Showing posts with label personalized headphones. Show all posts
Showing posts with label personalized headphones. Show all posts

VIOLINSMART BLACK Solid Wood Advance Electric Violin crescent shape

VIOLINSMART BLACK Solid Wood Advance Electric Violin crescent shape
Customer Ratings: 4.5 stars
List Price: $219.99
Sale Price: $195.99
Today's Bonus: 11% Off
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  • Full Size 4/4 Advance Electric Silent Violin with Triangular Light Weight Hardshell Case
  • Made of selected solid Spruce top, Maple Side and Back
  • Full Brazil wood Bows with unbleached horsehair
  • Advance 9 V battery amplifier (compare with low end 3 Volt Amplifier elsewhere)
  • Hook-up with amplifier/HiFi or headphone. Includes 8 foot amp cable and earpiece

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I am a veteran violin player who have been playing violin for more than ten years. Decided to pick an silent violin up as a practice violin in the middle of night with earphone. I already spent too much on my acoustic violin and that one is still going to stay as my primary violin so was not planning to put big money in and that's why I choose this one, before I order it I think at least it pleases my eyes.

It arrived very quickly and was well packaged. The moment I got it I took out the no-brand string and put on Helicore strings that I ordered at the same time with this violin,paired with my own headphone it actually sounds pretty good, but do note the combined price of my headphone and strings already cost almost twice of this violin, and of course it doesn't produce sound any close to a Stradivari, but it is definitely not just a saw either.

The build in preamp does got the job done but I do notice some distortion if I jack the volume and tone to max, but this if my first electric violin so i do not know if it is normal. The bow that comes with it definitely felt cheap, but a good bow itself would cost way more than this violin so no complain about that.

For the price I paid everything was up to expectation, one thing I need to complain is the groove on the top of the fingerboard was way off on my violin that I need to readjust the string position by myself before it is in playable condition. The violin doesn't stay in tune very well, but it is a new violin with new string so it is expected, I will be putting some peg drop which should fix the problem.

In conclusion for the price I paid I think it totally worth my money, but I would not recommend anybody to pick it up as their first violin just because it cost less. It is a good backup/play around/screw around violin, for people who are starting to play violin I would recommend to get a good beginner violin at higher price (at least 300 I would say)that requires less setup to get it in good playable condition.

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Shipping was quite fast for someone like me that lives outside the US

The Wood, the body and the quality of the paint are great, no stains, no grains in the paint

for an electric violin it has good sound to play it unplugged thus making it a silent violin to be use at night and such

The strings are ok, use them, depleted their live, good to practice then you can change them to something better

the bow is really cheap, I use my own bow from my acoustic violin, I will be purchasing a new one soon for this one

The look and Feel of this violin (personal opinion) is simply great, Stylish and elegant.

The earphones are totally useless, since the Violin is quite loud even without being plug the earphone that comes with this are totally useless and pretty cheap.

I bought sennheiser but still the experience will be with a guitar AMP

Overall for the price and everything this is an awesome product for a Middle level Violinist.

Behringer V-AMP3 Next-Generation Virtual Guitar Amplifier with USB Audio Interface And Energyxt2.5

Behringer V-AMP3 Next-Generation Virtual Guitar Amplifier with USB Audio Interface And Energyxt2.5 Recording Software
Customer Ratings: 4.5 stars
List Price: $159.99
Sale Price: $122.37
Today's Bonus: 24% Off
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  • 4 all-new plus 28 improved amp models multiplied by 15 speaker cabinet simulations give you a total of 480 virtual combos
  • USB audio interface included, featuring stereo I/O, optical S/PDIF out, direct monitoring and separate control for phones out
  • No-latency guitar recording on your PC - edit and monitor your sound directly on V-AMP 3 and record to the incredible multi-platform music production software energyXT2.5 Compact
  • Studio quality multi-effects including reverb, chorus, flanger, phaser, rotary, auto-wah, echo, delay, compressor and various effects combinations
  • 125 memory locations pre-arranged for many popular styles and embedded in the acclaimed intuitive V-AMP user interface
  • No-latency guitar recording on your PC - edit and monitor your sound directly on V-AMP 3 and record to the incredible multi-platform
  • Studio quality multi-effects including reverb, chorus, flanger, phaser, rotary, auto-wah, echo, delay, compressor.
  • Studio quality multi-effects including reverb, chorus, flanger, phaser, rotary, auto-wah, echo, delay, compressor
  • No-latency guitar recording on your PCedit and monitor your sound directly on V-AMP 3 and record to the incredible multi-platform music

Click Here to Read More Reviews >>

I am still shocked at how great sounding this thing is and how much use I get out of it. I haven't had a single issue with it, other than the fact that its kind of ugly and isn't as cool looking as a Marshall Half stack or Fender Twin.

First thing you will want to do when you buy this amp is do a google search for behringer v amp 3, find the official behringer page for this and dowload and print out the full manual for this thing. The included manual in the box is pretty bad. The full manual goes into MUCH more detail. A slight, but easily remedied annoyance.

Secondly, It's kinda ugly. I don't know why the decided it needed to be in the shape of a guitar, it kinda lends to a kitschy feel that is aided by the red plastic (I guess they were trying to make it kinda look like a Line 6 POD?)

Thirdly, the interface takes a little getting used to, and isn't super convenient if you decide you want a different sound while playing in a club with it. Hard to fault it here though, as with the number of options you have, I don't really know how it could be easy to come up with something new in a dimly lit club. There is an easy solution, just limit yourself to the presets you created at home while onstage.

Now that those relatively minor negatives are out of the way, lets get to the positives.

