Showing posts with label scullcandy headphones. Show all posts
Showing posts with label scullcandy headphones. Show all posts

Shure SE310 Sound Isolating Earphone - White

Shure SE310 Sound Isolating Earphone - White
Customer Ratings: 4 stars
List Price: Price Unavailable
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I did a lot of research leading up to my purchase of the Shure SE310's. I had high hopes when I listened to them for the first time. But they seemed to be lacking in the bass department. Other than that they had really clean audio and sounded spectacular. Upon researching why they lacked bass, I discovered many peoples' claim of a break in period before the earbuds got loosened up and provided more bass. And over time I have noticed this to be true to a certain extent. I had an old pair of $40 Sony sound isolating earbuds which had a ton of bass, and when I first listened to the Shure's I thought they sounded weak, but now after listening to the SE310's for about a month, I can say they definitely sound better than the Sony's. Though the cheaper Sony's have a little more bass, it sounds boomy and tends to cover over the detail of other instruments, whereas the Shure's are crystal clear and the bass is very defined. One of the best things about the SE310's is their ability to block out external sound. I'm a college student and at one of our basketball games I decided to take my earbuds and see how well they blocked out sound. It was just before the game with the entire gymnasium going nuts and the band playing very loudly. I put the earbuds in and I could still comfortably listen at the levels I normally listen to, which isn't very loud by any means (I value my hearing. I have my Creative Zen Vision:M volume at 10 out of 25). They also work great when I'm trying to get work done and lots of things are going on around me. Very often I can be in my room with these things in my ears and people will come in and talk to me and I won't hear them at all. That's how good they work. Obviously it is very important that you find the right earpieces that give a good seal in your ear. I would recommend these to anyone who wants very high audio clarity. Though I would prefer a little bit more bass at lower volumes, when you turn them up they really produce. And I can't complain too much because they are meant to have a flat frequency response, so your best bet is to raise your EQ's lower frequencies a little bit and turn on the bass boost (assuming your mp3 player or sound source has these options). They come with a semi-hard zipper case to store them in as well as multiple sets of ear pieces and a wax cleaning tool. They are well worth the price tag, and I would gladly recommend them to anyone.

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I purchased these for use with my Apple Macbook Pro laptop. I will say in one word AMAZING!

These noise isolation earplugs ISOLATE. They seem as effective as the foam earplugs I used to wear at a large manufacturing facility where I worked. I mean they seal up TIGHT and cut HUGE decibels of outside noise.

As far as sound there seems to be any number of "Audiophiles" in this world each with their own opions of all earphones past, present, and future. I am not an "Audiophile". I am a geek a computer user who enjoys listening to MP3's, or perhaps something from iTunes. I might decide to watch a DVD movie, or play (HORRORS!) a computer game.

Do you know what?

These ear phones are MOST EXCELLENT for any or all of these things.

Treble is clear and crisp rings like a bell. Bass is deep and vibrant. At 1/2 volume on my Macbook Pro I could FEEL the sound literally in my bones, all the way to my feet. People who have said you need a 2 or 3 driver earphone to deliver good Bass response are out of their minds! These sound better than the 12 inch Cerwin Vegas I have hooked up to my Mitsubishi big screen in terms of Bass response. I would dare say you would have to have at least a $2000 set of home stereo speakers to equal the sound output and quality of these inexpensive headphones.

They are THAT GOOD.

If you want to pay more for earphones by all means do so. If you have some type of hyper sonic hearing and are playing with uber-superduper sampled audio and wish to hear the fly landing on the left cymbal during William Tells overture perhaps something MAYBE will deliver SLIGHTLY more response for you delicate audio orifice.

But for the rest of us who listen to MP3 watch DVD movies and play games THESE ARE ABSOLUTELY OUTSTANDING. I mean they are MAC DADDY MONSTER ear phones.

I have NO COMPLAINTS whatsoever.

HIGHLY RECOMMENDED!

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I once owned a pair of these earphones the bass is great and you get a great sound. You also won't hear anything else in the room while music is playing. Unfortunatley they are very delicate. To give us a high quality sound shure gives us high quality wiresmade of gold. Gold is a lot softer than your average earphone cable, so they damage easily. Mine lasted 6 months.

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This was my third pair of Shure headphones in three years. As much as I like the sound quality and the noise isolation they provide, I have to find a more reliable product. The Shures wear out very quickly. This time the right earphone stopped working in the middle of a workout. The other two developed a short in the wiring behind the earphone. I got lucky a couple of times when the short occurred in the extension piece that was only $30 to replace and I did not have to buy a whole new set. When these headphones work, the sound quality is great. But they don't work for long and, apart from the extension wires, they are not inexpensive to replace. All total, in three years I have spent almost $800 on Shure Earphones, but have finally decided to kick the habit.

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I purchased these for use with my Apple Macbook Pro laptop. I will say in one word AMAZING!

These noise isolation earplugs ISOLATE. They seem as effective as the foam earplugs I used to wear at a large manufacturing facility where I worked. I mean they seal up TIGHT and cut HUGE decibels of outside noise.

