Showing posts with label tangle free headphones. Show all posts
Showing posts with label tangle free headphones. Show all posts

Shure SE115m+ Sound Isolating Headset (Black)

Shure SE115m+ Sound Isolating Headset
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: Price Unavailable
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  • Dynamic MicroSpeaker II offers superior sound quality that's warm and detailed, with improved bass
  • Sound isolating sleeves in multiple shapes and sizes effectively block outside noise
  • Ergonomic earphone design ensures a customized, comfortable fit
  • Integrated three-button remote and mic allows you to adjust the volume, control music and video playback, record voice memos and answer or end calls

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First, some background:

I have been listening to In Ear Monitors for at least 8 years now, since I purchased my first pair of Etymotics to accompany my first iPod back when they were the only game in town for IEM's. In many ways those Ety's are still my reference for everything else, even my collection of full sized headphones. Having owned an iPhone for a couple of years now, I have been on the lookout for a decent IEM with an elegantly paired mic and controls to replace Apple's own limited offering. This segment has really bloomed in the last 6 months, and I finally decided it was time to try some of the offerings out. I was very fortunate to come across a shop recently that had a large number of these sets in stock, with demo units, with a full selection of new ear tips of different sizes and materials to demo! They did not have the Ety HF2, which was ok, because I had largely ruled that model out anyhow due to the lack of volume controls, and due to the micro-phonics that my ER-4p's are prone to. Obviously this is a problem with all IEM's, but I find the problem to be worse with Ety's and I had hopes of being able to use these for some activity. The three models I focused my test on were the Klipsch Image S4i, the Monster Beats Tour, and the Shure SE115m+ (the subject of this review, and the model that I ultimately purchased). I found the Klipsch's to be rather boomy and the quality to be sub-par. I could have lived with the sound for my uses, and the mic/controls were very small and light which was a benefit, but in general the build quality had more in common with $20 ear buds than their $100 price tag. At $50-$60 they would have been a winner for me. The Beats were interesting. Nice build quality, using a unique flat cord, but again, clearly boomy and not particularly detailed. The bigger problems were the price, and the extreme sensitivity to ear position. Very slight movements ruined the noise isolation (which wasn't that good at best) and the sound entirely. No way that was going to work for any active use.

So, on to the Shure's:

These have the best sound isolation, and the best sound of any in the group. They don't stand up to the Ety's in either department, but they are far less microphonic, and that 'warm' description they use to describe them is dead-on. Compared to the Ety's the Shure's are missing all of the detail, but make up for that in a full, easy to listen to sound, without being overly bass-heavy or obviously accentuated in any manner. On Norah Jones' 'Come Away With Me' the Shure's were easily out-classed by the Ety's. Norah's somewhat nasal (only in the best way!) croon is as clear as if you were in the studio and she was singing to YOU. With the Shure's it's as if a layer of velvet has been placed over the microphone. She's obviously in the studio, and maybe, at best, you're at the mixer behind the glass. In comparison, on Elvis Perkins' 'While You Were Sleeping' and 'Moon Woman 2,' the Shure's compared much better. Their warmth appeared in this context as a full-ness of sound, rather than strictly as a veil. Bass-lines were much easier to follow, treble more mellow and easy going; the Ety's came across as detailed but flat in this comparison. Perhaps more accurate, but more fatiguing and less fun.

Microphone, iPhone controls, and conclusion:

I have not yet had the opportunity to use the microphone in a variety of situations (nor was I able to use the microphone on the models in comparison at all). That said, callers have yet to complain that they can't hear me, even in a loud airport environment, or of any sound issues at all. The size of the mic is a little bit excessive, and could have been placed a couple of inches lower than it hangs when worn with the wires hanging over the ears as recommended. Finding the controls by touch is not as easy as it could be. Otherwise, the controls work as expected. Volume up/down, center button to play/pause, answer/end a call, double-click to skip a song, triple-skip to skip backwards a song. It all works as it should. (I should note that despite its size, I find the mic on this model to be less bothersome than the adapter at the V on the standard SE115 model for adding the Music Phone Adapter, so keep that in mind if you are comparing this to the mic-less version). The cords have just enough weight to feel durable and built properly for the price point. They are far less microphonic than the cord on my Ety's, and don't hold their rolled shape as badly when removing them from their case.

Overall, in my comparison of these against my Ety's, I kept wishing that I could have the warmth of the Shure's with the vocal clarity provided by the Ety's. However, given the available options in this segment, I feel that the SE115m+ is a worthwhile contender. If Shure would reduce the size of the mic and controls by 1/2, fine tune its placement, and make it available on their higher-end models, we'd have a class leader. As it stands, this is still a worthy effort by Shure, and I'm certain these will be seeing a heavy rotation in my music listening. I'd give them a solid 3.5 stars if Amazon allowed such a rating.

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I bought these to replace my venerable E2C's I've used for years with iPods. I got an HTC Incredible and wanted a microphone. I looked at many and decided on these not sure how the mic/buttons would work on a NON iPhone/iPod. Well, everything works except volumn up/down. I can answer the phone, hang up, one click. I can index forward songs, double click, or index back, triple click. With music playing, I can pause, single click, or restart, another single click. With music playing, a phone call comes in, music pauses, a single click answers, another single click hangs up, music starts back up. The mic works great even riding my bicycle at 17 mph! Minimal wind noise. And here's the real bonus, these sound wonderful, better than my E2's, and the form inserts are way better than the orange foamies of the E2 These foamies are black, have a smooth surface where the ear wax doesn't stick like the E2 foamies stick, are softer making for a better seal, and I can just shove 'em in, no rolling to compress, and get a great seal, the trick to good sound 'specially bass. I bought a cheaper brand of buds and although they worked the same, the sound was AWFUL, and I mean AWFUL. These SE115m+ buds sound fantastic, good bass but not boomy, great mids and highs. Best buds I've tried in the lower end of the price spectrum (well, maybe not LOWER, LOWER!). Great value. I use 'em every day bicycle riding.

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Though the 115m+ is really designed for the iPhone (the volume control buttons doesn't work with the BB), it works fine as headphones for just about anything with a standard 3.5mm jack. The middle button does work with the BB 9700. One click either answers/disconnects a call or toggles between play/pause.

Comfort is pretty good even after long term use. I managed to sleep with these in my ears inflight; no problem 7 hours later. After the 12 hour mark, my ears did hurt a bit.

Occasionally I fought with the cord to get it wrap around the top of my ear. Not a big issue.

Noise isolation seems to be somewhat better than the Bose QC headsets (I've used them all). It works so well, I kept on taking the earbuds out to talk to people.

