Showing posts with label best value headphones. Show all posts
Showing posts with label best value headphones. Show all posts

Monoprice 105581 25-Feet Premium Stereo Male to Stereo Male 22AWG Audio Cable - Black

Monoprice 105581 25-Feet Premium Stereo Male to Stereo Male 22AWG Audio Cable - Black
Customer Ratings: 5 stars
List Price: $17.01
Sale Price: $13.49
Today's Bonus: 21% Off
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This is one of the highest quality Male-Male cables of this type that I have seen. If you want a great product for transferring your sound, this might be what you are looking for. I also love the length of if being 25ft. This was exactly what I was looking for. Thanks.

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This is probably the sturdiest, thickest "auxiliary" (3.5mm stereo TRS) cable available at this price.

It has large connectors, so that can be a downside if you are trying to connect it to, say, a phone with a case on it, or an iPod. However, with a 25 foot cable, you are likely going to be stepping on it, tripping over it, setting things on top of it, etc., and this cord seems more than capable of standing up to that sort of abuse.

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EATFL1-6 Triple Flange Sleeves for SE model earphones (except SE102MPA), SCL3, SCL4, SCL5, E3c, E4c

EATFL1-6 Triple Flange Sleeves for SE model earphones, SCL3, SCL4, SCL5, E3c, E4c, E5c, and E500 Versions
Customer Ratings: 4.5 stars
List Price: $9.99
Sale Price: $7.79
Today's Bonus: 22% Off
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  • Includes 3 pairs of Triple Flange Sleeves.
  • For SE model earphones (except SE102MPA), as well as E3c, E4c, E5c, E500, i3c, and i4c models.
  • Legendary Shure quality to withstand the rigors of everyday use.

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Westone NOTE: These Shure tips are the same tips included in the tip pack with Westone 4 earphones. You only get 1 pair in the Westone pack and they do not offer a replacement for just these tips. You must pay over $20 for the pack and you only get a single set of these tips.

REVIEW:

These tips worked better for me than any of the other style tips I've tried. But don't be fooled by reviews; ALL EARS ARE DIFFERENT!!! Try them all and use what works for you. If this style works best, USE IT!

As a triple flange tip goes this tip has pros and cons.

Pros: The stem on this tip is longer than most tips which gives you the ability to push it deeper into the ear canal if you need to. Also, the stem opening is smaller than most so it fits much tighter on the earphone's stem making it less likely to come off the earphone and stay lodged in your ear when you try to take them out of your ears.

Cons: Being a stiffer rubber than some of the other tips, it tends to have more of a 'memory' and starts to retain the shape of the ear canal fairly quickly. Over time, this memory prevents the tip from 'spreading out' and it therefore loses the sealing ability that it had.

FIX: I decided to try something after each use and I have gotten spectacular results. After each use (used for in-ear monitors during rehearsals and shows), I wash them and then flip the large and middle flange up and leave it until the next use. This resets the memory they tend to develop and even spreads the flange out a little more. I get an even better seal after using this method than I did on the brand new pair! They are lasting a long time now--four months and still sealing tight!

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I recently purchased a pair of Shure SE215's. They have an awesome sound but I could not get a proper seal

with the included buds. I even tried the Comply buds, but even they would not seal properly for me. My Shures did not include these sleeves so I thought I'd buy a set to give them a try. I thought they were a bust at first, extremely uncomfortable. I tried clipping the top flange off and this made them perfect. The seal never breaks and I can lay on my side in comfort while in bed. I also get the best sound isolation with these sleeves. All in all I am a happy camper.