1) Tone for days! My best friend plays a '63 Fender Strat through a '65 Twin, a vintage Marshall Plexi, a Fender Vibroverb (actually its two numbers away in the serial number from SRV's Vibroverb) and several other super legit amps. We go back and forth writing songs and after I got this he kept remarking on how good my tone was, I told him he was in for a surprise when he actually came over. He was thinking that I bought a Fuchs or something like that with the crazy good combo of clean tones I was getting, mildly overdriven and full on overdriven lead. He was shocked and partially appalled when he saw that those great tones were coming from this humble little hunk of plastic.

2) Preset presets are great, making your own are even better! When I first got this, I kinda played around with the presets for a while and they were usually very good sounding. Then I started playing around with the different amps and found a couple I liked. I was more or less satisfied that I probably got around 4-5 tones I really liked. Then I found the full manual on the behringer website and ventured into the waters of tweaking the cabinet simulations, reverb settings and noise gates. That's when the magic came alive.

How I would recommend using this thing is going through the list of amps you want to try, setting all the tone controls to 5, gain level at the type of overdrive you want and then going into the edit mode and changing the cabinet around until you found one you like. The differences in the cabinets are HUGE. A substantially bigger difference than you'll find in real life, where most cabs sound pretty similar. Once you've gotten the best sound you can get with the particular amp and cab combo, pick the type of reverb you want. For whatever reason the thing tends to default to type 8, which to me is by far the worst of the reverb settings. I tend to favor types 2,3 and 7 for clean sounds 1,6 and 8 for overdriven (though occasionally the crazy type 5 is fun for wild overdriven tones).

Once youve set your reverb and speaker cab, exit edit mode and then start tweaking the tone controls. You will find a TON of great tones.

3) Preset making is easy and limits you in a good way on the stage. I have a Fender Strat and an Epiphone Dot with Gibson '59 Classic humbuckers installed. These two guitars lend themselves to relatively different settings. No problem, what I did was made odd page presets for the strat (or any single coiled guitar) and even page presets for the Dot (or any humbucker guitar). Honestly on stage I don't want to page through a ton of pages, so I just limit myself to the 5 tones on the given page I'm on. It kind of sounds limiting until you think "well hey, I ONLY have 5 amps to chose from at any given point in time." The footswitch (not included) lets you switch into an overdriven model for leads and back for clean rhythm. I usually will just put it direct into the PA, though I do have a 2x12 speaker cabine and a power amp that I will use sometimes as well (though if I have to lug an amp around, I will usually bring my Princeton Reverb).

4) If you can't tell, this thing has replaced my actual real amps most of the time. I bought this thing as a practice amp and to occasionally get some different tones on recordings. Then my amp crapped out on me for a week and I made do with this. And I loved it. It wasn't better sounding, but it wasn't noticeably worse either, and all the different tones I could access. Sure, you look kinda weird, as people scan the stage for your amp. But sound guys love you. Your bandmates may make fun of you, that is until they realize how much better the stage volume is and how you have to carry one less piece of equipment. When the Princeton came back I used it at most of my gigs, but would occasionally get lazy and just grab the V-3. Now I only really bring the Princeton if the place I'm playing can't really support my guitar though the monitors. The other guitarist I sometimes play with lugs around a Fender Super Reverb, which looks cooler, but I laugh during load out.

5) It can even be used for things besides guitar! Home recording one day my XLR to USB converter crapped out on me when I was trying to record some harmonica parts. Well, I thought, we will see what it sounds like if I plug a harmonica green bullet mic directly into the the V-amp's tube preamp setting. It was fantastic sounding! Much better than direct recording and then EQing through My Audio Technica AT2020 USB mic. I now even occasionally record some vocals this way, if I want that warm, occasionally breaks up when you really lean into it, Stax soul vocal sound (not to say I can sing like Otis Redding or anything). (note, to do this you will need an XLR to 1/4" TRS cable, the V-Amp 3 only accepts 1/4" TRS inputs)

In sum, this is a great product, especially if you really learn how to use it. It could be slightly easier to use and cooler looking, but with tones like these for $100, how can you really complain that it looks cheap? It is cheap, it just doesn't sound cheap at all.

Finally, I have a friend is a Line 6 Pod and this thing blows the doors off it. Sure, you won't sound like you're playing a Dumble or Egnater, but you definitely don't sound like you're playing a $100 hunk of ugly red plastic either.

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The V-amp3, put simply, is very good (not just for the money).

I've spent nearly a year playing with it, and this processor offers very good value and performance, not just for the money, but overall.

The soundcard itself is small, and USB powered. Windows 7 will automatically install drivers, which work just fine, although the Behringer ones seem to offer a little better functionality.

I have not used the included recording software, and can't comment on it.

The V-amp3 itself is mostly what I use, and nearly on a daily basis. The EQ has a broad enough control to work with bright and dark sounding electric guitars. I have not used this with acoustics.

The compressor is sensitive and, when set low, is a nice touch, with a similar response to a Boss unit. It can be set way too high, however, making for some overly compressed sounds, and a bit of noise.

Distortions: this unit simply shines with good ones. Some sound a bit digital, but most are very good, and compared to a POD or Korg AX1000G (which I've used for years) this thing has a more natural, analog sound.

Reverb: light reverb on this unit is good, but takes on a "small room" sound too quickly, and can affect the tone at higher levels. It's best to leave this on low. The echoes and delays, however, are much better and transparent, leaving a nicely resonant echo sound. Teamed with a little reverb, it makes for a very good slap-back echo. Tap tempo can also make a huge difference here.

The built-in tuner is quite handy, and can mute the sound (unless the program volume knob is turned up).

The unit runs a touch warm toward the power connector, but is vented. I've also noticed after a year the pots are in need of a cleaning (slightly scratchy), but it is used in a somewhat dusty environment.

The power brick has a strange pinout that is similar to other Behringer products, but is nice in that it is not a wall-wart. It's not a noisy power supply, either.

The unit is pretty intuitive, and well laid out. I've typically played this through a Fender Champ 600 and Carvin Vintage 16 amp.

