Showing posts with label waterproof headphones swimming. Show all posts
Showing posts with label waterproof headphones swimming. Show all posts

Washburn WA30 Acoustic Amplifier

Washburn  WA30 Acoustic Amplifier
Customer Ratings: 5 stars
List Price: $533.90
Sale Price: $304.96
Today's Bonus: 43% Off
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  • XLR Mic input
  • 30 Watts
  • 10" Speaker
  • 3-Band EQ. Mid sweep. Reverb/Chorus
  • Headphone jack

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I bought this amp about a year ago used. I had the choice between the Wa3 and a Peavey Ecoustic30. After playing the same guitar through both amplifiers. I was very surprised to find that I liked the Tone of the Washburn much better than the Peavey. And the price for the Washburn was about $50 less. I was ready to spend the extra $50 for the Peavey but then played the Washburn amplifier. Then I was really happy because I knew I was going to save $50 and have an amplifier that was even better sounding! I use mine every Sunday with our praise band at church and have used it for a few concerts. Some were inside and some were outside and this amp does very well for the small settings. ABSOLUTELY NO COMPLAINTS. In fact I am buying a wa20 for home use. I hope I am as well pleased with it. I will let you know.

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Audio Technica ATH-AD700 Open-air Dynamic Audiophile Headphones

Audio Technica ATH-AD700 Open-air Dynamic Audiophile Headphones
Customer Ratings: 4.5 stars
List Price: Price Unavailable
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Yup, it's purple, and beige. It also has wings! Well those are for comfort; and homie, they are comfortable. However, if you do have a "smaller" head, your ears may touch the inner part where the driver is located. This can cause pain similar to a papercut after some time (maybe an hour). If you check my Head-Fi profile, there is a way that you can mod the phones so that the ears don't touch the driver offering the ultimate in comfort. It essentially takes a half-piece of earpad material and is applied to the upper sphere of the stock AD700 pads. This is a matter of simple physics in that it reduces the angle of the phones when worn. This also alleviates the lower-jaw pressure build that some may experience as well.

Nonetheless, when I received the Audio Technica AD700's, I chuckled a bit when I plugged it into my receiver for a movies/games test. I was thinking...these couldn't sound better than my Beyerdynamic DT770 pros, could they? LOL, yeah right.

The colorful alien from Japan just took a dump on my Beyers. Sold the Beyers.

Don't get me wrong, the Beyers are great phones, but the sound signature of the AD700's was EXACTLY what I was looking for. I'll explain how...

Highs The high notes have a perfect tone along with a high-definition accuracy that is only rivaled by my other favorites: the Audio Technica M50. They both are pristine and never harsh or grating to the delicate eardrum. The open-air design of the AD700's seem to extend the high notes a little more than the M50s. They have just a small extra dose of sparkle that is attached to the sublime high notes. FANTASTIC.

Mids In many other headphones, the mids sit in the back of the class. Chillin'. Right behind the highs and lows. WHY'S IT BACK THERE?! Not in the AD700's. It's in the front, side-by-side with the other ranges, and being just as vocal. Man, do vocals shine on this phone. Human voices sound every bit as real as they did in the Beyers, but it excels the Beyers though because the other notes in the mid-range have that same sweet tone as the highs do. Liquid, buttery, and satisfyingly delicious the forward-presenting mids are on these cans. EXCELLENT.

Lows It is in the same realm as the M50's. Textured, solid, and tightly controlled like a high security prison. It isn't as bumpin' though as the M50's, lacking the quantity but not skimping on quality. No big deal. Let the EQ be touched for extra bass, and the low notes all of sudden have been magnified. To deliver punishment. To your skull. NICE.

Soundstage I thought the DT770 pros had the finest soundstage. Once again, the AD700 soundscape is slightly bigger. To not lose credibility though, the DT770 pros have a closed design as opposed to these having a open design. However, the AD700's are still more expansive and engaging. The sound, whether it be movies/games or music, will feel like you have a 7.1 setup of the finest quality speakers. The soundstage has layers like the earth's crust, and is about as deep as the Grand Canyon. Notes have positions as if they're in the military. Needless to say, movies and games are an absolute blast through these cans (Modern Warfare 3 can bring it). SICK.

Detail Retrieval The AD700's can retrieve notes better than your dog can fetch tennis balls. Nearly every last drop of sound from the greatest to the most minuscule is delivered to your inner ear in first class. Hi-Def audio has never sounded so exquisite. UNBELIEVABLE.

Value They're as comfortable as the DT770 pros, but sound better. Plus they are far less when it comes time to pullin' out the wallet. Snatch some up and you won't be let down. These are without a doubt, one of the best open air headphones out there.

Audio Technica AD700's = Bizarre looks, extraordinary sound.

Max Sound Level before distorting 109db

*After much research and personal experience with Audio Technica headphone products, all need at least 40hrs of burn-in time to reach full potential. This allows the drivers to vibrate more freely and broadens every range of the sound that comes through it. This is no lie, the headphones WILL sound more pristine the more you jam to them. Don't mean to sound corny, but I guarantee it.

