Showing posts with label pc headphones. Show all posts
Showing posts with label pc headphones. Show all posts

Cables To Go CTG 13788 12 feet 3.5mm Stereo Audio Extension Cable M/F

Cables To Go CTG 13788 12 feet 3.5mm Stereo Audio Extension Cable M/F
Customer Ratings: 4 stars
List Price: $9.99
Sale Price: $4.99
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I hook it up and listen to music and I can't hear any signal degradation on my Grado SR-60s. The ends are just fine, other cables hooked into both ends snugly and I had no problems fiddling with it. I don't think there's really anything else to say.

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This long audio cable works fine to enable mo 'reach out' to distant earphones, audio sources, etc. Feel I should get a few more!

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It's made of good quality material. It does feel like it'll last for a long time. It's serving its purpose in perfect performance. Totally much cheaper than buying locally. Was gonna buy this first locally for almost 10 bucks until I found this here for a third of the price. Highly recommended.

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I was concerned when I first received this cable that it did not "feel right". Within a month, the cable started acting up and now I will have to purchase another (not this one). Recommend you spend a little more money to get the quality.

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I liked the fact it had length to it but it starting cutting out after just 2 weeks of use.

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Alesis IO2 Express 24-Bit USB Recording Interface

Alesis IO2 Express 24-Bit USB Recording Interface
Customer Ratings: 3.5 stars
List Price: Price Unavailable
Sale Price: $74.00
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  • Two-channel computer audio recording interface, comes complete with a copy of Steinberg Cubase LE digtal audio workstation (DAW) software.
  • Record up to 24-bit, 48 kHz audio into virtually any software
  • High-quality A/D and D/A converters, discrete-design preamps, 48V phantom power
  • Inputs for microphones, line-level sources, and instruments including guitars
  • USB bus powered - no external power supply needed

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Got this unit with some reserve....I had an M-audio Fast Track, and I was not sure why the Alesis was so affordable and with 2 IN for the instruments or mic.

The quality of the case is very low; cheap plastic for the case and the knobs, same for the switches and mic connectors; the only metal parts are the 3.5 inch jack where you plug your guitars or your external equipment, and the headphone OUT

The unit itself looks cheap, but what it matters is what it does; and this pup does it right.

I've hooked it to my Mac pro via USB, and as soon as i plugged it, Snow leopard recognized it; I just had to switch my audio settings to redirect the audio in, audio out and system sounds to the io2 and everything is set up.

I am happy to hear no noise even if the volume is cranked up, while wearing headphones; this means that either the circuit board is well done, or the unit is well shielded from external interference (the fasttrack would give a disturbing hiss now and then; that would disappear if i would change position to the unit of few inches)

The mic in works great; plugged in a mic and it works just fine; setting the knobs is a cakewalk since they are pretty precise and does not make any noise while twisting them (again, means that the people that put this together did a good job shielding the unit; we will see how good is shielded from dust, since that is one of the main causes of noise while twisting the knobs)

the Line in/Guitar in works also great; plugged in my guitar and increased the gain and the sound was really good; tried it with garageband and guitar rig 4 and the latency was under 10ms; versus 18ms with the FastTrack; the Phantom +48v is also useful if you just plug the guitar without amplifier; in this way you can use a sound modeling software like guitar rig and play nice effects directly into your computer, saving the hassle to bring in interference and other noise that would come from the amplifier or pedal.

The recording was also awesome; you can tell that the quality is high when you listen at something recorded with the io2, using Bose headphones or a good audio equipment; the quality was same if not better of a 196kbps MP3, even at high volume and using software equalizer.

The chance to use 2 IN at the same time (2 guitars, guitar and mic, mic and line in and so on) opens up a lot of possibilities; tried with mic and guitar and it works fine; giving you control on each separate channel (the +48v gain works globally on both IN ) with separate knobs for the gain and 2 extra knobs to control the mix between the wet and dry sound (so you can listen the sound of the instrument before being processed by the computer, and after)and to control the main level.

In the end i give this unit a 5 star, since even if is cheaply made; feels pretty solid when you actually use it; and cost much less than any other comparable external usb unit for mac.

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I bought the io2 express from Alesis as a temporary stand in for my Presonus Firebox which needed some maintenance after five years of heavy use. I saw the Alesis and since the price was right, went ahead and ordered one. I'm very impressed with this interface. Impressed enough to put my Presonus on the shelf for a while.

