Showing posts with label rocketfish bluetooth headphones. Show all posts
Showing posts with label rocketfish bluetooth headphones. Show all posts

NoiZfree Audio Binaural Earhooks

NoiZfree Audio Binaural Earhooks
Customer Ratings: 3 stars
List Price: $65.00
Sale Price: $59.95
Today's Bonus: 8% Off
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I am profoundly deaf bilaterally. I still use a powerful hearing aid in my left ear, but the ear will eventually die, as my right ear did five years ago. Now I have a cochlear implant in my right hear and it is amazing. However, I have trouble in noisy surrounding and with hearing sounds from a distance, such as while watching a movie or television. For those situations I use a personal listening device / FM receiver with a neck loop. When I switched from the old neck loop to these NoiZfree binaural earhooks, their close proximity to the T-coils in my hearing aid and sound processor increased the amplitude and fidelity of the sound and I was able to listen, often without needing captions. Even better, I could turn down the output level on my listening system almost to minimum so that the rechargeable battery lasted nearly 8 hours instead of 3 or 4.

Now for the bad: These are advertised as "Durable design for hard and intense use" by one of more sellers. That's simply not true. My current set is less than 6 months old and I've treated them with care. The extremely fine conductors inside the cable have cracked and separated at the point where the cable enters the plug body. I have to carefully flex the cord to restore continuity so I can hear sound well enough to enjoy. And then I have to hold the cord in that configuration for an hour or two. While I may be able to repair the cord by opening it and resoldering the fine wires, I shouldn't have to, and many folks don't have the necessary dextarity and tools. So,if you decide to buy the ear-hooks, simple beware and be VERY CAREFUL how you handle them.

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My teen uses this with her phone to listen to music. We get 4-5 months....sometimes, before they break. Either the wires inside break or in one case the hook came completely off. NOT for anything more than sitting still in a chair to listen to something. But good clarity when they are together.

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Orange Amplifiers Crush PiX Series CR20L 20W 1x8 Guitar Combo Amp Black

Orange Amplifiers Crush PiX Series CR20L 20W 1x8 Guitar Combo Amp Black
Customer Ratings: 5 stars
List Price: $159.00
Sale Price: $129.00
Today's Bonus: 19% Off
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  • Output: 20W RMS Controls: 3-band EQ Switchable overdrive Master volume Auxiliary input for MP3 player Headphone out

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This amplifier sounds loud, and have a good distorsion, if you want practice, and i recommend to beginners. but i just have a problem, the problem is that i wanted it orange not black. but its ok anyways buy this!!

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JTS HP-535 DJ Mixer

JTS HP-535 DJ Mixer
Customer Ratings: 5 stars
List Price: $49.95
Sale Price: $41.49
Today's Bonus: 17% Off
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  • 21 - 20,000 Hz frequency response
  • Semi closed back
  • Neodymium magnets with copper clad aluminum voice coils
  • Super thin 40mm diaphragm
  • Gold plated stereo

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Hi! This is the third of these headphones I have owned over the past six years. They have performed faultlessly in a studio environment during this time, and are the equal of cans costing three times the price. These are great headphones!

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Bought them for my 15 year old son, who is delighted with them. Happily will purchase another pair again. Thanks.

Zoom B1 Bass Multi Effects Pedal

Zoom B1 Bass Multi Effects Pedal
Customer Ratings: 4.5 stars
List Price: $99.99
Sale Price: $59.99
Today's Bonus: 40% Off
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  • Zoom ZFX-3 24-bit 96kHz digital multi-effects processor
  • 46 Effects types; 8 Modules
  • 40kHz frequency response
  • Built in drum machine
  • Harmonized pitch shifter

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So I started off looking for a simple headphone amp for my bass guitar which range in price from $40 to $80 amd my guitar player friend recomended that I get a small bass effects pedal. And long story short this thing is a headphone amp, a tuner, a amp simulator, a multi effects pedal, and a drum machine all in a $49.00 package.

