Showing posts with label earhook headphones. Show all posts
Showing posts with label earhook headphones. Show all posts

Shure HPAEC550 Replacement Ear Cushions for SRH550 Headphones (Pair)

Shure HPAEC550 Replacement Ear Cushions for SRH550 Headphones
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $9.99
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Then buy this set. I got these through a few recommendations, and I absolutely love them. Fits the 440s perfectly, and are way more comfortable than the stock 440 pads.

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These ear pads made my Audio Technica ATHM50 much more comfortable. The height of the ear cavity is about 7cm vs the 6cm of the stock ATHM50 pads, and the velour material is much more comfortable than the ATHM50's pleather. I didn't hear any audible difference between the stock pads and these, although I didn't do a careful comparison. The improved comfort makes listening to music with these more enjoyable. The fabric backings of the two pads are made of similar materials and have similar permeability, so any actual sonic differences are likely to be minimal.

Note: if you flex your ear muscles or move your head around sharply, these will sometimes 'creak'. I didn't find it annoying, but if that sort of thing annoys you, you should probably avoid velour altogether.

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I thought the original cushions on my SRH440s were really comfortable, but now I realize that I was mistaken. These replacement cushions make the old ones seem like rocks carved to fit around your ears. Treat yourself to a comfort upgrade!

On a more functional note, they seem to do a much better job at isolation than the stock 440 cushions.

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I'm rockin these on my audiotechnica ATH m50's......between the higher quality pleather (softer) and the increased padding (also softer) -they are far more comfortable than the stock pads.

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My stock pads were that of a dried out elephant. Crusty and lacking the padding causing my ears to be in a lot of pain with extended listening.

I picked these up because they would be like ear muffs in the winter and they actually add another layer of noise canceling and an extreme degree of comfort.

I have recommended these to my fellow M50 users and a few have picked these up.

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Fender Mini Deluxe Amp

Fender Mini Deluxe Amp
Customer Ratings: 4 stars
List Price: $54.99
Sale Price: $34.99
Today's Bonus: 36% Off
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  • Affordable mini amplifier for your guitar
  • Great for practicing in bedrooms, hotel rooms and more
  • Single 8 ohm, two-inch speaker with 1 watt of power
  • Headphone jack for private playback
  • Powered by a single 9V battery

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I recently moved into an apartment building and with my schedule the only time I have to play guitar is at night. As it turns out my neighbors are not a fan of me cranking it up to 11 on my larger amp so I figured for 35 bucks why not pick up this little thing. Turns out that this little amp has an amazing sound, way better than a lot of larger more expensive "practice amps(5-25W)" out there. Also do not be fooled by its size you can get a lot of volume out of this thing and though I have nto tried it yet I think it could hold its own at a jam session assuming you have a gentle drummer in the room.

Now that I have talked about how great it is I think a little overview of the controls is in order. On the top it has four knobs, one for volume one for tone, one for drive and one for on and off. If you are a gutarist you probably have already realised that it is pretty simple to use and with a few quick adjustments you can have great tone out of the box. Other than that my only gripe and it is not really a gripe is the handle that is billed as "real working" is actually very tiny but would work great if you are GI Joe

To sum it up:

Pros:

Sound better than amps 2-3 times its size and price.

Volume Works great at low volume to keep the neighbors happy but would be great for jam sessions too

Size Nice and tiny so easy to carry around

Cons:

The handle does not actually work

Its small size means that if you are plugged in it tends to get dragged if you move around too much

Doesn't come with its own power adapter(but it does come with a battery)

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A 16th birthday present for my son. Performs as advertised far better (and louder) sound than we could have anticipated in such a small unit. After only one hour of play though, there was a loud rattling. Opening the unit (4x Phillips screws) showed that the speaker previously attached to the plastic casing by 4x tiny glued, self-tapping screws had come loose. Two of the threads in the cheap plastic were completely stripped. the others did not permit adequate tightening. A design flaw.

Because my son liked the performance of the mini-amp so much, using epoxy cement we were able to re-secure the speaker. After the 24 hours curing time, the unit is now 'good-as-new'. Unless you are prepared to intervene as I did, do not buy this product. This was not a one-off manufacturing defect, but a fundamental design flaw. If you are prepared for this annoyance, then this is undoubtedly the best-sounding mini-amp available. While the unit may be manufactured by a supplier offshore, surely someone at Fender should be embarrassed by such poor quality?

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I bought this for my 11 yr old grandson. He has a larger one for use at home, same brand, and thinks this one is great. His guitar teacher asked for the information so that he could order one since he travels to all of his students' homes for lessons. We are all very pleased with this amp and would recommend it to others.

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The sound that comes out of the Fender Mini Deluxe is better than amps three times its size. I bought this amp to take with me on a deployment and was looking for something that sounds good, is reliable, and doesn't take up much room in a suitcase. This amp exceeded my expectations. This amp can be loud! Much louder than what you would expect from such a small package. But beyond loudness it can be dialed back to a gentle volume and paired with the great tone pot for some really nice acoustic playing. This amp has an input jack on the top beside the volume, tone, overdrive and on/off switch. On the side is a quarter inch headphone jack above the 9v adapter plug. The amp comes set up for a 9v battery only, it would have been nice to come with the adapter, but I suppose that at this price that would have been expecting too much. The body is made of plastic and is molded to resemble the pebble finish of a regular amp. The front is a classy grey cloth. There is even a tiny handle, more for looks than for function, that makes you feel like you are a giant using a regular sized amp. The sound is clear and clean. The overdrive can go from a slight fuzz to a total metal crunch.

The ONLY thing that would make this amp better is if there were reverb. Normally small travel amps offer the ability to have some loudness while you work on some licks and that's it. This amp, with a little reverb, could be someone's regular home practice amp, it sounds that good.

This is definately a buy, and a steal at this price.

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You want to sit on the back deck and practice something electric while you barbecue. You've got a big amp, but you don't want the neighbors to complain.

