Showing posts with label shure headphones. Show all posts
Showing posts with label shure headphones. Show all posts

Sentry Industries HM964 Deep Bass Stereo Headphones with Mic, Red

Sentry Industries HM964 Deep Bass Stereo Headphones with Mic, Red
Customer Ratings: 3 stars
List Price: $19.99
Sale Price: $18.54
Today's Bonus: 7% Off
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I just got the headphones in the mail today. They look really cool just like the picture, but the sound isn't quite what I was expecting. Of course they are less than $20 headphones, I just expected a little more. They do sound nice, but there is next to no noise cancellation so don't expect any. They also are not all that loud, but they sound clear and they will probably make for a decent set of headphones for the price. They are also pretty big and may be loose on someone with a small head.

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Samson MBT4 Active Studio Monitors with Bluetooth

Samson MBT4 Active Studio Monitors with Bluetooth
Customer Ratings: 2 stars
List Price: $209.99
Sale Price: $149.99
Today's Bonus: 29% Off
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  • 2-way active studio monitors with rear-vented, precision-tuned port enclosures (sold as a stereo pair), Sleek all-black satin vinyl finish, Metal grills protect woofer and tweeter components
  • Bluetooth connectivity to connect wireless music sources
  • 4-inch copolymer woofers, 1-inch silk dome tweeters, AV shielded for multimedia applications
  • 20 watts per channel RMS, 40 watts per channel Peak, Passive crossover design for linear response from bottom to top
  • Front panel LED indicator, level control, headphone output and stereo input, Back panel Bluetooth pairing button, RCA inputs, passive monitor terminals and AC power connector, Speaker cable included

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I am taking these back tomorrow. I bought them from best buy. I noticed they were very buzzy and not good for my project studio mixes.

The blue tooth is a cool feature. But doesn't help me since I dont want them just to blast music at a backyard bbq which is what they would be good for, not mixing. Disappointed.

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Peavey AmpKit Link Electric Guitar Interface for iPhone, iPad, and iPod Touch

Peavey AmpKit Link Electric Guitar Interface for iPhone, iPad, and iPod Touch
Customer Ratings: 3 stars
List Price: $39.99
Sale Price: $23.00
Today's Bonus: 42% Off
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  • Each amp in AmpKit is modeled after the real amp's actual circuitry and includes individual controls that match up with the most important knobs and switches on the amp.
  • The free AmpKit app includes three pedals, with 12 additional pedals available in the Gear Store and more to come.
  • . The free AmpKit app includes two awesome cabinets for free: the Peavey ValveKing 4x12 and ValveKing 112. You can add up to 11 more cabinets as you add amps through the Gear Store, from workhorse cabs with solid mid tones to powerful cabs with colorful crunches and sparkling highs.
  • The free AmpKit app includes two great mics. Six additional mics are available in the Gear Store, from rugged dynamic mics that can handle whatever volume you dish out to amazing condenser mics with the frequency and transient response you need, all with ultra-low latency.
  • TOOLS

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I did my research before purchasing the Amplink Link. Most reviewers preferred the Ampkit Link over the other guitar interfaces (like the iRig, Griffin Guitar Connect, PRS etc). The Ampkit Link is the only one that uses it's own batteries to boost the signals outside the iPhone/iPad. The others just use the iPhone/iPad signal levels of the device and reviewers complained about crosstalk. The best thing about any of these devices is that you can use them with any app on your device as an audio in and out. I am a bass player and opted to purchase some in-app items a la carte in Amplink rather than buy the Ampkit+ $19 package. I spent the same amount and bought the Bass head/cabinet, delay, reverb. I also use the Ampkit Link with GigDaddy multitrack app ($4 with effects). I also started using the Ampkit Link to run my bands sound board through the Ampkit app for reverb and delay for the whole mix!! I just used the AUX send & return to go through the Link. The other day I just noticed that the version 2 of Amplitube for iOS has an in app purchase of a 4 track recorder for $10!! I'm gonna have to get that and try it out. Then I will have a mutitrack recorder with any amp, cabinet effects combination I could ever want.

I don't work for or get paid by any of these companies, I'm just an IT guy that went to Recording Engineering school and have been a bass player for over 20 years.

If you are thinking of getting one of these guitar/bass/instrument interfaces for your iOS device, just get the Ampkit Link and you'll be happy :)

Buy Peavey AmpKit Link Electric Guitar Interface for iPhone, iPad, and iPod Touch Now

Like several others, I did some research before settling on the AmpKit LiNK. I actually bought the LiNK locally at a guitar store. Out of the box, the LiNK was made far more cheaply than anticipated. I thought the materials could have been better and the whole thing could have been made studier, especially given that it should get reasonably steady use. The first plug in seemed good, though once again I felt that it wouldn't take much to damage the input jacks. I had the same intermittent signal drop out already mentioned by some users after just a few minutes and found that either jiggling the cord or fidgeting with the jack on the iPhone helped, but frankly, I don't care to run the risk of messing up the jack on a $200 phone to get a $30 device to work.

