Showing posts with label pro headphones. Show all posts
Showing posts with label pro headphones. Show all posts

Pyco Black

Pyco Black
Customer Ratings: 5 stars
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I got these to replace some klipsch heasphones. I only purchased the klipsch initially, because at the time Ultrasone didn't have an affordable pair of earbuds. Your probably asking yourself, why should I pay 200+ for a pair of headphones? If you have to ask, don't...just stick with your skullcandy's, or your iphone's. The foam tips work outstanding for keeping these in your ears, a dealbreaker on earbuds for me. Outstanding sound quality, durable housing, and cord, mic feature so you can answer your phone and not miss a beat. Great product, period. I recommend.

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Allen & Heath Xone:XD-40 Professional Monitoring Headphones

Allen & Heath Xone:XD-40 Professional Monitoring Headphones
Customer Ratings: 4.5 stars
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  • Excellent sound reproduction
  • 40mm diameter drivers
  • High power neodymium magnet design
  • High SPL capacity
  • Rotating earpieces for easy one-ear monitoring

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I read great things about these online so I figured they were worth a go. I was, however, severely disappointing. The sound quality on these is pretty average: I think they're a little lacking in the mid range and high bass and when I try to EQ these up a little the headphones crackle. They are also too big for me. I have an medium size head (according to bike helmets) and these hang a little too low on my ears even when they are the tightest possible configuration. Also they are dreadfully uncomfortable on my ear. They are also terrible for studio monitoring.

For DJ gigs they're great. They're light and since they're on and off my ears I don't have any fatigue from wearing them.

I bought these as a sort of do all headphone and was disappointed. I would say buy them for DJing headphones, otherwise pass and get something else.

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This are the best headphones I've ever used for DJn. Super light but strong enough to handle me throwing them in my bag when I'm late to my next club. Very loud and very crisp as well. The lower frequencies are also sharp and clean. I own a pair of beats by dre for personal use and these are, in my opinion, BETTER....

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lightwieght and sound great for the price...I have other pairs of headphones (v-moda crossfader, sony drv-700, pioneers 200) and wanted a pair to use whilst I commute and they defo fit the bill. The low are not that loud so it was a pleasant surprise, the mid are there and real clear, the highs are real clear but sometimes they stand out a little more.

I only wish they could fold a little more but despite that I'm more that happy with this headphones.

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Don't listen to the negative review, I personally got these for DJ use. That is the key when reviewing this product, it's meant for a specific output purpose (DJ). Allen & Heath have always offered quality Products but at a price range usually out of reach for the average consumer. I got these on Sale for $29 on Amazon and am loving the sound these things dish out. They are pretty neutral on the highs and Mids, the lows are bumped up a bit, but not too much to where they are distorting or affecting the sound in any way. For DJ use, they are perfect because they isolate the outside sound pretty darn well! and they are extremely light, compact, foldable, and pretty sturdy, they are built with quality components. They do not feel like your cheap plastic that other cans come with. They are extremely comfortable, after a while you forget that you have them on, so listening for hours without hurting your ears or feeling too tight is a plus. I am also using these for everyday A/V playback and even found them useful for music production. Make no mistake, no headphone is recommended for Mix-downs or Mastering of music projects, so these aren't the greatest sounding cans made, but they do give a rich, full sound. So for hi-fi playback they are great!

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So I've tried all kinds of dj headphones,and none of them even comes close to the allen and heath headphones,do yourself a favour and grab yourself a pair,as I bought two pairs for my deejaying purposes.... Very happy with the purchase...

Microsoft LifeChat LX-1000 Headset

Microsoft LifeChat LX-1000 Headset
Customer Ratings: 3 stars
List Price: $19.95
Sale Price: $12.99
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The headset is sort of like the free ones you get on an airplane (when you ride an airplane that gives you a free headset). It's light, and I could wear it for hours, I guess, but the earpads always feel like they are about to slip off my ears.

If you want to hang the microphone boom off of your right ear, then you are out of luck. It wouldn't have taken much engineering to allow the boom to rotate about 240 degrees so you could reverse the headset and talk out of the other side of your mouth. The microphone hangs from your left ear, and you have no option.

The sound in the ears is clear. The volume adjuster works really well. The microphone works well.

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When I first got it, I loved it. Excellent sound quality, light weight and comfortable. A few weeks later, I lightly tugged on the wire not rough and the wire came out of the connector and the device died, I called tech support even though it was only a few weeks old, microsoft doesn't cover damage to the wires.

