Showing posts with label headphones for iphone. Show all posts
Showing posts with label headphones for iphone. Show all posts

Presonus AudioBox USB 2x2 Interface Bundle with XLR Cable and Headphones

Presonus AudioBox USB 2x2 Interface Bundle with XLR Cable and Headphones
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $149.00
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This is an awesome piece of equipment. Every musician should have one. I haven't used the software that came with it but still it works flawlessly with Garage Band. I laid down some tracks effortlessly. There is so much range, depth and tone you can achieve with the Presonus Audio box coupled with the Garage Band add-ons it will make even the novice sound amazing. GO OUT AND BUY ONE!!!

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My first Audio interface.

Pro: I can use it as my default soundboard for playbacks and also control the volume manually, which is very nice.

Con: buzzing noise, but this could be caused by my computer since it is usb powered =] Oh well it's not that bad unless you have it up really REALLY LOUD.

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i had no problems. Easy to hook up and the pre-amps are pretty darn good. The one issue I had I was able to resolve with customer service fairly quickly.

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Only complaint is the item photo shows two cables but the description states you only get one. I was thinking I'd get two, so the photo is misleading.

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Alesis IO2 Express 24-Bit USB Recording Interface

Alesis IO2 Express 24-Bit USB Recording Interface
Customer Ratings: 3.5 stars
List Price: Price Unavailable
Sale Price: $74.00
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  • Two-channel computer audio recording interface, comes complete with a copy of Steinberg Cubase LE digtal audio workstation (DAW) software.
  • Record up to 24-bit, 48 kHz audio into virtually any software
  • High-quality A/D and D/A converters, discrete-design preamps, 48V phantom power
  • Inputs for microphones, line-level sources, and instruments including guitars
  • USB bus powered - no external power supply needed

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Got this unit with some reserve....I had an M-audio Fast Track, and I was not sure why the Alesis was so affordable and with 2 IN for the instruments or mic.

The quality of the case is very low; cheap plastic for the case and the knobs, same for the switches and mic connectors; the only metal parts are the 3.5 inch jack where you plug your guitars or your external equipment, and the headphone OUT

The unit itself looks cheap, but what it matters is what it does; and this pup does it right.

I've hooked it to my Mac pro via USB, and as soon as i plugged it, Snow leopard recognized it; I just had to switch my audio settings to redirect the audio in, audio out and system sounds to the io2 and everything is set up.

I am happy to hear no noise even if the volume is cranked up, while wearing headphones; this means that either the circuit board is well done, or the unit is well shielded from external interference (the fasttrack would give a disturbing hiss now and then; that would disappear if i would change position to the unit of few inches)

The mic in works great; plugged in a mic and it works just fine; setting the knobs is a cakewalk since they are pretty precise and does not make any noise while twisting them (again, means that the people that put this together did a good job shielding the unit; we will see how good is shielded from dust, since that is one of the main causes of noise while twisting the knobs)

the Line in/Guitar in works also great; plugged in my guitar and increased the gain and the sound was really good; tried it with garageband and guitar rig 4 and the latency was under 10ms; versus 18ms with the FastTrack; the Phantom +48v is also useful if you just plug the guitar without amplifier; in this way you can use a sound modeling software like guitar rig and play nice effects directly into your computer, saving the hassle to bring in interference and other noise that would come from the amplifier or pedal.

The recording was also awesome; you can tell that the quality is high when you listen at something recorded with the io2, using Bose headphones or a good audio equipment; the quality was same if not better of a 196kbps MP3, even at high volume and using software equalizer.

The chance to use 2 IN at the same time (2 guitars, guitar and mic, mic and line in and so on) opens up a lot of possibilities; tried with mic and guitar and it works fine; giving you control on each separate channel (the +48v gain works globally on both IN ) with separate knobs for the gain and 2 extra knobs to control the mix between the wet and dry sound (so you can listen the sound of the instrument before being processed by the computer, and after)and to control the main level.

In the end i give this unit a 5 star, since even if is cheaply made; feels pretty solid when you actually use it; and cost much less than any other comparable external usb unit for mac.

