Showing posts with label cool headphones. Show all posts
Showing posts with label cool headphones. Show all posts

Shure SE115m+ Sound Isolating Headset (Black)

Shure SE115m+ Sound Isolating Headset
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: Price Unavailable
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  • Dynamic MicroSpeaker II offers superior sound quality that's warm and detailed, with improved bass
  • Sound isolating sleeves in multiple shapes and sizes effectively block outside noise
  • Ergonomic earphone design ensures a customized, comfortable fit
  • Integrated three-button remote and mic allows you to adjust the volume, control music and video playback, record voice memos and answer or end calls

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First, some background:

I have been listening to In Ear Monitors for at least 8 years now, since I purchased my first pair of Etymotics to accompany my first iPod back when they were the only game in town for IEM's. In many ways those Ety's are still my reference for everything else, even my collection of full sized headphones. Having owned an iPhone for a couple of years now, I have been on the lookout for a decent IEM with an elegantly paired mic and controls to replace Apple's own limited offering. This segment has really bloomed in the last 6 months, and I finally decided it was time to try some of the offerings out. I was very fortunate to come across a shop recently that had a large number of these sets in stock, with demo units, with a full selection of new ear tips of different sizes and materials to demo! They did not have the Ety HF2, which was ok, because I had largely ruled that model out anyhow due to the lack of volume controls, and due to the micro-phonics that my ER-4p's are prone to. Obviously this is a problem with all IEM's, but I find the problem to be worse with Ety's and I had hopes of being able to use these for some activity. The three models I focused my test on were the Klipsch Image S4i, the Monster Beats Tour, and the Shure SE115m+ (the subject of this review, and the model that I ultimately purchased). I found the Klipsch's to be rather boomy and the quality to be sub-par. I could have lived with the sound for my uses, and the mic/controls were very small and light which was a benefit, but in general the build quality had more in common with $20 ear buds than their $100 price tag. At $50-$60 they would have been a winner for me. The Beats were interesting. Nice build quality, using a unique flat cord, but again, clearly boomy and not particularly detailed. The bigger problems were the price, and the extreme sensitivity to ear position. Very slight movements ruined the noise isolation (which wasn't that good at best) and the sound entirely. No way that was going to work for any active use.

So, on to the Shure's:

These have the best sound isolation, and the best sound of any in the group. They don't stand up to the Ety's in either department, but they are far less microphonic, and that 'warm' description they use to describe them is dead-on. Compared to the Ety's the Shure's are missing all of the detail, but make up for that in a full, easy to listen to sound, without being overly bass-heavy or obviously accentuated in any manner. On Norah Jones' 'Come Away With Me' the Shure's were easily out-classed by the Ety's. Norah's somewhat nasal (only in the best way!) croon is as clear as if you were in the studio and she was singing to YOU. With the Shure's it's as if a layer of velvet has been placed over the microphone. She's obviously in the studio, and maybe, at best, you're at the mixer behind the glass. In comparison, on Elvis Perkins' 'While You Were Sleeping' and 'Moon Woman 2,' the Shure's compared much better. Their warmth appeared in this context as a full-ness of sound, rather than strictly as a veil. Bass-lines were much easier to follow, treble more mellow and easy going; the Ety's came across as detailed but flat in this comparison. Perhaps more accurate, but more fatiguing and less fun.

Microphone, iPhone controls, and conclusion:

I have not yet had the opportunity to use the microphone in a variety of situations (nor was I able to use the microphone on the models in comparison at all). That said, callers have yet to complain that they can't hear me, even in a loud airport environment, or of any sound issues at all. The size of the mic is a little bit excessive, and could have been placed a couple of inches lower than it hangs when worn with the wires hanging over the ears as recommended. Finding the controls by touch is not as easy as it could be. Otherwise, the controls work as expected. Volume up/down, center button to play/pause, answer/end a call, double-click to skip a song, triple-skip to skip backwards a song. It all works as it should. (I should note that despite its size, I find the mic on this model to be less bothersome than the adapter at the V on the standard SE115 model for adding the Music Phone Adapter, so keep that in mind if you are comparing this to the mic-less version). The cords have just enough weight to feel durable and built properly for the price point. They are far less microphonic than the cord on my Ety's, and don't hold their rolled shape as badly when removing them from their case.

Overall, in my comparison of these against my Ety's, I kept wishing that I could have the warmth of the Shure's with the vocal clarity provided by the Ety's. However, given the available options in this segment, I feel that the SE115m+ is a worthwhile contender. If Shure would reduce the size of the mic and controls by 1/2, fine tune its placement, and make it available on their higher-end models, we'd have a class leader. As it stands, this is still a worthy effort by Shure, and I'm certain these will be seeing a heavy rotation in my music listening. I'd give them a solid 3.5 stars if Amazon allowed such a rating.