So I threw it away and bought another one. This one lasted 2 months then died. I was very careful with it it is just too delicate

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CounterStrike online with live chat can be a rather disruptive environment for those around the player; the player is happy with the sound and mic's ability and the mother is happy with a bit less firepower ringing throughout the house. Packaging for shipping worked well (all in tact) and easy set up.

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It's not that comfortable but does the job!! noise cancellation is average but not spectacular. over all average but not bad.

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The sound quality was surprisingly good for a headset this cheap and the mic worked well, quite clear with little to no background noise picked up. The device itself is extremely weak though, I've had 2 of these and the first lasted 5 months and the second just 3 months. First just died randomly, and the second one the left ear just cut out, no wire damage either time, just stopped working one day both times.

The headset is very light and although this makes it good for long term wear, it doesn't sit well on your head and constantly feels like its slipping off.

The wire is very thin and not very well protected, although I didn't damage the wire at all, a friend got this at the same time I did for online play and one roll over with the chair and it was dead.

I would not recommend this to anyone though, for the price tag you get a quality product but don't expect it to last a long time. Weighed up over time a more expensive headset that lasts long is going to be better in the end.

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Your Cable Store 10 Foot 1/4" (6.3mm) Stereo Headphone To RCA Adapter Cable

Your Cable Store 10 Foot 1/4' Stereo Headphone To RCA Adapter Cable
Customer Ratings: 3 stars
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Sale Price: $4.59
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Got this product to use with my new DJ controller to hook it into our mixer for events.

Upon plugging the wire in I was unable to get stereo sound, or ANY low frequencies. I had to unplug one of the RCA cables to get anything to work, which resulted in my getting full frequency mono sound for the rest of the event.

Disappointed in my first purchase of a "Your Cable Store" wire. Luckily, by the time my second event came along, I was able to purchase another one from a different company that works fine.

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I was previously using headphone to micro connector and then a cable. Switching to this got rid of a connection, and reduced line noise.

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Beats Tour 2.0 In-Ear Headphone (Black)

Beats Tour 2.0 In-Ear Headphone
Customer Ratings: 3.5 stars
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Sale Price: $149.95
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The sound quality and the comfort of this earphones are flabbergasting, although durability is horrible (for a pair of 150 dollar earphones). Between the black part, which the cable splits into two (for left and right ears), and the red rubber-ish coating over the cable, there was a gap. I could actually see the copper wires, which were inside the rubber coating. Also the cable is so thin that it looks weak, and the jack was also tiny. Which was intended from beatsbydre, but come on.. If they are going to make the cable smaller, then make it durable and small, not small and brittle.

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I was wondering it was a fake one or not but It's real beats but I don't like sound compared with the old Beats tour...

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Just bought the Beats Tours2.0. Great sound! For those who stated the first tours are better, they don't know sound. How did they pack the large sound in these small buds. Being 150.00 is a bit much but you can't beat the sound quality. To me they sound better than the over the ear beats. For the most part, they are noise cancelling. Love this product.

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The earphones have clear sound performance with the extra deep bass. They are well worth the purchase.

Would recommend to anyone looking for good quality earphones

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I buyed this earphones for my HTC New One, and first the volumen control doesnt work, second the sound quality (i used to wear the Bowers & Wilkins C5) compare to B&W are not to good, actually the earphones have great quality material, colors, accesories, great box, etc and for to listen pretty loud music is great.

Its OK

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Rode NT2-A Cardioid Condenser Microphone Recording Package with Sennheiser HD 202-II Closed-Back Ar

Rode NT2-A Cardioid Condenser Microphone Recording Package with Sennheiser HD 202-II Closed-Back Around-the-ear Studio Headphones and a Tripod Base Microphone Floor Stand - Black
Customer Ratings: 2 stars
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Sale Price: $399.00
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  • Includes NT2A Microphone, Protective Pouch, SM6 Shock mount with integrated Pop filter, 10ft XLR microphone cable, Sennheiser HD202II Headphones and On Stage tripod microphone stand
  • Three position variable polar pattern - Omni, Cardioid or Figure 8
  • Three position PAD - 0dB, -5dB or -10dB
  • Ultra low noise, transformerless surface mount circuitry
  • Complete package for vocalist, voice-over, professional podcasting and more

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i do not like it first of all its defective, secondly it is only compatible using a phantom v 48 otherwise this mic wont work. the mic looks good and sturdy but it did not meet my expectations!

