Showing posts with label best headphone. Show all posts
Showing posts with label best headphone. Show all posts

3.5mm Audio Y Splitter Cable for Speaker and Headphones

3.5mm Audio Y Splitter Cable for Speaker and Headphones
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $0.21
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I got this to be able to attach speakers and a headset to my computer. When my wife is around and I don't want to bother her I use the headphones. What's to say? It does the job!

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Working well so far.

Other cables I own like this seem to be thicker insulation.

More durable design than this one.

Good enough for the price.

does what I need it to do.

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I purchased this product to connect speakers from a CD player in my excercise room and it works perfectly. fantastic bargain!

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Loss of richness in both connected items. Don't waste your money. Cable length shorted than expected. This could be why the sound quality is diminished.

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good buy! I needed this for my mp3, I to travel a lot, so is necessary for me. Has a good quality and working fine.

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Griffin GC17103 Auxiliary Audio Flat Cable-3 feet, Black

Griffin GC17103 Auxiliary Audio Flat Cable-3 feet, Black
Customer Ratings: 5 stars
List Price: $12.99
Sale Price: $8.90
Today's Bonus: 31% Off
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I received the Griffin GC17103 Auxiliary Audio Flat Cable (3 ft. Black) in PERFECT condition 2 DAYS EARLIER than the estimated delivery date for the FREE super saver shipping. I have had the cable for about 3 weeks at the time of writing this review.

Pros:

-The slim "tape-worm" design of the cable makes it more flexible

and allows for better movement in the car for both driver and/or passenger.

-The steel ends of the plugs are very durable in not only their looks, but their feel as well.

-The sound is very crisp and clean as opposed to transmitters that are wireless and require the use of radio waves.

Cons:

-The only negative aspect for the consumer would be the short length of the cable, but that is dependent upon the individual.

At this time I am not sure if they come in longer lengths. During my search only 3 ft. cables were shown available for sale.

Conclusion:

Although I have only owned and used the cable for about 3 weeks, I am very impressed and satisfied with its quality of performance.

I highly recommend this product to anyone looking for a dependable mp3 transmitter.

I previously ordered the Monster iCable 800 MP3 Player to Auxiliary Input Cord which lasted me for about 6 months.

I am anticipating the Griffin to surpass that life span.

I will update my review as necessary with any future concerns.

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Use as main aux cord in my car, the cable feels great. The quality is good, it doesn't tangle, and music plays w/o a problem.

After trying at least 10 different aux cords in my car, I would definitely recommend this cable to anyone.

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Good quality aux cable. Not much to say. The flat cable design allows for tangle free storage the reason I bought the cable. The connector easily fits into an Iphone with a case.

Recommended.

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I originally bought a Monster cable but it started malfunctioning after 6 months. This cord cost me less than 1/2 of what the Monster cable did and works just as well.

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I am really glad that I decided to purchase this one instead of one of the round cables. I really like that I won't have to worry too much about it getting tangled up.

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Vox Pathfinder 10w Bass Combo Amp

Vox Pathfinder 10w Bass Combo Amp
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $99.99
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  • Two 5" Vox Bulldog speakers
  • 10 watts of power
  • Drive control for adding distortion
  • Bright switch for edgy tone
  • Headphone jack

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Needed a Vox amp to round out my collection of Beatle gear, was plesantly surprise by the sound coming out of the little box. No going to scare the neighbors with it, but will work fine for a jam session with friends.

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Focusrite Scarlett 8i6 8 in/6 out USB 2.0 Audio Interface Featuring Two Focusrite Mic Preamps

Focusrite Scarlett 8i6 8 in/6 out USB 2.0 Audio Interface Featuring Two Focusrite Mic Preamps
Customer Ratings: 4.5 stars
List Price: Price Unavailable
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  • Two high-quality award-winning Focusrite preamps
  • High-quality 24-bit/96kHz USB interface
  • Total I/O count of 8 inputs and 6 outputs
  • Scarlett MixControl ultra-low-latency DSP mixer/router
  • Xcite+ Software Bundle

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I have not experienced any of the issues that previous reviewers have encountered. I am running a Windows 7 desktop with a 6 core AMD processor and 8 GB of memory. I installed the software directly from the Focusrite website and was up and running quickly. This is the first interface I have bought for home recording and have found it relatively easy to use. The Scarlett Mix Control was a little confusing at first but after carefully reading the manual I have figured it out. I installed Ableton Lite with no issues and have also installed Reaper which is mainly what I have been using as far as DAW software. The pre-amps in this unit sound wonderful and I have been recording guitar and bass dry and adding effects afterwards and I am totally happy with the sound. I have been recording vocals with an Audio Technica AT-2040 mic and vocals sound great through these pre's. I don't know what to think about other reviews here but I have had no problems with this unit. I am a computer technician so I tend to pick up quickly on computer related things and out of the box I was up and running and starting to record in less than an hour after unpacking. And this from a guy who has never used a recording interface before. Focusrite has a great reputation and having used Focusrite preamps in the past I was sold on buying this unit and I am glad I did. I am completely satisfied and I highly reccomend the 816!