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Sounds great, works great, not the best out there, but for the price, it worked for me. Used it on the worship team a few times, and also practicing at home. I wouldnt use it for my main gigs though too many drunks stomping around.. and this little thing is plastic. But it works goodly enough for most things :)

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I use this effects unit every-time I play bass.I can almost all-ways find a group of settings that fit the sound that I want. The only reason why I gave this unit a 4 is because it can be kind of tedious to adjust all of the presets to edit an effect setting. If I am searching for a unique sound that I will like, it can take up to 5 minutes to go through the coding to find a good setting. Also, I recommend the Zoom B2 for added durability as the B1 is more for practice with plastic and rubber hardware.

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I was looking for something to reproduce the high quality effects that are contained within Cool Edit but pre-signal for live shows as opposed to post-signal for recording.

These Zoom units come pretty damn close!

I am running this into a Hartke rig so I started out dialing in the Hartke simulation and then adding one effect at a time. It is true that some effects are more experimental than others but there are more than enough that are usuable straight away.

If you already have a compressor, it's best to turn the one inside the Zoom off and set the eq flat to start. Also, don't forget to store any changes you make straight away in one of the user banks.

Otherwise these are pretty straight forward to use and you really can't go wrong by simply exploring the full possiblities of ONE effect at a time with the SAME amp simulation.

Highly recommended!

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Very cheap, feels cheap, very plasticky, but sounds good. It is like a sonic pocket knife for the bassist. I have used it live to emulate cabinets and connect the bass directly to the PA without carrying all the gear other than the bass, the pedal and the cables.

I know it will never sound like the real rig, but from an economic and practical point of view is more cost-effective. People won't notice the difference live(if you set it right), and you won't break your back carrying the bass amp nor your pocket.

Benchmark DAC2 500-14800-100 2-Channel Digital Audio Converter

Benchmark DAC2 500-14800-100 2-Channel Digital Audio Converter
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $1,995.00
Today's Bonus:
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  • Quad 32-bit balanced D-to-A conversion system
  • Native DSD Conversion
  • 1 x USB, 2 x S/PDIF, 2 x Coaxial, and 2 pairs of analog inputs. Balanced XLR outputs, and 2 pairs of unbalanced RCA outputs.
  • Asynchronous Multi-Mode USB 2.0 - 192kHz/24-bit
  • Ultra Lock 2 Jitter Attenuation System

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By most accounts I am a budding audiophile therefore I do not have prior experience with DACs of any higher quality than what is in your run of the mill Apple "i" products. I spent a few weeks researching numerous DAC products and I finally decided on the Benchmark DAC2 HGC as a result of all of the rave reviews and it's ability to natively decode/playback DSD recordings. Yes it's completely true listening to the HGC is a "mind blower". It took all of of a few seconds to realize I had never heard the level of musical detail/imagining/accuracy and approximately 1 minute to decide the DAC2 HGC was "a keeper" even at $2K. I am staggered by the amount of musical detail/accuracy I failed to hear prior to my purchase. 3 weeks after my 1st listen, I continue to discover all of the unlocked musical details and beauty "buried" by inferior DACs. On the negative side, I am now able to clearly discern quality differences between iTunes purchased music (256 Kbps) and music ripped from my CDs (lossless). Maybe Apple will wake up soon and offer lossless purchases/downloads. Nonetheless, the enjoyment gained by my purchase of the DAC2 HGC is so compelling that I felt I needed to write this review my first. All of my testing has been done with: Wadia 170 iTransport ipod dock, iPod classic and Audio Technica ATH-M40fs headphones. Thus far I have not experimented with DSD material that is next after I build a system that is worthy of my DAC2's performance/quality which is now WIP..

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Extremely transparent, detailed, crisp and articulate. I'm hearing new detail in music. Be sure to configure for USB 2.0 (default is 1.0) for higher than 16/44.1 resolution files.

I read that 4 ESS Sabre Reference DAC IC's are used, which affords class leading linearity and lower RMS noise. As well as that Benchmark Media Systems has developed advanced jitter reduction, DSP and power supply technology.

This DAC has higher measured performance than much more expensive products and might sound as good, or better. It replaces the already excellent (much lower cost) Cambridge Audio DacMagic Plus Upsampling DAC ($600), in a USB based home audio system.