The audio playback quality is pretty good, but I'm no audiophile. Didn't really notice any distortion, even a higher volumes. Speakers handle bass boost pretty well (if that's your thing), but the highs seem a bit cut off. With MP3s and phones calls, it won't matter much.

The microphone works pretty well. Had a few short conversations; even in noisy environments the other party could hear me clearly.

Carrying case is a nice touch. The case comes with a clip so you can attach to any loop. A cord management system with the case would have been better.

Overall: a decent choice if you like fitted earbuds for noise isolation and want something very small/lightweight to go with your phone.

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My old Shure E2c earphones finally gave up the fight after 3 yrs. I can't speak highly enough of those so I wanted to go with Shure again but they were not stocked at my local "yellow tag" store. I bought some Etymotic earphones that were in stock and they sounded flat and lifeless so I returned them. Ordered these from Amazon and couldn't be happier. They sound good out of the box with plenty of bass. For my taste though I adjusted my EQ settings on my iphone4 to make them more "crisp". The "electronic" setting in the EQ seems just right to me. The volume/play buttons work great and keep me from having to reach into my jacket when skiing. I'm told the mic sounds good to people I call, and the build quality actually seems to have improved over my last Shure earphones. All of the buttons work seamlessly with an iphone 4.

One thing I might mention as others have is that fit is critical. These are supposed to go deep into your ear or they won't sound good. Experiment with the different adapters and wear them for awhile to see if they are comfortable. You can't just stick them in for the first time and make a snap judgement. Trust me, they take getting used to and are awkward and annoying for the first time user, but stick with it because the sound isolation (i laugh at crying babies on the airplane) and sound quality are far superior to anything else.

PS I only gave these a 4 star because I am not a fan of the 5 star system. A 5 would have to be a perfect product and I can't judge that for at least a year with any product. On a 1-10 scale I would give these a 9 out of 10 though as they seem nearly perfect at the moment.

***Update 11/8/11***

It's been nearly a year since I purchased this headset. While my first impressions of these still holds true, I have upgraded my rating from 4 stars to 5 stars. This is based on durability and quality construction. The headset has held up flawlessly as one should expect out of a higher end set such as these. But last week this set survived a trip through the washing machine followed by a trip through the dryer on high heat. I was bummed and expecting the worst, but I plugged them in and they worked perfectly! Only cleaner! Not only did the headset retain the sound quality, but the mic and sound controls worked perfectly too. I thought for sure the controls would have been toast but no problems. Gotta love the Shure Headsets!

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I bought these headphones 6 months ago as replacements for my Shure E2c model phones (purchased in 2005). I thought I had lost my E2cs, so I purchased these (I found my E2cs a few months later in a coat pocket).

So, I will compare these to the e2c model directly. The price point is about the same, at least the 2005 price of the E2cs was similar to the 2010 price of the SE115m+. So, when I purchased the se115m+ I expected to get similar sound, and it is very close although they each have slightly different character. It looks like the E2c are now available for around $200 and they look similar to the E2cs I own (the plastic color is different).

The most obvious difference is remote on the SE115m+ cord, which is extremely convenient and a huge benefit over the E2c model. The remote works just like the apple headphones, click the middle button to play/pause, double click for next song, triple click for previous song (on supported devices such as iPod touch and iPhone and perhaps others). Use the up and down buttons for volume. The middle button can also be used for phone calls, such as to end a call. The SE115m+ is available without the remote for those who do not need it (model SE115).

Although the se115m+ is missing something on the cord -I wish the se115m+ cord had the sliding coupler like the E2c, that makes it easy to tighten the cord under your chin so the cord does not push the phones around, particularly useful if you're wearing a coat.

Sound

E2c

bright (but not overly bright)

open sound stage

very detailed

SE115m+

impressive bass for in-ear

tight sound control

detailed

Firstly, I like both headphones a lot, although I slightly prefer the sound of the E2c phones. They're more musical, slightly better balanced and more detailed. The SE115m+ are still high on detail, but are little more reserved, slight tighter sounding and have a bit more bass. If you really like a lot of bass, you will not like the E2c, but the SE115m+ might be satisfactory considering their other benefit (the remote).

If you like to skip songs a lot, or want to be able to answer phone calls while listening to music, the SE115m+ is going to deliver. They still sound great and you get the bonus of the remote. If you mostly listen to albums start to finish and don't plan to answer a lot of calls with the phones then you're probably better off with E2cs in this comparison, assuming you prefer the sound profile I described above.

With that said, you should also consider some of the newer Shure models since they may outperform the E2c model. You should also consider the SE210m+ if you really want the remote. From their specs, I would also assume they have slightly less bass than the SE115m+.

ZERO AUDIO-ear stereo headphone carbo Basso ZH-DX210-CB

ZERO AUDIO-ear stereo headphone carbo Basso ZH-DX210-CB
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $69.34
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I would not have discovered these if I hadn't been reading reviews at www.head-fi.org. They are highly recommended on that site and I couldn't agree more. The only caveat is that I find the earpieces heavy. This isn't a problem for static listening but if you want to be listening while moving around a lot, you may look other places.

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UDG U8200BL Creator Headphone Case - Large

UDG U8200BL Creator Headphone Case - Large
Customer Ratings: 4.5 stars
List Price: $49.99
Sale Price: $40.37
Today's Bonus: 19% Off
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  • Durashock molded EVA foam
  • Fits Sennheiser HD 25-1, AIAIAI TMA 1 and most DJ Headphones
  • Heavy duty handle
  • Easy Grip Zipper

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I was wanting a case for my new Sennheiser HD-280 PRO Headphones, and that's what I got. More then enough room and nice quality to. I wanted to write this because I couldn't search down a case that people said they got for the Sennheiser I got so at least now some people can see it if they read this far into it.

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I bought this case to protect my Audio-Technica ATH-M50 Professional Studio Monitor Headphones. The headphones fit well because the ear pieces rotate to fold flat otherwise the height of the case might be an issue with larger headphones. The case is light yet stiff enough to protect the headphones from accidental damage and the carrying handle is convenient. The zipper is a high quality nylon and zips easily and securely. I'm pleased with these and would highly recommend them.

Make sure that the diameter of the ear pieces of your headphones will fit in the case which is only 3.5 inches deep when closed, not 4" as advertised. The other inner dimensions are 8" x 8.25", not anywhere near 9" x 11" as stated under "product details". I was very careful with my measurements and measured from the inside of the case except for height/depth where I placed a ruler across the top of the case and measured with a second ruler standing up on my desk to the bottom of the first ruler. As the case is somewhat flexible it will accommodate headphones of slightly different sizes but not by much. I hope this helped prospective buyers.