The LiNK was noisy, but I found that fiddling around with the app settings helped resolve most of it. Still, there was an annoying popping, crackling sound that wouldn't go away. I looked online to find possible solutions for the noise, but most advice said to adjust the settings. In a few days, the crackling increased to entirely unplayable levels. I wrote the company and while they were extremely helpful, they eventually said there must be something wrong with the unit I had and asked me to swap it out for another LiNK. I tried three other ones in the store and they all had the jack issues mentioned above. One of the new ones had the same crackling and popping issue.

Ultimately I decided to go with a competitor's product. I tried it in the store as well and it performed exactly as expected with no problems. And no batteries needed, which works out as a plus too.

I'd caution anyone looking to buy one of these to either find a friend who has one or try the product locally first before buying it.

Read Best Reviews of Peavey AmpKit Link Electric Guitar Interface for iPhone, iPad, and iPod Touch Here

Peavey AmpKit Link is a great, inexpensive way to connect a guitar and output (headphones, PA, etc) to your iPod Touch / iPhone / iPad. I use it on my iPad, but be aware that this device is just the hardware interface. You also have to get the app (available in free or paid versions) from the app store. Be aware that the Peavey app is only decent. . . I experienced a little latency-stutter in the free AmpKit app, and it's only for iPod/iPhone so it doesn't look as good on the iPad; but IK Multimedia's Amplitube is far superior and works fine with the Peavey AmpKit Link. I paid $20 for the full-on app with all the extra cabs/stomps/mics and it was well worth it. You can create your own setups and jam out, hook it up to a PA if you like and the sound quality is excellent!

Want Peavey AmpKit Link Electric Guitar Interface for iPhone, iPad, and iPod Touch Discount?

If you want to be able to play your instrument through your iPad, you NEED an interface of some kind. This is an interface of some kind. Not a great kind... But functional.

... IF you know how to solder.

Since I've been an electronics tech and owned more than a couple of electronics repair companies over the last 30+ years, it was no big problem.

I also ran JBL's electronics production line for a year.

That made troubleshooting and repairing this device fairly easy.

Even at the very beginning I found the unit to be very touchy. Intermittently getting power. The light would go off and the sound would vanish. Then back on. Then off. If you held it just right, it would work.

I don't know about you, but I find it very difficult to play guitar while holding this little white box with one hand...

I figured the problem could only be in a couple of places, so I pried the housing open, checked the power conducting contacts that utilize the ground of the instrument plug to make the connection. They seemed OK, but I tensioned them up and cleaned the contacts just in case.

No change.

A careful examination of the solder points showed cold solders on all 4 of the battery connectors on the circuit board.

I re-soldered all of them and it works great now.

Cheap construction and bad soldering technique in this device yields a very unreliable product.

It's made in China.

They should spend a little time and teach their 4 year-olds how to properly solder a connection.

It's not that difficult.

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After researching various sources, and given the Peavey name, I decided to purchase this item. I've purchased tons of guitar accessories in the past and this one ranks right around last in quality. It worked great out of the box and the ampkit app was also great. Based on that first use, I paid about 100 bucks to get the rest of the ampkit models thinking this would be an awesome substitute for carting around larger electronic effects devices. My dreams were smashed on the rocky shores of reality, however, when I went to use this thing for the second time. All I got through the headphones were a bunch of loud, annoying popping and crackling noises with no guitar sound whatsoever. The green light came on and everything appeared to work, but I could not get a guitar sound through my headphones. In addition, the ampkit meter would not register any sound except for the popping and crackling. So, I started troubleshooting. I replaced the batteries. Nope. I plugged my guitar and headphones into another effects device to make sure those were fine. Worked perfectly. Plugged my headphones into my iPhone jack to make sure that wasn't the problem. Again, worked perfectly. Back to the ampkit link. Still nothing. If I moved the plug around in the iPhone jack, I was able to get about 1 second of intermittent guitar along with all of the crackling and popping before it would cut out again. Like others have commented, however, I wasn't about to ruin the jack on my iPhone 4s trying to get this garbage to do what it was supposedly designed to do in the first place. Bottom line; This thing is a piece of junk. I would rather have spent 50 bucks on something that was built to last than waste 30 on something that was only good, in my case, for one use. Hey Peavey, here's a thought; if you're designing something that is intended to be portable, you may want to design some durability into the product. Oh, and it's also a good idea to actually test the performance AND the durability before asking the public to hand over their hard-earned money. It seems that portion of product development was skipped to keep costs down on this product. This thing should be built like a miniature stomp box. I wouldn't care if it weighed 2 lbs if it meant the product was reliable. Peavey should be embarrassed to have their name stamped on this product.

Fender Mustang II Electric Guitar Amplifier

Fender Mustang II Electric Guitar Amplifier
Customer Ratings: 5 stars
List Price: $269.99
Sale Price: $199.99
Today's Bonus: 26% Off
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  • 40 Watts
  • 1-12" Fender® Special Design Speaker
  • One channel (with 24 presets)
  • Controls: Gain, Volume, Treble, Bass, Master, Preset Select, Modulation Select, Delay/Reverb Select, Save Button, Exit Button, Tap Tempo Button

Click Here to Read More Reviews >>

As far as amps that model vintage tones. This is the best.

For my ear, Line 6, Vox, Crate, Digitech etc are nowhere near the Fender Mustang if you are comparing Vintage tones.

