Showing posts with label best audio headphones. Show all posts
Showing posts with label best audio headphones. Show all posts

AKG K 240 MK II Stereo Studio Headphones

AKG K 240 MK II Stereo Studio Headphones
Customer Ratings: 4.5 stars
List Price: $259.00
Sale Price: $150.28
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  • Over-ear designfor comfort during long work sessions
  • Semi-open technologyfor solid bass and airy highs
  • Patented Varimotion 30 mm XXL transducerfor accurate signal transfer and great dynamic range
  • Self-adjusting headbandfor optimum fit
  • The choice of professionals around the worldstage and studio standard for more than two decades

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The AKG K 240 MK II differs from the K 240 studio ( used in many recording studios) in two important ways:

Two cables are now included. One is the standard light weight cable, the other is a coiled cable. Headphone cables can break, now you already have a spare.

Second, the ear cushions have been made softer for a better fit. This improves the bass response. An alternate pair of ear cushions have been included as well. Use what works best for you.

All other parts appear to be the same (in design but not always in appearance) including the drivers.

The sound is the same, but it is easier to get good head contact with these new phones, thus fuller bass is assured.

A B listening tests of the two models went as expected, no difference in sound, other than loss of bass in the old pair when they were not put on exactly right.

The sound is the best I have heard for the money. To get better sound, in my opinion, you will need to spend much more money for a pair of Stax electrostatic phones. Listening tests were done on classical music for the most part.

Opera, choral music, piano, and orchestra CDs and DVDs were used. What is remarkable is the transparency, the ability to hear so many inner parts in a complex choral work, such as the Brahms Requiem. There is no smearing of fast coloratura singing, such as found in early operas, a serious problem with even high end speakers.

Rock music testing was done using Roger Waters DVD "In The Flesh live".

These phones handle lots of bass very cleanly. If the bass seems less than it should be, bear in mind that your body is not being shaken by the music, only your ears.

The semi open air design gives a very open stereo image that is very similar to sitting in a balcony seat overhanging the stage at Boston Symphony Hall. Basstreble balance of the phones also matched the sound heard live from the front balcony. For people who sit farther from the orchestra these phones may sound a little short on bass. To me having the tonal balance and spacial aspects match a real location in a real hall is nice.

I sing in choirs more than I attend concerts. The phones also simulate the sound I hear when I am positioned center stage. Of course, there is a difference, nearby voices don't stand out listening on phones. I get the feeling of listening from above center stage or below.

These phones do not produce a " inside the head" effect which is also nice.

Highly Recommended, with a warning, you may not like your speakers after you get addicted to these phones.

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Originally in use by me were a pair of K240M's with a hardwired cord, which eventually frayed internally and cut to only one cup working. After 3 pairs of Koss's I finally found these, a new and improved legend.

For a cheap Amazon price of $140ish you get the K240 MKII's, Leatherette and Velvet ear cups, a 15' Coiled Cord, a 9' Strait Cord, a screw on 1/8" to 1/4" adapter, and a gigantic AKG sticker. The cords are interchangeable and replaceable via the mini XLR connector, eliminating my previous problem of having cord issues internally.

Nothing has changed in the great sound of these baby's, but they seem to adjust better and easier to your head, and be a tad lighter. They have an impedance of 55ohms and a 200mw max that power the 50mm Varimotion patented drivers, exactly the same as their 240m predecessor. Now, they are semi-open phones so if someone put their ear against the outside of one of the cups, they'd hear exactly what you were listening to. This isn't bad because then you don't hear cord rub and there really isn't too much sound leakage.

Incredibly comfortable, and full of patents on the diaphragms, drivers, and headband, these phones are a perfect choice for anyone in a studio, doing some djing, or, just listening to great clarity at home.

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I've been using the Sony MDR-7506 headphones for about a decade, and finally decided to try out the competition. I was worried that the AKGs would be less comfortable and produce insufficient bass. I couldn't have been more wrong.

I've never thought of the 7506 as a bass-heavy set of headphones though the V700DJs and Logitech G35s certainly are. Forum comments suggested that the AKGs have lighter bass, but are better for mixing. Since I spend a fair amount of recreational time making music, I decided to give the AKGs a try.

What I've found is that the AKGs don't seem to be bass light, they seem to have a much more even balance between bass and midrange. When I switch back, the Sonys do indeed seem to have heavier bass and a lighter midrange. When I play my own music back, my better mixes are very clear and my weak mixes are very obvious.

Update: nearly two years later, I'm still very happy with these headphones.

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Caveat: I am not an audiophile, I just listen to incredible amounts of music at home through headphones. I've had these phones for six months, and for the buck, I don't see how you can get better. I was a closed phone person my whole life until reading that open allows the sound to breathe a bit, instead of rattling around your head like it was stuck in a bucket. I listen to every genre of music possible, and I've never enjoyed the sound more than with open phones. (there is a fear that they will be loud since they are open; I live in a one bedroom with my wife, and she can barely notice when they're cranked, which is often.)

The good: After breaking these in for the recommended 8+ hours, the sound came alive. There isn't a range missing, unless you're looking for bone-shaking bass; if that's the case, get some Skullcandy or Koss phones, and enjoy never hearing treble or mids again. These AKGs cover every range cleanly, with zero distortion.

The bad: They apparently are made a little more cheaply than originally manufactured. They are extremely light and can be fragile if not properly handled. Case in point: I put them on my head a little too vehemently after a few beers; the side cap popped off the left ear and the wire tore away from their connections. Bummer, but partly my fault. Still, phones should hold up to heavy hands a bit better.

The very good: After opening a ticket with AKG customer service (which took years to find), they processed my request and told me to ship them back and they would assess the damage and fix them free of cost (under warranty) if deemed the manufacturer's fault. Shipped at my own cost, they came back a week later in pristine condition free of charge.

The best: Interchangeable cords. I'm old school and prefer a coiled cord--these come with both. That's just cool.

I could not recommend these phones more for casual home music listening. You want perfection? Go spend $1K on Grados. I'm happy to have the other $900 for other uses instead.