AKG Q350 In Ear Headphones, Quincy Jones Signature Line

AKG Q350 In Ear Headphones, Quincy Jones Signature Line
Customer Ratings: 4 stars
List Price: $149.00
Sale Price: $69.95
Today's Bonus: 53% Off
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I am one of those people that constantly buy earphones this is over the last 10 years. My most recent aquisition before the Q350's, was the Klipsch S4i wich are exellent headphones as well and award winners. The Q350 headphones when compared to the S41's have better overall range. You can hear midrange with ease when compared to the S4i's and just about every other in ear headphones that I've ever used or owned and I've owned quite a few. In ear's from Sony, Klipsch, V-moda, Skull Candy, Apple and Bose. Most in ear's that I've used have decent low's and highs with little in between. The S4i's, for instance, have very solid thumping base, ok midrange and exellent high's. The Q350's have good bass (not as good on the low end as the S4i's), exellent mid range and treble and a better db rating than just about any othe in ear headphones on the market. It's kind of hard to describe exactly how the Q350's sound. They have big headphone presance. You can more easily pick out intruments and back lines in a composition than other in-ears, and some full sized headphones I've used. You'll never know what you have been missing until you listen to these headphones.

Pro's

Exellent construction

Exellent sound (not as bassy as some)

Big headphone presance 121db

Cord seem's to have a good design and protection.(more durable than the S4i's,wich lasted 8 months, V-moda's lasted 2 months, Sony lasted 6 months, for me)

Microphone and controls also seem good.

Cons

Short cord,long enough to place in your pocket.(not really a con for me)

Can be chalenging to get in your ear with good a seal. (easy enough to figure out though)

A bit lager than most in-ear headphones

I've only had these for 1 month

and will update if needed.

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This is the best in-ear earphone so far. i used to have the S4i(Klipsch, it was good at its bass but not so good on the mid and low, the bass sometimes try to overtake the mid or maybe u cant hear it at all) but once I insert this Q350 into my ear, u can feel a huge difference already, i've tried sampling some in ear earphone available in the market but so far none can match this yet. I guarantee those who bought it will start enjoying hearing music again like first love.. i cant describe it very much, because "listening is believing". to me this earphone is the masterpiece so far and glad to have more once i got my paycheck :) for backup in case the controller broken.

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As a reference, I've been using the Sennheiser CX300-B In-Ear Stereo Headphonefor the past year or two. At first I wasn't convinced there was much of a sound difference between the cx300's and these AKG's. However, after some more dedicated listening, there definitely IS a difference.

The AKG Q350's put out much better bass response. I listened to a variety of music from classical to pop, vocal, and rock, and what I found was that the AKG's opened up the low end to the musical notes of low-frequency instruments like bass guitars and cellos, as well as providing extra punch for drums and other percussion. The Sennheiser's were noted in some reviews for their good bass response, but there really is no comparison to the AKG's. For non-critical listening, you might not notice the difference, but once you take time to carefully listen to the same material using lower quality headphones compared to these, you won't want to go back. You find notes, sounds, echos that you hadn't heard before. The music has more depth and a fuller, more realistic presence. For me it was more noticable on instrumental pieces than with rock/metal. The latter does benefit from the extra punch.

The AKG's also have really nice treble response, and I felt like I could better tell where instruments were placed. Overall, with the AKG's I could clearly tell that the quality of the MP3/iTunes encoding was the limiting factor of the sound quality not the headphones themselves. If you get a set of these, you might want an audio player that can handle a lossless codec to get the full benefit.

They are very comfortable more so than the Senn's. I wore them several hours at a time without discomfort. They block out office and home sounds well on par with other earbuds. Cable noise is less than those of the Senn's and they have equal-length cable ends.

Quality is very nice. At the earbud end, the strain relief is molded onto the cable which provides a stiffer feel and gives you something to grab onto when putting them in or out. The wire is a bit thicker than that of the Sennheisers. The included case is a clamshell style, closes with a zipper and has the hard foam exterior and soft-cloth lined interior. The case is big enough to fit a small mp3 player, an iPod suffle or the Nano G6. *See the product pictures I uploaded for more what the case looks like.*

The inline mic and controls work well for my ipod. They allow you to control volume as well as pause the music even if the hold switch on the iPod is engaged. So you could lock the iPod and put it in your pocket, then still be able to control the volume and playback.

