American DJ Supply Galaxian Gem Green and Red Laser with Built-In Popular Dual Gem Effect Light

Customer Ratings:
List Price: $349.95
Sale Price: $249.99
Today's Bonus: 29% Off

• 2-Fx-In-1: Led Dual Lens Moonflower with Sharp Red, Green, Blue & White High Output Colored Beams + "Galaxian Style" Effect with 100'S Of Green Beams
• 46 X 5Mm RGBW Leds: 16 Red, 10 Green, 10 Blue & 10 White
• PROPER(S14)
• IEC AC IN/OUT on rear to daisy chain power (up to 16 units)

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Great light with lots of functions. I do not have a DMX controler on it yet but will soon. A great mix of LED and laser.

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playing with it is great, does really cool things can't wait to get a dmx controller software and play a show

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Very good piece of light and I love it....people amazed when they saw it....they said wow..... it is beautiful and more laser....coming out and sound active is great.

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Excellent light. but its real potential begs for dmx control .the sound activation is (as i confirmed with the manufacturer) really designed only for high sound pressure levels. so if you are thinking of using the sound activation to trip changes in the programs and you live in an attached dwelling, your neighbors might complain . however , the lights and the programs are way cool. especially at laser ... trippy...

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GTMax Gold Plated 3.5mm Stereo Audio Male to Female Extension Cable - 12 Feet for Ipod Touch, Iphon

Customer Ratings:
List Price: $8.99
Sale Price: $3.42
Today's Bonus: 62% Off

95 percent of the time works great. I'm using this to extend a pair of wired earbuds from my home theater receiver over to my main sitting position about 8 feet away. So I'm plugging the GTMax cable in to the receiver, then the earbuds in to the female end of the cable. Every now and then, I'll get a little cutting in and out of the audio in the earbuds, so I'll have to walk over to the receiver unplug it, turn it a little, the re-plug it back in. That has always fixed it so far. Had for about 2 months at the time of the posting of this review.

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This is the cable to get. My Sennheiser HD428 Closed Circumaural Hi-Fi Headphone came with a short cable, perfect for use with portable media players, but I tend to use headphones to watch TV. This cord provides absolutely no noticeable distortion and is quite thick. For the price, a must buy.

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Just what I needed

Came in good order, works great got here very quickly. Overall, very happy thanks a lot.

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If it wasn't so cheap I definitely would have returned it for a refund. The connectivity was terrible, full of static when it did work. Don't waste your money.

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I purchased this from Amazon seller "BlueMall", and received a similar-looking but noticeably different product. First, the cable I received is *not* gold-plated. More importantly, though, it simply doesn't work. The sound cuts in and out, triggered by the slightest movement in the connection between the headphones and the cable. Sometimes only one ear had sound, sometimes the bass is missing. When the connection is briefly solid, the sound quality is decent, with a very minor amount of audible buzzing or crackling. (Note: I got this same poor result with two different pairs of headphones that both work very nicely with other extension cables.)

Basically, be careful if you're buying from BlueMall. You may end up with a different and lower quality product.

Update:

BlueMall refunded my purchase promptly and without asking me to ship anything back. Changing my rating to 3 stars since BlueMall resolved my problem with receiving the wrong product, and since I can't say anything about the actual (correct) product.

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Maxell 190303 - IEMICWHT Stereo In-Ear Earbuds with Microphone and Remote (White)

Customer Ratings:
List Price: $14.99
Sale Price: $11.18
Today's Bonus: 25% Off

I had previously purchased a pair of black Maxells with the inline mic from a brick-and-mortar. Found what I thought to be the same earphones, but in white here on Amazon. Since the price was relatively inexpensive, I bought two pair.

Pros

Good form and fit

Excellent price

Cons

Too much bass for podcasts, which is my primary listening activity.