As far as sound there seems to be any number of "Audiophiles" in this world each with their own opions of all earphones past, present, and future. I am not an "Audiophile". I am a geek a computer user who enjoys listening to MP3's, or perhaps something from iTunes. I might decide to watch a DVD movie, or play (HORRORS!) a computer game.

Do you know what?

These ear phones are MOST EXCELLENT for any or all of these things.

Treble is clear and crisp rings like a bell. Bass is deep and vibrant. At 1/2 volume on my Macbook Pro I could FEEL the sound literally in my bones, all the way to my feet. People who have said you need a 2 or 3 driver earphone to deliver good Bass response are out of their minds! These sound better than the 12 inch Cerwin Vegas I have hooked up to my Mitsubishi big screen in terms of Bass response. I would dare say you would have to have at least a $2000 set of home stereo speakers to equal the sound output and quality of these inexpensive headphones.

They are THAT GOOD.

If you want to pay more for earphones by all means do so. If you have some type of hyper sonic hearing and are playing with uber-superduper sampled audio and wish to hear the fly landing on the left cymbal during William Tells overture perhaps something MAYBE will deliver SLIGHTLY more response for you delicate audio orifice.

But for the rest of us who listen to MP3 watch DVD movies and play games THESE ARE ABSOLUTELY OUTSTANDING. I mean they are MAC DADDY MONSTER ear phones.

I have NO COMPLAINTS whatsoever.

HIGHLY RECOMMENDED!

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MOTU Track16

MOTU Track16
Customer Ratings: 5 stars
List Price: $595.00
Sale Price: $549.00
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  • Elegant 16x14 audio interface with studio-grade sound quality16 Channels of input and 14-channels of output simultaneouslyConnections include: 2 XLR in, 2 guitar in, 2 balanced 1/4 line-ins, stereo 1/8 in, 2 main outs, 2 line outs, MIDI I/O, and 2 headphone outsDedicated 7-segment main out meters, and configurable analog I/O meters Easy one-touch operation, so no fiddling with tiny displays or guessworkWork in any environment thanks to backlit multi-color LED buttonsCustomize the multi-colored L

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I searched all over the internet looking for some real world specifications for the MOTU Track 16 and unfortunately, wasn't able to find any. Frustrated, I decided to call MOTU and try and find out some information. I was referred to one of their technical engineers (Dave), whom I asked, "Why aren't real world specs being provided for the MOTU Track 16?" (They are not even available on MOTU's website.) I was told that MOTU feels technical specifications aren't the best way to judge the quality of an audio interface and that some companies are using them to simply make their competing units "look better" on paper.

While I agree that it's important to try, whenever possible, to sit down and listen to how the interface "sounds" for most of us (including me) it's just not practical. That's why I like to see the specs. So, what did I find out? Not as much as I would have liked, but here is what was provided.

The preamps used in the Track 16 are Burr/Brown preamps. Burr/Brown preamps are highly regarded and the company was purchased by Texas Instruments in September of 2010 for 7.6 billion.

The Signal to Noise ratio of the Track 16 is 112 db ("A" weighted).

The frequency response of the main outs is -+ .05 db from 10hz to 22khz at 44.1.

Total Harmonic Distortion (THD) is .001%.

The ADC/DAC converter chipset is rated at 112 db dynamic range.

Crosstalk is > -90 db.

With these specs, the Track 16 should sound similar to my old M-Audio Delta 1010. Which I happen to like very much. However, I was looking for something that was closer to "studio grade" which in my case led me to the Focusrite Forte. After comparing the Track 16 specs to the Focusrite Forte I ended up choosing and buying the Forte. Why? Well, for one thing Focusrite provided all the specifications I could possibly want and even produced an online video, which allowed me to listen to the Forte before deciding to purchase it.

I really wanted to give MOTU's Track 16 a shot, but I unfortunately couldn't afford to buy both the Track 16 and the Forte. Am I happy with the Focusrite Forte? Absolutely, it's "dead quiet" and sounds more "real" to me than my old Delta 1010.

In MOTU's defense; however, I have to admit they provide a lot of bang for the buck in the Track 16. The amount of stuff included with the Track 16 is just amazing. If I was playing out a lot, I would have probably decided to go with the Track 16. However, I'm not currently doing that, so I decided to go with an audio interface that would allow me to record my songs at the highest quality possible. For me, that's the Focusrite Forte. For those who are interested; the specs for the Forte are substantially higher than the Track 16. For example, the Signal to Noise ratio of the main outs is 118 db (A-weighted). The THD is < .0008% @ 1 kHz, 20Hz to 22kHz, which is inaudible. The DNR of the ADC/DAC chipset is rated at 120 db, though Focusrite does list a real world conversion rates of 117 db for ADC and 118 db for DAC.

If you're looking for a small audio interface, to record to your PC with, be sure and also check out these units as well.