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I am considering this to be a layman's review. I know this is long but I feel there are several things that are, quite frankly, scary about getting into the world of "hi-fi" headphones. I have never owned a pair of headphones that cost more than 20 bucks and have been quite content for my 21 years of life to do so. Someone who looks for the audiophile in their headphones won't get much from me because honestly I don't know enough. This is also not a gaming review, as I've heard many people look at these for playing Counter Strike or the like. More on that later but I'm making this review from a music listening standpoint. This review is for the person who thinks a 15 dollar pair of generic Sony's sounds just fine.

As I start writing this review, I've had these headphones on for about an hour. These were brand new out of the box. The very first thing I noticed when I actually opened the box and had them in my hands was "wow, besides the size and the fact that I just paid 90 bucks for something to wear on my head, these are impressively unimpressive." I read many, many review that held this on a pedestal and I was half expecting trumpets when I opened the box. It took a week and a half from the time I ordered them to when I got them today since I choose super saver shipping. I knew it would take a while to get here but the biggest problem was that during that time, I looked at every review I could find. I looked around for about 3 hours before I bought these and then bought them because they seemed pretty good and I'm not the type to stress over a purchase like this.

While I was waiting, I got honestly afraid that I had made a bad choice. It seemed like the good things could be great but if you hadn't already tried these out in person, if you didn't like something, they were no better than a paper weight. The lack of bass, will it move around or fall off, is my head several inches too small to be in the same room as these, do I need an amp, do these leak sound like water in a pasta strainer, and PURPLE. I even thought about canceling the order and just taking a trip to Wal-Mart. I'm glad I didn't. Here's why:

THE BAD (or so I've heard)

-The lack of bass. I think this was the most common issue I heard on any site. I've heard that there is no bass at all and I've heard that it is there but it is controlled. I am with the latter camp. The very first thing I did when I had them on was put on some dance music. I was worried that half the notes would get lost somewhere between my iPod and speakers. And then... there they were. My head was in no way being knocked around from the bass thump, but I could clearly hear the notes. That was the first big difference I noticed between these headphones and the apple ones that came with my last iPod. My iPod headphone had one bass note then another bass note and over and over without much change. With the 700's I can clearly hear each bass note for what it is and each note is given its turn to be in the spotlight short though it may be. If you want headphones that may fracture your skull, go elsewhere. These headphones play each bass note like a note, not a jackhammer. I've heard that using the bass booster in the EQ will add bass. Yep, it does. It also makes the music terrible. This could be because I just got them and they haven't been broken in yet, but it gave the song a really muddy sound. The bass seemed to just rattle and not actually make music while the anything higher than a bass drum retreated. The bass is fine as it is.

-The Size. These are big. This is the second biggest issue I saw. If you are still growing, these probably wont be a great fit. I can bop my head around a good bit without trouble and walking isn't a big deal. They do shift a bit and they do feel like they could slip off. They shift because they aren't clamped down on my head like a vice which makes them comfortable. The feeling that they could slip off is more mental. My ears fit quite nicely in the hole in the middle of the pads and so long as I don't whip my head from one side to the other, they stay on fine. They feel lighter than it seems they should for their size which doesn't help but so long as you don't go running with them, they should be fine. Their size also makes them not portable without some effort. They have a long cord and they don't fold up. If you are just going to use these at a desk, not a problem, but you will have to work around the headphones a bit to make them you primary pair for going from place to place. Not impossible but a challenge.

-The amp. "I've heard some headphones need an amp to sound good. Do I need to buy one for these?" No. These work just fine on their own. If you have an iPod, there's already one in there. It probably wouldn't hurt to buy an amp specifically to use with your headphones but mine sound fine out of my iPod.

-Sound leakage. These were not designed to block out noise of any sort. They are an open design and NOT noise canceling. I had a normal conversation with these on while a song was playing and I could hear both perfectly well. If you have the volume at a reasonable level, you can hear everything that goes on around you. I can hear the click of each key as I type this and I'm just slightly below half volume on my iPod. This works both ways. If you have this up in a quiet environment, other people can hear what you are listening too. If you keep it at a moderate level and there is some background noise, you could listen to these in a library.

PURPLE! Yes, they have purple mesh. Yes, you will look like you have part of a space helmet on your head. The purple really doesn't look all that bad. I think that it looks nice and classy and fits. It looks overwhelming in the pictures but unless someone has a deep hatred of purple, you might actually have people telling you they like it. Worse comes to worse, buy a sharpie of any color your little heart desires and go wild. That being said, prepare to have all respect for your fashion sense lost in the eyes of anyone who sees these on your head and to possibly be called some not so nice things. You will look like a goofball wearing these. As I said earlier, they are huge. They nearly double the size of my head. The cups are thick and the wings will mess up your hair. While the purple isn't really noticeable, everything else is. I don't really care because of all the good things I'm going to mention shortly make up for looking like a spaceman.

THE GOOD

Here's why you will want to buy these. Now.

-The Sound. Brilliant. The bass is clear and each note is present. The midrange and vocals ring and sound natural and the way they are meant to. The highs aren't a struggle for these headphones to reach. The entire range is clearly there and yet no one section is more important than any other. It sounds like you are in each instrument. In an orchestra, instead of the entire group being one giant collaboration of musicians, you can hear each section individually. On a high quality recording, you can almost hear every instrument being played. A lot of reviews say that you can hear subtle parts of song that you've never heard before in songs you memorized a hundred listens ago. This is true. Since the entire range is present you hear parts of the song that on other, lower quality headphones are covered up by either vocals or another section of the range. Each sound gets its own place instead of just blurring everything together. On the other side, it still retains the flow of the over all piece. Each part fits into a constantly building puzzle.