Or you're sitting on the couch and working on that Black Keys version of an RL Burnside song, and you don't want your sweetie to complain during Parks & Rec.

Or you want to busk with a guitar that needs to sound like its going through a Fender amp, but you don't want to haul something big on your back.

Use this. Its a good quality little amp. It sounds very Fenderish, and not as clean and mellow as the aptly-named Honeytone. Battery life is 8-10 hours, depending on how much overdrive you use, and the last hour or so you get a very crunchy "decaying battery" sound without an effects peddle. Using the headphone jack doesn't give you a lot of that overdrive, but it keeps things quiet and you still get most of the Fenderish sound. It does about the same thing for Fender amps that the little Vox amPlug AC30 Guitar Headphone Amp does for the classic Vox amps, but unlike the Vox mini-amp you can hear the guitar without headphones and make it loud enough for reasonably-close people to disagree with the volume.

Don't buy this, however, as a replacement for a bigger amp. Its portable, its got a shortlived battery life (unless you buy e.g. one of those Danelectro DA-1 9.6V AC Adaptors), and it definitely doesn't sound as good as a bigger amp. You can, if you need, get a much bigger 15or 20-watt amp for just a little more. But its perfect for playing slide on the back deck on a Sunday afternoon, and the price won't kill you if you accidentally spill a drink on it.

JuicedLink 4-Channel DSLR Camera Microphone Preamplifier

JuicedLink 4-Channel DSLR Camera Microphone Preamplifier
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $319.00
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  • Meters: 4 segment LED (each right/left)
  • Meters: 2 sensitivity settings; adjustable
  • Meters: Meters valuable with the new 5DMKII firmware, which does not show meters during recording
  • 30dB low-noise type max gain (single ended, stereo)
  • Headphone Amplifier

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I'm a part-time professional videographer who shoots mostly corporate videos for internal use and at conferences and seminars. I've been shooting happily with a Canon prosumer camcorder but recently decided to augment my shooting with a Nikon D5100 DSLR.

Shooting professional quality video with DSLRs has some issues, but, by far the biggest one is getting quality audio. All DSLRs lack XLR inputs (essential for using quality microphones) and most lack a headphone jack, which is essential for monitoring sound. The Juicedlink DT414 is one of several devices available to remedy these audio issues. This unit is essentially the same as the DT454, but lacks phantom power and AGC defeat, which I didn't need. I use a variety of both balanced and unbalanced microphones, both electret condenser and dynamic. Beachtek makes a similar unit at the same price which I tested also. I preferred the Juicedlink.

Most important to me is sound quality, because that's the reason I bought it in the first place. The DT414 has a very low-noise preamplifiers and an open, clean sound. The overall quality is excellent. It also has 30db of very clean, quiet active gain which is essential if you use dynamic mics like a Shure SM58. (The Beachtek had only 20db gain.) The reason gain is so important is that this allows you to turn down the noisy pre-amps built into the SLR. The DT414 has four separate level controls and both XLR and 1/8" TRS inputs. Any mic that doesn't need phantom power can be used with it successfully. This unit uses very bright LEDs to indicate proper level and they're easily calibrated over a wide range. They should be accurate with almost any recording device. (One reviewer knocked this unit for not being usable right out of the box. Really? This is a professional device and most people who are serious about sound won't mind spending an hour setting it up once.)

The construction of the DT414 seems solid although slightly unrefined. But there are a few ergonomic issues. Some of the switches are on the bottom of the unit and need a small screwdriver to flip them. Most of these only need to be used once at setup. But the one that allows you to switch the TRS input from being mic level to line level to monitor your recording after you record it is also on the bottom and very inconvenient when you want to switch from one function to the other. Also, the 1/4" threaded hole for a tripod screw and the captive screw for attaching to the camera are too close together so a quick release plate covers the screw and must be removed first in order to remove the camera. But these are pretty minor inconveniences.

I did have reason to contact customer support, and both times I got a quick reply from Robert Rozak, who is the company president and chief engineer/designer. That level of personal, knowledgeable support is unusual and highly desirable in my book.

Overall, the DT414 is a very high performing and useful tool at a very reasonable price.

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Blackstar HT5RS Series Mini Stack with Reverb

Blackstar HT5RS Series Mini Stack with Reverb
Customer Ratings: 5 stars
List Price: $849.99
Sale Price: $749.99
Today's Bonus: 12% Off
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  • 5 Watt, all-tube Mini Stack with Reverb; HT-5RH Head plus 2 single 12-Inch Blackbird 50 cabs
  • Tube Complement: 1 x ECC83 (12AX7), 1 x 12BH7 Power Tube; Exclusive ISF control
  • 2 Channels: Clean (Volume, Tone); Overdrive (Gain, Volume,); 3-Band EQ; Digital Stereo Reverb
  • Emulated Speaker (1 x 12-Inch or 4 x 12-Inch) Out is great for recording - use along with the speaker(s)
  • Series Effects Loop; Stereo MP3/Line input; Headphone out; Footswitch for switching channels

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(This review was written for ulitmateguitar(dot)com but they haven't added this model to be reviewable yet so Amazon gets frist dibs. I did send them an email, so hopefully they'll add it. Review subject to change. Feel free to ask any questions or let me know what you'd like to know more about. I will be doing a video review too soon)

Price paid: $620+tax (on clearance at local music store)

GENERAL IMPRESSIONS

I'm not sure exactly when this amp was made, but I bought it from Easy Music Center in Pearl City, on 28JULY2013. It was a clearance item and they would not sell just the head. It was the whole stack or nothing. Luckily, they had a bunch of Blackstar stuff so I spent a good two hours trying them all out. They had the HT-1R head and combo, the HT-5R combo, as well as some of their modeling amps and a couple of the big boy heads & cabs.

