Showing posts with label best portable headphones. Show all posts
Showing posts with label best portable headphones. Show all posts

Munitio PRO40 High-Performance Headphones, Silver

Munitio PRO40 High-Performance Headphones, Silver
Customer Ratings: 5 stars
List Price: $349.99
Sale Price: $299.99
Today's Bonus: 14% Off
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Customer review from the Amazon Vine Program I am new to the world of High Performance Headphones. I am the person who goes and buys five sets of $1 earbuds from the dollar store and uses them for a week and loses them. I've always been happy with them. So.. I've always been skeptical of people who spend hundreds of dollars on something as silly as headphones. But.. Whoah! My world has just been rocked.

I was offered these headphones through the Vine Program and I was skeptical to say the least. Headphones are headphones. So, I opened them up. Wow.. kinda flashy with the 24k gold trim! Very smart looking. They looked like something a dj would wear. I simply plugged them into my ipod. That was easy. I placed them on my head and they were very easily adjustable. And wow... they were comfortable. Much lighted than I expected and much better than sticking those earbuds in my ear canal. And then I turned on my ipod.

*cue the angels and harp music* Magic! I never knew what I missing before! The sound is clear and crisp. The bass is in one word.. Booming. I am incredibly impressed with these headphones. The outside sounds of my home (dogs, kids, tvs...husbands...) vanished. I had no clue this type of headphone experience even existed. I am in LOVE. I've only had them a few hours and I haven't taken them off my head yet... I've listened to music, a tv show and an audio book and all were a completely different experience than before. No more dollar store heaphones for me. I am sure most reviews of this product will be from real audiophiles.. people who are seriously into their tech and music equipment. But I'm just a regular mom, who had no idea what I was missing before. I can't compare them to any other high performance headphones, but all I know is.. these are amazing!

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Customer review from the Amazon Vine Program Designed for portable applications AND home use, the Munitio PRO40's deliver the goods and in many cases better than their similarly priced competition. They are substantial, easy to drive and feature TONS of bass. The mids have presence and the highs shine but are not grating or overly strident. I imagine they will continue to improve over a good 100 hour or so burn in period. Out of the box they sounded better than many cans I have tried and/or owned over the years. To be straight, these are NOT audiophile quality but for most real world applications they will please and delight most listeners.

The key feature here is B A S S !! If you do not enjoy slightly over-hyped Bass response, then these are not for you. However, if you are always complaining about your headphones being too anemic in the Bass department then the Munitio PRO40's may be just what you are needing!

I own quite a few pairs of higher end headphones. Nothing in the $1000 over over range, but cans ranging between $300 to $900 bucks. Certain headphones, for certain types of music, etc. I only own one pair so far that is good for ALL types and that would be my Hi Fi Man HD-500's. The cans I already owned that come closest in price to these Munitio's would be the Grado 325is. Basically these beat the Grados in just about every way.

Overall build quality is very good. These are well made and solid cans. The cable snaps into place and is very short, terminating in a 3.5mm mini plug. No adapter was provided. The case is a soft/hard shell sort of zipped bag affair. It is well made, small and easy to use. I think it will last awhile too and stand up to repeated openings/closings. The Munitios PRO 40's look great and scream quality. I didn't find the gold trim to be garish or unsightly in any way. On the whole, they feel much more solid than both my Grado's and my Sony 1840's.

If you plan to use these for anything other than portable players or tablets, you will need to invest in both an extension cable and a 1/4 inch adapter. I was a bit surprised there was no adapter included.

Let's talk about comfort. The Munitios have a good solid fit but seem to skimp just a bit in headband padding. The earcups/pads are a different story and are very comfortable and feature a useful over the ear design. Noise from the outside world is tamed and you get a major perceived bump in the lower frequencies as a result.

The "R" and "L" designation is inside the sidepieces although the cable extends from the left side and that is easy to remember without having to hunt for which side is which.

I listened for 2 plus hours and never felt uncomfortable from the earpads. Without some modification, the Grado's can be fairly tortuous to wear for extended periods.

About the voicing of these cans: The Munitio PRO40's reflect current tastes in slightly exaggerated bass response. If the bass wasn't so up front, the rest of the frequencies would shine a bit more I think. Imaging was very good for close back cans and the sound stage was wider than I had anticipated.

Bass-heads will LOVE these cans. I found I had to go into my control panel and cut the lows just a bit or the boominess totally overpowered many of my test tracks. I listened to a number of 24/96 files, regular 16 bit FLAC and mp3's with varying bit rates. 60's pop and rock sounded very good. Classical was revealing and classic Van Halen type rock shook the foundation of my dental work. Modern Rock and Hip Hop/Rap is where these cans will be able to show their stuff.

They also perform quite well with TV/Movie soundtracks. I tried the latest Die Hard film and my brain was rattling in my skull. Music, Dialogue and Effects all equally sounded good. These are great cans for films. If you need to watch silently, these won't let you down. Video games will also show off the massive bass these things produce.

These PRO40's can really take a lot of volume before distortion creeps in. More volume than my poor ears can handle so basically I never heard ANY distortion while listening that wasn't already on the recording.

I heard everything I was expecting but at times still thought the low end was just a bit too exaggerated for my personal tastes. Others will fall to the floor exclaiming "I'm not worthy, I'm not worthy" !! Basically, it is a matter of personal taste. If bass that just goes forever is what you want and need, the Munitio's will give it to you. Since it is always a tradeoff, the mids and highs suffer just a bit as a result. That distinction may blur over time and with proper burn in. The only place where the Grado's seemingly outperform the Munitio's is in the mid-range. And even that is subject to personal taste.

