inside the left compartment of the headphone. I've been listening with this headphone for the past two days and the batteries are still going. I'll have to use it longer to fully test the battery life, but hopefully it'll last several months because that would be really annoying if I have to keep replacing batteries. Since the headphone is powered by the battery, the sound is obviously amplified more, as well as the bass, than regular headphones. Whether you're using this on your computer, portable device or iPod, you can have the volume at a low setting and it'll still sound a lot louder than if you were to use a different headset at that volume setting.

For taking the headphones on-the-go and for traveling, the Monster Beats win again in terms of portability. The Monster Beats can be collapsed nicely and comes with a nice protective case to store it in; so you won't be damaging that nice shiny glossy sleek look of the headphone. The Beats definitely has a more youthful look and the shiny piano black finish will definitely catch more attention; however, personally, I think the Sennheiser HD-595 has more of a professional look. The Sennheisher HD-595 has more of a soft earmuffs cushion and the cups are larger, whereas the Beats are leather and smaller. The headphone cable for the Beats is also shorter, so the length is suitable for portable devices; whereas the HD-595, the cord is insanely long and not really made for walking around with it (but you can always replace the cord).

Without taking off your Beats headphone, you can press and hold the center button (The beat logo) on the right side of the headphone and it'll mute the sound until you release it again; this is convenient when someone needs to tell you something for a brief moment or you want to hear what's going outside for just awhile. The Beats headphone are closed headphones, so just by putting the headphone, you'll notice outside noise being reduced.

The vocals treble seem to be slightly higher than normal, but then again, it is also counter-balanced because again, the bass is stronger than what most headphones produce. The Monster Beats is great for hip hop/rap/rock music that use bass, of course, but what about others?

For overall music, despite the impressive bass on the Beats, I am still way more impressed with the sound of the HD-595. Compared to the HD-595, I feel the Beats lack more depth in surround sound. Granted, the Beats headphone are closed headphones, whereas the HD-595 are open for a more natural sound than some confined studio recording feel. When I'm listening to the same music with the HD-595, I feel like I'm actually there listening to a concert/theater and can really hear the separation of instruments/vocals/sound effects/etc.; it really feels like true surround sound. On the other hand, the Beats doesn't quite have that feel. With the Beats, despite some surround sound, I still know I'm listening with headphones. Don't get me wrong, the Beats doesn't have poor surround sound, but once you experience other high-end headphones, you will notice the difference in depth/separate channels.

Pros:

+ Impressive Bass. Best for bass lovers.

+ Amplifies sound for portable mp3 players/iPod

+ Noise cancellation

+ Stylish/glossy finish design (great packaging/presentation)

+ Leather cushion/material feels high quality/comfortable

+ Headphones can collapse when you put it away

+ Nice solid case for storing the headphones

+ Quick mute button on the right side of the headphone (the Beat logo) by holding it.

+ Headphone cord only on the left side. (Also comes with iPhone, Blackberry, etc speaker black cord)

Cons:

Could use more depth in surround sound. (compared to Sennheiser, there's more surround sound with the HD-595, as you'll be able to distinguish different instruments/beats as separate channels/different directions)

Requires two AAA and you must turn on the headphone switch ON. Forgetting to turn the switch off can waste the battery. Headphones will NOT run without batteries.

Too expensive. (like any other Monster Products)

Overall, if you absolutely love bass and listen to mostly hip-hop/rap/rock; noise-canceling; made for traveling; then these headphones are for you. However, if you want overall balanced sound, greater depth/surround sound concert/theater feel, then I highly recommend the Sennheiser HD-595 (not to mention, it's about half the price cheaper now than what I paid for it).

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I have the Beats Studio; this product is a result of great marketing, that's why they're selling them well. However, the product itself wouldn't be able to sell on its own merits. It's a major disappointment especially for the price.

First the pros:

Better than average sound quality but what's minimally expected for the price range it's in.

Great looks! Yes, that hooked me; it's unique, stands out from other headphones, doesn't make you look dorky. But...(see cons)

The Cons:

Major sound leakage! I've been asked several times while listening in a coffee shop and airplane to turn it down because people can hear the tunes out of these headphones! And I don't even turn it up! I was listening to classical music for god's sake! I had others try it on to see if I can hear them: I could. Again, not even turned up that high. This leakage is a major fail for this product. I'm embarassed to use this in public now.

Feels very plastic-ky! It's like a cheap toy! Yes, as I mentioned above, they look great...but once you hold it in your hands and wear it, it feels fragile and the materials don't feel durable; you drop this once, it's all over!