I began by playing the HT-1 through a Vox 212 with Clestion greenbacks. I was un-impressed. It was obviously deceivingly powerful, very tube-y, but just didn't light my fire. I ditched the HT-1 nearly immediately. It just wasn't my thing. Then I tried out the HT-5R combo. It was better; very rich harmonics, lots of volume, a nice toneful clean, but I still felt it sounded a little boxy; no matter where I set the ISF. For a quick PSA, the ISF is Blackstar's Infinite Shape Feature, supposedly allowing you to switch between an American sound at fully counter-clockwise, or a more British Marshally sound at fully clockwise and everything in between. Essentially it changes the character of the mids and highs; not really in any sort of linear or obvious way, but it's very intuitive and useful. For instance, if you feel your sound needs a little warmth or less harshness, adjust it clockwise. If you feel your sound lacks balls, turn it a little counter-clockwise. It's very useful for tone shaping; and remember; a little goes a long way; sure you could have it fully cranked one way or the other, but you're missing out, IMO.

Anyway, I was in love with the HT-5RS from the first note I played (happened to be using a Ibanez S series, which is most similar to my Carvin DC747). It was bright, present, amazingly responsive and glassy clean AND dirt were ear candy. I figured I must be hearing things since I had just got done playing with the HT-5R combo and experienced no such elation. These were the two amps I kept A/B-ing with identical setting until I was sure it wasn't all in my head. It wasn't. The HT-5RS is superior to the combo version, except it's slightly less portable. Even if I just use one of the cabs that come with the stack, it's still significantly sweeter of a sound than the combo.

Just for giggles, I tried out one of Blackstar's combo modeling amps. It was solid state but had a section where you could choose which output tube it emulated. I can't imagine what audience that would cater to. I couldn't even tell you what kind of tubes any of my amps have, let alone be picky enough to have a preference or really know the difference. I can tell the difference between a tube amp and solid state though, and it was immediately obvious and I cringed at the tone of this thing compared to the glorious HT-5RS I had just experienced.

FEATURES: 10/10

I won't go into all the features; just the ones that are important, IMO. There is a remarkably musical EQ section (including the ISF) for the OD channel. It's hard to find a bad tone no matter how you crank or cut the knobs. The volume and gain knobs are very interactive. It was hard to find an unusable gain setting, whether you're going for super heavy or just some bluesy tube OD. The volume knob has a very small usable range in an apartment setting though. Even as loud as 1, I started to worry I was gonna get a noise complaint. But at 0.5, I could hear my guitar acoustically louder than the amp, so I had to slightly nudge it to get a perfect usable volume. Anyway, there's a very nice master reverb built in. The clean channel just has a volume and tone knob, but again, the ranges are very musical; overall and this applies to all the EQ-type knobs on this amp you're not going to find unusable extremes at either end of the throw; the tone knob for the clean channel fully CCW kinda darkens and warms the tone, whereas fully CW it adds (or reveals?) shimmer and chime to your sound. New strings are a blast to play through this amp. The Headphone/Line out is okay; I like the live sound better than the direct signal, but I haven't tried recording with the line out yet. I'll update this review as I do so. Supposedly you can emulate either a 1x12 or a 4x12 cab... Again, I'll update when I try these out. thoroughly. There's a series effects loop. I think a parallel would have been better for this amp, given that I wouldn't want to compromise a single waveform of this thing's tone, but it's not a deal-breaker, and I'm not that tuned in to the EXACT nuances of the tone anyway. Overall, a really adjustable, musical, and practical featureset for an amp of this size.

SOUND: 11/10

My main guitar though this amp is my passive Carvin DC747 7-string. I also have an active Carvin DC800 8-string, as well as several other passive 6-strings (Epi Dot, Epi Les Paul Custom, Gibson SG, Carvin DC135).

Sound is a hard thing to describe, but I think Blackstar nailed it with their slogan: "The Sound In Your Head." It's hard to disagree. I really feel great while playing through this amp. It makes my guitars come alive. I've never had an amp that was so responsive to my guitar volume, tone, and dynamics. I feel like this amp has and will change my approach to playing guitar. I've been playing for 15 years and I thought my playing came alive when I got my Carvin V3M tube amp; that was just the beginning.

I love looping a little 4-bar phrase and vamping over it with changing dynamics and volume; again, my volume knob is now more than just a fully on/off affair. It's part of my sound and playing now. I can get a good sound for blues, jazz, rock, even metal. You won't find a super high gain, tripple-rectified sound but neck pickup sweeps still sound buttery; the open B-string and power chords rooted on the B-string sound full and rich in harmonics. I challenge you to find an unusable tone in this amp. This thing is awesome for leads, solos, open chords (on either channel), power chords, hell; even djent (don't quote me on that I don't even know what djent is. I thought it was a musical term, but all I know is that I got booted from sevenstring.org for a week for even mentioning the term... maybe it's racist?)

The only pedals I use with this amp are a vintage EHX Deluxe Memory Man analog delay and a Digitech JamMan delay looper (in the effects loop to catch the unaltered pre-amp), and a Wampler Ego compressor in front of the amp for the clean channel. I just love this amp's pure sound so much. I am somewhat tempted to take out or keep out anything not analog in my signal chain (except that would mean no looper...). I suppose I'll eventually experiment more with my Big Muff Pi, Tubescreamer, Wampler Pinnacle, and various other pedals, but for now, I'm just in love with this amp's pure sound.

RELIABILITY & DURABILITY: 8/10

I'm giving it a 8 in this section because from just an hour or two in my truck with the windows cracked parked in the shade, the tolex on the bottom of the amp started to become un-peeled. Not an amp killer, obviously, but a pretty big annoyance, especially since you can't just press it back on to make it stick again. Plus, being a tube amp, it's definitely not gonna be as durable as solid state, but I'm sure with reasonable care I'll never have any issues save for a quick re-tube some years down the road. Overall, I would be perfectly comfortable using it without a backup. Would I tour North Dakota in the middle of a sub-freezing winter leaving it in the trailer between gigs without a backup? Probably not. Maybe if it was in a good flight case... But I'll digress.

