Showing posts with label behringer headphone amp. Show all posts
Showing posts with label behringer headphone amp. Show all posts

Peavey KB5 Keyboard Amplifier

Peavey KB5 Keyboard Amplifier
Customer Ratings: 5 stars
List Price: $779.99
Sale Price: $549.99
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  • Mic/line channel with 3-band EQ and effects send/return
  • Two 10 inch speakers and horn
  • 150 watts/200 watts with external speaker
  • Stereo mixer with 2-band EQ and main effects send/return
  • Headphone out with level control

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Before I explain why I've rated this four stars as opposed to five, let me begin by saying this amp sounds AMAZING. There is absolutely no buzz and only has a barely distinguishable white noise when listening in a quiet space. Both bass and treble are super clear; I've never heard my keyboard sound so good out of an amplifier. Is it as good as a full PA system? No, but for practicing, performing in space with no sound system or even using it as a monitor, this amp is fantastic.

There are four channels, all with stereo inputs and high and low EQ do not impede on each other's signals at all, allowing you to have four different line level instruments plugged in at once! One channel also has an XLR input for a microphone. Yes, you can play and sing and have it all amplified, along with a couple buddies to back you up. A fifth channel exists that can allow for a monitor input that plays a pre-recorded track or click track. Better yet, this channel can have output sent just to a separate headphone mix, so that you can play with a metronome in your headphones without it coming out the amp speakers.

The amp also features send/returns for effects and pedal boards to either one particular channel or to all combined inputs or both. You can also connect the amp to another external speaker to create a real stereo sound if performing in a wide space or if you just need another monitor speaker. As if that wasn't enough, all inputs to the amp can additionally be sent via XLR outs to a mixing board and from there to a PA system, all with no discernible degradation of signal, allowing you to do volume and basic EQ mixing for a four-piece band right from the amp itself!

I just completed a theater gig that lasted for three weekends, having my keyboard and an acoustic guitar plugged into the amp and the signal sent to a mixing board and out to the house speakers. It worked great, and we were able to use the amp as a monitor. I will certainly do a similar setup again.

All right, so what's the problem? The amp is very heavy, which for the quality is kind of expected. However, the outer casing is in many places composed of a hard, dense foam material underneath the leather skin that seems to dent a little too easy. It is hard to set the amp down gently, even after rolling it (yes, it has wheels, but just two), and one of the stubs it sits on has already been dented into the foam shell and now it won't sit perfectly flat on a smooth surface. None of this has affected the amp's performance.

The other issue is that I had problems with the sound crackling at times and even briefly cutting out entirely (not affecting the signal sent through the XLR outs). Peavey customer support can be slow and was quite unhelpful, asking that they or an authorized specialist take a look, which there was no time for, since the theater gig was underway. A friend looked inside and tightened the colored wires going to the 10-inch speakers simply by pushing them in a bit snugger. The remainder of the theater run went without a hitch and it appears the amp is working perfectly now. Perhaps things got loosened a bit in transport and shipping. I am bothered by Peavey not knowing of this ridiculously easy fix despite how detailed I described the problem to them. If the problem returns, I will update this review.

The bottom line is that I love this amp, but have had a couple aggravating things happen regarding the denting, crackling and Peavey customer support. Really, this is a 5 star amp in so many capacities, but I would feel amiss to not share these stories in case anyone experiences similar issues.

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I purchased this keyboard amp for our church youth group. We were setting up a sound system with separate amp, mixer, power and speakers, but it was more complicated than what we needed. This amp is super easy to roll around and has multiple inputs for instruments, mics, and other audio. The sound is excellent. With a guitar, bass guitar, keyboard and a couple of mics this amp works great for our needs. I also love the way it sounds with an acoustic guitar. Very clear crisp highs and rich lows. Overall, it has been money well spent.

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I have been playing keyboard and bass for years. This amp is perfect for either. I use an Aphex aural exciter/big bottom to control the high and low end harmonics on the bassuse the KB5 as my stage monitor with a line to a cabinet on the other side of the stage. Then direct out to the P.A. Dependable, quiet (very little noise), easy to move and powerful. A solid buy.