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Roughly a year ago I was gifted a pair of Linn Tukan speakers. These speakers completely spoiled me as no speakers could match up to the sound quality. I also was given a Logitech Squeezebox with a HQ DAC. In the past few weeks that I have had this Logitech Squeezebox, I have been playing nothing but uncompressed music and it sounds fantastic through my Linn Tukan's.

Although, when I received my AKG K240 MKii's I was blown away. Now I have headphones that can match up to the beautiful sound quality of my Linn Tukan's. The mids and highs are fantastic. They sound incredibly pristine. As for the lows, the bass is tight and clean, allowing dubstep/house/electronic/dance fans to also have their fix. I myself listen to a lot of dubstep, electronic, some house, indie rock, jazz, classical, soul, hip-hop, rap, etc. They all sound great.

On a side note, these cans are built in Austria, thankfully. The quality is good but I would not say amazing. The dark blue plastic surrounding the drivers feels a little cheap-ish to me, but I honestly do not care. The bang for the buck is so good that it is definitely worth it. They are incredibly comfortable and very, very light.

These headphones also have an open circumaural design which I really like. Naturally, at high listening levels the sound will leak. This is good however. The open circumaural design makes for a perfect balance because not only does it sound better than the closed circumaural AKG headphones I've tried, but it is also much more comfortable. You will not get the feeling of being stuck inside your own head. Also, for anyone who has had a headache every waking moment of their life for the past two years (me. sigh...) then these headphones are perfect! I feel so comfortable listening to music at all levels and my headache has never gotten worse.

Shipping was late by a day, but nothing to complain.

The benefits of wonderful audio fidelity completely outweigh any negatives. Happy listening everyone.

On Stage MS7600 Hex-Base Microphone Stand, Black

On Stage MS7600 Hex-Base Microphone Stand, Black
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $40.99
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  • 5/8"-27 solid threaded upper shaft.
  • Die-cast zinc clutch.
  • Clip-on cable holder.
  • An 8 lb. base makes the stand more stable when adding a boom.

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This stand is very sturdy , very affordable, fits perfectly between instrument & music stands due to its hex base that is also a good wieght !

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This microphone stand is an amazingly affordable, definitely durable stand. I've had it set up on our stage for two years now and it has been dropped, beaten, thrown, used as a weapon (desperate times, my friend), and just about anything you can imagine a mic being used for (get your mind out of the gutter). It's done so well, and has proven to be a great asset.

The only reason there's not 5 stars is I have had better microphones for transporting, and the awkward shaped base does make it rather annoying for moving around (whether rolling it somewhere or storing it in a trunk).

In closing, BUY THIS ONE, it's great!

Monster On-Ear Headphones with Control Talk Universal (Red)

Monster On-Ear Headphones with Control Talk Universal
Customer Ratings: 4.5 stars
List Price: $169.95
Sale Price: $119.99
Today's Bonus: 29% Off
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I was hesitant to buy these, I tried many headphones and ear buds that I stopped searching. I finally went ahead an ordered them..and I was impress by the sound. These handle the treble, mids and bass very well, does not distort with higher volume. The bass is smooth, does not over power the music. The headphones fit great, very comfortable on the ears. The tangle free cable with the pause button and microphone is a plus. The design is unique, different from Beats. The best part is the value. The only thing I could criticize is the plastic feel to the headphones and it does not fold up. Other than that, I'm glad I found these.

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Fantastic that all i have to say... the sound is much better then in the over-hyped beats belive me I know.

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I work at Office Depot where we sell these headphones. When I tried them for the first time, I fell in love. And at one point I wanted Beats by Dre, but I saw these and they seem so much better. For the price I paid, these headphones are very comfortable, they are durable. On the monster website, it shows the flexibility of these headphones, and boy they are flexible. I think it takes a lot to actually break these things, compared to beats where they can easily snap if not taken care of correctly. The bass is nice and heavy, the sound is crisp and clear and if you want to be different, stand out, and still be in style, get these headphones! Everyone in my high school and the college I will be attending this fall all have Beats, I'm glad to be out of the whole bandwagon. Amazing,and since I DJ, I know whats needed for good headphones! Great product!

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I got tired of ear buds cause they just wouldnt stay in my ears and they always sound tinny, These hook right into my droid phone and sound great and block alot of the outside noise, could use a volume control on the cord but still quality.

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I have been searching for headphones that are comfortable, lightweight and pleasing to the eye. This product has it all and more. Sometimes you have to make the investment to get exactly what you want and need. By far the best choice I ever made. Highly recommended!

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Superlux HD-385 In-Ear Stereo Headphones

Superlux HD-385 In-Ear Stereo Headphones
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $14.95
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I have the previous model, the HD-381 series, all the 3 models, and wrote review about it in Head-Fi (by Earfonia). So I will compare HD-385 more or less with the HD-381, especially 381F.

HD-385 Tonal balance is neutral bright, more emphasize on midrange to upper midrange. Nice treble, good clarity, enough sparkle without being harsh or prone to sibilant. The bass is rather weak, less power than HD-381F. It is not really rolled off, but shelved down bass, meaning although bass quantity is less than average, the bass extends quite low, which is nice. HD-381F on the other hand, has more bass, fuller body midrange, and softer treble. Overall, HD-381F suits my preference better.

HD-385, like the HD-381 series, is a semi open design, meaning noise isolation is less than average noise isolation IEM. Good and bad. The bad is, HD-385 sounds best only in relatively quiet environment, not good for noisy environment. The good from the semi open design, is the absent (or very minimum) of driver's housing / shell distortion (resonant & reflection), that generally reduces clarity and causing other tonal balance abnormality. Clarity on HD-385 is very good, especially for IEM in this price range. The imaging is also good, feel more open, no narrow or congested imaging.

Detail is pretty good. Not up to the level of micro driver detail like my favorite JVC HA-FXD80, but definitely sufficient detail, especially for modern pop music to be enjoyable (a bit lacking for classical).

Dynamic is average, like many earbuds in this price range, not great dynamic, just sufficient.

