Showing posts with label wireless tv headphones. Show all posts
Showing posts with label wireless tv headphones. Show all posts

Behringer UFO202 Audio Interface

Behringer UFO202 Audio Interface
Customer Ratings: 4 stars
List Price: $49.99
Sale Price: $39.99
Today's Bonus: 20% Off
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  • High-quality USB audio interface connects your turntable, cassette
  • Transfer and restore your valuable vinyl records and tapes to your computer via a simple USB connection
  • Phono input switchable to line input source

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Over last few years we replaced all desktops in the house by laptops. One day I decided to convert an old audio cassette into MP3 like I used to do on my desktop. I realized that it was not going to be possible as the 'line-in' input which was available on desktop was missing in all the three laptops in the house. After some futile tries of trying to record through mic-in, I started researching. I somehow stumbled upon this device and decided to give it a try. All I can say is this is EXACTLY what I was looking for. Here is what you need to do if you wish to convert audio cassette into MP3 -

You need -

1. Audio cable with one end 3.5 mm jack and other end with red & white L-R audio. You may have a spare A/V cable which comes with camera or dvd players etc. (W R and Yellow ends, you do not need to plug the Y end as it is for video)

(With 'line-in' on desktop, you simply needed an audio cable with 3.5 mm on both sides)

2. Boom box or tape deck (I used boom box)

3. U-Phono202 device

Plug the 3.5mm end of the cable in 'headphone out' of the boom box. Plug the L-R inputs in the L-R inputs of the U-Phono202 and plug it into a USB port of the laptop. Play the audio cassette. You cannot hear the sound through laptop speakers, you have to plug in the headphones in 'headphone out' of the U-Phno202 in order to hear the cassette playing.

If you are using Vista, right click on the speaker icon in the bottom tray and select 'recording devices', change the recording device to the '2USB Audio Codec' (at least that's how it shows up on mine).

I haven't yet used the packaged software. I useed Audacity instead. Open (or download if you have not) Audacity. Go to 'project', select 'new stereo track' and hit record. Whatever is playing on your boombox is now being recorded on your laptop. Hit stop when your recording is done. Export the project as 'Mp3', save it in your desired location.

I suggest making some few minute test recordings to make sure your recording sounds fine or you need to reduce/increase recording volume etc.

It worked exactly as above for me and worked perfectly too. The boombox gave a terrible hiss and an extremely annoying constant background noise while playing the cassette, however the U-Phono202 filtered almost 99% of it and the final MP3 sounds extremely clean.

I wrote detailed review as I had all these questions in my mind before I began searching for the right product. Hope this helps in case you are also looking for a solution to convert your cassettes to Mp3s. Thanks for reading.

UPDATE : UPhono202 is working perfectly fine! Just wanted to mention that if your recording appears over loud and there is jarring even after reducing boom box volume and the PC volume very low, here is what you shall do Keep the boombox and computer volumes at decent levels but reduce the microphone input 'level' Rightclick on the speaker icon in the tray. highlight the Uphono device. Click on properties. Select 'levels' tab and reduce the level all the way to 5 or 7 and then record your clip.

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I'm converting old analog recordings (LP, tape) to digital. My new computer only had an integrated sound card, and the jacks didn't work well with my equipment. I had to choose between buying and installing a sound card or trying a USB interface. I wasn't certain about the latter. Although the analog material was vintage, and didn't need a high tech solution, I thought USB might be too much of a short-cut. I stumbled on the UFO202. I had been using another great Behringer product already, the Eurorack UB502. I decided to try the UFO202. Just like the Eurorack, Behringer's claims were 100% true. It's not complicated: connect and it works. The device comes with the USB cable, but you'll need cables to connect it the source (turntable, tape deck). And be aware that you'll need to connect a powered speaker to the UFO202 to monitor your work; the output can't be heard on the computer speakers.

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This is great! I've been using DAK interface for several years and not really satisfied.The claim that there would be no anoying buzzing or humming was not true, after owning 2 that did and you couldn't really get rid of it with noise reduction. The problem is ground looping. This product just came out in the states. I recieved it, plugged it into the computer's usb and my B&O turntable into it and started recording. The outcome was great. No humming or buzzing, (because it is usb powered) just nice clean music. Lots of thanks to Behringer. Well worth the $29.

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Yes, this thing is easy to use, but it's the software program Audacity that does need some instructions for the rest of us. (This process is not quick,it does take time and patience, lots of patience!)