Keep in mind, this is a digital distortion unit primarily, and I think, in some cases, stomp boxes will be better, but this is still very good for digital. It will not compete with something like a G-Major 2 in terms of effects (those units sound extremely good to me, and I own one). But it is definitely a better choice than a POD, or competing floor modeler. For the ~$100 price tag, this thing deserves to be tried. It has a permanent spot on my desktop, and in my effects case.

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Hooked this bad boy to my amp and it rocks out with good clean distortion..... BUT the manual stinks , the interface stinks , be sure to read the pdf on amp use because of the way this outputs.... I dont like devices that make buttons have dual roles and this thing is chock full of them.... but once you get the sound you need from it wham! I just wish they made it easier to use. This device also comes with a usb box that allows your computer to record your guitar.

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Before I bought this unit I read all of the reviews and most were favorable. I own the Line 6 Pod and initially thought this was sort of a Pod ripoff. But I have tried other units that were more expensive that did not yield the results I was looking for. Something told me to give this a try so I took the $110 dollar gamble. I am so glad I did!

This unit features guitar amplifier and cabinet simulation. I wanted something that I could go directly into the PC or mixing console with, that would sound good without having to mic a cabinet. I had tried other units that just didn't yield quality results. This one did, even though it was much cheaper. When I first plugged it in, it gave a fancy light show and I thought, "Wow, that looks pretty cool, I just hope it sounds as good as the light show looked." It did.

I ordered it off of Amazon and had it the very next day. I got it just minutes before I left my house for practice with my bass player. So I brought it with me. I had my cheap beat-around electric guitar with me at the time. I plugged it directly into my Peavey powered mixer and it sounded pretty good. I was immediately impressed, as was my bass player. When I got home, I plugged my Les Paul into it and it was even better! I went through some of the presets and found one close to the sound I was looking for. Then I tweaked it a bit, with headphones on, and it was amazingly close to what I had in mind. Then I plugged it into my PC through my Line 6 UX2. It sounded excellent.

One thing I noticed, though, is that it really does sound very much like a guitar amplifier with a miked speaker cabinet. There is a volume for the patch and a main volume. When your patch volume is too high, it is very much like a miked cabinet with the volume set too high, which would detract from clarity. So I lowered the patch volume and raised the main volume and the clarity improved greatly. It is important to remember that you really have to play around with it to find the sound you are looking for.

At the time of this writing, I haven't really tried the USB adapter that was provided with it. So I can't really speak to the latency issues some have complained about regarding that. But I can speak to the fact that it sounds great when run directly into a mixing console for live applications, thereby making it unnecessary to drag a small guitar amp around to mic for gigs. That's a big plus for me. Really quick setup time. You gotta love that!

It comes with many effects and they are decent quality but I was disappointed by the fact that it didn't include a pitch shifter that would allow for a dropped tuning or for harmony leads. However, I have a zoom pedal I can use for that. I can go out from that into this unit. Of course, It'll probably throw off the sound a bit and may require some more tweaking to set it straight again, but, oh well, nothing in life is easy.

The paperwork you get with it isn't really the greatest. You can download a PDF manual for it off of the Behringer website that is much better. Do that before you try to figure out how to use it and end up getting aggravated by not being able to figure it on your own.

So, to sum it up, I'd have to say it is well worth the money regardless as to whether or not the USB interface is good or not. The unit itself is great.

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This is a very nice little effects processor, I like the Easyness of The whole thing, and it sounds very good with minimal effort, I would reccomend this to someone very new starting out with effects .

Vox AmPlug Lead Guitar Headphone Amp

Vox AmPlug Lead Guitar Headphone Amp
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $39.98
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  • Plugs directly into your guitar
  • 100% analog circuit faithfully simulates the response of the original amps
  • Lead delivers hi-gain lead guitar sounds, plus a digital delay effect
  • Up to 15 hours of battery life with two Alkaline AAA batteries
  • AUX in jack lets you jam along with your CD/MP3 player

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This is a cool little gadget. After having played an Amplug AC30 for some time, I was looking for better lead sounds. AC30 is good for clean and crunch sounds and bluesy solos. But it definitely lacks in high gain solo department. Enter the Amplug Lead in the scene. This unit is very good from the sound, price and portability stand points.

Here is a brief explanation about the sounds:

Clean: Put the gain on 0, volume on 10, tone to your liking. Roll back the guitar volume to around 4-5 (depends how hot your pickups are, whether they are single coil humbucker etc). You get a nice clean sound, closer to a marshall than a fender.

Crunch: Gain around 4, volume and tone to your liking. Guitar volume full. You get a nice crunch for chord work and rock fillers.

Lead: Now this is where this shines. The amount of gain and sustain is unbelievable. And it still retains note definition on higher gain levels. It does get a bit noisy after the gain goes above 7. Would have been nice to have some sort of noise gate circuit in there. Take half a point away for that.

Delay: Just OK. You get a bathroom echo with 3-4 repeats, not a spacey lead sound. Take another half point away for that.

Sounds awesome through a pair of quality headphones. Even plugged it into my studio monitors, and I must say that I was impressed with the sound. Plugged in the output of my laptop into this little guy and I was able to jam along with songs/backing tracks.

Looks a bit fragile the way its constructed, but I plan to be very careful with it. I would definitely have to buy again if it broke.

All in all, awesome unit. If you are trying to decide between the different Amplugs, just go with the Lead. You get many different sounds by doing small tweaks.