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Received this amp yesterday and yes it is heavy Peavey's usually are but they are great amps, I have other Peavey amps but this KB5 has a great sound and I love the new way of building cabinet and the option of using an extra speaker. I will be adding some rubber tacks because so when I put down it seems to hit a little hard, I had other options but Peavey has my trust in quality. My Yamaha PSR-S950 sounds great on this amps , rich basses and great highs for strings New Peavey models have a cleaner sound and great quality sound too!! I recommend this amp!!

BestDealUSA LCD Digital Beat Tempo Mini Metronome Clip-on White

BestDealUSA LCD Digital Beat Tempo Mini Metronome Clip-on White
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $5.69
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  • 100% Brand New and High quality.
  • Mini professional metronome.
  • Multi-functional,lightweight & portable, easy to use.
  • Tap function enables you to test your ideal tempo or tempo of a track.
  • Stereo earphone jack is available.

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It's tiny--clips to your shirt or pants pocket. Weighs nothing. Simple to operate. Doesn't look like much, but it's got it ALL.

Up to 9 beats per measure (9/4, 9/8). Three volumes--mute/low/medium/high volume (I'm a drummer and listen to it through drummers' sound-isolating headphones, and I use it on low with the headphones on and hear everything perfectly). TAP feature for quick, custom tempos (just hold the Play button down, tap in the tempo, and hold it down again once you've set the bpms). Many subdivisions of quarters, eighths, and sixteenths. As many or more than the expensive units.

My $40 Korg metronome (many positive reviews here on Amazon) only goes to 7 beats per measure and, with headphones, only gives me either mute or maximum volume, too painful to use for my ears. This little gem gets it right and for only $2. INSANE.

Can't speak to its durability, as I've only had it a couple weeks, but for the price and features, it CANNOT be beat (Really, no pun intended). I say every musician should have one for practicing, scales, or rudiments.

Thrilled with it. Decent metronomes should NEVER cost $40, yet alone $140 as many "better" ones do. It's a plastic housing and microchips, after all; costs nothing to make or produce. This unit'll make you rethink the "big boys" and the markups so prevalent in our industry. Grab one and enjoy.

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I bought this initially for my PT exam, so I wouldnt have to rely on the instructor to bring one with him. Its small and easy to use. Perfect for what I need it for.

Monster ClarityMobile High Performance In-Ear Headset (Red)

Monster ClarityMobile High Performance In-Ear Headset
Customer Ratings: 5 stars
List Price: $79.95
Sale Price: $69.95
Today's Bonus: 13% Off
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I review a lot of headphones for Vine. These in-ear headphones have an oversized drivers. At first glance, these headphones are bigger than most earbuds. These headphones are very comfortable and provide superior external noise reduction compared to other in-ear headphones. This is accomplished by the cone-shaped plastic piece behind the rubber piece which blocks the entrance to your ear like a cork in a bottle.

The sound is way better than less expensive in-ear headphones. There is strong base but it doesn't drown the mids and high which are crisp. A lot of the headphones I review have a problem of too much base and everything else sounding muddy. This is not the case with the ClarityMobile headset which has great sound accross the entire audible spectrun.

There's a rubber case that doubles as a stand for your player. I like it!

SInce this is my third review of Monster headphones; I'm now of the opinion that all of their products are excelllent. They are a little more expensive but I think it's worth it.

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Beyerdynamic AMS-DT-990-Pro-250 Professional Acoustically Open Headphones for Monitoring and Studio

Beyerdynamic AMS-DT-990-Pro-250 Professional Acoustically Open Headphones for Monitoring and Studio Applications
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $154.95
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Before buying these headphones I compared them to offerings from Grado (the Sr325i) and Sennheiser (HD595). As soon as I heard music through the Beyerdynamic Dt990's the other headphones suddenly seemed like a distant afterthought.