Here's my step-by-step on how I'm using this to digitize old cassettes (language, music, airchecks, etc) with my computer, with each track as a separate MP3 (you can choose to output to a WAV file or OGG VORBIS file). (As I type this I'm digitizing Soul To Soul, A 1971 Concert recorded in Ghana with Roberta Flack, Ike & Tina Turner etc. Soul To Soul music from the original soundtrack (recorded live in Ghana, West Africa).). I've done about 60 hours worth of cassette content so far.

Download Audacity (google it), and the LAME MP3 codec (You can do this from within Audacity, it's a link that takes you to the SourceForge.com site) you'll need to export to MP3 (if that's the format you want to export out). You can export to WAV and OGG VORBIS natively with Audacity, but you'll want MP3 if you're not a sound geek and/or want to play your new files on multiple types of devices (iPods, Android, Creative, and Zune, etc.) and/or want to save space on your hard drive.

Hook up a cassette deck with the red & white audio composite outs into the LINE IN (Update 4/15/12) inputs on the UFO202 (or you could even use a handheld cassette player with an audio jack that has composite plugs on the other end). Plug the USB from the UFO202 into your computer.

You can hook up a pair of small speakers to the UFO202 to monitor the input, or just use your computer speakers to monitor. Go to Audacity > Preferences to select the speakers (if you need to).

Also under Audacity > Edit > Preferences > File SetUp Tab > MP3 Export Setup: select your BitRate for your MP3s. For spoken work, I use 160kbps or below in mono (since there isn't as much going as in music pieces, lower bit rates are fine). For music, 256kbps Stereo (depending on how bad the cassette recording is). 192kbps should be fine too. FYI, I import all my CDs at 320kbps). The lower the number, the smaller the MP3 file will be, but the quality will be lower too. These settings will stay even after you close the program, but remember to change them if you need them. Nothing like importing some language cassette at 120 kbps Mono, and forgetting to change the settings for the next five music cassettes that I wanted to import at 256 kbps Stereo. These are my preferred settings, others may disagree.

If you don't have a quad-core computer or newer, I'd stop everything else I was doing on my computer and just import my music only (close other applications, not surf the internet, etc.), just to ensure the computer can keep up with the importing/encoding.

Clean your tape heads on the cassette player if you can.

Now you're ready to record! Here's how I import music cassettes: Click on the red RECORD button in Audacity, and press PLAY on your cassette player. With a music cassette, you can stop after each song, save it, etc. but I found it's more time-consuming to stop after each song. It's easier to let one side record, flip, record side 2, THEN label, and EXPORT EACH TRACK SEPARATELY LATER (which I outline below). So you don't have to stop after each song. but that's my preference. Go do something else while Side One plays (turn up your speakers so you can hear when it ends). When it's done, press PAUSE in Audacity, fast forward the cassette to the end, flip it to SIDE Two, press PAUSE again to continue recording, and go do something else. You could stop it after Side One, and then create a New recording for Side Two, your preference. I haven't found a setting that let's you stop recording after a certain time, so you have to babysit and be there to press STOP when the cassette has ended, or it'll stop only when you run out of hard drive space.

File > Save Project AS > (create a folder for your recordings where you can find them later) > name your project > SAVE. You'll notice it's saved as a .aup file. That's Audacity's file. Now's the time to delete any dead air, long spaces between songs, etc. To delete a couple seconds, select an area (click and drag, it'll get a darker grey) click on the SCISSORS icon in the upper right corner, and that dead air is gone. Do this after each track if you desire, or between sides. It's tedious. Save your changes: File > Save.

LABEL TRACK(S): So now that your recording is edited and safely saved as an AUP file, now it's time to label each song. Go to Project > New Label. You'll notice a new box under your recorded file. After some trial and error, here's how I do it (but you can do it your way, but this is most efficient to me). Start at the beginning of the file, zoom in to find the very beginning of each track in the LABEL area and type in the name of that track. Zoom out to get to the end quickly, zoom in to edit any dead air between tracks, label the next track, then zoom out again to to get to the end, rinse and repeat. I find that it's easier to zoom out (Magnifying glass icon near the Scissors icon) to find the beginning/end of each track, then zoom in to at least 1/2 seconds, play to make sure I'm not cutting off the very beginning of a track, then label. Again, tedious. To change a file name, the only way is to click on the LABEL and backspace from the end of the label (there's no inserting, deleting one letter etc). Also, to DELETE A LABEL, backspace until you only have the white flag, then press ENTER. I've just saved you a couple hours of searching on how to do that. Save your changes: File > Save.