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I have owned the Presonus Firepod for 7 years and recently gave up my old desktop for a laptop which does not have firewire. So after 3-4 hours of research I decided on the Focusrite Scarlett 816. I read the issues about the latency/static/drivers but am a computer person and had exp with the firepod so I crossed my fingers and bought a factory refurbished model for $175, hoping I could deal with any issues that came up. I got the unit, and first off really like how compact it is compared to the monstrous Firepod, loaded the drivers turned it on, plugged in my bass and was able to hear it through my headphones...but there it was...the terrible glitchy static sound. I screwed around in my prefferences on Ableton for 10 mins like a dummy and then just went out and registered the Scarlett and downloaded the new drivers, rebooted everything, and then plugged back in and everything was perfect and i was relieved. I goofed around with it for 5-10 mins with no effects and was impressed with how warm my Peavy Cirrus sounded just straight in. It is early, but to me it had a much warmer and authentic sound than the Firepod. (In the pod's defense it is 7 year old technology.) As for the unit itself, it is nothing fancy to look at but made solid with well made knobs and looks like it is made to do what it is supposed to do with no frills...which I don't have a problem with. I have not tested the phantom power which I need to do but may update once I test with Audio-Technica 4040. I am rating this a tentaive 5 stars assuming it will continue to work as it did on the initial tests.

The Good:

1. Seems to sound better than Firepod

2. Compact and light. Runs very cool compared to Pod.

3. Appears solidly built

The Bad:

1. Faulty out of box software drivers.

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I went out and bought the Scarlett 8i6 at the local music store the salesman there, who runs his own home recording studio, didn't have any qualms about the piece. And after owning it overnight, I do not either.

Sure there were driver updates to go through, but that took an hour and a half, maybe two hours. So I started updating, and took a few breaks, watched some football. After that, the system was ready to go, and I was able to record my first song after following some of the ableton directions. I guess a possible source for poor quality may be in the sound: I don't really know because I didn't hook up any monitors yet (I've gotta save up for those first).

So maybe I'll check back in a little while to see if I'm having the same problems as everyone else. Hopefully not, but I guess there's always a return policy.

Fingers crossed.

Edit: Ok, so I've now been using the interface steadily: I have no problems with the 8i6. In my opinion, it is a fantastic tool for all my small home recording needs. It comes with Ableton Live Lite 8, which is great for just about anything. I would recommend this to anybody starting to record music, and I'm sure it will still work wonders for a trained studio musician looking for an interface.

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For the price, this is a great interface. Never had one problem with is honestly. It is a drag that to turn it on you have to plug it in. Very odd. Doesn't have an on and off switch (that I know of). If it's plugged it is on, if not its not. That's a drag but I can get over it. maybe 2% of the time I plug it in and the signal is totally weird. All I do is reset it and the problem is always gone. This is a great interface, easy to use reliable and well made. I highly recommend it. I run it through logic 8 and it is great.

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Researched which audio/MIDI interface (under $500) to get for my home studio more than a year and was quite discouraged by the feedback in support forums on almost all audio interfaces with latency issues, clicks and pops, etc. I just couldn't understand why there wasn't one that simply did what it was supposed to do without major hassles.

I had first considered the Akai EIE Pro when it first came out but decided that I should wait to see what bugs may have arisen. It seems like there are several issues with this model from what I have read and more than I care to even consider dealing with.

I then researched both Tascam's US600, Native Instrument's Komplete Audio 6, and the Scarlett. All seemed to be what I was looking for but after reading that the Komplete has considerable latency issues with the analog inputs (having to do with analog->digital sound conversion I think) that there is no solution for (as confirmed by NI) I knew that the Komplete was no longer an option.

So it came down to the US600 and the Scarlett 8i6. After much deliberation and consulting a few friends, the Scarlett 8i6 dropped to ~$190 around Thanksgiving so I took a chance and picked it up.

It was very simple to set this up with Ableton, almost plug and play. Took me just a little while to configure Ableton so that my Ultranova would route audio through the Scarlett. I have had NO issues whatsover with this and am super stoked that I made the right decision with this interface. The sound quality is pristine, the build is nice, and although I have not hooked up a mic to check out the quality of the preamps, I have opened many tracks in Ableton with A LOT going on at the highest quality audio and have not had one instance where there was clicks, pops, or latency that was noticeable (I think the latency in Ableton is set to .86ms) running on an HP with 8GB of RAM and a 3.2 GHZ processor.