There are two versions of this headphone. The "Pro" model which is obviously marketed toward studio use and the "premium" model which is a slightly different design marketed for consumer use. Assuming you compare similar impedence models (i.e the 250 ohm model in both cases) then they are exactly the same headphone except for the pro having a coiled cable and slightly higher clamping force (and cosmetic differences).

For over $100 less, I went with the "Pro" model and I am truly impressed. Let me break it down:

Build Quality: 9.5/10

Before I knew these were made in Germany I suspected it. Even though the cups are plastic, it's a VERY rigid plastic that's carefully cut and molded in shape. You could probably stomp on these and they'd survive. There's a very substantial aluminum "fork" that connects the cups to a steel headband structure that allows for quite a bit of articulation so that you can obtain a precise fit. My only complaint is that the coiled cable is... a little annoying sometimes. It can catch on basically any angled surface with ease. In studio use I can imagine a coiled cable would be invaluable in preventing accidentally ripping a piece of equipment off the shelf so I won't penalize it too much.

Comfort: 9.5/10

These headphones are like having stuffed animals cuddling with your ears. They feature these really nice velour earpads that make you feel like you're wearing earmuffs. The reason that I took .5 off is because the "Pro" version has a really high clamping force. That is, initially you feel like they squeeze your head too much. Thankfully, this is very easily remedied by stretching them slightly with some books. Since the headband is high quality spring steel you can adapt the headphones perfectly to your head using this method. Oh... I should mention that if you live in a tropical climate or anywhere warm those velour earpads will make you sweat a ton. For most people I envision this isn't really a problem.

Sound Quality: 10/10

Let me start by saying that these are not really suited for "monitor" headphones. They do not have a perfectly flat response curve and do colour the sound a little bit. That said, for mastering headphones in a studio or for listening to music this "colour" lends music a wonderful vibrance that other headphones just don't do. They do have quite a bit of EXTREMELY detailed trebble and deliver a wonderful detailed but voluminous bass. With these every cymbal sounds crystalline, I can hear the rosin of a violin bow when it's playing, and every electronic synth is delivered with detail that not even the recording engineer thought was there.

This headphone NEEDS an amp to perform properly. They sell portable battery powered amps that drive them well, but in all honesty you want to listen to these in a quiet room for them to truly shine. Paired with a good amp you will be very pleasantly surprised.

Another note: Since these are open air headphones sound DOES leak out (and in). If you work in a cubicle/library or plan to use them outdoors you should instead look at closed-back headphones. If not, the open-air design allows for a very spacious soundstage that you'll grow to appreciate.

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This is my video review on the Beyerdynamic DT990 Pro (250 ohm) headphones. Although it is not conclusive in itself, it should help you to understand a little bit more about this model of headset. Personally I do not believe there is a better headphone on the market anywhere near this price range. I have worked in broadcasting for 30 years and have been using and have owned many pairs over the years so I would say I have a fairly good background for giving an honest opinion. I did not mention any other manufacturer's models because there are a lot of very good headphones on the market and comparing them is personal to how you like to listen to music and what sounds best to you. I chose not to downgrade another manufacturer just because I like these more.

To the best of my knowledge the DT990 Premium is the same headset except for the all aluminum body, straight cable and contoured foam case. There are some audio engineers that claim they have a different sound but without the electronic equipment to test them I do not think you will know the difference. If the extra money is not an issue with your budget I also recommend those. The brushed aluminum looks very sharp and a padded case would be a nice to have, especially if you travel with them.

If you have any questions please post them and I will reply. Comments are welcomed too. There is a slight chance I misspoke or said something wrong so if I did please let me know. I will add corrections in this space.

HIGHLY RECOMMENDED!

DT990 Pro

Transducer type: dynamic

Operating principle: open

Nominal frequency response: 5 35,000 Hz

Nominal impedance: 250 ohms

Nominal SPL: 96 db SPL

Nominal THD: < 0.2%

Weight without cable" 250g

Cable: 5ft 10ft / coiled cable

Connections: gold plated stereo mini jack 1/8" & 1/4" adapter

Replaceable cable (with soldering iron)

Replaceable ear pads

Replaceable headband

2 Year Limited Warranty

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Hi all, Zombie_X from Head-Fi here with another review! This won't be as in depth as the T1's review but I will give you all the needed info.