You could EDIT and LABEL at the same time, since you start the LABEL at the beginning of each track. Just be sure to start at the very beginning of your recording to edit, then LABEL as you go along thru each track. If you LABEL first, then EDIT, your LABELS do not move with the EDITS, so you may be cutting off the beginning of a song while exporting. So EDIT first, then LABEL. It takes me about 10 minutes to edit and label both sides of a music cassette.

EXPORT TO MP3: If you recorded each side all at once, here's the place where each track gets saved as its own file: File > Export Multiple. In the dialogue box that appears choose MP3, and the file to export to. Click OK. Another box comes up to fill in artist info. Click OK. Depending on number of files and speed of your computer, it may take about 20 minutes or so to completely export each track. If you've exported like I do (Side 1 and Side 2 as one big file, with each track labeled), as one big file, since you took the time to LABEL each track, each track will be exported as a separate MP3, already named. Again, I go do something else while this process is going on.

Spot check the each new MP3(s) file to make sure it's/they're how you want it/them. In Windows, listen in Windows Media Player (opens faster than iTunes, at least on my machine). Then import them into whatever you use to organize/play your music iTunes, Windows Media Player, Media Monkey etc.

When you're satisfied with your MP3s, delete the data files found in the file you chose to save your recording in. Don't delete the MP3s, just everything else that's NOT an MP3 file (.au, .aup etc). Better yet, move the MP3s to another file, and then delete. These non-MP3 files take up a lot of room on your hard drive and you don't need them any more, unless you're going to export to WAV or OGG or want them forever). One cassette can take up almost 1Gb, depending on your bitrate.

I think this is pretty thorough, and if I've missed any steps, I apologize. But this should get you started.

That's it. And you're welcome.

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Before I go any farther, know this: You will NOT get the "Massive" software package promised. Worse, if you try to contact customer support about it, you WILL get blown-off with probably an incorrect form response, and no follow-ups will be responded-to. Even intersession by the marketing department (you know, the crew that keeps up all the happy-talk on Behringer's Facebook and Twitter presences?) couldn't get the folks in Tech Support to contact me. Seriously, they just don't care.

The device works fine for what it is if you know how to set it up and already have software available, but the website advertises the software collection, the packaging advertises the software collection, and the company decided to save a few pennies by not including the CD, and more money by maintaining the worst customer service/support in the industry. You will NOT receive what is promised on the box, so returning it to Amazon expecting it was a minor mistake in one package WILL waste a week or more of your time to no effect.

If you know EXACTLY how to set-up and use this box, and know you can handle any issues that might arise with Windows, Linux, or Macintosh system software yourself, then go for it. If you ever think you will need help, advice, or promised software, pass and find another supplier. Truth is, you should probably consider another supplier anyway...I can't imagine this company will be able to sustain itself with such a terrible attitude for its customers.

Pretty sure this will be _my_ last Behringer purchase.

EDIT: After becoming a nuisance on social-media sites, I finally weeks after my initial contact received a link to where all of the software may be downloaded:Note the driver software is only required if your application needs ASIO the UFO202 is plug-and-play for most applications (like Audacity), once you handle the setup in sound control panel. Many of the open-source applications on this page are outdated and should be updated by their respective websites.

This doesn't make me feel any better about the company, and I'll still be looking for alternatives in the future, but at least you can get the "massive" software package you were promised.

Monoprice 6ft Premium 3.5mm Stereo Male to 2RCA Male 22AWG Cable (Gold Plated) - Black

Monoprice 6ft Premium 3.5mm Stereo Male to 2RCA Male 22AWG Cable - Black
Customer Ratings: 4.5 stars
List Price: $8.64
Sale Price: $5.67
Today's Bonus: 34% Off
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Hard to believe that this cord cost me less than $7 with free shipping. The stereo adapter is very well made and heavy duty. The thickness of the cord and robust connections are probably overkill but who can resist the great price.

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It does what it's meant to do. This cable is thick, but it does seem durable. If you're using this for an mp3 player or something and you have a hard case around it, you may have to trim the rubber at the tip to make sure it fits.

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If you want a big hefty cable to hook up your ipod then this is it. couldn't beat the price with shipping either.

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this is the right type of cable but the brand is not. I works but -2 stars because I ordered a monoprice and it's not.