I have played amps and effects from many companies, as well as many of the 'hybrid amps' that combine tube and digital tones, and if you are looking for the best recreation of Vintage Blues, Rock, Hard Rock, Country tones... the type of tones that you get from some of the famed Fender amps, the Mustang Series is as good as you are going to do.

I originally bought the Mustang I for my 9 year old son to be his first practice amp and when we hooked it up for him, I could hardly let him play.

The tone editing is easy through the controls on the amp. It is easy and straight forward to see what you need to do to tweak your sound just by turning knobs. When you add the Fender FUSE to the mix and start to download new tones from the web and tweak it with dozens of stomp boxes and effects that are free to play with and try and keep on your amp this is an amazing value. (not to even mention the Ableton recording software that comes for free with the amp.)

The reason I love this amp is because of the faithful recreation of the great Fender amps like the Bassman, Deluxe Reverb, and Twin Reverb. I have never heard a digital sound replicate tube amps even close to this well.

I have heard several people say that they would never buy this amp because it is not a tube amp or because they are not computer savvy.

For the Tube amp snobs...

Nothing is going to match the sound of a really great Fender Tube amp. But if you want to recreate great fender amps at low volumes the Mustang will be a great practice amp for you. OR... if you want to bring an amp to practice that weighs a fraction of what your Fender Tube amps weighs, the mustang is a great choice. I am selling my only tube amp now that I have the Mustang II because I don't gig and really need an amp that I can practice with at night while the kids are in bed.

For the Non-Computer folk...

There is plenty to keep you occupied on this amp without ever plugging it into a computer. And if you want to give it a try, it couldn't be easier to download new sounds and tweak your favorite tones.

For the Metalheads...

This amp probably is not for you. Go try and buy a higher gain Line 6 or the Vox ADT series of hybrid amps to get some really heavy tones. There are some decent metal tones to download on the FUSE, but the real strength of this amp is Vintage tones.

Let me make it clear! I played my son's Squier Mini guitar through this amp and it sounds really amazing. I have a Fender Strat, Squier Tele and a Les Paul and they all sound amazing in this amp.

This is the first piece of guitar equipment that has given me absolutely NO buyers remorse. Unbeatable value. A great toy. A perfect practice tool. You can't beat it.

Buy Fender Mustang II Electric Guitar Amplifier Now

I can't say enough about how impressed I am with this amplifier. Fender has really packed a load of usable features into an affordable, excellent sounding package. I've had the amp for two weeks now and am still exploring all of its capabilities, but it's one of the most exciting guitar products to come my way in years.

First of all, the different amp presets sound absolutely killer and the included FUSE software allows for easy editing and you can store an unlimited number of presets on your computer. There are many amp models and effects to choose from and the FUSE interface is so simple even an old school knob twirler like myself can handle it. Using the computer, you can replace the factory presets on the amp with your own, making it a truly custom amplifier.

Secondly, I was really impressed with the sound I can get from the amplifier. I have always preferred tube to solid state and this is the first modeling amp I've really been impressed with. It just sounds fantastic, with real differences between the various amp models you can choose from. It's been a real treat to be able to explore the different models, such as the Bassman, the Deluxe, Princeton, Twin, and other Fender and non-Fender amplifiers. The 12" speaker sounds great and the forty watts provides plenty of power, at least for my purposes.

Lastly, Fender has outdone themselves with the options they include. The amp features an input for your audio/MP3 player-great for those of us who like to practice along with music, a headphone output that doubles as a speaker emulator for recording, and a USB connection for connecting to the FUSE software and recording software. Fender has also included free recording software (Ableton) and their Amplitube software (as seen on the most recent iPad commercial). And you get all of this for two hundred bones. Well done, Fender!

If you're interested in this amplifier, do yourself a favor and check out the demo video on Fender's website. It's a really nice overview of the features and they also have sound samples of some of the presets you can listen to. The amp sounds just as good in person.

(The Mustang I is a 20 watt amp with an 8" speaker, but has all of the same goodies as the II if you don't need the power and want to save a hundred bucks.)

Read Best Reviews of Fender Mustang II Electric Guitar Amplifier Here

I bought this amp to play my guitar in a jazz trio-guitar, piano, violin. When I listened to the amp by itself, it sounded fine, other than most of the amp settings have oodles of fuzz in them which doesn't really work with jazz. O.K., I found a couple settings (twin reverb, e.g.) that sounded clean enough...but when playing with the other two instruments, the bass response of the Mustang II is totally lost. Make no mistake, you get a lot of goodies to play with, including the cool, but poorly documented FUSE software (hack around, you can make it work). I'd suggest this amp for someone who is starting to play and wants to get a feeling for what effects (chorus, flange, etc.) they like; what kind of reverb (hall, room, etc.), if they like a modelling amp, etc.etc. But I think you'll be very disappointed in the tone if you play even at very moderate volume levels with others....it is a very "bright" amp-you hear the high tones well-too well, really, but you might as well not have that low E string on your guitar. Maybe they really meant this amp to be used with electric ukuleles.:>}

UPDATE: After using the FUSE software for awhile, I found out that you can have better bass response and a cleaner sound than those awful presets that come with the amp...as one reviewer noted, the first thing to do is to get rid of the presets, hook up the FUSE software to your amp and choose some presets to replace the factory presets that work for your kind of music, in my case, jazz. Don't just pick a factory preset that you figure is "good enough", like I did before I wrote the original review...there really are a bundle of good presets that I figure were developed by teenagers that can't read music or tab, but have great ears.:>} (just jealous).

