Showing posts with label skull crusher headphones. Show all posts
Showing posts with label skull crusher headphones. Show all posts

Shure X2U XLR-to-USB Signal Adapter

Shure X2U XLR-to-USB Signal Adapter
Customer Ratings: 4.5 stars
List Price: $154.00
Sale Price: $99.00
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  • Plug and Play USB Connectivity allows the convenience of digital recording
  • Provides +48V Phantom power for use with condenser microphones
  • Includes Padded, zippered pouch and USB cable (3m / 9.8ft)
  • Monitor Mix Control for blending microphone and playback audio
  • Integrated pre-amp with Microphone Gain Control allows control of input signal strength

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I do a lot of podcast so this will be a good thing for me to use in the future.

I figured out the turning my sound card input gain structure down almost all the way and hitting the preamp as hard as I could gave the best signal to noise ratio.

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I purchased this specifically to see if I could use this with Dragon Naturally Speaking and hopefully improve my recognition accuracy by some tiny amount. I can't say if it succeeds at that or not; Dragon is one contrary beast of a program. Nonetheless, when I use this for other purposes, such as simple voice recording, I've noticed nothing but clean sound and plenty of gain.

There are a number of presumably comparable devices out there made by the likes of OSP, Marshall, Alesis, Lightsnake, and others. I started by purchasing Marshall's XLR-USB adapter and found it had a really weak signal that usually needed to be normalized at a MUCH higher volume. I sold that at a small loss on eBay so I could try something else and this was it. (To be fair, it appears that Marshall has re-designed their USB adapter and I think the second version may have addressed this concern.)

The reviews I've read on the OSP and Lightsnake adapters seem to indicate they are not really balanced input, and that inside the box the 2nd and 3rd pins (hope I recall that correctly) are soldered together just like in a simple bal-unbalanced adapter. I don't believe that's the case here.

So far I totally disagree with other reviewers here claiming it's noisy. I've observed no noise.

Sturdy, solid construction. Has some heft to it; in fact, a bit heavy for its size. You really don't want to attach it to a mic directly if you intend on holding it very long, especially if you're a young aspiring starlet. :-)

My only minor detractor is I wish the phantom power button were designed so it's difficult to press by accident. This is the single most overlooked design flaw in mic preamps in general. You can press the phantom power button by mistake and according to some authorities, destroy a very expensive mic by accident. I can't afford many quality mics and so this isn't much of a risk for me. :-)

I have tried and presently own a handful of mic preamps and USB adapters, including the ART USB Dual Pre and an Edirol UA-25EX, and have tried a variety of higher-end USB soundcard devices. This compares pretty favorably with any of them, given its simple purpose. I think as far as usb-powered mono xlr-usb adapters go, you're not likely to do much better presently. You can certainly get a cheaper one, but this is clearly built to Shure's solid design standards and will outlast any of them.

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The Shure X2U is rugged, sounds great, and it works EXCELLENT for what it is designed for: connecting a microphone to a computer. Because it has a gain control, it also works great for connecting to a line-level output of a sound console. It's basically an high-quality external sound card.

Phantom power

True Mic or Line level input

Plug-and-play compatible with Mac and Linux

Headphones can be connected to monitor yourself and/or the currently playing tracks

Light indicates signal present and clipping

If you use a $1000 microphone for studio quality recording, get something with more dynamic range. It's not studio quality, but it's close.

EDIT: If you're getting a lot of static, replace your USB cable!

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I dont understand how many people complain about hiss. I have used this mic for well over a year and have had no problems with hiss. I give this item 4 stars because its obviously not the best preamp you can get, but its well worth the buy. The phantom power this unit supplies is plenty powerful for condenser mics. I tested this preamp and compared to a presonus firebox, the sound reproduction of this is almost identical. So, dont let reviews trashing on this item steer you away from purchasing this product. Of course if you have a larger budget I would say to explore your options, but in the $100 range you will not find any better than this.

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As several have mentioned, this adapter will give high levels of background hiss on some machines. I talked to Shure and they indicate there is a setting fix for some Vista and Win7 machines that involves bringing the internal gain level way down:This cured the hiss on my X2U that made it unusable otherwise (Win7-64/MacBook Air)

Roland UA1010 Octa-Capture Recording Interface Bundle with AT Headphones, Microphone and Instrument

Roland UA1010 Octa-Capture Recording Interface Bundle with AT Headphones, Microphone and Instrument Cables
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $599.00
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Have had this for about a month, the head phones are better than expected, Octa-capture works great. We just had an M-audio fast track ultra which worked well for a while, but then crapped out.

So far the octa capture has been a real treat. There are a lot of really interesting features included in the design. Among them are built in compressors, phantom power,

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Alesis SR16 Drum Machine

Alesis SR16 Drum Machine
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $134.95
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  • Professional drum machine with 12 velocity sensitive pads (w/Dynamic Articulation(TM))
  • 50 Preset / 50 User drum kits with 233 sounds assignable to any pad
  • Exclusive Alesis Dynamic Articulation(TM) feature enables a drum sound to change its tonal content as it's played harder for truly realistic performances
  • Sound stacking, step editing, stereo samples with reverb and ambience
  • 2 Footswitch Jacks, MIDI I/O, Stereo main and aux outs, headphone jack, power supply included
  • Professional drum machine with 12 velocity sensitive pads (with Dynamic Articulation(TM))
  • Exclusive Alesis Dynamic Articulation feature enables a drum sound to change its tonal content as it's played harder for truly realistic performances
  • Sound stacking, step editing, stereo samples with reverb and ambiance

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Some history on this device: The Alesis SR-16 has been in production since 1991 and has gone through only slight revisions to the hardware since its original release. The 16-bit drum samples are still the same today as they were on this unit over 15 years ago. It is regarded as a break-through piece of studio gear and regarded by many studio engineers as the first rhythm machine capable of producing a convincing enough drum track capable of replacing a real drummer in studio recordings for rock applications. (Prior to the SR-16, rhythm machines were commonly used in pop music in the 80's, but it was always clear to trained ears that a rhythm machine was used, the SR-16 successfully blurred the line and made it possible to use rhythm machines in genres that generally frowned upon electronic drums such as: rock, country and blues) You'll hear the SR-16 on many professional tracks by top name recording artist from the early to mid-90's.