-Construction. Despite looking strange, they are built very solidly. Nothing feels flimsy or like it would break quickly from normal use. I haven't had these very long so I can't say how long they will last but I'm not worried they are going to snap in two if I set them down too hard. The cord is very nice and doesn't go anywhere near your face like some others do. It also doesn't feel like its going to pull out of the cup like some cheap earbuds do. The wire only goes into the left side and uses the spring on top to power the right cup.

Comfort. The highest quality thing about these. I'm not used to things this big being on my head for long periods so I'm having to do a bit of fidgeting with them to get then right but I've felt no pain since I first put them on. The cup and padding design angle the speaker so the face is pointed more towards your ear with an empty space for your ear to rest comfortably. The wings on top are barely noticeably unless you think about them but they keep the pads off the top of your ears. The pads themselves are very soft and don't hold heat. These are the least noticeable headphone I have ever worn so long as I don't think about them and just listen to the music which is the point .

Soundstage. Another biggie that people talk about. You can tell different noises a part. This is part of why the sound is so good. I'm not a big gamer so I can't mention anything there but on a capella track that have used multiple microphones for recording, I can hear where each person is standing. One of its best features without a doubt.

I highly recommend this for someone who wants to buy a set of quality headphones but doesn't have much interest in learning all the fancy jargon that comes with the audiophile community. There is a noticeable difference between some cheap earbuds and these fantastic pillows with speakers. If you can try a pair, do. They wont play a brand new song but what you do hear is improved.

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I recently just recieved these pairs of headphones after a couple weeks of research. After truly starting to get into music and trying to get the most out of my cd's (without putting up a loan) I started looking within the 100-200 price range. I stumbled upon 3 major choices: ATH AD-700, Sennheiser HD-555 and Sennheiser HD-595.

First, price was a big issue for me....

I didnt want to spend too high on the headphones, and the HD-595's were quite expensive, but I went to my local audio store and really felt that the 595's put up an overall better sound than the 555's. The soundstage was also amazing for both, but again, the 595's were superior.

The Audio Technicas however, was compared first to the 555's and I already amazed by the difference. They achieved far better tone in each note, and was able to go much "higher" and "lower" than the 555's making the Sennheisers almost seem flat. When compared to the 595's, it was definitely more difficult to distinguish a difference, but the tones were still clearer in the ATH's, but the 595's seemed to have a slightly better soundstage, and a rich, ringy sound vs the clearness of the ATH's. Because I listen to classical, jazz, rock, and a moderate dash of techno once in a while, I thought that the 595's would probably sound better with the rich, full sounds of classical and jazz, but fare far worse against the 700's in rock.

After again looking at the price, I decided on the ATH's

The 595's howerver, did look slightly better and may have felt more comfortable. The ATH's didnt feel quite as secure, but it seems to be doing alright up till this point.

A highly reccomended buy.

-Kevin-

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First thing's first: I Am Not an Audiophile. I thought I was, for a while. After all, I am extremely sensitive to muffled or muddy noise, lost frequencies, closed-in soundstages, and all that (lack of) jazz. So this time, after tugging the wires out of another mid-range gaming headset through sheer overuse, I thought, "Well, since I have the money this time, how about I buy a set of GOOD headphones?" I did an embarrassing amount of misguided research work and narrowed it down to two pairs in my comfort price range: the Sennheiser HD 555s or these. In the end I opted for the ATH-AD700s as they seemed to have a slight edge when it comes to gaming (spotted the trend yet?).

So, first thing's first: these are easily the best sounding headphones I have ever worn in my life, at least for music. This may be due to my relative inexperience, but there's simply a world of difference between these and "a pair of headphones." Or these and "a pair of high-end Sony headphones" for that matter. Simply put, it's the difference between listening to a recording and almost being in the studio. There's almost no comparison.

BUT and this is where the product gets two stars BUT, they can only sound that fantastic when they're actually on. And therein lies the problem: They do not. stay. on my head. No matter what I do.

This is something that a lot of other reviewers mention only in passing. The ATH-AD700s are "not for people with small heads." I'd like to take that a step further and say that they're ONLY for people with LARGE heads. My head is "merely" average sized and it simply does not have the girth to fill out this pair's massive volume. If I don't keep my head perfectly balanced they will inevitably shift and begin their trek over my ears and straight to the ground. After a few minutes of this, plus the bulky weight of the things, wonderful tingling feelings start to develop in my neck muscles. This is NOT comfortable, especially for someone who moves and squirms a lot with daily use.

I've tried a few of the remedies offered for this not-at-all isolated issue, such as attempting to permanently bend the wires holding the cans together into a more compatible shape, but it doesn't help. Thanks to the wing design, that just ends up pulling them UP and off my head, and they're still heavy and slippery. After draining my admittedly low reserves of patience I passed them on to a large-headed, hard-of-hearing music lover who greatly appreciated being able to blast them and still get all the details.

