Showing posts with label monster earphones. Show all posts
Showing posts with label monster earphones. Show all posts

MONO EFX-KLR-BLK EFX Kontroller Bag - Black

MONO  EFX-KLR-BLK EFX Kontroller Bag - Black
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $146.64
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  • Zipper-less flap design survives a life of abuse Waterproof Sharkskin shell with industrial rubber sole and piping (PVC-free) Steel rivet reinforced handle and adjustable padded messenger strap Waterproof iPhone pocket with headphone port 100% Animal free
  • Inside Features Laptop compartment with restraint strap (fits 12-Inch to 17-Inch) Large plush-lined controller compartment (fits Traktor S4) Padded front pocket fits headphones & more Double thick bottom padding Lower pocket for cables and adapters
  • 3 Year Warranty

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I bought this mainly as a messenger bag with alternate uses as well.

I am a MONO fan, as I have bought several of their products, including the Producer DJ Mixer bag, two M80 Double Pedal cases and the Ipad Loop Sleeve.

My main reason for getting this bag to to replace my well-used messenger bag. As a classical musician, I tend to carry a lot of 11"x17" music. Most bags don't really work well for that size of paper, so the edges get bent, torn, etc. This bag keeps my scores nice and comfy, plus the waterproof outer shell is a must. There's enough storage outside of the main compartment for the essentials (between the front and back pockets, you could pretty much store what you could carry in a regular folio. I keep my MacBook in the computer slot and put my Ipad in front pocket (along w/other stuff) and have the whole main pocket for oversized scores, etc. Very roomy. Plus I can also transport my percussion controllers when I need to transport those.

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AKG K 240 MK II Stereo Studio Headphones

AKG K 240 MK II Stereo Studio Headphones
Customer Ratings: 4.5 stars
List Price: $259.00
Sale Price: $150.28
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  • Over-ear designfor comfort during long work sessions
  • Semi-open technologyfor solid bass and airy highs
  • Patented Varimotion 30 mm XXL transducerfor accurate signal transfer and great dynamic range
  • Self-adjusting headbandfor optimum fit
  • The choice of professionals around the worldstage and studio standard for more than two decades

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The AKG K 240 MK II differs from the K 240 studio ( used in many recording studios) in two important ways:

Two cables are now included. One is the standard light weight cable, the other is a coiled cable. Headphone cables can break, now you already have a spare.

Second, the ear cushions have been made softer for a better fit. This improves the bass response. An alternate pair of ear cushions have been included as well. Use what works best for you.

All other parts appear to be the same (in design but not always in appearance) including the drivers.

The sound is the same, but it is easier to get good head contact with these new phones, thus fuller bass is assured.

A B listening tests of the two models went as expected, no difference in sound, other than loss of bass in the old pair when they were not put on exactly right.

The sound is the best I have heard for the money. To get better sound, in my opinion, you will need to spend much more money for a pair of Stax electrostatic phones. Listening tests were done on classical music for the most part.

Opera, choral music, piano, and orchestra CDs and DVDs were used. What is remarkable is the transparency, the ability to hear so many inner parts in a complex choral work, such as the Brahms Requiem. There is no smearing of fast coloratura singing, such as found in early operas, a serious problem with even high end speakers.

Rock music testing was done using Roger Waters DVD "In The Flesh live".

These phones handle lots of bass very cleanly. If the bass seems less than it should be, bear in mind that your body is not being shaken by the music, only your ears.

The semi open air design gives a very open stereo image that is very similar to sitting in a balcony seat overhanging the stage at Boston Symphony Hall. Basstreble balance of the phones also matched the sound heard live from the front balcony. For people who sit farther from the orchestra these phones may sound a little short on bass. To me having the tonal balance and spacial aspects match a real location in a real hall is nice.

I sing in choirs more than I attend concerts. The phones also simulate the sound I hear when I am positioned center stage. Of course, there is a difference, nearby voices don't stand out listening on phones. I get the feeling of listening from above center stage or below.

These phones do not produce a " inside the head" effect which is also nice.

Highly Recommended, with a warning, you may not like your speakers after you get addicted to these phones.

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Originally in use by me were a pair of K240M's with a hardwired cord, which eventually frayed internally and cut to only one cup working. After 3 pairs of Koss's I finally found these, a new and improved legend.

For a cheap Amazon price of $140ish you get the K240 MKII's, Leatherette and Velvet ear cups, a 15' Coiled Cord, a 9' Strait Cord, a screw on 1/8" to 1/4" adapter, and a gigantic AKG sticker. The cords are interchangeable and replaceable via the mini XLR connector, eliminating my previous problem of having cord issues internally.

Nothing has changed in the great sound of these baby's, but they seem to adjust better and easier to your head, and be a tad lighter. They have an impedance of 55ohms and a 200mw max that power the 50mm Varimotion patented drivers, exactly the same as their 240m predecessor. Now, they are semi-open phones so if someone put their ear against the outside of one of the cups, they'd hear exactly what you were listening to. This isn't bad because then you don't hear cord rub and there really isn't too much sound leakage.

Incredibly comfortable, and full of patents on the diaphragms, drivers, and headband, these phones are a perfect choice for anyone in a studio, doing some djing, or, just listening to great clarity at home.

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I've been using the Sony MDR-7506 headphones for about a decade, and finally decided to try out the competition. I was worried that the AKGs would be less comfortable and produce insufficient bass. I couldn't have been more wrong.

I've never thought of the 7506 as a bass-heavy set of headphones though the V700DJs and Logitech G35s certainly are. Forum comments suggested that the AKGs have lighter bass, but are better for mixing. Since I spend a fair amount of recreational time making music, I decided to give the AKGs a try.

What I've found is that the AKGs don't seem to be bass light, they seem to have a much more even balance between bass and midrange. When I switch back, the Sonys do indeed seem to have heavier bass and a lighter midrange. When I play my own music back, my better mixes are very clear and my weak mixes are very obvious.

Update: nearly two years later, I'm still very happy with these headphones.

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Caveat: I am not an audiophile, I just listen to incredible amounts of music at home through headphones. I've had these phones for six months, and for the buck, I don't see how you can get better. I was a closed phone person my whole life until reading that open allows the sound to breathe a bit, instead of rattling around your head like it was stuck in a bucket. I listen to every genre of music possible, and I've never enjoyed the sound more than with open phones. (there is a fear that they will be loud since they are open; I live in a one bedroom with my wife, and she can barely notice when they're cranked, which is often.)

The good: After breaking these in for the recommended 8+ hours, the sound came alive. There isn't a range missing, unless you're looking for bone-shaking bass; if that's the case, get some Skullcandy or Koss phones, and enjoy never hearing treble or mids again. These AKGs cover every range cleanly, with zero distortion.

The bad: They apparently are made a little more cheaply than originally manufactured. They are extremely light and can be fragile if not properly handled. Case in point: I put them on my head a little too vehemently after a few beers; the side cap popped off the left ear and the wire tore away from their connections. Bummer, but partly my fault. Still, phones should hold up to heavy hands a bit better.