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So I bought these ear buds because they were $10. Obviously, I expected $10 sound, but as soon as I turned on my music walking to school, deep clean bass caught me off guard. All of the sound from high to low is beyond expectations. I was really surprised and pleased by these earbuds. To put it in perspective for you, I compared these to my old broken in skull candy titans, and these far surpassed them in clean low bass. These Maxells also lasted me for over a year before the left bud started bugging out and I ripped it off. Even with the ear bud and cord gone to the clicker, the clicker still works perfectly fine. I also abuse my headphones, so these lasting these long for the price is a winner for me. I'm not much to mind the buds, but they'll fit your ears. You just have to get used to them. They aren't any different from other buds. I love these Maxells.

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bought them bc it said it had adjustable rubbers. but it still didnt fit my ears. btw neither do the apple buds. gave them to my GF. she seems to like them.

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Audio-Technica ATH-ES7 Portable Headphones, Black

Customer Ratings:
List Price: Price Unavailable
Sale Price: Price Unavailable
Today's Bonus:

• Ultra-sleek, contemporary portable headphones with fold-flat design
• 42mm drivers for clear reproduction
• Luxurious ear cushions for maximum comfort and isolation
• 4-foot cord; gold-plated 3.5mm stereo mini-plug
• Includes protective pouch and cleaning cloth

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The Audio Technica ES7 does so many things right that you gradually realize that it's quite special.

= The ES7 can be worn like an ordinary headphone, then folded flat for storage in a backpack or briefcase. Few portables allow this kind of versatility. It's well made enough that it's clearly designed to last.

= These are closed headphones so your music is kept private (for the most part, anyway). They offer considerably more privacy than open headphones like Grados, which are excellent in their own right. Don't expect, however, for the ES7 to filter out external sounds. These are not "noise-reduction" headphones.

= Sound quality is surprising. The bass is solid but not fully controlled; however, the highs are sweet and subtle, lacking any hint of sibilance. With most music, it's a sound signature that gives the music a certain life and energy, and excels particularly with rock genres.

= The ear cups have a stunning, mirror finish on the outside not unlike the back of an iPod. This potentially a magnet for scratches, so it's advisable to make a Best Skins Ever cover to keep it in top condition.

= Using the ES7 for the first time, you may find that it curves around your head like a halo. However, by shaping the cable, it looks and feels more relaxed.

= Be cautious of cheap bootlegged versions of this headphone, usually for sale on eBay for irresistible prices. This headphone has been the victim of fakes, so refuse to buy new products that lack the ES7 box, gray velour slipcase, and literature.

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As i have said in previous reviews, the only way to adequately evaluate a pair of headphones is to own quite a few for a long time. This way you have some valid ground for comparison. If this is you're first venture into quality phones then of course you'll rate them highly but compared to what?

As far as portable low impedance headphones go these are some of the best I've heard. The burn in period is short. Sonically these can crank out some addicting sounds. They are light easy to adjust and can be worn for long periods. When you start listening to music with these it's hard to put them down. These have everything you want in a portable headphone. I use these primarily with my computer and ipod and these seem to have the ability to make the music sound better. The highs and midrange performance is excellent and the bass response kicks butt. They are a little pricey but I own some Shure in ear headphones that cost nearly 500 dollars and these can go

toe to toe with them. I like the fact that you can still hear ambient noise while listening to music so you will hear the telephone ring, your kids crying or a knock at the door. Surprising sonic bliss.

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These 'phones are amazing. I looked for months for phones to optimize my Ipod experience. I don't have a problem with the apple earbuds but wanted something much better. I considered noise cancelling phones but they are very expensive. after much research i found this model. Many stores charge over 200 for them (they list at 250) but Beach Audio on Amazon only charged 108 including the shipping, and they were a pleasure to deal with.

The sound is deep and rich. The phones kill ambient noise very effectively...i can't imagine noise cancelling phones doing much more to eliminate room noise. You can leave your pod EQ on flat or off and the phones deliver rich deep bass, very crisp highs, and a nice balance. They are light and easy to travel with; the ear sections fold flat and they slip easily into the included drawstring bag. I did take a day or two to get used to the feel of them (they have a bit more tension against your head than i expected so i had a day or so of "ear fatigue" but i quickly got used to them).