With my blackberry, it functions as earbuds, but I was not able to use it to control hands-free features. I'm not sure if it's supposed to or not the documentation wasn't really clear on this. I also have to insert the cord partway into my blackberry until it picks up the sound, then push it in the rest of the way or else it doesn't work. My guess is that this is more of a blackberry issue (mine is 2.5 years old and pretty beat up). Although the inline controls don't do anything during music playback or while on a call, it does work as a headset for talking on calls. The left/right indicators are very small on the earbuds, and can only be seen when looking straight at the part inserted into your ear. Therefore, the inline control makes it easy to see which is left/right. These do not include a shirt clip, so it does fumble around when on a call.

This is the most expensive pair of headphones I've owned, so I can't directly compare them to others at the same price point. The price difference between my old Sennheisers and the AKG Q350's is pretty substantial, however, if you desire higher quality sounds where you can actually hear and almost feel those low-end notes, these are worth the investment. Also, the lower cord-noise effect makes them better for working out, even if you don't necessarily need the extra audio quality.

Other Items:

Mine did not come with a cable winder or any of the headphone adapters (airline, 2.5mm or 6.3mm). I also believe the product description (as of 12/2010) mistakenly says these have detachable cords that's the higher end model. I'm not deducting any stars for this, as I received the black & green version free through the Vine program and sometimes we get "pre-release" versions vs. the true retail version. Since these are offered in 3 color variations I'm posting this review for each. Update: I received a reply from my inquiry to AKG about this. They state that the Q350's should only come with the case and cord winder. Mine only had the case, though.

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BOTTOM LINE: These in-ear headphones are a vast improvement over any stock earphones you might get from a retail package of an iPod, or any mobile phone, although you can probably find other products that are comparable or even better in performance given the price point of these IEMs.

The sound on these guys are great. The bass is clearly there for all the bass-heads (sufficient without being overwhelming), and the mid-range is excellent. There is something quirky with the treble though, the highs almost seem a little warped like they're being distorted to be overly clear and sharp. At the beginning, I was a little bothered by this. But, after close to 30 hours of burn-in, I'm actually pretty satisfied with the way they sound (whether this is from burn-in or my ears becoming adjusted to the slightly funky treble I can't verify, but either way I'm happy as it is). My opinion is that these provide a balanced sound PROVIDED that your source is of at the very minimum 192kbs music (320 kbs preferable), because let's be honest, you will be hard pressed to find a set of IEMs that can produce good sound when playing source music that is a compressed 128kbs.

I know some people have complained about the tips not fitting well, but the tips that were already on the buds out of the package fit perfectly for me. As far as insulation goes, getting a proper seal will insulate fairly well and zone out ambient noise, but if you're looking for some serious noise cancellation or insulation IEMs, I would say that these are in the middle of the pack and you'd be better off looking elsewhere.

As far as construction goes, for $99 I have to admit it definitely feels a bit cheap with the plastic-y touch (granted, that's what makes these light, which is a plus for carrying around). The style points are obviously there, with the lime green wire and the black buds but dropping a hundo, one would think that AKG could afford to put a little more effort into sturdier construction. The cord is a little on the short end, but still sufficient to have it reach your ears from an ipod in your pocket. These do NOT come with a case winder just a light hard/soft shell case for carrying it around in.

Overall, a great pair of IEMs that really raise the level of performance over stock equipment. I am OK with these guys since I got them for $50, but if you are paying retail $99 for them, I would say that there are probably better bets out there like the Klipsch S4/S4i/S5 (although I hear these are bass-heavy) for cheaper. But, if you can snag these guys at a discount I would say they are definitely worth every penny, and as far as style goes these are one of the best looking budget sets out there!!

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For the most part I have not been happy with the quality of sound that comes out of in-ear headphones, but Q350 headphones have really impressed me. They are much more expensive than your average in-ear headphones, and I was wondering if the higher price was really justified. I like to listen to music all the time, but I don't consider myself much of an audiophile I rarely pay attention to the subtleties of sound, especially if I am listening to pop music. However, even my untrained ears were instantly able to appreciate the high sound quality that these earphones delivered. When listening to some of my favorite movie soundtracks I was able to hear sounds and nuances that I never noticed before. When listening to recordings of classical music performances I could clearly hear the slight shuffling of the musicians and other "unintended" sounds. This made the listening that much more vivid. The high notes were particularly crisp, the low ones rich and reverberating. As far as the sound quality is concerned, these headphones definitely deliver on their promise. Anyone who is interested in amplifying his or her music listening experience, regardless of the level of their musical sophistication, will certainly appreciate these headphones.