The very good: After opening a ticket with AKG customer service (which took years to find), they processed my request and told me to ship them back and they would assess the damage and fix them free of cost (under warranty) if deemed the manufacturer's fault. Shipped at my own cost, they came back a week later in pristine condition free of charge.

The best: Interchangeable cords. I'm old school and prefer a coiled cord--these come with both. That's just cool.

I could not recommend these phones more for casual home music listening. You want perfection? Go spend $1K on Grados. I'm happy to have the other $900 for other uses instead.

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Roughly a year ago I was gifted a pair of Linn Tukan speakers. These speakers completely spoiled me as no speakers could match up to the sound quality. I also was given a Logitech Squeezebox with a HQ DAC. In the past few weeks that I have had this Logitech Squeezebox, I have been playing nothing but uncompressed music and it sounds fantastic through my Linn Tukan's.

Although, when I received my AKG K240 MKii's I was blown away. Now I have headphones that can match up to the beautiful sound quality of my Linn Tukan's. The mids and highs are fantastic. They sound incredibly pristine. As for the lows, the bass is tight and clean, allowing dubstep/house/electronic/dance fans to also have their fix. I myself listen to a lot of dubstep, electronic, some house, indie rock, jazz, classical, soul, hip-hop, rap, etc. They all sound great.

On a side note, these cans are built in Austria, thankfully. The quality is good but I would not say amazing. The dark blue plastic surrounding the drivers feels a little cheap-ish to me, but I honestly do not care. The bang for the buck is so good that it is definitely worth it. They are incredibly comfortable and very, very light.

These headphones also have an open circumaural design which I really like. Naturally, at high listening levels the sound will leak. This is good however. The open circumaural design makes for a perfect balance because not only does it sound better than the closed circumaural AKG headphones I've tried, but it is also much more comfortable. You will not get the feeling of being stuck inside your own head. Also, for anyone who has had a headache every waking moment of their life for the past two years (me. sigh...) then these headphones are perfect! I feel so comfortable listening to music at all levels and my headache has never gotten worse.

Shipping was late by a day, but nothing to complain.

The benefits of wonderful audio fidelity completely outweigh any negatives. Happy listening everyone.

Shure SCL4 Sound Isolating Earphone with High-Definition MicroSpeakers with Tuned BassPort, Black

Shure SCL4 Sound Isolating Earphone with High-Definition MicroSpeakers with Tuned BassPort, Black
Customer Ratings: 4.5 stars
List Price: Price Unavailable
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  • Frequency Range:     22Hz - 19kHz
  • Sensitivity:                109dB SPL/mW
  • Impedance:               29 Ohms
  • Weight:                      31g (1.1oz)
  • Input Connector:       3.5mm (1/8")

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The SCL4 should replace my E2 and I was unsure whether I should spend the extra money. After a 4 weeks use period I can only recommend these earphones. Crystal clear sound, perfect impedance match to MP3 player output stage, sturdy metal housing, small but perfectly shaped for convenient wear.

Two warnings for potential buyers:

1. sound quality heavily depends on the fit. The foam sleeves that come with the SCL4 are perfect, much better than the ones for the E2. Squeeze them properly before inserting, and allow for 10sec to expand them properly and produce a tight fit. Don't use too small sleeves.

2. These earphones will mercilessly reveal deficiencies of the sound souce! Don't blame the phones.

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All in all, an excellent set of earphones. I've been a long time user of Shure E3, and I was waiting for the price of SCL4 to drop a little.

In comparison to E3, SCL4 really enhances the high and low range, maybe a little to much. If one is into good mid-range (i.e., vocals, lead guitars, etc.), E3 may sound more "true".

But at this price range, it's all about the listener's preference. For rock and jazz, you may want to boost high and low range sound anyway. Depending on the mixing level, some high range sound such as hats and cymbals may even sound enhanced or artificial. That is how "fatigue" sets in, and you definitely don't want that when you are stuck in a plane. Like anything though, you will get used to it somehow. And the differences are not something that you can not overcome with equalizer settings. (I used "Latin" setting on the iPod.)

When I first did the A/B test, SCL4 definitely stood out. But one may say that SCL4 may sound too "sweet", and there is such thing as too much sweetness in sound, as one may get tired of it.

Surprisingly, the bigger difference is in the type of attachments that come with the earphones. I've tried them all, and the yellow foam is the best, no contest (for both E3 and SCL4). I wouldn't even bother trying other options, and they do sell extra foams if they get dirty.

One more tip: It is true that the sound gets better as you play the set. If you bought a new set, just leave it on for a few days until the set is fully broken in.

With the foam attachment, you won't even hear a crying baby next to you, and the sound of music would be better than some expensive sound system. I never fly without it.

Update (April 3, 2009)

After a few months of use, the set is fully broken in, and it sounds even better than when I wrote the first review. I use it constantly when I fly, and sometimes I never take it off for 5 hour flight. No sound fatigue, or no pain in your ear when used with foam set. I'm very happy with this product.

Read Best Reviews of Shure SCL4 Sound Isolating Earphone with High-Definition MicroSpeakers with Tuned BassPort, Black Here

I had returned my E4C's just 2 days short of the two tear warranty expiration because the wires, when worn over the ears, had been cracking. I just received a new set of SCL4's and they're incredible. Brilliant high, deep bass and excellent sound isolation. Highly recommended! Outstanding, fast service. Shure fan forever.

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I really like the sound of these headphones. They are very clear and fit well with the right ear foams.

I have had one issue with all of the Shure headphones. The cord that goes over the ear wears out and the cable starts to tear and then the sound goes out. I wish they would find a way to reinforce that area as these are not low cost headphones. One plus is that Shure has a very good warranty service.

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One of Shure's trade marks is that they offer "Legendary Performance" and I believe that this simple phrase is an understatement. It has been over four years since I first bought a pair of in ear headphones from Shure and have been very pleased. My first pair were the E4G's (which this model replaced) and had them for over three years until one of the earphones stopped working properly. Didn't bother me to much since I had used them well over a thousand times and was always impressed at their performance. Sent them in to be repaired ($109 since it was out of warranty) and they promptly sent me back a brand new pair of SCL4's. These have been a great pair of headphones, but unfortunately after three months of careful use, the same problem with one of the earphones occurred. Even though this was frustrating, their customer service was phenomenal and four business days after sending in my headphones for free repair I received another brand new pair no questions asked. Every experience I have had with this company has been pleasant and I guarantee you will love the headphones. Yes they are very pricey, but if you are like me and enjoy complete sound isolation without looking foolish with huge cans around your ears, these are the way to go. I live in a college dorm and am frequently taking the trains around Chicago and when I have these headphones in my ears at a relatively low volume I am in my own world and can't hear loud floor mates screaming down the hall or the deafening noise produced by the elevated trains in Chicago. You are going to love these if you buy them!

Audio-Technica Pro M2M Wireless In-Ear Monitor System on Band M

Audio-Technica Pro M2M Wireless In-Ear Monitor System on Band M
Customer Ratings: 5 stars
List Price: $799.00
Sale Price: $599.00
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I gave this five stars it is a great product if your a first time user for in ear monitors. I was skeptical at first but once I used them for the first gig there's no way I'm going back to floor wedges.