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I bought these to replace my venerable E2C's I've used for years with iPods. I got an HTC Incredible and wanted a microphone. I looked at many and decided on these not sure how the mic/buttons would work on a NON iPhone/iPod. Well, everything works except volumn up/down. I can answer the phone, hang up, one click. I can index forward songs, double click, or index back, triple click. With music playing, I can pause, single click, or restart, another single click. With music playing, a phone call comes in, music pauses, a single click answers, another single click hangs up, music starts back up. The mic works great even riding my bicycle at 17 mph! Minimal wind noise. And here's the real bonus, these sound wonderful, better than my E2's, and the form inserts are way better than the orange foamies of the E2 These foamies are black, have a smooth surface where the ear wax doesn't stick like the E2 foamies stick, are softer making for a better seal, and I can just shove 'em in, no rolling to compress, and get a great seal, the trick to good sound 'specially bass. I bought a cheaper brand of buds and although they worked the same, the sound was AWFUL, and I mean AWFUL. These SE115m+ buds sound fantastic, good bass but not boomy, great mids and highs. Best buds I've tried in the lower end of the price spectrum (well, maybe not LOWER, LOWER!). Great value. I use 'em every day bicycle riding.

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Though the 115m+ is really designed for the iPhone (the volume control buttons doesn't work with the BB), it works fine as headphones for just about anything with a standard 3.5mm jack. The middle button does work with the BB 9700. One click either answers/disconnects a call or toggles between play/pause.

Comfort is pretty good even after long term use. I managed to sleep with these in my ears inflight; no problem 7 hours later. After the 12 hour mark, my ears did hurt a bit.

Occasionally I fought with the cord to get it wrap around the top of my ear. Not a big issue.

Noise isolation seems to be somewhat better than the Bose QC headsets (I've used them all). It works so well, I kept on taking the earbuds out to talk to people.

The audio playback quality is pretty good, but I'm no audiophile. Didn't really notice any distortion, even a higher volumes. Speakers handle bass boost pretty well (if that's your thing), but the highs seem a bit cut off. With MP3s and phones calls, it won't matter much.

The microphone works pretty well. Had a few short conversations; even in noisy environments the other party could hear me clearly.

Carrying case is a nice touch. The case comes with a clip so you can attach to any loop. A cord management system with the case would have been better.

Overall: a decent choice if you like fitted earbuds for noise isolation and want something very small/lightweight to go with your phone.

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My old Shure E2c earphones finally gave up the fight after 3 yrs. I can't speak highly enough of those so I wanted to go with Shure again but they were not stocked at my local "yellow tag" store. I bought some Etymotic earphones that were in stock and they sounded flat and lifeless so I returned them. Ordered these from Amazon and couldn't be happier. They sound good out of the box with plenty of bass. For my taste though I adjusted my EQ settings on my iphone4 to make them more "crisp". The "electronic" setting in the EQ seems just right to me. The volume/play buttons work great and keep me from having to reach into my jacket when skiing. I'm told the mic sounds good to people I call, and the build quality actually seems to have improved over my last Shure earphones. All of the buttons work seamlessly with an iphone 4.

One thing I might mention as others have is that fit is critical. These are supposed to go deep into your ear or they won't sound good. Experiment with the different adapters and wear them for awhile to see if they are comfortable. You can't just stick them in for the first time and make a snap judgement. Trust me, they take getting used to and are awkward and annoying for the first time user, but stick with it because the sound isolation (i laugh at crying babies on the airplane) and sound quality are far superior to anything else.

PS I only gave these a 4 star because I am not a fan of the 5 star system. A 5 would have to be a perfect product and I can't judge that for at least a year with any product. On a 1-10 scale I would give these a 9 out of 10 though as they seem nearly perfect at the moment.

***Update 11/8/11***

It's been nearly a year since I purchased this headset. While my first impressions of these still holds true, I have upgraded my rating from 4 stars to 5 stars. This is based on durability and quality construction. The headset has held up flawlessly as one should expect out of a higher end set such as these. But last week this set survived a trip through the washing machine followed by a trip through the dryer on high heat. I was bummed and expecting the worst, but I plugged them in and they worked perfectly! Only cleaner! Not only did the headset retain the sound quality, but the mic and sound controls worked perfectly too. I thought for sure the controls would have been toast but no problems. Gotta love the Shure Headsets!

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I bought these headphones 6 months ago as replacements for my Shure E2c model phones (purchased in 2005). I thought I had lost my E2cs, so I purchased these (I found my E2cs a few months later in a coat pocket).

So, I will compare these to the e2c model directly. The price point is about the same, at least the 2005 price of the E2cs was similar to the 2010 price of the SE115m+. So, when I purchased the se115m+ I expected to get similar sound, and it is very close although they each have slightly different character. It looks like the E2c are now available for around $200 and they look similar to the E2cs I own (the plastic color is different).

The most obvious difference is remote on the SE115m+ cord, which is extremely convenient and a huge benefit over the E2c model. The remote works just like the apple headphones, click the middle button to play/pause, double click for next song, triple click for previous song (on supported devices such as iPod touch and iPhone and perhaps others). Use the up and down buttons for volume. The middle button can also be used for phone calls, such as to end a call. The SE115m+ is available without the remote for those who do not need it (model SE115).

Although the se115m+ is missing something on the cord -I wish the se115m+ cord had the sliding coupler like the E2c, that makes it easy to tighten the cord under your chin so the cord does not push the phones around, particularly useful if you're wearing a coat.

Sound

E2c

bright (but not overly bright)

open sound stage

very detailed

SE115m+

impressive bass for in-ear

tight sound control

detailed

Firstly, I like both headphones a lot, although I slightly prefer the sound of the E2c phones. They're more musical, slightly better balanced and more detailed. The SE115m+ are still high on detail, but are little more reserved, slight tighter sounding and have a bit more bass. If you really like a lot of bass, you will not like the E2c, but the SE115m+ might be satisfactory considering their other benefit (the remote).