Today the SR-16 can still be found in many professional and home recording studios. With the emergence of Pro Tools and other PC based Digital Audio Workstations, stand alone rhythm machines have become much less popular today in pro recording, but they are still very popular in home studios and for performing solo musicians around the world.

Comparing the SR-16 to newer products: Rhythm machines produced by Roland/BOSS, Yamaha and ZOOM are the SR-16's primary competition, with Roland and Alesis often cited as leaders and innovators in pro electronic percussion (these companies also produce the best quality electronic kits and the same samples are used in their rhythm machine products). Some of the features common to newer rhythm machines not found on the SR-16 include: 24-bit samples, more memory, bass guitar sequencer ability to store MIDI files on device.

Ease of use: Aside from its convincing sound quality, perhaps the reason the SR-16 has remained in production and a favorite among musicians is its ease of use. The SR-16 was designed with the non-drummer solo musician in mind and is considered one of the easiest rhythm machines to program. It's interface has been copied (but many would say not trumped) by BOSS, Yamaha and others. The manual, while poorly edited does more than any other rhythm machine owners guide to cater to solo musician who doesn't understand the first thing about sequencing drum tracks and it's A,FillA,B,FillB pattern foot switch configuration makes it easier to improvise with... In short, you don't get much customization with the SR-16, but what you do get feature was is going to be the most popular setup which makes the device much more approachable than many modern rhythm machines and sequencer options. Has a full MIDI in/out through implementation so the SR-16 can be patched in and controlled from DAW's (Pro Tools, Cubase, Live, etc...)

Comparing generations: If you're buying previously owned model be aware that some features have changed over the years. First generation SR-16 models (1991-circa 2001) had about 1/2 of the user memory than that of the current production SR-16. Also, the first generation units did not have a headphone jack. In the early 2000's Alesis updated all the preset patterns creating a market for "vintage" SR-16 machines. Also, over the years the price has dropped significantly. The SR-16 was originally marketed as a high-end studio product with a price tag around $400. While the quality of the unit has only improved, the price has dropped as computer parts have become less expensive (also newer units are mass produced in Asia).

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Here's the great SR16. Been around since 1990 and still sells well. Probably the most used drum machine of all time considering how long it's been in production. Pretty easy to use and has the added extra of being controlled by a foot pedal or two so you can switch between an A and B version of a beat and an A and B version of the fills at the end of each verse. (You'll need to buy the foot controllers doesn't come with this purchase). There's loads of other revues out there if you search but this and the boss range dominate the market in my opinion. At this price it's a great bit of kit to have and a good place to start if you've never tried drum machines before. Also check out the new SR18, just released April 2008, although twice the price is the downside for the extra drum set samples, more memory and bigger construction. I've got the SR18 and it's worth every panny so the SR16 is a steal at this price you just have to accept that the SR16 doesn't have the huge scope of it's bigger brother or basslines. Alesis SR18 Drum Machine w/ effects engine

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Ive been recording music for 6 years. I'm a bit of a perfectionist.. Always trying to make my tracks sound as legit as possible with the things i had.. Ive never had the money for drum sets in those days but with all the little things I've purchased it adds to well over this small price tag of 150 smackers.

This machine has all your rhythm needs.. You can program a song beat for beat or jam along to the many cool patterns they have.. Also its important to note you can adjust the tempo on all of them so the possibilities are endless. This machine is so simple to use. It could be a great gift for starting musicians and just about anyone who's a creator.

Overall I love this ol thing and I plan on using it for many many MANY years to come.. and if it breaks on me, Ill just buy a new one! Cuz its worth every penny and more.

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I've been using a Roland R-5 for a long time and decided I wanted some fresh sounds. The SR-16 definitely has some realistic drum voices, but I've decided to hook it up via MIDI with the Roland and use it as a sound module extension. There's something awkward about the Alesis interface for me. Things I can do with a couple pokes of a button or two on the Roland seem to be more involved with the Alesis and I'd prefer to spend less time poking and more time creating music. I also don't care for the limited levels of nuance when hitting a pad. Depending on the setting I've chosen, it's either too sensitive or not sensitive enough, there's no just right.

Having said that, I recommend it at least for the sounds. Some are lame, most are good.

Note that the original SR-16 was 16-bit and the one shown on this page is a newer 24-bit model. I'm told this newer model has better sounding drums, but I can't confirm as I've never tried the original. Something else was added to the 24-bit model: a headphone jack in the rear. In order to add the headphone jack, they omitted one of the AUX outputs and made the AUX as a single stereo balanced L/R output instead. So the photo of the rear view shown on this page is not accurate. This probably won't matter to most, it does to me but I found a workaround.

