Showing posts with label monitor headphones. Show all posts
Showing posts with label monitor headphones. Show all posts

M-Audio Fast Track US44010 USB Audio Interface with GT-Player Express Software

M-Audio Fast Track US44010 USB Audio Interface with GT-Player Express Software
Customer Ratings: 3.5 stars
List Price: Price Unavailable
Sale Price: Price Unavailable
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  • USB audio interface for recording guitar and vocals on Mac or PC music software
  • Dynamic microphone input (XLR) with gain control and signal LEDs
  • Switchable 1/4-inch instrument/line input and 1/8-inch stereo headphone output
  • Drag-and-drop loop-based music creation > make great music even if it's your first time
  • Jam and record your own tracks for guitar, vocals, keyboards and more > embrace your inner rock star

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I read several reviews of this product before buying it so I knew what I was getting into. It seemed like the mix of comments were either the product was really good or really horrible. The horrible comments seemed to center around difficulty with the setttings. Hopefully what I write here will help someone else get it up and running b/c I think it really is a nice product for the $.

This product works great with my MacBook using garageband. It sounds really good too and the price is definitely right. That's the good news. The bad news is that it does take some time to fiddle with the settings to get working. Once you know what to do though, it's a snap.

First off, my mac recognized the box right off the bat since its USB compliant. I didn't have to do anything for it to recognize the box. However, two settings must be configured properly on the mac to get it to work the rest of the way: the input and output settings in the "sound" settings of the "System Properties" need to be set to "Fast Track USB." Make sure to crank the volume on the input setting all the way up (to the right). Second, you have to set your garageband settings properly...

Go into Garageband's "Preference" menu item and set the input and output to "Fast Track USB" as well. Then, plug your guitar into the 1/4" jack on the box. Finally, create a "real instrument" in garageband. You have to set the real instrument's track to read CHANNEL 2 and set the "monitor" to "on." That way you'll be able to hear the guitar through your speakers connected to the box (Incidentally, the XLR input on the box s/b considered channel 1 and the 1/4" input channel 2).

On the box, set the "mix" knob all the way to the right (full "playback" mode). Set the XLR "input" knob on the box all the way to the left. Set the "Output" knob high to the right. Now start playing your guitar. You should now be able to hear your guitar just fine through your speakers.

The extra software that comes with the box is awesome too expecially the GT effects software. This stuff has really great sounds. With this, you won't need all the effects pedals; it's all right there with GT.

Now, the manuals are really poor. You'll find no help in them. In trying to get this thing working I poured over the forum comments on m-audio's site. Review comments their gave me some idea of what to do, but not completely. I had to do a little google searching before I got the other answers to the puzzle. Therefore, I only gave the product a total of 4 stars: 4 stars for the great sound and awesome software, but a ding for the crappy manuals and website support. I would buy the product again though.

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I've got to say that this unit works perfectly with my wife's powerbook. Unlike other posters, I had NO problems with it at all on my G5 at work, my G4 at home and her powerbook. The sound is fantastic and it works really well with the Apple audio control program which recognizes it right away. My setup for mic level input includes a professional mic which is amplified by a separate mic amp. The output of that line level amp feeds right into this unit. Additionally, the sound output to my headphones is a step above what is built into my G5.

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Like one reviewer noted I too experienced an extremely high noise level plugging an electric guitar into the 1/4" jack. The direct box into the XLR input is the way to go. I hope this is limited to just our interfaces and not the whole batch produced. This product when using Windows ONLY works with XP It wouldn't install on my Millenium Edition computer. I have set up my laptop with Sonar Home Studio 4.0 and the Fast Track works great for laying down ideas on the road. Latency is minimal, and works well as an external sound card. I'm surprised that M-Audio didn't include a software mixer like other interfaces. It's a value for an interface less than $100.

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I've been using this for a while now under both Mac and Windows. Setup on the Mac was dead simple, but I never did figure out how to manually set the latency in OSX. The latency in GarageBand can get a little rough when you add some effects, but that's likely more to do with my processor (a G4 PowerBook) than the interface. But overall I don't even remember setting it up on my laptop, which is probably a good sign.

On Windows I didn't have too many problems once I got the Vista drivers. I've been using CakeWalk Music Maker 4, and once you get the right audio setting in the application (which can be a bit of a pain, but again not M-Audio's fault) you're set. Though I will say that disconnecting the USB cord while the sound card is busy is the one time I've managed a blue screen in Vista! But that's not entirely unreasonable. As far as latency goes, I've got a fast enough processor that if I set the latency on the Fast Track to the minimum (this can be set through the control panel in Windows) I get no perceivable latency. Oh, and if you're not using the ASIO drivers, that's probably part of your problem.

I've been using the 1/4" jack with little problem...I have to up the input levels in my application (which is a pain in GarageBand, easier in Cakewalk) but as long as I stay away from the monitor and fluorescent lights I don't really get any considerable noise. I may try the XLR route anyway, though.