So let's get a few things straight. I don't think these are really "bad", per se. They sound every bit as good as They say, and They know what They are talking about... They say. But I have to write this review, and I can't in good conscience give more than two stars along with it, because I really DON'T like them. I get a little rancorous when I see people recommend these without qualification, because in my view you HAVE to meet two very strict prerequisites:

1) You MUST have a head big enough to fit into them. If you're not sure that you do, then you probably don't. I cannot overemphasize how absurdly oversized they are if there's a larger set of headphones in this world that aren't bass-cannons, then I never want to be made aware of them.

2) You must be an actual audiophile. Not a wannabe audiophile. I've learned this lesson the expensive way. You have to dig music first, above all other concerns, because if it's secondary to any other function of your sound system then you're barking up the wrong tree. As a gamer I want most of all to be able to pinpoint the exact location of a virtual footstep or gunshot, and that is not what these are for. The range is wide enough to cover most bass, but really centered for higher-pitched melodies, and there's no real concept of front-to-back separation. Nor are these headphones ideal for watching movies or listening to podcasts or chatting on Skype. Every pair of headphones or headset you buy will be built with a purpose in mind. These are built for listening to hi-fidelity music in stereo, and they are very, very good specifically at what they're built for.

In short: the ATH-AD700 headphones are not for me and they may very well not be for you. If they are, then consider this one more voice among thousands telling you to experience them for yourself. But if they're not, then I urge you to take a moment to drown out all the me-toos and ask yourself what YOU really want.

If this review convinces you of anything, it should convince you that you can't just trust reviews.

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These are very comfortable. The headphones are big. They fit completely over the ears rather than on the ears. They earpads are made of a soft fabric that feels like velour. The frame of the headphone is a magnesium alloy and the outside of the earcup is aluminum. The wires to the individual earcup appear to be hidden inside the frame of the headphones. I think it makes it less likely that they will somehow be pulled, stretched to cause a short. I mention this because I have read in a number of customer reviews that after a short period of time, one side of the headphones shorts out. Perhaps this will be less likely. These headphones like most of the Audio-Technica headphones currently being marketed have these "wings" that A-T designed to give you the feeling that the headphones float on your head. The phones fit very lightly and are very comfortable. What I cannot say is whether the "wings" will be fragile if dropped. They look as though they might be fragile. Only time will tell.

The sound of the headphones is excellent and probably closer to nuetral than many of the other headphones that I have. These phones provide for excellent separation and clarity of sound. It is not clinical sounding,but really very precise. I have the current top end models of headphones for practically all the major headphone manufacturors so that I can make some valid comparisons. The midrange is beautiful, the highs are very good, and the bass is clear and tight, but not really punchy. They are neutral sounding. For some, the bass might not be enough. Occasionally, I have thought the phones could use a little more bass which will be assisted by a headphone amplifier. The battery or AC driven Airhead amplifier is reasonably priced and small enough to fit in a large shirt pocket is perfect for adding a little bass to these headphones. It really steps up the bass in a clean, clear manner. (I have found that using a headphone amplifier--particularly at home where it is convenient is the best choice to ensure full, rich sound on all of the headphones that I have).

The headphones can be easily powered by an Ipod and they sound very good. These phones are on the efficient side when comparing impedence. You can get a lot of volume with a free-standing mp3 device. The headphones come with a 1/8" headphone jack with a 1/4" adaptor. While they sound even better with a headphone amplifier, it is not necessary like with the Sennheiser 600 or 650 which sounds anemic without the power provided by a separate headphone amplifier.

I think that the open-backed headphones sounds better than the closed-back headphones. If you want a headphone that is more punchy for rock and roll, consider the Grado SR-80 which is within approximately $10.00. The price for these headphones on Amazon Marketplace is approximately $100.00. The Grado's come in at approximately $95.00 at fair trade price (meaning no discount pricing). For many people the Audio-Technica will be more comfortable than the Grado. If you get the Grados which are really great, they are more comfortable with an insert called "comfort rings."

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Line 6 Floor POD

Line 6 Floor POD
Customer Ratings: 4 stars
List Price: Price Unavailable
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  • 12 Amp Models from Clean to Insane
  • Smart Control FX (7 types, 2 simultaneous)
  • 64 professional presets
  • Wah/Volume Pedal
  • Tuner, CD/MP3 Jack, Headphone/Direct Out

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I thought this was going to be a Pod with built in pedals, but it's missing a lot of key features. It has a lot fewer amp sims, no tube pre sim, fewer effects, no speaker emulation, only 1/4" outputs, and worst of all, no computer connection to enable you to edit parameters and upload them to the unit. The unit is light and compact and sounds decent, but it doesn't seem worth it to me. For only a couple hundred more you can get the POD XT Live or a Pod XT with an extra Footswitch. The difference is well worth the extra cash in my opinion. The Floor Pod can do about 10% of what the regular Pod can.

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I consider the pod a necessity for every musician.

This pedal isn't quite a BOSS, or others more expensive, but it's really incredible for the price. You can jam at home, and even get away with playing live. For the money, you can't beat this deal.

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A nice toy to keep any guitarist busy for hours. So many sounds to choose from to find that perfect sound.

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This is a nice looking board, it does not seem cheap at all. I bought it to replace my pedals for a more ergonomic solution, and Line6 has good products.