If you like to skip songs a lot, or want to be able to answer phone calls while listening to music, the SE115m+ is going to deliver. They still sound great and you get the bonus of the remote. If you mostly listen to albums start to finish and don't plan to answer a lot of calls with the phones then you're probably better off with E2cs in this comparison, assuming you prefer the sound profile I described above.

With that said, you should also consider some of the newer Shure models since they may outperform the E2c model. You should also consider the SE210m+ if you really want the remote. From their specs, I would also assume they have slightly less bass than the SE115m+.

Yamaha MOX8 88 Key Music Production Synthesizer + Samson Stereo Headphones, On-Stage Double X-Style

Yamaha MOX8 88 Key Music Production Synthesizer + Samson Stereo Headphones, On-Stage Double X-Style Keyboard Stand & Yamaha Piano Style Sustain Pedal
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $1,699.99
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  • Yamaha MOX8 88 Key Music Production Synthesizer
  • On Stage KS8191XX Lok-Tight Dbl X-Style Keyboard Stand 29980
  • Yamaha FC4 Piano Style Sustain Pedal
  • Samson SAHP10 Stereo Headphones

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Had to download about 4 drivers to operate the MOX8 with my music programs. After that I was on my way to making music. This MOX8 has everything I needed and more!!!!!!

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Blue Microphones Yeti Pro USB Condenser Microphone, Multipattern

Blue Microphones Yeti Pro USB Condenser Microphone, Multipattern
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $229.00
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  • Three custom condenser capsules and four different polar pattern settings: Cardioid, Stereo, Bidirectional and Omnidirectional
  • Cutting-edge A-D converter chip and separate analog circuit path for use with professional studio mixers and preamps
  • Built-in headphone amplifier for zero-latency monitoring, and direct controls for headphone volume, pattern selection, mute, and microphone gain
  • 15 Hz-22 kHz frequency response
  • 192 kHz/24 bit Sample/Word

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I'm a musician and singer/songwriter who has recorded in home studios of varying quality and price for years. I currently have a Pro Tools setup on my main music computer but I bought the Yeti Pro because I wanted an easy, portable solution to use with Garageband on my laptop in order to record parts with other musicians on various songs. I have to confess I was skeptical about the quality of a USB mic, but after using it tonight, I may not ever go back to my analog mics. I recorded vocals and acoustic guitar directly from the mic to my laptop with no preamp and the sound is crisp, clear, and brilliant, and captures the nuance in my vocal performance as well over the complete spectrum.* It's also heavy and solid feeling, and gorgeous to boot. If you don't need a professional recording, this mic is probably pricey and not necessary. But for professional podcasters and particularly recording musicians, I can't recommend this mic more, and it's a steal at this price.

PS -this is the first time I've ever been compelled to post a review about ANYTHING. It's that good, folks.

*Note that I'm a female singer with fairly limited range.

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This is the best USB mic ever made. The quality is outstanding. Some people say it doesn't sound any different then the orginal Yeti, and I thought that too when I first used it. But then I went to my Mic settings (on Win 7) and I found out the mic was being limited to 48Hz 16 Bit ! I quickly changed it to 96Hz 24 Bit and the difference hit me. It sounds perfect, the exact way my voice sounds. The only thing I don't like is that you need other software for it to work. So I can't just bring it to all my frinds' house and just plug it in to use it. But it is an exceptional mic. If you have the money I highly recommend it.

UPDATE 10/31/12

I've had this microphone for about 18 months now, and I couldn't be happier with it. I have noticed a lot of negative reviews complaining about a "gain" issue. Blue recognized this problem and offered replacements. That was a while ago, so there shouldn't be anything wrong with it today. My mic works wonders when the gain is at 40%. One thing I have noticed is that recordings may have some crackles if you plug the mic into a USB hub that has too many things connected to it. The mic demands a lot of power, and shouldn't be used when other powerful USB devices are connected to you computer (e.g HD webcams, other USB mics, ect.).

Read Best Reviews of Blue Microphones Yeti Pro USB Condenser Microphone, Multipattern Here

A lot of people might look at the price of this microphone and get put off, but they'd make a mistake in doing so. If you are a musician, podcaster, or simply looking for great quality for your vocals, instruments, or whatever sound you want captured, the Blue Yeti Pro will more than do the job.

I'd like to start out by saying the sound quality on this microphone is simply amazing. It easily dwarfs any other USB mic before it, and can even compete with some professional condenser studio mics made by Neumann or Rodes. It's hard to believe this mic is an improvement from the original Yeti, but it is, and by at least 4 times, based on my personal estimation. For $250 this mic can't be beat. You get features in this mic you'd need at least 5 mics for. Oh, and did I mention it's also an audio interface that plays back at a 24-bit, 192khz sampling rate through the headphone port? And it sounds much better than it would on your laptop headphone port. This mic is fantastic and I recommend to anyone looking to do professional work at home.

Update:

For those of you disappointed in the audio quality of the Blue Yeti Pro I have some tips. First and foremost I would like you inform you that the Blue Yeti Pro is a flat response microphone. When you record you're not gonna get any sort of coloration to your input. You should be getting clean, clear, noise free audio. If not you have a defective microphone and I suggest getting it exchanged.