I purchased this on Amazon through Adorama Camera, not pleased with the delivery time.

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I've found this machine to be one of my best purchases. I've used it for home recordings and live performance both very satifactory. Will do custom beat by beat user programmed drums or user programmed loops with fills/intros also. It sounds good, has a good variety of percussion sounds and I was able to read the manual and use the features. No repairs needed over a number of years. You've got to love it! :-)

Audio-Technica ATH-M40FS Professional Studio Monitor Precision Headphones

Audio-Technica ATH-M40FS Professional Studio Monitor Precision Headphones
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: Price Unavailable
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  • Extended-response, precision studiophones
  • Flat, extended frequency response for mixing and monitoring
  • Pro features include field-replaceable cables, drivers and ear pads
  • Loud with 1,600 mW of power handling and high SPL capability
  • Rotating earpieces for easy one-ear monitoring
  • 40 mm diameter drivers, neodymium magnets and CCAW voice coils

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This review is for:

Audio Technica ATHM40FS Precision StudioPhones

First of all right out of the package they look expensive. They do not look cheaply made and the matte black coloring and shape of these headphones is pleasing to the eye.

From the top down:

The headband is approximately two inches wide and covered even on the top with some type of soft to the touch material. The underside of the headband is very well padded and the padding extends almost down to the hinge where the earpieces are connected to the headpiece. The padding is nice and squishy, but not so much that you can feel the hardness underneath. The thickness of the padding is approximately 3/4 of an inch thick.

These earphones are very light, I've been wearing them all day with no neck fatigue, or headache from too much pressure around the ears.

The tension of the headband is enough to hold the earphones on my head, but they rest comfortably without pressure around my ears.

The hinges where the earpieces meet the body are made from some type of heavy duty, hard plastic(I don't know the technical name for it). The hinges are nice and thick. They look well made and able to take a lot of use.

The earpieces:

The shape is sort of an elongated oval. They are lined all the way around by padding that is approximately 3/4 of an inch thick, and one inch wide, and they're covered by the same velvety soft material as the headband padding. This padding feels wonderful against the skin. The padding that touches the skin is flattened to fit against the head better, giving these headphones excellent sound squelching qualities.

The inside of each earpiece is oval in shape and the inside depth is between 1/2 and inch and 3/4 of an inch. The inside wells that hold the speakers are covered with some type of soft fabric as well.

The holes under the fabric where the speakers are located are shifted slightly toward the back side of the ear pieces.

The outside housing is a some type of matte black high density plastic, and the R and L on each one is molded into the plastic rather than being painted on so that it won't rub off eventually.

The hinges:

Move smoothly and easily. There are two sets of them. One allows the earpieces to be rotated out when they're being worn, so outside noises or conversation can be heard without taking them completely off. They're made of matte black high density plastic also. They're nice and thick, and the part that attaches the earpieces to the headband meets the headband smoothly. If you didn't know the seam was there, you'd probably miss it. Each earpiece can be rotated out to the front approximately 180 degrees, and to the back considerably less.

The other set of hinges are the same color and material, and they fit sleekly against the earpieces in their own grooves, giving the earpieces a smooth appearance when on the head. There is nothing sticking out, and it's very aesthetic. When they're on the head the hinges and earpieces look like they're all one piece. I don't know who designed them, but whoever it is they're smart, LOL.

The Cord:

Runs from the left earpiece, and is not reinforced at the point it meets the earpiece. The cord is very long and has a nice thickness to it. It's not flimsy at all. If you don't need the length, I suggest tying it up with a zip it, or something similar, to keep it out of the way. I like the length personally. If you're like me and you forget you're wearing these headphones and get out of your chair to get something it doesn't pull everything off the shelf:D

The cord terminates in a 1/4 stereo plug, and is reinforced at the back end of the plug with a flexible metal spring that's approximately an inch long. The plug itself is textured for easy gripping.

If you're going to use these headphones for your: computer, tv, portable CD player or whatever. You're going to need to buy a 3.5 mm adapter because these headphones don't come with one in the box, like some of the other Audio Tecnica headphones.

But it's easy to find an adpater, and not much hassle. You can buy adapter kits. There is an adapter kit with four different sizes of adapters, right here on Amazon for 5.00 or so. Sound and audio stores should have them as well as electronics stores, I think even Wally World has them. Radio Shack has a kit that's a little different from the one here on Amazon, but it still has four different sized adapters. Just make sure you get a stereo to stereo adapter, not stereo to mono adapter.

Isolation:

These really do a good job. When I'm listening to music I don't hear anything else unless the sound is extremely loud.

The sound:

The sound of music through these is excellent. I can hear everything the way it was meant to be heard. Nothing added or taken away. But listening pleasure is subjective. I really enjoy the music I hear through these headphones just playing MP3s on my computer without a fancy sound card on my computer. DVD movies sound very good also. The soundtracks sound great.

The longer I listen the better music sounds through these headphones.

The highs aren't sharp and grating, and the mid range is there, the lows are smooth and present. Nothing is muddy sounding to me. All the sounds are separated and discernible but not so sharply delineated that it picks the music to pieces with one drowning out the other. Everything is nicely balanced and flows together like music should. It sounds like I'm hearing a live performance. The bass is there, but it is NOT very pronounced and isn't the focus.

I don't hear any distortion at a higher volume, but then again I can't stand very loud music, it hurts my ears. You don't have to turn these all the way up to hear decently. I'm listening to Illumination by HemiSync right now and I've got my system volume turned up to 3/4 and Winamp volume is at 9%, and that's quite enough to enjoy the music. I can still hear everything very well with no interference from outside noise.