This is a perfectly serviceable item for somebody just looking to do some casual recording on the PC, or in place of an amp when traveling (also allows for a wide array of amp/effect combinations without buying hardware). If you're looking to do anything even semi-serious (such as recording multiple instruments, or record actual tracks with a band) you might want to spend a little more. But for "personal" use thing thing's great...better than anything else I've seen or sampled in the same price range.

Also I've noticed that a large number of the negative reviews seem to have more to do with setup problems (or incompatibility problems) than the actual quality of the product. Like I said, I don't even remember setting it up on a Mac and on Windows (Vista) it was relatively simple. Provided you're moderately competent with computers you should have little trouble.

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The hardware device works great with my Intel Core2 duo MacBook and an electric guitar. I was surprised how well it worked! I had mixed results with an acoustic guitar using a sound-hole external pickup, but was still usable (just really quiet) Here are some things I've learned...

*The knobs on the front of the unit are only used to control the mix and volume of the playback back to you if you are using the RCA-out for monitors or are using the headphone jack on the unit. They serve NO purpose for recording.

*The stereo mono switch is only used to separate sound in the playback. Mono will mix both signals into both speakers. Stereo will play the mic out of one speaker and the instrument out of the other. No recording use on this switch either.

*The signal LED is only for the Mic input. Don't worry if it doesn't seem to be working when you're just laying down guitar tracks.

*It is important to use the line level/guitar switch on the back correctly (this WILL affect recording)!

*In your Mac system settings make sure to set both the sound in and out to the Fasttrack.

*In GarageBand make sure both the input and output in the preferences are set to the fasttrack unit (make sure it's attached and powered up before you launch GB). Plug in your guitar and Mic. Create 2 new tracks in garageband. Make sure to assign the vocal track to channel 1 and the guitar to channel 2 or this won't work. You also want to make sure to turn the monitor setting to ON so you can hear it in your headphones you've plugged into the fasttrack.

*If you are getting a lot of noise and static (like I was initially) move the fastrack unit as far away from your PC as possible. This really helped cut down on the noise. It works even better if I use a powered USB hub to get even farther away from the PC. Same for your Mic and Instrument. Although the sound transmission is digital from the Fasttrack to the Mac, the sound the FastTrack picks up is analog and it doesn't seem to be well shielded or grounded.

*The included Live Lite software is bad. Skip it all together. Even the included tutorial was awful. It kept telling me to click on things in panels that are hidden by default, with no instruction on where to find them to display them. Stick to GarageBand.

Great little unit. One of my favorite Christmas presents ever!

Windpony Electric Violin EV-30

Windpony Electric Violin EV-30
Customer Ratings: 5 stars
List Price: $379.95
Sale Price: $278.00
Today's Bonus: 27% Off
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  • Ebony Fitted
  • Fine Tuner Tail Piece
  • Line Out, Headphone Jack and Volume Control
  • Includes Shoulder Strap Rest, Headphones, Case and Bow
  • Love it or return it within 15 days in new condition for an instant refund

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For the price this is a great value. Fast!!! shipping, great communication with seller. Violin sounds good, plays good i did change the strings to D'Addario Electric Violin Strings. The headphones are a very good quality. I did alot of research before choosing and buying and I feel confident that I made a good choice.

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Roll Up Piano - Yamano Digital & Portable 61 Keys Roll-Up Piano Electronic MIDI Keyboard with 16 MI

Roll Up Piano - Yamano Digital & Portable 61 Keys Roll-Up Piano Electronic MIDI Keyboard with 16 MIDI Output Channels Design by the INVENTOR YAMANO JAPAN -
Customer Ratings: 3.5 stars
List Price: $159.95
Sale Price: $129.99
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  • Can be operated with batteries ONLY. 4 AA Batteries INCLUDED (12 - 15 hours run time)
  • Roll it up and put it inside the included pouch for easy storage or travel with ease with this 2 lbs piano
  • Built in Speaker with Digital Volume Control; Plug in Jack for headphones or External Speakers or Amplifiers
  • Features 128 Tone Reportoire, 100 Background Rhythms, 20 Demo Tunes and 16-note Polyphony
  • NOW WITH SUSTAIN PEDAL! Full Size 61 Standard Keys (C2-C7) 5 Octave + 1 Key Keyboard with Standard MIDI Out - 16 Output Channel Design

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Thanks so much for the quick delivery and a wonderful product. Good working unit arrived. We are very pleased with our purchase. It was a total surprise and he is enjoying it immensely. This is a good tool to keep up the skills anytime, anywhere. It's a perfect gift! It's also so much fun to play & practice. He said the touch of the keys are great. The quality of the sound exceeded all of our expectations. Check out our roll up piano video!