Here's a quick guide to the FUSE software:

1.After the software has been loaded from the disc, you will have to register-hit "logon" and follow instructions.

2. Now to load a preset: go back to the FUSE software (a picture of an amp with oodles of hyperlinks should be on the screen). IGNORE all the hyperlinks except the one on the right that says Media Library. Click on that link-you are now there!

3.On the middle of the screen there are the words (hyperlinks) "Computer Amp Web". Click on Web and a very long list of presets will appear-pick one that looks good to you and RIGHT CLICK on it-it will say Download Preset-click on that. Your guitar is connected to your computer with the USB chord and the amp is on, right? Also make sure the PRESET knob is turned so you see a red or green light-if the light is amber, turn the knob until you have a red or green selection.

4. Plug in your guitar and play the preset you just selected from the Web menu and see if you like it-if not, go to Media Library, pick another one, RIGHT CLICK and download...ah, that's the one? On your amp, press SAVE-it will start to blink; press SAVE again-the preset has now replaced one of the aforementioned awful factory presets on your amp.

5. Turn the Preset knob to another red or green position (so you don't over-write the preset you just saved), go back to the Media Library and repeat the process until you've replaced all the red and green presets you want to; you can always over-write any preset later that you decide wasn't all that good after all.

I thought I'd toss these brief instructions in because the manual instructions are, well, manual instructions....you have to hack around a bit to get the idea. Hope these hints were of help. You might want to look at the "Comments" section on this review for suggested presets with the FUSE software that are cleaner than the factory versions.

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I passed on all the Fender G-Dec units for years,(still glad I did), instead buying the Line 6 Spyder Jam and then a Line 6 Spyder IV. They are both great amps for sure, but for the money, Fender has really got this one right. The clean tones on this are just great. The ability to modify with FUSE is an additional layer of gravy. The amp is just about perfect for bedroom, studio or practice. I bet more than a few of these quietly show up in Nashville studios...

I still love my Line 6 units, especially my Spyder Jam cause I can play along with tracks, and I love the accuracy of the models in the Line 6 Spyder IV. But if you are in the market for a great practice amp, or an amp that will take you from super clean to vintage dirty for special effects on a demo, Fender hits the mark on this one. It's just ridiculous what is in this for $199.

I compared this to a VOX Valve modeling amp, not even a contest. Against a Spyder IV, individual tastes will vary.

Only complaint is the "stacking" of the six effects onto just two knobs. But that is a minor complaint. Most people don't use chorus and flange at the same time anyway.

If you are in the market for a cheap, reliable modeling amp that is less cost than a Digitec RP500 pedal, you owe yourself to look at this thing. Right now, it is the biggest bang for the buck. I only wish I had bought the Mustang III, but it was not available yet when I purchased.

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After reading reviews and watching several online demos, I was convinced this amp was worth a try. Considering I do at least 85% of my playing while 3 kids are sleeping in the house, I wanted something that sounded good at low volumes and ideally through headphones as well. I am a compulsive tinkerer on my PC, so the USB-powered Fuse was icing on the cake for me.

First the bad: My initial impression when unboxing the amp was that it felt a bit cheap and toy-like. The knobs look and feel fragile and the black covering looks cheap with obvious seams visible. The light weight makes it feel as if it may break if I sit or stand on it. The jacks (including main input) are clad in black plastic instead of metal. Most of the presets didn't seem very usable out of the box as they were too "processed" for my taste. Too much compression, reverb, etc. The Bassman and Twin Reverb were exceptions and I found them usable without much tweaking.

Now the good: I have played through a variety of modeling amps/software from the roland cube to amplitube and some of the iphone/ipad stuff. This is by far the best sound I have heard from something that does not have tubes in it. The ability to run my ipod directly into the amp with backing tracks is a huge benefit. I find the amp great for hassle-free recording as well (with surprisingly good results). It is really fun to tweak and create various sounds using the Fuse software. I plan on using this amp as my ONLY amp for playing at home. I'll keep the micro cube for when I need to be on batteries, but that's about it.

A few final notes: Make sure to update the firmware as there have been improvements and this will possibly improve sound if you have an earlier build (did on mine). One word of caution my glowing review is from someone who plays blues, funk, and vintage tones almost exclusively. I wouldn't necessarily recommend this for metal or more aggressive styles. For all this does, it is money well spent and provides a great-sounding practice amp at all volumes (and through headphones). Don't forget to download other users' presets and additional fender presets. Takes about 5 seconds to add them, try them, and decide to keep or not...