OVERALL IMPRESSIONS:

I began playing guitar through whatever amp I could afford when I was 14 or 15. Back then I had no idea there was even such a thing as analog versus solid state. I played through what I could afford, what was loud enough, or what looked cool, and I never thought Marshall stacks looked cool. I was also playing crappy guitars back then so the name of my game was trying to polish a turd. Well, my tastes have evolved considerably since then. I have had countless practice amps, performance amps, solid state amps, modeling amps, stomp-boxes, modeling floor-boards, Pods, RPs, etc. I can say with perfect honesty that this amp has the sweetest OD I have ever heard, hands down. It's a sort of sound that begs you to keep playing. It's not melt-your-face high gain, but I only want that sound every now and again anyway, like when I'm trying to emulate John Petrucci or something. Besides, you can always use stomp boxes for that. This amp will satisfy for all but the most triple-rectified tones.

Where this amp really shines is in its dynamics. It lets you use the full spectrum of your guitar's volume and tone knobs.

FINDING YOUR TONE (my suggestion):

0) "Zero" the amp (Reverb off, EQ & ISF at 12 o'clock; all volumes & gains at "0").

1) Have your guitar's volume & tone wide open.

2) Set the amp to the highest gain you want using the incredibly responsive & interactive volume & gain knobs.

3) Adjust the ISF to your taste (bright enough to cut, but not too shrill in my case).

4) Fine tune your "high-gain" setting with the EQ.

5) Now that you have your maximum OD set, just roll back your volume knob for the sweetest dirty `clean.'

6) Enjoy all tones at the full range of your guitar's volume knob!

Using this method nearly marginalizes the amp's clean channel, though that's still good for pure clean.

GRIPES:

I suppose if I had any gripes, I wish the amp would have a less sensitive volume knob on the OD channel; it seems like no matter where you have the gain setting, the difference between hearing your guitar acoustically louder than the amp and having wall-rattling volume from the amp is but a microscopic increment of the volume knob. I think a good apartment practice room volume setting is somewhere between 0.5 and 1-ish (again; regardless of where the gain knob is). Kind of annoying to dial in on such a sensitive knob, but it is what it is. I also wish the EQ section and ISF knobs worked for the clean channel too, but I can fully understand why this might be undesirable, especially if you're switching channels.

Even at the current price (assuming you can't find it cheaper) BUY THIS AMP. I think this will be one of those amps that years from now are modeled on the Axe FX or Pod or whatever. This is an instant classic; don't miss out on it. I can't believe it took me so many months to buy it after seeing it the music store just begging me to play it and buy it.

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Teton Tenor Electric Ukulele with Solid Mahogany Body, Headphone output/MP3 input W/Gig Bag STEU101T

Teton Tenor Electric Ukulele with Solid Mahogany Body, Headphone output/MP3 input W/Gig Bag STEU101T
Customer Ratings: 4 stars
List Price: $329.99
Sale Price: $296.99
Today's Bonus: 10% Off
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  • Beautiful Solid Mahogany Body with Offset Rosette Hole
  • Under Saddle Piezo Pickup
  • 1/4" Output Jack to Amp
  • Stereo 1/8" Headphone Output Jack
  • MP3 1/8" Input Jack

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Great sound I have played uke for about 2 years and I would say I know more than most people about ukes and this one is GREAT! I like the sound pluged in because it has a distortion knob which makes it sound more like a guitar than uke or uke and if u have settings on your amp then I make it sound like a higher pitched heavy metal guitar. The only reason why I gave it 4 stars instead of 5 is that I would buy an inverter from aux to a guitar cord input because, I can't find a use for the aux inputs so if you're planing to use the aux inputs then buy a inverter.

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Shure SRH750DJ Professional Quality DJ Headphones (Gold)

Shure SRH750DJ Professional Quality DJ Headphones
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $149.99
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  • Frequency range = 5Hz - 30,000 Hz
  • 10ft coiled detachable cable provides plenty of length and easy storage and replacement
  • Replaceable ear cup pads and a second set of pads included in the package ensure long product life
  • Includes a carrying pouch and threaded ¼-Inch adapter

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First off let me say I own the Shure 440 and 840, I am not fond of either of them. I find their sound to be too powerful and harsh, especially their bass. People claim it to be accurate, but how can this be if nearly everyone agrees the Bass on them both is just incredibly powerful and too harsh at times. Thankfully, Shure listened to its buyers and made the SRH750DJ. Out of the box they sound okay, nothing special. However after 50 hours of burn in, everything improved drastically. Like the difference between night and day. This set is geared for listening to music, where as the 440 and 840 are really not meant for that, they are monitors, meant to pick out subtle abnormalities in music track editing, like static and pops and such. The 750DJ is purely geared for musical experience, even though the box says they are monitors, too. Sure they can be used as that, as any headphone set can, but they are a total 180 degree turn from the 840.

They come with extra ear pads, which i am sorry to say right out of the box are incredibly uncomfortable. They are stiff and hard, but after some usage and clamping them onto a box or something for a day or two, they break in and become very comfortable. I was incredibly worried about the circular design of the earcups not fitting my ears. By the looks of things, the cups seemed pretty small in comparison to the 840 and 440...they are smaller, but totally circular but still fully over my ears. The downside to this is that my ears have a fraction of an inch clearance, almost no space left, my ears just fit. They are DJ headphones anyway, really meant to be slung down on your neck and have 1 earcup pressed up against your ear. So I suppose it wasnt meant to support average sized peoples heads and fully cover their ears...either that or i am a freak and my ears are huge, which they dont appear to be.

The 750s are comparable to the Denon D1001. The sound is similar, just bigger and more powerful all around, with MUCH more bass. And I mean it...much more. Enough to melt your face off if you wanted and had the right EQ. The bass is nothing like the 440 or 840, not even remotely. Its clean and beautiful and not at all harsh even on heavy bass tracks. They can handle high outputs of power, but remain easily driven by my sansa fuze without a problem. Doesnt sound as nice through my sansa as it does amped of course, but still, i am incredibly impressed with their ability to sound that nice and powerful via an mp3 player with no amp at all. The 440 and 840 fail miserably with no amp. The 750dj pass with flying colors. The Denons are more comfortable without question. But in the near future I expect the 750djs to become superior after sufficient burn in and usage. My denon D1001 and Shure 440/840 are no good for acoustic jazz or classical. Their soundstage is pretty awful for those genres of music. However, the 750DJs can power through nearly every type of genre i toss at it and still sound just awesome. This is something anyone with the above models in their inventory will recognize immediately. "Whoa, they sound great with my Superman the Movie soundtrack!!!" AWESOME! While the soundstage is just not as broad as the 840, is improved on the 440 and flat out KO'ed the Denon d1001. Thats not even fair to compare.

