Showing posts with label headphones for babies. Show all posts
Showing posts with label headphones for babies. Show all posts

Zoom R16 16-Track Digital Recording Interface Package w Cables, Headphones and More

Zoom R16 16-Track Digital Recording Interface Package w Cables, Headphones and More
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $429.99
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Recieved my Zoom R16 a week ago and have been playing with it ever since. Not real easy to use you will have to read the complex manual (good luck on understaning it). I've been using an old Tascam 4 track that I used for years but this zoom is much better and I was very happy to upgrade. It's very clean and quiet. Not sure how using the SD cards is going to work out. I'll have to give it some time. It interfaces well with my laptop and the software that comes with it makes it easy to store and transfer music to a computer so you can e-mail, burn CDs or build WAV files. Once you figure out how to use the effects and the channel swap, you can really make some head way in recording. This unit will take you several weeks to learn to use (roughly). Definitely check out the YouTube how to vids.

The Samson head phones that came with the package deal are cheap and I won't end up using them. I suggest investing in a good higher end set of head phones. These really are bottom of the barrell. Having the extra cables and 8GB SD card(that comes in the bundle deal)is great. All in all this is a great little travel/portable recording studio. You can do so many things with it: you can record live (up to 8 channels..well 6 really) Channell 7 and 8 are designated built in, external mikes. You can make you own digital CDs, transfer external files into your Zoom to assist with recording/developing songs. My brother has the Tascam DP003 and he loves it. He loves the ability to burn a CD (on the unit) once he's done mastering. This zoom has so many more features than the Tascam, It has hundreds of built in effects (for vocals and guitars). The mastering effects are just as good if not better than the Tascam. All in all, I think this is a great mid level unit. Obvioulsly more dollars will buy you more.

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American Dj Wi Tech Wireless System

American Dj Wi Tech Wireless System
Customer Ratings: 4 stars
List Price: $219.95
Sale Price: $199.99
Today's Bonus: 9% Off
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  • 8 Channel Wireless On/Off Controller, Includes Wireless Remote: Control Each Channel On/Off, All On, Stand By (Black Out), Function And Mode For Each Channel Just Like The Standard Uc3 Controller, 1/4-Inch Connection For Uc3 Controller Input.
  • 16A Resettable Circuit Breaker, Includes One 10-Foot 1/4 Inch Stereo Trs Cable, Wireless Transmitting Distance: 325 Ft. /100M, Maximum Load: 5A Per Channel, 15A Total At A Time
  • Dimensions (Lxwxh): 16.75 x 4.25 x2.5 Inches / 423X106X66Mm, Weight: 6 Lbs. / 2.7 Kg., Power: Ac 120V/60Hz
  • 8 Channel Wireless On/Off Controller, Includes Wireless Remote: Control Each Channel On/Off, All On, Stand By (Black Out), Function
  • And Mode For Each Channel Just Like The Standard Uc3 Controller, 1/4-Inch Connection For Uc3 Controller Input.

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Like most DJs I have been using the sc-8 wired version. Finally American DJ came out with a remote controlled wireless version! I love this unit. It saves me set up time because I don't have to run a 50' cable to my booth and place the switch panel there. Now I set up my stand and lights, plug them in and I'm done. The power pack feels solid. It's a little thicker than the wired version pack. It has eight electric plugs, one 1/4" UC3 jack to control 1 American DJ light (more if daisy chained), and a circuit breaker. You can plug in eight lights and turn them on and off with the remote. No flash button, just on and off. Also the UC3 control is great. I have two of the American DJ Mega Pixel LED lights so I plug in the UC3 control to the "Master" light and run a XLR cable to the second light to link them together. The remote also has the the three buttons to control any UC3 light, just like the wired UC3 remote except there is not a flashing light on the remote to show what mode you are in. It reacts fast and works through walls at a distance.I put a clamp on it to hold it to the light stand.

The remote is small and takes an 23A battery. Push the buttons firmly and it works every time.

It has an all on and all off button you hold for 5 seconds. This is 16 amps and will handle all your LED lights great. I love this and will never go back to a wired lighting controller. Good product!

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After receiving the unit (which was very carefully packed), I attached the antennae and loaded the enclosed battery into the remote control.