I'm using this with a three year old Dell XPS laptop with a dual core processor and 2 GB RAM. The pros that I see with the io2 express are these:

It's USB bus powered so it doesn't need its own external power supply. That makes it as compact and lightweight as possible. It's small enough to fit inside the front pocket of my laptop case.

Its installation and use have been the easiest of any interface I've used. Within five minutes of opening the box I was recording a guitar track. I did end up opting to use the ASIO4All drivers that are available on the Product page of Alesis' web site. They improved the latency from that of the class compliant driver by about 5ms. Class compliant latency was about 11ms, ASIO4All was 6ms. I suspect that with newer, faster computers that the latency will be lower.

It has the ins and outs that I need for about 95 percent of the recording and mixing I do. Two XLR ins on the top, two line/instrument ins on the top, an insert on each channel(this makes me very happy. I can now run a different effect on each channel at the same time. There is a mic/line/instrument switch on each channel, a headphone jack on top with mono/stereo switch for monitoring, and a separate level control for the headphones. There is a mix control that allows you to control the mix of the tracks that are being recorded with the tracks that the computer is playing back. No software mixers! This alone made me think twice about plugging in the Firebox again. Finally there is 48V phantom power for my favorite condenser mics and a control for the main level. On the back of the box are MIDI in/out jacks and left and right main outs for your monitors, along with the USB plug.

Alesis was smart in putting all the controls and inputs on top. Everything you need to see can be seen easily from one angle without having to reach around the back to plug things in, or open a mixing utility on your computer to change mixer settings. This is a very economically and ergonomically designed unit.

Last, but certainly not the least of the pros, the sound quality of this box is amazing. I've spent hundreds of dollars on tube preamps that don't sound as good as the preamps in the io2 express. And the converters also perform well past what I expected and honestly they make my Presonus sound almost dull by comparison. This by itself should be a strong enough selling point for most people to go ahead and order one.

I write an easy home recording for beginners blog and this will be the featured interface for any novice recording engineer/hobbyist. Its ease and sound quality make it perfect.

There are a couple of cons to mention. The case is hard plastic, which feels durable enough but it's not anywhere close to rugged. I suspect that this wasn't designed with repair in mind due to the low price, so the case also can't be easily opened to replace or repair inside parts. The knobs and switches also are on par with what I've come to expect with lower priced electronic equipment, although they are better than some other products I've used that cost a lot more(Line 6). Another con is the latency with the class compliant driver and the extra steps to download and install ASIO4All. ASIO drivers have become such a standard in the computer audio industry that I'm surprised they aren't included. That being said, I'm sure costs were contained by not having to include extra stuff in the package. The last of the cons is that since it's USB powered, the drain on the laptop battery is pretty quick. It lasted about a half hour before I had to plug in the external power supply. This is minor in my opinion since 99 percent of the time that I'm recording with my laptop it's plugged in any way.

So novice audio engineers get out your plastic and order now. This is worth the cash.

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I have been using this thing for about 2 weeks now. It's fairly simple to use and the audio is great. The software that came with it (Cubase LE5) was a bit tricky. I spent several days just trying to work out the kinks with it. My computer is tempermental as it is so I was a bit discouraged at first that I could not get the recording/mixing software to work for me. I had made several trips to the store trying to remedy what I thought was a memory issue. In truth, the solution was actually rather simple. So if you happen to encounter the following...

When I would record with Cubase and listen to the playback, the track would intermittently pop, skip, and crackle. It turns out that the ASIO driver that comes with the installation software is terrible. Find yourself a good ASIO driver online (I happened to download one from ASIO4ALL). Everything was fine after that.

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The MIDI part works in Linux right from the start, great news (just used aconnectgui and tied it to some USB MIDI keyboard to an old MIDI synth module). The audio record and playback is not well supported by most Linux applications due to the Alesis IO2's 24-bit audio format. You really have to stick with the professional-style audio tools (jack, LADSPA, and well written ALSA apps) to use the device on Linux. Many apps are only written to support 16-bit audio because that is the standard for consumer grade audio. If you configure ALSA using .asoundrc with the directive "format S24_3LE" you can get a bit further at having 16-bit audio applications work with the device, ALSA will convert it to/from 24-bit audio on the fly. Of course this means you are using suboptimal quality sound with your device, and I'm skeptical if it is worth the additional effort. The device also does not have a mixer like a consumer sound card, so many Linux ALSA applications have problems with it. You won't be playing video games through this device, and even movie players can be problematic depending on which one you use.