These headphones seem to have some kind of passive noise-canceling functionality, although for some reason I didn't see any of the promotional material advertising this fact. This seems unfortunate, as the noise canceling feature is also better than anything I had come across before in headphones, passive or active. Even just having the headphones stuck in your ears will ensure that a large part of ambient noise is blocked.

I have tested these headphones with several iOS devices iPhone 3G, iPhone 4 and the first generation iPad. They worked well with all of these devices, replicating all the functionality of the standard Apple headphones. However, despite what the description for these headphones says, they do not have track skipping functionality. However, in every regard that I could think of these headphones are far superior to the Apple ones they are more stylish, more durable and, of course, provide much superior sound quality.

The headphones work well for telephony. From my experience with other noise-canceling headphones I was apprehensive about the muffled sound that such headphones give to your own vice while calling, but this turned out to be just a minor issue with Q350s. Still, if you are primarily interested in headphones that will be used as a headset for your phone then Q350 may not be the best option for you.

The headphones come with three different sizes of ear pads. The medium sized ones will probably fit most ears, and they are also very comfortable. I've had them in my ears for hours at a time, without any noticeable discomfort. However, if you intend to use these headphones while engaged in a physical activity you may notice that the most comfortable size of ear cushions may be too loose. In that case one size larger may do the trick.

The earphones come with a carrying case, which I don't see myself using at all. They, however, do not come with the cable-winder. This is not such a big deal for me, but I do wish they didn't include the mention of it on the box and on the Amazon website.

Overall, these are really great in-ear headphones that will be appreciated by most music lovers.

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Yamaha SKB2 Survival Kit for Portable Yamaha Keyboards

Yamaha SKB2 Survival Kit for Portable Yamaha Keyboards
Customer Ratings: 4 stars
List Price: $49.00
Sale Price: $34.99
Today's Bonus: 29% Off
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  • Includes Yamaha PA130 Power Adapter, Foot switch and stereo headphones
  • Also comes with a 2-year Extended Warranty
  • Contains hundreds of dollars of Rebate Coupons, a Survival Kit DVD and "Playing with Styles" DVD

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I think it's too bad that we MUST buy this item. It seems that a keyboard should come with a plug. This set costs less than it would be to purchase the items separately.

The headset is so-so--but it does keep what you are playing private. I think the DVDs are a waste. They are basically ads for computer programs you can buy.

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Contains all of the basic information needed for the portable versions of the yamaha keyboards. I'm not thrilled with the extend pedal. Otherwise the product met my expectations.

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it very helpful, i think it shoud be included with the instraments.

it very detail i know lot bout music i wanted to learn piano it very help for for what ever you level is and it not badlly priced either.

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I recently got the Yamaha YPT-330, and was looking for a Power cable and Sustain pedal. When I saw this Survival kit, I was not sure what it was at first. After reading into it, I found it to be a great buy! It included a standard sustain pedal (it is small, and works, but it is nothing special), a power cable (Yamaha brand), headphones (standard over ear), an extended warranty (extends to two years! That was a nice bonus), and some DVDs and software.

I was looking at the price of just the power cables for these keyboards and they were so high, that it was a better buy to get this! The extended warranty is a bonus and is nice and the sustain pedal works, but is nothing special. The headphones work but are also simple over the ear headphones. The DVD videos were interesting, but were not too educational, they mostly talked about Yamaha and there products, the section on MIDI and how to connect to computer is nice and if you are having trouble may be beneficial. The software that came with it did not work on my Mac (I am using Lion), and it was all PowerPC and Mac OS 8/9 software, which does not work on Lion. Since most of it is trial or limited I did not bother trying it on Windows.