What bothers me is this fetish with stock cables and the bayonet locker. Like the 440 and 840, the cable is unique and twist-locks into place for security. I made a mistake in buying a 3.5mm to 3.5mm mini to mini 3 foot cable of my own to use instead of its stock coiled cable. Turns out its a requires a 2.5mm, not a standard mini. Back to radio shack i suppose, bothersome but understandable.

The headband is likely going to be modded very soon. It offers almost no support at all, and has s strange texture on the fabric. I've a buzz cut hairstyle and it kind of grinds on my head, and its really annoying. The clamp factor is pretty good, meaning they dont vice grip your head like some other headphones...coughcough 440/840,es7coughcough...They are somewhat heavy, but not the heaviest ive used.

The sound isolation is pretty good, id say 40% reduction. They tend to get hot, after all they are full sized over the ears and closed backs...you cannot avoid this.

Overall they are a fantastic buy. HIGHLY recommended if you want to buy via Shure. In my humbled opinion, the Shure 750DJ are an overall better choice for the budget of $100-150. The Denon D1001 was king of closed backs for around $100-150, now hail the new king SRH750dj!!! live long, and prosper!

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If my experience is any indicator, this model should be recalled.

The plastic is weaker than that of a child's toy.

It cracked in FOUR places during the first three weeks of normal use.

Korean warranty was no help, so I've appealed to the US SHURE Office for assistance,

since I bought it from an official reseller.

Will update with response.

Best sounding phones I've ever owned.

UPDATE: Free Warranty Service fixed the headband and I BELIEVE replaced the problematic plastic with something stronger. Not confirmed. They feel stronger.

Ask for free replacement if they break under normal conditions like mine did.

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The Shure 750DJ headphones are the top model in Shure's line targetting toward professional DJ use....that is, people that make their bucks spinning music that you want to dance to at your next party.

Disclaimer: I am not a DJ, so I won't try to speak for the professionals. I did buy this headphone just to try out because I already gave an excellent review for their monitor series SRH840 model and I was wanted to see how this differs from that offering. This headphone is meant for DJ use, and I did talk to a couple of people who have done some DJ'ing and offered me some perspectives on what they look out for:

Ability to withstand the rigors of use. These headphones are a tool, so it has to be durable, withstanding some accidental abuse, and is easily transportable to the venue. These headphones do look sturdy enough, there are no parts that will snap easily, the replaceable cable uses a bayonet locking mechanism and is detachable. The headband can be manhandled and bent and it doesn't lose its shape easily. The headphone comes with extra ear cushions, and there is a vinyl bag that keeps everything together. The headphone folds into a compact shape, swinging upward into the headband area.

Fit. These headphones clamp onto your headphone nice and securely, especially for one sided listening (you have swung the other earpiece off one ear to monitor). However, for regular listening, I found that on my size 7 3/4 head, even at maximum extension, they are borderline too small for my head, the earcup arms need more extension range. For extended listening, my head did feel a bit irritated due pretty tight clamping force. Grade = Bbecause they are a bit too tight on my big head.

Sound isolation. These are good in that they block up to 30dB of sound in the treble range, and around 15dB in the midrange. They don't filter anything below 200Hz. Grade = A-

Sound quality: These are definitely tailored toward DJ use as they have an noticeable emphasis in the bass. Their measurements show that the bass response is rock solid down into subwoofer territory of below even 20Hz. Response in the bass region of 20-200 Hz show that the response is elevated at least 10dB compared to the rest of the spectrum. So it's all about the bass here. The bass quality is quite decent, no obvious resonances, and because of the elevated response, bass is clear and omnipresent at all times, which is important in any loud venue. For general listening, the bass did seem to drown out the vocals significantly. In the upper ranges, treble is well controlled and almost a bit too laid back, there is a slight dullness to the shimmering of cymbals. The whole frequency spectrum is represented well enough, and except for the obvious bass centric sound, everything is basically there. Grade B+ for DJ use. For a general use music headphone other than pop or dance music, I suggest you look at the Shure SRH840

Build quality These headphones look great in pictures and from far away, they look like serious equipment, but they are pretty much all plastic and the metallic looking bits are just silver paint molded plastics. The joints and overall structure does creak a lot as you handle them. All in all, don't expect build quality that exceeds the price. Grade = B-

So all in all, these headphones do live up to their billing as DJ use tools. I think most people are better off with other more balanced headphones if you don't earn a living spinning vinyl.

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Let me just say, these headphones sound GREAT. Before these, I owned a pair of Bose Triport over-the-ear style headphones, and while the improvement is not worth ditching your old pair (except in my case: the Bose ones finally died after 3 years), there IS some added bass, which is great. Also loved is the detachable cord, and the swiveling ear cups.

The reason these don't get 5 stars is because the build quality and comfort just isn't all that. After about 50-60 hours of use, I can say that these are not as comfortable as the Bose, due to a much stiffer foam in the ear pads. Also, it is entirely made of plastic, which sometimes creaks when the headphones shift on your head. But my biggest complaint of all would be that the plastic on the adjustable piece on the sides cracked the first week! Nothing some super glue couldn't fix, but it's not something that bodes well for my experience with them down the road.

Overall, I wish I would have spent a bit more money and purchased some headphones with a better build quality. Luckily, the only category I'm not disappointed with is the sound quality, which I would say is the most important.

