Showing posts with label sennheiser sport headphones. Show all posts
Showing posts with label sennheiser sport headphones. Show all posts

Earphone Headset Earbuds Hard Hold Case (Pink)

Earphone Headset Earbuds Hard Hold Case
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $5.99
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i love this product its amazing it fits my charger and ear buds and fits in my palm! its such a beautiful color and i didn't know but mine came with a little clip inside to clip your earbud cord out of the way when it gets annoying or in your way! i love this product.

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This earphone case is just what I needed to keep my earphones in good order. No more stuffing them into a bag and getting all tangled up or damaged.

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Boss VE-20 Vocal Performer Multi-Effects Pedal Bundle with AC Adapter Power Supply, Instrument Cabl

Boss VE-20 Vocal Performer Multi-Effects Pedal Bundle with AC Adapter Power Supply, Instrument Cable, Patch Cable, Picks, and Polishing Cloth
Customer Ratings: 5 stars
List Price: $381.50
Sale Price: $289.00
Today's Bonus: 24% Off
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This is an amazing piece of gear and its only made better by the deal provided by Austin Bazaar (through Amazon). With standard shipping, it all arrived within less than a week. I read the instructions, fiddled with some of the presets, and was performing with friends that evening. The technology is impressive, but you don't have to be an engineer to control it. Each day I'm learning something new with it.

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I had seen/heard this unit in action before purchasing. It's everything I expected, and the package deal I got just

made me VERY satisfied with my purchase!! Thanks

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ART USB Phono Plus

ART USB Phono Plus
Customer Ratings: 4.5 stars
List Price: $99.00
Sale Price: $79.00
Today's Bonus: 20% Off
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I've been monkeying with the Artcessories USB Phono Plus for about 10 days now. I bought it for the primary purpose of recording some LP records to my laptop. My ultimate goal was to make CDs and decent MP3s from my old vinyl. In combo with Audacity (free audio editing tool) and my Project turntable, this ARTcessories product has worked extremely well in every respect. I have not yet found a single shortcoming with this solid and portable little box.

A few things you should know:

1. This is a stand-alone phono pre-amp. It will RIAA adjust for phono before sending audio to your computer via USB. THIS IS GREAT FOR LAPTOPS -most laptops have only a mono microphone in miniplug that's pretty much good for nothing!

2. You could use this box as nothing more than a phono pre-amp. It has RCA inputs for phono AND a ground screw. Cool, huh? At $100 it would be a good deal if it did nothing more than that. I loop from the Phono Plus back into a Marantz receiver and then listen through some fairly decent Wharfedale speakers. I'd say that sound quality is every bit as good as the phono stage built into my Marantz.

3. This device allows you to monitor the phono input (or other input) either by means of a stereo miniplug connection or by way of a pair (L and R) of RCA outs. You could hook up typical PC speakers or subwoofer sytems to this box if you don't want to loop out to a stereo amp. You can also listen to the Phono Plus with headphones. The Phono Plus has a gain knob to ontrol output level. This is critical for headphone listening as well as for making good captures in Audacity.

4. This device will take input from line level RCA, digital toslink, digital coax, as well as from phono sources. Crazy, huh? I plan on using this box to record some local radio and TV audio by connecting it to either my tuner or by putting it where a cassette recorder would normally fit in a tape loop.

All in all, what a great toy! There is so much you can do with this unit. I've really only scratched the surface (no vinyl pun intended). I've been playing with this thing and talking about results and LP recording experiments at shiromaguro.com. See my work there. With a clean LP, I have found that recordings through the Phono Plus captured by Audacity can be ripped to CD or MP3 with no editing at all(except for maybe chopping big grabs into tracks). Sound qulaity of the product WAV or MP3 files is great.

Installation and setup are really non-issues here. Plug it in and connect all the cables. It just works.

Bottom line: if you want to grab vinyl to your PC laptop or to a PC that lacks a good sound card (one with stereo inputs) this is a great way to go. In a few weeks of shopping for my solution, I found nothing else comparable.

Why not 5 stars? My mistake. I should have given this unit 5 stars. Then again, I personally never read 5-star reviews....

Ultimately, I hope that this product will make it easy for lots of people to make some cool and unique MP3s, not just the usual CD rip stuff. Seriously, this product could single-handedly be responsible for the digitization of piles of old analog material that would otherwise be left to fade from existence. Personally I have made it a point to find out which of my old records never made it to CD --those are the ones that get digitized first!

Bravo to ART for a great product.

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My goal: to convert vinyl records into CDs.

After looking at the available USB turntables, I realized my old Technics linear tracking turntable is way better than any of them. So the solution for me was to buy a USB interface, which, it turns out, means a USB phono preamp.

I did some comparison shopping before buying the ART Phono Plus 2. There are a couple of similar products. One in particular has good specs. It claims USB 2.0, whereas the Phono Plus 2 only claims USB 1.1.

However, that unit made no claim to having a monitor output, whereas the Phono Plus has quite a nice monitor interface. In particular, it lets you monitor the sound coming right off the preamp. This is necessary if you want to do any manual fading when recording, because the sound coming out the computer speakers has at least a 2 second delay from what's coming off the needle.

The Phono Plus has a screw connection for the phono ground. Neither of the other units mentioned having this. On my turntable, leaving the ground wire floating creates a large amount of 60Hz hum in the output.

Finally, although the ART is the most expensive of the three, almost twice the cost of the second, and three times that of the third, I found absolutely no reviews of any kind of the other two, whereas the ART has been reviewed extensively, both by customers and magazines. And everyone, including me, loves it.