In the end, this is a great buy, and the extended warranty, Power adapter and Sustain pedal make this more than worth wild! I highly recommend for new keyboards and from my research, buying this package on Amazon is a lot cheaper than buying the power cable separate (plus with this you get a sustain pedal and extended warranty)!!!!!

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just such a perfect set. does what you need it!!! fits great with my keyboard! plays great, listen and sing fine

Vox AC4TVH 4W Variable Class Amplifier Head

Vox AC4TVH 4W Variable Class Amplifier Head
Customer Ratings: 5 stars
List Price: $271.99
Sale Price: $199.99
Today's Bonus: 26% Off
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  • Up-to-date, Class A "Head" version of the 1961 classic AC4 combo amp circuitry.
  • Simple but effective Volume, Tone and Power controls deliver that British top-end tone
  • EL84 power tube; 12AX7 preamp tube; 16 Ohm speaker out; Matching V112TV Cabinet available
  • 4 Watt; 1 Watt; and quarter Watt attenuation delivers classic tube tone at any level
  • Retro-chic "TV" front styling shared by the 1958 AC15 and today's Heritage AC15H1TV

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This amp is just plain great, good, and very usable for recording. It works excellently with the Vox 1-12 Cabinet. It works very well with a Chorus pedal, Ibanez Tube Screamer TS-9. It can produce a full array of tones with just a little experimentation. I've been using it with single coil pickups. It has the Vox "jangle."

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Just what I was looking for. Cranked (4 watts) it is very loud; 1 watt early break up, 1/4 watt not so much but still better than having to use headphones.

Sony ECM-DS70P Electret Condenser Stereo Microphone

Sony ECM-DS70P Electret Condenser Stereo Microphone
Customer Ratings: 4 stars
List Price: $74.99
Sale Price: $52.99
Today's Bonus: 29% Off
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  • Quality microphone for digital media recording; ideal for DAT, NT and MD recorders
  • Plug-in power operation
  • Uni-directional recording to capture stereo sound
  • Gold-plated contacts for sure connection
  • 1 meter long cord (3' 3")
  • Direct Connection To Recorder
  • High-quality Microphone For Recording On Digital Media
  • Reliable Electret Condenser Technology
  • Unidirectional Stereo Recording

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I recommend the Sony ECM-DS70P stereo microphone.

This mic is great to use with the Sony Mini disc recorders such as MZ-N707 and up. Although it is referred as uni directional, I have found the stereo separation very good.

As you are recording yourself with other singers for example you distinctly hear the vocal separation or instrument separation on playback so, then you can get an interesting separated sound by adjusting the mike direction.

So, even though the L and R mics are close together they must be facing in different directions to get that quality of separation.

There probably are better mikes, and I am sure they cost more money. I am critical of what sound goes in my ears, and this is excellent for my needs, which is self recording, recording voice lessons, live performances etc.

I hope this review was helpful.

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I bought this mic for two reasons:

1. It is stereo not mono

2. I just bought a Kodak Zi8 Digital Camcorder

Although the sound is surprisingly good on the Zi8, it has an external Stereo mic jack. The Sony ECM-DS70P is highly regarded and works perfectly with the Zi8. There is a notable difference in the sound when I use the Sony mic. You can clearly hear the stereo sound difference when recording in a 360 degree environment (like outside in a playground or other event). I have also used it for voice recording and it does a nice job there as well.

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(2008 HOLIDAY TEAM)This unit is not as compatible as compared to others. But, what it loses in compatibility it makes up for in features. It's wonderfully small and works great with Sony MD recorders. True, it isn't as versitile as the battery models, but it's a lot smaller too. If you just want to do MD recording, this is the unit for you.

The sound quality is sufficiently clear when recording, but is not sensitive enough to satisfy the most demanding users such as musicians or professional reporters. You need a relatively strong source.

Here's one MD player recorder that I know has the microphone jack and works great with this microphone:

'Sony MZ-NF810CK Net MD MiniDisc Recorder with Car Kit'

However, don't be fooled. Not every MD player has the appropriate Mic Jack. Double Check the technical documentation to make sure. Units that definitely do not have it are:

'Sony MZ-NE410 High Speed Net MD Walkman Recorder'

Notice the deceptive "Recorder" moniker in the product name. Don't be fooled! Very few MD "recorders" actually record with a microphone!