Overall HD-385 is musical budget IEM with good clarity, good comfort, but the bass level is lower than what I like. I would give 4 stars if HD-385 has the bass of HD-381F. And I like the HD-385 1.2 meter cable better than the 60 cm cable of the HD-381 series.

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for the money, these are probably going to be hard to beat. only 4 stars because they are a great upgrade over most headphones that come with phones or music players, but there is still more to be desired

for in-ear/ear buds the only comparison i can make are to the denon ah-c260 which are around $22. these superlux are quite a bit cheaper

pros(and ways its better than the denon ah-c260)

fit they fit really really good. i can yawn, sleep, whatever and they dont come out or wiggle and start leaking sound

sound im not an audiophile and im not good at explaining it, but these are more clear, more bass. i dont know if burn in time stuff is real, but if it is, these havent had much so they will only get better if that stuff is true.

price cheap! better(or at least equal) than some that cost more(denon ah-c260)

i havent had them long or used them much so if i have any durability problems ill update, promise

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First of all, the total quality of these phones is that of the custom ones rather than universal phones. For instance, the general level of my Superlux HD-381F is that of my Westone W4, EarSonics SM3 and TDK BA-200, but the tonal condition of this set is more complete than the tonality of the HD-381F and better than all those and all the universal earbuds I have, except AKG-K3003i or T-PEOS H200 if ever.

It is never easy for the phone addicts like me to minimalize the quantity of their phones, because every high level of phones has its special individuality. But the HD-381F is the great helper for me in minimalizing my lots of earphones and helps me to put all my universal earphones aside to sell in the future.

I regard my Unique Melody Miracle are the Best ones among all earphones for classical music and romantic music as I am doing Beyerdynamic T1 among all headphones, while my Westone ES5 for romanctic music and electronic one, including FOSTEX T50RP/TH600/900 for romantic music. But my actual favorite earbuds for enjoying music with ease are these HD-385 for classical music and romantic one, Superlux HD681 headphones for the rock with romantic music and prefer DENON AH-D950(former flagship) together with Grado ps500 to FOSTEX T50RP/TH600/900, LCD-2/3, HE500/6 and needless to say DENON AH-D 2000/5000/7000 for romantic music and electronic one.

The great job the Taiwanese company of these phones is that they make the listeners easy to enjoy their music with maximizing the key point the listeners subconsciously demand for enjoying the music.

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Korg WAVEDRUMORT The Expanded Wavedrum Designed for Arabic Music

Korg WAVEDRUMORT The Expanded Wavedrum Designed for Arabic Music
Customer Ratings: 5 stars
List Price: Price Unavailable
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  • New sounds and new loop phrases have been added; finished in a rich, deep red color
  • Real drumhead and textured rim playing surfaces offer inspired performances
  • Innovative technology combines DSP synthesis and PCM samples; plus effects
  • 150 preset + 150 user programs; Live Mode stores up to 12 favorites for instant recall
  • Jam along to the 140 loop phrases or to the MP3/CD/AUX input; headphone output

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I bought one of the 'standard' wavedrums a while ago. Although I knew that a electronic drum would never really replace an acoustic hand drum, what I saw of the wavedrum convinced me that it had a lot of potential. I have enjoyed it immensely, and it has proved itself very useful. My main music type that I play is kind of a world fusion type, as well as Christian worship (contemporary obviously, but more in the vein of Kevin Prosch or Misty Edwards than standard Christian music. Spontaneous at times, incorporating several kinds of genres and instruments). The wavedrum fit in perfectly. Before, I had my whole set up at big events.. often times a drum set with a doumbek, some types of cajons, a riq, djembe, and a jingled darbuka handy nearby incase I wanted them. In set up B, I used a special cajon with a microphone I placed inside, and some of the same hand drums. Both set ups were a LOT to carry. The wavedrum has allowed me to lighten the load. The oriental even more so, because those added features really pack a punch.

Now like I said, the wavedrum is NOT a replacement for any of these drums, and I don't think it was intended to be. If you are a doumbek prodigy, you're going to play a real doumbek. The subtle technique used in those instruments is just something you need the real thing for if that's what your primary goal is. However, the wavedrum does emulate things very well. Better than any other electronic drum I've seen. I can get doum, tek, and ka depending on how I strike the drum in the 'doumbek' wavedrum algorithms. And the added algorithms and PCM sounds over in the Oriental over the original wavedrum are even more expressive. If you're not a world hand drum virtuoso trying to be a virtuoso, and you play many of these instruments live on a regular basis, I'd really look into this.

That being said, if you want the best from this, you will have to learn to tweak the sounds. It's not that hard, it's just time consuming. I started to recreate all the sounds that I wasn't too fond of, and tweak the ones I was fond of to improve them. I've found the chimes and cymbal/jingle effects are very high quality in the oriental, and I keep finding myself adding them into many of the sounds! It's getting ridiculous.

If you're going to buy a wavedrum, get this one over the original. It is worth it, particularly if you like Arabic/eastern percussion. Or, if you're a serious performer who already has the original, you could do what I did and use this in conjunction with it. You hook up 2 via the headphone out of one, and the aux in of the other (provided you turn up the aux in volume on the receiving wavedrum). It has proven very useful to me, and many people who hear some of the incredible embellished sounds it can make are just blown away.

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I got it into my silly head a while back that I wanted to take up drumming, and like a fool I dove headfirst into this little item. Strange waters for a beginner to go treading into, but I don't regret the purchase in the least. These are very deep waters, and I'm utterly delighted to be in them.

I'm very interested in synthesizers and am familiar with the quality of Korg instruments. After a lot of research on youtube.com and reviews in many publications over all versions of the Wavedrum, I felt that the Oriental Limited Edition was the one to go for with its 50 additional programs over the original (total 150), 9 additional algorithms and the availability of an additional 50 user defined presets (total of 150). After a few weeks of playing it, I replaced the head with a Remo 10" Weatherking Black Suede Ambassador which seems to be a close match for the Korg Wavedrum Black Limited Edition's Remo head. Was this necessary? Had I worn out the original head? Not in the least. This is one tough, durably made instrument. I just wanted to try a different head. Changing the head is a two or three minute operation and the tools necessary to do it with were provided with the instrument. There is an instructive demonstration on youtube.com for this. The new head added quite a different character and playing feel to the drum. Personally, I quite prefer the Black Suede Ambassador. Not a bad addition at $14ish dollars.