The Munitio PRO 40's are a very cost effective way to improve your overall system. For listening on the go, or at home.. For PC or tablet, iPod or your TVs' headphone jack, you can find many ways to get the most from your money here.

A two year warranty inspires confidence and blows away those 90 day "cash and carry" warranties that are standard with most brands.

Nice looking, well made and priced fairly, these PRO 40's are going to give many current brands a real run for their (and YOUR) money.

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Customer review from the Amazon Vine Program The majority of the headphones I use on a regular basis are active noise canceling (ANC) headphones. These come with the advantage of eliminating low-frequency noise so that the listener does not need to crank the volume to hear, but the disadvantage is that the phones twiddle the sound in subtle ways (usually in the bass range to boost volume but they also tend to flatten the highs) such that dedicated audiophiles can really tell the difference. The Munitio PRO40 headphones are my first higher-quality non-ANC headphones. Though I have not had them very long, I already can say I am pleased with them.

These are very lightweight phones and are very well constructed. They are sturdy yet very light relative to their size. Other headphones of their approximate size can get a little heavy over longer periods of time but so far I have not had that problem with these phones. I will say that when I first put them on they were a little tight and they felt a little uncomfortable. It does not take long to adjust to these phones, though, and after only a few minutes I found them to be very comfortable. The pads are soft enough to make wearing for long periods possible.

For headphones in this price range, sound is absolutely the most important consideration. There is no point in spending this kind of money if the sound quality is flat or hollow. These phones have very good sound and are worth their asking price in that regard. The bass is definitely there (and Munitio makes it a point to tout their bass response) and is deep and rich. The midrange is also very strong which is important many headphones I have used get the highs and lows right but the midrange tends to be flat and lifeless. The highs are bright and clear. Unlike ANC phones, the sound is untouched and is an accurate reproduction from the source. Overall, the sound is very full and rich across the spectrum.

I chose a set of music tracks for testing that I believed would put these phones through a fairly comprehensive listening test, selecting some club tracks, some hard metal, bluegrass and even some choral accapella. As I listened to these tracks, I was startled by just how much more music is there; these phones definitely bring out more detail in the individual tracks, to the point that a few of the tracks sounded like new versions of old favorites. Individual instruments were more distinct to such a degree that I could hear subtle ticks and plucks that I never before heard in these tracks. Music is definitely more spacial as well.

These phones are fine for listening to music through a device like an MP3 player but this is not where they shine most. These are studio-grade phones and are perfect for using with a sound mixing board. I plugged these phones into a mixer used for live recording and was very, very pleased with the sound reaching my ears what comes through the cans is untouched via internal electronics and is a fairly accurate representation of the sound as it is meant to be heard. Precision is important when recording live and these phones do a great job of reproducing the sound accurately. From here forward, these are the headphones I will used with the sound board.

I cranked up the volume and was unable to get these phones to distort. I did get my ears to ring, though...

I was a little surprised to find that there are no adapters in the package at all no 1/4" jack and no airplane jack. Considering that the best use of these phones is paired with a mixing board and these almost always require a 1/4" plug, this is an unfortunate omission. An adapter is only a couple of dollars, though, so this is not a big deal in the grand scheme of things.

The storage case for these phones is great period. It is very crush-resistant, roomy and should provide excellent protection for the phones under normal to heavy use.

These are studio-grade headphones and are far and away better than most headphones I have used. The price is definitely high, but these phones are worth the asking price and will please all but the most critical music lover. For someone working in a studio or with higher-end audio equipment, these are absolutely worth a close look.

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Customer review from the Amazon Vine Program I've had these for about 3 weeks now and absolutely love them. For my review, you'll see me occasionally comparing it with Monster Inspiration as that is another high end pair of phones and what i was using previous to acquiring the Munito.

The first thing i want to point out is the comfort of the Munito headphones. I can have them on for more than an hour+ and have no discomfort or pain in my ears. The earbuds are nice and soft, and the headphones themselves dont crush your skull. This was a huge problem for me with the Monster, it always started hurting my ears after 30-45 minutes of use.

Second is the weight. While both these headphones are sized similarly, i feel much more comfortable with the Munito on my head. They stay in position and dont feel like they will fall off. With the Monster , i always feel uncomfortable because they always moved around and felt like they were going to slide off.

The sound and noise cancellation performed better than the Monster in both these regards, and music clarity was good. It similarly bass heavy like the Monster headphones.

Build quality is great, and they look great. They are pretty flexible and extending mechanisms work properly. The included case is top notch, but i noticed you cant put the phones in without taking out the wire in the plug (case wont close). I tried it in a multitude of different ways but i think they just missed that.

Overall, you cant really go wrong with these headphones, specifically because of the top notch comfort and sound quality.

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Customer review from the Amazon Vine Program These headphones billed themselves as "For the Audiophile." So I'm going to break these down in two ways -one for the normal person who's looking for a great set of headphones, and the other against their Audiophile-level competition, the Bowers & Wilkins P5s which come in at roughly the same price point ($323 at the time of this review). Bowers & Wilkins P5 Mobile HiFi Stereo Headphones

IMPORTANT: All headphones require some level of "burn-in" (a break in period, essentially), but I found it critical to this set. Out of the box, they sounded flat and disappointing. After driving them for a bit, they warmed up nicely and improved immensely. It's the most noticeable burn-in I've ever experienced -and I own a LOT of headphones (like I said -audiophile).

BUILD QUALITY (5/5): I absolutely love the build quality on these cans. Most parts are machined aluminum, including the microphone control button. The connectors at the end of the cord are knurled aluminum and the headphones themselves have a bit of 'heft.' These things look like they can take a beating and handle it, something I wish more technology did. I also love the hardshell case they came in. They do have a plastic band across the top, but that seems all well and good. Plus, the look pretty kickin' rad. They also surpass the P5s in this category.