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Yamaha RH5MA Monitor Headphones

Yamaha RH5MA Monitor Headphones
Customer Ratings: 4.5 stars
List Price: $80.00
Sale Price: $59.99
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  • Frequency Response 20 Hz - 20kHz
  • Sensitivity 96 dB/mW
  • 8' oxygen-free copper cord
  • 1/8" plug and 1/4" adapter
  • Compatible with all audio devices

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As a musician who is also a recording engineer, I'd like to say that these headphones are the best I've used at any price when it comes to tracking instruments. When I'm playing an instrument, and I need to hear the other instruments that have already been recorded, I need headphones that have as flat a response as possible. Today's consumer headphones boost the bass frequencies to the point of absurdity. Not these RH5MAs. When I'm tracking, I need accuracy---not fantasy. These Yamahas do the job. Over the past twenty years or more, I've tried nearly every headphone available. I always come back to these. Now, no headphones are good for the mixdown of a song, only loudspeakers work for that job. Yamaha excels there, too. I first experienced the legendary Yamaha NS-10's in a recording studio in Los Angeles in about 1980. They've been the playback loudspeaker standard ever since. These Yamaha RH5's are analogous to the NS-10's in that they are uncolored, and have a nice, flat response. I've had them all: $600.00 Beyers, you name it. It looks like these Yamahas are the best headphones for me at any price. You'll notice that with any Yamaha product that the specs and performance are always top-notch. I literally need these headphones to record properly, and coming from me, that's a big compliment!

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I was looking for a flat-response, high-quality monitor headphone set. In this product, I found one that is comfortable, hi fidelity, efficient (excellent volume preservation), and very reasonably priced. It allows you to hear the music while also letting in some ambient sound, which matches my need for playing an instrument while listening, but not so much that you'd be distracted.

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I just got these in the mail today. I'm impressed by the solid quality of the headphones. The standard jack will fit into your ipod or other mp3 player. It does come with an adapter jack that will fit into professional equipment, so I'm definitely sold on that aspect. The cord is thick and sturdy, not thin like cheap $10 headphones. There is a lot of bass that comes into these headphones... you'd be very surprised at how much bass a small headphone like this one can deliver. I'm no "sound" professional, but the highs, lows, and mids sound-wise are all very good. As for comfort, the headphones adjust very easily and fit comfortably. This is my first pair of good quality headphones and I was afraid that my ears would get all sweaty. They do get a little warm, but that's expected from any headphone. But I will say that they are very comfortable, and they look good as well. I don't think the picture on amazon does these any justice :-).

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These Yamaha headphones have got to be the best headphone "sleeper" (what I mean is not that many people knew about them when I got my first pair over ten years ago, and I think still alot of people don't know about them). People seem to veer towards either "ear buds" or Grado SR60's when it comes to a good reasonably priced set of headphones. IMO these are better than SR60's and cost less, they are also semi-sealed instead of open back, so they are a little better at keeping music in and noise out than the Grados are. Compared to most ear buds, these Yamaha RH5MA's are a huge improvement. The sound quality is good enough to use at home on a stereo, home theater system, or the practicing musician. They are easy to drive, so they work well in any applicationplug right into your ipod, computer or instrument. The tonal balance is excellent, with ample bass, clear mids, and smooth highs. There is not the sense of spaciousness you get from the more expensive headphones, but what you get is truley remarkable at the price. Comfort level is good too. Finally they are Made in Japan (not China) which is astounding at this price level. The only minus for these phones is that unlike Grados or Sennheisers, the manufacturer does not provide user replaceable ear pads.

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The Yamaha RH-5Ma is an excellent pair of budget headphones for monitoring. They have a flat, or uncolored, response and their sound is detailed and revealing. Nice, clean tight bass too. These are good qualities for monitoring, which is what I use these headphones for, and I highly recommend them to play your instruments through. They are on-the-ear (supra-aural) headphones, though, so they are best used in quieter environments since they afford only moderate sound isolation.

The sound stage of the RH-5Ma headphones, for me at least, is congested and vocals can seem too forward in some recordings. I don't use the RH-5Ma headphones (or any headphones, for that matter) when listening to music for pleasure. My Sennheiser DT-770s are equally detailed and neutral, but they are more enjoyable when listening to good CDs, mainly because there is more separation between the instruments and the vocals are not so in-your-face.