I did a simple test with two light fixtures: ADJ H2O and the ADJ Megaflash. I simply plugged the H2O into socket 1 and the Megaflash into socket 2. I connected the power, flicked the power switch on.

The test was as follows: 1 on, then off. 2 on, then off. 1 and 2 on, then off. All on, then all off. The unit worked to perfection. I used the remote at close range, from ten to twenty feet. I then stepped into my bedroom (unit was in kitchen). After performing "the test", unit worked to perfection without a hitch or without any loss of response. I then stepped outside; same result. I walked across the street, same test, same result.

I cannot say enough about how outstanding the unit is. I am awaiting delivery of the UC3 Wireless unit for use with my DMX control lights. Will report results as well.

In the meantime, My highest recommendation goes out to ADJ. They have not only mastered LED light performance, but they have outdone themselves with a control unit that will maximize flexibility and performance. Buy with confidence...thanks ADJ. BTW, thanks Chuck Green for your Under the Hood series, it played a major role in my decision to purchase.

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This light controller came in just in time. My other controller broke so the wireless controller showed up right when I had a DJ gig. I didnt have time to play with it so I just set it up and used it. It worked great! It was easy to use and setup. I would recommend it to other dj's or bands.

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Had it a year and a half. It has quit twice, American DJ supposedly "fixed" it the first time under their one year warranty. Quit working again two or three gigs later. Luckily I had bought from Sweetwater.com who automatically adds a year to warranty of stuff they sell. They are fixing it now. But I am not at all happy, not at all rough with my gear and never plugged any light more than 90 watts in to it, so I don't feel I am to blame. Something came loose this second time according to tech people. I think these things are absolute crap. I also really don't like that you can't put a clamp on the ends. The only way you can mount this thing is very cumbersome except on a large truss, but it does not fit at all well on a light tree. When used on a t-bar it has to be mounted horizontal and it really gets in the way. Wireless control idea is great but the execution of this product design and durability are very poor.

Arriba Padded Multi Purpose Case Atp-19 Top Stackable Case Dims 19X21X14 Inches

Arriba Padded Multi Purpose Case Atp-19 Top Stackable Case Dims 19X21X14 Inches
Customer Ratings: 2.5 stars
List Price: $56.95
Sale Price: $47.87
Today's Bonus: 16% Off
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  • Durable Design Allows For Safe Transporting Ove Virturally Anything
  • Includes Padded Carrying Handles
  • Great For Lighting And Audio Gear As Well As Just About Anything You Can Think Of

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This looks like a fine bag, but the ATP-19 is 19x11x14... not the dimensions listed in the item's name. Looks like a typo. Here is the item on another site with specs that appear to be correct. The tag on the item says it's 19x11x14. (http://www.arribacases.co.uk/category-7/ATP19.html)

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There is no shoulder strap, so you can't carry it over your shoulder. You have to carry it like a suitcase. And if you have something heavy inside, it feels like the bag will break. Arriba needs to go back to the drawing board and put some D-rings and a shoulder strap on this.

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I bought two of the cases for my LED Par 64 light cans. The cases fit the cans perfectly. The bags include two velcro-edged dividers, one made to install longways, and one made to install crosswise. I put the longways divider in the bottom of the case fit it perfectly for extra padding and rigidity, and used the crosswise divider as intended. I went the extra mile by placing the foam packing material that came with the lights cut to fit the cans in each side on the top and bottom. These cases really fit the bill for me.

Only niggles I have is that they aren't super-heavy-duty, although I did not expect them to be, and that there are no extra compartments to store small tools or cables, although I had no reason to expect those either. However, it would have been a pleasant surprise to have these features included.

Overall, I am very pleased with these cases they are much better than the cardboard box I have been carrying my light cans to gigs with, and they are supposed to be water-resistant as well.

Sennheiser Momentum On-Ear Headphone - Black

Sennheiser Momentum On-Ear Headphone - Black
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $229.95
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Simply put these are the best headphones I have ever owned, a true audiophiles dream. Aside from the price( I'm so glad I bought these online and not in store...more than a $100 price difference!) and lack of noise cancellation (to be expected given they are not specifically for noise cancellation) there is virtually nothing negative about this product. The overall design,comfort,and sound quality is superlative. Sennheiser, what a Beautiful product!!!