Read Best Reviews of EATFL1-6 Triple Flange Sleeves for SE model earphones (except SE102MPA), SCL3, SCL4, SCL5, E3c, E4c Here

There are significant differences between these and the original triple flange sleeves that come with some Shure's(my E5c pair came with some). It seems like these are made of white rubber rather than the original opaque silicone pair. This has the effect of them being much more rigid and less conforming to the ear canal than before. Also, the flanges themselves are much smaller than the originals. The middle flange on these is approximately the same size as the smallest flange on the older pairs, which in my case, causes the new ones to be unable to create a good seal whatsoever. Even if it did it would still fall out much easier than the original triple flange sleeves, and one of the best features of the flange design in general is that they should stay put fairly well. Perhaps these would be good for people who like their triple flange sleeves but always thought they were too big or too soft. Or perhaps my ear canals are unusual in that they don't allow a good seal (although the originals sealed well). Either way, do not an exact replacement of the sleeves that came with your phonesthese are completely different and should not be marketed as replacements.

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For years I accepted a less than stellar bass performance from earphones when compared with over-ear headphones. On a whim, I purchased a set of Shure SE425 which featured a number of different ear sleeves. Going with the standard silicone sleeves, I was dismayed to realise that the sound quality of the earphones to be not that much better than the cheap earphones that I had picked up to replace the white earbuds that were bundled with my iPod.

Fast forward a couple of weeks and just out of curiousity, I swapped out the silicone sleeves and replaced them with the triple flange sleeves and I noticed an immediate improvement. Better bass response and almost complete noise isolation gave a much better soundstage. Now I have swapped out the sleeves of all my earphones and use the triple flanged sleeves exclusively (provided they fit).

Highly recommended.

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The triple flange sleeves for the Shure SE earphones are, in my opinion, the way to go for earbuds/phones. The design of the flange works exactly as intended (well, as how I assume it's intended): different size ears are no longer an issue (barring either enormous ears or tiny ears) b/c of the "tiered" cushioning; have bigger ears than "average"? No big deal, the earphones just go in further; have smaller ears than "average"? No problem, the earphones just don't go in as far. Very comfortable, and that really allows a greater level of enjoyment due to the fact that that comfort is being combined w/ great sound quality. Definitely worth the money.

Casio WK6500 76 Key Touch Sensitive Workstation Keyboard Package with Power Supply, Stand and Headp

Casio WK6500 76 Key Touch Sensitive Workstation Keyboard Package with Power Supply, Stand and Headphones
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $272.96
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  • 76-Key Full Size Keyboard Workstation
  • 670 Tones and Programs
  • 48 Polyphony, 10 User Tones and 200 Rhythms
  • USB MIDI Class Compliant
  • Audio In and Mic Inputs

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Really a nice keyboard for the weekend musician. May not be everything that a professional nightclub performer would want, but it's lots more than the other keyboards out there. My mom volunteers weekly to play for a sing-along at a long-term care facility, and she uses this keyboard every week. Her last Casio (same size and basic abilities) lasted 10 years! She loves that she doesn't have to manually transpose songs into her singing comfort range; with this keyboard, you can play the song as it is written but move it up or down a couple notes to make it easier to sing. Also, the headphones are great because she can practice at night without disturbing anyone.

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I was looking for a keyboard with contemporary and realistic sounds and It had to be reasonably priced. I got it all and more! It has tons of sounds and tones. From techno sounds to traditional sounds like piano, bass, strings and horns. The sounds are realistic and you can even modify them if you want to tweak them. You really won't find a keyboard of this quality for cheaper. I sing, write and produce my own original compositions with this keyboard. I've worked with professinal producers in their studios and the recordings I made in my home studio with this keyboard is just as good if not better than the studio recordings. I'm currently working on an ep for itunes. Your work with this keyboard can be as professional and polished as you'd like depending upon your abilities.

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I ordered this product about 6 months ago, and I love it. It's sound gets just a little bit on the fuzzy side whenever it's not on it's charging cable, but besides that, it's perfect!!! i'm also not a professional musician, mainly a home producer, so for all I know a pro could see this as a load of crap, but me personally, I love it. Also, this isn;t a complaint, but if you want to put it on battery mode, it requires 6 D batteries, which can be pretty pricy, but it wasn't much of a big deal to me, since I have a billion batteries. By the way, love the microphone!!!! Not amp quality, but it goes loud!!!!!!!