Now that we have that out of the way I'd like o give you tips on how to get a nice, rich, studio quality sound. Here's tip 1: Add gain. Tip 2: Compress. Tip 3: Equalize. Tweak until it sounds pleasant to your ears. Believe me, once you mess with the sound it will be a whole lot better. That's how I know the Blue Yeti Pro is a good microphone. Good microphones do not color your audio.

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I'm writing this to help save time for those looking to get a pro level USB mic as I spent quite a bit of time reading reviews (amazon and pro music reviews) listening to mic shootouts and leg work on USB microphones so I though I would see if I can help others save some time. I'm a bit retentive when it comes to my audio gear. I spent 10 years looking for the perfect studio monitors and finally found a slice of heaven in the ADAM s3A's.

Beware the negative reviews as it looks as though they could be user error. Im using on a mac and both mics were flawlessly plug and record nothing to do at all.

I have a professional recording studio and consider my 20 years of listening experience worthwhile in doing an unbiased review.

My goal was to find a usb microphone able to perfectly capture vocals and instruments without adding color (anything but the pure sound) to use with my ipad for audio work.

Microphones and monitors are very subjective in my opinion . Different people like the way different gear sounds. I was simply looking for sonic clarity and depth.

I settled on the Blue Yeti Pro and the MXL 009 and bought them both. I surmised these were the two top picks (based on user and pro reviews) out of the 5 or so at the top including the non pro yeti.

This is my first time owning a blue or MXL mic. I have a couple of Shure ksm44's and a few Neumanns

I ran a series of comparisons between the Yeti Pro, THe MXL 009 and my goto in the studio which is the ksm44 running through an Avalon ad2022 pre through an RME Fireface UFX into an 2011 Imac. I used two sets of headphones and my monitors to listen to the audio recorded. As set of audio technica m50s, and a pair of Sony MDR7509's and the s3a's. I recorded vocals, shakers and tuning forks at both 48k 16bit and 24bit 96k sample rates to see if it made a difference. It does make a difference but its slight and if you were making a song you probably couldn't tell in the mix. If you were doing a podcast or talkshow you woud notice slightly richer deeper clarity with the 96k 24bit setting.

The results were very surprising to me mostly because I was blown away that a $300 microphone can compete with 7K in studio gear. I think I need to tell Toto were not in Kansas anymore. Rating scale 10 = amazing 1=Sucks

The Yeti Pro If you are looking to get just one mic then this is your pick because of its feature set. Its built like a tank. Has the 4 different switching options which is very useful for getting different sounds. You could put it on a table for an interview and hear both people as an example. Also has standard xlr out, could be nice if you want to use it with standard gear. The stereo out is a nice feature (unless you want mono).

Features = 10

Easy of Use = 10 quick adjustments of gain and are forgiving if your not spot on.

Set up = 10 ( I literally just plugged it in and selected it in logic pro used to record the audio)

Sound Quality = 8 The MXL009 was a bit more transparent and honest with the sound.

Accessories = 9 desk stand is rock solid and cool looking

Look and Feel = 8 Very nice looking and solid feeling but kinda bulky. Sexy sitting on the desk if you care. They get -2 points as the Blue logo was slightly off level which most people probably would not or could not notice. (retentive)

The MXL 009 If you want the best sounding Mic and dont care about the rest this is your mic.

Features = 7 (lack of traditional xlr out limits to digital use)

Easy of Use = 7 You need to get your gain levels set prior to using or you will get pops and clicks in your audio. This could be a bummer if you just did a big long take and now have to edit to remove a few clicks. Set your gains and you will be without issue. ( would be nice if they had a clipping indicator on the mic since this is such a big issue). Maybe they will correct it with a soft or firmware update.

Set up = 10 ( I literally just plugged it in and selected it in logic pro used to record the audio)

Sound Quality = 10 The MXL009 was a bit more transparent and honest with the sound. It is really a beautifully accurate mic.

Accessories = 9 desk stand is rock solid but not as cool looking as the yeti. Its a basic stand. It comes with a cool metal case if you travel with your mics.

Look and Feel = 9 Very nice looking and solid feeling. The blue led is a nice touch to show its connected

The verdict is that they all sound amazing. If you were not doing a sise by side A/B you would miss the subtle differences. The Shure has a slight lead for overall sound but the MXL009 is not far behind and the Yeti pro is right up there with them. Its not quite as good sonically but as far as getting bang for your buck the yeti pro is an amazing choice for everything you get for less than $300. Unbelievable! My hats off to both companies for such great products.

I am keeping them both unfortunately as they are that great for different reasons.

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First of all, I just want to say that this mic is definitely amazing. I will keep this as short and precise as possible.

PROS:

USB and XLR capabilities

4 pattern polar selector

Triple condensor capsule

microphone input jack

CONS:

Slightly heavy weight

Slightly flimsy pattern and gain knob

In regards to the gain being too low once the mic is put into the DAW, for some reason the great people at Blue had made the factory setting for the microphone gain to input at -23 dB. That is so low the vocals are barely audible. The only way to fix this (on a Mac) is to go into the UTILITIES under Finder and select the MIDI APP. Once in there select the input and output options and turn the MASTER VOLUME all the way to normal or 1. This should fix the problem on the Mac, there should be a similar solution to PC I will check and see shortly.

Hope this review helps!

