Showing posts with label quality headphones. Show all posts
Showing posts with label quality headphones. Show all posts

eForCity VOIP / SKYPE Hands-free Headset with Microphone, Black

eForCity VOIP / SKYPE Hands-free Headset with Microphone, Black
Customer Ratings: 2 stars
List Price: Price Unavailable
Sale Price: $4.93
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  • This Hands Free overhead VOIP / Skype headset is great for internet phone, conference calls, video games.
  • Fully compatible with: VoIP Skype / MSN / Yahoo / ICQ / AOL or internet calling. Stereo headset offers great bass and treble sound quality.
  • Adjustable head band and foam ear pads offers comfortable fitting. Features with adjustable volume control on the cord.
  • Plugs into standard 3.5mm audio jacks, for speaker and microphone. Color: Black.
  • Suggested Applications: Computers with accessible 3.5mm speaker and microphone jacks / Great for laptops, MP3 players and DVD players with 3.5mm audio output.

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The overall sound quality is ok, it sounds like its coming from far away though. The plastic is cheap quality and breaks easily. The packaging was very poor as well with a flimsy box and no padding. My set broke during transport and decided that I would return them, but decided to keep them due to eforcity's return policy (eforcity will not refund you the shipping cost and requires you pay for return shipping). These headphones aren't worth it.

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This is a decent headset for the price. Its mostly plastic with the exception of the upper part that has foam. Works fine so far (2 months) with no problems.

Fender Mustang I 20-Watt 1x8-Inch Guitar Combo Amp

Fender Mustang I 20-Watt 1x8-Inch Guitar Combo Amp
Customer Ratings: 5 stars
List Price: $159.99
Sale Price: $109.99
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  • 20 Watts
  • 1-8" Fender Special Design Speaker
  • One channel (with 24 presets)
  • Controls: Gain, Volume, Treble, Bass, Master, Preset Select, Modulation Select, Delay/Reverb Select, Save Button, Exit Button, Tap Tempo Button

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I bough this amp for my 9 year old son who is learning guitar for his Christmas present. I thought that since I love Fender guitars and since he has a mini Squier we'd like to get something in the Fender Family. I seriously expected a cheap imitation of a Line 6 Spider with a Fender logo slapped on it. I should have had more faith in Fender.

I am blown away by the sounds that come out of this amp. The AMP models are far more real and interesting sounding than any modeling tool I have ever used. The amps don't sound digital or processed, they actually sound overdriven when you crank the gain. You would swear that there are tubes in this thing when you listen to it. I can't get over the Bassman, the twin Reverb and the Deluxe. They sound so full and strong.

My biggest compliment of the Mustang is that it is the ONLY modeling amp that has great sounding Vintage tones. Line 6 has tons of metal stuff, and a lot of weird niche tones. Vox has never really made great modeling stuff. Digitech sounds super processed and the vintage tones are terrible.

If you play Blues, Rock, Classic Rock, Country, Funk etc... This amp is for you. There is just enough metal or heavy sounds to have a few choices for Modern Metal, but Metalheads might be better off with the Line 6 stuff.

The other great thing about this amp is how easy it is to tweak the tones using the amp controls. By looking at the controls, you know right where you are and what you have to do to edit your sound. You don't need to dive 5 levels deep into an LCD screen in order to make great sounding tweaks.

But if you like to go deep, you'll love the Fender Fuse software. It is easy to use and there are countless user submitted tones to help shape your sound.

The fact that Fender not only included FUSE with this amp, but also the Ableton recording software that is also pretty user friendly and fully usable without having to pay to upgrade anything, is just frosting on the cake.

I am a father of 4 who normally has to practice at night and being able to have an amp that can get quiet but still sound amazing, with the added features of a headphone jack and an AUX in, I can play whenever I want. I am actually selling my nice Tube amp and using the Mustang as my only amp for now, and I feel like I am not missing out on any features or downgrading my sound at all.

The value of this amp is amazing. People will shell out 2-3x as much for a Line 6 modeler, but the vintage tones will not sound anywhere close to as good as the Fender tones.