It also works great when set to be the PC's default audio card.

Stanton DJ PRO 3000 DJ Pro 3000 Headphones

Stanton DJ PRO 3000 DJ Pro 3000 Headphones
Customer Ratings: 3 stars
List Price: $159.00
Sale Price: $79.37
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  • High-Quality Stereo Headphone With Rotating Ear Cup
  • Detachable 3 M Coiled Cord
  • 90ยบ .25" Connector
  • 50Mm Neodymium Drivers
  • Convenient Folding Deisgn

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I got these headphones about two years ago on a recommendation from a friend as my Sony v700s were beaten to death from traveling and djing out. I am going back to Sony after this.

The sound quality is strong, nice lows and crisp highs. Also has some fun features like a light that blinks to the beat that would always crack people up late at night. Also a nice kill switch for the lows and highs for some Dj's that look for different frequencies when they mix.

But the design and sturdiness is just weak. 6 months after I got them the sound just went out on the right ear. They had barley been used. I sent them to Stanton and after about 60 days they came back fixed. And now two years later the plastic head extension just broke off as I took them off in the studio.

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I am a DJ and I love the sound quality of the headphones. However, they are not durable, I concur with the other reviews. I haven't had these headphones for very long and while recording a mix at home and putting the headphones back on my head the ear phones cracked around the ear cup. Trying to get Stanton to replace product haven't heard anything yet. I hope they stand behind their product.

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these are delicate headphones I have a pair that broke a couple of weeks after i bought them.

the extending adjustment band at each side are easily broken.

The drivers are awsome quality however the overall construction is poor not to mention the weight of these headphones is heavy.

If you do decide on buying these phones be careful as the adjust band is easyily broken and after one side breaks and you glue it together the extra pressure on the opposite side takes its tole and now you have a broken useless set of expensive headphones.

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I bought these headphones as a gift for a young DJ just before his first gig. They actually did not last through the performance. As he removed them from the top of his head, the left ear cup detached/broke from the head band. For all the hype regarding Stanton, I expected a more durable product. I was surprised, stunned and embarrassed to have purchased such worthless garbage.

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Although the sound quality is great on these, both sides of my pair broke. The left side sliding mechanism completely broke and is now hanging together by the wires. On the right side, the plastic cap that covers the sliding mechanism popped off. Very poorly made. Sure they sound great, but what good are they if I can't use them? That's why I only gave them one star.

Fender Rumble 30 30-Watt 1x10-Inch Bass Combo Amp with Gear Guardian Extended Warranty - Black

Fender Rumble 30 30-Watt 1x10-Inch Bass Combo Amp with Gear Guardian Extended Warranty - Black
Customer Ratings: 4 stars
List Price: $249.99
Sale Price: $179.99
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  • 3-Band EQ
  • Headphone Jack
  • Auxilliary Input for CD, mp3, or Drum Machine
  • Tilt-Back Cabinet
  • Rugged Black Metal Grille

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When I first saw the Fender Rumble 30 at its listed price, I jumped on it and I'm glad I did. I have a 53-watt guitar amp, and a 75-watt bass amp. I bought this one because I needed something smaller that I could play at lower volume (at home) without losing the authority in the bass's tone. It is plenty loud for a home or party environment. The dynamics of the amp give me any sound I want, and the AUX IN jacks are a nice touch. Perfect for entertaining myself or working up new song. I recommend this amp for anyone who has a bass guitar beginner or pro. You can't get this sound for this price with any other amp.

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iLive iPod Karaoke System - IJ308W

iLive iPod Karaoke System - IJ308W
Customer Ratings: 2.5 stars
List Price: Price Unavailable
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  • Includes CD Player, Microphone
  • 2 Microphone Jacks, iPod Jack, Headphone
  • Compatible with CD+G, CD-R/RW
  • Features Auto Voice Control, Balance Control, Auto Repeat Playback, Song Skip/Search, Charges iPod While it's Docked, Echo Control to Reduce Hollow-Sounding Tracks
  • 2-Digit LED Display

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This karaoke machine is everything my 5 and 7 years olds could want. However, I find one advertised feature missing and some simple standard features lacking.

iLive as a CD+G karaoke player:

This product does a great job playing CDs or CD+G. It comes with one mic and has an input for a second. It has device controls and a remote control. These controls include a volume, mic volume, and singer volume. The singer volume allows one to turn down the singing on a regular CD (or iPod or any other audio input). The iLive plays music on a mono speaker. There are also audio and video outputs to play music and lyrics on a TV. One disappointment was that the mic did not come through the audio out; it can only be heard through the iLive itself. Another big disappointment is that the iLive has a single mono speaker. It's a great portable player that can run on AC power or batteries, but stereo was created in the 1960s and is a pretty standard feature these days. When I played a couple songs with lyrics on my TV, some of the video was blotchy. That could be attributed to the CD+G disc quality or the iLive player quality.