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Beats Studio Over-Ear Headphones (Red) - NEW

Beats Studio Over-Ear Headphones - NEW
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $299.95
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While these are an improvement over the trash that were the originals, they are still extremely overpriced and not that good. $300 is $200 over what the asking price should be for this pair of cans. The bass has been toned down, which has helped clean up the mids. However, the highs still lack clarity and detail. Thus, I would label these genre specific headphones (for hip/hop, rap). These are in no way, shape, or form "Studio" headphones. In addition, the noise cancellation is terrible. Bose does noise cancellation right. The Beats simply emit a hiss that drowns out ambient noises. My main problem is the asking price. For $300, you can get a pair of V-Moda M100s, which not only sound significantly better, but look nicer and have a significantly better build (flexible steel at all the pressure points). Another great pair you can get for $300 are the Senheisser Momentums.I just don't see the point of shelling out all this dough for an inferior product. I bought my son a pair of $60 Senheissers that blow these Beats out of the water.

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I must confess that I was a hesitant Beats customer. I had borrowed (test driven!) several different pairs from willing students so that I could hear them over a few hours worth of music. I came away each time thinking that they were entirely too bassy for my musical preferences. These new Beats--the redesigned Studios--have fixed that and replaced the need for a new set of AAA batteries every week. In all, these are the most comfortable headphones I own, and although the noise reduction and sound in this model is not as consistently excellent as my Sennheiser 450s, these are, perhaps, a bit more commuter friendly given the streamlined redesign.

Something I forgot to mention in my video review: many owners of previous Beats models have commented about the ways the sound bleeds out at high volumes. No one--at a coffee shop, university library, wife in bed--has mentioned this to me about this model. So hooray for that.

In all, I'm very happy with these, and although the Sennheisers will remain my go-to travel headphones, these will find excellent service in my daily life.

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This is my first beats headphone.

It sounds great but verpriced.

I can probably buy a Sennheiser headphone at the same price with better musical quality and effect.

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Pros of the NEW over the ear Studio (Black): Comforta 10. Rechargable Batterya 10. Looksa 10. Packaginga 10. Sounda 7. Ear Cup Mute Buttona 10.

Cons of the NEW over the ear Studio: Noise CancellingOther than the natural cancellation from the quality over the ear cups, I truley didnt experiance a noticable difference when plugged in (which automatically turns cancellation on) vs unplugged (auto off)I rate the cancellation a 1. Designif you are a person with long hair then beware, hair that falls inbetween the top of the cup and the headband will be wedged into the pinch point when removing headphones. (headphone cups do not have pivet points on the sides allowing free movment when removing). Unless you pony tail it you will lose hair with this product. I rate design a 1 for us long haired people. Beats, include some long haired people to test your products before release. I am returning!

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I'll start off by singing praises to these headphones. All the features you've heard about for the new Beats Studios are great. The adaptive noise canceling is a button on your left ear cup that you press and it mutes the music and disengages the noise canceling, so you can hear sound from outside helpful. The built-in battery works well, holds charge, and I'm liking the battery gauge that lets me know how much charge I have left. It's also awesome that it automatically turns on/off when plugging/unplugging the audio cable. The headphones are sturdy, rugged, and there is really great, full sound that comes out of them. They were also very, very comfortable. I had them on for a few hours, and it didn't bother me one bit.

My 2 concerns with the new Beats Studios are 1) the Hiss. There is considerable and noticeable hiss/static noise when plugging in the audio cable to make them function for music. I couldn't listen to music at a low volume because the hiss was so distracting. If you're listening to louder music, then it's not as noticeable, which I guess is who the market is for these headphones. My second concern 2) is that they're overpriced! I paid $300 for these headphones and I got hiss. I think when the battery and/or noise canceling are on, you hear the hiss, and they both need to be on for you to hear music, so the hiss will always be there. I'm harping on this hiss because I know it is possible to have no hiss look at the Bose QC3 and I don't think this is an unachievable request...especially for a $300 price tag.

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Monster Cable DNA On-Ear Headphones

Monster Cable DNA On-Ear Headphones
Customer Ratings: 4 stars
List Price: $229.95
Sale Price: $199.95
Today's Bonus: 13% Off
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The reviews on this item are misleading, this is by far not the best sound I've heard out of $200 headphones, there are much better alternatives out there, such as Sony MDR-V6 Monitor Series Headphones which cost about 60% less.

Some of these reviewers have only reviewed this item which makes me think they work for Monster, or whoever made these poor sound quality headphones.

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A friend got these for Christmas and I tried them out. They had been fully broken in, but not overused. The sound was literally horrendous,higher frequencies sounded shrill and unbearable. The bass was also pathetic, and was airy and almost non existent. Also, after being treated lightly, the hinge became extremely loose and noticeably flimsy. Even before this, the fit was atrocious even for over ear headphones, and the cups felt like awful pleather. The pictures really over exagurate the features on these phones, and within 20 feet of these they look like cheap plastic.I would instead recommend the Ultimate Ears line or Grados, you will most definately get a better deal.

I would imagine that these cost around 30 dollars to produce. When you receive them you would definitely agree with me.

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I bought these for 200$ when literally the company pays 30$ for the material when the quality of the product is not even worth over 50$.

Moral of this story, these headphones are not worth the price, you only pay so much for the title it has been given the sound of this product is like headhpones which cost 10$.

Also, my friend bought these on the release, he said that they broke after a day.

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Don't listen to the Monster haters. Just because it's Monster doesn't mean the product sucks. For the people who are conscious on their spending: $200 for these headphones isn't a bad deal if you are willing to pay for style. These are worth it especially if you get them on sale for around $170 like I did. If you want to spend

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Monoprice 6ft 3.5mm Stereo Plug/Jack M/F Cable - Black

Monoprice 6ft 3.5mm Stereo Plug/Jack M/F Cable - Black
Customer Ratings: 5 stars
List Price: $4.99
Sale Price: $2.67
Today's Bonus: 46% Off
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Good product from a great company. I buy my inkjet cartridges from their main website. This extension connected tight and worked well. I didn't see a 3 foot offered at the time I bought this but the 6 foot works just the same.

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Needed an extension cable, nothing fancy and nothing expensive, for a headset jack to PC jack. Found just the right length and it's Monoprice quality. No complaints.

This plug will not work with headsets that have a built in mic with a 4-conductor TRRS phone connector.

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Behringer 302USB Premium 5-Input Mixer with XENYX Mic Preamp and USB/Audio Interface

Behringer 302USB Premium 5-Input Mixer with XENYX Mic Preamp and USB/Audio Interface
Customer Ratings: 4.5 stars
List Price: $59.99
Sale Price: $49.99
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  • Ultra-compact and ultra-low noise analog mixer with USB/Audio interface
  • Powered through USB or external power adaptor (included)
  • Built-in stereo USB/Audio interface to connect directly to your computer
  • Free audio recording, editing and podcasting software plus 150 instrument/effect plug-ins and ultra-low latency driver downloadable
  • State-of-the-art, phantom powered XENYX Mic Preamp comparable to stand-alone boutique preamps

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I've been playing around with my new Behringer XENYX 302USB Mixer and so far my impressions are positive.