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I bought the io2 express from Alesis as a temporary stand in for my Presonus Firebox which needed some maintenance after five years of heavy use. I saw the Alesis and since the price was right, went ahead and ordered one. I'm very impressed with this interface. Impressed enough to put my Presonus on the shelf for a while.

I'm using this with a three year old Dell XPS laptop with a dual core processor and 2 GB RAM. The pros that I see with the io2 express are these:

It's USB bus powered so it doesn't need its own external power supply. That makes it as compact and lightweight as possible. It's small enough to fit inside the front pocket of my laptop case.

Its installation and use have been the easiest of any interface I've used. Within five minutes of opening the box I was recording a guitar track. I did end up opting to use the ASIO4All drivers that are available on the Product page of Alesis' web site. They improved the latency from that of the class compliant driver by about 5ms. Class compliant latency was about 11ms, ASIO4All was 6ms. I suspect that with newer, faster computers that the latency will be lower.

It has the ins and outs that I need for about 95 percent of the recording and mixing I do. Two XLR ins on the top, two line/instrument ins on the top, an insert on each channel(this makes me very happy. I can now run a different effect on each channel at the same time. There is a mic/line/instrument switch on each channel, a headphone jack on top with mono/stereo switch for monitoring, and a separate level control for the headphones. There is a mix control that allows you to control the mix of the tracks that are being recorded with the tracks that the computer is playing back. No software mixers! This alone made me think twice about plugging in the Firebox again. Finally there is 48V phantom power for my favorite condenser mics and a control for the main level. On the back of the box are MIDI in/out jacks and left and right main outs for your monitors, along with the USB plug.

Alesis was smart in putting all the controls and inputs on top. Everything you need to see can be seen easily from one angle without having to reach around the back to plug things in, or open a mixing utility on your computer to change mixer settings. This is a very economically and ergonomically designed unit.

Last, but certainly not the least of the pros, the sound quality of this box is amazing. I've spent hundreds of dollars on tube preamps that don't sound as good as the preamps in the io2 express. And the converters also perform well past what I expected and honestly they make my Presonus sound almost dull by comparison. This by itself should be a strong enough selling point for most people to go ahead and order one.

I write an easy home recording for beginners blog and this will be the featured interface for any novice recording engineer/hobbyist. Its ease and sound quality make it perfect.

There are a couple of cons to mention. The case is hard plastic, which feels durable enough but it's not anywhere close to rugged. I suspect that this wasn't designed with repair in mind due to the low price, so the case also can't be easily opened to replace or repair inside parts. The knobs and switches also are on par with what I've come to expect with lower priced electronic equipment, although they are better than some other products I've used that cost a lot more(Line 6). Another con is the latency with the class compliant driver and the extra steps to download and install ASIO4All. ASIO drivers have become such a standard in the computer audio industry that I'm surprised they aren't included. That being said, I'm sure costs were contained by not having to include extra stuff in the package. The last of the cons is that since it's USB powered, the drain on the laptop battery is pretty quick. It lasted about a half hour before I had to plug in the external power supply. This is minor in my opinion since 99 percent of the time that I'm recording with my laptop it's plugged in any way.

So novice audio engineers get out your plastic and order now. This is worth the cash.

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I have been using this thing for about 2 weeks now. It's fairly simple to use and the audio is great. The software that came with it (Cubase LE5) was a bit tricky. I spent several days just trying to work out the kinks with it. My computer is tempermental as it is so I was a bit discouraged at first that I could not get the recording/mixing software to work for me. I had made several trips to the store trying to remedy what I thought was a memory issue. In truth, the solution was actually rather simple. So if you happen to encounter the following...

When I would record with Cubase and listen to the playback, the track would intermittently pop, skip, and crackle. It turns out that the ASIO driver that comes with the installation software is terrible. Find yourself a good ASIO driver online (I happened to download one from ASIO4ALL). Everything was fine after that.