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I had the metal amplug,which i thought was pretty great for the price. That little thing had a lot of sustain and it could get very saturated and it never gave me any noise. And for the price is was a nice investment. Sadly though it broke. So i bought this one the lead definitly sounds bigger,it sounds more mid-y compared to the metal one and this one can also get even moore gain which is pretty great except it then starts giving you noise. The thing i didnt like very much about it was the effect. It sounds good just not great. I was expecting more of an echo effect that could be adjusted,the effect is more of a short delay/echo thing which isnt very great...and the echo was one of the biggest reasons i bought this thing and i rarely even use that feature,i alsmot never have it on,i just use the regular amp. So sadly this little thing is a 4 overall...and i wish they could make these things abit more sturdier.just a bit more! But i have to admit it sounds pretty decent for leads.. i wouldve given it a better score if it was the same price as the other amplugs

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I was very happy with this, until it quit working. I really only used it lightly over a few months and when I tried it again after taking a break from the guitar for a couple months, it no longer worked, even though I replaced the batteries and the light comes on and everything. Very frustrated as I can no longer return it to Amazon as that period has expired. I do not blame Amazon for this at all.

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The Lead model is the only one I have tried so far. I use it with a seven-string Washburn guitar fitted with (too) brutal SD Invader pickups, so keep that in mind.

I was expecting a good rock tone, but the Lead is pretty much in metal territory as soon as the gain goes higher than 3 on the dial. This means that there is no clean tone to speak of. Fiddling with the three dials gives a few usable tones, so it's quite versatile for what it is. It sounds best through my PC speakers, but it's also good through my Snug headphones. The distortion is surprisingly thick, with great sustain and note definition. The amPlug sounds truly better than many little amps I've heard. The delay feature is a cool addition, but it's not very good. It's a watery, splashy slapback that contributes mostly to creating background noise. For relaxed lead work, it can work, but I leave it off. A subtle reverb would have been better, I think.

Every time I switch the delay on or off, I always turn some of the dials as well, so it's a bit annoying. Blame my big clumsy hands. The construction is not very impressive either. If it survives a drop, it wouldn't survive the stepping on it. The hiss and noise when selecting split-humbuckers is deafening, so I'd be scared to try the Lead with a Strat or Tele. The mix with an MP3 player works well too, so you can hear yourself over the music. This little thing keeps me playing hour after hour.

I'm very happy with the Lead, I will surely get another one, either the AC30 or the Bass for my bass guitar.

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This amplug is the best of the group. I have a Vox Classic amplug and a similar product by Nadythis is the only one I've seen thst really sounds good.

Miikey Miipower By Miikey Power Bank For Iphone Battery

Miikey Miibling Headphones Style: MIIKEY-GOLD Size: OS
Customer Ratings: 3 stars
List Price: Price Unavailable
Sale Price: Price Unavailable
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I purchased a Miikey MiiPower from Groupon on March 27 for $39.95. The unit failed on or about the first of June, less than 90 days after I received it. I contacted MiiKey and was informed their warranty policy for items that fail after 30 days was that I had to pay to ship the product back to them ($10.95 on UPS) PLUS I had to send a check or Money Order for $19.95 to them to pay for return "shipping and handling". I don't think this is a very customer friendly warranty policy and think everyone should know about this prior to purchasing one of their products.

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Just bought this and charged my Nokia Lumia 900 in about an hour and a half. You will never be out of battery power if this is by your side. It's very easy to carry around and fits perfectly in your pocket. It even has a really bright flashlight on it which runs for about 10 days if needed. (not like you ever will need a flashlight for that long, lol) Comes with every type of charging connection from iPhone to Android, Windows Phone or the old school nokia plug as well. A MUST BUY IF YOU OWN A CELL PHONE or other device that needs charging on a long excursion....

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I bought this because i was going to disney world with my family and i knew i would be taking alot of pictures with my galaxy s 3. To bad it came in the mail too late and i wasnt able to bring it. I found it waiting for me when I got back home. It works great tho, I have a los vegas trip coming up soon and it will will be going with me. I even use it around the house sometimes. It has all the connectors you need with it, a mini usb, and ipod connecter also. Great prouduct.....buy it...

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I use the MiiPower Bank/Charger on my iPad2 New and Galaxy Nexus. With a size of 5600mAh this is a great little device.

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Received this in mail yesterday, and there were no signs of life in this device. No lights when plugged into the charger. Tried a different charger, same story. Nice packaging, but the content is cheaply made. Returning. Beware.

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IDANCE FUNKY300 -Watt -Channel Recording Studio Equipment , white and orange

IDANCE FUNKY300 -Watt  -Channel Recording Studio Equipment ,  white and orange
Customer Ratings: 4 stars
List Price: $49.00
Sale Price: $46.18
Today's Bonus: 6% Off
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  • GET LOUD and CLEAN, Funky Form Factor,Dual Driver for Music Lover, Prenium Ear cup, Compatible with iphone, inline microphone.
  • Driver Unit: 40mm Impedance:32Ohms, Driver Unit: 15mm Impedance:8Ohms, Driver Type: Neodymium, Sensitivity: 108dB+/-3dB
  • Frequency Response: 15Hz~20KHz, Cord Length: 1.5m, Cable Type: PVC, Plug: 3.5mm gold chrome.

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I purchased these headphones much cheaper than the listed price. They are a solid build but not very comfortable for long periods of time. I use them now as back up monitor headphones..the bass is a bit overwhelming but can be tamed with proper eq setting. The mids are really good but the highs lack that punch..overall they are solid headphones to have in your studio or DJ bag, they aren't a one and all headphone set but can be use as back up monitor headphones..it's all-ways good to make music you record sound good on anything and you can achieve that with these.

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JAM Studio Quality Guitar input for iPad, iPhone and Mac

JAM Studio Quality Guitar input for iPad, iPhone and Mac
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $99.00
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  • PureDIGITAL instrument connection for pristine sound quality
  • Designed specifically for electric guitar and electric bass
  • No configuration, just plug in and play
  • Made for GarageBand, Logic, and MainStage, Works with iPad, iPhone 4 and Mac
  • MFi certified by Apple "Made for iPod/iPad/iPhone for absolute compatibility

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After reading reviews for other products that plug into the headphone jack, I decided to go midrange and buy the apogee jam. I received this today and have gathered first impressions. I will update this review as I draw more conclusions, and the rating may or may not change as a result.