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These headphones broke in three months of casual use. The cheap plastic in the adjuster piece cracked and rendered the headphones useless. I'm going to have to deal with manufacture to get a replacement. Also the foam ear pieces fall off easily.

iFrogz IF-CFB-PNK Audio Coda Forte Bluetooth Headphones with Mic - Pink

iFrogz IF-CFB-PNK Audio Coda Forte Bluetooth Headphones with Mic - Pink
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $99.99
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The first thing you'll notice about these headphones; they are pretty small. The picture posted of these things make them seem bigger but maybe that's just me. Connecting them to my Macbook Pro was snap. I just charged the headphones for a couple hours and they connected no problem.

The sound coming from them is very clear! I've noticed with these head phones (And this is quite common for wireless headphones) the sound is quieter than a pair of wired headphones. No problem, just turn up the volume and you're good!

As far comfort, they are pretty average. They're not uncomfortable but definitely not as comfortable as say, a pair of Turtle Beach headphones. If you try adjusting them while you are wearing them, your hair will get caught in them! And I have pretty short hair too. That's really the main reason I don't give them five stars. That, and I wish they were a bit bigger.

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Yes they look cool. But they don't sound so great.

Headphones are smaller than you would think from the photos and not comfortable. Quality is not so hot. Materials flimsy. They care more about printing marketing all over your head than making a decent product. The battery life is good, but you cant turn the VOLUME up. Its barely passable. And the fidelity is... meh. Its OK. I got a $30 pair of echo v300's and while the user interface is a PITA on those, the sound kicks these things all over the street and home to mama. Oh and on a Mac, sound cuts out frequently with the iFrogs. Junk. Going back.

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These headphones are comparable to the Beats headphones and you are getting the same value for less money!! The headphones are available in white, pink, black, and blue. So there is sure to be a color to fit everyone in your house. They ship free anywhere in the United States and arrive just a few days after you place your order.

These awesome headphones charge with a normal USB cord, the battery life is great and they are easy to sync with everything we have tried. We have synced them with a Blackberry Z10, Droid Ultra, Droid Pro, Pantech Hotshot and our tablet. Any Bluetooth enabled device will work with these great headphones and I enjoy using them while on conference calls. They are very comfortable to wear and very lightweight.

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I use this in my home office connect to my computer when simply working in front of the computer. Re-sync with a simple push of the button to link to my phone when taking a long meeting. I love this headphone. Very light and easy to wear. Just got off a 90 minute conference call with it on and forgot I had it on. Mic picks up my voice perfectly.

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This is a nice comfortable, near over the ear headphone, constructed of a soft satin finish and some pretty loud graphics. That brings up my next point, the only quality lacking in this headphone is "loudness". For those of us who like our music at the mythical eleven, don't expect that here, the volume is adequate for recorded books, talk radio, but rocking out, not gonna happen. Quality of sound is not the problem, volume is. There is no artificial bass boost and you can hear midrange and treble just fine. Overall design is excellent, didn't think I would like the nearly flush buttons at first, but that feature has grown on me. Battery lasting well into stated range, 9+hours with juice left over. At this price a wall wart should have been included. IF these phones were "louder" these would have easily given a five.

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Roland KC-110 Stereo Keyboard Amplifier PA System, Black

Roland KC-110 Stereo Keyboard Amplifier PA System,  Black
Customer Ratings: 5 stars
List Price: $469.00
Sale Price: Price Unavailable
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  • World's first AA battery-powered stereo keyboard amp! Runs on eight AA batteries, eight AA rechargeable batteries, or AC power (adaptor included)
  • Highly efficient 30 watts (15W+15W) stereo amplifier with two 6.5" (16 cm) speakers and two tweeters
  • Three independent channels with volume control with high-quality stereo digital effects built in: reverb, chorus, "Wide" chorus, and EQ; effects on/off can be controlled with optional footswitch
  • XLR Mic/Instrument input, two stereo inputs, stereo AUX input, stereo line outputs, and headphone output
  • Mounts on a speaker stand (optional ST-A95 Speaker Stand), Built-in tilt-back stand

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I was surprised by the performance of this little amp. It has a really nice balance of tones and sounds great with my MicroKorg. I wanted something that would fit under my desk but still have the ability to get loud without sacrificing quality. The KC110 is perfect for this. I have not used the battery feature yet so there's not much I can say about that other than the battery holder plate seems to be of very good quality. I would definitely recommend this amp for anyone getting started with keyboard.

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it's a workpony cuz it's smaller than a workhorse.

anyway, this thing is fantastic. I got it for small keyboard venues, and it performs admirably. I haven't attempted to use the batteries, but I didn't buy it for that. It's very light and small, and produces fairly low frequency bass-more than enough for piano, not so much for amping a bass or playing dubstep. it's very clean and has a nice stereo image.

I bought it for that, but it's turned into a much more valuable part of my life than i expected. It has multiple inputs, so I can plug in a vocal mic and play with a vocalist without needing a second amp. the reverb knob is pretty handy. I also use it for it's aux input from my computer a lot, however I discovered it only plays through the right channel only! this may be the cables fault, so i'll check with another and change this review. this works well with guitar too! i only wish i had this thing in my life sooner! each input is stereo too, so you dont need to waste two channels just to plug in your keyboard.

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Ordered 2-18-13, delivered 2-20, perfect condition.

I am flabbergasted how well it performs. I used it

in a large hall, with a wired head-set mic, and the

keyboard batteries in both. Wonderful! I could

easily carry both at once one trip.

Plenty of volume,and I was asked to turn it down a tad. None of my usual music stores had it in stock.

For small solo venues, it is perfect.

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This is my second Roland KC-110. It is a great little amp for smaller venues/establishments. I use mine playing a Yamaha PSR S900 through it mostly for fine dinning restaurants performing either as a soloist or with a duo. It has plenty of power without compromising quality along with an easy to carry size. True stereo sound. However for louder gigs this amp is not for super high volumes so don't think it will work for that. For my rock band I then use a KC-550.

The price was very good as with the shipping being free. I received it very quickly.I like it so much that I bought another one to use as a travel amp.