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I was skeptical about this amp, since it was so cheap, yet had all these features. Youtube and the Fender website allowed me to watch videos that impressed me. I took a chance and decided to go with the Mustang 1. I am glad I took the risk, cause this amp is simply amazing. First, without the software, it would make an incredible amp, combined with the FUSE software, it is over the top! With Fuse, you can add nearly any effect, and alter the effects just like you could on real pedals, so much more in depth and detailed than even my expensive multi-effects units! Fuse is simple to use as well, although the other 2 software programs, Ableton and Amplitube, do NOT impress me. Ampltube works, but I don't know what it is used for other than bypassing the Mustang and playing through your PC speakers. Ableton just doesn't seem to work. It loads up, and I can tell that it's working, but I can't get it to record ( which was one of the reasons I was interested in this amp ). The amp itself is simple to use, looks very handsome, and has great sound quality. The amp and FUSE alone are worth the price! I can really care less about Amplitube or Ableton. Pure genius, to make an easy to use amp with the effects built in. No more lugging around extra pedals or cables ! Thank you Fender, it's the things like this that keep me loyal to you.

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Have had this amp for a few weeks and my son and I can't stop messing with it. We are constantly finding new sounds. Connecting the online software gives you even more sounds and more control. We have dialed in everything from an old Fender Bassman to a Vox AC30 to a Marshall with so many effects that you'll never need a pedal again. Unreal for $!00.

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I agree with most of the reviews here. Combined with the Fuse software I think Fender has set a new standard at this price and the competition may need to follow. It is not a perfect amp and the way it functions is not for everyone, but the Mustang I is a great value at the current price.

Volume & Tone:

Subjective subject but the Mustang I has really good tone & volume considering the price & size. Clean tones were important to me so I narrowed my choice to this or the Vox Valvetronix VT+ series while testing amps at Guitar Center. The cheapest Vox VT+ (has a tube) sounded sweeter and louder through the 8 inch speaker, but it also cost more. For my purposes: practice, small jam sessions, and personal recording this was the best choice. If I was planning to primarily gig with the amp or play with a drummer/large ensemble I would have spent more $ and purchased a Vox VT+. The Mustang II is also a louder option, but at that price range I think there are better choices for live performance.

Pros:

-The most versatile modeling amp in this price range. The caveat is you have to hook it up to a computer with the included Fender Fuse software to bring out all the versatility and near limitless tones. I didn't see it in the product description so I'll point out that with Fuse you can overwrite all 24 presets. With the amp alone you can only overwrite 16 presets.

-Good tones; wide range of models; some are better than others. As with any modeling amp, just don't expect the models to sound as good as the real amp in a side by side comparison.

-I tested with my bass guitar and it sounds good AT LOW VOLUME.

-Includes a USB cable over 6' long and some lite versions of recording and performance software (which I haven't used).

Cons:

-Fender Fuse software functions okay but is slow and a little buggy. It also lacks some basic functionally like allowing the user to choose the location to save Fuse files to their PC. It looks like Fender continues to release updates so hopefully this will improve over time. Fuse installation on a PC also requires you to install a Microsoft add-on first. After I installed and rebooted I was prompted to install a bunch of updates related to the MS add-on.

-The amp did not come pre-loaded with any dry presets, unless you count one super high gain metal preset. They all have some effect on them, distortion, reverb, delay, etc...but these can be changed once you learn how to use the amp.

-I would not recommend this amp for a beginner unless you like to fiddle with knobs and play with different sounds more than learn how to play guitar. It will work, but they may need assistance and more time with the manual to avoid frustration.

-The optional footswitch (not included) only covers 2 presets

-The aux and headphone jacks have no nut locking it to the amp body. If you tug too hard on a chord plugged into one of those jacks you might do some serious damage to the jacks but all the modeling amps I looked at in this price range are built the same way, just be aware if you plan to use these features.

-The "Octaver" effect is disappointing. It is nothing like a Boss "Octave" stomp box...maybe I assumed too much.

Tips/Suggestions:

-Spend some time reading the manual or viewing videos online to familiarize yourself with the amp. The Mustang and modeling amps in general are more complex than a standard amp.

-When you create/modify/save a user preset, make sure you compare the volume to your other presets to avoid annoying volume fluctuations between presets.

-If you do not plan to ever hook the amp up to a computer (Fuse software) you're missing out on a lot the Mustang has to offer in versatility and ease of use.