Read Best Reviews of UDG U8200BL Creator Headphone Case - Large Here

The dimensions given in the product listing are incorrect. The 4 inch dimension actually states 3.5 inches on the box, but when measuring the product, it's only 3 inches. This is a problem and this item will have to be returned.

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I bought this case for my Parrot Zik headphones and they fit perfectly in it. The quality of the case is quite good. I recommend.

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When I decided to pick up the UDG U8200 case for my Sennheiser Amperiors, I paid close attention to reviews by owners of the HD25-1 II, since the Amperior is merely a tweaked version. When I saw that three HD25 owners used this case without complaint, I ordered it immediately.

Five things to consider if you're thinking about buying the U8200 and own some version of the HD25:

1. Because it isn't specifically made for portable headphones, the U8200 takes up far more space than a more tailored case. This makes carrying your HD25s less practical in tight circumstances. Bags which fit my Amperiors comfortably now prove a tad too small.

2. The case is a bit roomy for the HD25-1/Amperior, which slides around. This means that any owner of reasonably compact headphones will have to pad the inside of the case.

3. The case does not come with cushioning, foam or even inserts. This is understandable, since it isn't tailor-made for any particular kind of headphones, but it means the user will is tasked with finding a solution.

4. The extra room isn't put to particularly good use. There are no pockets for cables or adapters on the inside or outside of the case. Perhaps the best solution would be to buy a small soft case for cables and then use it anchor the headphones, but -again -that solution requires the owner to spend more time and money.

5. It is not a terribly hard case (like those made by Slappa or V-Moda). It seems hard enough to protect headphones in most situations, but the sides do flex.

If anyone had alerted me to these limitations, I wouldn't have spent $40 for a minimal and generic case, and I certainly wouldn't have agreed to pay extra for shipping (it was only available from a third party). I'd either have bought something cheaper or more specific to portability and travel.

Beats Studio Over-Ear Headphone (Black)

Beats by Dre Studio High-Definition Headphones Black, One Size
Customer Ratings: 4 stars
List Price: $299.95
Sale Price: $229.95
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I'll start out by saying I collect mid-priced headphones(between $50 $300). It may be an odd hobby, but it gives me a certain perspective that others may not have. I'm also an engineering major, and I found the general lack of objective, in-depth headphone reviews on Amazon to be disconcerting. So, here I am, taking a shot at reviewing some of the headphones I either own or have spent a lot of time listening to.

I've devised a simple six-song test and rating system, where 0 2 is abysmal, 2.1 4 is poor, 4.1 6 is mediocre, 6.1 8 is above average, and 8.1 10 is excellent.

The songs are very diverse; I was trying to represent a wide range of genres. They are "The Chain" by Fleetwood Mac(encoded in 256 kbps Ogg Vorbis), "Every Planet We've Reached is Dead" by Gorillaz(256 kbps .ogg), "Concerto Grosso #26 in D major" by Handel(256 kbps .ogg), "I Know You Are, But What Am I?" by Mogwai(500 kbps .ogg), "Afro Blue" by Triplexity(192 kbps .ogg), and "The Patient" by Tool(500 kbps .ogg).

I listened to everything on an iAudio 7 with the equalizer set to flat and all the sound effects turned off.

Sound Quality(6.8/10)

The Chain(6/10) bass is nice and deep, slightly exaggerated, but still pleasant to listen to. Distortion is present, but very minimal. Mid tones and highs are somewhat underrepresented and bland, but otherwise sound decent. Instrument separation is a bit muddy. The main negative here is the sound stage, which is tiny.

Every Planet(8/10) lows and highs both sound very smooth and rich in this song. Mid tones, as before, are underrepresented and bland. Instrument separation is good, but the sound stage is very underwhelming.

Concerto(6/10) the bass in this song is deep and vibrant. Lows are nicely responsive. Mids and highs don't have quite the balanced presence they should have. Instrument separation is fairly muddy. Once again, the sound stage is lacking.

I Know You Are(7/10) bass, as expected, is nice and vivid. Distortion was too high near the beginning of the song, but gradually leveled off. Highs were nice and crisp, but mid tones were lacking. Instrument separation, as was the case with most other songs, is a bit muddy, and the sound stage, while not as bad in this song, is still mediocre.

Afro Blue(8/10) the lows in this song were pleasantly punchy, and the highs were fairly crisp and smooth. Mid tones were muddy, however, as was the overall instrument separation(no surprises here). The sound stage is similar to what it was in "I Know You Are, But What Am I?"; it is more present than in most songs, but doesn't have the fullness I would expect of circumaural headphones at this price.

The Patient(6/10) right off the bat, the bass guitar in this song sounds great. Treble is decent, but underrepresented, as are the mid tones. The primary complaint I had in this song was actually not the sound stage(which isn't emphasized anyway), but the instrument separation, which I felt was greatly lacking in precision.

Overall Sound(6.8/10) the bass from these cans is overall clean and pleasant. Somewhat exaggerated, but not greatly so. Distortion, while present at times, is also in small amounts. These aren't the subs-attached-to-your-head that some might expect before having listened to them. Treble sounds above average, but slightly underrepresented. The mid tones even more so to the extent that they come across as bland. Instrument separation is also a bit muddy(although not too terrible). Another reviewer commented that these headphones were designed to sound slightly muddy, but I find this hard to believe, since the advertisement on Amazon claims "precise audio clarity". But as I've mentioned time and again, the biggest drawback to these cans is the sound stage, which just wasn't there. Overall, though, I would give these headphones an above average score in terms of sound quality.

Design(9/10)

These are a closed-air, cirumaural design, and a very attractive one at that. I like the styling very much. Lines on these phones are aggressive, but clean and elegant at the same time. They are also very comfortable. They're lightweight and have plenty of padding. My only complaint here is the headband, which I felt was too rigid, and didn't conform to my head as much as I'd have liked. I also like how mobile these are they fold up, and come with a nice case to carry them around in. Great for traveling.

They are also built pretty well. I would rather see more aluminum at this price, but the plastic they're composed of is nice and solid. They seem durable, and I doubt they would fall apart anytime soon.