First Impressions:

For 100$, I was expecting an awful lot out of this gadget. I don't have a lot of money for guitar pedal effects and a really nice amp, so the result of that is that my time spent at the amp tweaking the limited settings at my disposal is frustrating. The verdict on the Jam? Nothing! As in it took no time at all, took no difficulty, no tweaking. I plugged the 1/4" cable in and into the Ipad, loaded the free version of ampkit, and I was getting wonderful sound immediately. Those first thirty minutes with this new toy melted away in a flash as I played around with the included distortion pedal on ampkit. Some key features I noted as positives:

Pros:

1) Excellent sound, right out of the box. No batteries to put in, no complicated setup, no install. It just worked straight away!

2) No delay, at least as far as I can tell. This seems to be something people are curious about, and at least so far as I can tell there's not one iota of delay from what I do and what comes out of the speakers. I simply may not be discerning enough, but to me there's no noticeable pause.

3) Sensitivity is solid. I was able to modulate my picking style and achieve big differences in the output. For some reason I was expecting the digital out to be muddy. It may have been a silly thought, but it's definitely solid in terms of its adjustment to you.

4) On-the-fly gain adjustment works very well, and I love that it gives you a readout of the noise level on the device itself. It allows you to easily get to a good spot.

Cons:

1) Cost. Obviously this isn't that much for a good guitar input. You could easily spend a lot more for fancier gadgets; however, 100$ is nothing to sneeze at when you play as a hobby. It's definitely worth it since it's no hassle compared to what I have read about other products

That's my list of cons I know for sure so far. There are other issues that I worry about that cannot be ascertained in a first impression. I intend to update these at another time.

Potential cons:

1) Output to a larger speaker. The Jam itself has no way to route your output sound to a larger speaker, and I am not certain that a good solution is going to pop up just yet. If I want to find a backing track on youtube on my laptop and get the guitar and track to my headphones, I'm not sure I'll be able to. I expect there is a reasonable solution for this, though

2) Durability. I have read other stories about the unit failing. Mine was not DoA, but that's about all I can tell so far. It seems like it will hold up to shock. It doesn't feel cheap to me, and it has no little parts to lose (like a battery flap, for example). Time will tell if this guy goes the distance

All that said, I am elated with my purchase and give it a tentative five-star rating. I intend to play with it a lot more, and at this stage I am not quite sure which of the several guitar apps I should lay down my money on. Ampkit seems really good so far with its free effects and amp, so I may go with that.

UPDATE, 12-17-2011

After several months of use, I feel confident in updating my review a bit for those who want some more information! The device has not given me one iota of trouble so far. I can now add some more annoyances to the short list.

CONS:

1) Not being able to charge the iPad at the same time while using the Jam has caused a few situations where I had to put down the guitar after several hours of fooling around with recording and whatnot. I know! Who says I should take a break, right?! This has not been a major issue, in reality, but it is a potential one if you are away from somewhere where you can charge up.

2) The digital connection locks tightly into the port, which is good (it's not going to get ripped out of there), but it gets to feeling a little flimsy and makes me nervous about damaging the cable head itself or the port to the iPad. If you're careful, no issue should ever pop up, but there's that distant possibility.

All in all, any quibbles I have are minor and should not deter you from considering this purchase. This device along with a few key apps have rendered the Vox AC30 miniamp I bought entirely obsolete. The apps play a big role in this, for sure. I'll talk about my setup briefly, as well.

Ampkit and garage band are both awesome for their own reasons. Ampkit has such a breadth of interesting sounds and presets and customization on your output that it's a must. The problem is that you lack the smart instruments and the ability to record in an organized way. Garage band's guitar sounds and interface are a little more annoying to deal with (needing to set the instrument monitoring and the tracklength every time is annoying). Specifically, the guitar sounds feel somewhat limiting and more difficult to customize. They are nice, but I like Ampkit a lot more. The multitrack recording and smart instruments make garage band indispensable for actual generation of musical ideas! Therefore, I wish I could port my ampkit output sound into garageband. Too bad!

All in all, the apogee jam is confirmed as an excellent amp input. Never once have I had a malfunction of the device or any popping or noise that was not setting related. No issue of detection or anything. No batteries for the device, no hassle. The price is the biggest deterrent, but if all the other iPad interfaces have such nasty trouble, then it's best to save your money and grab a good one at the first shot, and the Apogee Jam is definitely a good one!

How about my Potential cons section from before? Let's see...

1) Ipad can use an aux. cable to output to a larger speaker without hassle. I can import backing tracks into iTunes no problem. It's a little more annoying than booting up youtube and flying, but it's not bad. You can also enable multitasking in the garageband app that will allow you to open up other programs while still getting guitar output, so potential con #1 was not a concern.

2) Durability. No troubles on my end. No failure at all. I have been pretty gentle with it, but it has seen its share of slogging around in by guitar bag. Solid device!

What more can I say? I'd buy another if this one broke or got lost without a second thought. There is no better alternative so far as I can tell without being exorbitantly expensive.