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So, you have a C note laying around, and you're looking for a new amplifier. You're looking at the best option for that kind of money in my opinion. Big sound right out of the box, and most presets with a little tweaking can be simply amazing. While the FUSE software is available, in truth you could just stay within the confines of the amp for months without problem. It's a very versatile amp that can play multiple genres. Now, it could use some kind of chart on the amp to tell you what the modifier (modulation, delay/reverb) are so you don't have to keep the manual with it until you learn the amp, but that's a mild gripe. It also needs a second set of LEDs so the two modifiers don't have to share one. The on-board tuner is great, the tones are excellent, and aside from a few gripes about over-designing it with the shared LEDs and slightly complex interface (at first), it still places at the top of the $100 amp class and a contender in the $250 class in my opinion (It will run shoulder to shoulder with a MG30DFX Marshall I've had the privilege to test out.) Tone wise, it can hand out major grind in the metal presets, and five seconds later you can make it throw some major vintage sound without much fuss. I'm extremely pleased with it. In 99% of my reviews, I pose the question that if someone stole the piece, would I replace it. The answer is absolutely, and I'd do my best to find the guy who stole it and stick my dog on him!

Rhythmz BLU HD Touch Gesture Technolgy Headphones (White)

Rhythmz BLU HD Touch Gesture Technolgy Headphones
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $99.95
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I have this setup on a Mac mini 2012. The sound is good and the headphones are comfortable.

The Mac BT stack has a problem on initial connect(WiFi must be off), but after connected it works great.

It feels very solid and it folds into a smaller package.

recommended!

God is Gracious,

Andrew

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plastic finish is a little rough (otherwise would have given 5 stars) but it comes with everything awesome case, recharge cable, 3.5mm jack and the sound is great

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Hercules DJ Console RMX

Hercules DJ Console RMX
Customer Ratings: 4.5 stars
List Price: $299.99
Sale Price: $221.95
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  • Digital audio console designed for advanced and professional DJs features built-in 4-in/4-out audio interface and rugged metal casing
  • Two decks, each with jog wheel, pitch fader/buttons, playback control, 3-band EQ with kill buttons, loop/bend/fx/sampler buttons, and more
  • Two independent stereo inputs with line/phono RCA connectors and ground, independent RCA and 1/4-inch outputs, front microphone input
  • Includes VirtualDJ 5 DJC Edition software, with features/settings specific to the Hercules DJ Console Rmx; the Rmx is MIDI compatible for other apps
  • Four directional buttons for browsing menus and two buttons for loading tracks on the decks

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I have decided to write two different reviews for this product. One of them will be for the beginner, and the other will be for the advanced user of products such as these.

Beginner's Review:

The Hercules RMX the best entry to mid-level midi controller on the market for those looking to get into the world of mixing. While pricier than other controllers, the RMX has the most and best amount of software options to choose from. The Hercules may be somewhat difficult for beginners to set-up right out of the box, but once you do, playing is a breeze. The RMX comes with Virtual DJ software specifically mapped for the product, so you automatically can start to enjoy mixing your music library. Not only that, you are also given a carry-on bag, and lengthy instruction manual on the basics of scratching and mixing. You'll be on your way to hosting parties in no time.

Tech Review:

The Hercules RMX is a multi-faceted midi controller used to control software dj programs such as Virtual DJ, Traktor, or for use in live mixes like Ableton live. It comes with a metal casing, and is a dedicated soundcard, having four input / output plugs. The RMX doesn't come with any type of additional connectors besides the usb cable, so you will have to provide your own stereo jacks.

The controller can be set up for any type of gig. You can run your vinyl turntables or CD players through it, and have multiple outputs, so you can mix at a venue while broadcasting live on radio or internet stream. The buttons can be configured to have little to no lag between interfaces, and the jog wheels can be used to do various DJ scratching. Do NOT expect to scratch like a pro on the jog wheels, they are no substitute for actual vinyl.

The most important thing about the RMX are the drivers, and thankfully Hercules has updated them for windows 7 and Mac compatibility. Many midi controllers on the market selling still are only Vista capable, so be wary of other products like this. They also have a huge support forum, and an excellent customer service record. Expect that if you're having problems, you can google the issue and find the answer.

The RMX comes with Virtual DJ Basic. The software is subpar, and you're probably better off using programs like Traktor or Abelton, which give you more freedom with effects and midi mapping. Those products cost money, so expect to shell out another 400 dollars for a good version of the software.

