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List Price: $250.00
Sale Price: $144.99
Today's Bonus: 42% Off
- Included Items - Owner's Manual, parameter sheet, four AA "test" batteries
- Programs - 100 including synth basses and leads, natural instruments, chorded sounds and drum sounds
- Outputs - Stereo line out (Dual RCA), mini headphone out with volume control
- Power supply - 4 AA batteries (6V) Approx 5 hours battery life (with alkaline batteries) Optional AC adapter-ready (DC4.5V available from Korg)
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Ok, so this thing is kind of a toy, but my oh my, what a toy it is. I'm absolutely in love with. I'm kind of an acoustic musician. I play acoustic guitar (don't even own an electric) and upright bass, and any other box of sound I can get my hands on. Most synths and whatnot never seemed worth my money. I saw this little guy when I went searching for something I could use with special-needs students. I wanted something you could produce sound on without needing to know anything about playing an instrument. The price was right, so I got it, and the kids have loved it. I first thought it was a nice toy for the classroom, but then I started practicing on it myself, and I just couldn't believe how involved you can get with it. Once you unlock the little loop extender (from 8 beats to 16you can find the trick on Korg's website) you can really get inventive. Anyway, for those thinking about it, whether or not you're experienced in music, it's a whole lot of fun and it can be very expressive. I'm feeling like I'm getting solid enough at it that I'm going to hook it up to a PA and play with a jam band. I'm even trying to scrap some cash together to get the KORG KAOSS Pad Dynamic Effects Processor so I can really get lost. You can hook the yellow guy into the red guy and get a whole new level of groove. Here are my pros and cons that might help you decide if it's for you...
PROS)
1)With the arpeggiator and the 16 beat code, mixed with sound effect parameters, you can find nearly endless amounts of new rythms to work with. If you feel like you hit the end of what you can do on it, you are just on a temporary plateau; more will come.
2) With some fancy rechargable batteries, this thing seems to just go on and on. It's so portable, I have it on me nearly at all times. I look like a geek with my studio headphones on tripping out on a campus bench all by myself, but I'm already married with a kid, so I'm more interested in my groove then looking cool.
3) With a little work, it's practically the easiest drum machine out there. You have some limits on actual drum sounds, but it is just so easy to set a groove, put it down, and pick up another instrument to play along with.
4)It's very versatile and intuitive to use. My students, who are fairly low functioning, have a great time playing along, and even my two year old likes tapping on the trackpad to a beat. It's fun for most folks.
5) The versatility of the programmed scales, ranging from arabic and mixolodeian to ragas and dorian, seem to express any, and I mean any emotion you want it to emit. With some practice, you can seemingly get any hard-to-express scence. It's like painting pastoral scences across the cultures of the world with your index finger. It's like Bob Ross' and Rick Steves' impossible love child singing you to sleep every night. (please, somebody get that joke).
Ok, now the CONS
1) The 100 loops and sounds programmed on here are mostly aggresive dance kind of sounds. I'm a ambient kind of guy, and like I said before, I like my acoustic sounds. They're are hardly any great acoustic sounds on here, and if I could reprogram it a little, I'd put on some Mellotron sounds, like flute and strings, and other more organic stuff. The strings and whatnot on here are pretty cheesy. The piano ain't bad, though, and that gets points.
2) You CANNOT program anything onto it. You got your 100 sounds and that's it. It gives the K it's own signature sound, which is fine because it's cheap and kind of a toy. If I could have uploaded new sounds or samples, I would have peed my pants with excitement. Unfortunately, I sit here continent and limited.
3) This last one is my biggest complaint, and it would have been great if Korg had thought this out. It's a small thing, too Maybe they'll read this, see my genius, and send me a corrected version of their device.
This "small thing" it lacks is the only thing that makes this device a toy for me. Otherwise I would have considered it the neatest gizmo ever. You CANNOT adjust the volume of individual sounds in your loop. Say you lay a fat drum beat and a chunky bass line. You go over to the sound effect pad to add a little hiss or sizzle, or over to the chunky lead synth pads to add a hint of a melody in the background. Often times, there is no putting it in the background. You're stuck with the volume that goes in. The Korg folks boast that you can just keep adding stuff, but I've found after 4 or 5 elements, you get really noisy loops really fast. I would have liked another button that would have let you adjust the master volume of any sound you were adding. The way around this is to use a multitrack recorder and set your loops up into that, but now your portability is gone, not to mention that instantneous groove element. Even if your multitrack is a small one, now you're running wires instead of just your headphones.
Otherwise, I think of this yellow box like the Game Boy invented for music geeks like me. It's really nice, and in the two months I've had it, it's been a nice retreat from my daily grind.
Hope this helps!
Buy Korg Kaossilator Dynamic Phrase Synthesizer Now
The Korg Kaossilator is billed as a `Dynamic Phrase Synthesizer' and if you want phrases to loop and make your own creations, this is the machine.
Dynamic = The X-Y touchpad surface allows for limitless real time manipulations of patches. Phrase = This is a phrase machine. Each preset is a sound/phrase. Other Kaoss Pads had some synth and drum sounds, but were also effects processors; the Kaossilator is all about sounds and loops and making its own noises, rather then manipulation of others; hence no inputs on the Kaossilator.
