Showing posts with label headphones with microphone. Show all posts
Showing posts with label headphones with microphone. Show all posts

Line 6 Spider IV 75 75-watt 1x12 Modeling Guitar Amplifier

Line 6 Spider IV 75 75-watt 1x12 Modeling Guitar Amplifier
Customer Ratings: 5 stars
List Price: $499.99
Sale Price: $299.99
Today's Bonus: 40% Off
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  • 75 watts; 1x12" Celestion Custom speaker; three-quarter closed-back cabinet for a tight, snappy response
  • 300+ hand-crafted presets from 50 world-famous bands and guitarists including Johnny Marr, Slipknot, 311, Meshuggah, Lacuna Coil, As I Lay Dying, Steve Stevens, The Donnas, Minus the Bear, Pete Anderson, more; 200+ dialed in song-based presets
  • 16 tonally superior amp models with the vintage characteristics and nuances; 20 Smart FX (4 at once) with deep editing; Quick Loop, Auto-Wah, Intelligent Pitch-Shifter plus inspiring echoes, mods, delays, reverbs and more; 64 user-created presets
  • Bass, Mid and Treble knobs that behave like the EQ controls from each modeled amp; Drive knob; Channel volume; Master volume
  • 1/4-inch input; 1/4-inch headphone/direct output; 1/8-inch CD/MP3 input; built-in chromatic tuner; FBV foot controller jack
  • 300+ hand-crafted presets from 50 world-famous bands and guitarists including Johnny Marr, Slipknot, 311, Meshuggah, Lacuna Coil,
  • 75 watts; 1x12" Celestion® Custom speaker; three-quarter closed-back cabinet for a tight, snappy response
  • 300+ hand-crafted presets from 50 world-famous bands and guitarists including Johnny Marr, Slipknot, 311, Meshuggah, Lacuna Coil,
  • 16 tonally superior amp models with the vintage characteristics and nuances; 20 Smart FX (4 at once) with deep editing; Quick Loop,
  • Bass, Mid and Treble knobs that behave like the EQ controls from each modeled amp; Drive knob; Channel volume; Master volume
  • 1/4-inch input; 1/4-inch headphone/direct output; 1/8-inch CD/MP3 input; built-in chromatic tuner; FBV foot controller jack

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I started two years ago with a 15 watt Spider III, then along with other amps, bought a Spider Jam. I thought they were all great. Now they come out with Spider IV, and the difference in the sound is dramatic. They are getting very, very close to tube sound. So much so that for the lousy $299, compared to say $1000+ for 75 watts of tube, this is a real steal.

Loaded with features, and hundreds of presets, it has something for everyone. The Pitch Shifter and 18 available manual settings just add to the fun. And it will work with either generation of FBV pedalboard. Says so right in the manual. The only difference I see is with the generation II pedal you get a USB port.

Does it sound as creamy and smooth as my Peavey Delta Blues or Crate Palomino tube units? No, there is still a little digital overlay around in there. But most people who are looking for a great home based amp, or maybe a church or small gig amp, this is a WINNER and the price is just nuts. Forget the Peavy Vyper, this is hands down much better and you don't have to sink another couple hundred in a pedal to get to all the presets like the Vyper.

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This amp is great. It has seemingly endless modeling capabilities. It makes my playing sound professional. The greatest sounds I have had in 28 years of playing.

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I've owned several Line 6 products and this is probably the best yet. The tones from this amp are quite impressive, in particular the clean tones are amazing. I've used and owned several vintage and modern tube amps and I have to say this amp is one of the best I've played. Make no mistake, it's not a Mesa or Bogner but for the money this is an amazing amp. The range of tones and effects that you get with this make it a no brainer for anyone who plays a variety of music. It will get as loud as you need it to so gigging with this amp is no problem.

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I don't gig. It is unlikely that I will ever play in front of a crowd. But if you're like me, play as a hobby and like to fart around with various sounds and genres, this amp is a blast. It is very likely that I will play a Johnny Cash song on Tuesday and a Metallica song on Wednesday. Pretty much just make sure your guitar is in tune and dial up the sound. No pedals, no hours of minor tweaks, just punch it up and learn the song. Virtually every genre is represented here. I also have to mention that although I like metal, I rarely play it. I prefer traditional R'n'R sounds and the Spider IV recreates tons of my favorites in addition to the high gain ultra noisey sounds. Even with the best modeling in the world, my Les Paul does not sound like a Strat being played through 65' Fender. It sounds digital. No getting around it.