RME Babyface

Apogee Duet II

Apogee Quartet

Focusrite iTrackSolo

Please note, the above are other interfaces I was considering purchasing. There are; however, quite a few audio interfaces made by a number of companies. If you're on a real tight budget, take a good hard look at Focusrite's iTrackSolo ($159.99 retail price) or consider buying a used M-Audio Delta 1010 (currently less than $100.00).

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Just received my MOTU Track 16 and it sounds amazing. Had a little hiccup in that I did not do a fresh restart and power up after installing all the drivers and software that came with MOTU. There was a bit of noise that I was hearing when I used the Mac Book Pro. That has gone completely away after doing a restart and powering up the MOTU Track 16. I have let a few friends hear it and they actually thought it sounder better than the others out there that look a little like the same. One even compared the sound to the Ensemble. I am able to use the Firewire on both my Mac Book Pro and Mac Pro running Pro Tools 9.0.6 with no issues. I am very happy with the MOTU Track 16 it sounds great and is working rock solid. I like how the Cue Mix software works and can see using this live as well. The DSP works great and "0" LATENCY with reverb and eq on. The Mic pres sounded good I used them with a DPA 4099G mic, Shure KSM 141 and CAD Triton Tube. all sounded good and warm with my use which is a Flamenco Guitar. The Led's are bright and easy to see even not close to Track 16. If you need a small unit that has the ability to be expandable like with MOTU 8 Mic Pre (light pipe) and need more than 2 channels this is worth a close look. The folks at MOTU make rock solid drivers, software and hardware. This unit Rocks Thanks MOTU

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Purchased this device for my husband, who works in music production and electronics, and he was very impressed by the recording quality of this product.

Vestax VMC-002XLusb 2-Channel HipHop/Scratch DJ Mixer (Black)

Vestax VMC-002XLusb 2-Channel HipHop/Scratch DJ Mixer
Customer Ratings: 2.5 stars
List Price: Price Unavailable
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  • USB connector provides direct audio input and output to Mac and PC computers
  • Two input channels feature two turntable inputs and two line inputs
  • Replaceable PCV crossfader delivers smooth transitions and long-wear
  • Three-band isolator EQs are provided for flexible frequency manipulation
  • ALPS crossfader with curve control, upgradeable to PCV
  • Balanced Outputs
  • Meters per channel
  • Crossfader curve, Mic input

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If you are a DJ that is just into mixing tracks then this mixer is decent but if you are looking for a traditional Vestax scratching and tricks mixer this mixer sucks. The crossfader has a curve switch but even when the crossfader is set to extreme left or right it is still slightly open. It was a waste of money for me and i immediately purchased a Vestax Pro II instead.

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Do not make the mistake I did by purchasing this mixer. I researched this mixer through various websites and it seemed to be split 50/50 positive/negative reviews. I'm surprised there wasn't 100% negative reviews across the board. I've tried a few different mixers with the same equipment setup and this one hums/buzzes ten times louder than any other mixer I've tried. The crossfader is a joke and this mixer is vastly overpriced. Please do not buy this, I want to save you the trouble and frustration.

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The mixer is good. The sound quality is OK, and it works perfect with the traktor scratch pro.

It fits your needs when you have a show, you can control the basic frequencies, and the crossfader works ok

Ipod and 3.5MM Cable To Pioneer Ip Bus

Ipod and 3.5MM Cable To Pioneer Ip Bus
Customer Ratings: 2.5 stars
List Price: $29.95
Sale Price: $14.21
Today's Bonus: 53% Off
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  • AXXESS IPOD & 3.5MM AUX TO PIONEER IP BUS

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When I found this product online I thought it was too good to be true for it's price. Turns out that was the case.

When you receive the product, there's a sticker on the front that lists all the ipods since around 2007 that the cable does not support (ipod touch 2nd gen, ipod classic 120gb, etc).

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Nice enough product, I think most problems occour from the collection of dust in the connector. It occasionally turns off, quits playing music, and rarely charges. I have 1 bit of advise though, RUN THIS CABLE DIRECTLY TO IBUS. Do not run this to the pioneer iPod converterm it is WAY to slow if you control your iPod through your head unit.

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The installation was easy and this product indeed allows you to play music from your ipod/iphone in the car; however it does not charge. Kind of a bummer but the music sounds great.

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After being told and sold the wrong cable, twice, I'm just happy this one fits and works! It's a decent cable, sound quality is good, and super easy to install, it plugs right in. Only complaint is the cheapo inline fuse power supply wired into the plug. If you want this cable to charge your Ipod, you need to connect the red wire to a 12V power source and black to ground. Now, I've installed quite a few inline fuses, so I was surprised when this one just cracked and fell apart when I installed the fuse and tried to twist the case together. At least I can listen to my Ipod while I drive down to O'Reilly's to buy a quality inline fuse, that is, if my Ipod doesn't die along the way.

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The product you receive is not what is shown in the picture. The locking tab is on the right face you can see in the picture. This then changes the rest of the keyed plug in functions.