Noise Isolation(7/10)

Noise isolation in these Monsters is accomplished via the closed circumaural design, which features plenty of thick padding, and active destruction of outside sound waves entering the headphone. I am a fan of the former; the latter, not so much. In my experience, active noise cancellation interferes with sound quality, not only because of the waves that must be emitted to interfere with incoming ambient noise, but also because an external headphone amplifier can't really be used with noise-canceling headphones due to their built-in amplifier, which is typically not of premium quality. It's difficult to judge on a case-by-case basis, because the built-in amp can't be removed, but going by the sound produced by the Monster Beats, I don't think they're an exception to this rule.

All of that aside, the Monsters were definitely designed to be noise-canceling, so I won't dock points for that. What I will take off points for is relative effectiveness, which I didn't feel was where it should be, all things considered. They do block quite a lot of noise, but plenty of noise still bleeds through. I've heard noise-canceling headphones that are considerably more effective. Then again, I've also heard much worse, and these, in my opinion, are above average.

Bottom Line(6/10)

Monster Beats by Dr. Dre are a good, above-average sounding and noise-isolating pair of headphones that feature a comfortable, highly stylish, and mobile design. This doesn't come close to justifying their high price, however. Sound quality should be significantly higher in this price range. But as always, different people perceive sound quality in different ways, and I highly encourage you to listen for yourself to a wide range of headphones before spending money. Those interested in good, deep bass at or under the price of the Monsters should also listen to various Beyerdynamic headphones, and the ATH-D40fs model by Audio Technica.

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Customer review from the Amazon Vine Program

I have been really satisfied (and still using) with the Sennheiser HD-595 Premier Headphone (which cost about $300 at the time; the most expensive headphone I've ever spent). Sennheiser is known for making leading professional headphones/microphones/etc.

...And then there's MONSTER.

As far as I'm aware, I've only known MONSTER for selling really really expensive overpriced cables for TV/home theater/audio input components. Well, Monster has teamed up with hip hop artist/actor/record producer, Dr. Dre (made Eminem famous) and created this "High-Definition" headphones, which they call BEATS.

I'll be comparing the Monster Beats headphone with the Sennheiser HD-595, since it's the most expensive headset that I own (till this one), and I'd be shocked to find something that sounds better than the HD-595 (that's around the same price range or less).

I think it's obvious most people will expect the bass to be the #1 priority with this headphone, considering it's by MONSTER + Dr. Dre and called Beats. Well, it definitely doesn't disappoint there. The Monster Beats definitely wins in terms of bass. (Of course, Dr. Dre's genre relies heavily on it). If you listen to lots of rock/rap then you'll love the bass on these. If you get headaches with bass or you just can't stand it, then obviously, these aren't really for you.

The Monster Beats headphones require two AAA batteries to listen. You cannot use the headphones if no batteries are inserted, or if you don't have the switch to ON (located on the right side of the headphone). The batteries go inside the left compartment of the headphone. I've been listening with this headphone for the past two days and the batteries are still going. I'll have to use it longer to fully test the battery life, but hopefully it'll last several months because that would be really annoying if I have to keep replacing batteries. Since the headphone is powered by the battery, the sound is obviously amplified more, as well as the bass, than regular headphones. Whether you're using this on your computer, portable device or iPod, you can have the volume at a low setting and it'll still sound a lot louder than if you were to use a different headset at that volume setting.

For taking the headphones on-the-go and for traveling, the Monster Beats win again in terms of portability. The Monster Beats can be collapsed nicely and comes with a nice protective case to store it in; so you won't be damaging that nice shiny glossy sleek look of the headphone. The Beats definitely has a more youthful look and the shiny piano black finish will definitely catch more attention; however, personally, I think the Sennheiser HD-595 has more of a professional look. The Sennheisher HD-595 has more of a soft earmuffs cushion and the cups are larger, whereas the Beats are leather and smaller. The headphone cable for the Beats is also shorter, so the length is suitable for portable devices; whereas the HD-595, the cord is insanely long and not really made for walking around with it (but you can always replace the cord).

Without taking off your Beats headphone, you can press and hold the center button (The beat logo) on the right side of the headphone and it'll mute the sound until you release it again; this is convenient when someone needs to tell you something for a brief moment or you want to hear what's going outside for just awhile. The Beats headphone are closed headphones, so just by putting the headphone, you'll notice outside noise being reduced.

The vocals treble seem to be slightly higher than normal, but then again, it is also counter-balanced because again, the bass is stronger than what most headphones produce. The Monster Beats is great for hip hop/rap/rock music that use bass, of course, but what about others?

For overall music, despite the impressive bass on the Beats, I am still way more impressed with the sound of the HD-595. Compared to the HD-595, I feel the Beats lack more depth in surround sound. Granted, the Beats headphone are closed headphones, whereas the HD-595 are open for a more natural sound than some confined studio recording feel. When I'm listening to the same music with the HD-595, I feel like I'm actually there listening to a concert/theater and can really hear the separation of instruments/vocals/sound effects/etc.; it really feels like true surround sound. On the other hand, the Beats doesn't quite have that feel. With the Beats, despite some surround sound, I still know I'm listening with headphones. Don't get me wrong, the Beats doesn't have poor surround sound, but once you experience other high-end headphones, you will notice the difference in depth/separate channels.

Pros:

+ Impressive Bass. Best for bass lovers.

+ Amplifies sound for portable mp3 players/iPod

+ Noise cancellation

+ Stylish/glossy finish design (great packaging/presentation)

+ Leather cushion/material feels high quality/comfortable

+ Headphones can collapse when you put it away

+ Nice solid case for storing the headphones

+ Quick mute button on the right side of the headphone (the Beat logo) by holding it.

+ Headphone cord only on the left side. (Also comes with iPhone, Blackberry, etc speaker black cord)

Cons:

Could use more depth in surround sound. (compared to Sennheiser, there's more surround sound with the HD-595, as you'll be able to distinguish different instruments/beats as separate channels/different directions)

Requires two AAA and you must turn on the headphone switch ON. Forgetting to turn the switch off can waste the battery. Headphones will NOT run without batteries.

Too expensive. (like any other Monster Products)

Overall, if you absolutely love bass and listen to mostly hip-hop/rap/rock; noise-canceling; made for traveling; then these headphones are for you. However, if you want overall balanced sound, greater depth/surround sound concert/theater feel, then I highly recommend the Sennheiser HD-595 (not to mention, it's about half the price cheaper now than what I paid for it).

Buy Beats Studio Over-Ear Headphone (Black) Now

I have the Beats Studio; this product is a result of great marketing, that's why they're selling them well. However, the product itself wouldn't be able to sell on its own merits. It's a major disappointment especially for the price.

First the pros:

Better than average sound quality but what's minimally expected for the price range it's in.