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Pignose PG-10 PG-10 a/c powered amplifier

Pignose PG-10 PG-10 a/c powered amplifier
Customer Ratings: 3 stars
List Price: $79.95
Sale Price: $59.95
Today's Bonus: 25% Off
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  • An ideal practice or first amp. Packed with separate volume, treble and bass controls and headphone jack.

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Out of the box, the Pignose PG-10 is approximately as mundane as other inexpensive, Pacific Rim beginner amps (e.g. Rogue, Rocktron, Marshall, whatever). As such, it would rate three stars because, as another reviewer noted, it does have a rather nasty transient "thump" on power-up (annoying but not dangerous).

But this little piggy has more hot-rodding potential than many of it's $60 peers because its power amp section (nominally 10-watts into, presumably, 4-ohms (not specified by Pignose)) generates enough current to actually drive the less-efficient but more transistor-friendly 8-ohm load of the premium motor. Note well, hot-rodding an amp voids its warranty.

In my book, it's well worth the trivial actuarial risk of going without the Pignose 1-year warranty IF (and only if) one is interested in practice-level musicality rather than class-average, high-decibel noise. I'm talking silky-smooth, top-to-bottom tonal balance, consistent output, robust bass, and shimmering highs. In short, I'm talking $300+ sound quality IF one is willing to give up the pretense of performance-level volume (not the forte of a 5" x 10-watt amp in any context (laugh)).

This tweaked piggy sounds especially nice with acoustic-electrics (e.g. Fender Sonoran SCE) because it's clean, articulate, and gratifyingly-musical.

Step #1: Carefully remove the four Phillips screws on the back of the PG-10 and gently pry off the flimsy cardboard back with a sharp putty knife.

Step #2: Note the preamp/amp section lacks a protective metal cover, which helps explain the flimsy cardboard back.

Step #3: If you have small children who could, conceivably, stick their angelic little hands inside your soon-to-be open-backed PG-10, bolt the cover back on and return the amp in favor of a PG-20 (which sounds better out-of-the-box). On second thought, best not open it in the first place (laugh).

Step #4: Unsolder the positive and negative speaker leads

Step #5: Carefully remove the four Phillips screws holding the dismal 5" stock speaker in place

Step #6: Slowly re-use the Step #5 screws in the existing holes to gently but firmly seat a 5", 8-ohm Pyle Pro PDMW5 mid-bass driver

Step #6a: If you happen to over-tighten one or more screws and strip it/them out of the MDF fiberboard speaker baffle, take the offending screw to your local hardware store and get one/some slightly fatter ones of the same length

Step #7: Re-solder the speaker leads

Step #8: Use a carpet knife (or any saw-like device short of a chainsaw) to carefully cut (horizontally) the flimsy back cover into two smaller pieces.

Step #8a: Measure 3.5" down from the top for the first cut

Step #8b: Measure 2" up from the bottom for the second cut

Step #8c: Throw away the 2.5" middle chunk

Step #9: Reuse the Step #1 screws to reattach the top and bottom portions of the back

Step #10: Throw away your Pignose warranty card and the dismal speaker (or give it to a deserving kid at Halloween)

Step #11: Give the speaker a good work-out for a few hours to fully break it in and show it who's boss

Step #12: Rock on!

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When it arrived, upon turning it on, it made a loud farting noise. Quality control problem.

I have another pig nose G40V that I love. New amp shipped immediately, was OK.

Amp does NOT have a 5 inch speaker, as advertised, but does sound good

Yamaha SB3-9 Silent Brass System for French Horn

Yamaha SB3-9 Silent Brass System for French Horn
Customer Ratings: 4.5 stars
List Price: $189.95
Sale Price: $157.00
Today's Bonus: 17% Off
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  • The Yamaha Silent Brass System for French Horn includes the ST9 Control Module and PM-3 Horn Mute.

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Overall, the product does what it advertises, allowing you to practice with much less noise while still clearly hearing the sound yourself via headphones. It certainly isn't silent, but opens up many more situations where you can practice. When playing in my kitchen, I could still be heard in a bedroom down the hall with the door closed, but it wasn't objectionable.