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The MIDI part works in Linux right from the start, great news (just used aconnectgui and tied it to some USB MIDI keyboard to an old MIDI synth module). The audio record and playback is not well supported by most Linux applications due to the Alesis IO2's 24-bit audio format. You really have to stick with the professional-style audio tools (jack, LADSPA, and well written ALSA apps) to use the device on Linux. Many apps are only written to support 16-bit audio because that is the standard for consumer grade audio. If you configure ALSA using .asoundrc with the directive "format S24_3LE" you can get a bit further at having 16-bit audio applications work with the device, ALSA will convert it to/from 24-bit audio on the fly. Of course this means you are using suboptimal quality sound with your device, and I'm skeptical if it is worth the additional effort. The device also does not have a mixer like a consumer sound card, so many Linux ALSA applications have problems with it. You won't be playing video games through this device, and even movie players can be problematic depending on which one you use.

It is worth picking up some "Send-return" cables to use with the "insert" jacks, they quite inexpensive. Essentially it is a 1/4" stereo to two 1/2" mono jacks. You can then use effects pedals in your setup with guitar, line-in or mic.

The device is a little difficult to get the levels set right so it is not too quiet or too loud. Especially if you're putting effect pedals on, which can quickly overdrive the inputs requiring you to turn the Gain setting way down. This is normal sound check type stuff that you have to do with traditional amps or 4-track machines, it was just surprising to do it in this digital world using some analog knobs on the device. Would be better if those knobs were also digitally controlled, so I could configure mixer settings on PC instead of manually twisting knobs each time I set up.

I suggest you look at the non-express version of this device, it is a little more expensive but gives you digital in/out which is pretty exciting in my book.

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I bought this device to cure the latency problems with my onboard soundcard. There are no native drivers for 64bit operating systems and Alesis advise you use ASIO4all. The device workes well with ultra low latency but using both Sonar and Cubase I experienced loud and random bustrs of static both whenrecording and playing back rendering the device totally useless. It will rarely play or record more than 30 seconds without bursts of static. A web search revealed other users of the device with the same problem, none of which seem to have been able to solve it. Numerous emails to Alesis have gone unanswered. Their tyechnical support is either non existant or willfully ignoring them.

Samson G Track USB Microphone and Audio Interface

Samson G Track USB Microphone and Audio Interface
Customer Ratings: 4.5 stars
List Price: $149.00
Sale Price: $119.99
Today's Bonus: 19% Off
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  • Revolutionary USB Recording Microphone^Large Diaphragm Studio Condenser Microphone with gain control^Stereo input jack for instrument and line level signal with gain control^Stereo Headphone Output for no latency monitoring with level control^3 position headphone switch for stereo, mono, computer monitoring
  • Revolutionary USB Recording Microphone, Large Diaphragm Studio Condenser Microphone with gain control, Stereo input jack for instrument
  • Line level signal with gain control^Stereo Headphone Output for no latency monitoring with level control
  • 3 position headphone switch for stereo, mono, computer monitoring

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This will be a nice semi-quick review with a little more technical perspective than a lot of the previous ones. I'm a big home recording nut, who's been on the road a lot the last year, mostly recording with my laptop, this mic, and a full version of Sonar.

First off, the audio quality:

Pretty decent. No noticeable glitches while using. Does sound a little tinny at times, but it's definitely on par with most of my other $100+ mikes (my most expensive one is a $200 Rode). Very usable for recording vocals (singing), but I haven't tried it with an acoustic guitar or other acoustic instruments. VERY-usable-plus for recording spoken words. Frequency range seems decent, but again, I haven't really ran the thing through a full range of applications.

Build quality:

Nice and solid. Almost too heavy though for easy lugging on small trips...but I keep it in the manufacturer's box and slide it in my suitcase, and so far it has made every trip just fine.

Ease of use:

Big plus here, despite a stable Windows OS possibly being as much responsible for the super simple use of the thing as the mic itself. Plug it in via USB, and you're ready to go. No special driver install or software required to get it working.

Extras:

Line in and headphone out are constructed directly on the mic...this lets you use the mic as a line-in for recording an electronic keyboard or electric guitar directly into your recording software. And then you can use the microphone part of it to record vocals or any acoustic instruments. Nice double-feature to have in the same piece of hardware

Comes with a very usable desk mic stand

Comes with all the necessary cables to use right away

Comes with some scaled-down Cakewalk recording software for your computer

I expected the sound quality would be usable and it is, but I admit the all-in-one extras and the acceptable price were what ultimately snagged me and prompted the one-click order.