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I am very happy now because the tone is better than I thought. AND It is cheap... Yamaha is expensive.

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It's nice that it comes with the stand, power supply and headphones. Although the headphones are really cheap. Pretty good sounds coming straight from the built-in speakers. Has 76 keys so it provides more range than the smaller 61-key boards. I'm a guitarist trying to branch out and learn some basic keyboard and this is a good beginner model that comes with everything you need to get started in one package.

MXL MICMATE PRO XLR To USB Preamp with gain

MXL MICMATE PRO XLR To USB Preamp with gain
Customer Ratings: 4 stars
List Price: $149.95
Sale Price: $90.83
Today's Bonus: 39% Off
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  • Supplies 48V phantom power
  • Zero latency monitoring
  • 1/8-inch Stereo headphone jack
  • USB Powered
  • USB 1.1 and 2.0 compatible

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I have used the MicMate Pro for several months and I can say that it has exceeded my expectations. As a WinXP user, I had no problems with installation...after plugging into the mini USB port, I let Windows automatically install its own USB audio driver and I was good to go. The XLR cable and USB jack connects quite snugly, so there should be no worries of accidental disconnects.

As sound quality goes, not only do my recordings sound great with my condenser mic, but the MicMate Pro introduces absolutely no hiss or hum.

In regards to features, the MicMate Pro has a knob to control the amount of gain to your audio software. In addition, it includes a mini headphone jack (and volume control) so that you can monitor your recordings...as a voiceover person, this is a must have.

I have two minor gripes about the product:

It has no phantom power on/off switch (not a problem if you use only condenser mics)

The knobs can be a little flakey when adjusting the gain or headphone volume

With that said, the MicMate Pro is a terrific product. It not only sounds great and works great with laptops, it is small enough to fit in your laptop bag.

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A warning to all Mac users looking to record with this USB preamp -it records a scratchy noisy signal rendering anything you record with it completely unusable. And, contrary to the manufacturers claim of 48Khz recording, it maxes out at 16Khz on my Mac. Sent it back and I'm switching to a Shure X2U.

UPDATE -Be sure to check your Audio MIDI setup. I had to play around with the settings to get this to work properly. It fixed the noise issue, though I'm still unsure what actually made the fix.

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I have had this only a short time, so I can't comment on durability. I can comment on how it works. This unit is just as described. It is easy to use. My computer had no problems recognizing it. No problem with background noise from the unit. One review mentioned something about flimsy control knobs. This just isn't so. The controls are solid and work smoothly. I will use this for connecting my Sennheiser MD 421 mic to my laptop for on-the-go voice recording while I'm away from a recording studio. It's a great, portable unit. I especially like the way I can easily attach my headphones and get direct, no-delay audio while recording.

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It flat out rocks. I do voice work for radio and this worked great. One minute to set up and the quality is woderful.

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Connections are loose which was disappointing. Not sure if mine was damaged or if they are all that way. But it saves me taking a lot of extra gear on the road.

Fender Rumble 150 Bass Amplifier

Fender Rumble 150 Bass Amplifier
Customer Ratings: 4.5 stars
List Price: $449.99
Sale Price: $349.99
Today's Bonus: 22% Off
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  • 150 Watts
  • 1X15" Fender® Special Design Speaker
  • One Channel
  • Controls: Volume, Overdrive Gain, Overdrive On/Off, Overdrive Blend, Bass, Low Mid, High Mid, Treble, Mid Scoop Switch
  • Additional Features: 3-Band EQ (with semi-parametric midrange controls), "Mid Scoop" Button, Auxilliary Input for CD/MP3 or Drum Machine, Delta Comp Adaptive Compression Circuitry, Effects Loop, Headphone Jack, XLR Line Out Jack with Ground Lift, Ported Cabinet, Black Vinyl Covering, Rugged Black Metal Grille