Not sure about these:

'Sony MZ-NF610 High Speed Net MD Walkman Recorder'

'Sony MZ-N510CK NetMD Walkman/Recorder with Car Kit'

'Sony MZ-N505 Net MD Walkman Player/Recorder'

Do your research before purchasing any MD player. All in all, this is a good value and the ideal microphone for those wanting to record onto a Sony MD.

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I am a musician and own my own studio in Nashville, TN. I have thousands of dollars worth of microphones. This product is what it is and for the money is a brilliant little microphone. Even though I have a 250 track digital recording studio, sometimes I want to record without doing a major "studio" setup. I bought a Boss Micro BR and this mic to go with it. This is a fantastic combination. The sound is definitely studio quality. I did a location recording of a simple trumpet and piano. Rather than drag my whole set up I took the Micro BR and this mic and made a very fine sounding recording. I got a pair of windscreens that were made for a telephone headset. I put one over each side of this mic and never take them off. This mic does have its limitations and does not sound as good as my $650 studio vocal mic for sure, but that's not what it is intended for. This is for portability with clear crisp sound. With a Micro BR it's a phenomenal combination. I almost didn't buy the Micro BR because it only has a mono on board mic, but I ordered this mic to go with it and I'm so glad I did. This magic combo is a serious upgrade from a Zoom H2 or H4 and for less money go figure. Sony well done.

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Contrary to earlier review, this microphone works GREAT with devices other than Sony; just make sure that your recording device provides plug power. I use this microphone with my iRiver iHP-120 20GB MP3 Jukebox --records great stereo sound directly into MP3s. Fantastic for recording my kids' concerts. Highly, highly recommended.

Roland CUBE-40XL 40-Watt 1x10-Inch Guitar Combo Amp

Roland CUBE-40XL 40-Watt 1x10-Inch Guitar Combo Amp
Customer Ratings: 4.5 stars
List Price: $328.50
Sale Price: $249.00
Today's Bonus: 24% Off
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  • Features -
  • 40-watt guitar amp with 10 high-performance speaker
  • Three footswitchable channels, including JC Clean, Lead, and Solo with memory capability
  • 10 COSM amp models, including the new Extreme amp
  • Eight effects, including the new Heavy Octave and COSM vintage Spring Reverb

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The Roland Cube-40XL is a great little amp that packs a punch. It features a wide selection of high-quality Roland tones and effects. A few of my favorites include the awesome JC Clean sound, the legendary R-Fier, and a surprisingly sweet tweed tone, among others. The chorus effect is nice (but mono), as is the tap delay. There are two styles of reverb, spring and plate. The spring reverb perfectly reproduces the mechanical reverb you find on some tube amps, while the plates produce a smoother effect.

This amp features two independent Solo Channels, one clean and one lead, each of which can remember the effects you set. That's a very handy new feature I really appreciate. The built-in tuner can be used on a per-string basis, or optionally as a chromatic tuner. This was a thoughtful improvement.

The built-in looper was a sweet addition I've enjoyed, and have used it to perform some of my original tunes I couldn't have pulled off otherwise. You do need an extra Boss FS-6 pedal to use it, however. This is in addition to one FS-6 for clean/lead/solo, and another for effects. The pedals are not cheap, but well worth the expense. They are all, of course, optional, although if you intend to play live, you'll probably want at least one set. You could opt for pedals from another manufacturer, but frankly, I don't recommend it. The FS-6 pedals work perfectly for the Cube, can be configured for either latch or momentary operation, and can be chained together.

Typical Roland quality, this amp is made to last. I won't conceal the fact that I'm a big fan of Roland gear, and the 40XL doesn't disappoint. It's solid and road-worthy, not to mention stylish. I love its compact size. I can stick it in the window sill at the weekly jam I host, saving space for an extra amp on stage.

There are only a few minor drawbacks worth mentioning.

First, it's a little underpowered for gigging with a live band. That's not really surprising, considering its size. Having said that, I am still using it in a live band setting and it usually hangs just fine with the larger Fender amps. It's only when the volume gets way out of control that the Cube 40XL struggles a little. It's not really a fair complaint, since it's amazingly powerful and full sounding for such a small amp, but it's worth noting.