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As I said in the title of this review, I wanted desperately to like this roll-up piano. A little background: I am a "real" degreed organist, but I am also on the road a lot for my primary job. As such, I really wanted something that was ultra-portable that I could put in my suitcase and take with me. Pianos in hotels are surprisingly hard to come by, and pipe organs in hotels are even more rare!

So though I did't have huge expectations, I decided to try one anyway, partially because Amazon's return policy is very good (thanks, Amazon). When I opened the box, I was impressed with the size, and it IS truly portable. It was nice to have 61 keys, which happens to be the same compass as the keyboards on a modern organ. The notes seemed to work pretty well, and it was great to be able to have lots of different voices, rhythms, etc. I was under the false impression that as long as I have been playing, I wouldn't need the tactile sensation of 3-D physical keys to play. I was wrong! I tried playing various pieces, including simple hymns, and I sounded like a beginning piano player. I couldn't play well at all. Nonetheless, I did have the impression that I could eventually get used to it and play OK. I would have been willing to wait longer and see.

But the clincher for me was the MIDI functionality. It did NOT work well at all. I plugged it into my computer to try it out with Hauptwerk virtual organ software. It did not send proper Note On / Note Off signals to the computer. Notes would frequently not play, or if they did play, they frequently stuck ON. I tried various settings in the software to tweak it for the Yamano input, but after quite a bit of tinkering, gave up. It does NOT work properly with MIDI. If it were cheaper, I would have kept it for my children to play with. It really was "fun," but definitely not good enough for the price for me to keep, and it did NOT work well enough for what I needed it for. It has been returned.

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I looked for a roll-up piano, after seeing one on an episode of House! I travel for my work frequently, and decided it would be great to have a portable keyboard to be able to keep practising when I travel. It's also an excellent way of relaxing in an hotel room after a busy day of meetings. What could be better, after dinner and a few laps in the hotel pool, than to play a little Bach or Beethoven.

Reading the reviews, this Yamano Hand Roll piano seemed to best option for a decent sized keyboard. But I have to see, it is really primitive technology. While it does indeed roll out to a decent size, the electronic unit is very clunky and the sounds are, shall we say, embarrassing. Worse still, its very temperamental. The sound just stops. I would have sent it back straight away, but then discovered that it still works with earphones. Which is in fact fine for what I want to use it for.

In conclusion, I would love to find a better quality roll-up piano that will fit in my hand luggage. Until then, I'll make do with this Yamano.

Oh, and one other thing. It's described as being 'digital'. You would think it would have a USB link to connect to a laptop, to use with Garage Band or similar. But no. The design seems to predate laptops.

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I am a musician, but I'm deployed to Afghanistan, and I miss all my instruments. Also, I wanted to work a specific music project for which I needed a piano. I bought this because it wouldn't take up too much space in my sleep area and I could use headphones with it. I keep it rolled up in its pouch tucked under my bunk when I don't use it, and I got a plank of wood and sawed off an end to make it the right size so I can play in my sleep area with my headphones and not bother my battle buddies. It feels great to have music in my life besides just listening on my iPod. So far, I haven't had any problems with it. It's a pretty neat music gadget when you can't really have a real kkeyboard or piano for whatever reason.

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As a professional opera singer myself, I did buy this piano in absolute personal needs. I needed something very light and portable. Therefore I didn't expect much of function as a "PIANO". However, this piano is beyond my expectation.To me it works well. Of course, it does have silicone key board so touch is different from the real key board either regular or electric piano but I'd absolutely say it's tolerable. The sound is about the same with middle quality electric piano. Just take in consideration about the price I did buy in price of $69.99 and special fuction being portable ),I'd recommand this item to my coulleagues and friends with no hesitation.

Bluedio B Bluetooth Stereo Headphones (White)

Bluedio B Bluetooth Stereo Headphones
Customer Ratings: 4 stars
List Price: $189.99
Sale Price: $68.50
Today's Bonus: 64% Off
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I really like these headphones. Light weight and pretty comfortable. Doesn't feel too bulky over the head and nice features. The only drawback is they are completely wireless, so that if you are on the go and the battery dies, they become useless. I may trade these in for the Bluedio R Super Hifi Headphones.

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Focusrite Saffire Pro 14 8 In / 6 Out FireWire Audio Interface with 2 Focusrite Mic Preamps

Focusrite Saffire Pro 14 8 In / 6 Out FireWire Audio Interface with 2 Focusrite Mic Preamps
Customer Ratings: 4 stars
List Price: $299.99
Sale Price: $239.99
Today's Bonus: 20% Off
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  • 8 IN / 6 out FireWire audio interface with 2 Focusrite mic preamps
  • High-quality 24-bit/96kHz FireWire interface
  • Saffire MixControl ultra-low-latency DSP mixer/router
  • Focusrite VST/AU Plug-in Suite, for use in the mix
  • Xcite+ software bundle

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This works fantastically on my Mac Mini.