The neutral, detailed sound (as opposed to a warmer sound) is a matter of personal preference. However, if you listen to poorly recorded or compressed (MP3) music, or listen to music through mediocre equipment, you're probably better off with more forgiving (i.e., less revealing) headphones.

REPLACEMENT EAR PADS: For me, one major knock against the RH-5Ma headphones was that Yamaha does not offer replacement ear pads (they will eventually crumble into dust). I've just discovered that the replacement pads for Sennheiser HD-25 headphones (good quality and available in velour and pleather) fit great on my RH-5Ma's. Hope that helps.

Roland RD-300NX 88-Key Digital Stage Piano Bundle - Stand, Stool, Cable

Roland RD-300NX 88-Key Digital Stage Piano Bundle - Stand, Stool, Cable
Customer Ratings: 5 stars
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Wonderful product; love Roland! For me the best feature is the fader capability. When we're live the faders are a dream. Great-buy; highly recommended. If you have the $ go for the upgraded RD-700NX (added 1 more fader).

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HiFiMeDIY Sabre USB DAC Digital to Analog Audio Converter 96khz/24bit ES9023+SA9023 + USB to Optica

HiFiMeDIY Sabre USB DAC Digital to Analog Audio Converter 96khz/24bit ES9023+SA9023 + USB to Optical Converter
Customer Ratings: 5 stars
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  • Sabre DAC Technology
  • 96khz/24bit USB input
  • Small, lightweight design
  • Output on 3.5mm headphone jack
  • Volume level is adjust with computer hardware keys

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I purchased the HiFiMeDIY DAC more out of curiosity rather than an actual need. Simply put I wanted to compare the performance of a DAC using one of the famed ESS Sabre D/A chips with the other audio gear at my disposal without having to spend hundreds or even thousands on higher end gear from Peachtree Audio, Oppo, JDS-Labs, McIntosh, etc. The HiFiMeDIY DAC fit the bill and this review details my (subjective) conclusions.

The HiFiMeDIY Sabre DAC is an external USB D/A audio converter designed by the DIY community and based on the entry level ESS Sabre ES9023 D/A chip and the ubiquitous USB 2.0, full-speed compliant Tenor TE-7022L audio streaming controller from the Galaxy Far East Corp. (GFEC). The HiFiMeDIY DAC is a device of remarkable simplicity but in the same time a model of efficient circuit design. Power is supplied by the USB to a Linear Technology LT1763 low-noise, low drop-out (LDO) micro-power regulator while all other functions: USB control, data retrieval, pin-addressing, clocking, oversampling, D/A conversion, low-pass filtering, etc., are split between the Tenor and the Sabre chips. This arrangement eliminates the necessity for any other processor (dedicated to some of these functions) on the circuit board. The data transfer in the HiFiMeDIY DAC is synchronous (the USB data link is controlled by the computer rather than the DAC). This is, arguably, not the best arrangement for audio purposes due to jitter issues (this jitter issue depends greatly on the other duties of the computer's processor.) Nevertheless, the Tenor chip features integrated phase-locked loop (PLL) to support single crystal operation (12MHz) and has some buffering capability, which helps mitigate jitter to some degree. In addition, and perhaps more importantly, the Sabre chip has its own jitter elimination capability the famed (if still somewhat cloaked in mystery) ESS Hyperstream with Time Domain Jitter Elimination technology. Performance-wise the HiFiMeDIY DAC is capable of 8 96kHz at 16/24bit decoding (except 88.2kHz, which is not supported by the Tenor chip) and has a listed dynamic range (S/N) of 112dB. The technology packed in this little (2in x 1.5in x 0.5in) device is basically the same (with minor differences) as that in the Peachtree DAC-iT (the Dac-iT uses the ES9022 chip, which is essentially the same as the ES9023), the NwAvGuy's Objective DAC (ODAC), the Audio-Quest DragonFly, the NuForce uDAC-2, and others like these that are selling for five to ten times more than the HiFiMeDIY. Since the Sabre ES9023 chip features integrated low-pass filtering and a direct coupled 2Vrms line driver, all these DACs produce "sound" of a similar quality the differences in implementation, for instance different power supplies (e.g. Peachtree DAC-iT features a separate switching power supply), different USB transceivers (such as the now phased-out Texas-Instruments TAS1020 found on the DragonFly), different clocking schemes, etc., could provide subtle differences in the sound signature but are, as far as the line output is concerned, little more than window dressings.