COMFORT (4/5): First and foremost, they actually fit well with my glasses on; something I've come to never expect from over-ear headphones. For the most part, they are physically comfortable for prolonged wear. If you're walking around on a hot day, your ears can get hot since the isolation factor doesn't afford ventilation. The P5's over-ear design is more comfortable and doesn't make your ears hot. That might just be the strangest 'negative' I've ever written on Amazon...

NOISE-ISOLATING(5/5): These don't provide 'true' noise isolation like you get closer to with the P5s, but I actually quite like that about them. You can still faintly hear surrounding noise (a car passing on the street next to you for instance), but I feel that the 'phones provide a nice balance between 'true' isolation and allowing too much din into your noggin. If you're looking for 'true' noise isolation, these won't deliver. If you hope to not get murdered by a bus on the street, perfecto.

SOUND (3/5):

For the regular person, these drive on the low end of the spectrum and deliver some serious bass. Surprisingly, they have quite a bit of precision in the highs as well. The mids fall off a bit, but if you're listening to something like dubstep, techno, or hip hop, it's totally acceptable. Indeed, they handle all kinds of music pretty well, but they sure do love them some bass.

Relative to the P5s, they fall flat. They lack the true audiophile-level precision. In the P5s, you can hear someone breathe when they play their cello. You can hear the page turn or the pedal press when playing a piano. They have depth. You can close your eyes and join the performance. These PRO40s simply do not bring the depth you can get out of their audiophile competitors. To that end, the P5s offer much more balance, but won't hit nearly as hard as these will in the bass range.

Prolonged listening also tends to cause something called ear fatigue. That's the feeling when you just need to take off your headphones and give your ears a rest for a minute. Your ears may even feel a bit tingly or itchy. Now that we got that definition out of the way, it's noticeable after about an hour of listening with the PRO40s -and I hate it. If you're prone to ear fatigue (or don't want to find out), these may not be the best option for you.

CONCLUSION

"Regular" User: These are durable, awesome-looking, headphones that can drive bass like woah. Like. Woah. If this suits your musical taste and/or you want a pair of durable headphones, these deliver. I really like them and would definitely recommend them!

Audiophile User: These cannot hold up to their competition. They don't have the depth and clarity one would expect out of their equipment. They sound nice, but they noticeably lack the 'extra' that pushes things into the next level (and beyond) of performance. Munitio spent their money on build quality over audio quality, which is justified in its own way. The P5s blow these away in the sound dept. Go with those.

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Tascam DR-40 Recording Package w Headphones Sonic Sense Cables Tripod, 8GB SD card and More

Tascam DR-40 Recording Package w Headphones Sonic Sense Cables Tripod, 8GB SD card and More
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $199.99
Today's Bonus:
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  • Specially Priced Package includes Tascam DR-40 with all items as packaged by Tascam, PLUS:
  • (1) Soft Case to safely transport the DR-40, (1) 8GB SD Card to store your recordings
  • (2) 20 ft XLR Cables to connect two mics to the DR-40 (and record in stereo!), (1) 10 ft TS instrument cable, (1) High-Definition Ear Buds to monitor your recordings
  • (1) Mini-Tripod to safely mount and position the DR-40, (1) 8 ft 1/8 in stereo mini and (1) 6 ft 1/8 in to RCA Pair Cable for additional line in/line out connectivity, and (3) AA Batteries to provide extra power
  • Sonic Sense One-Year Extended Warranty Adds One Year to Manufacturer's Warranty.

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The DR-40 has a lot of new features, phantom power, four track capability, XLR mike jacks for professional mics and great performance. I am a podcast producer and sing in a barbershop quartet. This unit is great for practice recordings at rehearsals and for producing my podcast episodes.

The package arrived on time and included all the pieces that were supposed to be in the packge. My only disappointment was the portable tripod that was included. This was a piece of junk and literally broke into pieces the first time I tried to use it. The supplier of the package called and did a satisfaction check on the phone and I explained to them my displeasure. The caller indicated he had heard similar complaints from several other customers who purchased the package deal. Same problem tripod junk. I guess I was disappointed that the audio supplier didn't at least make an attempt to resolve the problem. You can however buy a halfway decent mini tripod at your neighborhood Wal Mart..

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I would recommend the Tascam DR-40 to anyone that wants to get into recording on a budget. This product has a lot of features (and more) than some of the more expensive ones. This is very comparable to the Zoom H4n, but it comes with a great price. I wanted a recorder that accepted the XLR microphone connection for my productions. Works great and Very Pleased.

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The Tascam DR 40 was the product I researched and it is working well for me so far. The bag and cables turned out to be a nice bonus.

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I've really only used this for one event so I have limited experience with it. I am a wedding videographer and I mainly bought this for the reception, to connect to the DJ's equipment. I must say it worked amazingly well! I was connected with an xlr, and dual recorded with different levels. I love the dual record feature because the audio levels fluctuated throughout the reception and there were times that I used the one with more gain and times I used the one with less gain.

It's made out of plastic and should be treated with care. It's a bit difficult to open the bay for the SD card, but it's not a deal breaker. There are a lot of settings and I would recommend reading the directions (I know, I didn't enjoy it either) but there are a lot of good tips in there that would be difficult to figure out without reading it.

This specific listing does in fact come with an 8gb card AND a 2gb card(the 2gb comes in the tascam box and doesn't specify a class). The 8gb is a class 10 (at least the one I recieved) from transcend. I am using this in my DSLR because I don't need all that space in Tascam. I think the 2gb card that comes with it is sufficient for most people, yet if you want to record WAV files, go for the 8gb. The internal mics work nicely and at times I had this mounted to the top of my DSLR which worked out great during video. There is a bit more time that you need to put into post production but the quality is much better than that of the camera.