I was nervous about buying it because there were no reviews at all, so I opened the box carefully and took out only the 302, using my own cable and on-line documentation. That way, if I had to return it, packing it back up would be easy.

I use Audacity (with a single core, Pentium 4 PC running XP Pro) to record, and the program recognized the 302 (as USB codex), no problem.

One thing I wanted to do is record from an iPod Touch 4G to Audacity, then play that Audacity track back and record another track against it from the iPod. I used a mono cable that is 1/4 inch on one end (plugged into the mic jack of the 302) and 1/8 inch on the other (plugged into the headphone jack of the iPod).

I used an app called Chordbot to play a progression on the iPod, which was recorded through the 302 into Audacity. I didn't care that the track was mono, but if I wanted stereo, I could have used the line input on the 302 with RCA cables going to an 1/8th inch stereo plug.

Once my chord progression was recorded on an Audacity track, I played that back by using an RCAs to 1/8 inch plug to connect the line input on the 302 to the headphone jack of the computer. By pushing the red button on the 302, which selects input from the USB (the computer), and the black button next to it, which sends the signal to the headphones, I could hear the Audacity track playing as I recorded a new track, this time using an app called Thumbjams on the iPod.

It worked very well. No hiss or other unwanted noise present.

The 302 assumes (incorrectly, in my case) that I want to hear the mic input through the earphones as I'm recording. I don't. I never monitor myself when singing or playing guitar, but listen only to the backing track.

I got around this by using the pan slider on the 302, panning my live performance all the way to the right. I then removed the right earphone from my ear. I panned the sound coming from the computer all the way to the left. This way I could hear the backing track but not my voice in the headphones.

My Audio Technica AT2020 microphone recorded fine--with no hiss or noise--with the 302's gain set at 12 o'clock, the mic volume maxed, and the main mix volume at about 2 o'clock.

I could generate hiss with the AT2020 if I cranked the 302's gain and volume all the way up, but I can do that with most any mixing deck.

I could not get as loud a hissless track using the 2020 and the 302 as I would like. A preamp is probably called for. But the signal was usable if I increased the gain a bit in Audacity after recording, or if I doubled a track.

In addition to the iPod experiment, I recorded a nylon-string guitar, then recorded a vocal track against it. Used the AT2020 for both tracks. Worked fine.

I have an old Radio Shack dynamic mic with a built-in TSR cable that I tried. It also recorded well, for what it is. (I sound terminally depressed when I record with this mic, so only dig it out for experiments such as this.)

All in all, I'm liking the 302 and plan to use it instead of the XENYX 802/UCA202 USB interface rig I was using.

WOWSERS. Important update. The USB codec that Windows installed when I first plugged in the 302 doesn't play nice with Audacity. Often when I try to play back or play back and record, there is no sound through the 302, even though I can see audio levels in Audacity.

I went to the Behringer website and downloaded the ASIO 32 bit driver. Now things are great. Except. Whatever USB slot you install the driver to is taken over by the driver and can't used by any other audio codec.

This means that if you unplug the 302 and plug another audio device into the same slot, it can only play--if it will--using the Behringer ASIO codec. Other slots are unaffected. It's possible to undo this by running the setup file again and choosing to uninstall the driver.

I'm willing to give up a USB slot to the 302 because I'm liking it so much and will probably use it every day. YMMV.

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I use this guy primarily with garage band as a simple guitar interface. It works perfectly! It's very intuitive and can be set up in minutes. My requirements for quality and features are pretty low as I am not a professional recording engineer, but I haven't noticed any poor quality sound. I've used it with Reason in Windows and GarageBand in OS X and it's very easy to use. Windows requires manual driver installation.

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PROS:

* Small. Easy to take with you or set on a small shelf.

* If using USB, does not need external power supply. Very convenient.

* Easy-to-use, accessible controls.

* Pre-amp power, works well with condenser studio mikes.

* Plug & play with Windows 8. Didn't have to install any kind of driver.

* Variety of input options. Dual track with low/high volume sliders.

* LEDs make it easy to tell whether in the green or red range. Easy to adjust.

* Awesome for those who need a mini-mixer-and costs the same as a USB-based preamp-only device.

* Free shipping-gotta like that

CONS:

* Only one power setting, 15v. That may not be enough for some, but works great with my studio mike.

* Line In / USB buttons somewhat confusing, non-intuitive. However the manual shows exact settings for computer use.

* As with other low-end Behringer mixers has a bit of a hiss that one has to balance out. Can take some fiddling to overcome it.

* It's pretty easy to overpower the computer's input and cause distortion. Start the sound levels at zero and slowly bring them up until it sounds good.

NOTES:

I purchased this for use with my studio mike, which I hadn't been able to use with my computer due to pre-amp power needs. Plugged it in, worked first time, no problems.

This unit is very sensitive. If used with a decent mike can pick up background noises from across a room. With a bit of tweaking, is fine for studio work. I use it for guitar/voice solo live Internet music shows.

Overall, I'm quite pleased with the unit. The only reason I give it 4 stars rather than 5 is because it isn't perfect... but then it's only fifty bucks. For the price, overall quality, ease of setup, range, sensitivity and plug-and-play, I don't think one could find a better unit. Two thumbs up. I don't know how a Pro would rate this... but I definitely would recommend it to those doing recording on their computer with a studio-quality mike above the quality of the average "USB microphones" available on the market. You not only get a pre-amp but a duo-channel stereo volume mixer in the deal. Hard to beat at that price.

ADDENDUM: A few days after the initial review-I just used the device on a live guitar/voice webcast. No background hiss, very good, clear sound, crisp, no distortion, excellent transmission. Friend recorded a video and the sound was precise and identical to the original performance. Quite pleased with this little mixer/preamp.

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I use this unit to interface between my studio monitors and my Macbook Pro, which it does very well. It is indeed Plug and Play, and works nicely with both Logic Pro, Ableton Live and my Macbook's audio settings. So setup is painless and figuring out the audio settings on the unit itself is also an easy process.

However, I bought the unit after reading "Phantom Powered" in its description, and I was expecting it to work with my AKG condenser mic. Not being a real audio professional, it was an especially confusing process for me, because if you are using the unit's headphone out, you will be able to hear the condenser mic and it'll sound full, even if it's not getting the proper voltage of phantom power, but it won't transfer that fullness to the recorded sound. The label on this product makes you think you're getting true 48v power, and it takes, in my opinion, too much searching to find out that you're really not it's actually something in the range of 11v to 15v. This seems almost like false advertising.

After getting an external phantom power unit (accomplished for about $20 Nady SMPS-1X 1-Channel 48V Phantom Power Supply for SCM Series Microphones, I finally was able to record with my condenser mic and it does a great job clean sound that, with the right setup in Logic (which can take a little effort), doesn't have any delay/latency issues. I haven't gotten it to play totally nice with Ableton yet, but the sound quality is still good.