I can't say enough great things about these phones. If you're looking for phones for portable devices, a set that's light and portable but still delivers great sound, and you don't wanna shell out 300 for noise cancelling phones, this set from this vendor is a killer combination.

If I lost mine tomorrow, I'd order another pair from Amazon/Beach Audio in a heartbeat. I wouldn't be without them.

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These are the best headphones I've owned, though as is said before, that is completely subjective and will of course change from owner to owner. These are not my first headphones since upgrading from stock earbuds, but the difference I saw in these from my previous pair was just about the same amount of shock I felt when I tried on my first pair of $50 cans.

When trying these out for the first time, I was disappointed in the sound quality in relation to the relatively steep price tag. It sounded somewhat tinny, and the bass was all over the place; it was quite appalling, really. I knew that the things would need burning in, and after just 30 hours of repeated pink noise, these things are coming into a league of their own in a good way. The "tinny-ness" has all but gone away, and I can feel the bass starting to tighten up. I find it to give off a nice rich sound. I've read somewhere that these 'phones start to really shine after their burn-in period goes over the 100 hour mark, and I am excited to hear my pair when they reach that point. Just as a caveat, they do block sound well, but not well enough for use on the road, like in a bus or car. I haven't tried these on a plane yet, but I have little faith if they don't cut it out for the road. These are great for inside use, and outside use with little ambience. They do leak sound, but not really enough to be discomforting to people that lay around your "personal space".

The cups themselves are quite small, even for my small ears which is unfortunate because they end up being on-ear cups that are attached to a headband that exerts far too much pressure on the ears. There is a slight "modification" you can make to the headphones by bending the steel rods that hold the cups to straighten them out; the bending has the advantage of not only making them appear to be less goofy on big heads, and also it reduces the excessive clamping. Unfortunately, the cups still rest on the ears and after some time (1 hour for me), the pressure becomes uncomfortable and I find myself shifting the cups. This was an annoying inconvenience for me because my previous phones went around the ears. These on-ear phones I find are nowhere nearly as comfortable as other on-ear phones like say, the Bose On-Ear phones. This was a big disappointment for me and will likely drive me to other similar quality headphones. This was my fault for not going to tryout the headphones in person. But don't be fooled by the lack of ES7 pictures on people's heads: these things are small. I would say for the cups, from tip to tip are about 2.5 inches; the diameter of the cup inside the cushions is about 1.5 inches.

The design is very chic, very modern; the headphones as a whole are quite minimalistic, with plastic headband with no-padding, two steel prongs holding the cups on each side. The cups themselves are quite stylish with the stainless steel "mirror" finish on the back. They've been compared to the backs of iPods, but I find them to be much more sensitive to finger prints than the iPods. Not really a big deal if you could care less for the aesthetics, but as compulsive as I am, I always find myself shrugging away from people putting their arms around my neck when I'm wearing my ES7s. Lucky for me, I carry a little microfiber cloth in my wallet. The cups rotate so that they can lay flat, and then you can stow them away in the bag for transport. I don't know how much I'll be using this because given the price tag, I'll probably be extra careful and not put them in a backpack or suitcase.

The biggest thing that has led me to replace earbuds in the past has been the wire or plug wearing out. The wire itself is thin and looks flimsy, and the plug is a straight plug; I would've preferred an elbow plug because that seems to last the longest to me. But that can be fixed with a cheap adapter. As for the rest of the headphones, these things look like they can last a long time. I wouldn't necessarily use these as a hockey puck, I have no doubt that the actual design will break from use. I have my doubts about the wire and plug, but the phones themselves I think will last.

I am all in all very happy with my purchase. I was quite disappointed with the small cups and how they rest on your ears; that and the pressure that the headphones exert on the ears make for uncomfortable times in about an hour. But these things are stylish little devils and perfectly suit my "fashion sense" as they are shiny and small. If they sold ES7s with bigger cups that would go around my ears rather than on top of them, I would buy them in a heartbeat.