Hope this helps!!!

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I am an independent film producer and we bought this to replace a Zoom H4n. I read reviews saying it was comparable and to my satisfaction, for $100 less it is just as good as the Zoom. It boots up a LOT quicker than the Zoom which helps in certain scenarios and the interface is quite intuitive. Most of the kits online don't come with AC power unit though and so you have to run it on batteries unless you buy the AC adapter separate. I tried just using my iphone USB/AC adapter and it worked but I don't know if you can do damage to the unit by powering it that way.

Overall I'm satisfied and with the $100 I saved by not buying the Zoom H4n again I can buy the AC unit if I really want it.

Vox AmPlug Bass Guitar Headphone Amp

Vox AmPlug Bass Guitar Headphone Amp
Customer Ratings: 4.5 stars
List Price: $64.00
Sale Price: $49.99
Today's Bonus: 22% Off
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  • A great-sounding headphone guitar amp that gives you serious sound fast
  • Plugs directly into your bass
  • AUX in jack lets you jam along with your CD/MP3 player
  • 100% analog circuit faithfully simulates the response of the original amps
  • Bass features a full-range bass sound with a compressor/boost effect

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I recently purchased the Vox AMPlug for Bass, because it was the most compact headphone amp I could find for my travel bass. It truly is a great headphone amp with great sound and great FX. It's got that groovy and classic Vox AC100 bass amp sound that truly inspires. With the right headphones/earphones, I worry that I'm blasting my neighbors. Thankfully they can't hear a thing.

The only initial negative is that the construction is flimsier than it looks. The battery door barely stays on, and the gain, tone and volume "wheels" are hard to see and access.

Aside from that, I highly recommend it.

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I purchased this because I just started playing bass again this past year and all the practice amps under $200 just sounded weak or farty to me, and I tried quite a few! I needed something to tide me over so I can practice and play along with CD's etc until I drop the cash on good combo at least 50 watts and 12" speaker equipped.

Tone: I honestly enjoy the tone from this little headphone amp more than some of those 20 watt combos I have tried out. I have a Jazz bass with passive pickups, and this headphone accurate amplifies that Fender tone with just the amount of "Coloration". My only complain is that in standard mode the volume ius just not as loud as I would have liked. Its totally usable, but if you want it blaring loud it just doesn't get there. Not with passive pickups. More on that later...

Controls: Gain, Tone, and Volume. Simple as that. I like the seperate gain knob. Seems out of place on a bass amplifier but its nice to play the gain and the master volume off of each other for the right amount of gain / attack / volume. The tone knob offers a drastic range but to me the sweet spot is right in the middle, and the upper and lower ends of the spectrum sound strange muted or plucky.

FX: The switch has 3 settings, "Standby" (which is off), then "On" for standard mode, and then "FX" mode. Here you have gain boost and some light / moderate compression. You get far more volume from the unit in this mode, but have to dial back the gain to get a normal clean bass tone that seems usable to me. I have found I like the standard mode for normal solo playing /practicing as the tone has a nice balance of warm / punchiness. Then when I plus in my mp3 player to jam or I'm in a noisy environment I use the FX mode for the boosted sound.

Reliability: I can't comment too much as I have not had it very long. Some commenters have mentioned the build seems a bit cheap. Its definitely flimsy plastic and should not be abused like a stompbox would be. Mine does fit perfectly into the input jack of my Jazz bass, some have posted issues with that.

Usability: I give it 5 out of 5 stars here. Its simple, its user friendly, its dirt cheap and super compact compared to bass preamps on the market. I would have never thought I could practice an instrument while traveling (it and a pair of headphones slip right in my gig bag) or practice at home with decent bass tone and not need an amp or cable.

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More than often, you need a silent solution to practice bass wherever, and this product makes it possible. Although the strings obviously still make noise, it's perfect for those sleepless nights when you want to play and not bother anyone in the house. You can plug your ipod in it and play along your music, you'll just need one of those aux wires. Careful with the volume, as it overpowers some headphones and you really don't want to be blowing expensive headphones

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Does what I need it to, when I need it. What's better than that? More features, of course. But then you'd pay more for it. If you're looking for inexpensive that delivers, this is it.

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I want to start off positive here because I am giving it 2.5 stars...

I have had this unit for just shy of 4 years now and it still works, even after bouncing around the inside of every case, gigbag, backpack, and rucksack or assault pack (yes, I am in the Army, and yes, I took this on deployment haha) I've owned! It is very solid and durable if you're not catching on!

When I first bought it, I thought it was so amazing to hear my bass in my headphones without bugging anyone else, and I could go for walks around the neighborhood having a silent jam as I went -pretty freakin sweet!

But the tone was always an issue for me. It always sounded SO dark and muddy that it was hard to enjoy the sound of my own bass sometimes. I found one or two settings that gave a DECENT tone but you roll one control wheel the wrong way in the slightest and you lose all clarity in sound.

The "Bass" AmPlug special feature is a "fx compression" circuit. I wasn't thrilled with it initially because it seemed to have no use whatsoever on my basses aside from blasting me with WAY too much sound no matter HOW low I turned the controls. I figured at the time that I had cheaper gear, and nothing active, so maybe that was the function issue. Nope. I own a beautiful, 1976 Gibson Ripper and a pristine, 2008 Musicman Stingray5 HH....these are my two best basses. One passive, one active (respectively). Both sound like complete garbage through this unit with the compression switch active.