One more complaint if you are a sound amateur like me, don't expect the unit to be able to record your electric guitar directly from the instrument. Sound pros would probably read the last sentence and scoff with sound pro haughtiness at its ignorance, but I thought the included preamp on this unit might eliminate the need for an external amp before running your instrument cable into the mic input. Not the case you still need to connect your guitar to an actual amp first (as far as I know).

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I purchased this unit becaue I was just not happy with the quality of audio that I get while using Skype. I do some remote teaching via skype over the net with a school in Kenya East Africa. My video was incredibly improved when I purchased the Logitech 920 webcam, but I was still not happy with the audio. I have purchased several Behringer products in the past and have been very happy.

First, the unit came in and it was much smaller than I thought it was. I use a Behringer 12 channel mixer next to my computer systems to route audio to my amp and studio monitors that I have on my desk. I had been using a usb conversion device (no controls on it) purchased from Radio Shack and it worked ok, but I was never wowed by the vocal output. I am using a Sure SM58 and noise muff.

I expected this unit to sit side by side with my 12 channel output as an input device. It's barely 1/4 the size of the other unit. The moment I plugged it into the computer, it was recognized and installed. Skype immediately asked if I wanted to use it for output, then input. I declined the first, yet agreed to the second. I connected a Sure SM58 to the Multi connector and gave it a test... INSTANT CLEAR WONDERFUL sound. I then played and tweaked gain, mic level and tone controls to attain what I will call perfect audio input.

I am incredibly pleased. To anyone doing podcasts, remote communication or even just chatting with the family, this device will do WONDERS for the sound of your voice. I will be trying out the line input as well, but this was purchased to enhance my voice, and wow, does it do the trick.

I rarely write product reviews here on Amazon, but I really thought this one deserved some acclaim. Thanks for listening.

Kustom KG1 10W 1 x 6 Guitar Combo Amp with Digital Effects

Kustom  KG1 10W 1 x 6 Guitar Combo Amp with Digital Effects
Customer Ratings: 3 stars
List Price: Price Unavailable
Sale Price: $50.99
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  • OUTPUT POWER 10 Watts SPEAKER 1 x 6" INPUT Single Input AUX INPUT Stereo 3.5mmHEADPHONE OUT Stereo 3.5mmTONE CONTROL Equalizer
  • 1/8-inch MP3/CD input for practicing along with tunes
  • 5-year transferrable electronics warra
  • Whether you crave the sweet, chiming tone of today's Country music or the intense low-end and scooped midrange of the heaviest Metal, KG amps can deliver it and a lot more.
  • Designed in the USA

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This amp is just plain awesome! Perfect for classic rock or blues. Now is you want something for metal your most likely gonna have to use a stomp box or look somewhere else but classic rock like Hendrix, zeppelin, Black Sabbath, so on its great. Not too loud but for only 10 watts its good. Now its listed with digital effects but it does not come with them but trust me it sounds great. Well worth the 60 bucks or so.

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For some reason they keep on listing this amp as having "DIGITAL EFFECTS" there are no effects on it! It's very misleading. I contacted the seller, they sent me a return label and sent me another amp, Just like the first one, saying it has digital effects!!! Don't get me wrong, I've never even heard the little amp, it may sound great but, one thing I know is it has no effects! I just happened to be hospitalized right after buying the amp. I have not been able to return the first one yet so now I have two amps with no effects, brand new in there boxes waiting to be sent back.

If you are looking for a little amp with effects built in, DON'T BUY ONE OF THESE!

Yamaha ARIUS YDP-V240 Digital Piano With Bench

Yamaha ARIUS YDP-V240 Digital Piano With Bench
Customer Ratings: 4.5 stars
List Price: $2,699.99
Sale Price: $1,999.99
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  • Dynamic Stereo Sampling AWM piano with 64-note polyphony
  • 131 Voices + 361 XGlite Voices + 12 Kits; 160 styles; 30 preset songs
  • 6-track recorder with hands-separate practicing
  • USB connectivity for storing data or interfacing with software
  • 88-key Graded Hammer Standard weighted-action keyboard

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The Yamaha Arius YDP-V240 home digital piano is as good as it gets, short of being a Clavinova. I can't wait to get mine.

I went to a music store about an hour's drive from my home to choose a digital piano. My main keyboard is an eight-year-old Yamaha DGX500, which was the closest I could come to owning a Clavinova at the time. The DGX500 has a lot of nice features, but it still performs and sounds like a keyboard, as opposed to a digital piano.

The moment I sat down at the Arius I found it a true joy to play. It was sitting next to a CVP503 Clavinova, which I also played for comparison. The piano sample in the Clavinova was slightly better than the Arius, but not by much. There was also a slight difference between the Graded Hammer Standard and the Graded Hammer touch, but again, not by much. People talk about the Graded Hammer Standard mechanism being noisy. Perhaps it depends on how one plays and the type of music one plays. I didn't find noise to be an issue at all. The touch was satisfyingly pleasant to me. It is certainly better than any of the other keyboards I currently own.

This Arius model has everything anyone could possibly want in a fine digital piano. There is a ton of instrument voices and loads of rhythms with automatic accompaniment styles. I even hooked up a USB portable disk drive to play some piano MIDI files. And wow! The sound blew me away! It sounded as if someone were sitting at the piano playing this wonderful recital for me.

This instrument even looks like a piano, with its wood cabinet design, three pedals, and sliding key cover, which not only conceals the keys, but also the instrument's knobs and buttons. What's not to like? The fact that I wasn't in a hurry to get up from the piano bench speaks for itself. I said to the salesman, "This piano has my name on it."

I decided to purchase the instrument from this particular Yamaha dealer because we came up with a comfortable payment plan and the store will deliver it to my house fully assembled.

For 20 years I've been clamoring for a Clavinova, which always seemed just beyond my reach. Until the Yamaha Arius YDP-V240. I look forward to owning this instrument because it's as good as it gets.

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I have played on many different acoustic pianos in the last forty years. I admit I was a snob about digital pianos, I didn't believe there was one anywhere that could compare to a good acoustical piano. I had only had experience with some inexpensive keyboards that were lacking, to say the least. I did play a friend's digital piano about 4 years ago that had weighted keys, but it was not very impressive at all. I planned to keep my good console piano forever. However, moving into a smaller place made piano downsizing a must; there just wasn't room for my beloved console piano.

So I went shopping for digital pianos, and I was amazed to find so many good choices that are out there today. Things had changed dramatically since I had played my friend's digital with the weighted keys. I discovered the Yamaha's and fell in love with the graded hammer action, I can't believe how much like a real piano the touch is. And for me the touch is everything, that's what makes this digital piano feel like the real thing. And if you close your eyes, I don't believe you will discern any real difference in the sound, either. Simply amazing.

I wasn't sure I really needed all the bells and whistles such as all the voices and I really didn't think I would do any recording or anything like that. But after wading through the manual I decided to try some of the different voices, as well as record accompaniments so I could play duets with myself, and I've had a blast. It's a lot of fun to try different things on this piano, and I'm constantly glad that I didn't go for a model with less features after all.

The finish is really very nice, and it does look like a nice piece of furniture, and like a real piano, especially with the cover that pulls down over the keys.