Noise-cancelling? "block jet engine noise"?! Cancel that!! Okay, it may not be fair that I'm comparing this to my old Bose with noise cancelling but, man, these Beats just barely block out the noise especially when you're in an airplane.

Power switchthis is the switch to turn NC and basically to get sound in to the headphones. This is a bonehead feature. I have this switch on all the time anyway to hear the sound so, why make me turn it on and off?! Besides, if you forget to turn it off after listening, your battery runs down. There is no auto-off! So, if you're out somewhere with no spare batteries, forget about listening to your tunes.

Packaging: could they waste any more materials just to package this?! The excessive packaging on this just validates how much this is all about marketing hype and not about product merits. Enough said.

Product support: Fail. A couple of months ago, I lost the cables for these. Yes, I admit that's my fail. So, I tried to buy the same exact cables so I can get the maximum performance out of these. Result: No one sold them at retails stores. Fine. So, I went to their website hoping to find it... and it says there, they don't currently sell ANY replacement parts and to check back! I just found out that they'll be selling replacement parts online this September. Great. I just bought some other cable after running around trying to find them. My problem with this is, if you're a company and you're going to sell a product...have replacement parts available when you launch your product!! Not months after!!

Summary: So NOT recommended! There's much better ones out there. Don't fall for the hype, marketing, and pseudo celebrity endorsements.

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I wish I could give these cans a glowing review but after being burned twice due to poor manufacturing quality I must now warn consumers against making a $300 investment in these.

The first pair I bought was a year ago and I LOVED them from the first note I heard. I had never owned a pair of high end headphones so this was quite an upgrade for me. I was having a blast hearing my music library in a totally different way. This all changed about 2-3 months in as the screws which secure the earphones to the headbands started to get loose. With no way of securing them (you can't screw them back in) they eventually started to fall out. Little by little the headphones began to fall apart until they were no longer usable. I called Monster support up and they agreed to send me a new pair as long as I sent the broken pair to them (at my cost). Awesome! Well not so much...

About 3-4 months later I took off the headphones after using them and noticed the headband had a crack right in the middle of it! Not only were my headphones no longer stylish but they were no longer stable. I tried to work through the problem until one day I went to put them on after having them around my neck only to find that the left ear cushion was missing! More than a handful of times I have had an ear cushion fall off and I'd have to snap them back in but losing them makes the headphones completely useless, both for comfort and sound reasons.

I called Monster back and they told me they could not replace them again for free but I take advantage of their out of warranty program and get a new pair for $150. Gee let me think...I already coughed up $300 on these should I put another $150 into this product that has already failed me twice? Of course the answer was no. While the cans are nice when they work I just couldn't put more money into something that I knew would break. Additionally, it was a hassle having to replace the batteries every few weeks (or have them run out of juice on you in the middle of the day while outside).

Therefore, I would have to recommend consumers shopping for headphones look elsewhere. In the meantime I will be looking for reliable/well crafted replacement.

PS The cord would always wear away at the ends, too.

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The good Impressive bass!

The bad everything else!

If you like boom cars, this is the cats meow.

The bass is tight, but very excessive and drowns out the midrange which sounds very flat. The problem is that if you want to hear the midrange, the phones have to be so loud that the bass will cause hearing loss after a short time.

These are not audiophile quality, but I'm sure that bass freaks will fall in love with these cans.

I'm not the final word on what constitutes good sound, to each their own. If you love bass at the expense of everything else, you'll love these.

From my perspective, 90% of most music occurs in the midrange and bass and extended highs are the icing on the cake. In this case, think of a cup cake (midrange) with 2 pounds of frosting (bass).

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Orange Amplifiers Crush PiX CR50BXT 50W 1x12 Bass Combo Amp Orange

Orange Amplifiers Crush PiX CR50BXT 50W 1x12 Bass Combo Amp Orange
Customer Ratings: 5 stars
List Price: $329.00
Sale Price: $269.00
Today's Bonus: 18% Off
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  • Gain 3-band EQ Master volume Tuner Input for MP3 player Headphone socket Line out Speaker out One 12" speaker Output: 50W RMS

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I found one of these at a local pawn shop a few days ago for $150.00 .... a good friend of mine has an Orange rig and highly recommends the brand , so I briefly tried it out using the crappy bass the pawn shop had hanging on the wall...I was impressed with how loud it sounded....so I bit. Took it home and played my Rickenbacker 4001v63 (single coil pickups) through it and MAN did it sound good!! Very crisp and punchy.... then used it this morning as a monitor and through our churches sound system....same thing! I only had it turned up to "5" and the gain up around "3" very crisp and clear....I was amazed at this little amp! .... plus , it looks cool with the orange covering ;^)

Perfect little amp for small to medium sized church venue or similar setting. We have drums, guitars and keyboards and 250 people singing and this thing had a presence unlike I've heard with any other similar sized practice type amps....