These headphones are very impressive. First, let me admit that I don't JUST use my ipod. I regularly check head-fi.org for reviews and consider myself a intermediate audiophile, as pretentious as that may sound. I was WAY past Bose(the most overrated, overpriced headphones on the market), and wanted something that was actually a great value and sounded great; The ES7's do not disappoint. However, I have been burning them in, and lets just say that these need a LOT of burn in to sound their best. I have been burning them in since Friday at 12 pm, and I have read on headfi.com that these headphones need 300 hours of burn in to start sounding optimal, preferably done with pink noise and not music. When I first purchased the phones, I was somewhat disappointed. They sounded just like the overpriced Bose triports, without the boomy bass(although, it was muddy). With burn in, these are already starting to sound great. The bass is slowly tightening up, while the vocals are clearing up and the highs are starting to shine. I can officially say that I am a fan of Bob Marley's song " Exodus" and " No Woman, No Cry" and a few other songs, songs I never liked in the past. The ES7's sound pretty good with my ipod, but VERY good with my headphone out on my PowerBook G4. And this is all in less than a week's time of burning in these phones! Although these phones don't require an amp, I am probably going to purchase an amp/dac combo to optimize my listening experience. This way, I don't have to deal with the sound-card on my powerbook, and my sound experience can truly be called great. Also, when I'm on the go, my ipod--after I amp it up and Rockbox it--will sound a lot better! However, these headphones do not disappoint by themselves, and they will continue to impress someone the longer he/she uses them. Highly recommended.

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Sony PCM-M10 Portable Linear PCM Voice Recorder with Electret Condenser Stereo Microphones, 96 kHz/

Customer Ratings:
List Price: Price Unavailable
Sale Price: $209.99
Today's Bonus:

• 4GB internal memory supports up to 6 hours recording in LPCM mode (slow speed) and up to 134 hours at MP3 (64KB per second speed)
• Record -. WAV and MP3; Playback -. WAV,. MP3,. WMA (Non DRM),. M4A (AAC-LC, Non-DRM)
• Mic Input (Stereo Mini Jack) Input impedance - 22 k ohm, Rated input level - 2.5 mV; Minimum input level - 0.9 mV
• Stereo Mini Jack Headphone Output
• Frequency Response - 20 Hz to 40 kHz (Line in) @ 96KHz

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I'm a journalist who does interviews. I don't record "voice," much less music. I've used Sony's EV500 mono tape recorder--the high-end standard for print journalists--for over 20 years. My colleagues thought it was overkill to switch to stereo. When I showed them my new Sony PCM-10 (purchased in October 2009), they thought it was pretty cool, but when I told them the price, they thought it was too expensive (journalists are congenitally cheap; goes with the salary).

The PCM-10 lets you record in 10 modes, including uncompressed LPCM and compressed MP3, so we did a test recording (that is, an interview) in the highest-quality stereo mode: LPCM 96kHz/24 bit. Well! Let me tell you: Eyebrows arched. The sound was spectacular. One guy grumped--beforehand--that he didn't need interviewees to sound like Maria Callas. Mono was good enough. Then I played it back. He listened. He stroked his chin. "How much did you say that was?" he asked. Because, if you listen to a lot of recorded sound, you can clearly hear the difference.

The bottom line is this: If you record regularly--and seriously--whether it's rock concerts, garage bands, opera stars, birdsong, or interviewees, you want the best sound you can get. The PCM-10 delivers it.

There are many other things to like about this new Sony unit. It has a (mostly) aluminum case. I don't know about you, but I just hate cheap plastic cases. It's about the size of a deck of playing cards. The buttons and menus are so intuitive, I figured everything out without once cracking the manual (which, incidentally, is fairly well-written as these things go). The buttons and switches on the device are intelligently laid out and a cinch to master. And believe me, I'm no genius when it comes to this sort of thing.