In the end, I bought mine when they cost no more than $20, and it has lasted my nearly 4 years now, 3 of which have been in the Army (so mucho abuse). If you thin-out your tone and crank the highs on your bass, you can get a decent sound out of this sucker, but you really have to work for it (so do yourself a favor and right down the "sweet-spot" settings you find!). I felt it was very-well priced and an irreplacable tool for bassists everywhere. It's hard enough to find a decent-sounding stage rig without blowing your pockets up, and we all know there is next to nothing on the market for us in headphoneor mini-amps.

My advice? pick one up today and test it out. If you can get two, maybe three good tones out of it that you're happy to hear, buy it without question. The new price is...rough, but bassists always had to shell out more dough than our 6-string bretherin!

Ledhill 3.5-mm TRRS (Stereo-Plus-Mic) Full Conductor Stereo Audio Cable (Red - M/M L Style (Gold-pl

Ledhill 3.5-mm TRRS Full Conductor Stereo Audio Cable)
Customer Ratings: 3.5 stars
List Price: $20.99
Sale Price: $6.99
Today's Bonus: 67% Off
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was looking for a 4 pole cable for "audio/chat" for my wii u, and it works perfect with the gamepad and afterglow wireless headset! highly recommened

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Bought two cable & used one in my car to hook my iPhone up to my Maxima & it just stopped working. It is a really small gage cable. I don't know if it got caught on something or what, just quit working.

EDIT:

The next day (after writing the above review) Ledhill sent me an E-Mail saying they would send me TWO NEW Cables. I only had one go bad. I will keep using this product & make anther review in another month or two. Its a great looking SMALL diameter cable. I did bump it up to a two star rating, from a one star. As long as I have no further trouble, I'll give it a couple of more stars in time.

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I was looking for something that i can use to connect my macbook to speakers. This for some reason didnt work. It works on nomral electronics but not 3 ring 3.55m

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Pyle Home PHBT5G Stereo Bluetooth Streaming Wireless Headphones with Call Answering and Built-In Mi

Pyle Home PHBT5G Stereo Bluetooth Streaming Wireless Headphones with Call Answering and Built-In Microphone, Green
Customer Ratings: 4 stars
List Price: $47.99
Sale Price: $37.00
Today's Bonus: 23% Off
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I just got these in the mail. Wahoo! They were easy to pair and can be paired to two devices. User manual could be better with visuals, but directions are clear. Yes, they are comfortable. I use them in my Reiki meditation.Pyle Home PHBT5P Stereo Bluetooth Streaming Wireless Headphones with Built-in Microphone, Pink

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Excellent sound and quality. Easy to set up and best yet, no wires to get tangled. I would highly recommend it to anybody.

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Love the headset I use them when I go to the gym or just around the house. The sound quality is really good granit it's not like your in room with 7.1 surround but it's simular to 5.1 surround just mnus the big thumping bass. It's Noise canceling as well and For $38.00 it's a really good deal. Not to mention the Bluetooth connectivity is really awesome and that means no wires so you are free of that :) I also thought it was simple to pair with my 7th gen iPod nano and also my iPad 2 so all in all it's a great product. Yes it's true you can only pair it too 2 devices. But jeesh what do you expect for under $40.00 in my book this set is awesome and stylish fits the back of my head great too cause I have a decent size head I take a large helmet size in my motor cycle helmet so if that gives you any inclination that these will fit ANY size head. unless you are a Huge over sized giant then you might want too look at something different. But in my opinion they are awesome I couldn't be happier with them just wish they came in the color blue as well :) I would deffinatly recommend these to who ever is looking to get a wireless blue tooth headset that let's you listen too music movies and even make phone calls without the nussence of having wires hanging around :)

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These earphones have great sound quality. When paired to a device there is no static, and when you turn the volume up all the way you can hear the sound from across the room. It is also nice being able to have the headphones paired to two devices at once. These are really great Bluetooth headphones for the price!

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I picked up this Pyle bluetooth headset for twenty bucks on a lark hoping to get a backup pair for my primary headset. I'll keep it simple with a pro's/con's list.

Pros:

1. Cheap.

2. They work. Audio quality is acceptable for the price range.

3. Battery life is good, but...(see Con 2)

4. Decent range, well within the bluetooth standard.

Cons:

1. They are not size adjustable. If your head isn't small like a child's or tiny person they barely reach from the back of your head to cover your ears and pinch so hard it's almost uncomfortable. I feel they had to compromise here and either make them big enough for us large 'mericans and disappoint the pinheads, or make them small and disappoint us big noggin folks. Its obvious they were marketed towards the small stature people of Asia(their place of origin naturally) so us hormone-laden food eaters need not apply.

2. Uses proprietary small barrel charger. No micro or mini usb here. Because that would be too easy with practically every non-iTard rechargeable device out there uses micro usb. Disappointing extra charger to carry around/keep track of.

3. The boop-boop-boop notification sound when you power on the device, power it off, and get low battery notification is so loud it practically blows your eardrums out. I've turned the headset all the way down with the volume controls and it has no effect on the level of these notification sounds. I've never been to a live concert and don't listen to music(I'm using these to listen to news podcasts) so I'm sorry if my hearing is undamaged. The notifications are too damn loud! I have to turn the headset on and off while not on my head.

In summary, I could forgive any one of the above cons, but the combination of all three make this headset a total fail. I wont give them a 1-star review because they at least function electronically speaking.