How qualified am I to give this review? Apart from being an owner of the object, probably not very. I can only give you my own experience with it and I don't have much to compare it with. I've never studied drumming and what I now know is mostly derived from watching videos and DVDs on drumming technique. Yes, I'm a percussion dilettante with little experience with drums apart from a few hours spent with a pair of drumsticks on a practice pad in college that belonged to my music major roommate. To tell you the truth, in size and shape this instrument is a lot like a practice pad. Unamplified it sounds about like one too. With its thick, strong aluminum rim attached to a dense, plastic body, I believe it's a lot tougher than a practice pad. All my hand drum experience is with a knock-off, Indonesian made djembe.

Do I use it for anything practical? A little. Mostly I just have fun with it. I do a little freelance game development at times and I love making sound effects. This fits right in with that. It's also a great way to blow off steam. Any solid object that won't hit you back is good for blowing off steam, but not so many of those sound as good as this does.

I wonder how the Wavedrum would play if it were attached to a wooden djembe-like body. I've observed that it's good at picking up sounds from my drum stand when I strike it. I think attaching this to a traditional, wooden drum form like a conga, djembe, doumbek or darbuka could be a productive field of endeavor. I've been having fun running a clip-on piezoelectric contact microphone through the Wavedrum's aux input and attaching it to things like stainless steel water bottles, paper towel rolls and even sheets of copier paper to explore their percussive qualities. Could not such a mic be run through a wooden base be used pick up some interesting hand slaps and mallet blows? All you need for such a thing already exists in the Wavedrum. I think you, the engineers at Korg, or a third party developer could have an interesting Wavedrum accessory on their hands with this idea. You heard it here first!

To make the most of this instrument is going to take you a lot of work. Fun work though. It will take you quite a while to exhaust your exploration of the 150 instruments it 'contains.' It's going to take you longer to master programming your own drum patches. I'm not saying that it's so difficult as all that. I mean that the number of variables available to you is huge. Even more so with the Oriental Limited Edition. You're going to need to have your owner's manual at your side to do it, and it requires study. Indeed it does. Study that I find is richly rewarded with all the amazing sounds I can get out of it.

Many have noted that this drum is not a substitute for the many many ethnic instruments that it is able to emulate. Of course it's not. But it is a musical instrument in its own right. It has its own unique qualities, properties and characteristics. Just as it is not a replacement for all of those drums, those drums, for all their virtues, cannot replace this one either.

Thanks for reading such a long review! I deeply enjoy this instrument. I just wanted to convey that.

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All the stuff that was already said. :) The Oriental edition is the Wavedrum with just about twice as many great sounding programs, algorithms and loops. It takes hours to explore all the tasty sounds in a Wavedrum; double that for the Oriental. But like all good drumming exercises, soon your thoughts stop and you begin to heal. Namaste!

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This is a very responsive electronic drum. This version should probably be called the Middle-Eastern edition because the focus was more on that than say Taiko or Chinese drums. So if you're expecting Chinese/Japanese/Korean kinds of drums, you won't find that many on here. However, the Middle Eastern style drums are pretty cool and responsive. There are drums from Africa and other places too.

Pros:

More sounds to choose from than the Original or Black edition of the Korg Wave Drum.

Very responsive.

Sounds great.

Detects what you are playing with (sticks, mallets, brushes, chopsticks)

You can do cool sound bending tricks by pushing on the head.

There's bumps that you can scrap on the rim to make different noises.

Cons:

Switching from patches takes a long time unless you save it to the pre-loaded banks (like 5 or 6 seconds, which means you need to set things up for shows)

Headphone and outputs are a little low in volume even when the volume is set to max. A mixing board can fix this.

The snare drums on here probably shouldn't be used since it is not the bounciest drum head to play on (due to whatever's under the actual swapable drum head)

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If you have not used this thing before you buy itthen go check it out at a music store. It is a bit more complex than I thought it would be. Took about an hour to figure out how to properly adjust the sensitivity on the head and rim, and I still dont think I got it right. Perhaps its just the instructions, a DVD would be nice w/ it. Seems pretty solid built though... its a unique tool to say the least.

Samson S Phone 4 Channel Headphone Amplifier 12 Outputs

Samson S Phone 4 Channel Headphone Amplifier  12 Outputs
Customer Ratings: 4.5 stars
List Price: $284.99
Sale Price: $169.99
Today's Bonus: 40% Off
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  • Two Master Stereo Inputs plus Stereo Link Output
  • 8 Segment LED Metering on Each Channel and Master
  • Three Headphone Outputs per Channel (One Front Panel and Two Rear Panel Outputs), Auxiliary Input with Balance Control provides four Channels of "More Me" Mixing
  • Mute and Stereo/2 Channel Mode Switches and 2-Band EQ on Each Channel
  • Maximum Output Power on Each Channel (Regardless of Headphone Impedance)

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I needed to boost the output of my combo Android mp3 player and Yamaha drum set as well as try to get the maximum from some Senheiser 650s both in volume and frequency response without distortion. I tried a $50 ART HeadAmp4 Four Channel Headphone Amplifier. Got bass distortion never heard with the unamped system before. Decided to sink some real $$ into the project (but really $170 isn't high for an amp with equalizers, that can also handle 12 sets of headphones). This thing is a Gift from the Gods. Some reviewers say you can't get good sound quality from mp3-s and you have to convert your whole music library to lossless. Bull. I'll say it again that's NOT TRUE.

Although I admit I'm using a very good Android tablet-based mp3 with excellent sound Crystallizer and Expander, I am hearing music and my drums like never before. The sound is RIGHT. I hear lyrics and lead guitar licks in songs I never heard before.