Mic Preamps: clear and transparent, both with condensers and dynamics. Max gain is around 60dB. With input volume knob turned 90%, you can do noise-free whispers on an SM57, just to give you an idea of the gain range.

Hi-Z Instrument Input: gain starts at +13dB, causing clipping when direct-recording an electric guitar with passive high-output pickups. This is a design limitation on many audio interfaces. The solution is an active or passive DI box, or turning down the volume pot on your guitar.

Also, at first I thought the instrument input sounded dark and muffled on guitar and bass compared to my previous interface, but turned out the previous was really hyping the signal through treble boost and compression. So the Saffire is actually more honest and even in representing the input signal, meaning it works better with software-based guitar amp simulators, whereas the hyped interfaces result in a scratchier and thin sound. Post-EQ can take care of any perceived darkness both for direct guitar and direct bass, without degradation or artifacts.

Headphone Output: also relatively flat frequency response. My previous interface was hyping the trebles on the headphone out, making it sound harsh on certain headphones. Not the case with the Saffire. I tried both 32 ohm and 200 ohm headphones, and it drives both well. Not loud enough for DJ's in clubs, however. But more than loud enough for mixing and tracking purposes... any louder and you risk hearing damage.

Stability: on my Mac running Snow Leopard, haven't had a single glitch.

Software: I only installed the Mix Control panel. It lets you route audio in various ways, switches between line and instrument inputs, etc... It's very lightweight and loads fast. You'll have to read the manual to learn it fully, but once you do, you'll realize how powerful and useful it is.

Construction: similar to any rack console. It's a half-rack chassis, body is made of steel, front panel of plastic. Knobs are plastic, pots are smooth. Doesn't feel cheap or anything. LED lights are green, not blue (thankfully).

Sound: As I said, the mic pre's are clear and transparent. No muffled, sterile, hissy, cold, grainy, etc... traits that afflict poorer interfaces. Vocals sound honest and direct. I recorded an acoustic guitar and likewise, it sounds recorded as it does in person. Tip: even if you record at 44.1 kHz, use 24 bit instead of 16 bit because it helps with dynamics and headroom and lowers the noise floor.

In conclusion, overall this interface does everything I need, and does it well. As I said, the only potential downside is clipping with electric guitar, which requires a DI box unless you roll down the volume pot. I'm running my guitar through a tube preamp though, and there's no clipping with that since the preamp output is more regulated than the wild fluctuations of a straight pickup.

What else... firewire beats USB, due to greater bus power available. The Saffire comes with its own optional power supply, but I'm not using it, relying on firewire bus power instead. The Saffire is FW400 by the way, so you'll need a 400 to 800 adapter if your computer only has an 800 port. One gotcha is that, although it's not absolutely necessary, Focusrite advises against hotplugging or hot-unplugging. In other words, to be 100% safe you have to plug or unplug the box only when the computer is turned off. I've done it anyway without ill effect, but wince every time I do.

Anyway, this box is pretty affordable for what you get, and is worth the step up from cheaper interfaces that cut more corners. I won't be upgrading my interface for a very long time.

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The Focusrite Saffire Pro 14 works great on my Mac Pro. At the time of writing, using Mac OS 10.6.7. Directly accessible from apps, or the Mac's standard I/O. You can also use the Saffire Pro's headphone jack for audio out.

I got poor quality input using the default settings in Bias Peak Pro. But perfect audio with the Adobe SoundBooth.

You can power with the included power adapter, or it will also power via firewire.

Input from from a dynamic mic worked fine, though I needed to set the gain near the max.

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the only problem i encountered with the saffire 14 is that my msi motherboard built-in firewire (with an extension bracket at the back) was not putting out the proper i/o. windows 7 identified it and loaded the drivers yet the saffire won't lock in with the software. however, as soon as i added an independent firewire pci card (with NEC chipset), the saffire locked in immediately and from then on, no other problems were encountered. so, the real problem was with my mobo and not with the saffire. in addition, the latest control mix software v2.2 worked nicely with windows 7 as some people had problems i think with the earlier software version; while latency is good enough for me at 5ms it's just used in a personal home recording studio; not too many audio tracks to work on, anyway. i have read good reviews about focusrite's saffire line of firewire audio interfaces and believe me they are not wrong. since i'm already a novation fan (with my xio synth), i'm now a focusrite fan as well.

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I bought this breakout box to replace an aging M-Audio interface (1010 LT, I think it was). I wanted the external box so I could have easier access to inputs & outputs, and because I needed a shiny new toy. After comparing reviews and prices, this box seemed like the perfect option. High build quality, nice specs, separate monitor / headphone outputs, and a software mixer for different routing options.