The Beyerdynamic DT990 sound can be classified as being very treble oriented with slightly recessed mids (will get to that later) and having throbbing bass.

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GEAR USED:

Source: PC via Pop-Pulse SPDIF-II (to Optical), Marantz VC6001 CD Player

Amp: Woo Audio WA3+, Audio-GD ROC

DAC: Music Hall DAC25.2 (with NOS Mullard E88CC tube)

IC's : ZXAC custom made RCA and XLR cables

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TREBLE:

I find the treble on the DT990/600Ohm to be slightly smoother than the 250Ohm model. In comparison the 250Ohm models treble is quite prominent with more of an edge to it. It's very extended and crystalline in it's presentation while also being for in your face than the DT880. Because of the enhanced treble response, songs may have a harsher sounding treble with emphasis on the S and T sounds. It is still quite extended like the previous model.

MIDRANGE:

The DT990 has a more shallow sounding midrange in comparison to the DT880, but in fact the elevated treble/bass makes it sound thinner. It's still the great midrange that the DT880 had though it's a bit more detailed and perhaps a tiny bit more resolving. Because of the added treble it does indeed make the mids seem pulled back. In my eyes the DT880's sound more forward and more lifelike.

BASS:

The bass is almost like that of the DT880 but it looses it's texture and gains more impact and weight. The added impact is not great but it's enough to give a satisfying thump. I also found it's bass to extend deeper than that of the previous model and it's more controlled. The bass is a tiny tiny bit slower, but barely noticeable.

SOUNDSTAGE:

The soundstage is is wider than the DT880's and offers more layering and separation. It's still a very precise sounding soundstage that is still airy and open. It's a definite improvement in my opinion.

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Sound:

I bought these headphones when looking for an excellent headphones for hearing music. I first tried the DT 880 which provided very poor basses, and really disappointed me. I then gave the DT 990 a try and was shocked by their sound. The DT 990 provides a rich and engaging experience like I never had with any headphones. To be fair, I never owned a professional grade headphones like the DT 990, but I'm listening to music at least 5 hours a day. The DT 990 makes all my familiar tracks sound amazing. It gives me the goose bumps every time! The DT 990 throws you right into the track you're listening and lets you hear all the nuances you never noticed before. If you like strong basses and feeling "inside" your music, these are the headphones for you.

Comfort:

The DT 990 are super comfortable. I can wear them for hours without feeling them.

Isolation:

As expected from their open design, the DT 990 doesn't isolate you from the environment that much. At high volume people around you can hear what you're listening to. At low-medium volume you can usually hear people talking around you. On the other hand, this design gives the music a very nice effect.

Volume:

For those of you worried about amplifiers and such, I'm using my DT 990 with my MacBook Pro, iPhone and iPad without any issues. The max volume is usually high enough for hurting my ears. If you already got an amplifier, and you'll be using only it to listen, you may be better off with the 250 OHM or 600 OHM versions.

Summery:

Again, if you love to feel surrounded by your music and love strong basses these are the earphones for you. They are super comfort and have an amazing sound.

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First off, these aren't nearly as hard to drive as you'd assume from their impedance. I was able to get decent volume out of everything I connected it to form a proper desktop amp, to straight out of the onboard sound from my netbook. They are of course, not being driven properly from something without an adequate voltage swing, but neither are they useless without a beefy amp.