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Having the proper mixer is one of the most important equipments for a mobile Dj. This is that mixer. I initially bought the Hercules MKII, but returned it when I found this one for $80 dollars more. It's been fantastic and user friendly. Using Virtual DJ, you can program up to 12 different effects((6 per deck). I use it for mobile gigs and all I bring is my laptop, hard drive, powered(pre amped) speakers, and this mixer...then I'm good to go. You can even control your music videos and of course Karaoke. I've even used this mixer to plug into the club(that I guest DJ at) and it has worked great. Other Dj's compliment me on the mixer once they try it. I don't use it for scratching, I plug my cd decks to the mixer though and do the scratching through them. Yes, you can plug either turntables or CD decks. Again, A Must for mobile DJ's.

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Wonderful item, it does what it says it does. Out of the box, installation was less than 10 mins with installation of the software and drivers. I was up and running and after figuring out some of the functions that weren't that well described in the manual, pretty soon it took me back to the old days when I used to mix vinyl records. The problem is that the jog dials, though very responsive, aren't accurate enough for the scratching motions needed for turntablist hip hop scratching. You can scratch and do pullbacks and do some scratch tricks, just don't expect to be mixmaster mike with this fader. There is a little latency from the movements of your wrist and the actual sound coming out of the speakers. For fading in between songs it is fine, and for minimal scratching it is ok at best. Otherwise, for everything else, it is a wonderful toy for the hobbyist dj, you can loop, sample and add effects with ease. But smoke and mirrors aside, professionals should definitely look elsewhere, and they wouldn't be reading up on something like this anyway with their purist attitude.

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I would definitely recommend this product for the price.

I am not unhappy for the amount I spent.

It's construction is rugged.

Looks great, feels great.

But keep the following in mind when purchasing:

1) The "kill" buttons DO NOT HAVE LEDs! Supposedly this is to save power over USB, but it nearly makes these buttons useless.

2) The jog-wheels do not really have inertia like say on the Vestax VCI-300. They do work very well for making fine adjustments.

3) The mixer is not really a mixer. They're just controls that bind/pair with the software. So you may be unhappy with the detail of their response. A REAL analog knob control, will have more finite control over levels.

4) The bundled version of Virtual DJ (Console) is old and simply horrible. I can't imagine using it. Even if you get over the crappy skin they give you, the software's responsiveness and usability is just not as good as the later versions. Be sure to see which up to date versions support using a console. Once I upgraded, it was a very usable and happy experience.

How I'm using it:

I have a touch screen laptop/tablet, this console, and a set of headphones.

It's primary value comes from being a dual sound card and console in one. I don't use all the features of the console, but it does make a difference to be able to touch knobs and physical levers versus being forced to use the tablet input.

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I'm a hobbyist (into house music) and here's what I've found after owning the RMX for about 6 months. If you're looking for a well priced, slightly better than entry level midi controller to learn on, this seems to be it. I use the RMX with Traktor Pro. It's been easy to customize the midi mapping (after watching a few youtube videos), and has worked pretty much out of the box with minimal tweaking also nice that it's powered by USB. I didn't spend much time with the included software, so I can't really comment on it. What I can say is that I have outgrown this mixer fairly quickly. Controlling the bass/mid/treble and the effects (in Traktor) requires some pretty quick fingers and a lot of double duty button mapping with the RMX (for example I had the bass/mid/treble buttons and knobs also programmed to switch and control effects when the shift button was held down works, but not ideal). I bought a Traktor Kontrol X1 to go along with the RMX and that helped me a lot now the bass/mid/treble controls serve only their intended purpose and the effects are controlled by the X1 helpful because having rotary knobs as well as buttons to control the effects and loops becomes necessary pretty quickly.

If you're serious at all about mixing, I'd recommend looking at the NI Traktor Kontrol S4 coming out in winter 2010. For about $1000 ($100 less when I do a search currently) you'll get a 4 channel mixer with sampling capabilities, touch sensitive jog wheels and a full version of Traktor created specifically for the S4. Add in the fact it comes with a soundcard (NI AUDIO 8 DJ quality), separate effects rotary/button controls, and the S4 is a no brainer.

When I got the Native Instruments Kontrol X1, I was impressed by the build quality. The Hercules RMX left a little bit to be desired the buttons are hard plastic and loud when pushed as opposed to the more rubberized, quiet buttons on the X1. The RMX buttons work fine and get the job done, just not as refined.

In short, I spent about $300 on the RMX, $200 on Traktor Pro and about $200 on the Kontrol X1 (look to Korg or Akai for something similar to the X1 but less expensive). This has provided me with a good set-up to learn on, but if the S4 had been out at the time I'd be kicking myself as the difference in overall price looks like the step-up from bedroom hobbyist to the real deal.