As a cheap, portable karaoke player I'd give the iLive 3 stars.

iLive as an iPod player:

It plays music and photos or video (through the video output) from the iPod. At this time, iPods do not support a karaoke format. This is an iPod shortcoming, not an iLive shortcoming. What you can do is play your iPod music, turn down the vocals, and sing along on the mic without lyrics. My kids really enjoy this as they have a great song selection to choose from. However, the same shortcomings mono speaker, no mic through the audio output apply. One other advertised feature is actually lacking the unit does not charge the iPod. Lack of this feature makes the iLive a very poor iPod port.

Although cheap and portable, lack of iPod charging capability and false advertise lead to 2 stars as an iPod player.

Because the above functionality is combined into one unit at a low price, I give it 3 stars overall. It's great for kids, but lacking in quality and features.

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I got this karaoke machine on clearance at Target a couple months ago when our Target was remodeling/reorganizing. I gave it to my 8-y-o daughter on Xmas morning.

Upon initial set up, my daughter was thrilled. We had one CD+G that was capable of displaying lyrics, a High School Musical Special Edition CD. (*NOTE* The people writing on here to complain they can't figure out how to see the words displayed probably ably don't realize a special CD+G CD is required for this function. iPod units don't have lyric display capabilities at all.) Even though there was quite a loud background buzz coming from the speaker, she was having a good time singing along. About 20 minutes later though, the microphone went kaput. Just plain stopped working for no apparent reason.

There's a 90 day warranty, so I emailed iLive/DPI about the mic not working and asked for a replacement. I got a return email requesting that I fax them my receipt. I faxed it (long distance), along with a summary of my problem. I didn't hear anything back but assumed they'd take a couple weeks to process my new mic and get it in the mail.

Since my daughter was dying to sing, I gave in and bought a generic replacement mic at Target for $10, which worked just fine. But three days later, the CD player part of the machine stopped working too. When we put in a CD, it'd spin and make a grindy sort of noise, but no songs would play and it wouldn't respond to the push of any buttons, "stop" or "pause" or "skip".

At this point, the only part of the machine that worked in originally purchased form was the iPod connection. I emailed iLive again, telling them my problems had escalated to a seriously unacceptable level for a brand new machine. I got the same email back, asking me to fax the receipt. I faxed it again (another long distance charge).

When I hadn't heard anything from iLive customer service after yet another week, I emailed a third time, asking the status of my complaint. Their response was that they checked the past two weeks of faxes and could find no faxes from me. Hm, interesting, considering I had TWO fax confirmations with their fax number sitting right in front of me! I send along a third fax (yes, still long distance).

Finally, last week I got a phone call from customer service. The girl was very nice and polite, but informed me that since I purchased the machine at a discount price it was considered sold 'as is', which constitutes the warranty null and void. I was SO angry! The girl empathetically agrees to talk to her manager, and when she comes back to the phone she acts like I'm so lucky b/c her manager has agreed to offer me a deal they never offer anybody: if I send them a $30 check, they'll send me a new machine.

Are you kidding me??!! Another $30? That's more than it costs to get a new one here at Amazon!

Bottom line: BE WARNED! The idea of this machine is cool in that it's versatile in playing CDs, iPods, and CD+G karaokes, but even when all those things work, that loud buzz persists and it is definitely aggravating after awhile. Purchasing this machine at Amazon's discount price is going to make it "as is" and nullify the warranty as far as iLive is concerned. You will be out of luck.

Yesterday I bought The Singing Machine SMG-137. It works fantastic, no buzz, and I'd highly, highly recommend it over this machine (even though it does not have iPod playing capability).

I'll never buy another iLive product again!!

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I purchased this for my daughters. They love singing to radio Disney and all the other Disney songs.(High school musical,etc) I was very disapointed. It feels very cheap and it had an annoying buzz. I returned this product and purchased a more expensive Karaoke machine. I guess $50 does not buy much today. Good idea with the ipod, however when playing regular songs on ipod, lyrics do not appear on screen.

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Before I purchased this item, I too was skeptical, because of some of the other negative reviews. But I have to say, my wife has used this iLive iPod Karaoke System now since December 25, 2008, and we haven't had any issues with it at all. Everything has worked great! Sometimes you just have to go with your gut feeling. I'm glad I did.

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Got this for my daughter Christmas of 2007. It is awesome and she loves it. Especially useful b/c she can recharge her ipod! Would buy and recommend again!