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If you want a portable, reasonable quality amp then this will do the trick.

My son plays gigs on short notice in different locations in the Bay area.

He throws a keyboard and this Roland in the car and set up in a few minutes.

It does the trick for this type of gig.

Audio Technica ATR288W VHF Battery-Powered TwinMic Microphone System

Audio Technica ATR288W VHF Battery-Powered TwinMic Microphone System
Customer Ratings: 4 stars
List Price: $250.00
Sale Price: $119.95
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  • Includes ATR35 miniature lavalier condenser microphone for "hands-free" uses such as aerobics, dance, theater, lectures and "newscaster-style" videos
  • Includes ATR20 dynamic microphone for handheld uses such as singing, talking, recording and videos
  • Operating frequency: T24 (169.505 MHz & 170.305 MHz)
  • 1 channels; FM modulation mode
  • Battery life: 8 hours nominal
  • Multi-purpose wireless system with 2 microphones, a wireless FM transmitter, and a receiver
  • Includes ATR35s miniature lavalier condenser microphone for "hands-free" uses such as aerobics, dance, theater, lectures, and videos
  • Includes ATR20 dynamic microphone for handheld uses such as singing, talking, recording, and videos
  • Compact, ultra-lightweight transmitter and receiver each powered by a single 9V battery good for 8 hours of use (9V batteries not included)
  • Normal operating range 100 feet; up to 300 feet under optimum conditions

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If you are in the market for a wireless microphone setup for your video camera and like me, you don't want to spend top dollar. You may like the budget friendly Audio Technica Pro 88W/T setup. Listen in to the sound quality and judge for yourself.

Comes with connectors that are compatible with most major cameras. 9v battery for the transmitter and receiver. I found no issues getting it to work with my Canon ZR-70. For practical purposes, the sound quality was as good as anything I've seen produced on the web where I know the audio equipment being used is of much higher caliber. This device seemed to hold its own and do a very good job providing close, crisp audio in a situation where it would be nice to roam free.

The distance was not tested. I did not go 300 yards out to see how far it would go. Most videos I've done are in close proximity to the camera but would be detrimental without some kind of on-person audio setup. Having a wireless option makes this possible and enhances the video without providing so many features that is otherwise overkill for the task at hand.

I'm positive on this review as I found the setup easy and the audio quality to be very good without any noticeablestatic or interference.

Audio-Technica ATR288W Wireless Microphone System (Includes ATR35s, ATR20)

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Let me first say, I only give reviews for products that, in my opinion, are of exceptional quality. That being said, after receiving my Audio-Technica ATR288W Wireless Microphone System and putting it through various tests, I found the sound quality to be excellent. I have a Canon HV20 camcorder that has an extremely quiet motor. But, when making recordings (using the camcorder's built-in microphone) that had either low or no background sounds, I could hear the camcorder's motor when I played them back. The solution was to use an external microphone. When I connected the Audio-Technica ATR288W Wireless microphone system to my camcorder and made a recording with no background noise and played it back I was impressed. I did not detect any unwanted sounds, not even hissing sounds. All I heard was clean high fidelity sound!

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There are a few problems that I've encountered with this unit.

First off, the handheld mic is useless. If you hold it in your hand, it picks up all the noise from holding it in your hand. Give it a little squeeze, and the mic picks it up, or even slide it around in your hand, it gets picked up. The windscreen on the clip-on mic comes off very easily.

As far as the transmitter/receiver, the transmitter has no dedicated antenna, it uses the mic cord as an antenna. It can be staticy at times, even in close proximity. If you're monitoring the audio with headphones, make sure that you don't turn off the transmitter while you have the headphones on, otherwise you will hear VERY LOUD static.

This is also an outdated produt. The product box shows a VHS camcorder, and the manuals were printed in 1997, so I guess it's been in the box for about 11 years.

If you need a cheap wireless lavalier, this can get you started, however, I think it's worth more like $35. If you have the money, spend it on a Sennheiser setup instead.

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I've used this mic for a pilates classes for a film, and it has worked great. no real issues, long battery life, and light weight for the instructor. And for the price of this wireless mic you really cant beat it.

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I have never given a product a bad review, but unfortunately Audio Technica earns only one star from me for its ATR-288W.

I know that some people have had great results with this product, so it is possible that the one I received was defective. However, the unit I purchased gave great audio quality only if you were operating under ideal conditions within 5 to 10 feet of the video camera, and had the wire from the lapel mic (which serves as the antenna for the body mic) between the subject and the camera. As soon as there was anything between the wire and the camera the audio was full of static, hissing, and noise. If you moved further from the camera, the noise level became so high that the audio was totally unusable for even home movie productions.

Under typical conditions where the subject is moving or occasionally turning away from the camera the audio is noisy, and full of static, and unusable.

I have returned the ATR-288W to Amazon, and will search for a suitable substitute.

I was using the ATR-288W with a Canon HV40 video camera,

Fender Starcaster Strat Pack Electric Guitar with Amp and Accessories (Black)

Fender Starcaster Strat Pack Electric Guitar with Amp and Accessories
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $179.95
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  • Everything you need to start rocking, including a black Stratocaster guitar and 10-watt Squier amp with 10-foot cord
  • Classic Fender Stratocaster guitar for all styles of music
  • Synchronous tremolo bridge for subtle shimmers or hard-core whammy
  • Three single-coil pickups paired with a 5-way pickup selector switch; volume and 2 tone controls for wide range of tones
  • Package also includes strings, picks, strap, gigbag, and instructional DVD

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My parents gave me this guitar for christmas, and I've had this guitar for about 5 months now,and I have loved and hated some things about the guitar. let's start with the short list, the hated.

Hated: The strap is garbage, The wammy bar causes the guitar to go insanely out of tune, for about 2 weeks the frets cut your hands to shreds, When using one pickup, the amp makes a really annoying buzzing sound, so use the second to bottom or top setting on the pickup selector switch. The guitar does also go out of tune fairly easy by itself.