On to the computer/audio gear used during my initial listening tests:

MacBook w/ Mac OS X 10.4.11

MacBook-Pro w/ Mac OS X 10.6.8

Dell Optiplex GX620-MT w/ Windows XP/SP3 and Linux Ubuntu 12.0.4/LTS (dual boot)

XMOS USB 2.0 Audio Reference Design Asynchronous DAC,

Matrix M-Stage Headphone Amp,

Audio-Technica ATH-A900 closed-back headphones (40ohm),

Superlux HD-681 semi-open headphones (32 ohm), and

Sennheiser HD598 open headphones (50ohm).

Playback software: Audacity, iTunes, VLC, Windows Media Player

Audio interconnects: RCA-to-RCA and 3.5mm to RCA adapter, both Auvio brand sourced from Radio-Shack (these Auvio cables are not cheap, as far as RS stuff goes, but they are actually pretty decent). Also used were two generic USB-hubs/multi-card reader combo devices (from Sabrent and Inland) and generic USB cables sourced locally from Micro-Center. Also to note, the 3.5mm analog jack of the HiFiMeDIY DAC doubles as optical S/PDIF out. I have not tested the S/PDIF output due to a lack of a 3.5mm optical adapter, however, the red LED light is clearly visible through the output jack when the DAC is plugged into a USB port. A brief setup note: The HiFiMeDIY DAC is plug-and-play on all three computers used and did not require downloading of any kind of drivers in Mac OS, Windows or Ubuntu. However, using the default drivers, I haven't been able to select the sampling frequency or the bit depth on Windows and Ubuntu. I suspect that the generic drivers on those systems default to either 44.1kHz or 48kHz and 16bit. The DAC seemed to work equally well when connected directly to a computer USB port or to a port on one of the USB-hubs. For most of the listening session I have used the MacBook-Pro as the source, the other two computers being used mainly to check the compatibility of the DAC with those older operating systems.

Before moving on to sound quality, I must mention that although the HiFiMeDIY DAC is marketed as a DAC with some direct headphones driving capability, personally I would not recommend it being used in such a fashion. While the device can indeed drive low impedance headphones directly, the sound quality obtained that way is rather poor (simply because the Sabre chip output line-driver is just that a line driver, IT IS NOT a headphone amp! Moreover, the whole thing is powered by the USB and because of the way things were implemented here direct drive of some low impedance loads, e.g. 30-60ohm headphones puts a very large strain on the LT1763 voltage regulator and the pump-charge circuits inside the Sabre chip.) Personally I use it with a dedicated headphone amp (the Matrix M-Stage mentioned above). Since all my headphones are low impedance (32-50ohm) and the open-circuit output of the Sabre chip is actually just above 2Vrms, I set the Matrix M-Stage gain to 0dB (no voltage gain thus, in effect, using the headphone amp as a current buffer). For the purpose of my initial listening tests I also connected the XMOS DAC to the second line input of the M-Stage. (The M-Stage has two line inputs, 47kohm, and a face-plate mounted switch which allows one to toggle between the two inputs and thus compare two input sources.) Note: the HiFiMeDIY Sabre DAC does require 2-3hr of break-in time.

I will spend little to no time here comparing this DAC with the sound-cards in the computers. Of the three computers I have here the MacBook-Pro has the "best" sound, but by comparison with either the HiFiMeDIY DAC or the XMOS Reference DAC, listening to it is, more or less, a waste of time. So, the comparisons will be drawn here solely between the HiFiMeDIY DAC and the XMOS. (Note: The XMOS USB 2.0 Audio Reference ADC/DAC is actually an evaluation board from XMOS available at Digi-Key at about three times the price of the HiFiMEDIY DAC featuring the 24bit/192kHz Cirrus Logic CS4270 audio codec (differential multi-bit sigma-delta conversion, switched capacitor) and the 32bit, 500MIPS/8threads, XMOS XS1-L1 event driven processor. It supports all sample rates from 44.1kHz to 192kHz and uses two dedicated on-board clocks (for 44.1kHz and 48kHz and their multiples). In addition, the XMOS DAC uses the SMSC USB-3318 high-speed USB 2.0 transceiver, clocked separately by a 13MHz reference crystal and the NCP699SN18T1G low quiescent current LDO voltage regulator from ON Semiconductor. The XMOS solution is largely considered one of the best implementations of the "asynchronous" USB Audio currently available although a pricey one, see for instance the 6moons review of the April Music Stello-U3.)