Having played classical music for many years, I didn't want to have to "settle" for less than what I was used to. And with this piano, I don't feel like I "settled" at all. I don't think I could have asked for or found anything better without spending many thousands more.

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This piano has a really decent sound for this price range, and is also notably quite aesthetically pleasing to the eye. I regularly play on a Bosendorfer Impereal concert grand piano, and obviously you will notice differences in sound between the two. However, the sound of this Yamaha Arius is definitely on par or above the Casio models that I tried in this price range. The handful of available piano voices are different enough from each other that it is fun to mix it up for some variety. There are also a number of other instruments and sounds that aren't too bad either, though I admittedly use the first grand piano voice 99% of the time.

Setup is pretty straightforward, and I was able to do it alone fairly easily. For some, setup may take 2 people because the whole keyboard and upper cabinet is all one piece, and I'd guess that one piece weighs around 150lbs alone.

The manual is a tome, and I have yet to get into it too far. Thus I have not tried out all the available features like the easy song arranger or the performance assistant.

The keys cover slides out to cover not only the keys but the whole digital display and controls, so when it is closed, the whole piano has a really beautiful classic dark wood look. I think it's actually quite beautiful, and looks better in person than even the pics online.

One additional thing I really like is the dual headphone jacks underneath the piano, and the headphones hanger also conspicuously underneath. Note that if you do not ever intend to use headphones, or don't want them hanging underneath, you can choose not to put the hanger on, and you will never notice the headphone jacks (since they are underneath the keyboard).

All-in-all, I am very pleased with this piano and would definitely recommend it for those looking for a nice digital piano in this price range, with a number of extra digital goodies to keep you amused.

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August 28th, 2013 update My wife is an intermediate level piano player and I am a newbie. After checking on several Yamaha and competitor models at different music stores in San Francisco, we became interested in the Arius and Clavinova models from Yamaha. The Clavinova models are (as best we can tell) higher end instruments with several models that are fully analog (non-digital) "classical" standard pianos and several models that are fully digital and a step or two higher than the Arius. They are made for the more serious performer who practices often and their price is likewise higher as well. In comparison, the V240 is really a higher end keyboard with some piano like features (such as the piano wooden frame, speaker placement, addition of pedals, etc....) and that sounds and operates just as a classical piano does (at least when compared to a stand alone keyboard). What attracted us to the Arius over a traditional classical piano, was:

1 More reasonable price for our playing schedule

2 Fully digital so you can add in a flute, guitar, drums, etc... to accompany any piano piece. (cannot do on a classical piano and some Clavinovas). You can also signal process with the YDP-V240 so that your piano takes on the sound of say a 17th century harpsichord, a Greek lute or dozens of other instruments.

3 If you are learning and dont want to disrupt others in nearby rooms, you can plug in headphones and the piano music will pass only thru them (so anyone nearby will hear nothing). (obviously, cannot do on a classical piano) This allows my young son to start learning how to play without driving me mad in the next room.

4 Accepts USB keys, so you can add music files digitally or store your own creations in a USB memory stick.

5 Fully compatible with Windows 7 and Windows 8, so you can alter and manipulate your own music from piano to PC and back again. (cannot do with some Clavinovas)

6 Has a nice sliding key guard to prevent dust when the piano is not in use.

7 Has a slightly smaller form factor than regular sized pianos and will be easier to accommodate if you live in a apartment of smaller home.

This Arius model also comes with the pedals and bench. The piano is also easy to assemble and is made from a nice solid wood. It is a bit heavy at perhaps 140 lbs (65 kg) when first delivered, so if you are a smaller woman/live alone, etc... you might need a hand with getting it inside the house and setup. While our piano may not have the full acoustic effects that some purists and many professional artists look for in their piano, my wife and I are very happy with this YDP-V240 model. For now, 4.9 stars out of five.

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Here is a review from the perspective of an adult beginner: I'm very happy with my Yamaha Arius YDPV240. I am a beginner at piano (in my late 40's) as is my 6 year old daughter. We've had the piano for about six months. I did not buy the piano from Amazon, but purchased from Kraft Music.

Before I started playing piano six months ago, I thought there was not any real difference between a digital and acoustic instruments except for the modern conveniences. However, I must say that whenever I am able to play a "real" piano I find the differences quite stunning. In fact, when I see an acoustic piano I do my best to sit down and play it if I can! Real pianos have a wide variety of "touches"--some are much stiffer, some less so, and getting notes to sound is different than on my Yamaha digital piano. Also, acoustic pianos are full of strings, of course, and these strings VIBRATE, and that vibration comes through strongly in the keys and can be felt with the fingers and also with the body. This is a very different feeling. Experiencing these things makes me also want an acoustic piano, and realize that if I really had the $$$ the thing to get would be a Yamaha Disklavier, which is an acoustic piano and digital piano in the same instrument. Maybe some day ...

Back to the Yamaha Arius YDPV240. I am happy with my purchase. It was a reasonable amount to spend, but I know we will enjoy this for years. I love being able to practice with headphones when my children are sleeping, and to be able to control the volume when not using headphones. Acoustic pianos are VERY LOUD. It's nice that the digital piano does not have to be. However, if I turn it up to maximum volume, the volume feels like that of a real acoustic piano. I also love being able to record what I play and play it back. This is nice for practicing, as it forces me to find a tempo where I can play my piece through without mistakes. And it is nice to be able to listen to myself more objectively (than I can when playing at the same time). My daughter very much enjoys having the different instrument "voices." She will play with a variety of voices during her practice sessions and when she is fooling around. I think it is a lot of fun for her. She's taking conventional lessons, but I also teach her what I'm learning with the "Simply Music" method. She fools around with the Simply Music pieces quite a bit, playing them in different positions on the piano and it is interesting that when she transposes to a minor key she will choose a "spooky" sounding organ, for example. It's also fun to be able to play baroque music using the harpsichord, etc. I like the different expressive options one has with the digital piano--it is many instruments in one, in a sense.

My main disappointment with this piano was the bench. It is too small to accommodate me and my daughter to play four-handed piano. I just bought a new bench (see my review of the piano bench I just bought, Griffin's "Ebony Black Leather Piano Bench Wood Double Duet Keyboard Seat with Storage") so that we can more comfortably play together. I wish Yamaha provided bench options, as a storage bench that seats two seems to make sense to me!

I'm glad to recommend this piano!

Yamaha DD20 Touch-Sensitive Digital Drums

Yamaha DD20 Touch-Sensitive Digital Drums
Customer Ratings: 2 stars
List Price: Price Unavailable
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  • 4 touch-sensitive drum pads, 4 effects pads
  • 10 assignable percussion sets
  • 3 types of auto roll
  • Tempo control and tap start
  • Includes built-in speakers, drumsticks, and headphone jack

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This item is definitely good when living in a house with others, and you can practice different rudiments on it, but there are no digital cymbals or a digital bass. The fell to the "drums" isn't the greatest either, but they do do the job. there are a bunch of different sound effects on this I'd never be able to pull off with the real drum set I have, which ameks me like it. So again, I think Yamaha for making this, it kept me from quitting the drums, and now my family and I get along together because there is no noise factor.