This is a well-built unit, from a durability standpoint, definitely not a cheap piece of junk. Ergonomically, it has some down points, as well as some good ones.

Plusses:

. Monitor allows routing from the preamp, from the USB, or both. (The rationale for the "both" setting is that you will never be playing a record and a digital sound file at the same time, so it allows you to hear either without having to change the switch setting.)

. There is a block diagram of the internal signal routing on the bottom of the unit, which could prove valuable if it is used portably.

. The unit will run off USB power when hooked to a desktop computer. For portable laptop operation, plugging in the A/C power adapter (included) overrides USB power, preventing drain on laptop batteries.

Minuses:

. Gain control has too small a diameter to be easily moved small amounts, like you need to do in the Level Setting Wizard in Spin-It-Again.

. Jacks and ports on the back are labeled either in pine green or purple. All are virtually illegible. I had to use a magnifying glass and a flashlight to see where to hook up my turntable to it.

It's hard to read the Phono/Line and Rumble Filter In/Out labels. But each has a light that lights up when the button is pressed, so at least you can easily tell what state the button is in, even if you can't tell what it means.

I was very surprised that in a unit this expensive, no USB cable was included. It requires the "printer" type, with a square connector on the preamp end and a flat rectangular connector on the computer end.

With my computer powered on, I plugged in the USB cable from the Phono Plus. Lights on the preamp lit up! In a couple of minutes, everything was magically configured. I didn't have to do or install anything.

However, as I discovered later, this process "broke" my computer speakers. No sound would come out of them any more at all, from any source! I had to go into

Settings -> Control Panel -> Sounds and Audio Devices, Audio tab, and change the Default Device back to my on-board sound. Hooking up the Phono Plus had changed this so all sound was routed through the USB back to the preamp! This includes the Windows startup music, and the "beep" that occurs when you hit a wrong key. (I am using Windows XP, the most basic Home Edition.)

When I was comparison shopping, I was unable to find the specs for this unit, even on the manufacturer's web site, so I thought I'd post them here.

Frequency Response: 10Hz 50kHz, +/0.5dB

THD: .01% Typical @ 1kHz

Hum and Noise: >90dB below clipping

Input Impedance: 47k Ohms/100pF (phono); 270k Ohms (line)

Maximum Input Level: 40mVrms @ 1kHz (phono); +19dBu (line)

Maximum Gain: 45dB @1kHz (phono); +6dB (line)

Analog Output Connections: RCA (preamp line output); 1/8" (monitor/headphone output)

Maximum Output Level: +6dBu (1.4Vrms)

Filter Type/Response: Switchable, High Pass, -3dB @ 22Hz

A/D & D/A: 16 bit, 44.1kHz or 48kHz, USB selectable

Digital Audio Interface: TOSLINK in and out; S/PDIF coax (RCA) in

Computer Interface: USB 1.2 compliant, Windows 98SE or newer, Mac OS9.1 or newer

Power Requirements: 7-12VDC or 9-12VAC @ 150mA, or USB bus powered

Dimensions: 1.75"H x 4.2"W x 3.5"D (44.5mm x 107mm x 89mm)

Weight: 1.35 lbs. (0.61kg)

(Note: 0dBu = 0.775Vrms)

Additional spec-type information:

. Uses USB adaptive mode for playback and USB asynchronous mode for record.

. Preamp equalization is RIAA (although no spec or version number is given).

. Although I bought it to use with my turntable, it is also quite possible to digitize cassette tapes with it, using the Line inputs.

It comes with Audacity software on a CD-ROM.

Using the Phono Plus is extremely simple. Basically, hook up the two phono outputs and the phono ground wire. Hook up the USB cable to the computer.

At this point, fire up Spin-It-Again, hit Record A Vinyl LP, put a record on the turntable, and you're converting a record into a CD!

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I've tried digitizing LP's using Sound Cards, external sound cards, and this. No question, this thing produces the most warm, natural, noise-free sound and it's rediculously easy to use. The gain control is a big benefit better than any control on any sound card I've tried but it's the warm, full, natural sound that sold me on this thing.

Important to note that ART now sells USB Phone Plus v2 (V2 adds one very important feature volume control for your headphone monitor), and that is what was delivered to me when I ordered from the vendor listed here (Shoreline Music) even though what is pictured here is not the V2 product The differences are small basically it's the same housing, just an additional switch and volume control for your headphones but you'll want to be sure you're getting the latest product.

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I have a fairly large collection of classic rock and folk LP's. I have been wanting to transfer thier content to my computer and my mp3 player for some time. The ART USB audio interface is exactly what I needed.

I connected a high quality turntable/cartridge to the unit and was able to start ripping content immediately. I have stored content to my hard drive and my portable media player and am now enjoying these "forgotten treasures". The product has lived up to its marketing and I would recomend it to others wanting to digitize their analog audio media.

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My goal has always been to be able to transfer into digital format, all types of analog archives I had: vinyl, tapes, some DAT tapes, and even the audio part material I wanted to rescue from some old TV content I had on some old VHS tapes. And my constant frustration has always been the same: I had to settle with either one of the two only two options I could find in the market.

One was to go the simple way, connecting directly any of the audio equipment through the built in audio input of a computer and use its own built-in A/D converter to obtain the transfer. This method never left me satisfied because somehow at some point of this "chain" some quality of sound was alway lost (may be a stereo pin jack for the connection was not as good as using an RCA stereo cable; or bypassing a turntable through a home preamp/receiver in order to convert phono signal into line signal carried also some slight amount of sound deterioration may be just from the fact that middle priced average home equipment just works like that; or even the computer's own built-in A/D converter may not be the best quality available out there in the market).