Final thoughts:

If you're only doing podcasting (no music or instrument input required), you might consider a lower priced USB mic without the extras. BUT, if you're doing music with the thing, the line-in and line-out features and easy direct monitoring are way nice and worth the price.

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I've worked for for radio stations doing classical music recording & live 'casts. My expectations for any mike at this price are pretty modest.

Boy, was I surprised!!! I can only address voice recording, as that's all I've used it for so far, but WOW! It sounds good enough that I was wondering if I'd gotten a "freak?" Seeing the number of 5 star reviews, I think it's simply a great product for the price. Do consider getting the shock mount, for best results. For voice-overs, I use it on a floor stand and read standing up. Better diaphragmatic breath control I need all the help I can get. Makes me sound like I'm using an AKG 414 (just not quite as good s/n). A real keeper!

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Before buying this I was mainly concerned with quality (best value for the money). I had initially considered the AKG Perception 100, but it needs XLR inputs. Buying an input device for my pc or a usb mixer, would have put me over budget.

The Samson G Track exceeded my expectations. I use it for Podcasting and film post production. I do not hear any background noise. The sound is solid. You can't go wrong with this mic.

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Just a quick recording using my D7000 for video and the Samson G-Track mic for audio. I used Audacity to record the audio, and DualEyes to sync it to the video.

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i am very impressed. i've been playing around with line in and mics for recording using Garageband with mixed results. I plugged in this mic and 1) it worked the first time, 2) the sound quality is adequate (although a bit volume sensitive) , 3) i love the multi track recording, 4) no noticeable latency. I am very pleased for the price.

Razer Hammerhead In Ear PC and Music Headset

Razer Hammerhead In Ear PC and Music Headset
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $49.99
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I was very excited about these earphones because of the many amazing reviews and comments on the sound quality. I heard and experienced the quality and it lived up to their expectations but the only con of these earphones was the faulty/poor quality put into the wiring. E.g : If I were to plug them into my phone/ iPod/ mp3/ computer I would have to rotate the 3.5 audio jack until the sound quality cleared up and produced what it were supposed to produce, great and high quality music. This was not due to any of my personal mishandling, I had carefully opened the box and removed the product from it's plastic protector and I tested them for the quality. It happened almost immediately, I rotated the wire right after and the sound cleared up.

Pros :

Great sound quality

Cons:

Faulty wiring.

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When i bought these the shipping time was 2-5 weeks, i was a bit down about that but i'm super glad i waited. These headphone have the same, if not better quality/bass as the bose headphones i was using prior. I highly recommend these headphones. :D

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Roland CB-60XL 60-Watt Cube Bass Amp Bundle with 20-Foot Instrument Cable, Headphones, Pick Card, a

Roland CB-60XL 60-Watt Cube Bass Amp Bundle with 20-Foot Instrument Cable, Headphones, Pick Card, and Polishing Cloth
Customer Ratings: 5 stars
List Price: $569.00
Sale Price: $449.00
Today's Bonus: 21% Off
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  • Compact 60-watt bass amp with custom-designed 10-inch coaxial speaker
  • Dual custom-designed Air Flow Port for deep bass and punchy sound
  • Eight COSM amp models, including the new SUPER LOW amp
  • Seven effects, including the new DRIVE and POLY OCTAVE
  • SOLO function with memory for use as a second channel

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Amazing power,versatility, and functions for an amp this size. I come from the days of bass amps the size of refrigerators. With this amp and all it provides weighing only 37 lbs , I couldn't be happier. There are so many variations of sound ,it may take me awhile to maximize what this amp can do. The book it comes with does explain in detail so this is very helpful.

I would absolutely recommend this amp !

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Odyssey FZGS1304 Flight Zone Glide Style Ata Combo Rack: 13u Top Slant, 4u Vertical

Odyssey FZGS1304 Flight Zone Glide Style Ata Combo Rack: 13u Top Slant, 4u Vertical
Customer Ratings: 4 stars
List Price: $559.99
Sale Price: $346.77
Today's Bonus: 38% Off
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  • Carpeted sliding laptop platform mounted above a 19" ATA caseSlanted rack with 13 spacesVertical rack with 4 spaces

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I use this just as the picture shows. When I need to go record someone somewhere other than my studio, the MacBookPro and the StudioLive 16.4.2 work well with this setup. Its nice having the rack built on for headphone amps, compressor and preamp even though the pre's in the 16.4.2 are pretty transparent. Its nice that the covers can all be locked with padlocks.