Second: It is, of course, a digital amp. I'm not a tube purist, by any means, but there's a difference. The Roland modeling, however, is second to none. This thing is a tone monster. It's still not a tube amp, but that's not a big deal for me. Some people can't get past the digital stigma. Personally, I think it sounds killer, tubes or none. YMMV.

Finally, I wish this thing had a line out for a second speaker or amp. If I could plug this baby into my old amp, I wouldn't have to worry about the power issue. It DOES have a Recording Out/Phones jack, but this cuts the sound from the speaker (as it should for those purposes). Also, it would be nice to send a line out to the board, instead of having to mic it. But the tried and tested mic method works fine, so it's not a big deal.

One other thing about the Recording Out/Phones jack, the sound is MONO, which unfortunately diminishes the fantastic Roland stereo effects (like the chorus) when recording or listening through headphones. Though not a deal-breaker, it seems like a disappointing oversight.

Other than these minor nitpicks, I love my Cube 40XL. It's sturdy, powerful, versatile, and cool. It's perfect for practice, rehearsals, and small venues. All in all, another superb piece of Roland gear.

If you're looking for something a bit bigger, check out the Cube 80XL.

Buy Roland CUBE-40XL 40-Watt 1x10-Inch Guitar Combo Amp Now

I was extremely disappointed by this amp and will be returning it. The Cube 40XL has a lot of great features and sounds very good. But it has one very annoying problem -it emits a soft, constant hissing sound when it's at idle. No matter the volume or other settings, the hissing is always there. It's particularly irritating when using headphones for late night practice. The headphone jack is essentially useless. I Googled Cube 40XL hiss and discovered that this is a common problem due to, evidently, a design flaw. I have a Cube 30 which I bought about 10 years ago and it's dead silent when powered on and not being played. Not so with the 40XL which is a shame because otherwise it's an excellent practice amp.

Read Best Reviews of Roland CUBE-40XL 40-Watt 1x10-Inch Guitar Combo Amp Here

Great little amp for both practice and stage. The amp models are pretty good; my only gripe is the volume change when switching from one amp type to another. The Tweed amp model has great tone, and the R'fier nails the Santana Mesa Boogie tone. The independent delay and reverb are a real plus. The effects are adequate.

The size and weight (22 lbs.) make this a great grab and go amp. The 10" speaker puts out fantastic tone!! To use the looper "live" you'll need at least 1 of the Boss double pedals (FS-6).

Overall, a fantastic value!! I plan on also buying the Cube 80XL for the line out and the extra volume when needed. These little amps replace my big tube amps and floor pedals and make gigging easy again. Great job by Roland!!

Want Roland CUBE-40XL 40-Watt 1x10-Inch Guitar Combo Amp Discount?

I bought 2 of these amps for a stereo set up. The amps sound pretty good with a strat, but they do not do My Les Paul justice. I'm happy with the amps features but but they're terribly noisy as others have mentioned. I tried using them for a recording in my home studio but the noise floor was mind numbing to deal with so I ended up using my Line 6 instead. I'm going to give these to my kids for practice amps and look into buying something further up the food chain for myself. I really wanted to like these amps. They're light weight and feature packed but the nosiness is a deal, killer for me.

The amps are fine for practice or small gigs but, if you plan on using them for recording you should probably consider something else.

Buy Fom Amazon Now

This review is actually for the 20XL as that is the one I have and there is no hissing/static

problems.

After using the 20XL and being very impressed with it, I then ordered the 40XL at the reduced

price offered by one of Amazons sub contract companies, but right after making the order because

of reports of the low volume hissing problems checked on warranties and return procedures on this

amp. (Something I should have done before I ordered the amp)

What it boils down to, is that the reduced price (around 20%) you are getting from Amazon, may not

be as good as you think if the equipment is deffective.

If you return it, you will have to pay for the return shipping and in most cases a restocking fee.

I am not saying that the amp you will get will have the problems mentioned, but it looks like the

odds are about 50/50.

I buy a ton of stuff off of Amazon, but in this case, you may just want to go with one of the

regular suppliers that 100% warranty (All return shipping and no restocking charge)an amp if there is a problem.