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I'm a long-time pro player, and have always been skeptical of combo amps. Either they didn't have a good sound, or not much power for the size. Plus, my main rig is a Mesa Boogie Bass 400, so I'm a tube amp guy. But, I started looking around for something smaller for small gigs. I looked at a bunch of combo amps, and this one is great. I played through several amps with a 12 inch speaker, but when you started cranking on them, they sounded like, well, a 12 inch speaker box. This amp is not the case. It has a 15 and a horn, and has great sound. It sounds like a real bass amp, and not a solid state PA amp! And, so far, it has been plenty loud enough for small gigs. It has a low-z out if I need to put it through the PA. It doesn't have a bunch of pre-set modeling sounds, but it does have a couple "quickie" buttons for punch and mid presets. But, I don't use them. I get what I want out of it by just a little tweaking of the 4 band EQ. It sounds like a stage bass amp should sound big, warm, and punchy. And, it has a couple of controls to simulate tube amp sounds. They work pretty good. Since it has removeable wheels, it sounds different on some stages with wheels off. Try it both ways. I play though it with three different basses with different pickup configurations. They all sound great through it. Plus, this amp is Fender quality. Just remember, this is only a 150 watt amp. It's loud for 150 watts, but for a really big stage, or big gig, you may need a bigger amp. Nonetheless, you could spend a lot more and end up with a lot less. This is a great buy on a great amp.

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My daughter was playing electric guitar for some time and now she decided to play bass. Because the regular amp can't hanlde bass guitar well, we did what I think the best way to choose an amp went to a store and just started trying out different amps they had there.

We started with Rumble 75 and it was ok, but not that great. Than we went through some other amps until we tried that one. Apparently, this one is quite special. It has a combination of a huge 15" speaker, a dedicated horn for the highs and a large cabinet. Apparently, in the bass world, the size really matters. The Rumble 350 can go much louder, but no other amp (well, in similar price range) could deliver the sounds of the 150.

And one more thing. You may think "I don't need that much power cause I have a small place, so let's get something smaller". That logic may work for regular guitar amp, but for the bass you just can't get right sound off the smaller box. So you may never crank up volume to pump out all 150 watts, but you'll still be better off with a bigger amp, it's not about the volume, it just sounds better.

Bottom line is this amp really stands out for the price and fundamentaly it has some better components so you should take a look at this one.

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I got this combo amp because the thought of moving my 8x10 Ampeg made me want to cry. I went out and plugged into this at the store expecting horrid sound. Instead, this little guy sounded GREAT! And it is surprisingly LOUD.

I was planning on just using it for one show and returning it. I played a packed show at a packed 200 capacity club, and I received a ton of compliments from both the crowd and other bassists. In addition, loading and unloading the Rumble was a breeze. The wheels worked perfectly.

My only complaint is not having any rear inputs. I also use a rack for effects, wireless, and a tuner. The rack's cables come out the back, so I'm forced to stretch the cords around to the front of the rig.

Also, there's no compressor built in. You will need a seperate pedal or effects processor for that.

Otherwise, this combo amp is light, portable, and gig ready!

Me: I've been playing bass for various punk bands in Seattle and have done multiple tours up and down the West Coast. From basements to 400+ capacity venues.

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I liked the sound of this amp in the store but not when I got it home. The store was loud with someone banging on the drums and several people trying out guitar amps so I didn't notice at the time that the Rumble 150 has a cooling fan. This is not unusual for bass amps and it isn't a problem if you are always playing it loud (i.e. with a band). However, if you want to also use it at home to practice at lower volume levels the fan noise will drive you nuts. It makes a lot of noise even while all the knobs are turned all the way down and the horn is off.