So my other option if I wanted to insure best sound quality possible in carrying and converting the analog sound into digital, was having to go all the way to high end professional type of equipment sound cards or external interfaces, whose cost I found practically out of range for what I wanted to do; as besides the functions I needed, these type of devices usually also include a lot of other features that are useful only for musicians or studios (like XLR type inputs and outputs, mono channels, balanced, unbalanced, MIDI connections, bus through routhers ins and outs, etc.).

So, if you feel trapped in the same kind of crossroads and you are a type of user like me with those exact same needs I have, allow me to honestly and sincerely highly recommend you ART's USB PhonoPlus V2. Being very used to permanently purchase electronics and devices on the internet, to find out late that they don't work as expected and ending up always having to return them; while skeptical though still intrigued by the features this product declared, I risked to gave it a chance and purchased it to give it a try. And to my surprise it turned out to become one of those rare finds I run into only once in a while.

This product is a gem, and the cost/benefit of what you pay for versus what you get, I can say it's the best one I've ever found out there in the market.

It comes with exactly the types of inputs that you need for these types of tasks, not more, not less. There's dedicated line in, phono in, and even Toslink digital. And it shows (actually sounds!) that the manufacturer has picked really good components for the internal circuitry; as the sound you obtain when you digitally record in your computer, is a crystal perfect impeccable copy of whatever you can hear in the analog source that is reproduced.

The rest is all up to you in "post sound processing", depending on however you best like to do your own sound cleaning/restoration and using whatever best software suits you for your taste; but you can rest assure that at least the "raw master" digital sound format you will "capture" with this device will have nothing to envy to the one you could get using a high end recording facility.

I'd like to honestly commend the ART people for thinking, developing and putting out a product like this. Completely satisfied customer here.

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Pyle PYD1270 12-Channel 2-BUS Mixing Console

Pyle PYD1270 12-Channel 2-BUS Mixing Console
Customer Ratings: 4 stars
List Price: $206.99
Sale Price: $91.44
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  • 4 Mono Input Channels (CH 1, 2, 3, 4)
  • 4 Stereo Input Channels (CH 5/6, 7/8, 9/10, 11/12)
  • Master & Phones/Control Room Level Controls
  • EFX Send Level Control
  • Stereo Headphones Jack

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for the money i paid for this board and what it is used for recording on computer i couldnt be happier. If youre looking to buy this do it you wont regret it.It has phantom power for recording with a condenser mike which is totally cool. Just buy it man.

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I bought this to replace a Mackie mixer that was a pain to adjust. This unit is simple to use and easy to adjust. Works great. The instructions were very helpful. If you are looking for a nice little mixer that is easy to use and simple to get setup, this is the unit for you. It is so nice to have a unit that can be dialed in in a few minutes.

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It seems to work as advertised. It has 8 sets of inputs: 4 mono/mic, and 4 stereo. It only has 1/4-inch jacks, so 1/4-to-RCA adapters are useful for connecting some audio equipment.

I learned that mics only seem to work when connected via XLR jacks. The volume of a mic connected to a 1/4 jack is very low and basically unusable. All other audio equipment that I connected via the stereo 1/4 jacks was fine.

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I personally did not have a good experience with this mixer. If you are explicitly using this thing for mellow home recording, I think it is a viable option. I tried to record drums with it into garage band, and the levels were too low to process, even for low quality scratch tracks. Then I tried to use it for acoustic gigs and that's when the power chord blew out. Up until that point it was a sub par mixer due to low output volume but after the power chord stopped working, I got sour. I think for some people this could potentially be useful, but if you plan on doing anything legit with it, you need to buy a legit mixer. I tried to gamble, and I lost. Maybe you will win!

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Excellent product, sealed in box with all packaging, totally professional, excellent performance, congratulations, I love this product and the many features and options that have

Numark Mixtrack USB DJ Controller for Mac and PC

Numark Mixtrack USB DJ Controller for Mac and PC
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $131.18
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  • Digital DJ controller with large, touch-sensitive control wheels
  • Mix, scratch and perform with the music on your computer via dual-deck layout complete with mixer section
  • Communicates with your computer via a single USB connection
  • Illuminated controls provide 1:1 feedback with software parameters
  • Supports MIDI over USB for compatibility with virtually all digital DJ software
  • Class compliant- no drivers to install and thus no headaches
  • Virtual DJ LE digital DJ software included

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I didn't hesitate purchasing the Numark Mixtrack. After coming across

the link on accident looking at other DJ products. I went to the Numark

website and read more about this Dj Controller. I then went to Youtube

and watched a couple videos on it. I then came here to Amazon to purchase

it the same day after finding out about it.

I've used a lot of Dj controllers before. At Parties, Clubs, Weddings ect.

I always found the more expensive controllers to have the best features. But

with the Mixtrack....I am proven wrong. This controller ranks up there with the

best in my opinion. When I compare this to great controllers like The VCI-300,

The NS7, The Mixdeck, ect. You with this Dj controller can't go wrong. You're

getting a $150.00 Dj controller with all the features Dj's look for, at an affordable

price! With this you're getting a more real time djing feel. You're getting

nice Dj platters/jogwheels, effects, editing tools and a good program. This is

a perfect tool to have on those days you dj a gig. But don't want to bring your

regular djing equipment. Also if your a beginner looking to learn the art of

being a Disk Jockey. This is the right product to learn on.