Something else that weighed into my purchase was durability. Although I only play for fun, I still play 2-3 hours a day. My 9 year old also is learning to play, so it gets a lot of use and moves from game room to garage to bedroom daily. The one thing that was common in virtually all of the reviews of Line 6 amps was that they were long lasting and durable. I have a family member that is a professional musician and one of his band members gig with the larger 120 just becuase they can take such a beating.

Ultimately I decided that for the price ($300 at the time), I couldn't beat the Line 6. There is just no comparing a tube amp with effect pedals against a solid state modeling amp. They sound better, more prefessional. They are also designed to be played loud to get the most out of the tubes. Although the Line 6 sounds tinny and at max volume, for in home play, it sounds terrific. There are mountains of reviews that compare the Line 6 to Vox, Marshall or Fender. They are ALL better than the Line6, every one of them. But be prepared to pay 10 times the price for effects pedals, head units, cabinets, cables, etc. to get those flawless professional sounds. Good amp, great value.

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I own several tube amp combo and half-stack. However, I wanted a smaller, lighter combo that would be easy to transport and wouldn't need any pedals, but would also be loud enough to practice with a drummer. The line 6 spider IV 75-watt combo was the perfect solution. Up to this point I haven't been very impressed by solid-state technology. Sure, the cleans are glassy and crystal-clear, and some sound ok with the gain cranked and mids scooped at super low volume, but as soon as you turn up the volume a bit or try to dial in a smooth, bluesy overdrive, the sound turns to crap. Not so with the spider IV. I've been extremely impressed with all the different amp models. ALL of them. The different amp models each have their unique sound and characteristics, which means that your tonal options are literally limitless. I play mostly metal and hard rock, thougn I use less gain and more mids than is typical among players of the genre.I'd describe it as a hard rock tone with a vintage edge. And I was able to get that tone in less than a minute of fiddling. The tone in general is surprisingly warm and organicvery tube-like, which is a comparison that I don't make lightly. Additionally, the highs don't have that artificial "tinny" sound that so often occurs in solid-state. Solos and leads have more of the natural, smooth quality that tube amps are valued for.

The effects are fun to play with, though I've never used many effects in my playing. I really like having multiple user pre-sets, so I can dial in the tones that I use the most and then switch between them at the press of a button. The artist pre-sets are cool; it's interesting to see Line 6's take on the sound of many popular bands and songs. Some are surprisingly good, like Cliffs of Dover, Master of Puppets, and Sunshine of Your Love, while others don't really sound like the artist, like Killswitch Engage.

I'm also impressed with the quality of the celestion speaker that comes with the amp; it holds up pretty well even at higher volumes. The tone has continually improved as I've broken in the speaker.

Just in conclusion, there's basically nothing this amp can't do at least fairly well. All the amp models actually sound good (can't say the same about my roland cube), and when you combine that with all the effects, tuner, mp3 connection, and user and song & artist presets, it's a winning combination. This will never be my main stage amp, but for practice purposes I couldn't be more pleased with the spider IV.

*edited to add*: A few months later I bought the FBV express pedal board. It's a simple, affordable way to get more out of the amp by making channel switching easy and adding a volume/wah pedal. Especially if this is your main amp, I recommend getting a FBV pedal to go with it.

Cbus Wireless Yellow Flat Noodle Shape 3.3ft 3.5mm Male to Male Stereo Audio Auxiliary AUX Cable fo

Cbus Wireless Yellow Flat Noodle Shape 3.3ft 3.5mm Male to Male Stereo Audio Auxiliary AUX Cable for PC iPod MP3 CAR
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $0.59
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I have a ihome I no longer used because it couldn't recognize anything was connected to the top. I thought it be perfect to supplement my weak computer speakers. This cord is the perfect length to stretch across my desk.