The PCM-10 comes with a pair of excellent built-in omnidirectional mics. I also tested it with a Sony ECM-MS907 stereo cardioid mike and a Sound Professionals SP-BMC13 Two Channel, Boundary Style, High-Sensitivity Conference Mic, which I use when a group of interviewees are seated in a living room, at a long conference table, or a classroom. I gotta tell you: transcribing recordings of interviews has got to be the world's most tedious enterprise, but when the sound is this crystal clear, it's a lot less tedious, and far fewer sounds get smudged, which would otherwise require lots of replaying to figure out what was said. Since I use a portable rig, I find the PCM-10's powered mic jack an important feature.

Oh, and the display--black and white LCD, not color--contains all the information you need, including the all-important battery status indicator (the unit runs on two AAs for about 15 hours at 96kHz/24 bit, the highest-quality setting, and over 40 hours on a compressed MP3 setting, which is pretty darn good). Uploading sound files to a PC via the USB port is a cinch.

And yet there are some design peculiarities with this otherwise splendid unit. The case is described by Sony as aluminum. Well, sort of. The faceplate feels like aluminum, but the sides and back feel like plastic. The battery lid is definitely plastic, and the little lid that covers the slots for removable media--Sony Memory Sticks or SD Micro flash cards (up to 16 GB)--is not only plastic but incredibly flimsy, very easy to snap off. Is it really such a design challenge to design a lid that is sturdy and not apt to break? I guess it is.

But let's keep things in perspective. At this price point, the PCM-10 blows the competition away (and competing models are not any better-made, although that is not a reason to let Sony off the hook). The unit admirably does what it was designed to do: produce beautiful, portable, professional-quality recordings. And, except for the cheap battery and removable media lids, the PCM-10 is a class act.

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I had a Zoom H4n for about a week, and I returned it, and got the Sony PCM-M10. It ended up being a nice trade for me. The mics and preamps on the Zoom were fantastic, but the Sony's are as good, if not better, quality than the H4n. The H4n is a multi-tracker, and has XLR inputs, etc., making it a different type of device than the Sony, and the H4n was very large in the hand, making it a little too big for subtle hand-held recordings, and other situations where you don't want the recorder to be the center of attention. The mics on the Sony are fixed in place at 90 degrees, unlike the Zoom where you can change from 90 to 120 degrees with a twist function. I didn't change to the Sony necessary for the functionality as much as the form-factor. The Sony is compact and is a little more discreet, making it almost (visually) pass as an MP3 player in appearance. It is the same size as an iPhone, but a little thicker, and it feels nice and solid in the hand.

Another thing I might add is that in the description on this item page, the package contents aren't mentioned very thoroughly, so I would like to put them here. It comes in a nice looking box, and you are definitely buying the retail item as it ships from Sony, which includes everything that it is supposed to (the item page almost makes it seem like you are buying just the recorder itself). Anyway, here is what comes in the box:

Sony PCM-M10

Sound forge audio studio LE software CDROM

AC power adapter AC-ES3010K2

USB Cable

Hand strap

2 x Alkaline batteries (AA size)

Operating instructions

Wired remote control

Also, for information purposes, I thought I would mention that there IS a STANDARD TRIPOD MOUNT on the back of the Sony PCM-M10, which for some reason was difficult information to come by for me in my research. I found pictures of the rear of the device, but even then it was hard to verify that I was actually seeing a mount.

I recorded last night with a friend, two acoustic guitars and vocals, side by side with the Sony PCM-M10 and an Equitek E-100 Condensor Mic, running into a mixer and computer software, and the Sony sounds as good if not a little better. Low noise, clean, and full frequency response from the Sony. It has meter (green) and peak lights (red) on the areas above each of the stereo mics on the body of the Sony, so monitoring is visually possible, without having to look at the screen on the front. The H4n didn't have that.

The Sony PCM-M10, with 2 NiMH AA batteries (2500 MaH) will record for 50 hours (yes, it's true), and recording @ 320Kbps, 44Khz MP3, the 4gb internal memory will hold 27 hours of sound. The Zoom H4n could record for 7.5 hours using NiMH batteries (the same ones I am using in the Sony), and had no internal memory of its own. There is a MicroSD slot on the Sony PCM-M10, and can hold the currently available 32gb cards if necessary. I could find no indication anywhere I looked that it wouldn't hold even bigger cards if they become available in the future. The Zoom takes full size SD cards, but also supports 32gb cards.