Great looks! Yes, that hooked me; it's unique, stands out from other headphones, doesn't make you look dorky. But...(see cons)

The Cons:

Major sound leakage! I've been asked several times while listening in a coffee shop and airplane to turn it down because people can hear the tunes out of these headphones! And I don't even turn it up! I was listening to classical music for god's sake! I had others try it on to see if I can hear them: I could. Again, not even turned up that high. This leakage is a major fail for this product. I'm embarassed to use this in public now.

Feels very plastic-ky! It's like a cheap toy! Yes, as I mentioned above, they look great...but once you hold it in your hands and wear it, it feels fragile and the materials don't feel durable; you drop this once, it's all over!

Noise-cancelling? "block jet engine noise"?! Cancel that!! Okay, it may not be fair that I'm comparing this to my old Bose with noise cancelling but, man, these Beats just barely block out the noise especially when you're in an airplane.

Power switchthis is the switch to turn NC and basically to get sound in to the headphones. This is a bonehead feature. I have this switch on all the time anyway to hear the sound so, why make me turn it on and off?! Besides, if you forget to turn it off after listening, your battery runs down. There is no auto-off! So, if you're out somewhere with no spare batteries, forget about listening to your tunes.

Packaging: could they waste any more materials just to package this?! The excessive packaging on this just validates how much this is all about marketing hype and not about product merits. Enough said.

Product support: Fail. A couple of months ago, I lost the cables for these. Yes, I admit that's my fail. So, I tried to buy the same exact cables so I can get the maximum performance out of these. Result: No one sold them at retails stores. Fine. So, I went to their website hoping to find it... and it says there, they don't currently sell ANY replacement parts and to check back! I just found out that they'll be selling replacement parts online this September. Great. I just bought some other cable after running around trying to find them. My problem with this is, if you're a company and you're going to sell a product...have replacement parts available when you launch your product!! Not months after!!

Summary: So NOT recommended! There's much better ones out there. Don't fall for the hype, marketing, and pseudo celebrity endorsements.

Read Best Reviews of Beats Studio Over-Ear Headphone (Black) Here

I wish I could give these cans a glowing review but after being burned twice due to poor manufacturing quality I must now warn consumers against making a $300 investment in these.

The first pair I bought was a year ago and I LOVED them from the first note I heard. I had never owned a pair of high end headphones so this was quite an upgrade for me. I was having a blast hearing my music library in a totally different way. This all changed about 2-3 months in as the screws which secure the earphones to the headbands started to get loose. With no way of securing them (you can't screw them back in) they eventually started to fall out. Little by little the headphones began to fall apart until they were no longer usable. I called Monster support up and they agreed to send me a new pair as long as I sent the broken pair to them (at my cost). Awesome! Well not so much...

About 3-4 months later I took off the headphones after using them and noticed the headband had a crack right in the middle of it! Not only were my headphones no longer stylish but they were no longer stable. I tried to work through the problem until one day I went to put them on after having them around my neck only to find that the left ear cushion was missing! More than a handful of times I have had an ear cushion fall off and I'd have to snap them back in but losing them makes the headphones completely useless, both for comfort and sound reasons.

I called Monster back and they told me they could not replace them again for free but I take advantage of their out of warranty program and get a new pair for $150. Gee let me think...I already coughed up $300 on these should I put another $150 into this product that has already failed me twice? Of course the answer was no. While the cans are nice when they work I just couldn't put more money into something that I knew would break. Additionally, it was a hassle having to replace the batteries every few weeks (or have them run out of juice on you in the middle of the day while outside).

Therefore, I would have to recommend consumers shopping for headphones look elsewhere. In the meantime I will be looking for reliable/well crafted replacement.

PS The cord would always wear away at the ends, too.

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The good Impressive bass!

The bad everything else!

If you like boom cars, this is the cats meow.

The bass is tight, but very excessive and drowns out the midrange which sounds very flat. The problem is that if you want to hear the midrange, the phones have to be so loud that the bass will cause hearing loss after a short time.

These are not audiophile quality, but I'm sure that bass freaks will fall in love with these cans.

I'm not the final word on what constitutes good sound, to each their own. If you love bass at the expense of everything else, you'll love these.

From my perspective, 90% of most music occurs in the midrange and bass and extended highs are the icing on the cake. In this case, think of a cup cake (midrange) with 2 pounds of frosting (bass).

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Tera Grand - Premium Retractable 3.5mm Male to Male Stereo Cable, Extends to 4 Ft., in Retail Packa

Tera Grand - Premium Retractable 3.5mm Male to Male Stereo Cable, Extends to 4 Ft., in Retail Packaging
Customer Ratings: 4 stars
List Price: $12.99
Sale Price: $7.95
Today's Bonus: 39% Off
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I got this product and this one:

http://www.amazon.com/Micro-USB-Retractable-Cable-Paperwhite/dp/B007Z419BI/ref=lh_ni_t?ie=UTF8&psc=1&smid=AK832STHYY3A

at the same time, I was going to buy two anyway so I figured I'd get two different kinds in case I'd picked a dud... Glad I did! The other one takes up a little more space than this product, but it's totally worth it considering that this one stopped retracting on the third or fourth use. As if that weren't bad enough, it does not charge my Blackberry for some reason. When I attach a micro USB adaptor, my iPad charges perfectly fine, but a straight connection to the phone does nothing. Now that I have used both products, I wish I would have bought two of the other one.

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Great little travel cable. Self winding, does not take up a lot of room, using it to charge / sync Samsung Galaxy S3, Kindle readers, fire and fire 8.9 HD.

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I'm constantly extending and retracting this thing while at work and at this point the spring is a bit worn and it needs a little coaching to retract all the way. Also the this gauge wire makes for longer than normal charge times.

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I bought two of these in February. I had been using a 3' model made by another manufacturer, and wanted a little more max cable length. For a few months all was well. It's tricky to get the cable to retract all the way, the housing is a bit too snug to fit all the wound cable. So there's that. Then sometime in May the plastic housing supporting the micro USB connector cracked and fell off one of the two I'd bought. I wound some dental floss around it to reinforce it, and it has stayed fixed. Hey, stuff happens. But a couple of days ago the second one I bought had the exact same problem. Clearly a flaw in the design, especially in light of the fact that these cables don't get a ton of use and are not used roughly at all. Both mine are still usable, but the floss looks silly, and I shouldn't have needed to repair them both in just a few months.