JTS SIEM-111T Wireless Microphones And Wireless Microphone Systems

JTS SIEM-111T Wireless Microphones And Wireless Microphone Systems
Customer Ratings: 4 stars
List Price: $439.95
Sale Price: $340.28
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  • 961 selectable UHF channels
  • two discreet input channels for stereo operation
  • Rugged metal case
  • LCD display
  • 10 mW output power

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I am using two of these systems each with 4 receivers in my church in Yorba Linda, California. Never had any complaint from the band. They are rugged, solid metal case, heavy, elastic antenna, and replacing the batteries once a month. Set up is easy and self explanatory. Never had to read the manual.

Love the fact that they are stereo, so you can play the instrument in one channel and a mix in the other and the artist is balancing in between the two channels.

I would give 5 stars is I could mix the two outputs in both ears and just add more or less instrument.

Also, the battery compartment lockers are plastic and one broke when dropped.

Other that that they are amazing piece of equipment with higher performance than other more expensive brands.

Highly recommended.

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Sonoma Wire Works GJ2 GuitarJack Model 2

Sonoma Wire Works GJ2 GuitarJack Model 2
Customer Ratings: 4.5 stars
List Price: $199.00
Sale Price: $129.00
Today's Bonus: 35% Off
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  • 1/4-Inch (6.5 mm) instrument input - nickel-plated solid brass Switchcraft (10,000 MTBF) jack
  • 1/8-Inch (3.5 mm) stereo mic/line input (no phantom power is provided)
  • 1/8-Inch (3.5 mm) stereo headphone/line output with increased drive for headphones
  • Dock connector designed for use without removing most cases
  • Sleek and rugged aluminum shell

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There are only two products on the market (that I know of) that provide a STEREO line input for the iPad: The Line 6 Mobile In audio interface, and Sonoma's GuitarJack audio interface. I've owned both, so allow me to compare the two...

The Line6 Mobile In is cheaply constructed in a plastic shell. Even the parts that look like metal in the picture, are just grey plastic. The Mobile In provides two 1/8'' inputs, one for a guitar (it includes an adapter cable) and another for stereo line-in. Only one input will function at a time, I believe (I purchased this purely for the stereo line-in, as I am not a guitar player at all).

The Mobile In DOES NOT WORK for stereo line-in on a new iPad using Garageband or any other audio app I wanted to use it with. Their company claims it's supposed-to, but it doesn't. The stereo input is treated as mono, defeating the entire purpose of why I bought it. Ended up returning the product since I had no faith that their company would be able to resolve the problem in a timely fashion. As I understand it, they still haven't fixed that issue.

IN CONTRAST...

The GuitarJack has solid construction and a sleek metal body. You can immediately tell it's a quality device. Its stereo input worked perfectly on the new iPad, whether it was in GarageBand or the other apps I had used. Note, you may have to configure it in one of their recommended apps first, but that's quick and easy to do. From what I understand, you can use both its 1/4'' guitar input and 1/8'' stereo input at the same time, but I haven't bothered to try that yet.

You can use the GuitarJack directly with the iPad, however you may need to remove whatever case you have your iPad in (as I did with my INVELLOP case). When using the GuitarJack this way, you will need to lay the iPad COMPLETELY flat (as in, not tilted, even a little). The other option is to use an extension cable, which you WILL want to get; even if the iPad and GuitarJack are on a perfectly flat surface, it's still too easy to accidentally disconnect the two. Sonoma markets their own extension cable for the GuitarJack, but it's pricey ($25+). Instead, I purchased a cheap, no-name iPad dock extension cable that is over a foot longer than Sonoma's, one-fifth the price, and works just fine with the GuitarJack.

One annoying thing I found was that when the GuitarJack is connected, the iPad's built-in speaker and headphone jack become disabled, and you need to use the GuitarJack's headphone output to hear *anything*. I understand the input jacks taking precedence over the iPad's built-in mic (and I understand that the iPad's built-in headphone jack can also be used to connect mics) but I really wish it didn't auto-disable the speaker, and acted more as an auxiliary headphone output instead. I wanted to be able to mic monitor without NEEDING headphones, but I usually keep headphones with me anyway, so it isn't thaaaat big of a deal.

Minus one star for making an extension cable a basic necessity (and additional purchase, where they *attempt* to rip you off) as well as the disabled speaker/headphone thing. This is an expensive iPad accessory (it costs about twice as much as the Mobile In), but it's constructed well, looks dope, and, most importantly of all, IT ACTUALLY WORKS!!!

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Very solidly built unit, and I'm using the new ipad (ipad 3) with it. Works very well, and the sound is the best that I have heard. I also have an amp kit interface and there is simply no comparison in sound quality to the Guitarjack 2. The amp kit amplifiers and pedals sound awesome though. Sonoma, Four track and Studio track work well for recording with the Guitarjack 2.

My headphones seem to work perfectly using the iPad headphone jack, but have found the Guitarjack 2 headphone output noisy sometimes. Would really like to be able to use Bluetooth headphones, so perhaps this something that could be added as a new feature someday.