Behringer FBQ800 Ultra-Compact 9-Band Graphic Equalizer

Behringer FBQ800 Ultra-Compact 9-Band Graphic Equalizer
Customer Ratings: 4.5 stars
List Price: $89.99
Sale Price: $69.99
Today's Bonus: 22% Off
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  • Ultra-compact 9.5" graphic equalizer for studio and stage applications
  • Revolutionary FBQ Feedback Detection System instantly reveals critical frequencies and can also be used as Audio Analyzer
  • Additional Low Cut filter removes unwanted frequencies, e. g. floor rumble
  • Accurate 6-digit LED Input/Output meters and Level control for precise level indication
  • High-quality illuminated faders, potentiometer and illuminated switches for long-term reliability

Click Here to Read More Reviews >>

UPDATE PART 1: This is a virtual duplicate of a review I wrote elsewhere at Amazon, because they have the same item on their site twice. One sold by them, and one sold by Musician's Friend. Please note Part 2 of this update, at the end.

For those of you who know what an equalizer is used for, skip this and the next four paragraphs. If you don't know what an equalizer is used for, think of it as a more sophisticated tone control. Whereas most audio systems have two or three tonal ranges that can be adjusted (base, treble and sometimes mid, the problem is that a control labeled "Bass" boosts or cuts All tones in the range it considers "Bass". Ditto for "Treble" and "Mid". An equalizer simply breaks up the audio spectrum into a larger series of smaller ranges, permitting more precise tweaking. For example, if your audio system is in a room with a lot of drapes or rugs, the lower frequencies will tend to be absorbed. An equalizer allows you to boost those frequencies (and it's not the whole "Bass" range) to compensate for where the losses are. Similarly, a room with wooden floors will tend to accentuate the higher frequencies and make the music seem excessively "bright". An equalizer can be used to cut those frequencies to bring what you hear back into line. They can also be reset for changes in your listening environment. They're also good for commenting for how your speakers color the music. Another thing they are good for is adjusting the sound for changes in you. Simply put, the longer we're around the more our ears and perceptions change. The recorded music may be the same, but we hear it differently. As we age, higher frequencies are harder to hear and an equalizer can adjust for that. Where people tend to misuse these things is they don't realize adjustments don't have to be major. A little motion of the sliders is usually all you need. Of course, the worst thing that is done is when people simply move all sliders all the way to the top. This basically accomplishes nothing and makes people wonder what these devices actually do.

You'll find some sales people or "pros" who will tell you you don't need these anymore as modern systems are so precise there's's no need for their sound to be adjusted. While modern audio equipment is light years beyond what it use to be, the problem is, they can only design for their lab setting and make what happens in the unit as accurate as possible. They can't do anything about what happens to the sound after it leaves the amplifier. Your listening environment and ears are unknown to them and they can't design for it. Or, they'll claim this will "distort" the sound or interfere with your surround sound. Not true. This is just a ploy to avoid the fact that the equipment they're selling may not have the necessary connections to use these marvels. The signal that's going to your surround speakers has already been pulled off before it ever gets to the equalizer (unless you put one on each channel, which seems a bit extreme). These normally are used on the front channels only.

With a little experimentation, the difference these can make is nothing short of astounding. Instruments and voices become clearer and more distinct. Once you've got yours set up, flipping it in and out of the circuit will surprise you. That sound you thought was OK all these years suddenly sounds muddied, as if under water or behind a curtain. Put the EQ in the circuit and it all snaps into "focus". It's subtle, yet dramatic.

Over time, it's become harder to find these devices as people have become lazier. They don't want to spend the 15 minutes or so it takes to set these up (and every setup is custom) so they don't buy them and never realize what they're missing. The best place to put them in the circuit is between the amp and preamp, but since not that many people ask for that feature anymore, the manufactures tend to not put that capability into the majority of their systems. The next best place is in a tape monitor loop. However, fewer and fewer receivers still have the ability to play tape, and fewer still have a true monitor loop. If you don't have equipment with either of these capabilities, you nay not be able to use an equalizer. If you are fortunate to have a receiver or components capable of either of these functions, run, don't walk, and buy an equalizer while you still can at affordable prices.

Now the more advanced equalizers will have more frequency bands to adjust, the more the better until you start getting ridiculous for most home use (25?, C'mon). They'll also have separate c sliders for the left and right channels (there's no need to equalize anything but the two main channels until you get into systems that cost in the serious five figures and then you start equalizing all channels separately). This is great, because you can adjust for your listening environment more precisely, but naturally drives up the costs.

All that said, how does the FBQ800 stand up? Pretty darn good for the price. It's got nine bands, and each slider adjusts both the left and right channels simultaneously, something unavoidable in keeping down costs (or you could buy two, one for each channel). . Construction is OK, but feels a little flimsy, especially the slider. However, this isn't as big a deal as it seems because once you set the system up it's very rare that you'll touch the sliders very often again. So, they're more than good enough for what this unit is intended for, performances and/or home audio use for stereo and home theater systems of the type that most of us have. It adds no noticeable distortion, and draws minimal power (remember, it's not an amplifier).

Could it be improved? Sure. 12-15 bands, separate left and right adjustments, remote control "memory" for various settings for different types of signal. All of those can contribute a lot, especially the latter. But remember, folks, This Thing is Only 40 Bucks! Is this equalizer good enough for a $10,000 or more system? No way. You need to look at better equipment (you'll also have more options). But is it good enough for a $2,500 system? You bet! What it will do is fantastic and who knows? After a couple of years you may love equalization so much you'll want a $400 unit, which can probably carry you darn near forever. Even for the bigger systems, this unit is a great way to experiment with equalization and see what it can do for you. This is an Incredible deal, for the price.