I returned it for a Gallien Krueger MB210. The GK is very quiet at low levels (except for the tweeter but that can be turned off). The GK also is a more powerful amp than the Fender in case you do want to play it loud and need to compete with a drummer. In my opinion the GK has a lot more wide ranging sound possibilities than the Fender Rumble 150. Admittedly, the GK cost more than the Fender but if you can afford it and if you need an amp that can be quiet when you want but also very loud when you want, get a GK.

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I bought this amp thinking for the most part it would be more of a monitor, the bass running through the sound system normally. We do that some but I have to say that in many venues, some pretty large, this little guy on it's own has a ton of power, I don't think I have ever had it above 5 on the volume. We are playing country, not hard rock or anything, but it has plenty of power. Sound is great, I do use an equalizer pedal because it helps bring out any spots that are not as aggressive as others, but I use that on any amp/guitar I am playing. Typical Fender IMO, good value, good sound and I would highly recommend for anyone wanting a solid amp for medium to small venues.

Nord C2 61-Key Dual Manual Combo Organ with Tonewheel, Vox, Farfisa Models and Baroque Pipe Organ (

Nord C2 61-Key Dual Manual Combo Organ with Tonewheel, Vox, Farfisa Models and Baroque Pipe Organ
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $3,699.00
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  • Packed with the award-winning sounds of the C1
  • Dual manual semi weighted waterfall profile keyboard
  • New stunningly accurate Pipe Organ featuring 21 stops
  • Includes B3, Farfisa, and Vox
  • Built-in effects to refine your sound

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The first thing I must say is that in general I am a purist, and I don't like most electronic instruments. When the church I work for started construction and had to move out of the sanctuary, I had them purchase this organ for me since it's the only one on the market that has classical stops as well as the Hammond and other electronic emulations. I was prepared to not love it but it was the best that could be done without spending from three to ten times more. Then it arrived, I hooked it up to good speakers, and I was absolutely blown away.

The Nord Hammond B3 emulation has been lauded by just about everybody, like all of their vintage sounds. With an adjustable speed rotary speaker as well, I feel like I'm playing in a vintage gospel band. I'm less familiar with how the Vox and Farfisa originals sounded, but they're very good sounds to add to your performance palette.

What surprised me the most, though, was that this instrument has a 21 stop pipe organ. Not just some pipe organ sounds, but individual stops like a real organ or the very expensive Rodgers electronic organs. The sounds are uniformly very high quality, blend very well, and for a Christmas Eve service with good amplification, it sounded like Westminster Abbey. The only thing missing is a pedalboard; Nord has made a prototype of what they call PedalKeys to go with this organ and may be selling it in Europe, and I will be lining up to buy them when they're available in the USA.

At 34 pounds, I can carry this from the back of my car under my arm. Definitely different from most organs that are made from fiberboard and bricks, and the distinctive red color gets comments from my congregation every week. So does the sound! I'm not a total convert to electronic instruments, but I've been so impressed working with this organ that I just bought one of the other Nord keyboards for myself.

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I just got rid of my C1 (which I loved to death) and got the new NORD C2... at first I was worried that the differences would be so minuscule that I was taking a loss, but actually, it's not true... they took an INCREDIBLE product and tweaked it to make it even better... especially in terms of the action.

All in all, the sound is incredibly close to a real B3, and the feel is close enough that if you were to play with your eyes shut, you'd really feel like you were at a console, especially if you had the NORD Leslie Half Moon Switch and Pedal Keys 27 hooked up.

Key changes include the lay out, which is much more intuitive for B3 users, for example, the Leslie vibrato controls are on the left hand side and percussion settings on the right.

Some people complain about the lack of physical drawbars... I change drawbar settings a heck of a lot when I play and find the buttons incredibly responsive if you're willing to develop your technique... If anything, they're better than drawbars, because you don't have to worry about knocking them in... also, you can program three pre-sets in real time when you play (as opposed to only two on a real B3) Most REAL players on a B-3 would rely on changing the pre-sets then building the drawbar settings from there... so if you're a real player in that tradition, you'll REALLY have no trouble.