Some people have complained about the change in air resistance while others say it is not an issue. For me, the "feel" is slightly different, especially on certain notes such as C and C# above middle C. So it took some getting use to. At first, it felt like I was playing the wrong note, due to the change in resistance. After playing for years, you get accustomed to how certain notes feel, and that was affected by the mute. If you've ever put down the wrong fingering but still pretty much got the right note by playing a different partial, that is how I can best describe the feeling. However, I got used to that after a few sessions and it hasn't bothered me as much.

Another ongoing issue I have had is with extraneous vibrations. It takes a bit of fiddling around to get the mute perfectly seated in the bell so annoying rattles are not heard. Perhaps that is an issue with my particular horn (Conn 8D).

The sound is generally pretty good up to about a forte level. Once you start to enter into the "brassy" sound, it is less satisfactory. A horn playing in that brassy range can be a magnificent and majestic sound. This doesn't translate well with the Silent Brass System. It sounds a bit distorted and weak. However again, you tend to get used to this after a while.

I found the electronics to be a little sub-par. It's hard to get enough volume without distortion with some headphones I had, though the included ear buds do a decent job. The built-in echo/reverb effect is helpful to give a little sense of space, but you won't confuse it with playing in a concert hall, or even a live bedroom. On short percussive notes, you can hear the flutter of individual echoes. I was expecting a little more than that.

This is probably obvious, but as with any mute, you lose the ability to control pitch with your hand. And of course you can't practice stopped passages.

Sometimes I felt a little tangled up in all the cords, especially if you use the CD/MP3 input to play along with recorded music, which requires an extra cord. However, that just goes along with the territory and there isn't much that can be done about that short of using wireless connections, which have their own issues.

All in all, the product is useful despite its limitations, though you will definitely still need some "normal" practice time. I would recommend it to anyone who is limited in their ability to practice due to the noise. It is a big improvement over standard practice mutes and much better than not practicing at all, which is usually the alternative. Since there really isn't any competition anyway, this is the obvious best choice!

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As a working mom with young kids, my opportunities to practice the horn are rather limited. When I can grab time during the evening before the kids are in bed, it basically kicks my husband out of our room for the duration. The Silent Brass system for French Horn allows me to practice much more than before. Sure, I'd rather practice unmuted, but when I can't do that, Silent Brass saves the day. As with any mute, people nearby can still hear me, but much more softly than usual. In fact, my husband has sat around reading and even napped in the same room where I was practicing with the Silent Brass system. I could hear my horn just fine through the ear buds, and it was quiet enough not to bother him, even though I was playing ffff passages at full force.

It does have a few shortcomings. There is an annoying buzz (in the ear buds, not from the muted horn itself) every time I play 3rd-space C. No other notes, just that one. Unfortunately that note occurs quite often! I thought it might be a quirk of my horn, but I tried it on my old single and the same thing happened. Differences in dynamics get flattened out; mezzo-piano does sound different from fortissimo, but not NEARLY as much different as when I am playing without the mute. Sharp accents come through on the earbuds very sloppy, almost nonexistent. Still, compared to no practice at all, which is the only alternative at the times I'm using the system, it is fabulous!

The mute doesn't seem to mess with the pitch, though I was afraid it would. Seems to play right where it should.

Playing with the mute feels a little different because of the slight back-pressure, but I think that might actually be helping my un-muted playing.

As another reviewer commented, you do lose the ability to use your right hand in the bell to adjust the sound of your horn. There's no making up for that, but at least they did thoughtfully provide a "handle" on the mute. I stick my fingers into the handle, and that allows me to hold my horn in a fairly normal position.

Bottom line, it's not quite as good a practice as you would get playing unmuted, but it's 1000% better than no practice at all. I wasn't going to buy one because of the price, but when I mentioned that to my husband, he said "Buy it. Really. Buy it now." If you're limited in your practice time because the sound level bothers others, then my advice is the same: "Buy it. Really."

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Generally, the Yamaha SB3-9 Silent Brass System for French Horn is a great tool to help people who don't have much of a choice about places or time to practice. The sound is reduced enough to avoid others in the next room. After long time of using, I find the sound coming from the earphone a bit twisted though. It's still a great practice companion.