The music accompanies the singer rather than drowning them out. If you enjoy the lyrics, like me, as much as the music, then these headphones are fantastic. The lyrics are very easy to understand,and the voice of the singer is perfectly presented.

Meatloaf "Life is a Lemon" sounds heavenly through these, and so does Garth Brooks "Friends in Low Places". Pink Floyd sounds divine, and so does John Denver. Mozart sounds great too. PussyCat Dolls "Don'tcha" sounds just as good to me. Rammstein Blade Theme (Techno Remix) sounds as good as all the rest. Roberta Flack is as close to blues as I've gotten yet, and she sounds amazing. Minnie Ripperton's "Loving You" Sounds good too. I haven't listened to anything jazzier. Pantera sounds good, and so do the Heavy Metal soundtracks( 1 and 2). I hope that gives you some idea about the range of music that sounds great with these headphones. Meditation music sounds great also.

Summation:

These are excellent quality headphones for the price. Someone put a lot of thought and effort into designing these. I always look at the details, and if someone paid attention to those I know they care about their product.

These headphones are light and comfortable on the head, and about the ears. They can be worn comfortably for extended periods of time without causing a headache. I believe they provide enough isolation, and outside sound dampening, to satisfy most music afficianados.

If you're looking for very pronounced bass, don't buy these unless you want to adjust the the bass to your satisfaction on your music source.

All in all I'm very pleased with these headphones, and I would buy them again. The price and the quality make this set of headphones an excellent buy.

On a sidenote: The customer service people are very nice. I emailed the customer service department for the amplitude range on another set I was eyeballing which are also made by audio Technica. The frequency response of headphones means nothing if the amplitude is way out of whack. It took about a week for them to answer but he very nice fellow who answered sent me JPGs of the amplitude graphs for the set I asked about, and another set. I'm sure he probably had to hunt the graphs down and then make a file to attach it to the email he sent me. Now that is customer service! Kudos to Audio Technica for their customer service. And that was before the sale!

The two sets were: Audio Technica ATH-A700 Closed-Back Dynamic Headphones With Double Air Damping and Audio Technica ATH-AD700 Open-air Dynamic Headphones.

If you're interested the amplitude range on the ATH-AD700 was much more flat than the ATH-A700, with less variation overall.

Alrighty then, that's all I can think of at the moment.

I'm enjoying my music on these very same headphones while I'm typing away.

Buy Audio-Technica ATH-M40FS Professional Studio Monitor Precision Headphones Now

First things first. These are not for kids who wanna listen to all their hardcore screamo death metal at earsplitting volumes. These are not for people who have a 1000 watt sub in their car. These are not for people who take music casually.

These are for recording.

I don't claim to be an expert on what good headphones sound like. I've never had the money to try some 500 dollar audiophile phones. I am a very active musician; I run a studio in my bedroom and my bands practice room. I've been recording in my bedroom for about four years. I use Adobe Audition 2 as my main recording software.

The Audio-Technica ATH M40fs headphones are THE BEST headphones I have ever heard. I'm sure they're not the best in the world. They're just the best I've used, and I'm pretty sure they're the best for the price.

With these headphones I can hear subtleties and nuances that I never believed possible. I can hear breath noise on the flute intro to Yanni's Deliverance. I can hear the bass on Dreamgirl by Dave Matthews without it beng muddy. I can hear the rumbling lows on the intro to The Battle from the Chronicles of Narnia Soundtrack. These headphones are not bassy, nor are they harsh on the mids, they're not overly trebly either. They are very flat as far as I can tell. I love that I can hear all the different parts to music without any of them being over-emphasized.

The downfall to these phones is that they let you hear ALL of the flaws in your own music; it's kind of depressing. If you want to sound like an amazing pro musician just by buying a new pair of headphones...look elsewhere, if you want to hear your mistakes so you can improve, and don't wanna spend a month's paycheck...then these are for you.

The thing that mainly attracted me to these headphones was the frequency range which was wider than the Sennheiser HD 280 Pro's that I originally wanted. On top of that, the price was 40 dollars lower; hard to pass up.

Another feature that makes these worth your while is the Field Replaceable parts. I don't know about you, but I don't have the money to buy a new set of headphones if my cable wears out.

These have pretty good isolation. They won't block as much sound as earplugs but they block enough to keep your sound pretty pure.

If you want to hear your music in a way that you never have then buy these headphones.

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In my continued quest for the best reasonably-priced closed headphones, I acted on the other Amazon reviews (and those from another site) and bought these. They might be the best headphones for certain applications (e.g. studio work where a very flat response is extremely important), but for my purposes they are inferior to two other choices: Sony MDR-V6 Monitor Series Headphones with CCAW Voice Coil, which I prefer for listening at home, and Sennheiser HD 202 Headphones, which I prefer for commuting. The Sony phones sound better to me, they are lighter and smaller, and cord management is better. The sound of Sennheisers is somewhat inferior to the Audio Technicas, but again they are smaller and lighter, cord management is much better, and they are much cheaper so I'm not as concerned about losing/breaking them while commuting. Finally, the large-size plug on the Audio Technicas is a problem both because I've had to buy an adapter, the plug/adapter combination is very bulky, and the size/weight of the combination has actually led me to break a headphone receptacle on one of my mp3 players. Finally the Audio Technicas require a higher signal level input for a given volume relative to the Sony phones or the Sennheiser phones, which could be a problem for some portable players. (I guess I am in a very small minority using closed-ear phones for portable audio, but nevertheless...) With all of this said, the construction of the Audio Techicas is probably the best of the three, again arguing for their use in a "production" environment. In sum, definitely recommended as long as your use fits with their strong points which for me is not the case.