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If you are like me, my research for a guitar connection to my iPad left me with choosing between the iRiffport and the Jam. I recently purchased, and then returned, the iRiffport. I am very pleased that I purchased the Apogee Jam as a replacement. Here are the reasons why:

1) The connector on the iRiffport (the one that goes into the iPad) is not a strong connection at all; it feels as though it could disconnect at any time. I have a stand to put my iPad on when jamming such that the iPad is in landscape mode, so the cord feels as though it will come out of moved the wrong way. With the Apogee Jam, the connector is just like the iPad's connector, except it ALSO has the "prongs" that come out of it, securing the connector into the iPad. To remove the connector from the iPad, you need to squeeze the buttons on the connector to make the "prongs" go in so it can be removed...very, very secure. I use the "Gumdrop" case on my iPad, which has a flap that goes over the charging port when not being used. This flap feels pretty tawt when it is open while the charging port is being used. IMPORTANT: if you have such an iPad case, like me, I certainly feel that the Jam will provide a much more secure connection to your iPad over the iRiffport. In fact, the structure of the iRiffport connector was so large, that I felt that it did not fit well through my case. On the other hand, the Jam's connector is the same small size as the iPad's original connector. This is also something to consider if you intend to use your iPad in portrait mode on a stand with the connector on the bottom of the iPad.

2) Probably the largest reason I prefer the Jam over the iRiffport: you can hear sound directly from the iPad. With the iRiffport, you MUST use headphones or attach external speakers. I tried headphones with the iRiffport and playing the guitar was very awkward. Nonetheless, with the Jam, I could attach headphones or external speakers to the iPad if I chose to do so. I wanted something that could make my iPad an amplifier for easy mobility around my house, without having to purchase another amplifier or external speakers. With the Jam, I have this.

3) The Jam has a gain meter (i.e., an LED) and a gain control. The iRiffport does not. When not being used to measure the level of the incoming audio, the LED lets you know if you are connected to the iPad, but not to any software (blue light), or if you are connected to the iPad AND to a software application (green light). There are no batteries needed for the Jam or the iRiffport.

4) I personally like that I can use my own guitar cord with the Jam. If the cord breaks, I simply replace the cord, not my iPad connection device. The iRiffport uses its own cord, and the connection to my guitar did not feel as strong as my "normal" guitar cable I used with the Jam.

5) Although a fairly minor point, it is nice to know that the Jam is advertised by Apple (look at their website and their Garageband video). And, since I have Garageband on my iPad, I was pleased to see that the advertising material on the Jam states specifically that it works with Garageband.

So far, I'm very pleased with the Jam.

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I bought a cheaper interface first, to 'try out the concept' of playing and recording with an iPad. As a guitar player and songwriter, feel free to take my word for it. It works!

That said, the cheaper mic port connectors can be noisy and problematic, and will be quite unpleasant if you have any hopes of using some of the higher gain settings on any of the amp sims in GBand or elsewhere.

If you play guitar, sing and/or write songs and want to do so on the iPad, save yourself the $30 or $40 you'll end up spending on a cheaper interface and go straight to the Apogee. You'll save money because once you run into the limitations of the other interfaces, you're going to end up buying the Apogee anyways!

The Apogee will give you a clean and direct digital connection to the iPad. The mic input on the iPad actually has circuitry that changes the sound to favor the range of the human voice. Guitars sound okay, bass not so much. Again, any gain of any magnitude whatsoever will produce a lot of squealing and feedback in the headphones if you're using a cheaper interface.

In GarageBand with the Apogee, guitars sound great and so does my Fender Precision bass. I play it through a cleaner amp setting and it sounds tremendous. I haven't run a mic through it yet, but it's a clean interface so with an adapter any dynamic (no phantom power, sorry) mic will sound great. Plenty of great vocals (and instruments) have been recorded over the years with simple dynamic mics, so please don't buy into the advertising myth that you absolutely have to have a shock-mounted, phantom powered microphone to get a great recording. You don't.

There's also the question of volume. The cheaper interfaces are too quiet (one way of dealing with the feedback issue). The Apogee lets you play plenty loud with whatever sound you like. Very nice I must say!

For songwriting on the go, traveling, whatever, Garageband and the Apogee can't be beat. I say this as a long time Windows user, and I can assure you I'm not dumping my Thinkpad anytime soon, but this is really a blast. Being able to tap out a beat, record guitars, vocals whatever on this little iPad is really nice in terms of songwriting workflow. As other have said, you'll get so involved the time just whooshes away!

If you want phantom power and a more sturdy, powered setup, try the Alesis audio dock. For me, though, this is perfect.

Bottom line: If you're a songwriter looking to replace your old four track, SKIP the cheaper interfaces. Spend some more money now and you'll be glad you did.

*** Addendum: Latency with GarageBand is very good, but not air-tight. You'll feel a bit of drag when doing any sort of moderately fast soloing, but it's not that bad at all. I've just been spoiled with the very low ASIO latency I get on my PC. My feeling is that this is not due to the Apogee hardware, but rather imposed by the software. GB has to gear itself for the best latency under the worst circumstances, which would be an iPad 1 with virtual instruments and effects on every track. Hopefully future releases of GB will give users some ability to tweak latency for various scenarios and hardware levels.

I also tried this on my wife's Macbook with the (included) USB converter cable and it works great. No driver installation or anything. Very nice!

Why 4 stars and not 5? You've got to jump through some serious hoops to get a 5 star rating, otherwise it has no meaning! Apogee did a nice job here but that's it. There's nothing special going on here that won't be done at least as well and more cheaply by other manufacturers. Apogee could have priced this much more cheaply but prefer to cash in on the cachet of their name. This is in their own best interest, and seeing as they're the first to introduce a compact digital interface for the iPad, I'm happy to pay the premium for now.

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I bought the Apogee Jam after being thoroughly disappointed with the iRig guitar interface. Like most inexpensive interfaces, the iRig uses the Mic input on the headphone jack of the iPad/iPhone for results that are noisy and low-fi, which simply takes the fun out of apps like Amplitube or GarageBand.

The Apogee Jam uses a direct digital in via the Dock connector, and cleared all that junk up in a hurry. It works perfectly in both Amplitube (v2.5 and up) and GarageBand, with low noise and a clean, fat signal. The input gain control is simple and useful, and because the headphone jack isn't being used you can hear your instrument through the iPad speaker if you wish.