When you power up the Sony PCM-M10, it is up and running, and able to record, in around 5 seconds, which is phenomenal, and was an added bonus for my purposes...

The Zoom H4n wasn't "ready to record" for over 15 seconds. The Sony also has a record-ahead buffer, which will start recording a 5 second cache, before the record button is pressed, so you don't lose the beginning of something, if you weren't able to hit the record button in time. That is sweet.

The two input jacks (mic and line) are on the top of the device, in between the microphones, which is a good location, and the speaker is on the bottom (yes there is a monitor speaker for quick playback review).

The buttons feel solid and responsive, even for my stumbling fingers, which is remarkable, and the remote buttons are more of a "soft dome" sort-of depression style, but same thing, very responsive and solid feeling. The screen is big and very clear, with all the information laid out logically and vividly. It supports ID3 tag, so if you put MP3 music on the device, it will show you the information on the screen.

There is a tight and precise REC level wheel on the right side of the unit, and a rocker style output level on the left side of the unit. The functions available directly on the outside of the device are (if you are facing the display screen):

1. Below the screen:

Folder, Menu, Delete, playback functions (A-B), Display (I really like this feature, being able to turn the backlight on, etc., with a single button)

2. Transport keys:

Fast Forward (shares with menu up), Fast Reverse (shares with menu down)

Pause

Stop

Play

RECORD

T-Mark (marks tracks for splitting)

3. Left Side:

Volume (output level), DPC (Speed control) (on/off)

4. Right Side:

Mic sensitivity (Low / High), REC LEVEL WHEEL, REC LEVEL Switch (Manual/Auto), Power switch (it is a slide, and has a HOLD function)

Besides the physical adjustments mentioned above, the Menu on the device is replete with features, and very very easy to maneuver.

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The Zoom H4 is the benchmark portable digital recorder, and Sony's M10 blows it away.

The M10 is a very small recorder, roughly the same shape as an iPhone but as thick as a deck of playing cards. The buttons are firm, and the recording level wheel stays where you leave it. You get LEDs for -12db and overload for each of the two microphones.

Sound quality is noticeably better than the H4. There is very little handling noise, unless the recording gain is cranked way up. If you do need to turn up the gain, just use the included wired remote to start and stop the recorder. The noise floor is present when you are recording quiet sounds with the gain up, but it seems easier to avoid than with the Zoom.

A tripod socket is built in to the bottom of the M10, just above the twin AA battery bay. You can record to the built-in memory, or to an M2 or MicroSDHC card. The screen is large and easy to read. The menus are just as easy to navigate.

You don't get a wind screen, and you will wish you had one as soon as you encounter the slightest wind. There is no option for digital input, and both the line and microphone port are 1/8".

In addition to a wind screen, you should also pick up a Gorillapod mini-tripod.

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Somebody finally got it right. This recorder sounds great, with very low self-noise and wide frequency range from the internal mics. It is easy to setup, and super-easy to use.

Other reviews cover general features. Here are some remarks about stereo recording in particular:

Stereo recording:

The two built-in omnidirectional condenser mics give you nice stereo separation when the recorder is in the midst of a sound field. I was a little surprised, as you wouldn't expect to get decent stereo imaging from omnis so close together, it's why stereo recorders/mics typically use two cardioid pattern mics. The downside of cardioids is less sensitivity for low frequencies, whereas an omni will capture those lows. Sony has a neat trick here: the omnis are set into the body of the recorder, shielded from each other, so each effectively sees its own half of the room (plus reflections of the other half). You get a nice stereo separation (though not the kind of imaging that lets you pinpoint sound sources). And you get the wide, flat frequency response of omni microphones. If anything, the bass can be a little boomy when you're too close to a sound source -and the recorder has a low-frequency cutoff you can switch on if you want to lose some of that low-end rumble. They are nice-sounding mics.