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This is a great case, solid as a rock. It fits the PreSonus 16.4.2 like a glove. It's heavy, but well built so that's an easy trade off for me. The only drawback is the sliding shelf gets in the way of the gooseneck lamp. But I find that minor. Great fast shipment from the seller also.

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got this to protect a mixer and a dual cd unit, looks great. Good construction, high quality materials used to make this. Everything fit right in and box seals fast and easy. Only little problem I have with it is the placement of the handles or the type of handles, with the weight of the box plus the equipment in it makes it a bit hard to move. But overall it's a solid case.

Rogue SC80R 80W 2X10 Stereo Chorus Guitar Combo Amp

Rogue SC80R 80W 2X10 Stereo Chorus Guitar Combo Amp
Customer Ratings: 5 stars
List Price: Price Unavailable
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  • 80W power sectionCompact sizeTrue stereo chorusGain control for overdrive3-band EQ with mid frequency adjustmentBuilt-in reverbConnection for dual footswtichInput for MP3/CD player1/4" headphone out

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Hi, I gave this amp a 5 stars, because it sounds great,low price,& well made!! The chicken head knobs turn like floating on air, very smooth. & mp3, headphones are great extras!! The amp has very good bass, but can hit some nice highs to , with my vox stomp lab. Give this one a try!!! Great low price!!!!

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It came down to either this or a Marshall Carbon Series amp. Honestly, this sounds better. The clean sound is fantastic, and the distortion is fantastic as well. Very thick distortion tones, and the chorus and reverb work very well as well. For only $150, it is a must buy. I would recommend this over amps that cost 3x as much. Yeah, its not a tube amp, but it sounds good enough as it is. If you need an amp, buy this one.

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shipment was very prompt. This amp has a great warm sound of an old tube amp. I will be using it for some recording. Not sure if it would be loud enough to play with a band, but they make a 120watt version. All in all very happy so far...

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I have played on this amp before.. and although it was not mine.. I fell.in love with it. Rouge makes a great product. I wanted one.. and as soon as it arrives.. I will have one. very good clean tone. The distortion isn't bad either. Its no marshall or Fender.. but I want to create my own sound anyway and this amp will help me do that just fine.

Roland Micro Cube Bass RX Battery-Powered Bass Combo Amp Bundle with 20-Foot Instrument Cable, Head

Roland Micro Cube Bass RX Battery-Powered Bass Combo Amp Bundle with 20-Foot Instrument Cable, Headphones, Pick Card, and Polishing Cloth
Customer Ratings: 4 stars
List Price: $355.50
Sale Price: $279.00
Today's Bonus: 22% Off
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  • Stereo power amplifiers and 4 newly developed 4-inch (10cm) speakers
  • 8 COSM amps, 6 digital effects, and chromatic tuner built in
  • Rhythm Guide function for practical rhythm training
  • Stereo AUX input for CD/MP3 player, Phones/Recording out
  • Battery driven (6 x AA, maximum 11-hour continuous use), AC adaptor included

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I rated it 3-star, because it is promoted as a mini bass amp. It's mini, but don't expect more bass than you can imagine by looking at 4-4" speakers. The add-ons are fun (lots of rhythms and drumming combos on the metronome; inputs, outputs; sound effects).

The battery life seems strong, too. I have maybe 3 hours on batts so far. Easy to tote, works OK as a living room jam amp.

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Fly@ Fashion Silver New Universal Bluetooth Handsfree Headset Earphone for Cell Phone Bh06

Fly@ Fashion Silver New Universal Bluetooth Handsfree Headset Earphone for Cell Phone Bh06
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: Price Unavailable
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THis is working and saves me the energy from holding a phone, yes its sounds lazy but when u hold a phone for hours the arm starts to get tired thank you!