Finally, I recommend you also purchase the dock extender, as it offers more flexibility than plugging directly into the iPad.

No regrets on purchasing this unit. It's a keeper!

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GuitarJack2 turns my iPhone and iPad2 into a excellent digital recording platform. I can connect a powered mic using one of the 1/8" inputs, a guitar in the 1/4" input, and a headset for monitoring into the second 1/8" input. The device itself is solidly built and the integration software is well designed and easy to use. It's not the cheapest input device (I own one of those, too) but it is the BEST and well worth the money if you're serious about using an iPhone or, particularly, the iPad for recording. Tip: make sure the iPhone/iPad and GuitarJack2 are on a flat surface to ensure a solid connection.

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I've really enjoyed the guitarjack model 2. It's rugged and compact enough that I carry it around in my pocket a great deal of the time. I get startling good tones from both my electric guitars and the acoustic/electric ones.

I have an iphone 3gs and have to shut down all the background programs, turn on airplane mode and reboot the phone to keep the sound from crackling, but it's worth this extra step to have such a powerful creative tool. I'm sure this isn't a problem with newer hardware. It's great fun to flip through the amp and pedal combinations and find just the sound you're looking for.

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I've been reviewing any audio input device I could get my hands on for iOS since the original iPhone was released, and since the 3G, 3GS and 4/4S, the world of audio input for iPhones, iPads and iPod Touches has become much more complex, but way better!

Use for Audio Recording

The GuitarJack Model 2 seems the perfect fit for almost any kind of audio-only recording in iOS. It works in perfect unison with FourTrack, a very nice multitrack audio recording app for the iPhone (made for this product), and works well with most other audio recorders (I prefer FiRe 2). Stereo or mono, line or mic level, 1/8" or 1/4" (or both at the same time), it's extremely flexible, and the sound levels are great (and adjustable).

The signal quality is great, with no noticable noise, and sounds much better than using analog inputs through the iPhone's headphone jack, and a little better than competing dock interfaces like the Fostex AR-4i.

Use for Video

However, it falls short when you want to use it along with the built-in Camera app, or other video recording apps... this wouldn't be an issue for many people, but a lot of people I know are looking for an awesome dock input that also works perfectly with video recording. It seems that the input sometimes switches from internal mic to the GuitarJack, but not always, when using Camera or some other video recorders. If the GuitarJack worked better with video, I'd give it five stars.

Build Quality

The build quality of this device is excellent; it looks sharp (gun metal finish with a beautiful shine!), feels extremely solid, and doesn't come unplugged unless you give a good pull. For an even more secure fit, put a line of blue or gaffer's tape along the top and bottom to affix it to your iPhone. This is the smallest, but most flexible, and best-looking iOS dock connector audio interface yet.

My Recommendation

If you want to record audio-only, this is the best option. If you want to record video with the GuitarJack, you're in for a world of hurt; look elsewhere.

You can find even more details, pictures, and a video review on my website:

Audio-Technica PRO 92cW-TH Omnidirectional Condenser Headworn Microphone (Beige)

Audio-Technica PRO 92cW-TH Omnidirectional Condenser Headworn Microphone
Customer Ratings: 5 stars
List Price: $142.40
Sale Price: $129.00
Today's Bonus: 9% Off
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Product did exactly as advertised.... has a good sound and picks up well. I only wish the headword part was a little more bendable...

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I ordered this as a replacement for the one we have. I have given the operators a lesson in the care and feeding of the wires that go into the connector and how fragile they can be if bent many times when stored between services. The unit works perfectly for or minister and the service.

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Blackstar HT1 Series Guitar Combo Amplifier

Blackstar HT1 Series Guitar Combo Amplifier
Customer Ratings: 5 stars
List Price: $319.99
Sale Price: $269.99
Today's Bonus: 16% Off
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  • 1 Watt, all-tube, 1 x 8-Inch Combo amp
  • Tube Complement: 1 x ECC83 (12AX7), 1 x ECC82 (12AU7) Power Tube
  • Volume, Gain, and ISF Tone control; Overdrive switch
  • Emulated Speaker/Headphone Output; 8 Ohm speaker output
  • MP3/Line input

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Been playing on one of these now off an on (I've got a couple other amps) for a few months now, and figured it deserved to have at least one review. I've been pretty impressed by the range of sounds it can crank out. Mainly picked it up because I wanted something that was both versatile and able to produce its entire sound range at volumes appropriate for my apartment. This thing works perfectly.

This can do anything from clean, bluesy tones all the way up to metal-worthy chugging. Separate gain and volume knobs let you play at full distortion at pretty much any output volume. The ISF knob gives you pretty decent control over your tone, though it doesn't (for me) completely replace full tone controls. It works well enough...I'm just not necessarily buying the marketing hype on it. Given that the HT-5 (and other Blackstar amps) have both the ISF and separate tone controls, I guess this is more meant to emulate different speaker configurations. But it...doesn't really do that either?