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Finally headphones that pump out the sound I want, with the comfort I want, at a price I can afford!

You just can't go wrong with a pair of Audio-Technica ATH-M40fs's on your ears!

If you like balanced high quality sound that exploits every pitch and accentuates every tone, you can get it right here. If you want headphones that don't hurt your head, don't clamp your ears, and provide good isolation, hey! The ATH-M40fs is your baby!

The build quality is fantastic, complete over the ear circumaural design, very professional in style and durability.

I searched all over to find an amazing pair of headphones that wouldn't rip a hole in my pocket, and I found them.

I am extremely happy I chose these. I was on the skeptical side. I almost bought higher priced Sennheisers, but opted not to due to comfort issues and cheap headband construction.

I was worried about sound quality; as I like to hear every vocal and instrument the way it was intended. For anyone who is looking to listen to music at a higher level with a price suitable for the everyday person. These headphones do justice to the Audio-Technica brand!

I use them for listening to all my music and games; high fidelity classical recordings, popular music (Jewel's intricate voice sounds so good with these strapped to your head), occasional video games (I play adventure, mystery, and RPG's).

The bass is accurate, not overdone and not enhanced. Balanced sound throughout. Great for really getting into the music.

Are these the headphones you've always been looking for but thought they didn't exist? Yes, yes they are!

Are they the best headphone ever made? Well, I wouldn't say that. I've never listed to $150.00+ headphones before. So I am sure there are headphones out there that will make these sound lamer than scary movie 3. But I couldn't imagine needing to. Some headphones can cost over $900! I'm not a recording artist, I don't use these to monitor music. And I don't work as a audio engineer. But I am very picky about, well, almost everything! I am an artist of the visual kind. And these headphone produce high enough audio fidelity for most anyone who can appreciate well recorded audio. I do require a high level of quality, I am very sensitive to subtle details in sound. If there is distortion or a small hiss is my audio equipment, I can hear it.

When comparing headphones and speakers, I can clearly hear pitch subtlties, faded or more pronounced background instruments, and other differences.

Besides, even a farmer in good ol' Georgia can appreciate, and have an ear for good audio fidelity.

For me, these headphones are great. They produce sound in a highly respectable manner at the price I am willing to spend. And thats what counts to most people.

Audio-Technica also makes a variant model of these, ATH-D40fs with enhanced bass. I feel some may prefer them to these and find them more suitable for video games, watching certain movies, and those who like that extra thump.

They also make much higher priced headphones for anyone requiring more fidelity. After listening to these I think they are a very viable brand, completely on level with competing against the well known brands of Sennheiser, Koss, bose, Beryldynamic, and Grado.

Audio products I own:

Onkyo TX-SR500 reciever

iAudio G3 digital audio player

Audio-Technica ATH-M40fs headphones (of course)

Koss UR29 headphones

Koss the plug earbuds

Koss Porta Pro headphones

Panasonic RP-HJE50 earbuds

Audio-Technica PRO 24 XY Stereo Condenser Microphone

Audio-Technica Pro5V headphones (returned due to comfort, the lack thereof)

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I purchased my M40fs with a raised eyebrow for about $90, at the behest of my Guitar Center guru who told me nearly every employee in the westside Cleveland store owns a pair. I lived in Stow, OH at the time and got the due warm fuzzy from purchasing a decent set of studio phones made by a company that had a facility literally 1.2 miles from my flat.

Never have I been happier with taking somebody's word on the general utility of a piece of gear or with supporting a "local" company. The response and clarity is fabulous through the whole spectrum, true flat sound. I have picked up artifacts with these phones that other phones completely missed. Yes, using them for portable sound means a clunky adaptor, but 1/4" is worth it!

As to the comfort, I find them extremely comfortable. The ear padding is cushy and the headband has much thicker padding than some other studio phones I have used. They are a bit tight out of the box, but like any good phones, the headband can be stretched or squeezed a rather goodly bit without any damage. The swivels are nice and loose. If you wear glasses and intend to use these for several hours on end, just like with any other phones -you WILL want to play with the headband tension a bit to find the right balance of snug enough to close but not tight.

I work on ambient, space, drone, found sound, and field collage, so falling asleep while listening to playbacks is not even vaguely difficult. I freely admit to having fallen asleep wearing these phones several times (including once while recording on my Korg MS2000 at 2am). Even when I have slept several hours in my chair -no shift and no headache either, more like a *cradle* effect. No, I don't recommend this, but it won't hurt like falling asleep in other phones can. As long as you don't literally throw your phones around, these will last a very long time!