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Rolls Personal Monitor Amp Battery Optional - Rolls PM55

Rolls Personal Monitor Amp Battery Optional - Rolls PM55
Customer Ratings: 4.5 stars
List Price: $90.00
Sale Price: $64.99
Today's Bonus: 28% Off
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I bought this to use as a monitoring device for a boom op doing video shoots. That's not really the target market for this, but in reading the ad copy for how they expected a musician to use it, it seemed completely logical to hang it on a boom op's belt, plug in the boom mic, run a long XLR to the recorder, and let it run.

One nice option for "one man band" shoots is to grab a 1/4" output from your recorder, and run that cable back to the PM55 for monitoring other mics. For example, you could have one or more lavs mixed down to a single channel, send that back to the PM55, and have boom audio in one ear, and lav audio in the other.

The preamp is surprisingly good, and they are not kidding when they say it provides plenty of volume! Be careful if you're feeding this with a mic on someone who suddenly decides to yell. (Not that this would have happened to me or anything...) The preamp is so clean that if you're using the 1/8" headphone output for monitoring, you could conceivably run another 1/4" input from the second headphone jack back to your recorder, and have remote level adjustment!

Last but not least, this unit DOES pass through phantom power correctly from a recorder/mixer, but does NOT provide it for you. I have used this for location shooting with a Zoom H4n Handy Portable Digital Recorder, and the results were great. I was able to shoot for two full days on a single 9V battery.

I can't speak to how well this would work for a musician on-stage, but my guess is that it would be just as impressive there as it has been for me. This is a very solid, well-made product.

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It's of a small portable size. It does the job intended, I'm very happy with having it to use as needed.

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Because of the mono/stereo feature of this monitor, it helps with set-up on stage. Plus being able to use it with a battery makes in more portable. The only problem is if you do not take the battery out after use it goes dead because it does not have a on/off switch. Manufacturer might conciser adding one.

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This little black box does what it says it will do &does it well. I am a singing drummer in a rock band and need to hear not only the Mix from the Board but have custom control over how I hear my vocals as well. This Rolls Amp allows me these "luxuries" and helps me elevate my playing both in practice and in playing out live at shows. I paired this product with Shure in-ear SE 215's and am up & running for under $200! I Highly recommend! I don't know how I played without it now. SO MUCH BETTER THAN FLOOR WEDGES! Plus easier on my hearing too.

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It works fine I guess. The main complaint is that the power cable plug doesn't fit into the device very well . I have to push it in very hard to make a connection, and it comes unplugged with a small movement. Other than that it does what I need it to do.

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Yamaha SV-130 Concert Select Silent Electric Candy Apple Red 4/4 Violin

Yamaha SV-130 Concert Select Silent Electric Candy Apple Red 4/4 Violin
Customer Ratings: 5 stars
List Price: $995.00
Sale Price: $720.00
Today's Bonus: 28% Off
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  • This Full Size Yamaha SV-130 Silent Electric Candy Apple Red 4/4 Violin is easy to hold and play
  • Controls include: Master Volume - Reverb Type Select - Aux In - Aux In Volume - In-Out Jacks - Headphone Out - Line In - Piezo Sensor
  • Spruce Body - Maple Neck - Ebony Fingerboard - Ebony Pegs - Maple Aubert Bridge - Molded Plastic Side Body, Tailpiece
  • The aux-In 1/8 inch jack with independent volume control allows connection of an MP3 or CD player for playing along with you favorite recordings
  • The Yamaha SV-130 Silent Electric Candy Apple Red 4/4 Violin is simple one of the most versatile violins ever made.
  • It is extremely playable and there is no need to alter your technique to play it.

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I have several years studying violin. I bought this yamaha SV-130 and the sound is amazing. It has a beautiful design, good sound and is very versatile. I have another acoustic violin the Cremona 1260, it is an excellent violin. But when I compared the sound in D string between 2 violins, in the yamaha violin it sounds a little different.

But in general this is a good instrument. I bought that I hope, a very good electrical violin.The case, bow and violin arrived in exclt conditions.

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Focusrite Saffire Pro 40 Professional 20 In/20 Out Firewire Audio Interface with Eight Pre-Amps

Focusrite Saffire Pro 40 Professional 20 In/20 Out Firewire Audio Interface with Eight Pre-Amps
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $499.95
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  • Eight high quality, award-winning Focus rite pre-amps provide the best sounding interface in its class.
  • High-quality 24-bit/96kHz fire wire interface provides pristine audio quality and guaranteed reliable synchronization.
  • Total i/o count of 20 inputs and 20 outputs, with a host of i/o options provided.
  • Suite of Focus rite VST/AU plug-ins will upgrade your standard sequencer effects
  • Two separate headphone buses allow two artists to receive independent and fully-customized monitor mixes.

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I originally bought this to supplement my 01v96 mixer for more inputs and outputs strictly for live sound use. It does that very well and I've had zero issues with it. I'm glad I went with this over any presonus equivalents. I don't do a lot of recording but I tested it out when I first got it.

I run a Dell inspiron 1525 W7x64 pc laptop. 3g ram, 2.0 GHZ core 2 duo processor. I've had it almost 3 years now.

At first I tried using a external firewire card (a recommended startech model with a texas instruments chipset), and that was a horrible experience. I couldn't keep a sync with the the saffire and when I did have it it was horribly laggy and unusable. I hooked it up to set my internal patching for live use, and saved it to the hardware for standalone mode. I managaed to get through that but with the lousy firewire connection it couldn't handle any recording whatsoever. I didn't really care at the time because that's not what I bought it for. I did try it on my friends macbook pro at the time and it worked fine.