IDANCE CRAZY501 - Watt - Channel Recording Studio Equipment , Blue

IDANCE CRAZY501 - Watt  - Channel Recording Studio Equipment , Blue
Customer Ratings: 3.5 stars
List Price: Price Unavailable
Sale Price: $29.00
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  • Super Aticulated Headband,Extra Bass with Open Ear CUP,Foldable for EZ transport,Stereo headphone for iphone,with inline microphone,Light weight for outdoor digital audio,Customized Comfortable soft ear pad and headband
  • Driver Unit: 44mm, Driver Type: Neodymium, Impedance: 32, Sensitivity: 108dB+/-3dB
  • Frequency Response: 15Hz~20KHz, Cord Length: Approx.1.5m, Cable Type: PVC, Plug: 3.5mm ,gold chrome

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Bought for grandson for Christmas, he loves it. Head phones have good sound quality. Would recommend this product to a friend.

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I really like to color and look of these. But the headphones are incredibly tight on my head. They are so tight that wearing them for any amount of time longer than 20 minutes results in my ears hurting and turning red from the pressure. To give you an idea why this is so frustrating, I have a very small head. I wear children sized hats, sunglasses, etc. So these adult headphones being so tight on me means they are very small. The ear pad itself is not the issue, though that is a little small too (it doesn't really cover my ear fully). It's just the tightness of the plastic band part; which hasn't stretched yet after a fair amount of use. The ear pieces do rotate quite a bit which is nice for sharing a song with a friend, and the sound quality is quite good for the price. Just be ready to have to somehow stretch them or get headaches from wearing the tight plastic on your head. It's like wearing a super tight headband on your ears.

Gemini DJX-05 Over-Ear Professional DJ Headphones

Gemini DJX-05 Over-Ear Professional DJ Headphones
Customer Ratings: 4 stars
List Price: $79.95
Sale Price: $32.29
Today's Bonus: 60% Off
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I bought these because I dj, but I didn't want to purchase expensive headphones, just ones with good sound. These headphones were very impressive when I received them. The sound was very crisp and the bass was impressive. They would even handle the enormous wattage that my mixer would dump into them. The construction looked solid, they were comfortable and convenient to use (thanks to their reversible cup). Plus, they look great.

I figured I'd by two of these, in case one broke or got lost rather than an expensive Sony which would cost three times as much. After several months, the first set I used stopped functioning properly: one cup stopped producing sound. I then reverted to my backup which worked great for several months before the plastic snapped as I was taking them off.

I don't regret my purchase, because that was the plan. I would use them until they broke. If I had paid several times more for expensive headphones, I may have broken those or lost those as well (it's hard to say). One thing that I really am thankful for is the convenience that two of these provide vs. one expensive pair. At one point I lent the headphones to a friend who didn't give them back to me for several weeks, so having that back-up was a huge convenience.

In summary: The sound is very impressive and comparable to higher end headphones, but the construction is lacking. If you are the type of person who is prone to losing things or if you are afraid of breaking more expensive headphones, these are for you.

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Pros:

Sound is actually pretty good.

Cons:

HURTS your ears really badly. After about 15 min your ears will be throbbing with pain.

Super cheap material. It feels like it will break at any moment. Plastic is hollowed out, it has no weight to it and the wiring is so plasticy i barely unravels.

The ones I got looked as if they were used before. Scuffs and dings everywhere.

I regret having bought these mainly because of the pain they cause my ears. I understand the cheap material for a cheap product, but it shouldn't cause me pain. Wish i had just spent a bit more for a better brand.

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The sound quality is good, although unlike others, I missed some more bass and maybe a little more volume. Did do a good job cutting outside noises. Como with an adaptor, so you can use them on 3.5mm jacks or the "bigger ones" (the ones you can find in professional sound systems, but I forget their specs...). Build quality seems decent (plastic, but doesn't fell flimsy), although the place where is rotates (a kind of rotator cup) seems like it could brake under little pressure...

Very long cable (which is good), and the last half of it is spiraled like a phone cable...

------

UPDATE: I hardly use, just because the sound is so low and lacking. Also can't use it when doing some light DJing at partys even, because the noise isolation is almost null. The only good thing I have to say about it, is that the build and material are good. Maybe you'll have better luck with a high output mixer...

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I bought these headphones and looked foward to receiving them. When they came in, I checked them out and found that one side was several times louder than the other side. I contacted the dealer and got know response. I contacted the Gemini Website and got no response. My advise is to steer clear of these headphones and the dealer I got mine from.

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I was really excited to get these headphones because of the DJ brand, specs, and looks, but when I got them, I was kind of disappointed.

Cons: Right off the bat, the bass was a total turn off. Sure I wasn't expecting some mad thumping, bringing down the house type of bass, but a friend gave me a pair of Microsoft LifeChat LX-3000 and the bass was deeper with those than the DJX-05. That's right MICROSOFT beat these. That's total embarrassment I would say. The Microsoft ones didn't even have any specifications on them when I looked it up. Gemini advertised these as having 50mm high-output drivers (not sure if it's made of neodymium magnets or not) so I was expecting something higher than consumer level headphones. These sound generic. I messed with the equalizer and when I raised the bass portion, the sound begins to crack or distort.

Minor Con: The cups slightly squeeze my head giving a small pressure to them. I imagined it would give me a headache after long uses. I tried them on for an hour and surprisingly, it just felt the same. Small pressure. The reason why I bring this up is because my head is small compared to other people, so this may or may not hurt for people with larger heads.