Aside from some initial technical difficulty -buying a new firewire card, routing/recording issues, latency issues -I managed to get the product working just fine. However, I don't understand why I had such issues to begin with. Even my ancient M-Audio card worked perfectly without any modification on my part. Was it the firewire? Was it the useless mixer software that doesn't exactly route audio the way it's supposed to?

I had to contact Focusrite's tech support on a couple issues, and they were all but useless as well. The first issue I had with latency resulted in a canned message suggesting I check out a couple of videos. Thanks guys, I didn't know I had to plug the unit into the computer! My second issue was that my recording software (P-head Record) allowed me to do zero-latency monitoring, but outside the program I had a delayed signal in my left speaker. Their response? "I'm not sure what you mean by zero latency tracking." WHAT? The term "zero latency tracking" is supposed to be one of your features! It's in all the literature! And, big surprise, they attached a link to a tutorial video. Worthless.

BOTTOM LINE

If you are adept at self-troubleshooting and don't mind working out a few bugs, you will find a sweet spot and really enjoy this hardware. Frequency response is beautiful, the hardware is made with high quality materials, and Record works flawlessly with it. I did have some issues trying to record internally (ie, from one program to another), but that's not my primary use. Minus one star for lack of tech support and a frustrating mixer program (just set your latency and ignore all the other settings), but overall still a great buy.

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I got the Focusrite Saffire 14 just days before my album release party, as my trusty (but feature-limited) Audiofire 2 started to have firmware issues with the update to core audio in OSX 10.8. I needed an interface that I could both record and perform with, and the Saffire 14 fit the bill perfectly. I was able to DJ and have a cue mix from Traktor, while having my MIDI keyboard trigger sounds from Reason through one set of outputs, and run my guitar through the front inputs, through Guitar Rig and out another set of outputs seamlessly. No latency, no distortion, no crashing.

I've never even heard of an interface this versatile, feature-laden and robust for such a low price. The Saffire Mix software makes any ridiculously complex routing dead simple, and the included Focusrite VST suite sounds great. The mic preamps on the two front inputs are beautifully clean, crisp and loud, too. Get this interface and make good-sounding music easily (provided you bring the talent).

Yamaha DGX640W Digital Piano Bundle with Bench, Dust Cover, Audio Cable, Headphones, Instructional

Yamaha DGX640W Digital Piano Bundle with Bench, Dust Cover, Audio Cable, Headphones, Instructional Book, and Polishing Cloth - Walnut
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $799.99
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  • 88-key Graded Hammer Standard (GHS) weighted action
  • Decorative wooden stand, PA150 adapter & sustain pedal included
  • More DSP effects for more realism of all Voices
  • Backlit LCD displays lyrics, chords & notation
  • Optional USB Flash Memory (via USB To Device)

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Overall great sound and voice selection with piano-like keyboard feel.

Accompanying software is unimpressive and should not be considered when deciding whether or not to buy.

One main issue: the instrument would have received a 5 star rating but for one annoying trait: When the keys are depressed or released fully and/or quickly, an accompanying thud resounds thru the keyboard at each note as the key hits the keystop both up and down.

.

For an accomplished player, this might be something easily overcome, however, for those who lack a better skill level, I among them, this is a nuisance that will be of concern to many, even the tin-ear beginner.

Having said that, the instrument seems well crafted, tone quality is exceptional, accompanyment selection very good, as is the overall sound selections.

I would buy again, but would first consider other option where the keyboard thud was not an issue.

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I like this keyboard

certanly is worth few extra bucks that I spent.

Feels really good , piano like touch .

Vestax Typhoon Midi Controller

Vestax Typhoon Midi Controller
Customer Ratings: 4.5 stars
List Price: $429.00
Sale Price: $197.98
Today's Bonus: 54% Off
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  • Built in sound card
  • Bus powered
  • Vestax quality Input fader/Cross fader curve control
  • Simple plug & play activation with Macintosh and Windows OS
  • Headphone output and Mic input

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This is one of the two videos that I also uploaded online on Youtube, I have been using this unit for about 2 weeks on a Windows 7 64 bit Intel I7 laptop. Its made by Vestax, a company known for making solid High End DJ gear, just do a web search for all the top DJs using Vestax gear (DJ Qbert, Craze, tons of radio/ party djs) so I don't have too many doubts about its solid build quality, that being said the unit is almost completely plastic, and the faders don't have the rugged feel like some of Vestax's more expensive gear. The reason I chose this unit over the less expensive Midi-Only Controller units by Numark, Hercules, and others is because the Typhoon is currently the only one I liked in this price range with its own built in soundcard. For anybody new to laptop djing this means that the Typhoon works as a standalone mixing unit connected to your laptop, you don't have to go purchase a seperate DJ soundcard.