If that is critical to you like it was to me you will want to pick another product. I ended up sending mine back to get another product sold on Amazon.

IMC Audio Pioneer Ip-bus to 3.5mm and Ipod Dock Cable

This one also includes a headphone jack input. Charges Ipod 5 volts

BestDealUSA Portable Flexible Roll Up Electronic Soft Keyboard Piano 49 Keys

BestDealUSA Portable Flexible Roll Up Electronic Soft Keyboard Piano 49 Keys
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $35.40
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  • 100% brand new and high quality and cheap
  • Hundreds of others have already discovered this easy to use, easy to store piano.
  • Powered by batteries, the Piano is so lightweight and compact that you can take it with you anywhere.
  • Plug in your headphones(NOT Included) if you don't want to disturb anyone.
  • Perfect for your children and you.

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If you are buying this to just play around, learn notes, cords, practice, and travel with... then this is a good product for that. If you are buying to play at concerts then you should rethink this purchase, but I think this is still valuable to have either way. Research before you buy anything!

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Monoprice 105583 50-Feet Premium Stereo Male to Stereo Male 22AWG Audio Cable - Black

Monoprice 105583 50-Feet Premium Stereo Male to Stereo Male 22AWG Audio Cable - Black
Customer Ratings: 5 stars
List Price: $28.08
Sale Price: $16.87
Today's Bonus: 40% Off
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(insert "that's what she said joke here")

No joke though, this cable is impressive. I don't know if the extreme thickness is really necessary for audio quality, but separating the left and right channels into separate coax (or maybe twisted?) lines should reduce crosstalk. Anyway, this is beefy, similar build quality to pro XLR mic cables, assuming the 3.5mm jack can stand the abuse, this'd be a good option for stage/performance use where 3.5mm jacks are needed (DJ's mixing on their laptops, etc).

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Also bulky, but that's how things get shielded. Much better than the smaller-diameter cables offered elsewhere, minimal distortion/interference. I use this to run from a projector to speakers below the screen (or sheet if we're out in the woods.)

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I bought this for my bedrooms 9.3 sound system to plug my computer into my main switch to then 3 different sources. i think its incredible, the plugs are gold coated and the two wires together measure about 1 inch which is huge, the connectors are very well built, and there is no hum buzz of anything what so ever. i am in awe for the price, and over a long run i hear no signal loss at all. its incredible!

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If you need a skinny little cable, this isn't for you. The diameter of the leads is amazing. The insulation material feels like genuine rubber. Connectors are gold plated and really rugged. This is pro quality. If you you need a skwrany cable look elewhere. I'd buy again in a heartbeat...

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I bought this same item from monoprice.com. Just one word, WOW! These cables are very high quality. The two positive and negative line are separately insulated, and they're a little under a quarter inch thick each. Tips are gold-plated and the sound quality is... pretty good from what I know. (Don't really know what good sound quality is).

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Sony MDR7506 Professional Large Diaphragm Headphone

Sony MDR7506 Professional Large Diaphragm Headphone
Customer Ratings: 5 stars
List Price: $130.00
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I run a digital arts studio and teach digital arts, and have tried more than a dozen different headphones in the $15 to $250 price range. Again and again, I go back to using the MDR-7506 for all applications from digital video shooting and editing to music recording and studio mastering. Most of the pros I know also use the MDR-7506 when they have a choice--and buy them for use at home too.

What makes these the best? First and foremost, excellent reproduction from bass into the high end, with unrivalled "punch" and clarity. They are much louder at a given input volume than most headphones, which is important if your are recording in the field and need to hear the headphone monitoring above the ambient sound and the live sound around you. They are comfortable, instantly adjust to different head sizes without any fussing, sturdy and easily repairable, and stowe quickly and easily in the included soft drawstring bag.

I do keep a couple of pairs of high-end ($300+) headphones to check as references when mastering music, but honestly I seldom find anything with them that isn't already clear with the 7506es.

The only problem I can report is that, even though they invariably outlast other headphones in terms of wear-and-tear, they do get STOLEN more often by my students. Once you get used to the 7506, its hard to go back to using any other headphones that cost less that twice their price.

I still dream of someday discovering a comparable headphone set for half or a quarter the price of the MDR7506. Every year, I buy a few $25 or $50 models just out of hope. So far, however, nothing out there qualifies as "acceptable" to me--including the many competing $99 headphone models from other companies and even from Sony.

Bottom line: Don't hesitate. You absolutely cannot go wrong with the MDR7506. This is the headphone of choice, the industry standard. The only reason they're so cheap is MARKET VOLUME--Sony sells a lot of these to audio and video pros!!

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My internet research and experience with these indicates that they are at least as good, and probably better, than anything else for the price. The sound quality from these headphones is fantastic. You can pick out the individual voices of the backup singers. Things like the drummer's brushes sound vastly improved, and many other little details. I have created mp3s using LAME at the "insane" quality setting, 320 kilobits/sec, with optimizations, and I can distinguish subtle sounds in the original stream that are muted or altered in the MP3. Poor quality recordings, or overly compressed MP3s sound terrible compared to what these headphones are capable of. I find it most impressive compared to lesser headphones in pieces that have vocals and acoustical instruments.