With this controller, you would need to get an audio sound card. To be able to

hear what your doing with headphones. Native Instruments the same company that

makes the included Traktor program. Has a sound card called the Audio2Dj and Numark has the DjIo Sound card. There are other sound cards available also. The Mixtrack is premapped for use with all Traktor djing programs (Traktor Cue and Traktor Pro) and other approved djing software and hardware. Bottomline is this thing is made to perform and can hold it's own with the big boys. Numark has really outdone themselves with the Mixtrack, and with the success of the NS7, V7, and Mixdeck. Numark can go ahead and add this to the list of accomplishments.

Intermediate and Advanced Dj's can get enjoyment out of this product. Speaking as a Dj myself, using this has not made me miss hot days in the garage mixing it up on my acoustic djing equipment. Now I got something I can use and take with me on the go and use anytime. Not to say this is going to make me stop using my SL1200's and DJM 600. But now I got another option till I get my Numark Mixdeck. Numark has also came out with the IDJ3 which is a similar controller. But it has an Ipod

dock, and has a built in headphone jack and mic output. The IDJ3 cost $300 but has all of the same great features as the Mixtrack. So to end this, I recommend the Numark Mixtrack to everyone that wants to either learn, entertain ect. A very great Dj Midi Controller for an even more amazing price!

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The Numark Mixtrack is definently what it says it is. It's a responsive, light, compact controller with some pretty amazing effects. I bought this to be able to DJ shows without having to carry 3 crates of records and turntables with me. While the two decks do act as turntables, the scratch sounds very computerized and the response is off. You have to watch your PC screen to keep track of where you're at in the cut. It is very light, very portable, and pretty responsive. It is plastic, so if you want the professional feel, you won't get it. If you want portable, this is for you. A couple of issues... You'll need a separate soundcard to be able to monitor your cue. This is in the price range of about $90+. And the version of Traktor that comes with it is the light edition which is very basic. The pitch is only +/-8%. I was hoping to be able to make that much more but in the light edition of Traktor that's all thats available. You'll have to upgrade to pro. All in all, this is most definitly worth $150. Just don't expect for it to change your DJ game. If you're looking into getting into DJing, I would suggest just getting PCDJ or another program that you can use a keyboard as the controller. Its easier to control at first and you'll see if you have the ear to mix. If you're looking to go portable, match this with a external soundcard and you, sir, are set.

Read Best Reviews of Numark Mixtrack USB DJ Controller for Mac and PC Here

I bought this for practicing my sets in my room, or where ever I can. That, and I wanted to venture into Native Instruments territory (I use Serato).

Build Quality I wish there was more metal parts (like a heavy mtal plate for the bottom), but it doesn't matter becasue it is light weight, and I can retrofit (hack) a metal plate of my choosing. . .but that'll be later. The buttons are responsive. With Traktor LE, it works flawlessly (packaged with it). I've had no issues with it, and I was fairly impressed with the build quality (being that it's ALL plastic).

My only concerns are pretty small:

1) The Faders.

Over time, thy may get too wobbly, but I'm pretty sure there will be some after market parts (Innofader?) to replace these. Or I may just replace them (line faders) myself with smoother ones.

2) Conencted USB.

This is the part where I don't agree with it. I hack a replacement so I can simply remove the USB cord. But really, it's not a deal breaker.

Price How can you say no? $150 (no sound card). Rumors show that Numark and Native Instruments may put together a package with a sound card. If you don't want to wait (like I did), you may want to pick up either a Numark StereoIO (roughly $35-$40 ), or spend the good quality on a Native Instruments Audio 2 DJ ($100). I got the latter and the output is great. And with Traktor LE being from NI, Set-up is a FRIGGIN breeze.

If you looking to get started, or want something to just mess around with, don't even hesitate on this!

***UPDATE on OCt 4, 2010***

Numark has just announced a MixTrack Pro for $250. . .This time it includes a soundcard built in, and has a detachable USB cord. . . .At least Numark is now listening!

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Hi there,

I'm an amateur producer of house music (mainly)(home producing,nothing fancy) and I've been thinking recently of getting into DJing(I have no experience in DJing). Unfortunately the gear in my country is rather expensive (I live in Romania) but luckily a family friend went on a trip to the U.S. and asked me if I wanted anything. I started looking for gear online and I was very surprised and pleased to see things are way cheaper in the U.S., especially online. I came across the Numark Mixtrack during my frantic midnight searches and wouldn't you believe it, only 119$! In Romania, the cheaper ones go for 240 something dollars! Keep in mind this is a digital DJ controller and acts like 2 turntables and a mixer. My opinion is digital DJing is the future (at least for me), seeing it's so accessible and productive.

I've just received mine and it is awesome! The Mixtrack is lightweight, small and obviously very portable. It's made of plastic, otherwise it would've been heavier, but don't let that discourage you. I installed Virtual DJ, plugged the Mixtrack in and that was it! It works with other DJ software, like Traktor, but I haven't gotten around to trying them. If you're a complete beginner, the learning curve is about an hour, maybe less, it's extremely intuitive and the manual is all you need to understand the basics. The platters are well built, although maybe not as responsive as vinyl turntables, you'd have to mess with the setting a bit to achieve desired results. The faders offer resistance and the crossfader is loose, both just the right amount. The big file-finding knob in the middle is perfect for dark clubs and such where trying to find a track with your mouse/touch-pad would be annoying.

You will need an audio interface to be able to cue your songs, monitor with headphones etc. I'd recommend what I will be receiving shortly (I hope), the Behringer UCA202. It's the cheapest I could find, from a serious brand.