ART USB Dual Pre Portable Stereo Preamp with USB

ART USB Dual Pre Portable Stereo Preamp with USB
Customer Ratings: 3 stars
List Price: $129.99
Sale Price: $89.00
Today's Bonus: 32% Off
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  • USB Connectivity to Desktop and Laptop Computers
  • Low Noise Fully Balanced XLR and 1/4-inch TRS Combi Inputs
  • Up to 48 dB of Clean Gain
  • Built-in Low Noise Phantom Power Supply
  • 1/4-inch TRS Balanced Monitor and 1/8-inch Headphone Monitor Outputs

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I own the Shure X2U XLR to USB adapter and have used the ART USB Dual Pre 2 Channel Preamp. My preference is for the ART. A review was written, prior to this one, critical of the ART because of the placement of a battery for field recording. This is probably a valid criticism, if your purchase of the ART is for field recording; not plugging into the USB port of a laptop or desktop computer. My evaluation is solely on its ability to quietly drive a professional lo-z microphone into a computer for digital voice recording. And for that, for $99.00 + shipping, you can't beat it. I'm an analog guy by nature and training; working in the broadcast media since 1963 and a licensed broadcast engineer. I've done thousands of voice overs and narrations during the past 4+ decades. I love reel to reel audio tape and simple analog recording, but that's history and I had to acquire gear that would allow me to still think analog, while performing digitally. This ART does the trick, but, for me, it's set up as a preamp into a 2009 model desktop.

Regarding the criticism of battery placement. If that is a problem for field recording, I'd attach an extender to the 9 volt battery connection and attach a battery compartment at the top of the ART.

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Nice features comparable with some other units that are cheap plastic.This thing is metal and built like a tank. I use it to record guitars,vocals and drums into recording software. Works great can't beat the price.

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I am new to recording and thought this would be a good place to start with in regards to home recording. Purchased this used for 65 bucks. Constant buzzing and the earphone monitoring hardly worked. I had a lot of grounding issues. Who knows but overall in my opinion a horrible buy.I have now switched over to a more expensive interface and its like night and day. Again I am beginner but this is def a pretty S*** product!

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If you'll use this unit with a laptop or external power, you'll probably be very happy. It has low self-noise, solid construction and well thought out features. Controls are smooth and solid.

HOWEVER, if you're planning to use it with a 9V battery for field recording, forget it. There isn't a battery compartment; instead, a cardboard (?!?!) sleeve is wrapped around the battery, then the battery/cardboard assembly is stuffed into a hole in the back of the unit, crammed right up against the circuit board and capacitors. (Presumably the cardboard is meant to insulate the battery case from shorting out the innards of the unit.) Worse yet, it is simply impossible to remove the battery once it is "installed". The fit is far too tight and there is no room for fingernails, needle-nosed pliers, an ice pick, or any other implement that can free the battery.

It is hard to imagine how an otherwise very well-built unit could have such a fundamental design flaw, yet it does. ART would do well to spend the extra 30 cents at manufacture to build a proper, enclosed, accessible battery compartment into this unitthen they would have a real winner that would serve perfectly for those of us who need mic preamps for outdoor recording and don't want to spend $650 for a MixPre.

Apogee Duet 2 Audio Interface for Mac

Apogee Duet 2 Audio Interface for Mac
Customer Ratings: 4.5 stars
List Price: $595.00
Sale Price: $495.00
Today's Bonus: 17% Off
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  • USB 2, 0 audio with 24-bit/192kHz A/D and D/A conversion
  • 2 Analog inputs with world-class mic preamps and selectable 48v phantom power
  • 4 outputs, Independent speaker and headphone outs
  • Full color OLED display
  • Apogee Soft Limit Technology

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This beautiful device has exceeded my expectations in a huge way. I can now record anywhere using my mid-2011 Macbook Air, rather than being stuck in my garage studio. In my studio I use a PC with an Apogee AD16x for A/D conversion, with high-end outboard preamps (Neve 1272, Grace 201, and Telefunken V72), and vintage mics. I've been recording for over 20 years, and I've gotten better digital recordings plugging mics straight into the Duet 2 than using any other setup in the past. I am completely surprised that I don't even have to bring my bulky and expensive outboard preamps with me, because the Duet's are amazing.

+ Recording quality! I knew the Apogee converters would be great from past experience, but I am totally blown away by the mic preamps as well. Warm, smooth, clean, airy, and every other useless audiophile adjective I can summon.

+ Output quality. I plug my headphones in and listen to music all day while working, and the sound is dazzlingly smooth and dynamic. I no longer use my expensive tube headphone amp, because the direct headphone out of the Duet sounds so beautiful on it's own.

+ Easy setup and great compatibility

+ USB Bus powered (even when phantom powering two +48V mics)

+ Direct monitoring allows zero latency monitoring during recording

+ Two stereo outputs for more flexibility

+ Two configurable touchpads are very useful

+ Well-designed color OLED screen

+ Rubber base keeps the unit from sliding around

+ Looks great and matches well with the build quality and aesthetic of Apple products

No Windows support

Plastic black surface scratches easily I need to fine a nice case to protect it during travel

I'd prefer physical buttons over the touchpads

The solid build and quality comes at a small price in terms of size and weight. It's certainly portable, but you might find it's a little bigger and heavier than it looks in photos.

Maestro software sometimes has trouble detecting the Duet, even though the soundcard is working

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I would agree with all the other reviews here that the unit really does sound amazing! I use this unit strictly as a D/A because it really does make that much of a difference. I primarily use the Focusrite ISA One as my single Mic Pre. Whenever I need to do stereo recordings, (rare), I then use the Duet 2 as my Pre. It does well here too, but the ISA does give me better tone as a Pre. I honestly think its the combination of the two -but I digress.

The Duet 2 has a steep learning curve. There would be several sessions where I would literally spend an hour trying to figure out the signal flow, because I could see the signal getting to the unit and not getting into Logic Pro. On some occasions it was because some MAC update knocked out the drivers, and new drivers needed to be installed from Apogee. On other occasions, I had to reseat the USB -regardless it is NOT intuitive.