It is worth picking up some "Send-return" cables to use with the "insert" jacks, they quite inexpensive. Essentially it is a 1/4" stereo to two 1/2" mono jacks. You can then use effects pedals in your setup with guitar, line-in or mic.

The device is a little difficult to get the levels set right so it is not too quiet or too loud. Especially if you're putting effect pedals on, which can quickly overdrive the inputs requiring you to turn the Gain setting way down. This is normal sound check type stuff that you have to do with traditional amps or 4-track machines, it was just surprising to do it in this digital world using some analog knobs on the device. Would be better if those knobs were also digitally controlled, so I could configure mixer settings on PC instead of manually twisting knobs each time I set up.

I suggest you look at the non-express version of this device, it is a little more expensive but gives you digital in/out which is pretty exciting in my book.

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I bought this device to cure the latency problems with my onboard soundcard. There are no native drivers for 64bit operating systems and Alesis advise you use ASIO4all. The device workes well with ultra low latency but using both Sonar and Cubase I experienced loud and random bustrs of static both whenrecording and playing back rendering the device totally useless. It will rarely play or record more than 30 seconds without bursts of static. A web search revealed other users of the device with the same problem, none of which seem to have been able to solve it. Numerous emails to Alesis have gone unanswered. Their tyechnical support is either non existant or willfully ignoring them.

Yamaha P85 Digital Stage Piano (Black)

Yamaha P85 Digital Stage Piano
Customer Ratings: 5 stars
List Price: Price Unavailable
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  • Extensive Voice Selection and Dual Voice Function - The versatile P-85 also gives you a variety of other high-quality instrument Voices, including electric pianos, organs, strings and harpsichord plus a Dual Voice feature for playing two Voices at once.
  • Record Your Performance - You can capture your own playing with the song recording feature, then play it back for studying or accompaniment. There's even a built-in metronome for practicing and recording in perfect time.
  • Expressive Half-pedal Control - Features a half-pedal effect that gives you greater acoustic-like expressive control over the sound (with optional FC3 Foot Controller or LP-5 Pedal Unit).
  • Matching Stand (optional) - The optional L-85 & L-85S stands provide stability and optimum sound projection for the instrument -- as well as a stylish appearance with matching finish.
  • Three-pedal Pedal Unit (optional) - The optional LP-5 Pedal Unit gives you three pedals for the same kind of comprehensive sustain, sostenuto and soft control found on grand pianos

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When a master controller keyboard started to go flaky on me, I started looking for a replacement, and since I didn't REALLY need anything but a basic piano at this point (already having other keyboards that can serve this purpose), the focus was going to be on having 88 weighted keys, but being lightweight and portable. In the start of the 90s, stage pianos that remotely sounded like the real thing were becoming affordable, though hideously bulky and heavy. Let's just say they wouldn't fit in my car so easily, which leaves you reliant on the rest of the band for your transportation. End of the 90s, Korg was selling their 88 key Trinity keyboards, one of which I had the pleasure to lug around in my car for 10 years (it just barely fit!) but ultimately wore out because I couldn't get a case or even bag for it it was just too big. It still works but gets unpredictable when I move it, so I had to make the call, and buy a replacement.

I checked out some of the lower end piano models, Korg's P250, Roland RD700s, and Yamaha's P85 not only sounded much better, but was jaw-droppingly cheap. I find Roland's sound sweet but a bit muddy or saturated, the action was not bad. Korg's P250 sounds nice but I find their samples are compressed too much and the decay sounds unnaturally fast. Yamaha hit the sweet spot with their piano samples, granted there's only two sets of samples for piano, but they both sound absolutely brilliant (especially considering the cost of the keyboard). The expressiveness you get out of this instrument is amazing very careful attention to detail. (Compared to the 'honking' piano on the Korg Triton.) The key action is a bit heavier, I can see that I'll be doing scales for a month before I have the strength to really play that thing. That's ok, I'm still waiting for the stand anyways... Which brings me to :

(1) To incorporate built-in speakers, the bottom is not flat, it's basically a 'V'. It will not sit really stably in ANYTHING but the stand made for it. Handstands and other acrobatics are right out. So you basically are forced to buy the stand which sells for extra. Give me a break.