If this were stolen from me, I would buy another at RETAIL price!

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I love this amp, but I am a fairly new bass player. My husband tells me the speaker could be a better quality... so we're thinking of putting a Tone Tubby in it. Other than that, I am a happy customer and have gotten lots of compliments on this amp.

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If you're looking for something with a bit of power to it but you're NOT willing to invest in a full-on head-and-cabinet rig typically only needed for touring, this is pretty much the middle ground between the best practice amps and the somewhat lower end of gigging amps. It has incredible "boom" to it I keep my gain on 3 and my volume less than 1 during practice and it still packs serious punch on those low settings with a deep, strong tone. VERY well-suited to high-gain tones and distortion, but also very good for punchy clean tones. It can certainly go loud enough to compete with drums, so it might suit you for small gigs, though of course your mileage may vary.

Additional notes: the orange color stands out and looks cool and the amp itself is surprisingly light it weighs less than my 35 W pignose combo amp.

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Sounds great, gain control doesn't have the range I'd like to see. Otherwise sounds great, fit and finish is as good as any I've seen. Also makes a good sounding clean., bluesy guitar amp, though this is not the designed use.

UDG U9102BL/OR Ultimate Backpack

UDG U9102BL/OR Ultimate Backpack
Customer Ratings: 5 stars
List Price: $169.99
Sale Price: $129.99
Today's Bonus: 24% Off
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  • Fabric: Water Resistant Nylon 450D
  • Padded laptop compartment fits MacBook Pro 17in and more space for MIDI Controller
  • Hinged headphone pocket inside
  • Deluxe organizer with spacer mesh accessory pockets for today's latest technology.
  • Quick access front pocket & dual side pocket for accessories and smaller gear

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I was looking for a good DJ Backpack to carry my laptop records, Midi controller and all other accessories i needed to. This UDG one is it. the backpack is very comfortable and nicely padded. Straps are comfortable and secure and bag is well made.

I use this on a weekly basis and have not had any issues.

Highly recommended for a DJ on the go!

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I have a 17 Inch Serato SL3 Vinyl User Everything fit perfectly i used to have to use 3 bags just so i made shure nothing would scratch bend warp or damage

a must have for any 17" Dj Use

Alesis SR16 Drum Machine

Alesis SR16 Drum Machine
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $134.95
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  • Professional drum machine with 12 velocity sensitive pads (w/Dynamic Articulation(TM))
  • 50 Preset / 50 User drum kits with 233 sounds assignable to any pad
  • Exclusive Alesis Dynamic Articulation(TM) feature enables a drum sound to change its tonal content as it's played harder for truly realistic performances
  • Sound stacking, step editing, stereo samples with reverb and ambience
  • 2 Footswitch Jacks, MIDI I/O, Stereo main and aux outs, headphone jack, power supply included
  • Professional drum machine with 12 velocity sensitive pads (with Dynamic Articulation(TM))
  • Exclusive Alesis Dynamic Articulation feature enables a drum sound to change its tonal content as it's played harder for truly realistic performances
  • Sound stacking, step editing, stereo samples with reverb and ambiance

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Some history on this device: The Alesis SR-16 has been in production since 1991 and has gone through only slight revisions to the hardware since its original release. The 16-bit drum samples are still the same today as they were on this unit over 15 years ago. It is regarded as a break-through piece of studio gear and regarded by many studio engineers as the first rhythm machine capable of producing a convincing enough drum track capable of replacing a real drummer in studio recordings for rock applications. (Prior to the SR-16, rhythm machines were commonly used in pop music in the 80's, but it was always clear to trained ears that a rhythm machine was used, the SR-16 successfully blurred the line and made it possible to use rhythm machines in genres that generally frowned upon electronic drums such as: rock, country and blues) You'll hear the SR-16 on many professional tracks by top name recording artist from the early to mid-90's.

Today the SR-16 can still be found in many professional and home recording studios. With the emergence of Pro Tools and other PC based Digital Audio Workstations, stand alone rhythm machines have become much less popular today in pro recording, but they are still very popular in home studios and for performing solo musicians around the world.