The Kaossilator looks similar to the other member of the Kaoss Pad family, this time in yellow. About 4 by 5 by 1 inches; 4 `AA' batteries power it and free it from AC supplies. Front panel has the touch pad, knob for selecting patches, and three buttons for controlling record/play, scale, tap tempo, and other parameter. RCA outs on top next to the AC jack.
Fans of the Kaoss pads should love it. This fills the void for Kaoss fans used it mostly for making sound, as opposed to the former Kaoss pads, which were more about the manipulation of another instrument's sounds. Kaoss pads have some wonderful sounds and drums, but a limited number. The Kaossilator has 100 distinct patches.
Patches are grouped as follows: 20 Lead, 10 Acoustic, 20 Bass, 10 Chord, 20 SE [Special Effects], 10 Drum, and 10 Pattern, 100 total. You will become a scrolling machine navigating the 100 selections, it makes for sometimes busy work, but that's part of what makes it an actual instrument that you play. Yes, I'm talking to you, Guitar Hero.
So how do you play it? With no piano keyboard or guitar frets for navigation, how can you stun the masses with that riff in your head? The touchpad is set up such that sliding from left to right will give you two octaves of the patch. Notes? This is where the Kaossilator shines; over 30 scales to choose from to break out of your riff rutt. Ionian is the default, so if you play the first patch at power up; L00 Ambient Lead and scroll left to right, it sounds like someone playing two octaves of the C major scale. Chromatic and Dorian and Phyrigian are in there of course, but also Raga Todi, Arabian, Japanese Miyakobushi, and Major and minor blues scales, or turn it off and go completely microtonal.
A button on the bottom lets you select diff types of gates and arpeggios, taking you out of the lock step of strict 4/4 time. A card is included that lists the 50 diff gate arpeggiator patterns on one side, and the scale list on the other. The categories for patches are givenon the card also, but you'll need the users manual or your brain to retrieve the specific names of the 100 patches. Again, it being a real instrument, faves phrases will soon stand out and burn into your head; the Power Chord patch 55 is one example, adding sorely needed guitar distortion to de-sterilize a loop.
It's all about timing when stacking sounds, but the Kaossilator makes it easy enough; just dial in a patch, preview it, hold the record button when you want to add it to the loop. Drum patterns and drum sounds may be reach for first, then stacking bass, accents, rhythm, and then you can solo over the whole thing. It's easy to get stuck in the preset techno patterns for starting your loop symphony, but just as easy to create your own rhythmic loops using any of the preset sounds.
The AC Adaptor is not included, but that will just weigh ya down, the battery power option is huge plus and sorely needed; a set of small self powered iPod-ish Speakers and you're a mobile one man Kraftwerk.
Read Best Reviews of Korg Kaossilator Dynamic Phrase Synthesizer Here
Took me all of about 30 minutes to master the button combos needed to build, save, and edit some very satisfying multilayered loops. Those who haven't really put one to good use may dismiss it as a toy, perhaps because it's so easy to use and appeals to more than just trained musicians. But it's an extraordinary little device, particularly considering its portability. I just want to mention one unexpected benefit that I've realized: it's a great tool for meditation. Something about slowly building loops (starting with a thick, swampy bassline for example, or just a string of distorted, echoing phrases), and hearing them go round and round and round in your head . . . it becomes like chanting a mantra. At the end of a session, I feel as if I'm waking up from a deep, hypnotic trance. If you work for a living, include about 15 or 20 minutes of Kaossilator in your lunch hour. Great stress reliever.
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This is a fun little toy / musical instrument that I have had trouble putting down since I picked it up a couple of days ago. There's not much to add to what others have said: It's a great way to decompress and lay down some nifty beats. I think it deserves to have a video review up here so people can see it in action. In the video I give a short intro to the Kaossilator and then create a beat on it. My little song is not very good -search around for Kaossilator videos on Google if you want to see what this thing can really do -but it shows you what someone who does not play an instrument and who has only used the device for less than 5 hours can do with it. Enjoy!
It's a great tool, don't get me wrong: The samples are clean, and it gives you the potential to work with its synthesizer sounds, effects sounds, and all that jazz. Also, there's batteries and a headphone output so you can use it like an mp3 player -making music at times when might be listening to their iPod. But the big drawback is that you're limited to 4, 8, or 16 beats of work. All those textures, effects, and sounds, once looped, will repeat after that # of beats. That's bound to get exhaustive after awhile. Sure, it's fun to make, but as an audience member listening to the same looped base patterns over and over is going to get monotonous -no matter how you sugar coat it with effects.
Rhythmically: It's a matter of opinion, but highly effective beats (apparat, telefon tel aviv, arovane) provide variations & development: the type that are not made with this machine. Also, there's no input: no means to change what's in the machine, so you're limited to the samples that have been provided. What if you want something more industrial/mechanical in nature, like autechre or Jega? The samples on this machine are more for an Underworld-type sound, or for standard dance tunes.
Melodically/Harmonically: Think of the touch pad as the keys on a piano. That's what you're working with. The "margin of error" for such a small touchscreen makes it easy to get an unintended note. The greatest thing about making melodies is that it allows you to choose a scale: e.g. ionian, minor pentatonic, but, this forces you to play in that scale. But what if you want more advanced harmonies? Any serious musician really needs a keyboard.
So, in summary, it's a great "toy". It can turn anyone into a sound-maker in seconds: a very, very limited sound maker whose potential is restricted to the nature of electronica from the late 1990's.