What's the difference between this and the Mixtrack Pro? The Pro has a built-in audio interface and a detachable cable, and more software included. I recommend you buy this and an audio interface, instead of the Mixtrack Pro, if you have other uses for the audio interface.

The downsides are: the EQ knobs have a little problem. For example, if you turn the treble knob all the way down and then turn it up slowly, there will be a very short range of motion where nothing happens and then you suddenly hear the treble, instead of a smooth transition. Also, during play the sync buttons insists that you synchronize beats! And before or after playing a song, the cue and play/pause buttons put on quite the light show trying to alert you to cue your song! A bit annoying if you ask me, but I will get used to it or look into some settings to see if I can modify that.

That's all from me for now, ask if you have any questions.

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I was an old school Hip Hop DJ in a past life and then I got into IT as a career. I do the occasional high school dance or mixtape and I wanted something to interface with my PC to allow for some creative flows when the urge hits me. I have worked with audio production and I have a working timecode vinyl setup, but I still had to go back and forth between the turntables and the mouse/keyboard when mixing live. I finally gave in and bought the Mixtrack because the wheels seemed large enough and the price was low enough. Yes you need a soundcard but I have tons of good ones. Here's a tip, if you can find one look for the M-Audio Revolution 5.1. I have that and a Delta-44 in the same box. With either of these cards I can run 1ms latency in Traktor Pro and record while I mix with no problems whatsoever. I master out to the fronts in stereo and monitor to the rears. I think Traktor Pro is better suited to the Mixtrack for simply mixing and monitoring songs. I don't mess around with the filters and the EQ knobs too much. The reason why I decided to write this review is this scratching IS possible on this unit! Mind you it isn't going to allow you to cut and scratch like Q-Bert but in regards to beat juggling and scratching before you drop the next track in it is great. With a little practice you can sound like a real DJ, well, a real DJ from back in the day like me lol. The first time I sat down with it I recorded a little hour long freestyle and playing it back I heard some nice cuts in there. All of the reviews I saw on Youtube looked mostly wack and didn't represent this device fully. In the end I will probably just use my turntables and a smaller software controller in place of a hardware mixer. The Numark Mixtrack is worth every penny if you want a decent device you can control your DJ software with. Friday nights hanging out in the bedroom with some beers or a backyard BBQ this item will be right at home. There is a learning curve and you have to be "gentle" with it but the touch-sensitive wheels have only a minimal bit of delay unlike some of the jog wheels I have tested. When you touch the platter it stops, when you let go of the platter it plays. Not like a half a second later but when you let go.

Another tip, if you are wanting to scratch make sure you set the fader to "sharp" in Traktor or "Scratch" in Virtual DJ. If you remember Howie Tee or Mixmaster Ice? This unit can pull it off digitally.

MEElectronics M9P Flat Cable In-Ear Headphone with Headset Functionality and Universal Volume Contr

MEElectronics M9P Flat Cable In-Ear Headphone with Headset Functionality and Universal Volume Control, Second Generation
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $39.99
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Full review can be found here:

Company Info: Meelectronics is a new company that produces some of the best headphones for the price. From my experience, they have some of the best costumer service. Their website can be found here

Product: Meelectronics M9 without iPhone microphone

Price: Retail:$30 I bought mine of Amazon for $20

Specifications:

* Driver: 9mm driver

* Frequency Range: 20 20000Hz

* Impedance: 16 ohms

* Connector: 3.5mm gold plated

* Cable Length: 1.4m(4.6ft)

Equipment Used:

* My custom-built desktop with a Creative Sound Blaster X-Fi Titanium sound card

* 32GB 3rd generation iPod touch

* Fiio E5 amplifier

Packaging and Accessories: The packaging is a nice, clear plastic box. Not hard to open and gets the job done. When it comes to accessories, there is only one thing I can say, wow. Meelectronics gives you quite a lot of goodies for $30. The box includes the headphones themselves, 4 extra pairs of tips, 3 varying size pairs of single-flange tips, and an extra pair of bi-flanges making it a total of 5 pairs of tips. A very nice case is included, the case also has a little pocket on the inside for storage of items such as extra tips. An airline adapter, a cord wrapper, and a shirt-clipper is also included. The accessories themselves could retail for $15+, the generosity of Meelectronics is just amazing.

Build Quality: The M9's are built very well; the housings are made of aluminum and are very lightweight The cable is a very nice braided cable that is coated in a clear plastic/rubber substance. The stress relief is a 45 degree plug which is the best type of plug for those who carelessly wrap their earphones around their mp3 players. The plug is coated in gold to insure the best connectivity. The only thing I did not like was the filter used on the housings. The paper filter is not very durable and both of mine came off with no way of replacing them. I would have liked a wire mesh filter much more.

Isolation: The M9's do a slightly-above average job at isolation, I believe this is due to the vent holes in the back of the housings. They are good enough for bus rides, walking, etc. However they will not isolate enough for loud activities, say mowing a lawn. There is very little to no microphonics when the shirt clip is used. The earphones are very comfortable, they are one of the few IEM's that I can wear comfortably while laying sideways on my pillow.

Sound Signature: I had ran 150 hours of burn-in time using pink noise and frequency sweep files.

* Bass: The bass is the strongest point of the m9's. Before burn-in, the bass was very boomy, and crept into the mids even the highs. However, after the burn-on, the bass cleaned up significantly. The bass is now more controlled and has great depth and body. The bass has moved from being boomy to being more tight,punchy sounding. The bass is very smooth and can be very deep.