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Direct Sound EX29 Professional Headphones

Direct Sound EX29 Professional Headphones
Customer Ratings: 4 stars
List Price: $189.95
Sale Price: $102.37
Today's Bonus: 46% Off
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  • Invented by a studio session drummer for drummers, home studios, stage and studio musicians, and anyone who wants serious isolation!
  • The ultra-fidelity high input speakers featuring TruSound Tonal Accuracy technology integrated with 29dB of eco-friendly natural passive isolation are incredibly amazing and will not bleed click tracks or pre-recorded music into live microphones!
  • For sound engineers to monitor the mixer board during live performances while isolating their ears from main speakers
  • For stage and studio drummers who want to hear how drums are being mixed without having headphones at high volume
  • Allows studio musicians to hear only the studio mix during recording - eliminating costly return trips to the control room

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These headphones have worked pretty well for me at my office. I'm in a big group of cubicles with completely exposed air conditioners overhead and industrial lab equipment not too far away. These really let me turn DOWN the volume and still hear my music. Sound quality is certainly acceptable, but compared to nice headphones (even in the same price range) it is somewhat lackluster. Think lo-fi. The point is that these headphones have way, way better sound quality *in a noisy environment* than the alternatives. If you don't need the isolation, look at the Sennheiser model below or the Sony MDR-7506. Or AKG K240. Or something more expensive. :)

Before deciding on these, I tried a few other worthy contenders:

** Bose Quiet Comfort 2. For the kinds of noise in my office, these did not do as good a job at isolation as the Extreme Isolation did. They are amazing at getting rid of low frequency noise, however. I can see why people like them for air travel. I found these to be LESS comfortable than the Extreme Isolation after use for a few weeks. (It feels like there is a pressure difference when the isolation is turned on.) Sound quality in the Bose headphones was OK but not stellar by any means. I didn't like that the active isolation circuit (which creates an annoying hiss) has to be engaged all the time (or the headphones don't work), and I didn't like the price, which is about 3X higher than the Extreme Isolation 'phones.

** Sennheiser HD-280. The Senn's have noticably better sound (much more definition and clarity, if somewhat lacking in bass), and do have impressive isolation. But it isn't anywhere close to what the Extreme Isolation provides. These would probably work fine in a less noisy office. And they don't look as dorky, either. :)

I have had 2 coworkers try out my headphones and decide to get their own set.

One important point--when you first get the headphones, they are VERY tight. One friend initially called them the "head pinchers". This effect makes for a very uncomfortable experience, but the good news is that they loosen up over time. Now, besides the obvious bulk, I don't notice any discomfort at all. One friend successfully pre-stretched his when he got them to counteract this effect.

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I was looking for a pair of headphones to use on my riding mower and these are perfect for that application!

After doing a bit of research I found that these headphones have approximately the same noise reduction capabilities as a good set of hearing protectors (30dB) for industrial use. I believe they are rated at 28dB reduction.

Another important fact is that the impedance is rated at 64 Ohms, for those of you who aren't up on your technical specs. this means that a small MP3 player or CD player will drive these headphones without a problem.

I'm also a NASCAR fan and try to go to at least 1 race a year. This year I used them at a truck race and they preformed as well as a set of specialty racing headphones I own. They are a bit more comfortable as well.

If you get these don't expect thundering bass or incredibly loud music from the drivers. The sound is very flat over the entire 20-20kHz spectrum.

Combined with the sound reduction of 28dB from the muffs and the flat frequency response they make for a very comfortable listening experience over many hours.

I would highly recommend the headphones for anyone who wants to listen to audio in a noisy environment.

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I bought the Direct Sound Extreme Isolation phones for my wife to use so she can hear the movie dialog on airplanes and trains.

I had previously tried the Koss QZ active noice cancellation headphones. The Direct Sound headphones have the advantage that being passive they require no batteries and also they do not introduce the white noise hissing sound of the Koss phones. Also, the Direct Sound phones reduce all frequencies, while the active cancellation phones tend to reduce mostly the low-frequency rumbling-type noise. Overall the Direct Sound phones do a much better job of cancelling all frequencies of ambient noise.

My wife loves these headphones and now even uses them while watching movies at home because she says she can hear the dialog much better.