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works great for charging and data, also small and the retractable means no cable clutter or getting it messed up from putting it in a pocket

only downside is the retracting mechanism does jam some times you just have to pull it all the way out and then it will retract again still docking it one star for this otherwise exactly as expected

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Line 6 Spider IV 75 75-watt 1x12 Modeling Guitar Amplifier

Line 6 Spider IV 75 75-watt 1x12 Modeling Guitar Amplifier
Customer Ratings: 5 stars
List Price: $499.99
Sale Price: $299.99
Today's Bonus: 40% Off
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  • 75 watts; 1x12" Celestion Custom speaker; three-quarter closed-back cabinet for a tight, snappy response
  • 300+ hand-crafted presets from 50 world-famous bands and guitarists including Johnny Marr, Slipknot, 311, Meshuggah, Lacuna Coil, As I Lay Dying, Steve Stevens, The Donnas, Minus the Bear, Pete Anderson, more; 200+ dialed in song-based presets
  • 16 tonally superior amp models with the vintage characteristics and nuances; 20 Smart FX (4 at once) with deep editing; Quick Loop, Auto-Wah, Intelligent Pitch-Shifter plus inspiring echoes, mods, delays, reverbs and more; 64 user-created presets
  • Bass, Mid and Treble knobs that behave like the EQ controls from each modeled amp; Drive knob; Channel volume; Master volume
  • 1/4-inch input; 1/4-inch headphone/direct output; 1/8-inch CD/MP3 input; built-in chromatic tuner; FBV foot controller jack
  • 300+ hand-crafted presets from 50 world-famous bands and guitarists including Johnny Marr, Slipknot, 311, Meshuggah, Lacuna Coil,
  • 75 watts; 1x12" Celestion® Custom speaker; three-quarter closed-back cabinet for a tight, snappy response
  • 300+ hand-crafted presets from 50 world-famous bands and guitarists including Johnny Marr, Slipknot, 311, Meshuggah, Lacuna Coil,
  • 16 tonally superior amp models with the vintage characteristics and nuances; 20 Smart FX (4 at once) with deep editing; Quick Loop,
  • Bass, Mid and Treble knobs that behave like the EQ controls from each modeled amp; Drive knob; Channel volume; Master volume
  • 1/4-inch input; 1/4-inch headphone/direct output; 1/8-inch CD/MP3 input; built-in chromatic tuner; FBV foot controller jack

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I started two years ago with a 15 watt Spider III, then along with other amps, bought a Spider Jam. I thought they were all great. Now they come out with Spider IV, and the difference in the sound is dramatic. They are getting very, very close to tube sound. So much so that for the lousy $299, compared to say $1000+ for 75 watts of tube, this is a real steal.

Loaded with features, and hundreds of presets, it has something for everyone. The Pitch Shifter and 18 available manual settings just add to the fun. And it will work with either generation of FBV pedalboard. Says so right in the manual. The only difference I see is with the generation II pedal you get a USB port.

Does it sound as creamy and smooth as my Peavey Delta Blues or Crate Palomino tube units? No, there is still a little digital overlay around in there. But most people who are looking for a great home based amp, or maybe a church or small gig amp, this is a WINNER and the price is just nuts. Forget the Peavy Vyper, this is hands down much better and you don't have to sink another couple hundred in a pedal to get to all the presets like the Vyper.

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This amp is great. It has seemingly endless modeling capabilities. It makes my playing sound professional. The greatest sounds I have had in 28 years of playing.

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I've owned several Line 6 products and this is probably the best yet. The tones from this amp are quite impressive, in particular the clean tones are amazing. I've used and owned several vintage and modern tube amps and I have to say this amp is one of the best I've played. Make no mistake, it's not a Mesa or Bogner but for the money this is an amazing amp. The range of tones and effects that you get with this make it a no brainer for anyone who plays a variety of music. It will get as loud as you need it to so gigging with this amp is no problem.

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I don't gig. It is unlikely that I will ever play in front of a crowd. But if you're like me, play as a hobby and like to fart around with various sounds and genres, this amp is a blast. It is very likely that I will play a Johnny Cash song on Tuesday and a Metallica song on Wednesday. Pretty much just make sure your guitar is in tune and dial up the sound. No pedals, no hours of minor tweaks, just punch it up and learn the song. Virtually every genre is represented here. I also have to mention that although I like metal, I rarely play it. I prefer traditional R'n'R sounds and the Spider IV recreates tons of my favorites in addition to the high gain ultra noisey sounds. Even with the best modeling in the world, my Les Paul does not sound like a Strat being played through 65' Fender. It sounds digital. No getting around it.

Something else that weighed into my purchase was durability. Although I only play for fun, I still play 2-3 hours a day. My 9 year old also is learning to play, so it gets a lot of use and moves from game room to garage to bedroom daily. The one thing that was common in virtually all of the reviews of Line 6 amps was that they were long lasting and durable. I have a family member that is a professional musician and one of his band members gig with the larger 120 just becuase they can take such a beating.

Ultimately I decided that for the price ($300 at the time), I couldn't beat the Line 6. There is just no comparing a tube amp with effect pedals against a solid state modeling amp. They sound better, more prefessional. They are also designed to be played loud to get the most out of the tubes. Although the Line 6 sounds tinny and at max volume, for in home play, it sounds terrific. There are mountains of reviews that compare the Line 6 to Vox, Marshall or Fender. They are ALL better than the Line6, every one of them. But be prepared to pay 10 times the price for effects pedals, head units, cabinets, cables, etc. to get those flawless professional sounds. Good amp, great value.

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I own several tube amp combo and half-stack. However, I wanted a smaller, lighter combo that would be easy to transport and wouldn't need any pedals, but would also be loud enough to practice with a drummer. The line 6 spider IV 75-watt combo was the perfect solution. Up to this point I haven't been very impressed by solid-state technology. Sure, the cleans are glassy and crystal-clear, and some sound ok with the gain cranked and mids scooped at super low volume, but as soon as you turn up the volume a bit or try to dial in a smooth, bluesy overdrive, the sound turns to crap. Not so with the spider IV. I've been extremely impressed with all the different amp models. ALL of them. The different amp models each have their unique sound and characteristics, which means that your tonal options are literally limitless. I play mostly metal and hard rock, thougn I use less gain and more mids than is typical among players of the genre.I'd describe it as a hard rock tone with a vintage edge. And I was able to get that tone in less than a minute of fiddling. The tone in general is surprisingly warm and organicvery tube-like, which is a comparison that I don't make lightly. Additionally, the highs don't have that artificial "tinny" sound that so often occurs in solid-state. Solos and leads have more of the natural, smooth quality that tube amps are valued for.