* Midrange: The mids are decent, but nothing too special. The mids lack compared to the bass, but they are still very smooth. Even though they are behind the bass in comparison, they are still very enjoyable.

* Highs: The highs are very good, better than the mids but still behind the bass in comparison. The high's have an incredible extension for the price and are very sparkley. They are very clear and have surprising amounts of detail but can get a little harsh. However the harshness is not very noticeable when your working out, running, etc.

* Soundstage: The soundstage was quite surprising for an IEM. I thought the headphones were very airy sounding and that there were definite separations between the instruments. The soundstage makes these headphones very enjoyable.

* Conclusion: These headphones are not analytical, but are very fun sounding, they have very good bass, sparkley highs.

Songs:

* Five Magics by Megadeth: The m9's due a fantastic job with this song. The bass intro sounds amazing. The cymbals sound very detailed however can get harsh, especially with an increase in volume.

* Anonanimal by Andrew Bird: One word, AMMMMMMAAAAAAAZZZZZIIIIIIINGGGGG. The song just utilizes the bass and the highs of the M9's in an indescribable way. The violin sounds crystal clear, the bass is great. I believe this song is great for testing out headphones.

* Big Poppa by The Notorious B.I.G: Sounds very good however for some reason I wanted more bass quality.

* Better Together by Jack Johnson: An acoustic song that shows the surprising detail of the M9's. The acoustic guitar and the vocals just shined with the M9's.

Amped vs. Unamped: Amplification of these earphones will most likely not a make huge difference due to the fact these earphones are relatively easy to drive because of its 16 ohm impedance. With the Fiio E5, I did not notice any huge differences in sound.

Comparisons: The M9's are one of the best, if not the best headphones in the sub $30 category. They easily beat my modded JVC Marshmalllows, Skullcandies, and my V-moda Bass Freq's. When compared to stock earphones, haha, I guess you already know. The M9's even beat out headphones that are much more expensive. Compared to my Ultimate Ears super.fi 3's, the bass of the M9's are greatly superior, the highs are also better. Th

e only thing the Ultimate Ears does better is the midrange. My Shure SE110's are inferior to the M9

's even though they cost up to seven times more than the M9's, the bass on the Shures are muddy compared to the bass of the M9's. The clarity is also inferior to that of the M9's.

Conclusion: The M9's are a great budget pair of earphones that one should consider when looking at headphones in the sub $50 range. They are a great value for $30, they are incredible value with all the goodies and extras you receive. They have unmatched bass for the price. They also boast great, clear highs. The only thing bad about them is the slightly recessed mids and that no one really knows about Meelectronics.

Verdict: HIGHLY RECOMMENDED

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These are a good phone for the price. Worth much more than 30 bucks. Good build quality. If you like bass these phones might be for you.

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I have the silver model without the microphone, but same earphone. These are very solidly built earphones, have one of the best cables you'll find on any earphones up to $100, and have a great sound quality that rivals much more expensive phones, like the Klipsch S4.

The M9 has a very strong bass response (a little boomy until about 30-40 hours of use), a flat or slightly recessed mid response, and a very clear strong treble response (a bit grainy, also until the 30-40 hour use mark). They give very good details all across the spectrum, have a pleasantly wide soundstage, and yet are still very musical and still put you in the middle of the music, enjoying it, not just analyzing it.

The M9 comes with very nice accessories for the price, as well. You get several ear tips to give you the right seal. Like most IEMs, it can be sensitive to insertion depth and position: too shallow kills the bass response, too deep and the treble response is dulled. You also get a nice carry case that is big enough to probably hold the very small Nano, Sansa Clip type players.

A very worthy small investment.

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I am a web developer and I use my headphones mainly for listening to podcasts, lectures, etc and I also listen to music. These headphones sound perfect for everything... Seems like the longer I use them, the better they sound..

My last set of headphones lasted less than 3 weeks.. I have had these for 5 months and they have been through everything. i have caught the wire on drawer knobs before and I wear these daily while driving, hiking or even shoveling snow. These things are built to last!

Every set of headphones I have ever owned except these have all had connection problems after a period of time. Usually it is where the wires meat the jack. These are built really well and so far so good..

Another big plus was that I paid around $20 for these I believe.. I am not sure what they are selling for but I have paid 3 times as much for headphones that have not lasted nearly as long and have not had the sound quality these have. I just love these headphones.. 5 months of using these every single day and they work perfectly still and they sound even better now than when I got them.. Oh yeah, these headphones block a good deal of sound as well.

This was one of the best purchases I have ever made.. I am so happy with these..

UPDATE-Here it is January 2011..I have had the phones since Aug 2010 and I have used them every single day since they arrived. I finally managed to break them..One of the speaker wires ripped in half. I was very depressed because going back to any other headphones after these is just seriously depressing. I went through my orders and found the order for these and sure enough they had a year warranty! I contacted the company through email yesterday and today the7y are shipping out a new paid for me.

If you have ever read any of my other reviews you will know I am a regular person and that I leave honest reviews. In addition, I never get this excited about a product. I have never been so happy with such an inexpensive purchase before. If you are reading this right now researching head phones I am telling you these headphones are very durable and they sound great. They bock outside sound as well as other headphones that cost 6 times as much.. This is truly a great buy and this company stands behind their products..

These get 5 stars!!

Rich

Talk Internet Community Development

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These headphones make my music sound the way I always intended my in-ear earbuds to sound. My former favorite, JVC HAFX35B Soft Marshmallow headphone (Black) pale in comparison to these headphones. The clarity is wonderful with the highs sounding crisp and defined. The mid range is clear-vocals are never difficult to distinguish. The bass is defined and leaves a punch in your ear that you would swear should be making your body vibrate. Noise isolation is very good with these headphones. The audio is crisp and clear even at low volumes.