However, the sound of the effects is VERY artificial, soon I got tired of it, sold it and went back to my old analog pedals. Hell yeah, analog never dies!

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I got the Line 6 FloorPOD for Christmas just about seven months ago with a Luna electric. For it being my first effects board, I find it very fun to play with. It gives a variety of sounds and has a lot to offer the BEGINNING guitarist.

However, I would not recommend this board for an advanced player. I would lean more toward the Boss pedals or going with single effects pedals. Also, when using the Wah effect, the volume seems to increase on certain channels. Furthermore, when the Volume pedal is engaged and it is taken all the way down to turn volume off, I can still hear my guitar unless I turn the Volume knob of the guitar off.

Overall, I am pleased with my FloorPOD. I can plug it into a sound system direct with no problems. I have also used an acoustic-electric with it on the red LED channel and some reverb and it sounded just as good to me. I used it in a medium sized church of about 200-250 people and had PLENTY of volume and effects in reserve based on the church building and congregation. Overall, a very decent effects board.

Onkyo IE-FC300(W) In-Ear Headphones, White

Onkyo IE-FC300(W) In-Ear Headphones, White
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $99.00
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Customer review from the Amazon Vine Program I've used a variety of headphones with my iPod and these are among the most impressive in terms of dynamic sound quality. My music and audio books sound great, especially when compared to certain out ear buds I've picked up over the years.

Another great feature is the cord length. They are long enough to help with working out without the distraction of them pulling out of your ears.

Highly recommended.

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Customer review from the Amazon Vine Program Onkyo IE-FC300 Headset

Included:

Nice zip hard pouch, but it's not plastic, but more a cloth

Small & Large additional rubber earpieces, medium size already attached

Length average compared to others (ex. Apple Earpods)

Sound Quality:

The overall sound quality is good & clear, it's not tinny, though it lacks somewhat in mid & more so in the bass frequencies. In comparison to the Apple Ear Pods that come with the iPhone 5, the Apple Ear Pods have a fuller sound w/better mid & base frequencies, although the Ear Pods lack of a snug fit in my ears, which makes them prone to getting loose which can diminish the sound quality & make them difficult to use when working out. I have a pair of Klipsch S4i in earphones which I felt was at least equivalent to better in sound quality and includes a microphone with volume control and I paid less for them than the what the Onkyo's go for.

This headset is different in that you can change the earpieces from the cables to change the cable color. Also the cable wire is FLAT. The ones I got the cable was white & the buds were black.

To change the size of the earbuds to fit your ear is very difficult, but turning them inside out helps when doing it.

The connector jack on the Onkyo is L shaped so this can be a problem when using this headset with some phone cases, so keep that in mind before purchase.

Pros:

Nice overall sound quality, not tinny, though lacks in mid & especially bass tones

Come w/a zipper hard case

Detachable design allow you to use different cables

3 different rubber ear bugs included for perfect fit

Gold-plated MMCX connectors

14.3 mm (9/16-Inch) drivers

Block more outside noise then Apple Ear Pods due to better fit

Flat wire is novel design & seem less likely to knot up

Cons:

L-shaped jack can be a problem for some devices/cases

Lacks good bass sound

Overpriced considering sound quality/design

No mic ability

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Customer review from the Amazon Vine Program I have never really cared for in-ear headphones, because after about 20 minutes, they start to get uncomfortable. But these are different. The rubber is more flexible and I find I can wear them for a longer period of time. These earphones also have a much better sound than most of the cheaper ones that are available. What I liked best about them is that they come with a round, zippered case for storage when they are not in use. That way they are protected from damage.

Even though these are more comfortable than any others I have ever worn, I could still only wear them for about 50 minutes before discomfort started to set in.

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Customer review from the Amazon Vine Program I ordered these for my husband, who is very particular about his headphones (he's a music snob). These Onkyo in ear headphones provide great sound and help to cancel out exterior noise. So much that he can't hear me when I walk up behind him....loudly! Excellent quality. The headphones come with three different sized earplugs, so that he could "custom fit" the plugs to fit his ears. Recommended!

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Customer review from the Amazon Vine Program These headphones easily passed the first test, they sound better than the stock headphones that come with the iPod/iPhone. The second, and more important, test is whether they deliver an experience that is worth their price. Surprisingly, these sounded as good or better than $300 headphones. They also fit comfortably, which is especially important to me as I have had trouble with other in-ear headphones. (They come supplied with ear pieces of different size to allow for a more custom fit.) The flat cable was novel, but it works; it doesn't form a snarly knot after two minutes in one's pocket.

I listen to classical music, mostly baroque, and have found that the stock Apple in-ear headphones leave much to be desired, though they remain clearly the best headphone in their price range. The Onkyo headphones block much more of the ambient sound than do the stock in-ear headphones, certainly nothing like a set of big studio headphones, but portable music demands something a bit more subtle and easier to stow than a big headset.

Obviously these are my personal and highly subjective conclusions, in fact, I find most reviews of audio equipment to be more amusing than informative. Nevertheless, while a headphone shouldn't be purchased solely on the basis of someone else's recommendation, when the decision is made to upgrade and go shopping--be sure to check out these Onkyos, I find them to deliver a higher quality experience than headphones that cost twice or three times as much. Give them a try.