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Numark M3 Full-featured Scratch Mixer

Numark M3 Full-featured Scratch Mixer
Customer Ratings: 3 stars
List Price: Price Unavailable
Sale Price: $81.98
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  • Two channel tabletop DJ mixer
  • Inputs: two phono/line switchable (RCA), two line (RCA), mic (1/4")
  • Outputs: Master (RCA), Record (RCA), Headphone (1/4" stereo)
  • Three-band rotary EQ and gain on each channel
  • High, Mid, and Low Frequency Kill switches on each channel cut -35dB from frequency ranges

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I am only writing this review in response to the previous review. As a DJ instructor at Ridiculous DJ academy and an experienced mobile DJ and scratch/ hip-hop/ performance DJ, I find this mixer adequate and totally up to all of my expectations for a intro level DJ mixer. I currently use a pioneer DJM-909 as my primary mixer and I have an M3 as a backup mixer. In works fine for scratching, the fader is adequate, has curve adjust switch and is relatively loose. Kills switches are nice and feel good even if they don't kill as much as you would like. Transform switches are useless and poorly placed (i occasionally bump them with my wrist), but that is my only negative. I cannot speak to the longevity of these mixers because I haven't had mine very long. I have a couple of students who have used them without complaint.

I haven't found a better mixer that you can buy NEW for $100. This is definitely better than Stanton sub $100 models and WAY WAY better than anything by Behringer.

If anybody knows a mixer in this price range that is better, please post! I would like to know about it.

THIS IS A CHEAP MIXER and is not built to last. If you are serious about DJing you should buy something that will last you longer, like Vestax PMC series, pioneer, or Numark DXM series.

Rock on.

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I bought this mixer as a backup to my main mixer. What can I say.. It works, lol. Nothing fancy about the mixer. The transform buttons are irritating as I sometimes hit them mistakenly (which cuts the song out) when moving the crossfader back and forth. They could have done with out those and added the effects module like they have on the X6 and X9. Scratching on it is decent though it is a Numark and their crossfaders will start bleeding after consistent cutting but at least they are replaceable. This is good mixer for a beginner or someone who have basic gigs (basic mixing) that don't require alot of manuvering, scratching and trick-mixing.

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This mixer has worked very well for me for the past 6 months. Its rugged and certainly gets the job done. Anyone who tells you different doesn't know what they're talking about. While this isn't the best mixer ever, it certainly is very good for the price point and any starting DJ.

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BETTER, this thing sux I will probuly never buy a piece of NUMARK equiptment again. Let start by saying that I have'nt even had the mixer for 2 months and already dealing with mass bleeding of the fader and thats with me being gentle with this piece of junk I never got ruff with it but of course that sort of thing is not covered in the warrenty. Next the Transform buttons are pretty much worthless seeing that it does nothing that your fader can't do they seem to get in the way more than getting used. Basically only worth half the price, here I am with a basically brand new mixer that already needs me to dump money that I dont have into it just to bring this thing back to par. Anyone want to buy a mixer.

Tascam LM8ST Rackmount Line Mixer

Tascam LM8ST Rackmount Line Mixer
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $549.99
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  • 8 stereo channel/4 buss line mixer
  • 1/4 " and 1/8" stereo headphone outputs
  • 8 stereo 1/4" TRS balanced inputs with -10/+4 dB switch
  • ST1 andSt2/AUX level control per channel
  • XLR balanced outputs for ST1 and ST2/AUX

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An uncluttered layout and concise function line mixer, very easy and quick to use.

Especially in live situations.

The convenience of having a mic input is a boon.

For small productions it might be enough alone.

It will add 8 stereo channels/returns/aux inputs to a larger console,

at larger productions.

Two matrix-like stereo outputs available for all channels is useful;

ie for sending two inter-dependent or independent mixes;

changed with AUX/ST switches on case bottom.

eg one to stage monitoring and one to the house system.

I used the buss in/out for inserting an EQ thru one stereo output;

leaving the other one un-affected.

Very handy.

Also keeps both sends directly from the mixer, not thru the EQs output.

Very clear and unaltered audio quality, large headroom throughout the signal path,

allows me to easily create a good mix without needing to compensate for mixer deficiencies.

The one small niggle is the rack depth this unit needs.

Make sure the dimensions suit your rack(s).

Case is built like a tank and high quality connectors throughout.

If you didn't deduce; I really like this mixer.

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I had always hoped I would find a single space line mixer with two sets of XLR stereo outs ... and that's exactly what the Tascam LM8ST offers. I use it to mix a keyboard rig. Now I can run a stereo mix on stage and give a separate second stereo feed to front of house. What's handy is that either one of the stereo sends can be instantly changed to mono with a push of a button. No panning to re-position. If I had to, I could run one feed in stereo and the other in mono and have complete independent control over both. Very cool.