Comparing the SR-16 to newer products: Rhythm machines produced by Roland/BOSS, Yamaha and ZOOM are the SR-16's primary competition, with Roland and Alesis often cited as leaders and innovators in pro electronic percussion (these companies also produce the best quality electronic kits and the same samples are used in their rhythm machine products). Some of the features common to newer rhythm machines not found on the SR-16 include: 24-bit samples, more memory, bass guitar sequencer ability to store MIDI files on device.

Ease of use: Aside from its convincing sound quality, perhaps the reason the SR-16 has remained in production and a favorite among musicians is its ease of use. The SR-16 was designed with the non-drummer solo musician in mind and is considered one of the easiest rhythm machines to program. It's interface has been copied (but many would say not trumped) by BOSS, Yamaha and others. The manual, while poorly edited does more than any other rhythm machine owners guide to cater to solo musician who doesn't understand the first thing about sequencing drum tracks and it's A,FillA,B,FillB pattern foot switch configuration makes it easier to improvise with... In short, you don't get much customization with the SR-16, but what you do get feature was is going to be the most popular setup which makes the device much more approachable than many modern rhythm machines and sequencer options. Has a full MIDI in/out through implementation so the SR-16 can be patched in and controlled from DAW's (Pro Tools, Cubase, Live, etc...)

Comparing generations: If you're buying previously owned model be aware that some features have changed over the years. First generation SR-16 models (1991-circa 2001) had about 1/2 of the user memory than that of the current production SR-16. Also, the first generation units did not have a headphone jack. In the early 2000's Alesis updated all the preset patterns creating a market for "vintage" SR-16 machines. Also, over the years the price has dropped significantly. The SR-16 was originally marketed as a high-end studio product with a price tag around $400. While the quality of the unit has only improved, the price has dropped as computer parts have become less expensive (also newer units are mass produced in Asia).

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Here's the great SR16. Been around since 1990 and still sells well. Probably the most used drum machine of all time considering how long it's been in production. Pretty easy to use and has the added extra of being controlled by a foot pedal or two so you can switch between an A and B version of a beat and an A and B version of the fills at the end of each verse. (You'll need to buy the foot controllers doesn't come with this purchase). There's loads of other revues out there if you search but this and the boss range dominate the market in my opinion. At this price it's a great bit of kit to have and a good place to start if you've never tried drum machines before. Also check out the new SR18, just released April 2008, although twice the price is the downside for the extra drum set samples, more memory and bigger construction. I've got the SR18 and it's worth every panny so the SR16 is a steal at this price you just have to accept that the SR16 doesn't have the huge scope of it's bigger brother or basslines. Alesis SR18 Drum Machine w/ effects engine

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Ive been recording music for 6 years. I'm a bit of a perfectionist.. Always trying to make my tracks sound as legit as possible with the things i had.. Ive never had the money for drum sets in those days but with all the little things I've purchased it adds to well over this small price tag of 150 smackers.

This machine has all your rhythm needs.. You can program a song beat for beat or jam along to the many cool patterns they have.. Also its important to note you can adjust the tempo on all of them so the possibilities are endless. This machine is so simple to use. It could be a great gift for starting musicians and just about anyone who's a creator.

Overall I love this ol thing and I plan on using it for many many MANY years to come.. and if it breaks on me, Ill just buy a new one! Cuz its worth every penny and more.

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I've been using a Roland R-5 for a long time and decided I wanted some fresh sounds. The SR-16 definitely has some realistic drum voices, but I've decided to hook it up via MIDI with the Roland and use it as a sound module extension. There's something awkward about the Alesis interface for me. Things I can do with a couple pokes of a button or two on the Roland seem to be more involved with the Alesis and I'd prefer to spend less time poking and more time creating music. I also don't care for the limited levels of nuance when hitting a pad. Depending on the setting I've chosen, it's either too sensitive or not sensitive enough, there's no just right.

Having said that, I recommend it at least for the sounds. Some are lame, most are good.

Note that the original SR-16 was 16-bit and the one shown on this page is a newer 24-bit model. I'm told this newer model has better sounding drums, but I can't confirm as I've never tried the original. Something else was added to the 24-bit model: a headphone jack in the rear. In order to add the headphone jack, they omitted one of the AUX outputs and made the AUX as a single stereo balanced L/R output instead. So the photo of the rear view shown on this page is not accurate. This probably won't matter to most, it does to me but I found a workaround.

I purchased this on Amazon through Adorama Camera, not pleased with the delivery time.