The Sound (overall conclusion): Dynamic, detailed, well staged and layered, airy, clean, clear, well balanced and noise-free.

More specifically, the HiFiMeDIY Sabre DAC is performing, essentially, at the same level as the XMOS with a few differences owed mainly to the particular implementations of the low-pass filters in the two devices and their inherent noise levels. Thus, while I would rate the level of detail retrieval in the Sabre to be similar to that of the Cirrus Logic in the XMOS, the higher gain digital filter in the Sabre (versus the digital (-50dB)/analog (-40dB) combo low-pass filtering in the XMOS) rends a better, more airy stereo image, albeit at a price: slightly increased graininess (especially in the upper registers) and more pronounced sibilance (at times). By comparison the XMOS sounds a bit more laid back with a slightly veiled, smoother presentation but very musical and somewhat more forgiving, particularly with some of the more compressed (i.e. loud) material (which is, unfortunately, found on most of the new music CD nowadays). The only other notable difference is a slightly emphasized low-end with the Sabre: the bass has a tad more impact than with the XMOS though not enough to require EQ changes with any of the headphones. The Sabre also has the upper hand in the S/N arena, presenting a truly black background (better than -95dB/the M-Stage level) when compared to the -87dB THD+N of the Cirrus Logic codec used in the XMOS DAC. However, the XMOS has the advantage of a full sample frequency range (including 88.2kHz, 176.4kHz, and 192kHz) and has better soft mute and pause controls (and is also an A/D converter). On the timing/jitter front, the HiFiMeDIY DAC seems (at least to my ears) capable to match the asynchronous solution in the XMOS, since I couldn't detect any rhythm/pace issues even when the DAC was connected to an USB-hub and the hub was simultaneously used to transfer some large files to a USB memory stick. Jitter performance may, however, vary depending on the computer used, the quality of its usb connections and any other devices used (USB hubs, cables, etc.) As a rule of thumb I'd recommend plugging the DAC directly into the computer rather than a USB hub (whenever possible).

To conclude, the HiFiMeDIY Sabre DAC is a remarkable piece of audio gear with outstanding sound quality (especially when used with a headphone amplifier) and which features the same ESS Sabre DAC technology found in higher end/higher priced audio gear. The closest (in terms of sound signature) would be the Objective DAC (sold by JDS-Labs for roughly 2.5x the price), the uDAC-2 (at 2x the price note that this DAC also features an integrated headphone drive stage. The uDAC-2 may be a good buy for someone who doesn't have a separated headphone amp, though some reviewers have pointed to the fact that its headphone amp, which is based on a Maxim op-amp, it's rather lackluster,) the AudioQuest Dragonfly (at 4x the price the Dragonfly features asynchronous USB transfer and it also includes a headphone driver stage) and perhaps the Peachtree DAC-iT (at about 8x the price). For me the evaluation of the HiFiMeDIY Sabre DAC started as a low-expectations, guilt free indulgence of curiosity for the price of a tank of gas. Nevertheless this little USB DAC is now a permanent staple in my desktop setup. Without reservations 5 star.

UPDATE 03/19/2013: Did a bit of digging on the net and found the drivers for Windows 32/64bit on the HiFiMeDIY website (just type HiFiMeDIY in Google search and it is the first thing it pops up). Search for the HiFiMeDIY Sabre USB DaC and on that page you will find links for the driver download. The driver is called TeraDAK TeraLink-X2 (something like that). The 32bit driver works on my XP machine but either version of this driver should be good for Vista and Windows 7 as well. In fact there is an express recommendation there to use this driver for Windows 7 due to some noise issues with the default windows driver. The Windows installer will complain about the authenticity of the software when you try to install (not a Microsoft approved program, all that... but I did it anyway and it seems to work quite well). In the new USB Audio Control Center that pops up you can select the sampling rate, bit depth, etc. It also seems to have ASIO support. Also, there is a controller for the similar HiFiMeDIY Sabre DAC with optical to USB recording capability (this device looks identical to the USB DAC reviewed here, except that the S/PDIF is an input not an output). Note that you'll need the device connected to the computer when installing the driver. As an added bonus (aside from being able to play high resolution files) with the new driver, selecting 24bit processing allows for use of computer/digital volume control without loss of signal resolution. I've tested it with Audacity, VLC and Windows Media Player and they all work just fine.