Several months later I realized that I had a 4 pin firewire port built in to my laptop. (4 pin offers the same function but cannot power external devices) So I tried it out with that port 6 to 4 pin firewire cable and sure enough, no lag, solid connection with no dropouts. For the sake of testing how much this pc could handle I recorded 12 inputs into ableton for about 30 minutes straight. I plugged in my EVO into the first two inputs of the saffire and routed those into 10 channels of my 01v96 and then back into the saffire via adat for 12 recording tracks total. Solid. No dropouts, no pops, no glitches. My cpu was running about 60-75% during this process.

I'm now even more impressed with the saffire as its I/O count for a unit of that cost and quality is quite nice. Perfect in conjunction with a digital mixer because then you can utilize the adat and spdif I/O. They claim 20 inputs but the last two are loop through from other internal software/online media in the computer, so I call it a solid 18 into a DAW with this unit. I will now be looking into mobile live recording because with the mixer its a compact setup that allows me to record 18 simultaneous tracks and for most bands that's plenty.

For an even smaller setup for when I just need a couple pre's into the computer without a mixer I will be purchasing a Saffire pro 24. And with that I can get the last 6 channels of my 01v96 into a DAW as well via ADAT.

So for what I do its extremely versatile and well performing unit. To top it off it has great metering onboard and the knobs feel solid.

Its a great and affordable piece of gear.

UPDATE: My one beef with this unit is that it appears I'm unable to get a decent latency when recording my guitar direct. Which mostly likely in the future will lead me to an RME interface. But for now and for live sound use/mobile recording this is a great, affordable interface.

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Great firewire interface recording unit. I am using this with Windows 7 64 bit and Sonar 8.5.3 Professional Edition. I have tried many different interface units and the Saffire Pro 40 has been the easiest to install and use. The preamps are very good and better than other units I tried. The only negative is the latency, as with most firewire devices but even that is not a big issue. I have been using this unit for two years and if it were to fail (out of warranty) I would buy another.

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I have had the chance to play around with this unit for about a month. I upgraded to the Focusrite Pro 40 from the M-audio Delta 66 (which by the way, was a bullet proof solid little unit that I used for about 8 years).

As of right now, I couldn't be happier with my decision to upgrade to the Focusrite. I am currently using WinXP SP3 on an older model Pentium 4 with 2 GB ram firewire interface.

My Recording experience: I have been dabbling for about 10 years. In the past, I have primarily used audio interfaces with direct-ins for guitars, and ambient for drums. Basically, I record my bands for personal use. I have recently built a dedicated recording studio and intend to get more serious about sound reproduction, possibly expanding out to acoustic/ambient recording for guitars, horns, and other musical instruments.

Hardware:

Pros: My primary uses are the Mic-in/ Mic-out. They accept both XLR and 1/4 inch. There is a fantom power button for inputs 5-8, mute buttons, monitoring levels, etc. So far I have had no issues with the hardware that i've used. I have not used the ADAT, Optical, or MIDI functionality yet, but expect they will be as seamless as the other inputs.

It is worth noting, that the Pre-amps on the focusrite unit are excellent. (Previously, I used the Mackie CFX 20-mkII and connected the 4 sub-outs to the Delta 66 which produced a very good recording with very little to no noise and consistent levels). Everything i have input to the focusrite has been crystal clear (5 different guitar setups, 2 different vocal mics-shure/audiotechnica, audiotechnica base drum mic and overhead ambient mics).

Overall, the functionality of the hardware has been top-notch with crystal clear recording.

Software:

Pros: I am still getting used to the functionality with respect to channel routing and controlling the software/hardware. The only limitations I am finding is that I have not been able to spend enough time to fully understand how it all works together. From my limited experience, the channel routing is very versatile. It is possible to route just about anything from anywhere. For example, playback from your DAW can be routed to say output channel 5&6 (in my case, i send these out to a headphone amplifier) where the user can listen to the playback, while recording back into channels, say 1&2, to the DAW on a separate track. At the same time, either signal (input or output) can be monitored to, say output channel 3&4. This allows the soundman listen to either the full playback or just the isolated new track.

A nice feature, that actually works, with this software is that you can save profiles. This allows you to spend some time to get your gear up and running, working the way you want and SAVE the settings that you have. You can simply hit the "save as", give your setup a meaningful profile name, and easily recall it later. This is a real TIME SAVER! The delta 66 software had a similar feature, but never actually worked!!

Again, I haven't had a lot of experience with the focusrite pro40 yet but so far I'm very happy, and impressed with the versatility and features.

Hardware:

Cons: As a personal preference, I'm not crazy about channels 1&2 being on the front of the board. For me, it is clutter on the front of my rack system, and more potential for bumping into chords and possibly wrecking the chord or plug.

I would happily exchange a few of the other "inputs" for more analog ins/outs.

Although I have looked real deep into this, I believe that it is stated that there is an ability to daisy chain two or more of these together. Based on what I have read, you can't really do this yet. Hopefully, Focusrite will iron this out by the time I decide to expand.

There is no Effects loop. There is a simple work around for this, but it would be nice to have that functionality in the unit. I introduced a separate mixer (with sub-standard behringer preamps). By doing this, I can plug (in my case) vocal mics, run my effects loop, then run the main outs back to the Focusrite. Unfortunately, this is bad for at least two reasons: 1. introducing another piece of equipment before the focusrite degrades the recorded sound, especially if the preamps are junk. 2. It adds another piece of equipment that you either have to have laying around, or go purchase.

Software:

Cons: So far, I'm pretty happy with the software. Since I have such a low amount of experience with the software, I have nothing really bad to say about it. What I can say is that it is leaps and bounds above the Delta 66 software that I was using.

Additional Thoughts:

Although you could probably use this unit in a professional setting, in my opinion this unit is mainly for home users. If your in a professional studio, your likely using something else anyway.