Using the Senheiser 650s doesn't hurt (trying this system with (burned in) AKG Q 701 Quincy Jones Signature Reference-Class Headphones ($250) was far less sonically precise and deep but the center of this system, the Samson S Phone 4 Channel Headphone Amplifier 12 Outputs is a miracle. I would pay double for what it gives me in 1: Volume range, 2: Bass depth and control, and 3: Treble pristine treble. I now hear one of my Yamahama crash cymbals that previously was completely negligible. My ride sounds crisp and clear. My snare is right in front, where I want it, and the bass and tom toms resonate with tremendous deep tones. I now hear my full drum set AND hear the source music like never before.

I can drive this headphone amp in volume or bass or treble to extremes that would hurt my ears and distort the music. I barely use 15% of its adjustment capacity. But for some older CDs converted to mp3s, the range is there to get the sound just right.

If you're a drummer and looking to really hear what the manuf produced, you must get a decent headphone amp. The Samson S Phone 4 Channel Headphone Amplifier 12 Outputs is a BMW. I now look forward to and get into my practice sessions like a crazy young kid.

Obviously I can't say enough about the Samson S Phone 4 Channel Headphone Amplifier 12 Outputs. It has changed my world. I DARE any other headphone amp priced under $400 to try to touch it.

BTW do it right and use a first class TRS cable to connect to the amp: Premier Series 1/4inch (TRS or Stereo Phono)Male to Male 16AWG Cable Gold Plated 6ft ($7)

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This headphone amp works great, sounds good, and is built well. I'd buy it again if I need another one.

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This review will be simple, as most reviews are positive, as I think they should be. It's a fine unit for recording bands. I just want to make audio guys/pros/semipros aware that there is serious crosstalk between channels on my unit, so it would not be in the least bit useful for controlling multiple projects/rooms/speakers at the same time.

For example, when using the front aux inputs, you can have a separate stereo feed running into each of the 4 amps, combined with the main feed from the rear. If, for instance, you wanted 3 different users to be hearing only themselves and the main feed, this unit would be trash...they would be distracted by hearing the other user signals in the mix via crosstalk. Serious design flaw.

For bands or studio monitoring where there is only one mix happening at once, it works just fine, as the difference in db is, at my guess, around 20-25db difference, and masking will make the crosstalk effect negligible.

Also beware that you have to run a stereo feed into the front aux port or you will only get sound in the left phone.

Great unit for the price. I also highly recommend the OSP HPA-400 (recently rebranded) found on ebay for $100 if you have a cuemix setup to run prior to the amp and you are on a budget.

Cheers.

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an excellent product. I use it with my band. The bass and treble controls are very useful when using different types of headphones. and the AUX is fairly useful for mixing individual channels. Equipment is something noisy when input is wide open. Solved the problem by sending the maximum output from the mixer and closing more the main input gate

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good amp...excellent build qauliy, no noise or humm which is the most importane to me, the eq is good and the sound is fair. well, a high end headphone amp will sound much better but for the price, you can't get better than this one.

PreSonus AudioBox 22VSL (Advanced 2 x 2 USB 2.0 Recording Interface)

PreSonus AudioBox 22VSL
Customer Ratings: 5 stars
List Price: $249.00
Sale Price: $196.81
Today's Bonus: 21% Off
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  • 24-bit / 96 kHz 2 x 2 USB 2.0 recording interface
  • 2 dual-purpose front-panel input channels
  • Mixer control (blends the input signal with the computer playback stream for zero-latency monitoring)
  • Headphone jack with level control
  • Main-output level control
  • LED clip indicator for each channel
  • Studio One Artist digital audio workstation software included
  • Virtual StudioLiveTM (VSL) control software included

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Presonus has impressed me yet again, and here is why. I might sound like a sales rep for this product, but rest assured I am not. This device is just that good. Add to the fact that I snapped this puppy up for $80 on a late night eBay snipe a month ago, it was like Santa decided to surprise me early. This is an in depth review as I wish to cover all facets of this amazing little device.

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Features:

1) 2 solid XLR combo inputs with excellent xmax preamps (found on their more expensive devices like the famous StudioLive mixers). These babies output a clean signal with very low noise. Great range (-15dB to +65dB) for gain on inputs offer flexibility. Many USB audio interfaces fail at pumping out such a high gain which is invaluable if you are using dynamic microphone like the Shure SM7B which needs 60db of gain. Most Focusrite USB interfaces only go up to 55db. By previous interface (Yamaha audiogram 3) failed miserably at powering dynamic mics. And for very sensitive mics, the signal goes all the way down to -15db, which is extremely quiet.

2) Sample Rates and Buffer sizes: Offers a variety of sample rates 44.1, 48, 88.2 and 96kHz. 24 bit depth is a standard in most new interfaces, so no surprise there. The buffer rates range from 64 all the way to 2048. Buffer rate is basically the time the DAW has to process the audio signal and return it to the interface. So if you use low buffer, it will be very processor intensive. And if you processor is pushed hard enough it will start to clip and crackle. But it offers the advantage of low latency. High buffer rates does exactly the opposite. This is useful while playing back the audio as the CPU has more time to process, hence can withstand many effects and plugins. But while live monitoring will cause higher latency. But this vast range gives me great flexibility while recording, playing back and mixing. The latency at 256 buffer size is under 10 ms (double that to get real-time latency, to PC and then back to device). This is by no means stellar, but around the same as USB interfaces at a similar price-point. Moreover, latency to me is not a problem with the zero latency monitoring of the VSL.

3) Virtual Studio Live (VSL) (look at uploaded pictures): This is the killer feature that puts the 22vsl at the top of my interfaces preferences. VSL is nothing but a software interface (basically a window) through which you can control the interface. You can apply processes like compression, limiting, gating, EQ all individually to the 2 channels and hear them LIVE on your headphones on monitors. Further more by applying these effects in post, you can record tracks with the effects on them. This reduces load on your DAW as the signal itself has all these effects. FYI Presonus calls all these effects in summation as FAT channel effects.

The 2 main stereo bus effects are Reverb and Delay (processed by the two 32 bit DSP chips of the interface). And those 2 effects are the only ones which you can only hear on the headphones live and NOT record onto the tracks live through post. The reverb and delay effects are of good quality and enhance the recording experience SO much.