Pros: The round cups provide great sound insulation. If people talked in the background, I couldn't understand what they were saying because their voices were muffled. Really smooth leather. Completely fits over my small ears with more room. The cups twist for a more comfortable fit. Just looking at these people will probably think you're hardcore with audio or DJ-ing. The mid and high ranges are nice and clear.

I love the coil cord. When you tap on it, the sound is not echoed to the cups, although there's only 1.25 foot of the coil. from the coil right to the cups is a straight 2.5 foot wire, so i hear noise if i bump it. The cord is also detachable at the cups so if you get tangled up (which is hard to do because of the coil), you can just detach the cord. Gold plated ends.

Comments: These headphones cover the basic human hearing of 20Hz 20 KHz I'm still bummed out about the bass. I'm hoping maybe I could "break" into them and the bass will eventually come.

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Line 6 M5 StompBox Modeler

Line 6 M5 StompBox Modeler
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $129.99
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  • Less is more - compact size is no bigger than one large single effect pedal.
  • More is more - over 100 of the most popular pro-quality effects seen on pedal boards around the world, delivered one at a time.
  • Stompbox simple - you didn't have to learn a new language for your old favorites, why start now?
  • Totally pro - fully stereo, MIDI capable, expression pedal option, tap tempo and much more.
  • Rugged - battle-ready construction you'd expect for something you'll be kicking all the time.

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I play exclusively in my home studio. Because my style varies from classic rock to blues and country, I rarely use more than 1 effect at a time (don't want to mash up my sound). Therefore, this works for me. Readers might be interested in this: I ran this box in line with a Tech21 Blonde Fender amp modeling pedal direct into the board and it works like a charm. If you have an amp or modeling pedal, you can use the drive and/or reverb from that source in combo with the effects on this pedal.

All in all, I am very pleased with this product. Another fine Line 6 device. As for the 1 effect at a time it is what it is and, knowing that upfront, didn't take away points. Look, guys,there is always a "work-around". Right?

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I bought the M5 to replace a number of pedals I tended to use one at a time (including a Line 6 FM4 synth unit). I reasoned that if the M5 could dial up these same effects, I could downsize my board and all would be well.

From a sound perspective no problem. As with all Line 6 products, the patches are all excellent. If I had to use just one pedal for studio work, this would be it.

Live performance is another story. It just isn't possible to switch between presets effectively by scrolling up or down. The combination of the oddly reversed "up" and "down" footswitches and the weak LED display makes it impossible to use this pedal onstage unless you only use 2-3 patches per set, which pretty much defeats the purpose of owning it. My bandmates got irritated with the time it took between songs to dial up the requisite patch, which is understandable, since it's unprofessional.

I decided to sell mine on eBay and buy an M9, which gives you six presents at the tap of a button and a variety of "scenes" (i.e. "banks")of effects. It's not just that the M9 is worth the extra money it is it's just that the M5 is unusable for this stage musician.

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I bought this for electric but have ended up using it for my bass guitar in my band absolutely great reverb set ups and overdrive. Sub Octave Fuzz on a bass is just awesome. Easy to use... makes me wanna buy an M9... or an M13 mmmmmmmmmmm. Well done Line 6!

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I'm probably one of the few that are using this unit for a bass guitar, 4 string that is. Took long consideration to buy or not to buy, at the end of the day all I needed was a tuner and a compressor. After doing the math it equalled in price so why not. Not regretting this at all, although 100+ effects even for guitar sound a lot, and mostly is marketing buzz. After dialling through the effect banks it becomes obvious most of it is filler material and essentially of little use practically, you never really need more then a handful of distinct effects, especially in a live setting, and really that's all you get here too. Most of what makes up the set of 100 are variations of the same thing, and it even gets less when you consider using a bottom end instrument with it. Regardless, what's left are a handful of high quality effects, 24 bit sampling takes care of that. So, other then pulling out exotic sounds here's what ended up in my custom setup for daily gigging:

Tube Compressor nice warm compression, works well for a bass guitar

Couple of EQ settings to bring out the bottom end/mid ranges and cut off treble, some EQ type choices here which are very nice

Pitch Shifter half step down, switching instantaneously to Eb blues tunes

Pitch Shifter full step down, for some more tuned down songs

Plus a great tuner, at the end there's no reason to complain, very nice, compact and sturdy unit, even comes with a power supply, which will cost you extra with a pick and choose stomp box setup. So while I think I was gambling a bit here I definitely feel like a winner.

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I could never see myself buying a dedicated compressor, reverb pedal, harmonizer, ring modulator, etc. The Line 6 M5 seemed like a good way to have a "jack-of-all-trades" pedal on my board for those times I needed one specialized effect. I have to say that it serves that purpose in spades.

I have an all-analog board and was reluctant to have anything digital on it based on past experience with modelers. I was wrong to worry; digital has come a long way. Almost all of the effects sound great to my ear, especially into a tube amp. True bypass means no tone suck to boot.

High points for the delays, reverbs, and mods. I am not a fan of all of the drives but the Overdrive and Boost Comp sound pretty awesome. The Rat model "Classic Distortion" sounds exactly like my ProCo Rat2. Wish I could say the same for the Big Muff model but I guess they couldn't get them all right.

The only issue is I liked it so much I could not resist the urge to get the M9 so I can run three effects simultaneously. However, if you need a pedal to fill in for those times when you need a certain single effect the M5 is a winner.