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Makes the instrument go silent to others while you continue to be able to practice. At it as in tune if you were playing live but if you want or need to practice without disturbing others then use this. DO NOT BUY THE MUTE ONLY. BE SURE TO BUY THE MUTE AND AMPLIFIER.

StarTech.com MU6MMRCA 6-Feet Stereo Audio Cable - 3.5mm Male to 2x RCA Male

StarTech.com MU6MMRCA 6-Feet Stereo Audio Cable - 3.5mm Male to 2x RCA Male
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $4.99
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This cable does only one thing, but it does it well and as expected. I'd buy it again if I needed what it does.

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It's an ok cable. It's cheap and that's why I bought it.Well, like a cheap product it feels cheap as well but it works fine and that's good enough for me.

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When this cable came, it was already slightly broken with audio cutting out if you bump it a little. Now, about 3 weeks later it barely functions and the left channel is essentially non-existent. Spend the extra 5 bucks for something that will actually last.

Gets 2 stars because its so cheap and I noticed that some have had better experience than I have had, and it has been abused a bit under my care, so if you are going to be extremely careful and not really touch the cable ever then it should work, but if you are switching it from device to device with any sort of frequency I recommend a higher quality cable from mediabridge or monster or some other quality brand.

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Can't beat the cost and the quality is great. Maybe not good for the HI-FI fanatics, but great for the standard audio household.

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Given the price of this product, you really can't go wrong. For about a $5 price point (varying) there are really no downsides to this product because regardless of wether the quality is good or not you are only down $5, not a big deal to some. I used to use this cable to run audio cables from my sound receiver (L and R audio) to a 3.5mm wire connected to my phone and computer. It worked good for about a few days, then with even the slightest movement of the cable a static sound would occur during a song or whatever audio was playing at the moment. I took out the cable and switched it with another, not sure on the brand however, but the static dissipated so I knew it had to be this product. Durability may be lacking or it may have just been my carelessness with handling the cable properly, but it did carry good sound quality. All in all, for a five dollar investment I would recommend getting 2 of them to make paying the cost of shipping even slightly worth it.

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Samson MediaOne 5A Precision-tuned Powered Studio Monitors, 5 Woofer

Samson MediaOne 5A Precision-tuned Powered Studio Monitors, 5 Woofer
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $134.36
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  • Precision-tuned, rear-vented enclosure
  • 5-inch copolymer woofer
  • 25mm silk dome high frequency driver
  • 2 x 20 watts of Class A/B internal power
  • Front panel level control, headphones and stereo input jack

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I live in a small room which is about 10ft wide and 12 feet long. I have a lot of gear, guitars, acoustic drums, keyboard, sleeping mattresses etc in it.

I was looking for a very basic compact monitoring system so that I could get decent mixes. So I didn't have my hopes up too high. Also, I'm planning to move from the PC based recording system to a mobile one via a Tascam multitrack setup. So portability is another requirement. "To make records with the mobile"

So I went through a whole load of budget monitors on amazon and read every review here, on buzzillions, on zzounds and internet forums. It seemed that the MediaOne series was the least bashed one of the lot. My problem was that the sellers selling these on amazon were charging a kings ransom for shipping to India which kind of put me off.

So I went down to the market today to try my luck and lo and behold there they were. I tried them out at the store and thought they were alright. I'd only know how good they were in my home so I picked them up.

I ran these out of my SB Live Value card which has decent fidelity. I have a Presonus Firebox too.

Here's my take on these after listening to a a few tracks through FL Studio projects as well as youtube.

+ Pretty flat response

+ Makes you hear things you would miss on usual hi fi/computer speakers

+ Has surprisingly good bass. I felt fitments shaking in my room during Adam Szabo's house tracks.

+ Is pretty loud for a small room. I don't need to turn it over 40-50%

+ Look very nice

+ Super compact. This is real nice. A great space saver and the monitors sit sweetly on either side of my Samsung 22 inch computer screen.

This was my first real time on monitors and I enjoyed the clarity of sound I heard. You hear everything.

I don't have any real negatives as of now but I'll be sure to update this review in case I find out any.

Just a few trivial ones:

No XLR/1/4 inch inputs

Feels a little plasticky at parts like the ac power in.