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Line 6 Spider IV 15 15-watt 1x8 Modeling Guitar Amplifier

Line 6 Spider IV 15 15-watt 1x8 Modeling Guitar Amplifier
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $99.99
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  • 15 watts; 1x8" custom speaker; three-quarter closed-back cabinet adds a tight, snappy response
  • 4 dialed in amp models: Create and save 4 complete amp settings with amp model, EQ, gain and effect settings, and recall them with the push of a button
  • 6 Smart FX based on celebrated stompbox and studio effects; tangy Chorus/Flange, swirly Phaser, expressive Tremolo, beautiful Tape and Sweep Echoes, and syrupy Reverb; 2 FX at once
  • Bass, Mid, Treble, Drive, Channel volume; Master volume; FBV foot controllers can add everything from wah-wah and volume control to tap tempo, a chromatic tuner display and simple channel switching
  • Built-in tuner; 1/4-inch input; 1/4-inch headphone/direct output; 1/8-inch CD/MP3 input; FBV foot controller jack

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PROS:this is the perfect practice amp!!!!!! i love it!! i got it for christmas, and i use it all the time! i love how it has clean, crunch, metal, and insane settings! (my favorite is metal) this amp allows you to play any style whether it is country, blues, alternative, rock, metal, or deathcore! i am rockin' out to nirvana, ozzy, three days grace, skillet, guns n' roses, metallica, and evanescence! the effects are great, and you will need them for some songs. also it comes with a tuner, and a place to plug in anything you need to plug in like a footpedal or an effect box. it also comes with something very handy. it has a place to plug in your ipod, mp3 player, or cd player. just buy an audio cable at radio shack for $8. the sound is phenomenal when you play your ipod. this means you can play along with your favorite songs from the same source! this will take practicing to a whole other level.

CONS: the booklet it comes with is absolutely no help WHATSOEVER. the tuner sucks. just buy a chromatic tuner for $15. when you are on clean, it automatically turns on the echo effect, even if its off. to turn it off, you have to manually turn the echo effects knob all the way and back to turn it off. this can be very annoying if you dont want the echo effect.

Overall, a fantastic amp. Recommended for anyone. Hope this review helps.

Buy Line 6 Spider IV 15 15-watt 1x8 Modeling Guitar Amplifier Now

I use this compact modeling amp for guitar practice in my living room and am thinking about doing some recording with it. You will not believe the amazing sounds that can come out of this little box. The Clean amp model sounds as sweet as honey, and the Insane model kicks-out down-and-dirty, soul-satisfying distortion. There are two other amplifier models (Crunch and Metal) that pretty much cover the gamut of electric guitar amplification sounds. All six effects sound good, and this amp is light enough to haul around easily.

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Read all the features this unit has. I can't believe the sound from this !!! Clean is very crisp. Crunch is classic rock Marshall tube sound, Metal is a cranked Laney &/or Peavey amp sound & Insane has that Mesa Boggie metal red tone for sure. All are adustable w/ tone & effects. each preset is nicely tunable with your pick up selector, volume & tone right at the guitar. It cranks too ! Gets nice & loud with very controlable tube like feedback. A must have ! The price is a steal & the case,speaker grill, knobs & buttons are very good quality. I give it raving reviews !

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Bought this amp to play along with a Squier Classic Vibe 50's strat. It has a broad range of settings and effects that can be used. I found the clean channel to be not so clean. Tried resetting the clean several times to get rid of the pre-programmed echo or chorus effect, but it still has a bit of distortion to it. The crunch, metal, and insane channels all have their uses, but I found myself constantly playing to get to the sound quality I wanted regardless of channel or type of sound I was shooting for. I accessed some on-line help to try to work in the sounds, but it still takes more time to dial in the sound than I want to spend (more time messing with settings = less time playing).

Overall, the sound quality was OK for a practice amp

I'm sure that some people would be able to work this amp well for the type of music they are playing, but it just wasn't for me.

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Well, after reading the reviews I gave this little amp a shot. The first one that arrived was dead out of the box [I think it was poor packaging by Amazon and it likely got shocked too hard]. Well, logged into Amazon and quickly got the return/replacment squared away and they "next dayed" the replacement to me. The replacement worked, and I love the sounds this thing can create. The manual that comes with it is very sketchy so I logged in to get the online manual. It was not a whole lot thicker, but was more helpful and answered a couple of my questions about what seemed a little strange. The preset buttons automatically "set" the various volume and tuning settings, but do not move the actual knobs. Thus when you touch something like the local gain knob, it cuts out the autmatically loaded setting and restarts at wherever the knob is. Thus you can go from really loud, touch a button and have zero volume. Once you see what is happening, it makes setting those buttons up for your practice area nice and easy and sensible. This little amp has a lot of heart and soul in it and is just what I wanted. I am a 52 year old former rock and roll guitarist relearning my old skills and this amp has great sound and sustain, even at whatever volume you want to play it at. It definitely makes practicing much more fun then trying to work with my old 100 watt Gibson solid state amp circa 1974. I have to blow the doors off my house to get that old amp to sound good. The Spider IV is a much better investment then an expensive fuzz box for my old amp, especially since I have no plans to perform anywhere but at home [and if I do someday, I will likely look at their bigger amps]. Oh, and I use a Les Paul Ultra guitar. Buy it, you will have fun with it, and if it is for your kid to practice with, he/she will love it.