Echo Indigo PCMCIA Audio Interface

Echo Indigo PCMCIA Audio Interface
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: Price Unavailable
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Firstly, don't be turned off seeing that very few people have rated this product. The truth is that, if you look around for a PCMCI audio card in audiophile sites and stores, you will see this product reviewed exceptionally well. The average Joe only goes for the commercial hype and don't know of any venerable professional audiophile products.

Let me put one thing straight. If you decide to pay for this product, you better be having some good quality headphone (and i don't mean a Bose :-).. for all those who think Boss is any good..) like Grado, some higher end Sennhieser, Koss, Etymotics, Sure, etc. Because if you don't, you may be disappointed with this sound card. The analogy is if you have a bad eyesight and you are viewing a girl from 20 feet, it wouldn't matter if she got pimples on her face or not, you won't make any difference. On the other hand, if you have a good eyesight, you will notice the difference. Same goes here, if you sport a cheap headphone, don't waste your money on any high end audio gear.

>: The first thing you will notice when you play an mp3 is the well improved Bass, near pristine high ends. A few hours with the Indigo io and you'll hate to listen to anything without it. Indigo gives you much more depth to the music and overall a fabulously improved sound quality.

>: Another very important feature of the Indigo io is its near zero latency via its input jack. If you play some music instruments and would like some quality hook up to the laptop and yet be portable, you have no other way to go except the Indigo. There is no other product in the market that gives this quick response in a PCMCIA form factor.

>: The comparison if of interest to many people. The Indigo blows away Creative in terms of sound quality. Its like comparing a Mustang to a Corola in terms of speed and acceleration. If you have a 7.1 speaker system you would like to hook your laptop then Creative is the only option. I use a Headphone and I want the best sound quality, so Indigo is all for me. Some people say "for games the Creative is better".. I just don't understand that.... if the output sound quality is way better by the Indigo then how in games it will give poorer output than creative.... just doesn't make sense.

>: Headroom Total Bithead.

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Being a musician, I really appreciate all of the little details that go into a piece of music. My 8-bit laptop sound card wasn't doing it for me, so I decided to treat myself to a ECHO Indigo IO. The sound improvement is dramatic. When I let people listen to audio using my ECHO Indigo, they always comment on how much "crisper" or "cleaner" the music sounds. The range also shows improvement, although it is not as easy to tell with cheaper headphones. I got a decent pair of headphones, the Sennheiser HD-280's, and then I could really tell the difference in my music. When I first used them together, the sounds was rich and full, it was amazing. It seemed like listening to music became a whole new experience. My only complaint would be that the ECHO Indigo doesn't fit perfectly into the slot, it wobbles around a bit. It's not a big problem at all, and a small price to pay for the sound coming out of this card.

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Initially I had planned to buy a Creative sound card, but happened upon a good review of this card, so I took a plunge. I have been very pleased with the card. I have a Compaq EVO laptop that I use the card with. I have used it to digitize my old music collection: LPs and cassettes primarily. I connect my old Elac Miracord 770h turntable to a Carver preamp, then the preamp out to the Indigo. I use the Cakewalk Pyro 5 software to pull in the analog sound and then cut it into tracks. I adjust the input volume using the preamp volume control. As far as output from the card, I run it through a Cambridge Soundworks Model Twelve portable system. Sounds quite good to my admittedly aging ears. The weak link in my case is either my ears or the condition of the LPs and cassettes. I thought about giving it a 4 because it hogs the two slots area on my laptop, but that's no real problem, just a minor annoyance.

Read Best Reviews of Echo Indigo PCMCIA Audio Interface Here

Firstly, don't be turned off seeing that very few people have rated this product. The truth is that, if you look around for a PCMCI audio card in audiophile sites and stores, you will see this product reviewed exceptionally well. The average Joe only goes for the commercial hype and don't know of any venerable professional audiophile products.

Let me put one thing straight. If you decide to pay for this product, you better be having some good quality headphone (and i don't mean a Bose :-).. for all those who think Boss is any good..) like Grado, some higher end Sennhieser, Koss, Etymotics, Sure, etc. Because if you don't, you may be disappointed with this sound card. The analogy is if you have a bad eyesight and you are viewing a girl from 20 feet, it wouldn't matter if she got pimples on her face or not, you won't make any difference. On the other hand, if you have a good eyesight, you will notice the difference. Same goes here, if you sport a cheap headphone, don't waste your money on any high end audio gear.

>: The first thing you will notice when you play an mp3 is the well improved Bass, near pristine high ends. A few hours with the Indigo io and you'll hate to listen to anything without it. Indigo gives you much more depth to the music and overall a fabulously improved sound quality.

>: Another very important feature of the Indigo io is its near zero latency via its input jack. If you play some music instruments and would like some quality hook up to the laptop and yet be portable, you have no other way to go except the Indigo. There is no other product in the market that gives this quick response in a PCMCIA form factor.

>: The comparison if of interest to many people. The Indigo blows away Creative in terms of sound quality. Its like comparing a Mustang to a Corola in terms of speed and acceleration. If you have a 7.1 speaker system you would like to hook your laptop then Creative is the only option. I use a Headphone and I want the best sound quality, so Indigo is all for me. Some people say "for games the Creative is better".. I just don't understand that.... if the output sound quality is way better by the Indigo then how in games it will give poorer output than creative.... just doesn't make sense.