The speaker-emulated/headphone output works pretty well for recording (I ran it into a decent ASIO card), though it can be just a bit noisy. Works great in headphones, though. The MP3 input I have not used, but I imagine it does what it claims? You'll need a cable that can go from 3.5mm to 1/4" to hook that up, or the proper adapter(s).

The 8" speaker gets a bit underwhelming at higher volumes, and can sound a bit boxy at times. This is kinda par for the course for an amp this size, so I wouldn't really ding it for that, and the external speaker output gives you the option to run it into something a bit beefier. I ran it into a 12" external speaker and was definitely impressed at the difference it made. I still don't know that it would ever cut it practicing with a band...1W is still 1W. But when you don't need the portability of the built-in 8", it's worthwhile.

The lack of reverb is...annoying at times. I figured I could just make up for it with a pedal, but then your reverb is going through the pre-amp and it just doesn't work out all that well (you can reduce the level of reverb on the pedal to compensate, I guess). I'd assume that the HT-1R (and RH) has the reverb between the pre-amp and power amp stages, which will probably give you a better result...probably worth the extra $50.

Overall this seems like a solid amp, and a good value for the money (if you insist on tubes, that is). What it lacks in volume it makes up for in range, letting it stack up nicely against a lot of other low-wattage amps that may go a bit louder. It may not wind up cutting it as an "only" amp (you'll probably eventually want something larger to complement it), but at the same time it shouldn't wind up gathering dust, either.

EDIT: Bumped up from 4 stars to 5 stars. Given what it is (a 1W amp with an 8" speaker), it's pretty great. I think before I was judging it based on what I wanted it to be. But as it is, I keep coming back to this amp.

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Man am I impressed! This amazing little amp is perfect for my home studio. Spoiled from playing my friends' Orange equipment, I was looking for that high-output tube sound. The ht-1 delivers exactly what I was looking for.

I'd been planning to lean heavily on the Guitar Rig (tube emulation) plugin in Pro Tools, but the HT-1 will be far superior with its line out.

After running it through my Carvin 2x12 speakers, I'm convinced the HT-1 would serve for loud, full-band jam sessions and shows, if you're comfortable with using your guitar's volume control instead of a footswitch.

Playing my custom Carvin CT6 through this thing makes me feel like a teenager driving a Ferrari--the sound is worthy of a much better guitarist (I've always been primarily a bassist).

My only concern is if I should've gone ahead and dished out the extra 50 bucks for reverb, even though I prefer to handle all of this in Pro Tools. When I'm just playing around, I'll run clean through my Carvin sx300, picking up its effects and reverb as desired, then into the Blackstar, then back out into the carvin's 12's.

If you have a laptop recording rig, you could use the HT-1 as a mobile monitor (via the unaffected line-in) if you wanted to.

It is a truly versatile, portable, and absolutely satisfying amp.

If you're using a solid state amp, do yourself a favor. Pick up an HT-1 when MusiciansFriend emails you one of those 20% off codes, like I did. Combined with the rebate promo, it amounted to a sweet 75 dollars off, but it's worth the full price.

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For the price you can't beat the quality. It sounds great. You can get crunch, sustain and use it to record with into a mixer or multitrack recorder. The headphones works pretty good. (I have nice headphones, maybe cheesey ones would sound bad) Great practice amp and, very loud for one watt! You can also hook it up to an external cabinet with an ohm rating between 4 to 16. Just for the way it looks alone it should get high ratings. I saw a demo of it that wound up on my email and, I decided to get rid of my noisey Epiphone Valve Junior and, get the HT-1. I'm totally glad I did. All my guitars I have played through it sound pretty good as well. I view the ISF almost like a tone control. It works alright enough for what this amp is. I wish this would have been my first amp when I was a teen learning to play. It is a fun practice amp. I bet the HT-1R is even more cool with the reverb. I'm glad I got it.

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At first I hated this amp. It was so noisy I thought it was broken. Turns out I'm just an idiot & had the gain too high on the OD channel. I also didn't love the ISF gimmickit's supposed to sound like a fender when turned down & Marshall on the other end, but basically acts like a guitar tone pot to my ears. There are decent even great tones , but no one will mistake either extreme for the real things. I also thought it was pretty limited since clean at max volume is really weak. I also regretted not getting reverb ( the HT1R). I was all set to sell it for a $100 loss & move on. My friend who was interested went on vacay for a month. During that time 2 things happened. I realized that my Mustang direct out does not record the backing tracks inserted from my iPhoneonly my guitar signal & thats a dealbreaker for mecon that smo. The Blackstar records both very well and it's direct out sounds as good as me mic'ing w/ a sm58. I also realized I have pedals! With a compressor, analog delay & OD I get every tone Ive ever wanted on this amp & just continue to be blown away every day by how great it sounds. Run it through a PA and its very giggable. Overall I would say this is good for anyone unless you play clean only with no boost because the clean channel has the exact amount of volume you'd expect from 1 watt, which is not quite enough to even practice in a quite room.