(2) There are no stage outs on this piano (if you want to use this piano in a band and hook it up to an amp and/or mixing board), you have to use the headphone jacks (!) VERY odd omission, instead of offering both analog and digital outs, Yamaha actually regresses and doesn't even have stage outs. Anyways, you have to get a cord that goes from stereo 1/4" (RTS) to two 1"4 jacks (very common cord BTW, your music store will have it), you can't just use a standard 1/4" jack because aspects of the piano signal are heavily panned and you get a weird phasey sound if you try to just take one side of the signal. And since it sticks out the front, you need a 1"4 right angle adapter to keep it out of harms way.

Apart from that, the piano sounds very crisp and convincing, some nice onboard effects to enhance this. But basically it's just a piano, not a workstation. Use it for one instrument at a time (you can layer the instruments but I couldn't find a single combination that sounded better than the individual instruments).

There are other sounds built into this, besides piano. There are two electric piano patches the first is a Fender Rhodes sound, with a DX-ey tinge to it, sounds beautifully full, if a bit tine-y. The second patch, kind of a Wurlitzer or (I guess) Yamaha CP type patch, is almost worth the price of the keyboard itself. Sounds very like Supertramp's keyboard sound, very expressive to play.

The organs are the worst of the samples. Honestly they couldn't find better organ patches than this, at least after the very high standard they established with the pianos? These sound like a circus calliope (E. Organ 1) and a bad Soundblaster pipe organ patch (E. Organ 2)! They are absolutely terrible, but if you really really need a calliope or pipe organ sound and not one of your instruments does that sound, you might use it.

The strings patch isn't bad, isn't noteworthy either. Definitely usable. I would have liked to be able to apply an (onboard) phaser effect to it for instance.

There are two harpsichord patches that are fairly high quality, better than the Korg Trinity's, anyways. Layering them sounds cheesy, but onboard compression might have helped. Workstations have me so spoiled...

The vibes patch is pretty good too, clear and bell-like. 'Tis purty.

All in all, this keyboard is an absolute steal at this price, once again the bar is raised in terms of quality and portability. You get bang-for-the-buck with this! It fits in the trunk of my car, just barely. Don't even have to put the back seats down! It loses 1/2 a star for the stand issue, the lack of even a proper set of analog outs, and the wretched organ samples.

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Pros:

1) Sounds like a Yamaha Grand Piano.

2) Touch/feels like a Yamaha Grand Piano

3) Considering the sound and the touch the price is unbelievable.

Cons:

1) It has 2 built-in speakers which leave a LOT to be desired. The guy at the music store handed me a pair of Yamaha headphones the difference in the sound quality was incredible.

2) He also recommended a Z stand for it which sells for 49 bucks. It is more stable that the standard X stand.

3) It comes with a really cheap sustain pedal. Amazon is showing a good option in the "Customers who bought this item also bought" M-Audio SP-2 US65010 $25 pedal.

4) And finally, I'm with the reviewer that said, "Where are my stage outs?" especially when you consider the quality of the onboard speakers.

I gave it 5 stars anyway, between the 2 of us it should get 4 1/2 stars.

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The Yamaha P-85 is well-designed digital piano with the full 88 keys at a price point that is hard to beat. 10 different voices are included, which can also be layered in many different ways (e.g., octave-shifted). The grand piano voices and the first electric organ are in stereo (and there are two stereo headphone jacks at the front of the device) and sound absolutely amazing. Multisampling is used, and the samples are blended expertly, so there isn't that jarring effect where suddenly a completely different sample is played when you hit a key a little harder, as I noticed on the Casio PX-320. Polyphony on the P-85 is sufficient that dropped notes should not be noticeable. Reverb can be added to the voices to simulate small rooms (or concert halls), and there is a built-in very basic MIDI recorder.

The P-85 looks very stylish and has a solid, well-made overall feel to it. Although the keys are weighted, the instrument is remarkably slim and lightweight. In fact, the instrument looks serious enough (in the black version) that many of the higher-priced Yamahas and Casios seem pretty toy-like next to it, with their little LCD screens and all.

I think the included sustain pedal is mainly a friendly gesture by Yamaha towards parents: You don't want a Christmas morning to go sour because Santa forgot to buy a pedal! In this regard Yamaha is much smarter than Casio, where some digital keyboards don't even include a power adaptor. Third party gear such as the M-Audio SP-2 Pedal goes very well with the Yamaha.