I don't want to scare anyone away, the RMX is a good mixer especially for the price -just not as professional/robust as the S4 will be, and if the S4 is built like the X1, it's gonna be sweet! Like I said, if you're serious, I encourage you to go and watch some youtube (or dj tech tools) videos on the upcoming Kontrol S4 before making a decision. Or, wait until the S4 comes out and you'll probably be able to find a good RMX used.

I hope this helps happy mixing.

Oh, and if you're into serious about scratching, the S4 might not be the mixer for you as the newly created version of Traktor Pro for the S4 doesn't support time coded vinyl, but it probably will soon.

ART USB Dual Pre Portable Stereo Preamp with USB

ART USB Dual Pre Portable Stereo Preamp with USB
Customer Ratings: 3 stars
List Price: $129.99
Sale Price: $89.00
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  • USB Connectivity to Desktop and Laptop Computers
  • Low Noise Fully Balanced XLR and 1/4-inch TRS Combi Inputs
  • Up to 48 dB of Clean Gain
  • Built-in Low Noise Phantom Power Supply
  • 1/4-inch TRS Balanced Monitor and 1/8-inch Headphone Monitor Outputs

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I own the Shure X2U XLR to USB adapter and have used the ART USB Dual Pre 2 Channel Preamp. My preference is for the ART. A review was written, prior to this one, critical of the ART because of the placement of a battery for field recording. This is probably a valid criticism, if your purchase of the ART is for field recording; not plugging into the USB port of a laptop or desktop computer. My evaluation is solely on its ability to quietly drive a professional lo-z microphone into a computer for digital voice recording. And for that, for $99.00 + shipping, you can't beat it. I'm an analog guy by nature and training; working in the broadcast media since 1963 and a licensed broadcast engineer. I've done thousands of voice overs and narrations during the past 4+ decades. I love reel to reel audio tape and simple analog recording, but that's history and I had to acquire gear that would allow me to still think analog, while performing digitally. This ART does the trick, but, for me, it's set up as a preamp into a 2009 model desktop.

Regarding the criticism of battery placement. If that is a problem for field recording, I'd attach an extender to the 9 volt battery connection and attach a battery compartment at the top of the ART.

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Nice features comparable with some other units that are cheap plastic.This thing is metal and built like a tank. I use it to record guitars,vocals and drums into recording software. Works great can't beat the price.

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I am new to recording and thought this would be a good place to start with in regards to home recording. Purchased this used for 65 bucks. Constant buzzing and the earphone monitoring hardly worked. I had a lot of grounding issues. Who knows but overall in my opinion a horrible buy.I have now switched over to a more expensive interface and its like night and day. Again I am beginner but this is def a pretty S*** product!

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If you'll use this unit with a laptop or external power, you'll probably be very happy. It has low self-noise, solid construction and well thought out features. Controls are smooth and solid.

HOWEVER, if you're planning to use it with a 9V battery for field recording, forget it. There isn't a battery compartment; instead, a cardboard (?!?!) sleeve is wrapped around the battery, then the battery/cardboard assembly is stuffed into a hole in the back of the unit, crammed right up against the circuit board and capacitors. (Presumably the cardboard is meant to insulate the battery case from shorting out the innards of the unit.) Worse yet, it is simply impossible to remove the battery once it is "installed". The fit is far too tight and there is no room for fingernails, needle-nosed pliers, an ice pick, or any other implement that can free the battery.

It is hard to imagine how an otherwise very well-built unit could have such a fundamental design flaw, yet it does. ART would do well to spend the extra 30 cents at manufacture to build a proper, enclosed, accessible battery compartment into this unitthen they would have a real winner that would serve perfectly for those of us who need mic preamps for outdoor recording and don't want to spend $650 for a MixPre.

25 FT Mini Plug 3.5mm 1/8" Audio Extension Cable 25FT

25 FT Mini Plug 3.5mm 1/8' Audio Extension Cable 25FT
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $3.49
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This product creates fuzzy noises and makes it impossible to record anything decent. I used it for my external mic and it sucks.

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Works great for the price and would recommend to any one who might need similar product. Worked wonderfully, god bless

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Exactly what I ordered. I ordered it and got it. This is what I wanted and it came.

thanks a lot.

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