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After 3 weeks of using the products, certain modes on the drums did not work. It has gotten worse since then and is not an issue of batteries.

Fender Starcaster 25-Watt 1x10-Inch Combo Guitar Amplifier with Reverb

Fender Starcaster 25-Watt 1x10-Inch Combo Guitar Amplifier with Reverb
Customer Ratings: 4 stars
List Price: $199.00
Sale Price: $129.00
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  • Headphone jack for silent practice
  • Two Selectible channels, (Normal and Drive)
  • Auxilery RCA Input for CD/MP3 Player, Drum Machine, etc.

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My Fender Strat 25W amp works and sounds very nice. This is the replacement for the first amp I received badly dammaged by shipper (UPS), allso soaked from rain. The amp was shipped in the factory box and is insufficient for home shipment.

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For a relatively inexpensive amp it serves it's purpose. We had an experience with another amp that we had to send back so we ordered this one. We should have stuck by the fender name. It is used everyday and my hubby really likes it. My only complaint is he plays it too loud but that is my problem not fenders.

Peavey BTS 2.2 Black Bluetooth Sound System

Peavey BTS 2.2 Black Bluetooth Sound System
Customer Ratings: 4.5 stars
List Price: $89.99
Sale Price: $57.52
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  • Frequency Band: 2400 - 2483.5 MHz
  • Input: 3.5 mm Aux-In Jack
  • Output: 3.5 mm Headphone Jack

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I bought this for pairing with my iPad or iPod touch. We listen to a lot of Internet radio for channels that we don't have great reception to in my area. It's absolutely awesome to just grab this, turn it on and out comes the music. No cables, power supplies or other hassles. Great for use in the kitchen too if you have a kitchen lacking extra outlets like we do.

Sound quality is excellent to my ears. For $60 I didn't expect Bose-quality sound, and that's good because it's not as good as a Bose sound dock, but still it's quite powerful for its size and I love that I can plug other devices into it or use an SD card or thumb drive if I wanted to travel even lighter and have all my music on one of those.

I've been hoping somebody would make something like this for a long time. Fits my needs perfectly.

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I had reservations about this, but it has been pleasantly surprising . I have used this successfully with a nexus 7 and iPhone over Bluetooth. This thing is loud enough that we used it by the pool for music. And my sister asked me to turn it down it was so loud. We were out there rocking it for 3 hours and the speaker showed no signs of stopping.

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A pretty decent sounding speaker. Don't expect a large, loud sound from this little box speaker but it does deliver for an immediate party area. Thought the battery would last a bit longer.

Sennheiser HD203 Closed-Back DJ Headphones

Sennheiser HD203 Closed-Back DJ Headphones
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $39.49
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  • Sennheiser HD203 DJ-Style Closed Lightweight Headphones
  • Closed, semi-around-the-ear dynamic headphones
  • Excellent attenuation of ambient noise
  • Powerful neodymium magnets and lightweight diaphragms capable of high SPLs
  • Extremely comfortable to wear for extended tracking or monitoring sessions
  • Replaceable leatherette ear pads

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Ive listened to these for a week already and tested these with various genres of music, including Rap, 80's Rock, Rock, Trance, House, Electro, Hardstyle, and Jazz. For reference purposes Ive hooked them up into my laptop with and without a 10 dollar portable amp purchased from Amazon. I also tried these on my Palm Pre Phone.

Basically on all these sources these headphones reached very good volume levels with and without a portable headphone amp. Of course these sound better with a headphone amp because youll reach much louder volume levels, but with these headphones an amp is simply an option and not a necessity(thank goodness).

Ive tried the bass capablities of these headphones with songs such as Snoop DoggGangsta Luv, David BannerLike a Pimp, JusticePhantom, MobyThousand, and Les Petits PilousWake Up. The Bass is truly amazing because it sounds clear, deep, and handles any bass thrown at it very well. The bass also never distorted on me even with the Amp connected and at full volume. The bass capabilities of these remind me of the Eh-150's performance except these are slightly stronger. Of course these do not thump like a subwoofer is inside but instead thumps good enough that its mighty impressive and is a good balance between the lows and highs.

The highs/Vocals of these are awesome as well. With these you may even hear things that you may have never heard in your songs.

These headphones sound quality are rich, deep, and satisfying. They are light and easily adjustable. The cord is a standard flat and long headphone cable with the connector being made up of regular sliver like metal so don't expect gold.

These headphones fit snugly much like the EH-150's and the HD 202's. You'll also need to give your ears a break for a minute usually every hour. But these do not fit so tight that it becomes unbearable though. But the advantage of this snug fit is that it effectively isolates outdoor sounds, which is very convenient if you are just trying to listen to your music and not be distracted by others loud conversations. Also unless you are BLASTING these they pretty much do not leak much sound, so you wont annoy the people around you either.

Simply put these continued to sound very good whether it was Miles Davis, Benny Goodman, Justice, Snoop Dogg, The Cure, Lady Gaga, and everything else in between.

Finally if you were looking between the Sennheiser HD202's, Sennheiser Eh-150s, or these Sennheiser HD203's. I would recommend these ones. Simply because the overall these sound clearer than the Sennheiser HD202's and these have a slightly better amount of bass than the EH-150's(hey every little counts). In my opinion this is a perfect mixture of two top rated headphones which results in one heck of a great new headphone product. I would definitely recommend these to friends and family, believe me Ive purchased both the 202's and 150's and I wouldn't think of going back to either of them.

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These headphones cost me about $35 to $40 and I was honestly excited but quickly disappointed. The sound has lots of bass, strong loud mids too but lack in the highs; the highs are not as crisp or clear as the HD 202's. You will still hear details in your music that you might have not noticed before, especially if you've never owned a good pair of headphones. However, as I mentioned, they sound a bit muffled when compared to the HD 202's and therefore sound a bit unbalanced to me. These would have been an excellent set of phones if the highs had more definition, crispness or clarity.

The one thing that the HD 203's do have better than the HD 202's is the imaging (i.e. the 3D spatial sound). Instruments in the mids have a more 3D sound than that of the HD 202's. I still prefer the HD 202's especially for the price which is about $20 cheaper than the 203's!! I bought both of these models at the same time to compare. I gave the 202's as a gift to my brother (he thinks they are the most amazing headphones ever!) and the 203's I sold.

I honestly don't know why the HD 203's are labeled as studio monitor headphones as those type are usually very balanced, clear and don't alter the music. These sound like they are trying hard to accentuate the imaging but lack clarity! I own and love a pair of the famous HD 497's (which unfortunately are no longer available) which are better monitor headphones than these HD 203's!!

The HD 203's did not feel as tight around my head as the HD 202's, which I thought was interesting since its the same design but just a different color. If the tightness of the headband bothers you, they will loosen up as you break them in or you can loosen them by stretching them around a stack of books. Just carefully remove the ear pads (they snap off) before you place them around the books so the pads won't lose their cushioned feel while being smashed by the books! And you don't want to break the headband so use some common sense! Don't use too many books that the headband breaks!

Hope this review was helpful. I would definitely recommend the HD 202's over the HD 203's!