RHA MA750 Noise Isolating Premium In-Ear Headphone- 3 Year Warranty

RHA MA750 Noise Isolating Premium In-Ear Headphone- 3 Year Warranty
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $119.95
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The RHA MA750 in ear monitors (headphones IEM) are warm, detailed, open, and well built.

RHA has made outstanding headphones that sound great and are inexpensive. With the MA750's they stepped up their game dramatically. These headphones are on par with some of the best especially the Bowers & Wilkins C5's I own; and approaching the sound quality of some fine over ear headphones V-Moda, Yamaha, and Sony. They did all this at a reasonable price, a remarkable feat.

These are comfortable in ear monitors that snuggle nicely into my ears, I can sleep with these in my ears they are that compact. I always wrap the headphone cable around my ears; I learned that lesson from my first pair of Shure e3c IEM's. RHA added a section of firmer insulation in a U shape that automatically positions the wire behind the ear and locates the speaker exactly in my ear hole. These take a moment to learn how to put on, after a few tries it is easy to do and the headphones will not fall out. If you look closely at musicians in concert, you'll see the wires from their headphones wrapped around their ears the same way.

Sound is really impressive. The sound is warm and relaxed the headphones never strain even with bass heavy songs. I like the tone balance a lot, there is just enough bass emphasis without overpowering the sound; they are not perfectly flat like the B&W C5's. On the other hand, these are not Beats with overemphasized bass. I had a sense that music was no longer inside my head, but moved outside, the soundstage was that wide and open. These are easy headphones to spend a long time with. At high volume the headphones just keep getting better.

Like all IEM's, finding the right fit is critical. RHA includes something I've never seen anywhere the huge variety of tips are held on a stainless steel sheet exactly the dimensions of an iPhone 4. Normally the tips come thrown in a plastic bag and I have to sort them out. These are beautifully paired sided by side. A little push down and a tug out removes the tip from the holder. They included two pairs each of the standard silicone cup style inserts in small, medium, and large. There are two pairs of the barb style inserts and two pairs of memory foam. A very nice set of inserts.

The inserts are difficult to remove and place on the headphones. It takes a little pulling and twisting to remove and replace the tips. This is a good thing, that way the tips will never fall off inside your ear. I am a huge fan of Comply tips, I find them comfortable, easy to put on, and they block more external sound. The RHA memory foam tips are not anywhere near Comply level, I actually didn't like them at all. They are somewhat small and don't roll when you warm them between your fingers. The 200 series Comply will probably fit these headphones. In the end the tip that worked for me was the large silicone cup style.

These are heavy duty well-made headphones. The cable insulation is very thick rugged rubber-like material (I would guess PVC). Almost no sound is transmitted into the headphones when the cables are wiggled around. The gold plated 3.5mm jack has a rugged stainless steel cap and a spring for strain relief. A similar stainless steel barrel is at the cable split. The ear pieces are machined stainless steel with a nice shine and luxurious weight. They just look like they will last a long time.

The box includes a carrying case. I like the black leather zippered case. It can be used for the headphones or an iPhone 4 fits inside perfectly. The beauty of this case, it is the size of an iPhone so I can toss it in my pocket.

There are two versions of the MA750 headphones the one I reviewed with a straight through cable. The MA750i is designed for Apple products and includes a microphone and music controls.

At just over $100, these headphones sound as good as IEM's at double or triple the price. The sound quality is impressive. I like how well they are built. And they are comfortable. RHA has moved into the audiophile zone with these headphones.

I was provided a review sample.

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I tried Bose earphones. I tried the MA150 model by RHA and it was the best at the time. Went to the Apple Store and tried various other models. This is the only one better than the RHA MA150, in my opinion.

While I am not normally a fan of the over-the-ear style, I found it to be a non-issue. Which is great for my workouts.

I highly recommend this to anyone that wants to immerse themselves in the sounds from their device. It will make you fall in love with your iPad, iPhone or whatever you're using.

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I just received these last week looking for something a little better sounding than the Bose MEI2i earphones I have been using. These sound amazing and the silicone eartips are the most comfortable I have seen for in-ear headphones.

The only thing that may be an issue is that the cable is very thick/sturdy and I could see it bouncing around and making noise while running at the gym. Have not tried that yet but if you want a comfortable, great sounding set of headphones you won't be disappointed with these!

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