The Direct Sound phones are definitely a bit bigger than the typical noise cancellation phones, but the superior results overcome the inconvience of the larger size.

Because we mostly use the headphones for listening to movies, I can't speak specifically to the musical quality of the sound but several times I've tried them with music they seem fine.

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I was taking starting drum set lessons and looking for a good set of isolation headphones. The Direct Sound headsets had great reviews so I bought a pair. I can't say that I'm all that impressed. They do a good job of isolating, except when I turn my head. The headsets are constructed entirely of plastic and don't exert enough pressure to keep the ear cups from flexing. Once you turn your head you're left with a gap and the isolation is shot. Since my sheet music is to my left and not directly in front me, the flexing is a real issue. They may be fine for most purposes, just not mine. Also, considering the construction I really think that these things are over priced. I might have give these a 3.5, but Amazon doesn't half stars, so 3 stars it is.

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The sound quality is fine. But the arms are made of cheap plastic and can be broken easily. You have to use it like a fragile glass or you want to hold it with your hands after you accidentally broken the arms. I really disappointed and surprised by the weakness of the arms, considering this is an $99 item.

Rogue G5 5W Battery Powered Guitar Combo Amp Black

Rogue G5 5W Battery Powered Guitar Combo Amp Black
Customer Ratings: 4 stars
List Price: $79.99
Sale Price: $32.99
Today's Bonus: 59% Off
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  • Ultra-compact sizeBattery or DC poweredGain controlSwitch for clean or overdriven soundMaster volume and tone control1/4" Headphone out

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The amp was exactly as advertised, however after having it a few weeks I find each time I turn it on I get a high pitched sound coming out of it, before I pick up the guitar. If I begin playing it goes away after a few measures, but it concerns me that something is deficient or will get worse.

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The sound that this amp produces is mediocre at best, it's very fuzzy and not clear at all. For the price it's just okay.

Read Best Reviews of Rogue G5 5W Battery Powered Guitar Combo Amp Black Here

I bought this so I will be able to play my electric guitar around fairly easily, and that seems do-able with this.

I bought it on sale and for the power that it provides, it seems my money was well spent.

I can't quite comment on the product much as of yet since iv'e only used it a few times, but I was happy to see that it came with an input cord so it can be either battery OR outlet powered. It is light and small too which seems great for when I want to travel with it. Like I said though, I haven't had it long so I have no idea how long the battery life is on it.

So far, awesome. Arrived on time and I was very pleased.

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August 2013 UPADE:

Everything I wrote about the little Rogue is true. Unfortunately, it has been eclipsed. I have replaced it with a highly-tweaked Pignose PG-10 which exceeds the Rogue's musicality by at least an order of magnitude. Please see my PG-10 review if you're interested.

ORIGINAL REVIEW:

If you have tinnitus (or if you don't and want to avoid getting it), you know the value of a guitar practice amp that responds dynamically to your string inputs and plays with proper tone at VERY LOW volume levels.

Here's the recipe for success:

(1) "Rogue G5" amp

(2) "Tang Band W2-1803S 2" Neodymium Poly Full Range Driver" (amazon.com/gp/product/B002KHF6UA/ref=oh_details_o06_s00_i00)

(3) Six (6) "Battery Holder D With 12in Wire Leads for Physics" (amazon.com/gp/product/B0083LWALA/ref=oh_details_o02_s00_i00)

(4) One 5" x 5" x 0.25" MDF particle board

(5) 2.125" diameter hole saw

(6) Screwdriver, silicone sealer (to mount speaker on MDF), and soldering iron

The six battery holders are mounted inside the amp, two on the bottom and two on each side and the 12" lead wires are soldered so the alkaline D-batteries work in series to produce 9-volts. This assembly is wired in parallel to the externally-accessible 9-volt battery holder provided by the factory.

The absolutely awesome Tang Band high-fidelity driver is front mounted with silicone in a 2.125" hole cut into the center of the small MDF panel which, in turn, is bonded and screwed into place so as to cover the hole left by the removal of the unfortunate 4" stock speaker.

Why bother? When this Hot Rodded little jewel is singing sweetly with one of my electric guitars, my SPL meter documents a mere 45-55 decibels. Excellent tone quality at a volume level my ears can tolerate while the rest of my household sleeps. What's not to like about that?