Well, the second one started acting funny after a couple days and now the FX stuff randomly jumps into the mix. I can no longer turn the FX stuiff off by turning the knobs off. The Clean channel has a fast tremelo and heavy reverb now. Thus number 2 is going back for a refund. I think it likely that shock during shipment nailed the electronics. The manufacturer just puts it in a box with no styrofoam corners and then AMAZON just puts it in another bigger box with no padding, and thus it can slide all over and is shipped flat, rahter then standing up. Thus, I loved it while it worked, but I am not attempting another delivery of this from Amazon because 2 out of 2 is too bad of odds. I am crushed.... i still rate it high because it has a lot of potential, I just think they need to package it a lot better, and/or design their boards for more shock before letting a mail order house sell it.

Rolls Personal Monitor Station - Rolls PM351

Rolls Personal Monitor Station - Rolls PM351
Customer Ratings: 5 stars
List Price: $120.00
Sale Price: $73.95
Today's Bonus: 38% Off
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  • Microphone, Line and Instrument Inputs: The PM351 features 1/4 inch phone line and instrument inputs as well as 3-pin XLR microphone input
  • Discrete Level Control: The front panel features independent level control over microphone, line and instrument signals
  • Microphone Thru and Line Level Output: 3-pin XLR microphone thru and line level outputs provide sufficient output to consoles, monitor speakers, recorders, etc
  • Stereo or Mono Selectable Line In: The PM351 features a single 1/4 inch TRS phone input that can be jumper switched to accept mono or stereo signal

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Over the years, I have transistioned from loud, hearing-wrecking wedge monitors to isolating full headphones to in-ear monitors. As a singing drummer, monitoring vocals (mine and everyone else's) as well as whatever else I can get from a monitor mix has always been a challenge. A few years ago, I started using a Mackie 1202-VLZ mixer, with an old DBX compressor/limiter and a complicated system of patch cables to get the desired audio (which sometimes included a click track) into my Shure in-ear monitors. This worked well, but required a lot of stuff to carry around, and a lot of time to set up and tear down.

About a year ago, I began to look around for an easier solution, and found the Rolls PM351 Personal Monitor Station. I was familiar with the Rolls line, as I have worked at radio stations that used their other headphone amplifiers, AM/FM receivers and other gear. I ordered one, and when it arrived, I was amazed at how compact--yet well-built--the unit is! The box is metal, not plastic. At first, the "jumpers" for changing inputs from stereo to mono, turning phantom power on/off, etc., seemed a little strange, but after reading more on their website about why they use jumpers instead of switches (the recessed jumpers are much less prone to breaking compared to switches), it made sense. I just carry some small needle-nosed pliers with me, in the rare event that I might need to alter a setting.

As a singing drummer, being able to quickly use the "more me" feature to boost or cut my vocal level balance against the monitor input is a God-send! The Line Input uses a 1/4-inch jack, but I have an XLR female-to-phone plug male adapter, allowing me to get a mix back from the board regardless of the output configuration. For some gigs, I also use a click track (which comes from the Tempo app on my iPhone these days!). I simply plug the 1/8-inch-to 1/4-inch stereo patch cable from my iPhone output into the Instrument input on the Rolls, and with the input on that set to mono, I get a great click track feed with its own independent level!

As for set-up/tear-down, I have gone from carrying around the Mackie (in a carry-on suitcase bag!) and a bunch of cables, to a very compact rig: I bought one of those aluminum briefcases they sell for around $25 at Harbor Freight Tools that has the customizable foam rubber cushioning on the inside. I created places to store the PM351, AC adapter, a few cables, my Shure SM-58 bag, and a 20-foot XLR cable (coiled up after the gig). The case only weighs about 5 lbs., and it has everything in one case for my entire monitoring setup! Talk about easy!

I have had to get used to not having any compression or limiting, but that just requires some careful level-setting on my part. I believe Rolls makes a similar-sized compressor/limiter unit to work with the PM351, and I may order one down the road; but for now, I give this 5 stars. It does what I need it to do, the sound quality is great, and the ease of carrying, setup and tear-down has made a big difference in the amount of time I spend assembling and disassembling my monitoring system. I highly recommend it to any gigging musician who doesn't have the big $$$ to spend just to be able to hear properly on stage!

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I engineer sound for a praise band at a small church. We both practice and present in a small chapel with an odd shape where the noise level can quickly get out of control. I recently added some small monitors to the platform so the vocalists could hear a mix for themselves separate from what the instrumentalists hear. The challenge is that within our small space, only the keyboard runs through the system, and the piano and drums are completely unconstrained. We'll be remedying that, but for now I needed to find a way for the keyboard player to be able to hear herself without cranking up the monitor to accomplish this.

Having already rolled out a Rolls PM50s for the drummer, I decided to put in place the PM351 for the keyboard. Installation was a breeze, and the results were immediately apparent and appreciated! Passing her mic through the box, as well as the keyboard, has given her the ability to hear what she wants without changing what the other vocalists and the drummer hear. This has added no volume to the already loud platform, and has answered all my requirements for a very reasonable price.