Using your own mics:

If you want to use your own microphones, you will need a female XLR to mini stereo cable (eg, Hosa 2' Right Angle Mini Stereo Male to 2 XLR Female Breakout Y-Cable) to plug them into the recorder. The recorder is advertised as having plug-in-power (eg, phantom power) for external mics. But that's the 2V variety of phantom power for little electret condensers, not the 48V you need for your nice condenser mics. You'll have to power them separately, either using a phantom power box like the Rolls PB223 Dual Mic Phantom Power 48 Volt Power Supply or an external pre-amp. The recorder will accept both line-level and mic-level inputs.

A case!

The recorder does not come with any sort of protective case. It's an odd size, but I've found that a PSP Go Soft Carrying Case works beautifully, will also fit the official Sony windscreen, and has an extra pocket for the remote control.

I love my Sony M10 recorder in every way...except the problem with the internal battery. After I had mine nearly a year, the internal battery (not replaceable) died and it would no longer remember the date and time. Since I use my recorder for wildlife recordings, I need it to record the second I turn it on...not after I reset the date and time every time I turn it on. It was still under warranty, so I sent it in and was given a replacement unit. Now just over a year later the replacement unit is doing the same thing...apparently the internal battery died again. Since it was now out of warranty, Sony said I can send it in and pay $150 to have it fixed. As far as Sony is concerned this unit has "no known problems." I found an internet forum where several folks had this problem. Apparently the internal battery charges itself only when the unit is on, so if you leave it off for long periods of time like I do, then the internal battery goes dead. A workaround suggested on the forum was to leave the unit on for 30-40 hours (on hold) and the replaceable batteries (or external power) will recharge the internal battery. Thank goodness for forums, but it would have been nice if the Sony repair people knew this....

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Allen & Heath Xone:XD2-53

Customer Ratings:
List Price: $299.99
Sale Price: $150.95
Today's Bonus:

This is my honest opinion of these cans as I've used a number of headphones over the years primarily for DJing and Studio work and purchased these knowing I could always return them, which I did. I work with someone who uses the XD-53 and tried his out but never got to listen to them in a quiet room. Yes, they have big sound due to big drivers but that's not always a good thing.

Sound is very personal, everyone has a different opinion in sound quality. Some like a sharp flat sound, some like big room, big stage, booming sound.

PRO's

Metal Headband (HUGE for me because it's where I break every pair of $200 headphones)

Loud

Bass Overload (if you like that sort of thing)

Detachable Cable

CON's

Gunmetal looks even cheaper than the original silver on the original XD-53

Doesn't sound as good as the older version (Yes, they sound different regardless of what the specs say)

Big and can be uncomfortable for extended use

Too Loud (I couldn't get near the treble and sound desired without cranking volume)

Bass Overload (Drowns out everything else)

High End

Muddy Mids

I tend to lean towards a sound that has sharp crisp highs,good mids, and slightly above average bass but tight and not boomy. These drowned out everything even after giving them plenty of time to break in.

Other Thoughts (last 3 headphones tested):

Denon DN-HP1000 Always liked these headphones, much better sound compared to XD2-53 but broke 2 pairs in 3 1/2 years on the road.

Pioneer HDJ-1500 Good Sound but I worry about plastic breaking yet again on the headband. Returned them, not taking chance anymore.

HD25 1-II Returned the XD2-53 for these and couldn't be happier. Not overwhelming bass but the overall sound quality makes up for it not to mention light and comfy for my head. Knowing all parts are replaceable is a huge plus for me as I don't feel like shelling out 150-200 bux every year for another set of cans that will break where the rest all do. I will get more use of these everywhere (road/studio/DJ) and that plus the sound quality won me over.

Hope this helps.

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These headphones look and sound great. The sound you get when listening to songs is pitch perfect, nothing to worry about in the quality of the sound the speakers have. The specs of these headphones are not a lie lol. As far as the look, they look much better than a lot of headphones ive seen, hell of a lot better looking than those dorky beats by dre lol. The gunmetal finish is pretty cool and the design is just excellent. The swivel is pretty nice too, very easy to put one speaker behind the ear for that one ear monitoring. The headphones are able to fold up too, which is a pretty cool feature and can be useful for those who travel a lot. It also comes with detachable cable, so dont worry if you break the wire, you can get a replacement! The wire it comes with is very strong, not weak and easy to break like other wires on headphones. The wire is also coiled, so you can stretch it pretty far too.