The headphone has an ultra-low impedance, 24 ohms, which means it can be easily powered by portable players, and achieve more than enough volume. Since a 1/4" screw-on adapter is included, so this headphone can be used equally well on your portable or your home stereo. Both the base mini plug and 1/4" adaptor are gold-plated. If use this headphone on a portable player with a large disc, you may be tempted to keep your most listened-to recordings uncompressed (or in the FLAC lossless format, for the few devices that support that).

According to my research, the headphones have an extremely even response over the whole spectrum. That means that what you are hearing is pretty close to the original intent when the music was mixed. Some users have complained that the bass response is low -but I think that's compared to headphones / earbuds / in-ear monitors whose bass response is too high. If you don't like the bass response, simply change the equalizer settings on your unit.

The headphone has a closed design, blocking out outside sounds. This is the best way to go in my opinion, because with outside noise you need to raise the volume higher to achieve the same clarity, and you risk damaging your hearing. These headphones can be played at low volumes and still sound great. The only other option for "closed-ear" is some of the ear-sealing in-ear-monitors, but the good ones are very, very expensive. The in-ear-monitors also have the disadvantage that the sounds of brushing the cable, and even sometimes your own breathing and heartbeat, is trasmitted to your ear.

The headphone can also be used as a monitor headphone, i.e. to hear what you are recording while you are recording it--that in fact is it's primary intent. There is basically no sound leakage so it works very well--also meaning your won't annoy those around you when you listen to music. I own a Sony Hi-MD (MZ-RH910), which I record voice audio with, and so this monitor ability is very welcome.

I find the headphone very comfortable. Like any closed headphone, it does make your ears warm, but I have not found this to be noticably uncomfortable. I believe this headphone is suppossed to be more over-the ear rather than on the ear (i.e. like Sennheiser HD 25-SP), but be warned that the opening for each ear is small -my ears barely fit in them, and I do not have large ears. From a comfort point of view, I recommended that you try this set on before purchasing them. I tried mine on before buying and purchased them from a retail outlet. Another plus for this set is that only one cable comes out of the left side of the unit, the connection to the right channel is through the arch over your head. Furthermore, the cable drops out about 1 inch from your neck, so it usually doesn't touch you. I find this greatly preferable to having cables hanging out of both sides of your head that always seem to be brushing you somewhere. All earbuds, in-ear-monitors, and even many hyper-expensive headsets (i.e. Sennheiser HD 650), have cables coming out of both ears.

The Sony 7506 headphone is super-rugged, exceptional quality from start to finish.

The only possible negative I see is the cable -it's a non-removable, long, thick, heavy-duty coiled cable. For use on your home stereo, it's great. But for use outside the home on a digital music player, it is inconvenient, as the bundled coiled cable probably takes as much space as your player. However, it's not unusable, from the left earpiece there is just enough straight cable to reach down to your waist -where you can stuff the coiled cable in your pocket or in a case along with your player. But if you plan on using this mostly on a digital player outside your home, this alone could a be deal buster. It is also fairly bulky to carry around. You can probably forget about using this headphone on your bicycle, or while jogging, or anything where you are moving around outside.

Overall, this is a very well made set of headphones that will deliver beautiful and pristine sound at a reasonable price. Highly recommended.

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If you've read down far enough to find this review, you probably already know that these are the professional studio monitor headphones used by pretty much anyone with a mixing board from Celine Dion to Slipknot, from NFL broadcasts to The Howard Stern Show, these are the way most recording artists and studios hear every note and nuance. If you're not already convinced, read on.

Most new 7506 owners are awed by their headphones before even hearing them, at least by the packaging. The headphones themselves rest on gently tousled silver silk behind a clear plastic window emblazoned with a large gold "7506". The presentation alone gives the potential buyer the feel of buying a giant engagement ring, but the theatrics end once you open the box. Getting down to business inside is a very serious schematic diagram documenting the complete parts and assembly list of the fifty or so pieces that go into making this single pair of headphones, a 1/8" to 1/4" adapter (the screw-on type, a must for live use), and a pleather carrying pouch.

The 7506s are visually almost an anti-climax to the packaging. The design is very basic and straightforward without any tricks or frills, but simplicity is part of the appeal here. Every detail has been engineered to work simply and simply work. The steel band size adjustment snicks into place confidently at each numbered groove. Both earcups rotate vertically a full 180 degrees on their hinges with ease. The 1/8" plug has an all-metal casing with a real rubber sleeve, as you'd find on actual pro audio music cables. The more deeply you look into each element of the design, the more you'll appreciate how much Sony also looked into it.

Putting on the 7506s is also an easy affair, thanks to their eight ounce weight and modest profile. They're actually small enough that you could get away with wearing them in public, but you wouldn't hear much else the closed design combined with cushy stuffed vinyl pads and secure, if not tailored, fit means the ambient sound isolation borders on noise-cancelling. The earcups can also be folded upwards against the inside of the headband for portability so portable in fact, that you could place a folded set of 7506s in a child's lunchbox *with room to spare*.