As for the sound, I thought that the C1 was pretty close... the C2 is even better... The reverb is nice and springy. I have a slight issue with how the Leslie speeds up and slows down, but I might just need to fix the settings a bit more (advice: read the manual its simply written and once you learn how to adjust the basic configurations you can make it that much closer to your dream B3.)

Of course, the organ has other organs, but I only use the B3... My only wish was that instead of the other organs it had the clav and Rhodes, so I could play clav on the upper manual and B-3 down below when accompanying sometimes... still, you couldn't do that on a real B3, and as I said, this thing sounds and feels like a B3.

Finally, the biggest point of the C2 is that its only 16 kg. and will fit into a special gig bag that you can order with it... it has wheels, and I took my C1 on trains all over Tokyo and up and down steps. Get it with the music stand and the Leslie switch and you're good to go. The pedals, however, probably won't go on a train... you'll have to leave them home unless you have an extra hand.

All in all... the C1 has taken a marvel and has made it better... and by the way, I *am* a purist, but prefer this thing to the real thing... its portable, reliable and feels and sounds like the real deal !

Read Best Reviews of Nord C2 61-Key Dual Manual Combo Organ with Tonewheel, Vox, Farfisa Models and Baroque Pipe Organ ( Here

This organ is a life saver for my purposes. I own the full Hammond xk3, double manuel, foot pedal system and I love it but it is a bit heavy and bulky to take to my gigs. Each piece weighs no less than 65 lbs and includes each manual and the pedal board. Even the bench is heavy but all components are well made and almost authentic to the Hammond B3.

Now I needed something even more portable and that's the Nord C2 Combo organ. It is a godsend. Each component is 30 or less pounds. A delight to tote around and it all fits in the trunk of my compact car.

It sounds like a Hammond B3 and has all the features of the B3 but....physically it is far from the B3. The biggest difference is there are no physical drawbars. Instead there are digital type drawbars which will never take the place of the Hammond-type experience.

I am fine with this to get the weight down which makes it a pleasure to take it out and entertain with a true Hammond Sound. Since I don't make changes in sounds while I'm playing which is the Hammond technigue, I can live without the drawbars. The leslie switch is on my expression pedal and that works fine for me to lift the blood levels of my listeners.

Nice instrument, lightweight and less expensive than the real Hammond, and really fun to play. Not for a true Hammond organist though.

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after spending a little more than a year going from clonewheel to clonewheel, I have finally found my organ.I've tried the old, analogue VISCOUNT OP3, the voce v5+. the voce Micro b, the Voce v3 plus midi drawbars, the Oberhiem ob3 squared,I've used all of them with Voce Spin II rotary simulators, plus the Motion sound Pro 3x,not to mention 2 different Speakeasy tube pre amps. I bought all of these, plus i tried the Korgs, the Rolands,.....none of them measured up to what i remembered over a year ago when i played the Nord electro 3. Well,,,,the Nord C2 is even better. I wasn't too interested in any of the Hammond xk's , or the SK's....I probably would like them too, but I couldn't get the overall desireability of the Nord c2 out of my head. It was just TOO seductive to pass up. I'm burned out on organ modules, synth keybeds, multiple stands, stomp boxes, pre amps, signal chains with up to ELEVEN power cords alone.....I had this set up with my bass pedalboard, roland ev5 expression pedal, & roland dp2 rotary toggle swithc in less than 3 minutes. And the SOUND.....this had the grind, the growl, the howl, the purr, the KRUNCH ! I haven't even hooked it up to my Motion sound yet....I LOVE the onboard sim by itself....the drawbuttons are not difficult to deal with, you have the live buffers you can use for the more involved drawbar configurations, like 888888888 or 800008888) & the overdrive is STUNNING ! THE BEST I HAVE HEARD.