On to the meat of the review. "How do they sound," I hear you asking. In one word, bright, or in two, very bright. Their metaphorical albedo is off the charts. The highs are quite pronounced, but in a very smooth and simultaneously crisp manner. Hardly peaky at all, without transient spikes leaving you constantly fiddling with the volume. On the opposite end of the spectrum, the bass is simply amazing for an open headphone. Its deep, plentiful, and tightly controlled, with the kind of snap you'd expect from a small sealed subwoofer. It doesn't have the same quantity, but the quality is similar. I'd still characterize them as bright because the treble substantially exceeds the bass. The mids are recessed in the sense that they are softer than the ends of the spectrum, but they are very clear and not muddied by the bass at all. At least at moderate volumes. At higher volumes however they seem to become even more recessed, and at extreme volumes it begins to sound like someone left the midrange driver out of a 3-way speaker. However, if you value your hearing this shouldn't be too much of a problem.

I think their biggest plus is their soundstaging. Especially when combined with positional audio. An HTRF fooled me into believing my pet parrot, who was behind me, had chirped when it was actually just the soundtrack to the show I was watching. I don't play FPSs very often anymore, but they'd be great for the task. If you turned down the BGM a little, the deep bass and crisp highs will provide satisfying blasts, booms, and gunshots. If you're not a treble head though, it may be to bright for the BGM in most movies.

I'm not a treble head however, so I decided to return mine after a week of evaluation and more than 100 hours of burn in. I couldn't listen to them for more than an hour without the treble grating on me, and I can't justify keeping a separate can just for gaming, since I don't do as much of it as I used to.If you are looking for a can just for gaming then this probably deserves to be on your short list. For music or movies? I'd say only if you are a serious treble head. The DT990s aren't for me, but they may be just right for you.

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Parts Express 1 Feet 3.5 mm Stereo Male to Male Cable

Parts Express 1 Feet 3.5 mm Stereo Male to Male Cable
Customer Ratings: 3.5 stars
List Price: Price Unavailable
Sale Price: $3.89
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I bought 2 of these short cables for use in connecting my iPod to the stereo in my car and in rental cars that have auxiliary inputs but no iPod integration. No matter what I am trying to connect, different iPods, different cars, the connections are problematic and require a lot of wiggling to get just right so that any sound actually gets transmitted. Avoid these. Buy from a different vendor.

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This short patch cable is functional and works as intended. But would it have killed the manufacturer to use a heavier gauge wire? It feels cheap in your hands because the wire gauge (diameter)is so small. Probably no line loss due to shortness of the cable. Plugs are large and easy to grasp. Just can't get over the small diameter of the cable.

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Bought this to connect my thumbdrive mp3 player to my milwaukee v28 radio. I let it hang on the cable and lift it to change songs/volume. No problems so far.

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This was the shortest male to male cable I could find. The cord is very VERY thin and the quality is terrible. It's unusable.

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I ordered 2 of these.. one of them worked, the other did not. I did not return the item. I bought it for use is car and the performance is as expected.

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SMSL Music Fortress FORT Computer USB Decoder Headphone AMP Amplifier 130mW MAC

SMSL Music Fortress FORT Computer USB Decoder Headphone AMP Amplifier 130mW MAC
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $69.95
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I was not sure about this headphone DAC as I was finding no reviews for it. But for the price it works well and sounds very good.

At first I was impressed with the sound but I wanted to do some more testing with a Leader LDM-171 distortion meter.

The noise plus distortion came in at 0.25% at 1khz.(at 500mv output) That seemed to be a reasonable figure for what it is. Should be below what

can be heard. A frequency sweep showed a very flat response down to the bottom octave. At 20hz it had drop of about 0.75 db.

A little weak in the lowest octave but hardly enough to notice. Overall good sound at a reasonable price and looks to be

well built. I am very happy with it and it sure beats the sound from my notebook headphone jack. It powers my Grado Labs

headphones with plenty of power. I had to give it 5 stars due to the sound, price and construction.

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StudioConnect - Audio and MIDI + Charging Dock for iPad

StudioConnect - Audio and MIDI + Charging Dock for iPad
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $99.99
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  • MIDI in and out for your iPad
  • Audio in and out for your iPad
  • Stereo headphone jack with volume control
  • Lets you use your iPad and its apps as a MIDI controller

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Really enjoy using my StudioConnect. I like how small and easy it is to use with my iPad. Being that I use my iPad for more than just recording music, I love that I can just simply unplug it from the StudioConnect and do other things. The other options on the market require me to take my iPad out of its case, dock it and it's kind of inconvenient to use it that way. The audio input quality is great on StudioConnect. I definitely recommend this for anyone that enjoys recording and playing music and wants to integrate with the power of the iPad.