There isn't much more to say. I am using it with a 3rd-gen iPad and iPhone 4S, and finally have a pocket-sized guitar rig that I can really enjoy. Huzzah!

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HEADS UP for people with newer ipad with lightning connector, you will need to purchase a lightning to 30-pin connector. Other than that seems pretty solid.

Crate CA10 Acoustic Guitar Amplifier Combo, 10 Watts, 1/4 Input, 3 Band EQ, Chorus

Crate CA10 Acoustic Guitar Amplifier Combo, 10 Watts, 1/4 Input, 3 Band EQ, Chorus
Customer Ratings: 3 stars
List Price: $139.99
Sale Price: $99.99
Today's Bonus: 29% Off
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  • Crate 8" high fidelity speaker
  • 10 watts RMS
  • 3-band EQ
  • Switchable Chorus with rate control and on/off switch
  • Headphone jack
  • 10 watts RMS, 3-band EQ

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The first time I took it out of the box,the handle came off, on further inspection, the handle was completely broken, I've not plugged it in to see if it works, I'm not very hopeful, this is my first unpleasant experience with Amazon

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Looks nice and when I plugged in acoustic with new woody it sounded great. The power is week. At level 5 almost no sound using the acoustic but can be easily played at 10 all day and sounds about twice as loud as non amplified guitar. Sound is nice over all with little hum. I also played a Epiphone les paul jr on it and it sounded nice and much louder. It also sounded like an acoustic guitar which was neat. PS the amp is much bigger than it looks.

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I bought a refurbished CA10 from Amazon and it is crap. Amazon said the warranty was 1 year same as a new one, so i bought it. 2 months later a loud distorted static began coming from the amp. Amazon said the warranty on refurbished gear is 1 month, not one year. I pulled the back off, jiggled some wires, and the amp quit working. Guess you get what you pay for. I wouldn't recommend this amp at all. I also wouldn't recommend Amazons honesty.

ddrum DD1 M Electronic Drum Module

ddrum DD1 M Electronic Drum Module
Customer Ratings: 2.5 stars
List Price: Price Unavailable
Sale Price: Price Unavailable
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  • Dual outputs
  • Headphone jack
  • On board metronome, click track and 30 onboard kits
  • Editable reverb and gain
  • Triggers sold separately

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As I said earlier this is the other piece I needed to complete the drum machine. Seems to work ok. Little expensive

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not at all what you would expect from a quality name brand. sounds more like a kids toy than drums

Alesis DM6 USB Kit Five-Piece Electronic Drum Set

Alesis DM6 USB Kit Five-Piece Electronic Drum Set
Customer Ratings: 4 stars
List Price: $699.00
Sale Price: $389.00
Today's Bonus: 44% Off
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  • Five-piece electronic drumset with DM6 drum module; 5 realistic-feeling drum and cymbal pads translate hits into message data translate hits into message data, which is played back as a drum sound by the DM6 drum module
  • DM6 module contains 108 top-notch drum, cymbal, and percussion sounds
  • Includes kick, snare, (3) tom, (2) cymbals and a hi-hat pad and a hi-hat pad, kick pedal & hi-hat controller
  • Dual-zone 8-Inch snare pad expands expressive playing freedom with multiple sounds per pad
  • USB-MIDI output for sending MIDI data to virtual instruments & software on your computer
  • DM6 drum module features an aux input for practicing with an external audio source
  • 15 programmable drum sets

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I've had my Alesis DM6 drumset up and running for a couple days and I must say I am pleasantly surprised. Up until now any electronic drumset in the $500 range was nothing more than a toy. Because I know that Alesis knows how to make great electronic drumsets I was hoping that their experience making higher end kits would trickle down to this brand new DM6 line. It did. This drumset is fabulous when you consider the price point and, in fact, has no real competition that I could find.

Pros:

Everything is included. I've looked at a lot of drumsets and many don't include everything you need like bass drum pedals and more. This has everything you need to play right our of the box, even a pair of drum sticks. OK, a couple things not included you will need and that's a set of headphones and a throne (chair) to sit on.

Sturdy, well made components. The natural rubber drum heads are quiet but have a very good feel and rebound to them. The rubber cymbals are not as quiet as the drum heads but do what they are supposed to do very nicely. All metal hi-hat and bass pedals. Wide diameter aluminum frame rails and compoents.

Very realistic sounding drum samples.

Dual zone snare. You can make the snare sound like a rimshot when you hit the rim. Or program it for a cowbell when you play "Don't Fear the Reaper". Or make it sound like any of the other drum sounds included.

Ability to interface with your computer via USB. This opens up a world of options including MIDI and recording your performances on your favorite recording software. I don't know of any sub $500 kit of this quality that does that.

MY FAVORITE THING is I just plug in my iPod into the DM6 module and I can play right along to my favorite songs.

You can buy an ION Drum Rocker module (I was able to get one on eBay, not sold by Alesis) and use this kit for your Rockband drumset. You'll need 8 new cables too, so while there is extra expense, it's possible

Cons:

Some kits, including mine, were delivered with firmware that was less than perfect. I, and others I have heard, would sometimes have problems with the snare drum triggering properly. I had to hit it harder than I thought I should to get it to trigger. A quick and easy firmware update totally fixed this problem but I know some people have problems updating thgings like this.

The Botton Line:

Everything I've said in this review is under the caviat, "...for the price." If you are new to drumming this would be a great first set. But if you are and experienced drummer on a tight budget you will not be disappointed as long as you aren't expecting the DM6 to be a Roland Pro high end drum kit. The bottom line is this is the best $500 (street price) electronic drumset ever made.

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I recently bought this set and I LOVE IT. In the past I've had a full-size Tama set and another set as well. I also had a Roland TDK-7 that I could never get adjusted to suit me.