The effects are fun to play with, though I've never used many effects in my playing. I really like having multiple user pre-sets, so I can dial in the tones that I use the most and then switch between them at the press of a button. The artist pre-sets are cool; it's interesting to see Line 6's take on the sound of many popular bands and songs. Some are surprisingly good, like Cliffs of Dover, Master of Puppets, and Sunshine of Your Love, while others don't really sound like the artist, like Killswitch Engage.

I'm also impressed with the quality of the celestion speaker that comes with the amp; it holds up pretty well even at higher volumes. The tone has continually improved as I've broken in the speaker.

Just in conclusion, there's basically nothing this amp can't do at least fairly well. All the amp models actually sound good (can't say the same about my roland cube), and when you combine that with all the effects, tuner, mp3 connection, and user and song & artist presets, it's a winning combination. This will never be my main stage amp, but for practice purposes I couldn't be more pleased with the spider IV.

*edited to add*: A few months later I bought the FBV express pedal board. It's a simple, affordable way to get more out of the amp by making channel switching easy and adding a volume/wah pedal. Especially if this is your main amp, I recommend getting a FBV pedal to go with it.

Yamaha YPG-535 88-key Portable USB Keyboard With Headphones, Dust Cover, Sustain Pedal and Stand

Yamaha YPG-535 88-key Portable USB Keyboard With Headphones, Dust Cover, Sustain Pedal and Stand
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $599.00
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  • Yamaha YPG-535 88-key Portable Grand Graded-Action USB Keyboard with Matching Stand and Sustain Pedal
  • On Stage Keyboard Piano Style Sustain Pedal KSP100
  • Samson SAHP10 HP10 Stereo Headphones
  • On Stage KDA7088B 88-Key Electronic Keyboard Dust Cover Black

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I was worried at first about key response, but my worries were for nothing. I love this product. This keyboard is great for beginners all the way to middle of road players. Thanks

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Traynor K1 Keyboard Combo Amp

Traynor K1 Keyboard Combo Amp
Customer Ratings: 5 stars
List Price: $665.00
Sale Price: $529.00
Today's Bonus: 20% Off
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  • Ultra-compact 120W wedge-format keyboard amplifier Full mixer features on input Stereo link function Integrated standmount adaptor Rubber feet on bottom and sides for convenient, compact storage Full punched metal grille Headphone and 1/4" balanced post-EQ, Pre-master line outs Solid plywood cabinet construction Two-year warranty

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I am really blown away by the quality of the Traynor K1. I purchased the amp after being dissatisfied with my Roland amp. This amp has plenty of power with no distortion, even at high volume levels. I would recommend this amp to anyone!

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Fender Rumble 30 Bass Amplifier

Fender Rumble 30 Bass Amplifier
Customer Ratings: 4 stars
List Price: $249.99
Sale Price: $179.99
Today's Bonus: 28% Off
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  • 30 Watts
  • 1X10" Fender® Special Design Speaker
  • One Channel
  • Controls: Volume, Overdrive Gain, Overdrive On/Off, Overdrive Blend, Bass, Mid, Treble
  • Additional Features: 3-Band EQ, Effects Loop, Delta Comp Adaptive Compression Circuitry, Auxilliary Input for CD/MP3, or Drum Machine, Headphone Jack, Ported Cabinet, Black Vinyl Covering, Rugged Black Metal Grille, Oversized Plastic Corners
  • 30 Watts, One channel
  • Additional Features: 3-Band EQ, Effects Loop, Delta Comp Adaptive Compression Circuitry
  • 1X10" Fender Special Design Speaker 30 Watts
  • 3-Band EQ, Effects Loop, Delta Comp Adaptive Compression Circuitry, Auxilliary Input for CD/MP3, or Drum Machine, Headphone Jack, Ported Cabinet
  • Black Vinyl Covering, Rugged Black Metal Grill, Oversized Plastic Corners

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This amp. works great for me for the price you can't go wrong very clean and solid my friend liked it so much he went and bought one for him self and is very happy with it . I use mine for small jam sesions and pratice and never had one problem with it yet and it's been over a year keep up the good work Fender!

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and also that I can run a drum machine from computer thru it to practice and play along with. Could possibly use some of the metal corner protectors on the back corners where you tilt it back. Arrived undamaged, had plenty of padding in the box.

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I have never been more displeased with any type of musical equipment. Even my little 10 watt bass amp is better than this. This is also my second one! The first one didn't even work at all! So I sent it back and got this one about a month ago, there have been problems ever since. Above volume 5 the noise gets all distorted (the volume is on about half on the bass). And at volume 7 it just clicks out with a big spine tingling crash!!! The biggest mistake i have ever made was buying this amp. Please, save the money and go with a Marshall....it may be more $, but youll actually get something that works. Oh and the gain is always very muffled no matter the volume. Please, don't buy it, learn from my mistake.

Peterson AutoStrobe 590 Strobe Tuner

Peterson AutoStrobe 590 Strobe Tuner
Customer Ratings: 5 stars
List Price: $1,279.00
Sale Price: $849.90
Today's Bonus: 34% Off
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  • Automatic Note Selection
  • Automatic Note Tracking - the audible tuner "tracks" the automatic note selection
  • Easy Transposition - strobe patterns appear at the correct note for Bb, F, and Eb instruments.
  • Built-In Metronome
  • Headphone Jack - for ear training and private tuning or practicing with electric instruments

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First, let me state that I am not a piano tuner. I'm a pianist, and I'm very fussy about the piano that I play being in tune. I have a tuning hammer and some mutes and know enough to get myself in trouble. Prior to using the auto-strobe, I could never have successfully tuned a piano on my own.

Now the review: I was first introduced to the Autostrobe tuner by the owner of a local piano store. He used one of these tuners to tune the pianos he delivered. As soon as I watched him fly through a piano with his tuner (faster than I had ever seen anyone tune a piano before) I knew that I had to have one for myself. I knew enough about tuning pianos to touch up unison notes and replace the occasional broken string, but I don't have the experience or know-how to get a temperament right or tune a whole piano. With the autostrobe tuner, I can now tune a whole piano with minimal frustration. It may not be a perfect job, but that's not the fault of the machine it's me that's the problem. This little machine will help you get every single string exactly where it belongs. I can't imagine another tuner that would work better. It's been a tremendous help to me.

I still have a professional tuner come by every few months. I'm admittedly an amateur, and I feel better still having them go through the piano from time to time. But now that I have the autostrobe tuner, I'm more than capable of touching up the occasional note that goes sour, or even running through the whole top end to make it clean and bright again. I do think that with more experience, I'll do an even better job of tuning on my own, but for now I'm happy to just fill in the gaps between tunings.