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Make no mistake, this is not your fancypants DAC from Fiio, Schiit, or elsewhere. It's designed to get maximum performance for the least buck. This means a simple enclosure which consists of nothing more than a USB connector and an SPDIF/3.5mm jack. Plug in your headphones if they are efficient, or get an interconnect cable to interface with your amplifier. It gets the job done for only $50. As is well known it contains the same components found in the monumentally more expensive ODAC. Only issue that some people raise is that the signal is not isolated from the USB port which is supposed to introduce some noise. I did not notice much of a problem at all, so I can't really support that notion.

You will be hard pressed to find a better DAC for $50 and there are probably marginal differences in performance between it and most DACs under $200. When you pay more you really are only paying for something that looks nicer and perhaps has more ports or settings, not necessarily more functional. There is one other DAC at this price point that is comparable and that is the UD100 but that doesn't even come with an enclosure, you have to DIY (do it yourself). So at least this thing has some sort of plastic shell. Plus, it weighs almost nothing and would be very suitable for some sort of portable setup.

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This DAC is a great upgrade over the built-in audio of my laptop and even the Asus Xonar DX in my desktop. It's a night and day improvement over built-in soundcards in my opinion. I currently use it at work with my laptop and Grado SR-80i's as a DAC/Headphone amp, using the ASIO drivers supplied by the manufacturer and Foobar. I'll probably buy another one for my desktop at home. I'm also considering buying the version with optical in and coax in to use with my main stereo.

UPDATE 3/31/13

I've been using this dac for a couple months now and I'm continually impressed with it. Bass and treble extension is much improved over the built in soundcards of my computers, and the separation of instruments is very noticeable. I always look forward to re-listening to my music with this dac.

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As I've accumulated more and more music as strictly digital files over the last few years, it became increasingly apparent to my ears that, despite a modestly good desktop sound system, the output from the soundcards in my various PC's was lacking the fidelity and definition I would have liked. Eventually I began sending the PC audio output to my home stereo and, at that point, it was even more evident a better solution was needed. I conferred with a few friends who inhabit the audiophile world about a resolution to the sound issues and all of them unequivocally recommended an outboard DAC. Of course, there was no consensus as to manufacturer and cost but the best advice suggested that above a certain price-point, the rule of diminishing return for every dollar spent took hold.

So, before spending beaucoups $$$ on any of the more esoteric or renowned DAC units that had gotten good recommendations, the cheapskate in me took a chance with the HiFiMeDIY Sabre DAC. Being so inexpensive, even if it didn't offer any great improvement, I wasn't tossing out a lot of cash. Well, I definitely have no remorse about purchasing this HiFiMeDIY DAC. This unit is not only a great bargain, but it truly delivers the goods. Its sound quality now brings my digital music to a level that comes a lot closer to rivaling my other music sources (note: I said closer to, but not equal).

Yes, it's cheaply made, but it plugged in and it worked right out the box with both Windows XP and 7. It has a few quirks which are probably related more to one of the computers I use than the DAC. Anyway, I immediately noticed a distinguishable enhancement over the standard output, although not a huge 'night and day' difference in sound, but a pleasantly noticeable improvement. It took some of the "murky goo" out of the middle frequencies, tamed some of the sibilance on high stuff and vocals, tightened up and better defined the low frequencies and presented a little broader soundstage all around. And after about 30-40 hours of break-in time it got even better. For this price, who'd have thought? It won't overcome the limitations of low bit-rate MP3's but with good-to-better quality digital files in any format, it clearly has advantages. The HiFiMeDIY Sabre DAC = Great little gizmo!

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I purchased my HiFiMeDIY Sabre USB DAC to provide audio output from a Raspberry Pi computer with Squeezeplug installed. Squeezeplug basically turns your Pi into a product very similar to the now discontinued Logitech Squeezebox line.

I was initially using on board sound (headphone out) on the Raspberry Pi to drive my tube preamplifier and tube mono block amps. The sound quality was lacking. Having installed the HiFiMeDIY Sabre USB DAC the sound quality rivals any music source in my home, and I have many as i have been chasing the audiophile dream for years.

Raspberry Pi + Squeezeplug + HIFiMeDIY DAC = High Quality Sound at budget price. The DAC is EASILY the equivalent or better than many other high priced audiophile DAC's.