All in all, the Yamaha P-85 looks and sounds great, is a joy to play, and has all the basics for piano playing covered, as well as some advanced features like voice layering. The quality, convenience (headphone jacks, easy recordings), and price of the P-85 make it pretty hard to fathom why anyone would bother with the hassle of a real grand or upright piano anymore. But I suppose the flower vase has to go somewhere...

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I purchased the P85 to learn the piano after stopping for 15 years. I picked the P85 because it was affordable, it would fit in an apartment with limited space, and it was the best sounding digital piano for the price. I've had the chance to try this piano against an upright acoustic and a grand piano, and while there are differences, it isn't difficult to transfer skills between them.

[+] good [-] bad [*] different than acoustic piano

THE SOUND

[+] Piano voices sound realistic. Each note is beautifully distinctive, and never goes out of tune

[+] Better with headphones. The richness of the notes is even better when listening through a good set of headphones

[-] Other voices are worthless. The recordings for the other instrument choices sound toy-like compared to the high quality of the piano recordings. It feels like you are playing with MIDIs when you use the other voices.

[-] Speakers lack power. The speakers are not good enough to reproduce the sounds of the original recordings.

[*] Max volume is softer than an acoustic piano. It is easy to get into the habit of hammering the P85 keys because the digital records will still sound good, and it never gets too loud. But when switching to an acoustic, the same banging will sound ugly.

[*] The sustain is shorter when holding the pedal. Since the digital notes don't interact with each other, you can continuously hold the pedal, and each new note you play can still be heard clearly. For acoustic pianos, the sustain is longer and the new notes jumble together with the previous notes creating a muddled wall of noise.

THE FEEL

[+] The keys have a nice weight to them which transfers almost exactly to the skills needed for an acoustic piano

[+] The size of the keys also transfers nicely to an acoustic piano

[-] The pedal is too small to use. Fortunately, better petals are available, and not expensive.

[*] The keys of the P85 were heavier than the upright acoustic I used, and similar to the grand piano. You will get stronger fingers playing the p85. I found I could play the upright better after spending some time with the P85, but that it took longer to transition back to the p85 after a few weeks with the acoustic.

THE FEATURES

[+] Ready to go. You can turn on the piano and start playing within a few seconds. There is no need to fiddle with setting as everything is optimally set as defaults.

[-] The metronome is one of the most annoying features of this piano. There is a left and right button which changes the speed of the metronome, but each time you press it, it seems to double the speed. So it is always too fast or too slow. And it has an extra bell that signifies the start of a bar in 4/4 time. In order to change the time signature or get a more precise speed, you need to hold down the metronome button and press a specific note on the keyboard. Which requires having the manual on you at all times. An extra button to control the time signature, and easier control over the metronome speed would have been ideal.

THE SETUP

[+] Lightweight. It is easy to pick up and move, and the small profile makes it less awkward to carry.

[+] Stable. It sits firmly on a z-stand, and I've never had a problem with it shifting while playing.

OVERALL

The P85 makes piano playing addictive because it sounds so good, but can lead to bad habits with how loud to play, and how long to hold the pedal. However the fundamentals of how to play transfer very well from the P85 to an acoustic piano. You can also play at any time of day or night without bothering others because of the headphones option. The P85 is a joy to play, and I highly recommend it.

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This keyboard is a very good deal for the price!

Pros:

The touch is almost like a real piano. They feel like the keys on a piano and respond quickly when pressed. However, you can still slightly feel the mechanicalness when you carefully push down and observe. Most people won't notice though, so this is not a problem at all.

The sound is great overall! The sampled sound of the keyboard sounds real, too.

The keyboard easily connected via MIDI to my Mac (Leopard) and works smoothly with Garageband, which I use to compose.

The 50 preset songs (Liebestraum, Moonlight Sonata, Pathetique, Maple Leaf Rag, etc.) are also nice to listen to. They are some of the best interpreted pieces I have ever heard! It's like having a free CD that you can listen to!

The keyboard is pretty flexible, as you can change the amount of reverb/echo, change the touch sensitivity, and transpose what you play into another key. I use some of these features often they are really handy!

The model has all the basic features you probably need. A built in metronome, and a recording feature are included.

Cons:

Only ten instrument voices. I don't mind this but people who need more voices should consider another model.

The bass is a bit heavy compared to the treble. It may seem a bit louder and more noticeable than an actual acoustic piano.