A pleasant surprise in the packaging was the carrying case, the extra earbud pieces which claim to change the sound dynamics slightly (such as "balanced" or "full bass") I've only used the buds that were pre-installed because to me they sound perfect. The build quality of the ear buds are far above that of skullcandy, philips, sony or any other $20 pair you'll find. The buds are metal and the cord/wire is a more sturdy and flexible than the typical headphone cords.

I use them in my android phone, computer, laptop, and mp3 player with excellent results from each. These are great earbuds-especially for the price.

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PreSonus SL1642-1XCOVER Dust Cover for 16.4.2 Mixer

PreSonus SL1642-1XCOVER Dust Cover for 16.4.2 Mixer
Customer Ratings: 4.5 stars
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  • PreSonus SL1642-1XCOVER Dustcover For One StudioLive Mixer

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The cover gets the job done, keeps the dust out and fits nicely. Nothing special, just does what it's supposed to. No hole for lamp or headphones, not really a problem though.

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Great cover for a great board. One design flaw. When we cover our board we leave the headphones plugged in. The cover is not designed for that. I had to take scissors and cut my nice new cover for my mixer to make a way to cover the board with the headphones still plugged in. Othewise, great product!

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A little flimsy and stiff, but it does the job. Presonus logo is coo and it allows access to your cables.

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I use this cover in conjuncture with my Gator G-TOUR road case. I had actually bought this prior to the road-cases arrival and thought it would be unnecessary but actually it still really helps when I'm leaving the gig for a while and just want to cover the board up.

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We found what we were looking for online and this worked just fine for our new equipment in our Youth Room.

Shure SCL3 Sound Isolating Earphones with Single Wideband MicroSpeakers, Black

Shure SCL3 Sound Isolating Earphones with Single Wideband MicroSpeakers, Black
Customer Ratings: 4.5 stars
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  • Frequency Range:   25Hz - 18.5kHz
  • Sensitivity:              115dB SPL/mW (@ 1kHz)
  • Impedance:             26 Ohms (@ 1kHz)
  • Input Connector:     3.5mm (1/8")
  • Weight:                    28g (.9oz)

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Allow me to preface my review by saying that prior to purchasing the Shure SCL3 'phones, I have bought and tried alot of headphones. I've had the Bose QC2, Bose over the ear, V-Moda Vibe, Sony MDR-EX85, Shure SE530 and of course the Apple stock earbuds. I had a reason for returning each and every one of these (Bose over the ears sound signature was way too "boomy " as were the Vibes, the Bose QC2 put undo pressure on the ears, the Sony MDR-EX85's although sounded pretty good had a weird assymetrical cable design and quite a bit of microphonics, and then the Apple earbuds, they were just asking to be upgraded. Which brings us to the Shure SE530's. The 530's sounded phenomenal, fit well and isolated great; but at price. These puppies cost around[..] which is way more than I payed for the iPod that I was playing my music through. So, sadly, I decided that those were not the best fit for me either. Along come the Shure SCL3 sound isolating earphones. The only thing I could say after hearing music through these for the first time was, " Holy Crap! " They sounded that good, these for me, are the greatest 'phones I have ever owned. Once a proper fit is acheived (which is key) they have rich lows, wonderful mids and terrific highs, simply a full spectrum sonic experience. The separation of instruments is apparent from the first listen and you will notice nuances in songs you never knew were there to begin with. The sound signature of the SCL3 is geared a bit more toward the highs but they respond well to equalization. Another problem I had with the SE530 was the modular cord. They require you to connect a cord extension to the earphones if you want length beyond what you would need if wearing your MP3 player on an armband or something of that nature. This cord extender adds bulk and actually ends up being too long for my taste. The SCL3, however, is a y-cord that is all one length (56"). An added bonus with the SCL3 is that they can be worn in three different ways: 1. the cord wrapped around your ears and draped down the back, 2. wrapped around your ears and hanging in the front or 3. the cord hanging straight down off the ears and dangling in front. The latter is not an option with any of the SE model Shure earphones. Long story short, DO NOT hesitate to buy this product!!! One final note, be sure to try all of the different sleeves that come in the fit kit to ensure that you are getting the best seal possible. This will greatly affect the quality of sound acheived from these earphones.

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I've been searching for a pair of perfect sounding in-ear buds for some time, off and on. Sadly, these are not them. They call these "wideband" drivers, but that's only true if the band you're talking about is the mid-range part of the audio spectrum. I don't consider myself to be an audiophile as an electrical engineer, I snigger at things like bi-wiring and directional cables. I do like to think I know what sounds good and what's garbage. These aren't garbage, but they're not excellent either. Certainly not worth paying full price for you're basically paying for the name.

I had just previously bought some Sennheiser CX300B's from Amazon for 20 sheets and they actually sound quite good, but a couple of things made me look for something better (see my review of the same).

I saw the Shure SCL3's on sale at a big box guitar store for 60% off, so I thought I'd give them a go. (I was gutted that I missed their SCL4 blowout earlier in the year). Mine are the white ones, which were being discontinued, hence the huge discount. I tried them in the shop on my MP3 player, and I thought they sounded really good. I forgot to bring the Sennheisers to compare them with which was foolish because had I done that, I'd have probably stuck with the CX300B's and kept looking. Having spent the money, I now need to wait a couple of years before I can resume searching.