As for comfort, you simply have to break these headphones in a little bit for it to feel good (use them for about a week). The reason why i say this is because the speakers pop out slightly inside the cup, this causes parts of my ears to hurt a little after listening to songs for about 30min. Another thing is that the headband kinda feels tight but its cushioning compensates for that.

Dont worry, after using these for about a week i havent really felt any more discomfort with these headphones.

I listen mainly to electronic music on these, they are definitely the right pair of headphones for the job.

Id recommend these headphones to just about anyone, they are really cool looking and sound is great.

If you are wondering, the cost of these headphones are worth it, just like any other pro dj headphones.

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You get what you paid for. These are headphones for djing or for just cutting out your wife's complaints. Never heard headphones like these i think if you turn these things all the way up. You can go deaf. Great product.

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I was looking for a pair of headphones to replace my old Sony MDR-V500s (which I loved, but they finally fell apart after about 12 years...). I purchased a pair of the Sony MDR-V55s and was REALLY disappointed by them. But then I found out about the Allen & Heath Xone:XD2-53s and it seemed like exactly what I wanted. Similar form factor to the Sony MDR-V500/700, good sound, good contstruction... and in the main they fit the bill.

The sound is great so far, they're comfortable, and seem pretty sturdy. They also don't have the annoying creaking sound that my MDR-V500s had (which the MDR-V55s have too), so that's a win also.

Great pair of headphones. HIghly recommended so far, but I still need to take them out for a gig. I'm pretty confident about them, however, and think they will be just right.

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My son picked these headphones out for Christmas. He researched headphones extensively and decided to go with these. They are comfortable..good sound..very good construction, versatile and sound deafening. He loves them! Also, the adapter so it can be used on different devices is a great feature!

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Nixon Trooper Headphones Red Pepper/Black, One Size

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As a poor college student, I needed a relatively inexpensive pair of headphones and as a music snob I needed good sound quality. Read the reviews, decided on these, no regrets. The base is great and the sound overall is very crispgood for most genres of music. would buy again

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These headphones have great sound output. I like the volume adjust feature on the headphone itself.

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These are actually very nice headphones, Good sound quality and good bass I would compare these to something like skullcandy headphones but better looking more compact and portable with crisper sound in the treble. These are not indestructible they are made of plastic if you abuse them they will break. I have noted that over time the glue in the head-strap cushion has given way (just apply more glue to keep it on), and the pins by the headphone joint have popped out a little but can be popped back in and be fine. Granted they are not going to preform at the same level that more expensive headphones will but for 50 bucks they ain't bad.

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These are wonderful for running! I use them almost daily at the gym and they are still just as great as when I bought them! They do not soak up sweat which is wonderful although they are not soundproof (which I'm fine with since I mostly use them at the gym!) They are well worth the money and I love that if they are dropped (or I drop my iPhone) the cord unplugs from the base of the headphone versus pulling on the cord. If you are looking for running headphones, these are them!!

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These Nixon Trooper Headphones are great to use, especially if you're lazy to go to your mp3 and press buttons, that what the volume control is for :D probably the greatest part to the headphones. I owned this pair of headphones that sound lasted me a good 2-3 years, BUT HOWEVER, it's not great but okay. The construction was made entirely plastic beside the ear silicon thing, less than 3 months have the plastic broke on me, so during the past years i have to hold one part of the headphones by bringing my hands to my head every time because I didn't want to buy one. It's great to listen but not very durable I'll tell you that right now, PLUS I got this FREE by lockerz, was a great website to get free things, now trash, anyway I go somewhere else to buy if your looking for both sounds and durable go look somewhere else, if you want the volume control or u feel like you go the money to experiment go for it.

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