One thing about how Amazon is selling this. Amazon's page says this weighs "32.6 pounds", and so their computer calculates enormous shipping costs. They're wrong. Not only does it not weigh 32.6 pounds, it weighs Less than ONE pound. This has been pointed out to Amazon numerous times, but they have yet to fix this. So, until they fix it, select the free shipping option (unless you already paid for Amazon Prime), which gets you free shipping regardless of the weight. Hopefully you won't need it faster than that.

UPDATE PART 2: This exact same item is also available elsewhere on Amazon's site under the ASIN of B000H2D8VO. If you search for this gem with that ASIN, instead of the one that led you here, you'll find that buying it at that part of the site, through Musician's Friend, will use the more accurate weight, which will save you a bundle in shipping costs unless you are willing to use Amazon's free shipping option at this part of the website. So, the idea is, if you don't care how long it takes to come you could order from Amazon's internal stock, but if you want it sooner, then order it there, not here

UPDATE 2a: Amazon has finally put a more accurate weight into their system, eliminating the problem I described above.

Buy Behringer FBQ800 Ultra-Compact 9-Band Graphic Equalizer Now

My mother is 86 years old and she is half way deaf.

I have gone through at least a dozen products, headphones

connected directly to her TV for her to listen to the TV.

NONE of the headphones met with her satisfaction. The sound

quality of the headphones just did not meet her needs.

I finally realized that NO single headphone sound system

would be adequate for her individual circumstance.

It finally occurred to me that I needed a method to

customize the sound of any headset she was listening to.

I ordered the Behringer equalizer and put it into place.

Man it has done the job. After adjusting it to Mom's hearing

she is happier listening to TV than she has in years.

Hope this helps with ANYONE in a similar position.

Read Best Reviews of Behringer FBQ800 Ultra-Compact 9-Band Graphic Equalizer Here

I purchased this unit because I couldn't locate an acceptably affordable decent quality line-level preamplifier to pair up with my QSC GX5 amplifier. The Behringer documentaton merely describes this unit's gain control as an input "level control". I was pleased to discover that it can indeed be setup to perform as a master gain (volume) control via the associated IN/OUT "control elements activation" button. The additional gain allows me to drive my GSC GX5 power amplifier to it's maximum rated output. It's compact size and portability is also desirable for mobile applications. It can simply be tossed into a gear bag.

One does not require a PhD in Quantum Physics to operate it and it's not as cluttered as a Boeing 747's flight console. Nor can it bend time and space.

This is a sufficiently capable common-sense device that allows the average user to achieve desirable sonic results. The unit's documentation states that the device's rated Signal-to-Noise Ratio is greater than 95 decibels. With both my QSC GX5 amplifier and the Behringer FBQ800 set to maximum gain, the system noise is barely audible with my ear very near the speaker's horn tweeter.

My only caveat with this device is that it's not available in black. The silver finish does accentuate it's cheesy appearance.

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If you are familiar with equalizers this one should be pretty self-explanatory. Works well, small size means it fits into almost any audio setup. Many amplified speakers lack EQ or tone controls, probably because the manufacturers assume they will be connected to a computer and therefore the customer can just use software EQ. But although we sometimes do feed computer audio to our amplified speakers, we also feed the output from conventional audio components to them, in which case EQ is needed.

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This is a great little equalizer for the money. I have it connected between two Behringer B212D powered speakers and a Dell lap top. I use it for DJ-less music at our club.

When I first set it up, there was a noticable hum but it was due to a ground loop I had and not the fault of the equalizer...

Shure CBL-M+-K-EFS Music Phone Cable with Remote + Mic (Three-Button Control)

Shure CBL-M+-K-EFS Music Phone Cable with Remote + Mic
Customer Ratings: 3 stars
List Price: $59.99
Sale Price: $49.99
Today's Bonus: 17% Off
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  • Integrated microphone for clear audio
  • Inline control functionality for answering/ending calls without touching your phone (additional functionality dependent on device)
  • Remote AND mic supported only by iPhone 5, iPhone 4/4S, iPhone 3GS, iPad, iPod nano (4th and 5th generation), iPod classic (120GB, 160GB only), and iPod touch (2nd and 3rd generation)
  • Remote (with no mic support) is compatible with iPod shuffle (3rd generation)
  • Audio is supported by all iPod models (requires latest iPod software)
  • Two-Year Limited Warranty

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This is a fully-functional cable & iPod/iPhone remote, and it's nice that Shure's in-ear monitors now let you replace the cables, but the quality of the cable is definitely a step down from the stock cable that I got with my 535s. I'm not sure what kind of cables the 315 and 425 IEMS come with.

It's too bad you have to chose between inline iPod controls and a comfortable, durable cable. Perhaps at some point Shure will make a cable with the inline iPod controls and the same reinforced design as the stock cable.

PROS:

Inline controls and mic for iPhone & iPods. Enough said!