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I've found this machine to be one of my best purchases. I've used it for home recordings and live performance both very satifactory. Will do custom beat by beat user programmed drums or user programmed loops with fills/intros also. It sounds good, has a good variety of percussion sounds and I was able to read the manual and use the features. No repairs needed over a number of years. You've got to love it! :-)

Marshall Mini Stack Series MS-2C Guitar Combo Amplifier

Marshall Mini Stack Series MS-2C Guitar Combo Amplifier
Customer Ratings: 4.5 stars
List Price: $60.00
Sale Price: $45.87
Today's Bonus: 24% Off
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  • 1 Watt
  • Volume & tone control
  • Headphone jack
  • 0.34 lbs.

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Had one of these a decade ago until it broke. Just recently picked up a new one and I still love it a great amp to just attach to your belt and walk around with. I would like a little more sustain on the distortion, but hey, it's a pocket amp so I'm not complaining.

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Take note that this is a 1-watt amp so that's not a lot of power. But for starters, this is an amazing little amp. Aside from the Marshall name, it packs a punch when on overdrive. When on clean though, this amp is too quiet! Good thing you have the option to plug earphones in. If you want an easy to bring amp which you can just hang of your belt, get this one! But if you really want to practice and improve your sound, experiment a little...I suggest you get a different amp with a more powerful wattage. Also, my model came in a box that didn't seem too new and the "shall"in the Marshall logo is a bit bent (barely noticeable). Bought from Sam Ash.

(Pink) VG Waterproof & Grime Resistant Sleeve Cover for Amazon Kindle Fire HD7 / Amazon Kindle Fire

(Pink) VG Waterproof & Grime Resistant Sleeve Cover for Amazon Kindle Fire HD7 / Amazon Kindle Fire 2 / Amazon Kindle Fire 1st Gen / Kindle Touch 3G / Kindle Touch Papperwhite + White VG Premium Stereo Headphones w/ Bass Enhancement Silicone Ear Tips
Customer Ratings: 5 stars
List Price: $34.99
Sale Price: $14.99
Today's Bonus: 57% Off
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This case is so great for,the beach and the pool. I never have to worry about my Kindle falling in the sand or holding it on my wet leg or swimsuit. Great purchase.

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1/4 Stereo Male / 2 RCA Male, 6 inch Y Adaptor

1/4 Stereo Male / 2 RCA Male, 6 inch Y Adaptor
Customer Ratings: 5 stars
List Price: $15.99
Sale Price: $5.09
Today's Bonus: 68% Off
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This adaptor is just what is needed at a great price to connect

my two sound systems together using a 1/4" stereo headphone

extension cord. With this adaptor Dolby 10.2 sound is now

available at home.

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I bought two of these to add some flexibility to my modest home studio. My studio centers around an Alexis Multimix 8 USB mixer, and I wanted to be able to do some extra I/O via the mulitimix's two track RCA inputs. In specific, I wanted to attach a digital multitrack recorder, and have the ability to do overdubs (hence the I/O necessity) These accomplish that, but they are really short. That means that the recorder is at an odd angle, and can't actually sit flat next to the mixer. Not the end of the world, but not ideal. I wanted to keep my cable runs as short as possible, but this is just an inch or two too short to be perfectly functional. The problem is that the next shortest cable length that I could find on Amazon for this kind of adapter is 25", which is too long for my needs (I'd have coils of cable to deal with). I wish this product came in an 8" and/or 10" version. Then it would be perfect.

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I have a Philips LCD TV with only a phono/RCA combined video and audio output for audio, so while staying at my parents, helping my dad through his final days, I bought a FiiO signal decoder to extract the audio and a Behringer headphone distribution amplifier so I could listen to movies and sports with full impact, but also without disturbing them, through my headphones. The decoder output is a female RCA pair while the headphone amp input is 1/4 inch stereo plug, with the distance between hem being negligible so this adapter provided a perfect, short, single connection solution. It remains in use now that dad has departed & I'm back in my own home, still sending the audio output from the TV, though now to a 2.1 audio system that provides me with the THUMP, POW, CRASH of being in a stadium or theater that TV speakers have never allowed. I'd first set up the headphone system using multiple adapters, but then watched for a good price on this all-in-one solution. The merchant provided that, a quality product and prompt delivery. A+

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I have all kinds of different audio coming out of my computer. Music I play in my room. Sound going to a monitor. Sound going over to the TV in the living room. Sound transmitted to another room. So I bought an audio splitter which outputs to quarter inch plugs and I needed these to convert it. I bought 4 and they all worked great.

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