But if ever a good thing came in a small package, it's the big sound of these headphones. Ruler flat response, deep sound stage, and sniper tight accuracy means every aspect of the source signal comes to life and is revealed in full. Bass notes come through with such authority that you find yourself occasionally making note of your feet, to see if you can feel the bass in the floor. Instrument placement is at once obvious parsing out where each instrument and sound is in a mix is instantly clear. Previously hidden and obscure sounds and passages in various tracks stand out so well that entire songs are made new again. There just isn't any sound that the 7506s can't reproduce exactly as you'd hear it with your own ears.

Those of you who like to tailor your sound with extra helpings of bass or volume have also been accommodated On the low end, using even the most basic bass boost the 7506s can faithfully reproduce subwoofers-in-the-trunk neighborhood-wide bass *in your head*. I wouldn't have believed it if I hadn't heard it myself. Volume-wise, a low impedance matched with a high power handing capacity means these headphones are easily driven by an iPod or Walkman, yet can easily achieve volume levels that could liquefy your inner ear without even the implication of distorting. Plainly speaking, whatever you want the 7506s to do, they'll do it with ease.

Keep in mind that revealing everything requires a good source. Plugging these into a cheaper portable or poorly EQ'd equipment will quickly make any and all limitations evident. This includes cheap computer audio hardware and low frequency/bandwidth MP3s. Uncompressed file formats suddenly seem a lot more practical when you can hear the constraints of highly compressed MP3s.

"Audiophile" sites and reviews have had a hard time coming to grips with these headphones. Being that they're a consumer brand product available at any common music store at a fraction of the price of most other high-end models, the "elite" image and price tag that goes along with it just aren't a part of the 7506's game. It's reflected in some reviews, some saying they're "too bassy", others "too bright", but how exactly is this possible if you're using a decent source and the same headphones the musicians/engineers used to create the recording? You're hearing the music exactly as it was heard in the studio, exactly as it was meant to be heard. Only the 7506s can make that promise.

If you're creating any kind of recordings and find yourself crossing your fingers that you're hearing it as it's actually being recorded, or just a music lover who feels it's time to hear the music as it was meant to be heard, you're only a hundred dollars away from the Sony MDR-7506. Five stars and my highest recommendation to Sony's masterpiece.

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1) The SONY 7506 achieves very serious sound isolation it cuts ambient noise of high orders of magnitude quite effectively (like inside a small aircraft), and doesn't transmit ANY sound to the outside. Full marks on this point, since that was an important factor for me ideal for workplace and commuting.

2) Low 24 Ohms impedance, ideal for portable audio. Typically, portable audio comes without a pre-amp stage, so high input impedances on headphones lead to very low playing volumes. Full marks on performance with portable audio.

3) Foldable, makes it so much easier to carry than a comparable full-size non-folding piece.

4) Audio reproduction is decent, but not exceptional. Bass suffers its a little boomy and has the least volume compared to treble and midrange. I think that is a direct side-effect of being acoustically sealed and isolated. Treble and midrange are just fine, with treble dominating more than I would like. My other Hi-Fi headset, the Sennheiser HD-570 may have spoilt me on this point. The Senn sounds far better, but fails on points 1 through 3.

5) For me not too comfortable. My ears get pinched a little and hurt, but i'm getting used to it. My head and ears are larger than average. If you're average tending tending to the small, you'll be fine. This headset is full-size circum-aural, making it more comfortable than any generic headset that touches the ears, or presses on them in any way.

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After months of listening, I am upgrading the sound reproduction to Excellent, but still not exceptional. The bass has cleared up and is now crisp.

I would say the biggest asset of this headset is its faithful reproduction, with no artificial accents, highlights or timbre. BYO !

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This is the first time that I've left a product review of any type, but I just felt that I had to....

I'm not an expert in audio, but I DID get tired of less expensive headphones just not living up to my expectations.

These Sony headphones are worth every penny. First, they have plenty of volume something lesser headphones lack. Sometimes I just wanna ROCK I want it LOUD. Most headphones dis-appoint on that.

So I bought these because I read a review saying that they had higher volume at lower settings. Not only am I pleased with the volume (even when only connected to my ipod!), but the sound quality is STUNNING.

FANTASTIC Bass You'd SWEAR that there is a sub-woofer operating somewhere, and the highs are all there. VERY impressive dynamic range.

Ok I'll stop being a salesman for Sony. Let's just say that I was impressed enough to leave my FIRST product feedback. Buy these headphones, you will NOT be disappointed.