NEUTRAL:

The 3.5mm plug on the end of this is neither straight nor L shaped -it's 45 degrees. Not sure what to think of this; I've never seen a plug like it.

Controls & mic unit is unusually large. It's not a big deal and it's not heavy, but they're considerably bigger than the Apple iPhone headset controls, for example.

CONS:

Wire seems less durable than stock cables on the 535s (but definitely not pathetic)

No stiffer section to go over the ear like on stock cables -it's hard to get the IEMs to stay put with this cable

Expensive. This cable alone costs more than many entry-level earbuds that include iPod controls.

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I bought the Shure SE215 headphones and the CBL-M+-K iPhone accessory together after 4 good years of service from the Shure SE210 with the Music Phone Adapter.

I thought that the 210's were excellent headphones providing awesome sound quality with great sound isolation which was extremely useful on the train for my daily commute into London.

Naturally the 215's are a worthy successor even though they are a little more fiddly to insert into the ear. However I found the CBL-M+-K accessory to be truly awful when I first used it. As the cable has to go over the ear there was nothing to hold it into position like on the supplied cable with the 215's. Also there was no plastic/rubber slider below the chin to hold them in place, so they would come away from behind my ear and stand out from the side of my face. This was very annoying and I was tempted to send them back.

I engaged with the Customer Services people at Shure asking them why there was nothing on this rather expensive accessory to give the same level of fit as the supplied cables. Their response was that this would only make the cables more expensive and that their products are designed for music professioanls and not for iPhone use. I informed them that this was a shame as the headphones are so good for the iPhone. I cannot even imagine how much better the 315's, 425's or the 535's must sound.

Anyway, after trawling the web for a couple of days I found a solution that I would like to share with you. What I wanted was a way to shape the cable behind my ear so that it stays in place, much like the supplied standard cables. Google the following and go to the ehow website:-

"How to Make Your Own Earbud Hook"

Instead of using the epoxy putty though I used black electrical insulator tape with the stretched out paper clip. A length of tape slightly longer than the paper clip wraps the cable and paper clip togather forming a cable that can be shaped more rigidly. So far it works really well and the beauty is that the tape will come off and I can re-apply if this is ever needed.

I hope this is a useful solution to other people out there. Please let me know.

The actual iPhone remote performs as expected so thumbs up there.

Read Best Reviews of Shure CBL-M+-K-EFS Music Phone Cable with Remote + Mic (Three-Button Control) Here

The cable feels flimsy compared to the one the earphones came with (though, it stays wrapped around my ears better even though it's missing the stiff parts behind the ears). Not awesome, but no big deal.

The microphone was a problem. I got complaints about how I sounded almost every time I made a phone call: There was too much background noise (if I used it outside), or I was muffled, or the other party heard strange sounds (which it turns out were the cable or the microphone bumping into me).

The controls work fine -no complaints there -but I switched back to the stock cable because of the microphone quality.

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This has to be one of the worst made cables I have ever seen for $50, the cable split at the point that where it goes around the ear after only 4 months of use. I am not shocked when that happens to a $10 cable but for $50 I would expect a little more. Its to bad it does not have the quality of the cable the headphones ship with.

Update, sending back for repair again 4 months later. Unless you like sending in for warranty three times a year I would go find other headphones as this is the only remote cable option I can find for these shure headphones.

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on my 2nd pair already in less than a year, not a heavy user.. and looking for an alternative.. cable is very weak and breaks.. not good.. sucks really!!

Wi Digital Wi AudioLink Pocket Portable Stereo Digital Musical Instrument Wireless System

Wi Digital Wi AudioLink Pocket Portable Stereo Digital Musical Instrument Wireless System
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $173.37
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  • 2.4GHz pocket portable stereo digital wireless audio system for every instrument in the band. Attach to any instrument without posing any risk of damage to your gear. The entire system can fit on the palm of your hand!
  • 100 feet range (line of sight). 16bit, 48kHz uncompressed CD quality connectivity without radio frequency (RF) interference, signal loss, or crackle inherent in UHF/VHF systems.
  • Supports Mono Line-in for Active Guitars, Passive Guitars and Electric Acoustic Instruments. Stereo Line-in for Keyboards, Digital Pianos, Electronic Drums, DJ Gear, stereo foot pedals, guitar signal processors, devices with headphone jacks and more.
  • Extreme power flexibility with up to 6 hours of internal rechargeable batteries life and up to 13 hours of extended use with the optional ON-THE-GO AA battery adapter. Supports USB bus power to charge and operate the system.
  • Comes complete with Wi transmitter and receiver, two (2) 1/8 inch to 1/4 inch TRS stereo and mono cables each, USB power cable, universal USB power adapter and hard-shell carrying case.
  • 2.4GHz pocket portable stereo digital wireless audio system for every instrument in the band.
  • Attach to any instrument without posing any risk of damage to your gear. The entire system can fit on the palm of your hand!
  • Supports Mono Line-in for Active Guitars, Passive Guitars and Electric Acoustic Instruments.
  • Stereo Line-in for Keyboards, Digital Pianos,Electronic Drums,DJ Gear, stereo foot pedals,guitar signal processors,devices with headphone jacks and more.
  • 2.4GHz pocket portable stereo digital wireless audio system for every instrument in the band.
  • 100 feet range (line of sight). 16bit, 48kHz uncompressed CD quality connectivity
  • Supports Mono Line-in for Active Guitars, Passive Guitars and Electric Acoustic Instruments.
  • Extreme power flexibility with up to 6 hours of internal rechargeable batteries life
  • Comes complete with Wi transmitter and receiver, two (2) 1/8 inch to 1/4 inch TRS stereo and mono cables each,
  • DJ Gear, stereo foot pedals, guitar signal processors, devices with headphone jacks and more.
  • USB power cable, universal USB power adapter and hard-shell carrying case.
  • Up to 13 hours of extended use with the optional ON-THE-GO AA battery adapter. Supports USB bus power to charge and operate the system.