At this point, several months of use, bugs, and frustration, everything has been going smooth. I really love the sound quality I get out if this unit. I just hope it last longer than my Apogee One.

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As you must've already read in many other glowing reviews, this review too will state the obvious that you will truly HEAR THE DIFFERENCE in the sound quality once you run your guitar tone or vocals through the Duet 2. The ad da converter and the limiter does an exceptional job at smoothening the audio input and enriching its overall sound and quality. You will be happy with how much better your tone, and textures sound. I was previously an M Audio Firewire 410 loyalist, but after the Duet 2, I wonder why I waited so long to get this baby. The difference in quality of sound seems every bit worth the $599 I paid for it. Plus, the unit with its OLED and build quality feels & looks very good

My only problem with this unit and the reason I could not give it a full 5 stars is because the on board touch sensitive buttons that can be user assignable are inconsistent and there is clearly something going wrong with them. I encountered the problem of being in the middle of recording session and have my monitoring output get completely cut off (in other words muted) on its own. I won't even be touching the unit or be anywhere near it and would be recording a part and all of a sudden, with a mind of its own, the Duet 2 mutes my output. I've metaphorically banged my head against a wall trying to figure out why this peculiar and rather stupid problem keeps occurring, and obviously went into Maestro to fix the issue (whichever way I could). BUt Maestro 2 is so minimal that it provides no real access to any component of the user defined buttons with which this problem could be truly corrected.

I even went ahead to email Duet's customer service and the crazy thing was that I was expecting a detailed response/ troubleshooting resolution to this issue and instead they told me something that I had already discovered through hit and trial. So if I removed the option of "mute" to one of the 2 user defined buttons, the problem of involuntary muting goes away. Please understand this is not a resolution to the issue, this is merely a temporary fix. So for me for all practical purposes the second button can never be used to assign the mute function. Moreover the other bit of disappointment is that there aren't really many other groundbreaking functions that really can be assigned to these on board buttons. They seem gimicky in how little they really are capable of doing.

Anyway, Apogee never got back to me with a true solution, but rather just wrote to me about that temp fix. I was kind of disappointed with that and their lack of knowledge on the issue. For a company that supposedly is doing everything right and making such a great product as the Duet 2, I was sad to see how it has this glitch that cannot be resolved.

Second minor problem I noticed with the unit is that the jacks where the USB cable goes does not seem very sturdy in its build quality. If you touch it, it definitely moves and has a considerable play in it. Not that its making any difference to my sound, but it gives a very flimsy feel of something that would eventually come apart with time. At least that's how flimsy it seems.

To round up I would just say, that if you're looking for a portable audio interface that gives exceptional sound quality output and integrates seamlessly with the mac then I'd say go for it. But if $599 seems an absurd price point coupled by the issue I described above and the fact that at the end of the day this interface works only on your good ol "high end" mac computers and not PCs or Linux based computers, then this may just seem like an "excessive" expenditure for you. Considering there are a plethora of AI's available in the market for much cheaper and which the do a great job too.

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Hello, bad news here, so I'm running the DUET 2 with my iMac (2.8 i7 8gb ram) OsX 10.8.1 (latest Mountain Lion update), a disaster, clicks and pops are unbearable. I can't find a working flow because of this, I've been in contact with Apogee for more than 2 weeks now and I think we're just exchanging e-mails for nothing really. I'm pretty sure they know what's wrong but there's probably bureaucratic stuff going on with Apple. What I mean is that the tech from Apogee told me they don't even do DRIVERS anymore, their units now depend on Apples DRIVERS!!! so they say. It's quiet amusing that they advertise so much about catching creativity and whatnot, yet I'm not even able to concentrate on my work. BTW I didn't have any clicks at all with my Mbox Pro, right before changing for the Duet 2, and I was using the same system. Clicks may not appear right when you open a fresh new session, but they will happen, the you'll have to reboot over and over. You simply can't work like this.

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My first impressions were that it was a very small improvement over it's predecessor, but after a few weeks of using the Duet 2 I've really got to say that it's better in every way then the Original. I really like how much louder it is. I can crank everything up without worrying about noise at all. I mainly record Vocals, Acoustic Guitar, and Saxophone and I love how it doesn't color my recordings at all. I get a truly revealing sound through this little guy.

Screen/Buttons:

The OLED Screen is bright enough and the Buttons are extremely functional. Both have improved my workflow.

Headphone out:

Listening to music with a pair of Grado RS2i headphones is an amazing experience in general, but I've heard a marked improvement when I use them with the Duet 2. I love that you can separate the headphone out from the Monitor outs for two separate mixes (finally).

Latency/Stability/Software:

HUGE improvements from the old model. Much more stable drivers and lower latency. I've really enjoyed how much more power the Maestro 2 software gives you over the Duet 2. With my old Duet I often times encountered issue with hissing, pops and audio cutout. I would then have to reset my device or my system to resolve the issues. Traditionally in my experience USB has been more stable than Firewire. I had my doubts about the switch they made, but it's been much more enjoyable recording without the issues that firewire always had with the original Duet.

Breakout Cable:

The new Breakout Cable is fantastic because you'll only ever have two things connected at any given time so they reduced the amount of cable/clutter for that exact purpose and streamlined the XLR and 1/4" connectors into one. Less mess with the same functionality as before!

Build Quality:

It's not bad at all build wise. Just as heavy as the Original and much more appealing aesthetically. I'll admit that everyone expected the screen to be glass, but it is in fact plastic. Some people have a problem with this. I don't.