Ron (yoda)

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Pyramid GA210 250-Watt Guitar Amplifier

Pyramid GA210 250-Watt Guitar Amplifier
Customer Ratings: 3 stars
List Price: $124.99
Sale Price: $54.45
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  • 250W Max/40W Rms
  •  6.5" High Definition Speaker
  • Volume, Bass & Treble
  • .25" Phone Jack Input
  • .25" Headphone Jack

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For the price this little amp works very well and my son's guitar teacher even liked it. It has good sound and can be very loud. I would reccomend this and the guitar teacher would reccommend it also. This is probably a small step above a beginners amp but it is not one to use professionally.

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5 star packaging... This thing was triple boxed, with styrofoam, and packing peanuts. They did a great job! However for musicians looking for a steal do not be misled by the "250 watt" name. This is not what you think! 200 watts of power could successfully play a small show if you were playing a Marshall or Randall amplifiers. This tiny little guy is the like the Austin Bazaar 10 watt amp, only the Austin B is rated 5 stars on Amazon likely because they label 10watts as 10watts rather than making it out to be something its not. This amp is good for kids (under 10) learning to play it has a nice clean sound, has a steel screen to protect the speaker, the rear of the amp is completly covered to protect curious fingers (some are not), and no real threat of ear damage with this tiny amp its not loud. There are no extra features on this amp there are volume bass and treble controls and a head phone jack.

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Simple but effective. For my grandson(7) with his first electric guitar for his birthday next week. He can't wait to get his hands on it.

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I was very surprised and please that such a small amp could deliver that much clear sound. I use it for my guitar and my keyboard.

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I purchased this item several years agok, and it was returned immediately. Wouldn't make a squeak, and was really cheaply built. I guess I should have not expected much out of such a cheap product, but had hoped that it might at least be a good practice amp. Nope. Don't waste your time.

Supersonic IQ101RD High Quality In-Ear Earbuds, Red

Supersonic IQ101RD High Quality In-Ear Earbuds, Red
Customer Ratings: 2 stars
List Price: Price Unavailable
Sale Price: $4.99
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I had bought these earphones by looking at the original price thinking, oh wow it must be good quality, but when I had gotten it, the quality of the sound was horrible!!!! I don't recommend this to anyone

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Pyle-Pro PDWM8900 Rack Mount 8 Channel Wireless Microphone System with 8 Lavalier/Headsets

Pyle-Pro PDWM8900 Rack Mount 8 Channel Wireless Microphone System with 8 Lavalier/Headsets
Customer Ratings: 3.5 stars
List Price: $679.99
Sale Price: $245.85
Today's Bonus: 64% Off
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  • Professional VHF 8 Channel Wireless Microphone System - 1/4'' Individual Line Outputs and Mixed 1/4'' Outputs - Operation Range: 150 - 600 ft.
  • Dual Telescoping Receiver Antennas - Available Frequencies (Hz): Set 1 - 215.5, 174.8, 200.6, 180.8/Set 2 - 212.6, 190.1, 214.2, 193.0 - Signal to Noise Ratio: 90 dB
  • 8 Volume Controls - One For Each Channel - Dynamic Range: 92dB - Dimensions Without Rack Mount: 1.8'' x 16.5'' x 8.7''
  • Includes 4 Lavalier Mics and 4 Headset Mics - Total Harmonic Distortion: 0.5% - Receiver Dimensions With Rack Mount: 1.8'' x 18.9'' x 8.7''
  • 8 Belt Packs On/Off Broadcasting Switch - Frequency Response: 50 Hz - 16 kHz
  • Dual Telescoping Receiver Antennas - Available Frequencies (Hz): Set 1 - 215.5, 174.8, 200.6, 180.8/Set 2 -
  • 212.6, 190.1, 214.2, 193.0 - Signal to Noise Ratio: 90 dB

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I'm sure I will come off sounding racist or provincial for saying this, but my first gripe is with companies who won't bother to spend just a little bit of money and hire an actual English-speaking individual to write their user manuals. Sorry, just had to get that off my chest.

First of all, what was in the box:

1. (1) Receiver unit. Well packaged, in good shape, wrapped as a brand-new unit should be. It has ONE 1/4" female jack in the back, plus ONE female unbalanced XLR jack. So your balance will be done on the front of the receiver, NOT in your mixer.

2. (8) Transmitter/body packs. These were also individually packed. Very lightweight (feeling somewhat cheap, but the batteries weren't installed, so I thought, "no biggie.") Each receiver takes two (2) AA batteries (I would prefer using 9 volts). The batteries might as well not be included, because you won't be able to use what comes in the package. Factor that into your purchase price: 16-pack of Duracells or Energizers are a must-have for this product. I recommend getting 32, since you'll burn through them pretty fast.

3. (2) Antennae. Kind of surprised me that only two antennae are used, but I'm not the assembling engineer, so whatever.

4. (1) Power supply, DC. I forget the voltage/polarity, but it's a common enough variety that I'm confident I can replace it at Radio Shack if necessary.

Here's where the surprise came:

5. (8) Lavaliers and (8) head-worn microphones. That's right, this kit (or mine did, anyway) comes with a total of SIXTEEN (16) microphones. Of course, you can only use as many mics as you have body packs, but with each pack coming with its own lavalier & head-worn mic, your possibilities are a lot more expansive than the advertised 4-and-4.