The general sustain is a bit too short, both with and without pedal. I have the optional three-pedal unit, but the sustain is still too short. After awhile, I didn't notice, but once you sit in front of a real acoustic piano, you'll know the difference.

Overall, this is one of the best pianos you get get for the price. Once you have a good pair of speakers or earphones, this keyboard will sound very nice. However, if you are considering this as your primary instrument, I'd recommend an actual acoustic piano to this.

Audio-Technica AEW-R4100D Receiver

Audio-Technica AEW-R4100D Receiver
Customer Ratings: 4 stars
List Price: $889.00
Sale Price: $739.00
Today's Bonus: 17% Off
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Works great and for the most part am very pleased. Was delivered quickly. It is used but a little disappointed it was missing one of the rack mounting brackets and corresponding screws.

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Pyramid GA210 250-Watt Guitar Amplifier

Pyramid GA210 250-Watt Guitar Amplifier
Customer Ratings: 3 stars
List Price: $124.99
Sale Price: $54.45
Today's Bonus: 56% Off
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  • 250W Max/40W Rms
  •  6.5" High Definition Speaker
  • Volume, Bass & Treble
  • .25" Phone Jack Input
  • .25" Headphone Jack

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For the price this little amp works very well and my son's guitar teacher even liked it. It has good sound and can be very loud. I would reccomend this and the guitar teacher would reccommend it also. This is probably a small step above a beginners amp but it is not one to use professionally.

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5 star packaging... This thing was triple boxed, with styrofoam, and packing peanuts. They did a great job! However for musicians looking for a steal do not be misled by the "250 watt" name. This is not what you think! 200 watts of power could successfully play a small show if you were playing a Marshall or Randall amplifiers. This tiny little guy is the like the Austin Bazaar 10 watt amp, only the Austin B is rated 5 stars on Amazon likely because they label 10watts as 10watts rather than making it out to be something its not. This amp is good for kids (under 10) learning to play it has a nice clean sound, has a steel screen to protect the speaker, the rear of the amp is completly covered to protect curious fingers (some are not), and no real threat of ear damage with this tiny amp its not loud. There are no extra features on this amp there are volume bass and treble controls and a head phone jack.

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Simple but effective. For my grandson(7) with his first electric guitar for his birthday next week. He can't wait to get his hands on it.

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I was very surprised and please that such a small amp could deliver that much clear sound. I use it for my guitar and my keyboard.

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I purchased this item several years agok, and it was returned immediately. Wouldn't make a squeak, and was really cheaply built. I guess I should have not expected much out of such a cheap product, but had hoped that it might at least be a good practice amp. Nope. Don't waste your time.

Korg Kaossilator 2 Handheld Phrase Synthesizer and Loop Recorder Pack with Padded Gear Bag, AC Adap

Korg Kaossilator 2 Handheld Phrase Synthesizer and Loop Recorder Pack with Padded Gear Bag, AC Adapter, Micro SDHC Card, 1/8-Inch Audio Cable, Headphones, and Polishing Cloth
Customer Ratings: 3 stars
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My first impression after opening was a mixed bag. I really liked how it looked, but, it felt very light and toyish in my hand. First noodlings on this were impressive when hooked up to speakers, the sound quality this thing generates are very clean and good. Controls are intuitive but would take some time to really tweak to your own personal flavor but the 150 presets are fun. I played with this for about 5 hours making dance songs and some cool ambient tracks and the batteries were almost dead. Now the reason I purchased was really to be able to record other devices like my microkorg and guitar and loop all together while overdubbing little tidbits from this. For me personally it failed. The microphone feature is cool but it takes two people to use effectively and the sound quality was sub-par. The loop banks need to be held down to record ( basically loosing a hand ) and once you overdub a loop bank its forever. Meaning, if you lay a drum track then a bass line on loop one then decide to throw in a synth lead over them but don't like how the synth lead turned out you cant simply just delete the synth part, you have to delete the whole loop and start over. Now anyone who has played on Korg X-Y pads know that it is a crap shoot when it comes to playing the exact thing twice, it takes a lot of practice so this really turns out to be what I had expected, a really cool music toy. There are a lot of features on this that make it appealing and I am no Kaossilator expert but for the money they are asking and the cons that I talked about earlier it lasted one day and I returned it. Remember this is my opinion and I really wanted to like it but I couldn't justify keeping it when music gear is so expensive and I could spend my money on something else that would work better for me.

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