The VSL software interface comes with a variety of presets. So if you plug in your vocal microphone to the interface and don't know what effects to apply you can apply fat channel and FX presets by simple drag and drop. Not only that, you can save the entire VSL window settings as a scene preset. So if you intend to use the device at a live concert, you can simply drag and drop the scene presets as you wish.

The VSL offers a faux near zero latency monitoring, by means of bypassing the daw output while recording. This is where the inbuilt effects come in so handy that I don't have to rely on the daw for live monitoring. This feature is of course not of use when recording guitars with VST effects, as then you rely on the DAW for signal processing.

4) Software: Apart from the VSL graphical interface, the 22 vsl comes with Presonus Studio One V2 Artist edition. Usually the DAW's which come along with budget interfaces are mediocre at best. But the artist edition of this DAW is fairly capable. It offers a clean interface making the workflow extremely efficient. Further more, the software is fairly stable, really processor efficient and very intuitive. I fell in love the software to such an extent that I went ahead and bought the entire producer edition, which is the DAW of my choice right now. It pairs very well with the interface.

One BIG flaw with the artist edition is that it DOES NOT support VST's, DX or even rewire. This is a major flaw and hope that Presonus fixes it. I guess they want to ensure profits on the more expensive versions. To mitigate the lack of support of VST's, the artist version comes with some effects: some which sound good, some passable and some downright terrible. Over all, as a software included in the package it is steal. For the stand alone street price of $99, not good value.

5) Build Quality: The unit is well built with the all metal chassis and looks like it is going to last me a while. It is not the prettiest interface with a seemingly slightly outdated look. But that is only for superficial concern. The trim knobs feel very solid and have notches which give you slight tactile feedback as you rotate them. Also the balanced outputs are a plus, although a standard in many interfaces these days.

6) Support: Presonus although a formidable name in FireWire Rack modules, is relatively new to the world of budget interfaces, DAW software and Pro-sumer mixers. Hence their support group is very eager to help out their ever growing consumer base and iron out issues on a regular basis. Also, their forums are full of helpful end users(ranging from absolute amateurs to middle of the line professionals) who can help out with issues and offer valuable suggestions. This is a huge pro in the long run and coaxes you to get tied into the Presonus world.

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CONS:

1) I initially faced some driver issues while plugging it into Windows 8 USB 3.0 ports. A short download later, the latest 1.2.1 beta driver however seems to have fixed all issues. In any case, returns are always an option with most retailers selling interfaces.

2) No 10 db pad

3) Included software has no support for VST, DX or Rewire

4) The instrument inputs are unbalanced, instead of being balanced.

5) Slightly aged styling

6) Latency although is fairly low IMO, isn't stellar enough for some users.

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Comparisons:

a) Presonus Audiobox: Avoid it. It has been a hit or miss with many. Besides, the 22vsl is the succession to the audiobox which was Presonus' stepping stone to better interfaces.

b) Avid/M-Audio interfaces: The Avid Audio(formerly M-audio) interfaces are either a hit or miss. The driver performance in inconsistent and build quality is shoddy at best. Although they might work for some, much better products are available these days and I would advise people to avoid the brand altogether

c) Focusrite: The Focusrite changes USB interfaces in that they were amongst the few companies offering products with stable drivers and predictable performance. The preamps are a tad bit better, given that Focusrite specializes in them. But in the average recording session, these are almost imperceptible. The Saffire 6 comes with more i/o options and has more pads giving you more control. But these pads are of little use to most. The slightly cheaper scarlett 2i2 offers similar stability with a few less features than the 22vsl. But the feature that beats every USB Focusrite interface is the VSL. That as I already mentioned is very useful killer tool.

d) If you have a spare hundred lying around, invest in the Roland QuadCapture which does everything the 22vsl does and more, better. It comes with a whole host of great features, and offers pristine sound. Great feature set, superb build, amazing sound, professional semi-professional to professional class. I would have bought it in a heart's beat had I had the money to spare. Even at the $270 price point, it is amazing.

e) Firewire devices: If you have a firewire/thunderbolt port, I would definitely recommend firewire devices over a USB device. Especially on Macs, firewire offers higher bandwidths, and many more options for quality interfaces. Everything from the $200 M-Audio ProFire 610, to the $400 Focusrite Saffire Pro 24 DSP, to the latest and greatest $600 Motu Track16, to the industry altering Universal Audio Apollo at $2600 (most amazing interface I have heard of my life, a huge bridge between analog and digital worlds). Firewire just offers more i/o options, gets better signal processing results, comes in a variety of price points and offers ultimate flexibility. USB 3.0 can challenge it hopefully, but the audio industry hasn't responded to the new USB standard yet.

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Final thoughts: Overall I would absolutely recommend this unit to anyone considering a budget interface for home recording purposes and live use. The VSL effects and controls are to me an absolutely stellar feature and makes recording an enjoyable experience always. Add to that the pairing of Presonus DAW software, it makes the experience even sweeter. I would definitely recommend this over any Focusrite interface purely because of the VSL features. If not for the VSL, I think Focusrite interfaces might just nudge forward in certain areas.

Buy PreSonus AudioBox 22VSL (Advanced 2 x 2 USB 2.0 Recording Interface) Now

Wanted to pass along this information because I hadn't seen it in other reviews, but this audio interface is perfectly compatible with the new Garageband 2011 as well as with Mac OSX Lion. Like many others, I wish I had the money for an Apogee Duet, but wanted a solid interface for one third that price that is plug and play with Apple products. This fits that bill perfectly....install the drivers and record away with Garageband, or just use their amp modeling to monitor guitar, bass, keyboard.....whatever you like through this great interface. I always have a guitar or bass and a mic attached to this thing, along with a MIDI keyboard. It just works!

I haven't messed much with the included software because this thing is so easy to use with GB or Logic, but I'm sure it's solid as well. Great product for the novice recording artist!

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Presonus makes good products but they are a bit pricey when compared to the competition, with no apparent reasons for that. They all have pros and cons and similar quality. This unit, for example, is not designed to take line-level inputs, making it a little limiting if you want to connect a drum machine, keyboard, synthesiser or even an electric acoustic guitar with a built-in pre-amp. At least they are honest enough to tell you this in the manual (page 5).