Now for some of the cons of the Typhoon:

When I first got it I wasn't able to get the audio output to work correctly, in fact I was running Traktor LE through another soundcard of mine the Saffire LE (see my other reviews for info). This was very disappointing and as someone with pretty good experience working with audio soundcards, I was using the ASIO drivers (under Audio settings), which are ALWAYS better than the Windows Direct X or even WDM drivers, and still the audio was distorted or would freeze up altogether. I looked online at the Vestax site and read some complaints about Traktor and the Typhoon running on some Intel I series laptops and 64 Bit setups, and thought "Damn I love the feel of this unit, but am probably going to have to return it". I'm glad before returning it I went to the VESTAX ASIO Typhoon control panel that installs as a seperate program when you set up the Typhoon on my laptop, and changed the driver setting from WASAPI mode to KERNEL Streaming and set them to exclusive mode (meaning not shared w other programs), once I did that the RCA audio outputs on the Typhoon worked fine, and I am able to get the audio latency down low (about 15 ms or milleseconds so far), this improved the scratching and responsiveness of the platter, but the crossfader I have to say isn't designed for heavy scratching in my opinion. . Also as a side note you shouldn't use your dj or mixing soundcard as your default WINODWS soundcard, that what the cheap ones in your laptop are for, keep your pro soundcards for your mixing or audio programs. Anway sorry for the very long review, but I know from years of experience with audio gear how frustrating it can be having problems setting up a unit you buy and having to figure out everything on your own, so hopefully I answered a couple questions in my review for other people having similiar issues. Couple more things, if you are going to use this for a club environment then you definitely need RCA to XLR, or RCA to 1/4 adapter cables, as most clubs don't use amps with RCA inputs Pyle PPRC-X05 Dual 5ft. Professional Audio Link Cable XLR Female to RCA Male, Amazon has some of these sold through other vendors.

This video uploaded of me doing a very basic juggling of Amerie's "More than Love" In Love & War is only after about a day before of using the Typhoon and getting used to the way the platter feels, so its not gonna win any DJ Battles competition, I know that already so don't waste your time typing text, just wanted to show some of what you can beyond alot of other videos I've seen on it. I plan to add some more vids of using the unit on my blog (see profile) or youtube soon. All that being said, I think that if you are trying to learn how to be the "next" DJ Craze or Qbert, etc, then your best bet is going with a vinyl alone (like I and tons of other djs started with) set up or Vinyl Tables with Serato Scratch or Traktor Pro, or at least a higher end DJ controller like the Vestax VCI-300 Dedicated USB MIDI DJ Controller for Serato ITCH (Black) or the Numark NS7 DJ Turntable Controller with Serato ITCH Software. If you aren't sure and just want to get your feet wet, or are looking for an affordable and portable unit, then in my opinion the Typhoon is the way to go. Don't get into the hype of thinking you need a DJ controller or software with 10,000 effects buttons and some super motorized faders, I still remember the dayz when the even most of the best DJs just had 2 Technics TECHNICS SL-1200MK2 Turntable and a cheap Gemini mixer.

PROS:

All in one Controller (soundcard + midi), Compact, portable, works well with Traktor LE, works with Windows 7 64 bit, also MAC compatible (I've read online), Vestax has good track record, control platters are responsive

CONS:

Audio Drivers (software) may take some additional setup with Windows 64 bit or Intel I series laptops, faders have a very light feel, made mostly of plastic

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Very Nice Machine, comes with Tractor Le software you just have to register the software after loading. I was mixing using cd's for years, this cuts out cd's skipping, not being able to enjoy a party becuz i have to listen every darn second to make sure im not skipping. Very user friendly, I actually scouted the Typhoon for about 6months prior to purchasing, I saw clips on YouTube and could not find it anywhere in the U.S.A. I ended up getting one from EBay it came from Canada. Ive had mine about 2months now and im darn near a professional. I can play any club,bar,restaurant in the city. Im from Philly so I dj quite frequently, I do bars and parties every weekend. If ur a seasoned pro like myself or a beginner and need something not too complicated but good enuf to get u goin this is definitely the machine. The only downside I would say is, its not really set up to plug a mic and go live through the house. I do it anyway and get a slight delay but i work through it. I scratch, mix, crossfade everything. Im slowly but surely learning all the scratching tricks. This is the REaldeal, and is wayyyyyy more affordable than the serato itch whatever u call it. It does the exact same thing. Ive workd with Serato, and this is just as good if you have skills.I couldnt wait to leave a review on here,Typhoon Rocks!!

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i am a DJ of 12yrs i started out on records now i am one of the many laptop DJ this player is nice an compact now i own a mix track pro that is also a good player but the big difference is size works great this product is a good buy for party an club DJ

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I am an amateur DJ, but I have tried several different qualities of equipments, from the most pro to the very cheap stuff. The Vestax Typhoon is just a perfect machine for the 99% of the time of a DJ performance. Unlike other cheap machines similar to this one(I am referring mostly to the Hercules ones), the Typhoon has the most common buttons for DJing where you need them, they are big enough, the feel when you touch them is good enough, and the jog wheel quality is just much above than all its competitors. That is important if you pretend to mix songs and adjust the tempo manually and not just relying on the software (basically, what a Dj is supposed to do). They are good enough for scratching too, and this is something that most of the similar machines cannot handle decently.