The power cable should have been twice as long at least

Should have come with an RCA connector

If you're worried about the size of the woofer, think about the room you're in and how good it is acousticaly.

My logic is that if you have an average bedroom, you'll never be able to even appreciate a large or an expensive monitor because of all the reflection of sound that will happen. For a small and acoustically untreated room you need a NEAR FIELD setup where the monitors are loud enough to hit your ears and then not bounce around and shake the room too much.

I'm on youtube arjunkaul

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Some of the other reviews on this page claim that the bass isn't as "loud" as it should be, and for most intents and purposes, they are correct.

These speakers aren't going to make your music sound the way it does on your home stereo ... at least in terms of bass. However, what I've found is that while mixing, these speakers actually produce extremely smooth bass response, but they make it so you have to work to get it sounding as such. It takes a lot of patience, but if you can achieve tight, controlled low-end in your mix through these monitors, you're guaranteed to get good bass translation on 80% of the systems out there. Even those with subwoofers. If you pop a mix on these things and are surprised by how "muddy" or overdriven the low end sounds, it's because you have a bad mix. In that respect, yes, the bass would sound horrible. However, that's the beauty of these puppies. They force you to troubleshoot. They are honest. So honest you may blame them for problems that exist elsewhere in your mix.

Others have said they are very loud for how small they are. This is true, however I didn't purchase these to rock out with. I use them for mixing and occasionally mastering. The volume they produce can go much louder than I will ever need. They are compact, professional looking (for the most part), and come with a mini headphone output and an AUX in, which is more handy than you'd think.

The volume knob does feel a bit cheap, and the headphone plug definitely isn't built for the rigors of touring. Otherwise, if all you have is a hundred bucks and an ear that's trained to listen, you really can't go wrong with these.

-Adam (using the wife's account)

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I run a small in home studio that I use for personal music production. I bought a pair of these monitors about a month ago along with the MediaOne 4a monitors that I run in conjunction with these speakers. The mid and high clarity is awesome. I am able to hear things in my music that I was not previously able to. it has made mixing and mastering a less frustrating process. I play and record mostly death metal and low ends are a must for this type of music. These monitors (as wells as the 4a)lack in that department. I ended buying a small sub (10 Inch Sony for $100) from BestBuy to compensate with great results. With what I paid for the entire setup ($400 for two sets of monitors, a subwoofer, and the amp to push it all) I couldn't be happier.

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I'm writing this review with these cranked up to their max because I was sitting here at my computer thinking "Wow I am so impressed with these for the $100 I paid for them." I did not know that a 3" woofer could pump out so much sound. I have them connected to the outputs from an external audio interface, which allows me to boost the sound level and quality, but these were exactly what I wanted for my computer desk. I have a pair of more expensive studio monitors in the other room with 8" woofers (Event 20/20 Bas) which are amazing speakers, but I'm blown away with how closely these little Samson 3 inch'ers compare. Of course, they don't have the same amount of low end, but geez, I'm certainly not complaining for their size. In fact, I'm really happy with how much bass they DO have. I keep looking at them thinking that they shouldn't be able to reproduce sounds that low with 3" woofers! I can even feel it in my chest and that just baffles me. I may pair them with a subwoofer to handle the really low tones below 80Hz later, which these can't reproduce, but everything else they do great with. The mids are punchy and the highs are crystal clear. If you've never experienced a set of high quality studio monitors, these are an excellent starting point and will blow you away. Hell, I've heard monitors in a professional studio that cost over $1,000 a piece and these still impress me with how much clarity they bring out of my music even in my non-acoustically-treated office space.

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When these monitors finally arrived, well I suppose I shouldn't say finally, because they came with lightnin speed, but like I was saying when they got here I was amazed at how small they were and I thought to myself I had made a huge mistake. No way did I think these little monitors would be good enough for playback and mastering in my home studio, but as luck would have it, they turned out to be these great sounding little monsters. Excellent bass response and crystal clear highs make these monitors sound like a Bose radio. Needless to say, I was blown away and Im quite happy with my choice of purchase. They do start to distort a little when turned up awfully high, but if you need to turn them up that loud than maybe you should have your hearing exhamined. A good buy.