Beginners: If you are a beginner that has never used an audio interface, there will be a moderate learning curve with the Focusrite system. I have a lot of experience with M-Audio, and "brushes" of experience with TASCAM and Pre-Sonus. Based on what I have seen, the beginner is going to have a better overall experience and be more productive with this Focusrite unit. I believe this is a good unit for a beginner because there is enough functionality to grow into, and enough versatility to keep you interested in the unit for years to come.

Moderate Users:

If you have some experience with other audio interfaces you will be pleased with the sound reproduction, versatility of the software, ASIO drivers, profile saving functionality, channel routing, multi-mix capability, MIDI features, and expansion abilities (if/when they straighten everything out).

Overall, I couldn't be happier with this unit. Focusrite listened to their end-users and produced a nice piece of recording equipment for home users at a fair price.

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Excellent audio interface, especially at this price range. I primarily use mine for a theatre playback interface, utilizing the outputs, but also have used it as a recording interface and often as a standalone pre, sending mic signals out over the ADAT port to expand a system for live mixing. The box sounds excellent, easy to setup, no driver issues, and a easy to use computer GUI.

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The reviews for the the Focusrite Saffire Pro 40 primarily focus around the issues of 1) How does it sound and 2) How complicated is the interface.

My experience of the audio quality is simple. Recording to my guitar amplifier through the computer with a Sennheiser E609 microphone, the reproduction is simply exactly what I hear from the amp itself. What other people are describing as "great preamplifiers" in practice is that I simply don't have to think about the recording-set the input gain appropriately, and your DAW gets your input.

A common objection to the software is that it's not intuitive to use the channel routing software. For software that lets _any_ input route to _any_ output channel, there's not much more simple it could be made.

Monoprice 105601 25-Feet Premium Stereo Male to 2RCA Male 22AWG Cable - Black

Monoprice 105601 25-Feet Premium Stereo Male to 2RCA Male 22AWG Cable - Black
Customer Ratings: 4.5 stars
List Price: $20.36
Sale Price: $5.39
Today's Bonus: 74% Off
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I did a lot of research on amazon looking for a shielded cable like this one that wasn't as expensive as monster cables, but was actually shielded-this one suited my needs perfectly. You can find similar length cables at half the price, but they don't look like they're really shielded-no more so than any wired cable, like a phone cord, cheap extension cord, etc. And of course you can find top-end stuff from monster, etc for 3x the price.

I already had a 15 ft, unshielded 3.5mm to RCA cable that I've been using to connect my MP3 player and my laptop to my stereo's aux input, but unless I had everything just right, I was liable to experience a hum-feedback interference. In addition, the old cable would occasionally cause my MP3 player to freeze up, which never happens when I'm using headphones.

I've had this cable for a few weeks now, and with daily use, on both the laptop and the MP3 player, I haven't had any issues at all, so I'm pleased. It seems to be heavy duty cable, well made, and durable. It's very flexible for it's thickness though, so I think anyone needing to route the cable around corners, etc will have no problem at all.

4 stars instead of 5 just because the 3.5 plug housing is rather long and heavy, (which makes it pretty durable-I doubt I'll be suffering from a bad joint connection, but--) I sense that it's going to cause some problems with my laptop jack eventually, because it weighs so much I can see how the jack will get loose over time, especially with daily use. It would have been better designed with an elbow plug, if possible.

Otherwise, I think it's great. Great deal for the money.

update 1-5-13: happy to report my cable still works great; everything is the same. Just want to clarify that I bought mine from cablemart for approx $10 + $5 shipping. Glancing at a few more recent reviews, I can't guarantee that the cable advertised is the same one I bought. I don't think the picture is the same either. the one I bought looks like this one: http://www.amazon.com/Quality-Shielded-Connecting-Receivers-Accepting/dp/B002XWRVIC/ref=sr_1_6?s=electronics&ie=UTF8&qid=1357381992&sr=1-6

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I know, it's a cheap-o cable you say. But I've become somewhat of a student of audio lately and I can now honestly say that buying big expensive cables is absolutely unnecessary unless going very long distances. I've had the $100 cables and the $4 cables and I absolutely cannot tell the difference. I am using this to connect my HDTV to my Sennheiser RS180 headphones (which are STELLAR by the way) and even though it's going 25 feet, the sound is crystal clear. There's no interference, there's no hum, there's no weak signal...there's just crystal clear audio. If you need to connect your TV, DAC or any other RCA source to a 3.5MM input (as in the case of my HDTV to RS180's or to the computer) then this is the cable for you.

I've read reviews that imply that over time that silver, aluminum, copper, etc. all corrode, which is true but it takes years to affect the audio signal. This will give you years of excellent signal to your most demanding equipment and if corrosion ever becomes a problem, buy another $4 cable and you're still $92 ahead of the $100 cables.

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Pretty simple product really, no complaints. Does a good job of patching in the computer to the reciever from 25' away. Would buy it again.

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Since others have praised this cable's durability, I will restrict myself to commenting on it's sound: wonderful! I have recently been upgrading all my cables in the various a/v and vintage systems I own but I have refrained from the overpriced ones, which to my ears sound no better than cables in the $10-30 range. I run this cable from a iMac to a vintage Sansui receiver, which is on the other side of the room. It's length therefore is a real plus. I was a little wary at first but not only did it outperform my older cables but it sounds better than all the other ipod dock cables that I own, which are twice the price. The thick size and the gold-plated jacks really do make a difference. The RCA jacks in fact fit on snugger than most. For the price this cable is a no brainer.

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This cable has a solid feel to it. Well put together.

Connectors are gold platted and attach securely, nice and tight!!

Sound quality is amazing. Marked improvement over the cheap one I had.

Can't go wrong with this cable.

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