Now, this is a great-looking kit for what I paid for it (around $300). But remember: you get what you pay for! When we unpacked this device and connected it to our system, we were not able to use it AT ALL for the purpose for which we got it: we were presenting a play in our church's gym. Maybe it was the iron girders, I don't know, but the transmission from EACH MICROPHONE/BODY-PACK was inconsistent (and one channel didn't work AT ALL) and noisy. By "noisy" I don't mean that the sound was fuzzy or anything, I mean it's noisy from perceived interference (again, probably coming from the girders in the gym).

So I did what any red-blooded American would do at this point: I looked at the instruction manual. To spare you from the rant I feel like inserting here, refer again to my comment at the top of the post. Okay, I'm past that. But this I couldn't get past: if one of the devices doesn't seem to send a signal, Pyle's astounding advice for dealing with that channel: turn it off.

What? Turn it OFF? So lemme get this straight: I bought an EIGHT (8)-channel kit, but I can't use all eight channels? What about, um, sending a unit that has been checked to guarantee that all channels work?

So... if your needs are well insulated, small, and you don't care how good it sounds, this is a good kit for you. If, however, you need an arrangement that deals well with space, possible ambient interference, and sounds good, then you can just move along--these aren't the droids you're looking for.

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Pyle-Pro wireless microphone system is a very good system for the price. Would recommend. Performed great in stage play in 800 seat auditorium.

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Like this wireless microphone system came with the lavalier and the headset style microphones, great for individual comfort. The mic volumes are easily controlled with separate volume control, and have clear voice response with very limited background interference.

Very simple to set up and operate, no issues, quality product.

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Cheap wireless microphones are usually just toys that sometimes work and sometime don't. This set showed up fast, well packed, and all 8 mics worked out of the box. I used them in a children's show. The venue was an elementary school cafeteria/theater combo room. The mics worked fairly consistently throughout the twenty minute act. One of the antenna broke almost immediately, but was easily repairable. All in all, not a bad way to add some volume for the little ones.

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I'm pleased with the performance of this product. Wireless made easy, truly easy to set up and the reception is great.

American Audio Versa Port Soundcard

American Audio Versa Port  Soundcard
Customer Ratings: 4 stars
List Price: $179.95
Sale Price: $99.99
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  • 16 bit /48 khz AD/DA converter
  • usb 1.1 compliant
  • mic level knob, monitor level knob, line/phono selector, headphone and mic jack
  • 2 channel, 2 input, and 2 outputs, usb bus powered adaptor free, RCA analog connections
  • American AudioVERSA PORT USB Audio Interface With 2 Inputs And 2 Outputs 16 Bit DA Converter
  • American Audio VERSA PORT USB Audio Interface With 2 Inputs And 2 Outputs 16 Bit DA Converter

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I received this a couple weeks ago, and I have tried everything to get it up and running. I had no success in doing so on either of my Mac OS X computers -one is a Mac Mini (Lion, 2011) with 8GB RAM, other a Macbook (10.6.8, 2008) with 3GB. I have come to the conclusion that this USB soundcard is not compatible with OS X, as the lazy American Audio has not updated it for clearly a verrrry long time. The instruction manual only has instructions for OS 9.2, and the instructions for installing the ASIO driver you "may" need are for 9.2 also, which has a very different structure from Lion or Snow Leopard. I even called Sergio, the troubleshooter for the company, and went through the same steps I had already gone through on my own to get it working(he was also quite rude, and treated me like I didn't know what I was doing, telling me it "should work" and that it was probably my fault). Needless to say, the results were the same, with no output or input from the soundcard.

In conclusion, this may be a great soundcard -IF IT WORKED FOR MY COMPUTER!! Personally it really irritates me when companies claim compatibility with OS X, when it's just not true. Just because it worked with older OS's doesn't mean itll work with new ones... in fact, usually the opposite is true. Do not buy this if you have OS X

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I got this port set to put together a system that I could use with my laptop. I have a digital mixer to mix music from my laptop, but I also wanted an analogue system I could use to mix audio CDs. I plugged this into one USB port on my laptop and plugged my digital mixer to another port. This gave me the ability go connect my laptop system to a standard mixer which was connected to the dual CD mixer. I can use the PCDJ software I have on my laptop to control all the devices and the sound is great. Without this product, it would have been very challenging to get the digital/analogue worlds together as one output. This product got the job done simply.

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Convenient, easy to use, sounds great, affordable, and absolutely perfect for a timecode setup. The best option out there for any level of Dj.

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This thing is awesome, 6x cheaper than serato... you burn the traktor timecode cd (or buy the vinyls online), you hook up your turntables to the device and run traktor, you will need any version that can run without an actual traktor device plugged in ;)

And here you go,traktor scratch for 90$!

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I don't like to complain but this thing wouldn't install on my PC or my Mac so rather than waste time I sent it back. I am sure they work just should be easier and updated more the drivers are from 2008 or something.