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I do a fair amount of video work, a lot of which is at my church. In various situations, I will need a lapel mic, and others a stereo feed from my shotgun mic (used as a boom mic) or from the board mix. This is still the only device (at least only affordable device) that I have found to be able to do all those things, most of all the stereo wireless transmission.

The audio has no latency that I can find -as one other review seemed to indicatespeaking as one who watches mouths or drums or anything else closely and listens for the sound to match up. Perhaps he is more precise in measuring it than I, but I cannot detect any latency in the sound whatsoever by my ear.

The sound quality is quite good, it sounds every bit as good as a normal 1/8" line, and very much better if there is any distance over 20'. The transmitter works over a pretty great distance without walls, probably around their claim of 100'. With walls, it seems to be much shortened, just using it walking around the house listening to music from my laptop. I don't feel this to be a problem, as I always have sight line when using it.

The battery life is at least 2-3 hours, though I haven't gone longer without charging it, as it would be a major setback for the batteries to be depleted while I needed to be using them. It does give a low battery indication on the LED flashes, but beyond that there is no way to know the amount of battery remaining that I am aware of.

One note, somehow in my skimming of information online before the purchase and the quick start guide, I had the impression that it would be set for stereo line in from the first time I turned it on. I later discovered that I had used it in the passive guitar mode instead of stereo line mode, which is why it always sounded like an ocean in the background on sound from the board or boom mic! Make sure you learn about the modes and set them properly or you won't like what you get!

Overall I am very pleased with my purchase, and would recommend this item!

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This is the 2nd time I have purchased the WI Digital Wireless for use with a guitar. Got this one for our bass player. They both work great, but have a small amount of delay. The 2 units do not interfere with each other and up to 10 transmitters can be used without any interference. The delay is really not an issue, but if one is particular about small minor problems then you should look else where for a wireless unit.

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Works great for those wanting to go wireless. Would recommend the product, you wont be disappointed with this purchase or product.

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there's a delay between the note being played and the note sounding. It's very noticeable and distracting if you try to use these as instrument wireless system. I have used them at four gigs as in-ear monitors. The latency does not bother me when I use them this way.

I also have a line 6 G50 wireless system which does not have this problem.

These are well built, easy to use, and the included cables and case are very nice.

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I recently went out on a limb and ordered 2 of these systems to be used simultaneously as a way to send wireless signal from an analog mixer to two powered speakers. The speakers were within about 50 feet of the transmitters and had reasonable line of sight. My initial tests seemed ok until I tried to use them at an event. I lost signal to one of the speakers multiple times and could not seem to make any adjustments that would resolve the problem. On a positive note I went to the website, left a note on their forum and recieved a phone call within a couple days. A very polite man explained that the two transmitters need to be seperate from each other or the signals get confused. Sounded like a reasonable explanation so I ran some tests using each system independantly and had the same issues. For my puposes this is just a chance that I cannot take and decided to return the product. I want to be fair and say that the system seems like good quality equipement and does perform the task it was designed for. I am just not sure how reliable the connection will be. Too bad because I was excited about the concept. I have since discovered that the companay will be marketing a product specifically for wireless speaker systems. Maybe there is still hope!

iHip NFF10200DAL NFL Dallas Cowboys Mini Ear Buds, Blue/Silver

iHip NFF10200DAL NFL Dallas Cowboys Mini Ear Buds, Blue/Silver
Customer Ratings: 3.5 stars
List Price: $9.99
Sale Price: $7.45
Today's Bonus: 25% Off
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The audio quality is absolutely absurd. But this is coming from beats monster pro earbuds. After they were stolen I figured I'd replace them with a cheaper set and I regret it already. So if you're looking for quality sound. Look elsewhere. If you're looking for a novelty earbud this is for you.

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I bought these and they stopped working in the first week. They were not very good to begin with but no good after they broke completely. :(

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I really like the look of these ear buds and they fit in my ears nicely and are quite comfortable. Unfortunately that is the only good qualities they have. They are without a doubt the worst sounding ear buds I have ever heard. I bought a cheap MP3 player to take to work and got these hoping to replace the fairly lame ones that come with the player. These actually are much, much worse than the ones that came with it. It's a shame the NFL would allow their images on a product of this low quality.

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arrived promptly, they were perfect, kids love them would order again from here work great clear sound amazon always great

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Earbuds with his favorite team were perfect for my son for Xmas. He is wearing them regularly, but maybe not with pride this sesaon, and they seem to be holding up well so far.

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