It comes with Tracktor LE, what is one of the best programs available (I can't stand the horrible virtual dj). Ok, now I have to thanks DJ Exquiz who wrote another review and solved the main problem I found with the Typhoon: with my windows 7 64 bits the jog wheels were not working properly (the music was distorted). Follow his guidelines about changing the driver to Kernel and it will be solved, because in the Vestax website I didn't find anything related with this problem. But now that everything works fine, I am really pleased with this purchase (after returning an Hercules), because the quality is better than I expected for the price. Actually I think they are increasing the price of the Typhoon (I bought it for 279), so that means that they are realising that the machine is being re-valuating. Check other places than Amazon before, just in case.

In conclusion, it is the first Vestax product that I buy, but now I trust in their quality, and I am very happy with this portable machine, I dont need to buy anything else to do great parties everywhere!

Well, actually one thing you need to buy apart is the audio cable to use its RCA connections. I recommend to buy it at the same time, but check first about the length (buy it quite long to use it everywhere), and the type of connection you will need for your audio equipment (jack, RCA, minijack, etc.)

cheers!

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Very good device. I used to play some years ago and just wanted to have Typhoon for home parties. After test I understood that it can be used even in big clubs. It is possible to record samples and use that during mixes, use different effect and mixing became very easy.

I can recomend that for everyone.

Blackstar HT1 Series Guitar Combo Amplifier

Blackstar HT1 Series Guitar Combo Amplifier
Customer Ratings: 5 stars
List Price: $319.99
Sale Price: $269.99
Today's Bonus: 16% Off
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  • 1 Watt, all-tube, 1 x 8-Inch Combo amp
  • Tube Complement: 1 x ECC83 (12AX7), 1 x ECC82 (12AU7) Power Tube
  • Volume, Gain, and ISF Tone control; Overdrive switch
  • Emulated Speaker/Headphone Output; 8 Ohm speaker output
  • MP3/Line input

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Been playing on one of these now off an on (I've got a couple other amps) for a few months now, and figured it deserved to have at least one review. I've been pretty impressed by the range of sounds it can crank out. Mainly picked it up because I wanted something that was both versatile and able to produce its entire sound range at volumes appropriate for my apartment. This thing works perfectly.

This can do anything from clean, bluesy tones all the way up to metal-worthy chugging. Separate gain and volume knobs let you play at full distortion at pretty much any output volume. The ISF knob gives you pretty decent control over your tone, though it doesn't (for me) completely replace full tone controls. It works well enough...I'm just not necessarily buying the marketing hype on it. Given that the HT-5 (and other Blackstar amps) have both the ISF and separate tone controls, I guess this is more meant to emulate different speaker configurations. But it...doesn't really do that either?

The speaker-emulated/headphone output works pretty well for recording (I ran it into a decent ASIO card), though it can be just a bit noisy. Works great in headphones, though. The MP3 input I have not used, but I imagine it does what it claims? You'll need a cable that can go from 3.5mm to 1/4" to hook that up, or the proper adapter(s).

The 8" speaker gets a bit underwhelming at higher volumes, and can sound a bit boxy at times. This is kinda par for the course for an amp this size, so I wouldn't really ding it for that, and the external speaker output gives you the option to run it into something a bit beefier. I ran it into a 12" external speaker and was definitely impressed at the difference it made. I still don't know that it would ever cut it practicing with a band...1W is still 1W. But when you don't need the portability of the built-in 8", it's worthwhile.

The lack of reverb is...annoying at times. I figured I could just make up for it with a pedal, but then your reverb is going through the pre-amp and it just doesn't work out all that well (you can reduce the level of reverb on the pedal to compensate, I guess). I'd assume that the HT-1R (and RH) has the reverb between the pre-amp and power amp stages, which will probably give you a better result...probably worth the extra $50.

Overall this seems like a solid amp, and a good value for the money (if you insist on tubes, that is). What it lacks in volume it makes up for in range, letting it stack up nicely against a lot of other low-wattage amps that may go a bit louder. It may not wind up cutting it as an "only" amp (you'll probably eventually want something larger to complement it), but at the same time it shouldn't wind up gathering dust, either.

EDIT: Bumped up from 4 stars to 5 stars. Given what it is (a 1W amp with an 8" speaker), it's pretty great. I think before I was judging it based on what I wanted it to be. But as it is, I keep coming back to this amp.

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Man am I impressed! This amazing little amp is perfect for my home studio. Spoiled from playing my friends' Orange equipment, I was looking for that high-output tube sound. The ht-1 delivers exactly what I was looking for.