Trying to make an objective choice on audio equipment purchases, based solely on subjective web reviews is hit and miss at best. Peoples tastes in frequency response characteristics of transducers is almost as varied as their taste in music, so one man's 5 stars might be one star to me and vice-versa.

The only scientific way to show how good or bad a pair of headphones are is to produce a frequency response graph with the earphones poked into a standard, dummy human head. Some manufacturers do this Etymotic for example. If all manufacturers used the same setup, you could compare like for like but they don't. Another problem is that the perceived frequency response of earbuds varies so greatly depending on how and by whom they are worn. I can wipe out the bass or treble complelety on my SCL3s by changing the tips and the insertion depth into my ear canal. Even the diameter and shape of the listener's ear canal will change the sound somewhat.

All I can do is say what I've found to be good and bad without using too many nebulous HiFi reviewer cliches.

The Good:

* Sound isolation is excellent. I can mow the lawn with these in, and still listen to my MP3 player at about 40% volume (I'm normally a 20% guy). I recently wore them for the whole IAH to LHR flight; even when I had no music playing.

* Vast selection of tips to customize the fit to your lugholes

* Thick cables reduce microphonics to practically nothing, and are suitable for rough use e.g. while performing. They are supposed to be musicians' monitors after all.

* Chunky square 3.5mm, 90° plug and strain relief should last a long time

* Sound is very clear, for want of a better word. Noticeably less distortion and mangling of the individual instruments than the CX300 or my old Koss "The Plug's". 7 times better (the price difference)? I'm not sure.

* Bass isn't overpowering or nauseating like the CX300. It's definitely there, but barely audible if there's lots of ambient LF noise, as there is in a car or airplane.

* earpiece wires are symmetrical equal weight hanging off both ears means they don't keep falling out. The buds cork in quite nicely

* There's a clear plastic sleeve round the earpiece wires which you can slide up and down to keep the wires hanging together, under your chin

* Weird zippered carrying pouch does actually work but it's a tight fit. You first have to wind the cable round 2 or 3 fingers to make the ball of wire the right size.

The Bad:

* The frequency response is not flat by a long chalk:

~ They really are a little light on bass. EQ makes a little difference

~ Treble is subdued For example, hi-hat sounds seem distant. Treble on the CX300 is stronger, which surprised me given the price difference.

~ Mid range is too strong for my liking (but clean sounding). Perhaps this is why the bass and treble seem so much less pronounced

~ I have tried to balance the sound with EQ but after a few minutes of listening I invariably go back to a flat EQ and live with it. The digital EQ on modern players is not very good. I like a proper analog circuit that actually boosts its band rather than simply cutting all the others

* Some people might not like the thick wires. They're about 2-3 times the diameter of my cheaper earbuds

* Some people might not like the over-the-ear wire routing. I find it perfectly comfortable.

In summary, I do quite like the sound and comfort of fit but my quest is not over...

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Perhaps it's the fact that I'm a semi-professional musician and have heard music through fantastic (and massively expensive) studio monitors as well as my own high-end headphones, but I've never understood people that will spend hundreds of dollars on an iPod or other MP3 player but listen with the cheap, horrid sounding, and uncomfortable prepackaged earbuds that come with them. That's why after my last set of "upgraded" earbuds literally fell apart while working out that I found the found the Shure SCL3 Earphones at a massive discount on another site (), sprang for a set and have been ever-so-happy since.

The sound quality from these are the absolute best I've ever heard from a set of earbuds, and come amazingly close to my high-end Audio-Technica studio-reference headphones. A good deal of that comes from the sheer amount 7 of differently sized and designed (several different type of foam to soft and molded plastic) sleeves that can be interchanged to both fit inside your ear canal as tightly as possible and thus increasing all areas of Frequency Response as well as sealing in the music and sealing out the outside noise. That might be the only negative as well: they shut outside noise out so very effectively that your safety while bike riding and other outside activities could be compromised. As a musician, I'm considering purchasing a second set for use as a In-Ear Monitors while performing on-stage using the set of sleeves that almost completely block outside noise specifically for that purpose.

These are a great deal compared to other brands of earbuds, give sound quality very close to studio-level headphones, and are outfitted with a large number and type of sleeves that allow you to make them the most comfortable for the user to wear... typically the bane of earbuds. I'm ecstatic that I purchased the Shure SCL3 Earphones, and would absolutely recommend them to anyone looking to massively upgrade their Portable Music Player experience.

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Work has me constantly flying around the country. I can deal with delays and airport food, but the screaming kids are too much. "I'm insane spending this much money on headphones!" I thought to myself as I placed the order. After the first flight however I'm sold. These things are amazing! They manage to block out almost everything with no music on. With music, you're in your own little world. I opted for these (noise isolating) over the Bose (noise canceling) as these are much more portable important when trying to travel with only carry-on luggage. The Bose also block out mainly engine noise, you can still hear people (and the aforementioned screaming kids).

After a year of use, I still find these headphones priceless and never go on a trip without them. Highly recommended as essential gear for any frequent traveler.

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These earphones are basically remodeled renowned e3c Shure earphones. After I bought a pair I got totally hooked up. Now all my other earphones/headphones sound so muffled. Don't expect boomy bass from these but the mid and highs and incredibly crystal clear. The trick to receive proper bass response is to make sure that the earphones are snugly fit and sound is fully insulated. I recommend using the memory foam tips squeeze them well and then wear your earphones. I am rediscovering my song collection on iPod all over again so many sounds were hidden! I would give these 10 stars if I could