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When I first tried the unit, it would only charge my iPad intermittently. I emailed Griffin's customer service who promptly replied that I needed the firmware upgrade. Once I did, the unit works fine and keeps a constant charge to the iPad. The unit works as advertised. The design is near perfect. That being said, I do feel the unit is overpriced. The parts inside are not expensive. The case is of plastic....nothing wrong with that as it feels durable, just pointing out that it's not made of some expensive material. They chose not to add an XLR input and a level control on the outputs would have been nice. It was assembled in China so labor cost had to be low. To be clear, it was assembled very well. I just feel for what it does and for the features they didn't add the price is a little high. As music apps for the iPad begin to get more robust, hardware like this will become more competitive price wise. Thankfully.

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There weren't many reviews for this so I took a risk and bought one. While not super "portable," although it is, this Griffin dock was even better than I expected. You're not going to be able to make music on the subway with it, but that would be crazy. Just plug in some headphones. It's plastic but feels sturdy and well built, and all the audio connectors are top notch. I was mainly looking for a way to get decent quality stereo out from my ipad, with midi in. And no dongle that would break, or app / interface issues like the alesis IO dock. I have a big sturdy case on my ipad as well, and this accommodates that with no issues. It also charges the ipad quickly.

Sound quality: AMAZING! I haven't used it for recording yet, as I mainly make synthesized music, but plugged into a nice pair of monitors the sound quality is crystal clear and lag free. This + the animoog app is incredible, you can hear bass and clean treble impossible to sample through headphones or the 1/8th inch miniplug.

I bought RCA -> 1/4 inch line out cables and plugged directly from the griffin into my computer. Then I plugged midi out from my soundcard into the ipad, and my keyboard worked with EVERY app that supports core midi. Instantly. No setup or tweaking required, although you do have to create your own mappings within the apps for each knob.

This thing is great for a large or small studio setup, I'd recommend it to anyone.

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Great for a studio environment, not so much for mobile work. Basic connectivity requirements are all met and integrating to almost any system is straightforward and fairly elegant.

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I originally won a StudioConnect in a contest over a year ago. I was impressed with the improved audio quality on my guitar when compared to the iRig. Sadly, more often than not, the device did not work (not recognized by ipad 3). After one call to Griffin's customer support, I had a return label to send it back. The representative also gave me his direct extension and asked me to call back after I dropped the package of with UPS. When I did so, he confirmed with UPS and sent the replacement immediately. I was very happy with the level of service. The replacement device has worked without a problem and I purchased a 2nd unit for a friend.

Pros: Clean audio from Hi-Z inputs (bass/guitar)

MIDI in/out

Easy to reach knobs for gain and headphone out

Price. There isn't much in this price range that will provide you with a 1/4" Hi-z input as well as midi in/out.

Charges iPad while in use.

Cons: No mic input (Though it works well with any mic pres)

Only RCA outputs—This is close to a deal breaker for me as I use this for guitar and keyboards live on stage. The device would really benefit from a set of XLR or balanced TRS stereo outs (or better yet, a pair of Neutrik combo jacks). Few stages or audio snakes have RCA sends in my experience. I have to use adaptors (which may degrade the signal).

Build Quality. The knobs all feel very cheap, however, I should note that nothing has broken in the 15 months or so that I've used the device.

My typical set-up: Guitar plugs into the 1/4" jack (with a few stomp boxes on the way).

Midi out of keyboard controler to midi in(thru) midi foot controller

Midi out of foot controller to midi in on StudioConnect.

This set up allows me control over iOS soft synths (animoog, garage band, pocket organ, etc) as well as midi program changes on Positive Grid's JamUp guitar software.

I don't have use for the midi output on the StudioConnect at this time, but it's there for when I need it.