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First off, I just want to say what the design flaw is. There isn't enough space between the ear and the front of the speakers. What happens is that the ear makes contact with the front of the speaker, and after a few hours this can become a bit painful...however, it's a small price to pay for the sound.

Also, I got these at best buy...here are my impressions:

I was very reluctant to get them at first. Initially I was looking to see if I could quickly pick up a pair of the acclaimed SennheiserPX models. They didn't carry those. I mostly was reluctant to get the 203s simply because they are identical in appearance to the EH150s, which I already own (which aren't bad either). However, on impulse, I bought them, assuming they had to have at least a different driver type, just utilizing the same design.

Well, I've put in several hours of listening on them now, and I think I was right. I am pleased to say that while they share sound signature similarities with the EH150s, they are not the same pair of drivers. They sound too different to me to be the same.

The comfort is a bit better than the 150s, only because the ear pads on the 203s are a bit thicker and more rounded. But it's just enough extra distance between the outer ear and the speakers to make an appreciable difference. Otherwise, they are exactly the same. That said, while I can wear them a bit longer than the EH150s without feeling bothered, I still think this should be addressed.

The build quality, while all plastic, is sturdy and rugged. They can stand up to abuse pretty well. I'm not particularly careful with my stuff, and the 150s have stood by me for a couple of years through running and long trips.

Now for the sound. They have the characteristically dark Sennheiser sound. Where they differ from the 150s, (and the HD 205s as well) is that they don't have nearly as thick a veil over the sound. On those models, it has always seemed to me that the sound was hiding behind a thick coloring. I have never liked that. It's not too bad on the EH 150s, but it's noticeable. I barely notice any sort of sound coloration with the HD 203s. These headphones are actually very balanced from what I can tell. The Bass is very present, but it doesn't seem to take over other ranges. I can hear the details fine. The mids are actually quite extended and forward. This is especially noticeable with Metal or hard rock; the rhythm guitars in GnR (Guns n Roses) stand out incredibly well where with a lot of other headphones, they take a back seat to the lead guitar, bass, and vocals.

As I said, the sound is dark. However, it's also incredibly rich sounding. Not overly thick or colored, but everything just has a really nice, rich and colorful tone without sacrificing clarity or accuracy. The sound is crystal clear. The highs...well, they are there. They sound very neutral. But still clear. The place where the richness of sound stands out the most is in Jazz, with regards to the bass and drums. I was listening to an album called "a duke ellington songbook", an album where the duke's classics get modern facelifts. The sound was astonishing. I could hear just about every movement of the acoustic guitarists hands over the frets, every minute detail on the bass (timbre and the sounds of string muting), and the drums had a lot of depth without being grating to the ears (they could get quite loud!). On some of the recordings I could even hear notes of on the piano that were some sort of recording artifact where the notes that were about to sound were playing very, very quietly right before they sounded. I had never noticed that before.

They work well for any type of music. I listened to Beethoven's 6th symphony, and one thing that stood out is that I could almost get an impression of the individual playing of each bassist or each violinist. In lesser headphones I've owned, it would sound like one large mass of sound, as it should since it's a section. But I was able to pick out anomalies in the playing where I could hear one instrument stand out. The bass sound had a nice "thud" effect, and the violins had a very smooth, yet sharp quality.

One last tidbit: They are incredibly easy to drive. They can get very, very loud, and I have to listen at half volume most of the time.

I'm very happy with these, and I haven't had any time to burn them in. They set me back only $50. I would recommend them wholeheartedly! Bravo to Sennheiser for making an awesome product.

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I haven't been more impressed with a cheap pair headphones as much as I have these. These Sennheiser HD 203's have been my main headphones (I am on a budget, so I can't afford higher end headphones yet). Of course, these headphones can't compete with higher end products from their own company, as well as other brands such as Grado, AKG, Shure, etc. But I've had these for a year and use them CONSTANTLY, and I haven't been able to put them down or switch to any other headphones in the price range, after listening to tons of other headphones in the price range. Indeed, people say that headphones and the user sometime can become so ingrained it's hard to get used to anything else, and it sure has worked for me.

The sound of this is simply why I can't put them down. They have a very rich, and FULL, sound I always like, especially for music. I'm not really sure if they have higher treble or something, but frankly, I'm not a fan of speakers or headphones that constantly are built to give you extremely heavy bass, high treble, or something along those lines. I like a flat, straight, and rich sound from speakers and headphones, and I got this sound from here. It depends on what you listen to, yes, but the flat and balanced sound is always there throughout whatever genre I listen to. Listen to them first because you have to trust your ears before anybody else, but I'm just the messenger and I say these headphones and I haven't been able to part.

In fact, I was impressed that these headphones give a dynamic type of range for what you listen to. For rap, the rhythms and bass were full and I had no trouble dancing to them with ease. It also never washed out the vocals or the music in the background. Rock was great as well, effortlessly mixing the guitars, drums, and vocals into one cohernt whole. Listening to some Cowboy Bebop was great, and every instrument was all together, orchestrated into one into a dense, extremely rich sound. It sounds great for any type of music, really, and I haven't experienced sub par sound for any type of music I listen to.

I tried listening to them for movies, and the difference was great from the typical bass boosted, washed out noise canceling Sony headphones I was previously used to. I previously had some Sony headphones (I haven't really been impressed with many Sony headphones after listening to more highly regarded companies), and hearing everything in washed out bass was a shock when I first listened to these. Were those gunshots actually made up of higher range sounds? Do the sound of guns actually have a metallic tinge to their use, instead of an exaggerated and low sound? Indeed, I was very impressed with this. Leave it to a company like this to finally show how positively cumbersome the mass produced headphones of companies like Phillips, Memorex, and (at times) Sony can be.

The design is not as durable as you might expect, but really, I think that if they break, it's the user who needs to remember to handle a pair of headphones like these with care. It's easy to adjust, and they are quite comfortable to wear, depending on the size of your ears. Sometimes though, they hurt your ears if you don't put them on right, but they can fit your ears and break in fine. When I first bought these, my ears didn't agree with them, but now they do very well. It's really about the sound the most, but for what it's worth, you can wear them for a long time.

The closed also block out noise fine.

One thing I would like you know is that the cord is LONG. Be aware to use that handy plastic twist if you ever think about using this while running or anything where you will be mobile with these headphones.

Sennheiser is just a great company, and for the price, I can't recommend these headphones enough. These headphones really have convinced me that Sennheiser is a respected brand name for a great reason. Don't bother with junk like Skullcandy and stick with companies like this. I haven't been more happy with these headphones.

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As others have said, they are a bit tight around the ears. What nobody mentions is how the headband feels: like it doesn't exist. It appears that there is a method to the bulky plastic design madness. I think, given time, the cushions will soften and overall comfort will be excellent.

How do they sound? Perfect. The balance and detail afforded by these headphones is incredible and I've yet to run them through an amp. Most importantly, the sound is accurate. A bass kick sounds like a bass kick, not an anemic tap or over-exaggerated boom. Toms and acoustic guitars resonate beautifully and with proper authority. Highs are crisp and clear, as are vocals.