You would need to buy the 44VSL to be able to connect active instruments, but it would cost you $300. A better option would be the NI Komplete Audio 6 for $230, or the Presonus Firestudio Mobile or the Focusrite Saffire 14 for about $250. These have more line-level connections on their backs.

The other small units from Mackie, Focusrite and Steinberg also offer the same quality (again, with pros and cons), but their inputs allow for line-level instruments. The Presonus 22 does not. They are also $50 cheaper. Some have Midi connection, others don't. Some offer USB 1.1, while others have USB 2.0. You will need USB 2.0 or Firewire if you plan to record more than two tracks at the same time (if you have more than two inputs, of course). The new Steinberg UR 22 is a great unit for $150, however, it allows the connection of only one guitar without a DI box, i.e., it has only one Hi-Z input.

At the end, think twice before buying these interfaces. You need to know exactly what you will (or may) be playing and what you want to do while recording. Many of these units were launched years ago, so can we expect some upgrades in terms of hardware soon?!?! I hope so. There are still a lot of obsolete equipment out there that allows multiple inputs but only two tracks recording due to the limited connection (USB 1.1) and design. I am now getting into the mixer/interface combo world, but this would be a more expensive option.

Anyway, good luck in your search for the "perfect" low cost interface. Do your research. Get to know the unit's inputs, connection to the computer, sampling rate, the "bit", quality of the pre-amps, etc. You will need all of this to make a sound decision.

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This thing is amazing. I was using a FastTrack MkII by M-Audio, as well as a MXL MicMate Pro. The issues I was having with them was that I was getting noise from my mics (both ribbons and condensers, and even a dynamic, especially on the FastTrack). I was having to use noise removal, and it was making the audio sound really artificial. With the 22VSL, no noise! And the gain works awesome!

I've became an instant fan of PreSonus. The Studio One software is rock solid crash proof, and the VSL portion of this is beyond description (no joke, once you get the hang of it, and pick your jaw up from the floor, you'll wonder how you ever got along without it).

I was looking for something with better pre-amps than what I had, and from other reviews, I knew these where really good. But, I was totally unprepared for just how much better these were. It's not just marketing hype, these "xmax" pres are, for a lack of a better word, perfect.

The device appears to be indestructible. Everything about it appears to be a testament to good engineering. For instance, the knobs have ticks so you can perfectly restore a position when switching mics, and you can exact match between two identical mics. The connectors are all top-of-the-line, and the phantom power switch is lighted, so no disastrous mistakes. I am confident this device would survive being in a gear bag, but it's sexy enough for your desktop with clients.

The only reason not to get this is if you are opting for the 44VSL instead.

One issue I had, though, was a clicking in Sonar X1 Producer on songs that had more than 9 or so tracks. This was caused by my not selecting ASIO (Sonar choose some stupid defaults when I switched interfaces). Once I did that, latency dropped to darn near 0, and fidelity became perfect regardless of how many tracks I threw at it. I mention this because Sonar's forums suggest increasing the buffer sizes, which should have been a last resort type thing. It only happened in Sonar, all other DAWs selected the right driver settings first shot.

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I will be honest, I haven't had great luck with $200 as my price ceiling for recording interfaces. I don't make money with my recordings it's "just" a hobby, but it goes without saying that I want a device to get the job done. I started with a Fast Track Pro, which has more connections than you can count, but contains pathetic mic preamps I couldn't even use a Shure SM58 with it. Then I got the simpler Mackie Blackjack which has the best preamps I've heard on a sub-$200 device but is burdened with unstable Windows drivers that eventually wore out my patience.

The Presonus 22VSL is a great compromise it offers two inputs (with clean, high gain mic preamps), MIDI connectivity and rock-solid drivers. Moreover, it includes the excellent VSL (pre-DAW) mixing software that would be far better explained by a YouTube video than I am capable of in an Amazon review.

The important thing to know about the VSL software is that it allows you to create a mix of your inputs with EQ, compression, reverb and a couple other effects. You can then use that mix to monitor yourself as you record. You don't have to save that mix in your recording program, but you can (Note: only the EQ, Gate and Compression can be written to your DAW). Thus far I have only use the VSL effects for monitoring purposes, but I have a friend who recorded several pieces using the VSL effects and they sound great.

Bluedio R+ Bluetooth Stereo Hi-fi Headphone the upgrade version of R Supports NFC aptX® audio supp

Bluedio R+ Bluetooth Stereo Hi-fi Headphone the upgrade version of R Supports NFC aptX® audio suppression solution Bluetooth4.0 8 Tracks headset Support Line-iN Mode Multi-Media Playing Micro-SD Card(32GB) Playing
Customer Ratings: 3.5 stars
List Price: $299.00
Sale Price: $135.00
Today's Bonus: 55% Off
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I was having one heck of a time finding a decent set of bluetooth headphones. I found the older Bluedio R headphones and almost pulled the trigger on purchasing them. Then I saw on their website the new R+ version. These come with Bluetooth 4.0, NFC, and a little bit longer battery life. I was a bit hesitant to purchase from a brand I've never heard of, but wow. I received these last friday and they are amazing. I am no audiophile, but quality is great, bluetooth works perfect, nfc a bit gimmicky but that also worked as designed (tap phone to headphones and pairs instantly). I had also tried the Beats Wireless headphones, which were 100$ more than these, crappier audio, and smaller/tight on the head, those were returned right away. The Bluedio R+ headphones are extremely comfortable, they're a bit bigger than other headphones, but they don't weigh much at all. You forget they're on your head after an hour of rocking out. They also do a great job canceling out noise. There is alot of bass, but not to the point it muffles out sound. These also turn into a usb headphones when plugged in via the charging cable, which is useful when using on a laptop/desktop computer. I am so far happy with my purchase, great product, great build quality, would easily recommend these to anyone. They're worth a try, you'll love them.