I'd been planning to lean heavily on the Guitar Rig (tube emulation) plugin in Pro Tools, but the HT-1 will be far superior with its line out.

After running it through my Carvin 2x12 speakers, I'm convinced the HT-1 would serve for loud, full-band jam sessions and shows, if you're comfortable with using your guitar's volume control instead of a footswitch.

Playing my custom Carvin CT6 through this thing makes me feel like a teenager driving a Ferrari--the sound is worthy of a much better guitarist (I've always been primarily a bassist).

My only concern is if I should've gone ahead and dished out the extra 50 bucks for reverb, even though I prefer to handle all of this in Pro Tools. When I'm just playing around, I'll run clean through my Carvin sx300, picking up its effects and reverb as desired, then into the Blackstar, then back out into the carvin's 12's.

If you have a laptop recording rig, you could use the HT-1 as a mobile monitor (via the unaffected line-in) if you wanted to.

It is a truly versatile, portable, and absolutely satisfying amp.

If you're using a solid state amp, do yourself a favor. Pick up an HT-1 when MusiciansFriend emails you one of those 20% off codes, like I did. Combined with the rebate promo, it amounted to a sweet 75 dollars off, but it's worth the full price.

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For the price you can't beat the quality. It sounds great. You can get crunch, sustain and use it to record with into a mixer or multitrack recorder. The headphones works pretty good. (I have nice headphones, maybe cheesey ones would sound bad) Great practice amp and, very loud for one watt! You can also hook it up to an external cabinet with an ohm rating between 4 to 16. Just for the way it looks alone it should get high ratings. I saw a demo of it that wound up on my email and, I decided to get rid of my noisey Epiphone Valve Junior and, get the HT-1. I'm totally glad I did. All my guitars I have played through it sound pretty good as well. I view the ISF almost like a tone control. It works alright enough for what this amp is. I wish this would have been my first amp when I was a teen learning to play. It is a fun practice amp. I bet the HT-1R is even more cool with the reverb. I'm glad I got it.

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At first I hated this amp. It was so noisy I thought it was broken. Turns out I'm just an idiot & had the gain too high on the OD channel. I also didn't love the ISF gimmickit's supposed to sound like a fender when turned down & Marshall on the other end, but basically acts like a guitar tone pot to my ears. There are decent even great tones , but no one will mistake either extreme for the real things. I also thought it was pretty limited since clean at max volume is really weak. I also regretted not getting reverb ( the HT1R). I was all set to sell it for a $100 loss & move on. My friend who was interested went on vacay for a month. During that time 2 things happened. I realized that my Mustang direct out does not record the backing tracks inserted from my iPhoneonly my guitar signal & thats a dealbreaker for mecon that smo. The Blackstar records both very well and it's direct out sounds as good as me mic'ing w/ a sm58. I also realized I have pedals! With a compressor, analog delay & OD I get every tone Ive ever wanted on this amp & just continue to be blown away every day by how great it sounds. Run it through a PA and its very giggable. Overall I would say this is good for anyone unless you play clean only with no boost because the clean channel has the exact amount of volume you'd expect from 1 watt, which is not quite enough to even practice in a quite room.

Tascam TRACKPacKX1 Recording Bundle with US100, Mic, and Headphone

Tascam TRACKPacKX1 Recording Bundle with US100, Mic, and Headphone
Customer Ratings: 2.5 stars
List Price: $199.99
Sale Price: $149.99
Today's Bonus: 25% Off
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  • Containing US-100 interface, MC-VT1 dynamic microphone and HP-VT1 headphones.
  • Bus-powered USB 2.0 audio interface, US-100
  • XLR or 1/4 inch microphone input.
  • RCA line inputs switchable to RIAA photo inputs with ground lug.

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This entire package is garbage. The headphones have no bass. I plugged my bass guitar into this thing and the headphones would crackle with every note played. The microphone does plug in through XLR, but vocals come out ugly sounding. The interface itself, while simple to use, gives me terrible latency when using adobe audition 3.0, to where you cant even record vocals because your ears are confused. and that leads me to using the audacity software that comes with it(which there are no instructions for) and im unable to master my vocals. So in short, this entire bundle sucks, and i wouldnt recommend it to anyone.

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I purchased this package as a restock from Guitar Center for $39.99. Even at the list price of $199.99 this would be a great value. I used Cakewalk Music Creator 6 software to lay down 3 vocal tracks and a drum track to test the sound. It sounded great on the initial setting in Music Creator and even better with some tinkering in the software. Contrary to the other review, the headphones sound fine with enough base and the microphone is good quality. Recorded sound through all three inputs (RCA, 1/4 inch Stereo and mic) sounded great. I would use multi-track recording software such as Music Creator or ACID Music Studio though rather than the included Audacity software.