I plan on caging the drums, and insulating the piano over the next several months as finances allow, and I'll be rolling out a PM50s for the pianist and PM351 for the bassist. I am aiming to drop the platform volume significantly so that the sound heard in the hall is the conditioned sound as compared to the raw noise of the band, and using these Rolls units is going to be key to accomplishing that.

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I recently purchased this unit to set up an IEM system for my guitar rig. I play electric guitar in my church's worship band. I run direct into the sound system with a Line 6 POD X3 Live and a selection of other pedals. I was using a Tech 21 Power Engine active speaker cabinet as my guitar monitor as I am not a fan of my guitar tone coming back from our monitor mix, but we started having problems with stage volume.

That's where the Rolls PM351 comes in...

Our monitor mixes on stage are controlled at each station with Aviom mixers. Most of our singers and musicians use IEMs directly out of those units. The PM351 allows me to blend the direct signal from my POD (pre-monitor mix) with the Aviom output into a set of headphones or IEMs.

The sound is fantastic. Even with some cheap Skullcandy Ink'd ear buds, my guitar reference tone sounds great. I mix everyone else in the Aviom (making sure to turn myself off in the mix) and then balance the signal levels with the PM351 volume controls. Perfect solution.

The Rolls PM351 Personal Monitor Mixer is an excellent product. Solid build. Metal casing. Low signal/noise ratio. High output (my volumes are set at about 10 o'clock). Easily powered by the supplied 12V adapter or by a pedalboard power supply. I have also found a significant signal boost from its XLR direct out versus the POD direct output. This makes my tone and overall signal much better when it reaches the soundboard.

I have two small quality concerns... When I received my PM351, I noticed that it would not sit flat on a table top. The housing was screwed together crooked so it sits uneven. Not a big deal to me though as I attached mine to my pedalboard with velcro. My other concern is the longevity of the headphone jacks. They appear to be plastic and simply board mounted. This may never pose a problem though as long as I don't abuse the jacks too much.

Overall, I am extremely satisfied with the Rolls PM351. At under $75, this provides excellent bang for the buck. I would highly recommend this to any musician using headsets/IEMs who would like to hear their true unadultered sound/tone in their ears while still maintaining the rest of the monitor mix.

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I love this little personal mixer. Very clean/loud headphone amp. (easily twice as loud as the Behringer MA400)

If you play Classic Rock then this mixer is for you.

If you don't have to compete with 110 DBA drums then maybe consider the MA400.

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It does the job intended as well as any, priced well, and electronics are quiet. It is hard to beat.

Stanton DJ Pro 500MC MKII DJ Headphones with Mic

Stanton DJ Pro 500MC MKII DJ Headphones with Mic
Customer Ratings: 3.5 stars
List Price: Price Unavailable
Sale Price: $59.99
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  • Headphone/microphone combo for DJs and broadcasters
  • Low-impedance dynamic mic allows hands-free operation
  • Separate, 1/4" color-coded cables for mic and headphone
  • Includes carry pouch

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I bought this item for my husband. He is a djay and he loves them... Great product. He said the quality is great.

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There was something wrong with the mic cables. There was a lot of static on that line, the headphone part worked fine.

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I play traditional acoustic music and use this headset for vocals and monitor. The headphone driver is not the greatest and has a little distortion in it but it serves the purpose. I'm not an expert but the mic sounds pretty good to me. It's connected to a TC Helicon VoiceLive Play GTX with 6' extension cables. I don't like the coiled cable it comes with and may change it out sometime. For the price I'm very pleased with it's performance.

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Very convenient as for as microphone and headset is situated. Too much noise if you touch headset while mic is on. does no handle high level well (distortions). Cord is too short. have to remove from head whenever I need to get to my dics or records to my far right or left. thought of returning but will work with it until I can upgrade.

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I bought two of these for podcasting / game casting. I'm very unhappy with the microphone quality. I run the mono-end into a high-end mixer and the level bar doesn't light up until the gain is ultra high. Vocals become audible at this level but yeah, noisy hissing, and vibration sensitivity is also.picked-up. @djay husband you filtering and pre-amping this? @othercomment; are you in a dead quiet room? I mean I don't expect them to be exceptional headsets with microphones in them for this price; but I did expect the mono-output plug to produce enough impedance signal without going hyper-sensitive.

DJTECH IMIXRELOADMKII DJ Mixer

DJTECH IMIXRELOADMKII DJ Mixer
Customer Ratings: 2 stars
List Price: $499.00
Sale Price: $233.98
Today's Bonus: 53% Off
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  • 2-deck controller
  • Integrated 4-in/4-out soundcard
  • 2 x professional touch sensitive jog-wheels to pitch bend, search, and scratch
  • Headphones: cue, mix, and volume controls
  • Includes Deckadance LE DJ software

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As a beginner I was looking for a cheap, easy to use, good quality DJ controller. After doing some research and reading reviews decided to get the "DJ Tech i Mix Reload MKII." Returned it after 2 weeks of delivery. It was definitely not what I was expecting. Controller is made in China and is poor quality plastic. Controller is about the size of a 15-inch laptop, which is pretty small. Also the controller is supposed to work well with Traktor but some of the led buttons would not turn on, and jog wheels do not respond well. Overall, this controller should cost half the price. Definitely not for advanced or pro DJing. If you're looking for a cheap, good quality DJ Controller, don't get this controller.

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