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I am absolutely STUNNED by this product. I could go upstairs and with no wires listening to my music leaving my Ipad mini downstairs. If you like bass, but not to much, Get these. I eq'd these using my Laptop's driver. everything boosted up I guess, lol it did the trick though. Also, I liked the function of the side controls especially. These feel very sturdy as even when you fold the pair they "lock" into place in and out. As an average consumer I am very pleased with this product. But, that is not all. May I warn you that the Noise cancelling isn't actual noise canceling, its really just noise isolation. Also, there is an amount of noise leakage that could maybe get you a bad reputation at the library. Also, these headphones are very comfortable to me, well, At least they are more comfortable than the ableplanet Linx audio Noise cancelling headphones. Plus, these cans include a carrying case, audio cable, and a usb cable to charge and update. The package includes a handy user manual. Besides the broken up english, good job on that part. May I also include that these headphones aren't the lightest and smallest headphones, meaning I wouldn't wear these outside if you don't want alot of attention and stares at your cans BUT, on the bright side you can still fold them. Also, (sorry for so many alsos :P) If you are more in for the best most accurate possible sound quality, look into the ATH M50s or the ATH PRO700s. Last but most definitely not least, is the amount of battery these cans have, It is very imprsessing. 24 Hours, correct me if I am wrong please. If you disagree with this review, feel free to comment. Thanks! :)

I will now include a pros and cons list.

Pros:

Battery life

Wireless

Foldable

Bassy (I like bass :P)

Durable

Side controls

Rechargeable

Microphone (I think)

Comfortable

Price is AMAZING

LED light notifications

Cons:

Quite large

NOT NOISE CANCELLING

Not the best case, I recommend getting a more protective case.

May be to bassy for some

Manual isn't the best

Is it just me hearing a buzzing noise in the background? please help! (may just be me)

Thank you for reading this review, I hope this helped!

Also, please keep in mind I am an AVERAGE CONSUMER.

Buy Bluedio R+ Bluetooth Stereo Hi-fi Headphone the upgrade version of R Supports NFC aptX® audio supp Now

The sound is really good, even better if you find an equalizer, they are conformable even after several hours of use, and easy to pair

Install a new firmware is quite an endeavor and had to spend several hours trying that the pc detect the device in the proper mode

The noise cancelling works just by covering your ears, not the active noise cancelling that was advertised but it works well for me

The battery life in my case is of around 20 hours of use

I am reducing 1 star because I notice that one of the sides is a bit louder ( something that I can adjust on a pc or phone), also, something else that I noticed is that the mic is not the good for phone calls, for some that may be a really bad thing, but I didnt intended to use it as a hands free so for me it is ok

Read Best Reviews of Bluedio R+ Bluetooth Stereo Hi-fi Headphone the upgrade version of R Supports NFC aptX® audio supp Here

Took the plunge and bought these and glad I did, fit is great and I have a fat head, they aren't too heavy, pairing was very easy, listening to SD card as I type this and it sounds great, has built in EQ for SD, if you like bass it has great bass almost too much but it doesn't fuzz out on you is clear bass, has different EQ for the Bluetooth that you can download at Bluedio web site, packaging is perfect, mine came with enough charge to try it but you'll need to charge it after that, the 8 track sound system sounds awesome, they do bleed some and the noise canceling is decent but not the best, over all this is a great pair of headphones for the money.

UP-DATE 9/20/2013

Have had these for a while now and thought I'd up date my review. I had given them four stars but not anymore. I still like the sound,the pairing and the fact that it has an SD card for listening, however the SD card has a couple issues that need to be attended to. I have sent three emails to Bluedio with absolutely no response, none, nada, zip, like they never got'em. The issues you can work around but I feel they should be fixed and can be fixed with software up dates, the issues being; #1 When you start up the SD card player the volume comes on as loud as possible, is deafening if you have them on, I found out the hard way and it almost hurt my ears. #2 When you start up the SD card player it always starts at the beginning with the first song. Neither the directions or the web site is any help. There is an upgrade at the web site but it doesn't specify what it is updating and it is frustrating to figure it out. You have to download a program of there's install it and then try and figure out the word doc(if you can get it to open), hook the headphones to your computer via USB and then try and install the firmware update and the EQ update and hope you didn't screw up your headphones so they don't work at all. I have not done any of the updates as yet, not sure if I will I'm scared I'll screw them up and not be able to use them at all and with Zero support well ... out $$$.$$. Now the other headphones, the Bluedio R is what my wife bought and they don't have these issues. Like I said you can work around the issues on the Bluedio R+ headphones but you shouldn't have to for the money you spend. I recommend them for the sound quality but don't recommend them for the support. I would return them but I have gone past my return date, looks like I keep'em whether I want them or not !!

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Can't use them if the battery dies even with using the audio cable. You should be able to listen to music using the cable plugged directly in to the music source when the battery is dead. Of not for that than I would give 4 stars.

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IDANCE CRAZY601 - Watt - Channel Recording Studio Equipment , Purple

IDANCE CRAZY601 - Watt  - Channel Recording Studio Equipment , Purple
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $29.00
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  • Super Aticulated Headband,Extra Bass with Open Ear CUP,Foldable for EZ transport,Stereo headphone for iphone,with inline microphone,Light weight for outdoor digital audio,Customized Comfortable soft ear pad and headband
  • Driver Unit: 44mm, Driver Type: Neodymium, Impedance: 32, Sensitivity: 108dB+/-3dB
  • Frequency Response: 15Hz~20KHz, Cord Length: Approx.1.5m, Cable Type: PVC, Plug: 3.5mm ,gold chrome

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they do the job. They are excellent for blocking outside noise and have a pretty decent sound quality although there can be a slight echo that you'll only notice if you've been around music as heavily as I have been. The mic is alright, not recording quality and eh for skype calls and the like; very echoey and crackly. What i like is they're sturdy and don't really heat your ears nearly as much as some other over the ear headphones that I've had. One downside is they were supposed to have come with a free dj software but the serial was missing on the flyer that came with the headphones. Overall, good for what you're paying and good if you have a noisy household you want to block out.

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Excelentttt!!!!!!!!! i bouthg this item and the sound is incredible... you can by it i recomended, see ya . .