I should also mention that if you ever tune your guitar with one of these tuners, you're never going to want to tune with anything else. Of course, it's really overkill for a guitar, but even if you're used to a well-tuned guitar, the absolutely perfect tuning that you get with this machine will blow you away.

So, in conclusion, if you're a pianist who is fussy about tuning but can't pay a tuner to come by every two weeks, this little machine would be a big help to you. I don't think it's a replacement for having your piano tuned by a professional, but I could see even professional tuners finding good use for a machine like this.

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UltraSound Dean Markley AG15 15W 1x8 Acoustic Combo Amp

UltraSound Dean Markley AG15 15W 1x8 Acoustic Combo Amp
Customer Ratings: 5 stars
List Price: $179.00
Sale Price: $127.00
Today's Bonus: 29% Off
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  • Active and passive inputs 3-band EQ section Presence boost 15W RMS at 8 ohms 8" coaxial speaker 1/4" headphone jack

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I'm a serious guitarist, and own an UltraSound AG-50 (2 speakers, 50 watts of power, 2 channels and multiple output options) which is the big brother of this. I've also owned an AG-30 which a friend ended up with and he loves it as well.

This little guy (the AG-15) blew me away. I got this for 3 reasons: I'm restricted to how much weight I can lift, and this is light, for small venues, and for the RV when we travel (so I can pickup Open Night and Coffee House gigs when on the road). Not only is it light, and a space saver, it's equal in tone to my AG-50s. For expanded use, I bought an UltraDI Max so I can expand it to two channels, use a singing mic with it, and pull an output to a PA.

The AG-15 has 3 way tone controls (instead of the 2 way tone on other UltraSound amps), and it has a presence adjustment as well. The overall volume blew me away, and whereas most of the small amps in this category are very brittle sounding and thin (even more so as they get louder,) the tone is robust, warm and full. I only have cranked it up to 5 because I cannot stay in the room with it any hotter.

It has a headphone jack which kills the speaker when engaged, which means for output to a PA one needs a preamp going into the amp (guitar-->pre-amp-->amp/PA).

This one surprised me how good it is...I'd recommend it for practice, small venue use, and as a stage monitor with a group.

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I use this amp with my K&K equipped acoustic guitar. The four tone controls (bass, midrange, treble, and 'presence' upper treble) give tremendous control over the sound. I run my passive K&K pickups without a preamp, as the Ultrasound amp's input impedance is a good match for the pickups. The AG15 has a very clean and natural sound. I purchased mine from Woodwind and Brasswind. The unit that arrived is actually the updated AG15M, which features an XLR direct out, a line out, and a second channel XLR input for a mic. This was a pleasant surprise! I am able to connect directly to my church's mixer through the amp, and I had expected to need a DI box for this task.

Roll Up Piano - Digital & Portable 61 Keys Electronic Keyboard with Built-in Record & Play Back Fun

Roll Up Piano - Digital & Portable 61 Keys Electronic Keyboard with Built-in Record & Play Back Functions, Dual USB Out & MIDI Out, USB Cable & AC Adapter Included. Promotional Sales!!!
Customer Ratings: 3.5 stars
List Price: Price Unavailable
Sale Price: $59.20
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  • 61 Keys Roll Up Piano (Standard Piano Key 5 Octave + 1 Key), 128 Tones, 128 Rhythms, 40 Demo Songs
  • USB Out and MIDI Out Dual Interface Brand New Design; Much easier than ever to connect to your computers
  • Built-in Record & Play Back function - Make your own music and play back instantly.
  • Built in Speaker with Volume Control Plug in Jack for Headphones; Plug in Jack for External Speakers or Amplifiers
  • USB Cable and AC Adapter are INCLUDED; Can also be operated with 4 AA Batteries

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This roll up piano is very good as a portable, easy to store unit. It is not a full size weighted key electronic piano, of course, but it works well and can be used anywhere. It is perfect for practicing vocal parts or learning a new tune. Sound is good for its size and feel of keys is reasonable even though they do not drop down. I am pleased with my purchase.

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I love how you can take the piano anywhere. I bought it for my son and he loves it! Whenever he is stuck learning the same tune for about 15 minutes I tell him to go play it somewhere else and there is no excuse for him not to do so.Ahh! It's a relief! It sounds great and you can save your songs on it and replay later. My son uses it with his headphones sometimes. It is great if you don't have a big living space because you can just roll it and it would fit inside a drawer. I am 100% satisfied.

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I bought this product for the kids to practice piano when we are traveling.

Keys are hard to press. None of sound options are similar to a classic piano.

I was not expecting this product to be anything like a real piano, but just looking for the sound. Product description does not inform you of this.

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I felt that its difficult or may be technology does not exist to improve the aesthetics of a wonderful instrument invented in ancient times as a Roll Up version. When the instrument arrived, although the sounds were not as real as a large piano I own, my travelling demanded me to practice with a mobile version. However as I carried around for a month the keys started mixing inaudible noise into music I tried to play. By the time I have decided to return time the return policy of 30 days was up. I wish they have provided more time standing behind their product to return or if amazon offered a trade in, I would have definitely gone for it. There is no customer service for this nor any suggested repair shop. For travelers like me my sincere suggestion is to find a piano in a public library or hotel to practice rather than buying this annoying piece. Or better if you are serious to carry use Casio SA46(Discontinued) or Casio SA-76(does not fix in cabin baggage but a wonderful instrument) to own for travelling needs. Although they cannot simulate an 88 key piano. Honestly, the e-commerce sites should allows a circle with a line crossed to indicate caution with products, then the single star rating could be dropped.

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Plays what it wants rather than what you play. Okay to use for practice if you turn off the volume and just practice hitting the keys.

CablesFrLess (TM) Purple 3ft 3.5mm Auxiliary (AUX) Audio Jack cable

CablesFrLess Purple 3ft 3.5mm Auxiliary Audio Jack cable
Customer Ratings: 4 stars
List Price: $14.99
Sale Price: $5.99
Today's Bonus: 60% Off
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Awesomeeeee!!! And to top it off, is my favorite color too. The delivery wasn't that quick but it's ok. Will buy from them again.

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i have an awesome pc speaker set up but i was missing this cord in order to run it. i had checked everywhere in town before i came here and fouhd 1 so thank you seller you dont even know how badly my neighbors now hate me

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Had it for a week and it quit working.. Wasn't satisfied with it all!! Next time I will just spend more money on one at a store than ordering cheap on here.

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