>: Headroom Total Bithead.

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This card has excellent linux support. For basic listening and recording, just plug it in and go. I use it with Jack and Ardour for multitrack recording. After taking standard steps to enable realtime Jack performance, I was able to achieve 10ms latency with only the very occasional xrun, which is low enough that I can make use of live software synths as well as realtime effects on mics or instruments without any perceptible delay.

I'm quite happy with it.

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Numark M4 Three-Channel Scratch Mixer

Numark M4 Three-Channel Scratch Mixer
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $89.95
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  • Three-channel tabletop mixer
  • Inputs: two phono/line switchable (RCA), four line (RCA), mic (1/4")
  • Outputs: Master (RCA), Record (RCA), headphone (1/4" stereo)
  • Steep three-band EQ/rotary kills on each channel
  • Six-segment LED display for monitoring signal strength

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I've been usuing this mixer for about a month now and I'm very happy with it. I recomend this product for beginners or for someone that isn't looking to spend a lot of money for all the extra bells and whistles that other mixers come with. If there is anything noticable that seems a drawback, it's that the line inputs seem to play lower then the phono inputs. Nothing that can't be corrected through the gain and EQ. I've had a lot of luck with Numark equipment, so I did not hesitate at ordering a new and unreview product. So far, I'm very satisfied and will continue to buy Numark.

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This is a pretty solid product and for the most part REALLY impressed by it. The only thing I dont like is the fader is a little to firm for me when it comes to scratching. This shouldnt be called a "Scratch" mixer if you arent able to control how firm the fader feels. Oh well it still is a pretty solid product overall.

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I AM A FORMER DJ COMING OUT OF RETIREMENT AND THIS MIXER IS GREAT. I WAS A LITTLE RUSTY GETTING STARTED BUT ONCE I GOT THE HANG OF WHAT I WAS DOING, EVERYTHING WENT LIKE CLOCK WORK. I AM VERY SATISFIED. A FRIEND OF MINE, WHO'S A DJ, RECOMMENDED THAT I USE AMAZON TO GET WHAT I NEEDED AND I DID JUST THAT. THANKS AMAZON!!

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The funny thing about the reviews of this product is that no one mentions how this mixer affects the sound of your records or whatever sound medium you are using: my records sound light years better with this mixer. Maybe my older two-channel mixer was just so psychotically janky that I shouldn't have noticed a difference, but I do. And this has been such a plus for this mixer. It's pretty much like I'm listening to my records for the first time.

Other than that, I just dig how simple and solid this mixer is. I feel like a good DJ should be able to throw off a killer set without needing a bunch of bells and whistles, and this mixer is that kind of simple, stripped down piece of equipment you can use for that. And the added feature of being able to toggle between checking the levels on the cue vs. checking the levels on the master is so helpful, as you won't end up with an embarrassing change in levels as you blend from one track to the next with records you are less familiar with.

Completely satisfied.

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This mixer is perfect, except headphone jack location. It is in the front instead of on the top of the mixer. So, I have to push mixer back in my coffin to make room for the headphone plug.

:(

Other than that, and it's lack of fader start sockets, it is great!

I use the middle(2nd) channel for my laptop and Ch1 and Ch3 for my Stanton CD turntables. Great price. Get this mixer! My fellow dj also bought it.

Wooooooo!!!

Ikof Me Full Voice Control Bluetooth Headphones

Ikof Me Full Voice Control Bluetooth Headphones
Customer Ratings: 5 stars
List Price: Price Unavailable
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I really like my Ikof Me Full Voice Control Bluetooth Headphones. They have a very nice sound quality and have a battery life lasting longer than any other wireless device that I own.

Speaking of wireless, these were the first cord free headphones I ever bought. So far I'm loving not having to untangle the cord or accidentally running it over with my office chair. Also, the battery life has lasted a ridiculously long time with these. I was pleasantly surprised to find myself not having to change batteries very often.

Like I said, the Ikof Me Full Voice Control Bluetooth Headphones are a product I really enjoy. They sound great, are comfortable to wear, and don't drain batteries. I can't really think of anything that needs to be improved on them. These are just good solid headphones for people who like listening to music in both comfort and style.

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I live in a noisy house. Most of the time my music listening is interrupted by some sort of commotion. I didn't think there was anything I could do about this.

I used to use the same earbuds that I wore with my iPod, then I bought a pair of Ikof Me Full Voice Control Bluetooth Headphones. My interruptions have ceased. The headphones are fully noise cancelling, allowing me to listen to my music without having to here my roommates clomping around. When it's loud at night, I'll sometimes put on the headphones and listen to some ambient sounds so that I can fall asleep faster.

Also, the quality on these headphones is astronomical. The banging bass and clear highs made listening to artists like Diplo and Juicy J into a real treat. Whether you're an audiohead, or simply someone who doesn't like having their listening experiences ruined by external noise, you'll appreciate these headphones.

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This is the best Bluetooth headset I've ever owned. I am a avid music listener and I can certainly appreciate a good headset when I come across one. Ikof is one of the best, if not THE best. Besides providing 40 hours battery life, it has an awesome hi-fidelity sound with crisp highs and booming bass. I highly recommend it.

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The Ikof Bluetooth headset offers full quality voice control noise canceling, and 600 hours of stand by time.

It also provides 40 hours of battery life, folds for your convenience and is a awesome product to have, while you're on the go.

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