This kit, however, is so much better and more responsive than the Roland set. The rack was very easy to setup, and my only gripe would be that it would have been nice if the connecting cables had been a bit longer. I was nervous with the standard setup that had the control module between the toms. Even though it sets back a bit, I had visions of whomping on it and decided to make some adjustments. I put the clamp for the crash symbol on the back bar instead of the left side bar, and moved the clamp for the module to the left side bar. That put it totally out of harm's way, however, it was a stretch for the 'floor tom' cable to reach the pad, but with a little adjustment it got there.

Everything you need is in the box except for a seat. The rack is there, all the electronics and cables are there, and even the drum sticks are included. Updates to the module can be done from your computer after downloading them from Alesis; you will need a USB cable to do that (not included, but a standard easily found cable).

The pads have a strange 'sticky' feel to them but they have a nice natural-feeling bounce and are fun to play. The symbols look and react like metal cymbals and the sound is very realistic. The pad used for the snare is a dual function pad, with the rim of the pad being slightly raised and producing a different sound. In the standard kit it sounds like the 'rim shot' that you would expect.

Others have made observations about the pedals creeping, but I'm not having that issue. I have an area rug with a rubber back that is on a laminate floor with the drums on the rug; no creeping so far. The pedals are very responsive and the adjustments for the pads are great. I was up and running very quickly. I do agree that several of the pre-programmed kits sound a whole lot alike and it would have been nice to get more variety.

I read about some issues with the snare missing some hits and the ride cymbal going to the bell a little too quickly and downloaded the recommended software update. Although that went well, the instructions had a few omissions and a couple of errors that I reported to Alesis. For your average computer-savvy person, it would not be a huge problem and I was able to figure it out.

I've seen this set for as low as $399, and it's totally worth it. I paid well over $1,000 for the Roland TDK-7 and I like this one just as much. Relatively small investment for big fun.

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My 8-year-old daughter told me she wanted a set of drums for Christmas. I instantly knew that they had to be electronic to maintain the peace. I also knew that I couldn't justify spending more than $500 on a kit. So, the search began. I came away with the understanding that the DM6 is the best value out there, but that Alesis was still working out some bugs. I also read that a firmware upgrade purportedly fixes the known bugs.

I decided to go with the DM6, and I am very pleased that I did. The build quality is great. Like other reviewers, I noticed some quirks (like missed hits). I already knew that I might need to update the firmware, so I did and the quirks went away. All you need is a computer (Windows) with a USB cable. The instructions for upgrading the firmware are not as clear as I would like, but it was fairly straight forward. You might want some help from a friend if you have never done this before.

The sound is incredibly realistic. There are certainly better drum kits out there, but none come close to the value of the DM6! If you or a child want to explore the world of percussion, then get the DM6. It should have a decent resale value should your interest wane, or if you outgrow it. When my daughter plays it with headphones on, all I hear is the pitter-patter of the rubber pads---SUCCESS!

I should also note that the pedals are designed to be used on carpet. Velcro lets the pedals stick to the carpet. The pedals will scratch wood floors unless you place a mat (like I did) underneath. It needs to be big enough so the throne (stool) is also on top the mat, so the pedals (and mat) do not walk away as you play.

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Let me start by saying that if this kit functioned perfectly, then it would have been a fantastic value for the money. In fact, when it's not malfunctioning, I have a lot of fun with it. The hardware is durable, the kits are fun, and it looks nice. However, buyers should know that not only are there several problems that people tend to experience, but Alesis customer service is horrendous. Their wait times on the phone are long, and they basically did nothing to help solve my issues.

The first problem I had was with the snare not registering properly. This was easily resolved by downloading the new firmware on Alesis's site. Next I experienced a problem that is detailed in several forums if you do a google search:

Basically, when playing faster beats that incorporate lots of hi-hat and snare, the hi-hat won't register for most hits. This renders the kit useless for heavier forms of rock such as metal, hardcore, and punk. If the module had "crosstalk" settings, then perhaps the issue could be resolved.

I wish I could say positive things about this kit, but it tends to be defective for many of its users. Also, the module is rather limited; I get the sense that Alesis intentionally made it this way so as to incentivize people to buy more expensive models. In other words, I don't think it would have been much more expensive to provide more a more comprehensive module system.

I wish I would have done a more thorough internet search before having bought it, because I'm not the only person to have experienced these problems.

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I used to play on an acoustic set, however, I'm living in an appt now, so I got an electric set to keep the noise down. My experience with electric drums is basically limited to trying out a few in the store. I would highly recommend that you try out a few sets before you buy. Overall, I was very impressed by these. The best thing I can say about them is that when I'm playing it sometimes feels like I'm playing an acoustic set.

Good things:

-Sample quality is greatthe sound is very realistic.

-Handy metronome.

-Hardy build quality.

-Great quality-for-the-price.

-Easy assembly.

-Real bass drum hammer.

-Surprisingly good high hatalthough the pedal isn't connected to the cymbal, it feels connected (you can splash it and everything).

-Decent software configuration options (for example, you can change the snare pad to a piccolo snare pad).

Bad things:

-Rim shots on the snare pad don't really work correctly. They trigger when you hit the plastic casing for the snare, not the raised rubber edge of the pad.

-The ride cymbal has an odd "feature" where when you hit it hard, it sounds like your playing on the bell, and will only sound normal when you hit it softly. I can't find a way to make it stop doing this. Although if you pay attention, it's pretty easy to control.

-You can't do rim clicks (unless you change the sample that the snare pad makes to the click sample, but then it will activate even when you strike the center of the pad).

-Crash cymbal doesn't sound right if you hit it softly.

-Snare drum sounds the same all over. It should sound quieter and more echo-y towards the sides. Although this is probably asking too much for such a cheap electric set.

-The triggers on the cymbals generally only trigger at a minimum impact, so its very hard to hit them very softly.

Also, I've heard some rumblings about a firmware update. However, I haven't tried loading it, so I can't attest to it solving any of these problems.