Rock on!

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This small amp has great sound and punch for what I need. It's convience of battery power makes it ideal for taking camping and back porch guitar playing. The investment was well worth it. The only thing that I would like to see added to it would be a reverb and would consider paying the extra for it. I world recommend this to all who need a travel amp.

Clarion CCAAUX Female 3.5mm Stereo Mini-Jack to Male RCA Extension Cable with Integrated Cover

Clarion CCAAUX Female 3.5mm Stereo Mini-Jack to Male RCA Extension Cable with Integrated Cover
Customer Ratings: 5 stars
List Price: $39.99
Sale Price: $23.99
Today's Bonus: 40% Off
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  • RCA/3.5mm AUX Input Cable

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I bought this to go along with the PAC aux input adapter for my Ford F150 factory radio. This gives the aux input jack a nice clean factory installed look. The cable is big and appears to be very good quality, almost a little overkill for this use.

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This cable arrived at my doorstep today, and I have to say that I am awfully impressed. I already have installed in my pickup and it looks like it in OEM (with the exception of the cover clearly reading "Clarion" on the front). I actually purchased this because I saw that someone had already uploaded pictures of an install in the same vehicle I have, and it looked great. As long as you have a flat space and the room for a 3/4" hole, it should mount up easily and look sharp. I installed this product in a 2006 F-150 and am using it as an alternative AUX input with the USA Spec PA15-FORD1 iPod/iPhone interface. Not sure when I will actually use it, since I have an actual iPod cable that comes out of my glovebox, but I figured I should run the AUX just in case, you know?

The pros: Looks good, nice sturdy cable (maybe a bit of an overkill, actually), better quality than most of the other similar products out there.

The cons: The retaining nut on the 3.5 mm end is a little difficult to slip over the RCA plugs on the other end of the cord. If the cable split out to the R & L RCAs a couple inches farther up the cord, they would be much easier to jimmy through the retainer nut. The plastic retainer nut also is kind of cheap, so it can easily cross-thread itself when you start getting it snug against the back of the panel you mount it on.

Read Best Reviews of Clarion CCAAUX Female 3.5mm Stereo Mini-Jack to Male RCA Extension Cable with Integrated Cover Here

Decent quality, good price. No problems whatsover. If I needed another Stereo Jack for a Boat or a Car I would choose this again.

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Cables are insanely insulated, for such an application in which they don't have to be (inside of your car's dash). "Clarion" is in raised letters on the cover, so it doesn't look completely like a factory installbut it still is one of the only products that fits the application.

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I have an 05 Scion Xb with one of these connected to a (PIE?) converter that goes into the factory stereo's Satelite radio jack. The combination gives me an audio-in port for my factory stereo. Works great!

Archer GA-15 Guitar Amplifier

Archer GA-15 Guitar Amplifier
Customer Ratings: 5 stars
List Price: $89.00
Sale Price: $54.51
Today's Bonus: 39% Off
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  • Volume, bass and treble controls
  • Overdrive channel
  • 10-watt
  • 6.5" speaker
  • Headphone jack

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Bought this amplifier a few weeks ago for a 12-year old playing an acoustic-electric guitar. The amp looks nice, is handy for practicing and sounds great with both acoustic and electric guitars. I have compared its 6 1/2" speaker with some 5" 8" ones and let me tell you, this baby is no match. It blows them away big time -both sound and power wise.

The production date shows 2011 and so, it's been sitting on the shelf somewhere. But there is no buzz or hum and the options (gain, volume, boost, treble, mid, bass, phone) give you all you need from a practice amp producing a good, clear and crispy sound. I would not hesitate to use it on stage, too. I don't understand how people could miss this one.

The only thing I am missing is some feature on the controls to indicate their relative left/right position. However, control reliability is more important than visual reference and I can compromise on that. The controls feel smooth and solid.

Now I see the price is up by over $14.00 to $59.23, putting it next to Fender Frontman 10G that has the same features and a smaller speaker. However, I would not trade this amp for any other one I have tested including Frontman. If you see no update below, then the Archer GA-15 still rocks and the kid is happy with it.

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