Now onto the loved: EXTREMELY STURDY AND STRONG. My guitar was dropped by one of my friends onto a concrete floor and the only damage done was a small chip in the finish by the neck. Amp is fantastic for it's size. Loud enough to fill a gymnasium full of screaming students. The tuner is fantastic, and the picks are incredibly strong. Strings sound good and are strong. Extra strings are a good bonus, just make sure you put them on right.

Overall a great guitar package for about $200, I'd recommend to any beginning guitarist. With a name like Fender, you can't go wrong!

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I got this kit for my birthday because I want to learn guitar. It is totally ridiculous to invest much more than about $200 at the start of a new hobby. At the beginner level, you have no idea what you need, what you want, whether your even going to stick with it, etc. Luckily, Fender is selling this little gem.

I'm not going to lie--in this $200 package, you will not get a $700 guitar with a $150 amp and a Monster cable. What you do get is a guitar that sounds good and that you can learn on, an amp that makes your practice audible, and a DVD that... well, sucks. The DVD is really bad.

I highly recommend this package for the beginner.

(As for the DVD sucking--it says it's for beginners, but it moves much too fast. Get a book and teach yourself or, better yet, get lessons. Don't count on the DVD.)

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I got this for my fifteen yo son (aka "Even After Dinner, Giant Boys Eat"). (Okay, not because I was clever enough to think of it ahead of time, but because I stumbled onto one of Amazon's "lightning deals" at holiday time.) Perfect.

As you suspect from reading the description, this package has everything you need, which was really a blessing from my perspective. As others have suggested, we'll gradually replace things as he wants... strings, of course, the strap, maybe some new picks. I didn't realize there was even a tuner in the set, which is great.

One thing extra I feel we immediately need is a stand for the guitar. This is partly because things can get a little rambunctious in our house (e.g., the dog and the boy chasing each other around) and I want the guitar to be safe. I also don't really want him to put it away; I'd like to leave it out in the living room so that he's more inclined to pick it up and play.

I like the DVD, though I'm writing this just as soon as the gift has been opened, so we've only just started. To me, the lessons seem good, though my son is a trumpet player and played piano when young (so he knows musical things) and I've also played instruments (including acoustic guitar) before. We are far from being musicians, but it's not totally new to us, either. You're going to have to replay them a few times to get it; that's part of the learning.

Tips for beginners:

1. Tune your guitar to the DVD initially and don't mess with the electronic tuner. Everything will sound wrong if you're not tuned the same as the DVD guy, but trying to play along with him. Also, you should learn to tune your guitar to the low E string anyway (as he teaches on the DVD).

2. Make sure your low E and high E are actually the same note after you think you're done tuning (but yeah, in different octaves). My son thought he was tuned, but this test didn't pass so we adjusted.

3. Like everything else, you're learning to tune. But if you don't get this reasonably right, when you go on to chords, they'll sound like cr*p.

4. The first chord you're shown is a minor chord. (I question this choice, but there you have it.) This chord might not sound right to you anyway.

5. I think one strategy is to plow ahead till you get to an easier chord to listen to, maybe the regular E or the A. And then you might want to fiddle around a little bit between adjusting the tuning and trying the chord till the chord sounds right.

6. Note that you can find chord charts online for the "open chords", such as the one at Guitar for Beginners that I just found. Those first five chords should sound right if you're properly tuned (remember not to play all the strings for some of the chords).

7. You should maybe do just a little bit each day at the start (15 minutes or so) till your fingers build up calluses. This can also help pace the frustration factor of getting to the point of those first few chords.

8. Once you get those first few chords, you're on your way! Then it's just practice, practice, practice.

p.s. Some musical friends have confirmed that this is an excellent guitar for a beginner. One points out that what you lose in this line (as compared to other Fenders) is the quality control. This was an interesting observation for me -it's true of so many products, but I didn't apply it here. I think this might explain some of the variation in the reviews. Remember that you're buying from Amazon, and if you notice anything wrong, just Send It Back.

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Ok, first off, even if you are a beginner, I do not recommend this guitar.

Why?

One, this guitar has highly incremental buzz. Most people will tell you when you ask, that this is because of the amp, but this is because this is essentially quite cheaply constructed, and the parts aren't as good as a lot of others. The strings are too close to the fret, and this is one of the reasons.

Two, cheap materials, as I stated, are troublesome. After owning the guitar for one week, and having to take out and screw in the whammy bar, the screw part of it got stuck in the hole. Not shortly after that, we returned the guitar.

Three, the frets. Many people stated this, and this is a very big problem for anyone. The frets are NOT smooth at ALL and after just one week of use I had scars and a ripped up palm on my hand.

But if you want a good guitar in this price range, for beginners, here's what I recommend. Get a Fender Squier. At most sites, the base Fender Squier costs $119. About $90 less than this does here, and it has much smoother fret board, but it still has some of the buzz found in this guitar. I also recommend a beginner Epiphone Les Paul or SG.

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Got this guitar package for Christmas (in midnight blue, but oh well), and I am liking this a lot. As other reviewers have stated, you are not getting a $300 guitar and a $100 amp you are getting a cheapo beginner's guitar with a wimpy amp.

THAT BEING SAID, it is worth much more than the measly $200 you spend! This is a GREAT package to get for a beginner to the electric guitar. The guitar is sturdy enough to handle some rough playing, and it seems to stay in tune somewhat well. The amp, while not loud or sturdy enough to use in a concert, is fun to mess around with and start experimenting with distortion, etc. I'm sure the picks are fine I prefer hard picks, so I didn't even look at the ones in the package. I also didn't look at the DVD included, having known how to play acoustic for a few years prior.

The bad news: The strings died very quickly for me (both the already string ones and the replacements included). The tuner is finicky at best. The amp will die if you crank the volume and blast away for very long. The strap comes off if you glance at it.

However, for a beginner, this package is perfect. Once you get some practice and feel like moving on, you can get a new tuner, a new amp, and even a new guitar one at a time at your leisure.

TL;DR: This is a great deal for a beginner, well worth the $200.