Sound Quality:

Some prefer a warmer/colored sound, but I really enjoy an accurate sound that reveals the truth about my recording. Some won't be pleased with the lower end on the Duet 2 when recording (i think it's fine for it's price, if you want something better then pay more), but it provides a very accurate response to higher frequencies.

Overall:

Louder, clearer/cleaner and sexier than the Original Duet, while providing more functionality, stability and a larger feature set as well.

Yamaha YPT-230 Premium Keyboard Pack with Headphones, Power Supply, and Stand

Yamaha YPT-230 Premium Keyboard Pack with Headphones, Power Supply, and Stand
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: Price Unavailable
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  • Ultra Wide Stereo
  • More Advanced "Y.E.S" System (Yamaha Education Suite)
  • High Quality Voices & Styles and Digital Effects
  • Portable Grand Button
  • Auto Power Off mode

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Turned out to be perfect for me. I love to play Bach and other baroque composers, so since they wrote for harpsichord and fortepiano (fewer keys than modern pianos), I can play everything they wrote on this 61-key Yamaha right here in my tiny apartment. This model has all the rhythm choices and instrument voices you could want without being so automatic that it feels like a toy. The headphones are a bonus when there's ambient city noise or it's late at night. Other reviewers had difficulty with the stand, but they must have assembled it incorrectly. The keyboard is designed to rest atop the crossbars, not fit into the stand in any way. Try sliding the rubber sleeve supports in or out on the crossbars to balance the keyboard properly atop the stand. Also, make sure you have the height adjuster knob facing away from you as you sit at the keyboard and that the wider ends of all crossbars are facing toward you (measure the screw-hole to end distance if you have to). This will give you enough legroom when you sit at the keyboard. The two longer bars rest on the floor, of course, and the two shorter ones support the keyboard.

Buying the whole package with stand and power supply is the right choice: you have everything you need to start playing in no time.

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I like this keyboard. I got it here for only $129. Walmart has a lessor model without the stand, headphones, or AC power pack on special for about the same price as this one. Excellent product. Excellent value buy.

BUT...A few details should be pointed out that may make a difference to some shoppers. First, the bundler fails to mention the stand is generic and must be assembled differently in order to work with this keyboard. If you are not handy or do not understand the directions given here by another buyer for how to modify assembly so the stand fits, you may want to subtract the stand as a factor for choosing this particular bundle.

Second, I've registered a lot of products on line and none, even minor brands, limited me to online registration and then required so much time to do it. Registration is not straight forward and simple as you might expect. Be sure to enter the entire address as presented in the manual, or you will get goofy results, a demand for email and password. Try to register and you get odd rejections such as my favorite, "your email address is not proper format" Huh? Is the program expecting Japanese? You must enter that long address. Also, the registration utility is unforgiving and unclear. No AI engine employed here! The site refers to this keyboard two different ways, PSR 233 and YPT 230. Have fun getting registration to accept your long product ID entry.

Third. A truth in advertising issue. We are told music and music lessons are included. What you are not told is they are online. You must successfully register to get any of the manuals, the music, anything. Never encountered that one before! Beware of buying a Yamaha music products open box, used, or refurbished. You will not be able to get the user manual without registering and you cannot do that without the ID written on a page included in the box. The serial number is all that is on the keyboard & you MUST enter both the serial number & the ID on the paper.

Fourth. Because of the above, you want to think over getting a Yamaha music product for a gift. Make sure the child or youth has home access to Internet or that you do. Fortunately, I open, inspect, perform burn in (24hour non-stop play (while I still have the shipping box) to reduce probabilty of defects later. If it doesn't fail the first 24 straight hours, it probably will not) assemble, and register products like this that I buy for gifts. I fixed the stand, got it registered, downloaded the Midi package and music and put them on a small flash USB, so the child can readily use it.

The e-manual is handy because there are so many features and functions, the paper manual is full of fine print on low quality background. There is so much to read, many under 13 year old children will not get much use of the Keyboard without assistance. I bought this for an advanced 7 year old. There is no way she is going to read all the fine print.

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I think this is a great keyboard. It has a wonderful sound, great features including the Yamaha Educational Suite (Y.E.S.) built in (includes these features: Listen & Learn, Timing, Waiting, Chord Dictionary).

I am betting that the other negative reviews of the stand are because it was not put together right. I had mine together wrong for a couple weeks then yesterday took the keyboard off and looked at it and noticed the leg that was farthest from me (behind the other) had the support rest on top with the longer of its two sides coming towards me. This makes sense because that leg is further "away". Then I looked at the other one (the leg crossing closer to me) and it also had the longer side of the top rest coming towards me making the little plastic tab stops not align from side to side. I took out an allen wrench unscrewed the one holding that rest on and then flipped it around so the little tabs on the ends align with the opposite support rest. Now the slot on the front underside of the keyboard fits in these tabs perfectly and holds the keyboard from sliding left right or front to back. It works great.

I do imagine the keyboard stand is a generic one as a much deeper keyboard could fit on it but the fact that it has extra depth does not impact it at all. I am glad it came with it!

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I was looking for a keyboard to get back in to piano playing. I had lessons as a young girl, played some with my children and got busy with life and let it slide. I purchased the Yamaha and was delighted with the sound quality. It is small enough as to not take up too much room. The headphones are a great addition as I can practice without disturbing my husband.

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The actual keyboard is great...I don't understand why it's being sold with a stand that is clearly not meant for the keyboard. There is no way to make the stand fit in the keyboard grooves where the stand obviously is meant to sit.