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Good sturdy quality product. Wow this is thick! Arrived on time. I bought this to use with my samsung phone and ipad. Its weighing them down a bit so have to be careful how and where I rest them. Overall I would recommend this to anyone. In my country this cable would cost over $150. bucks. I will be getting another pair soon.

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MEElectronics Air-Fi Metro Bluetooth Noise Isolating In-Ear Stereo Headset (Yellow)

MEElectronics Air-Fi Metro Bluetooth Noise Isolating In-Ear Stereo Headset
Customer Ratings: 3.5 stars
List Price: $99.99
Sale Price: $90.04
Today's Bonus: 10% Off
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Pros:

Works better than the Backbeat Go for small ear canals.

After EQ adjustments (to try to get a flat sound) you can tell it's AptX enabled.

Can be tuned (EQ'd) to sound pretty good. This unit has a clear sound advantage over the Backbeat Go.

Cons:

Out of the box sound is disappointing (bass over powers highs, highs sound like busted speakers at times)

Requires extra charge cable. 10 mm driver probably prevents direct micro usb plug in like Backbeat Go. I could live with this issue.

Similar in basic design to Backbeat Go but inferior in Bluetooth signal retention. Sound drops out in situations where the Go has no problems getting a good clean signal from the phone. After a multitude of stereo BT headphones, I think this one has the worst signal retention.

Press and hold the + button to skip forward to the next track skips back! The press and hold of the button skip forward. Possibly defective unit.

Raised symbols on buttons not as proud as Backbeat Go. It harder to navigate by feel alone.

This unit was used on a Samsung Galaxy S4 with AptX. For reference it is compared to a Backbeat Go (1st gen) and Sennheiser PX 210 BT (another AptX device). No one expects the Air Fi Metro to sound like a PX 210BT but my AptX enabled headphones are all larger drivers units. If you have small ear canals and can EQ your BT source, this might be good for you. The signal retention and button issues takes this from 4-5 stars to 3. Plantronics makes this format work out from a RF perspective so it is a disappointment that MEElectronics couldn't do the same.

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I'm using these with my Galaxy Note 2. These are the best sounding Bluetooth in ear headphones I've owned to date. I imagine the Apt-X codec is what's really making these things sing. I'm comparing the sound to the Motorola SF600 Wireless Sports Headphones Retail Packaging Black that I also own which also have Apt-X compatibility. The fit is what sets these a notch higher than the Moto's, they actually stay in my ear! The Moto's are much more bulky whereas these are not much larger than a standard pair of earbuds. I've included pics for comparison to standard earbuds.

Pairing was simple and quick. They also immediately repair with no lag when I turn them back on. That's a HUGE bonus for me. Nothing worse than having to re-pair a Bluetooth device every single time.

The charging clip is kind of odd and proprietary. If you loose it, you'll have no means to charge up your buds. I don't like that, but I don't usually misplace chargers so i'll deal. It appears that the unique charger is what allows them to be so small.

The volume controls are a great bonus, but they are a tad nondescript and may be cumbersome to use during a workout. The symbols/controls aren't raised quite high enough for easy tactile feedback.

The cord is nice and long, but not too long to be a nuisance. It does cause a tad bit of sound transfer when it rubs against your collar or something....but I've had that issue with wired headphones too. Tie it, or pin it up to keep it from contacting your collar and that'll take care of it. Again, this isn't a big deal at ALL.

I'm not confident that these are as durable as the waterproof Moto's...but they're much easier to put on and they stay in place! They're also more comfortable.

I think they're at the perfect price point right now just under one hundred bucks.....I was shopping these or the Jaybirds. Took a gamble on these and i'm glad I did! I can't imagine the Jaybirds being any better and worth the higher price point for the name brand.

Edit#1: So after a week or so of use, some things have come up that I felt needed to be included in my review:

-These buds significantly isolate outside sounds. If you intend to use them for workouts outdoors, please be aware that you may not be able to hear ambient noise around you. This could be a safety issue especially if you exercise alone.

-The cord design is prone to snagging on your collar, which in turn pulls the bud out of your ears. I'm not sure if it's the cord itself, or the controller. The controller does weight the right side of the earbuds a tad, and I've found it to be a little annoying when using while i'm moving.

-Range: the range on these is significantly shorter than my Motorola's. I tend to keep my phone inside my saddle bag on my bicycle. I get an extremely weak signal....almost not signal when i'm using it this way. I can't imagine the distance is anymore than 3 feet. It's not even deep inside my saddle back, it's on the top. I also used them while cutting grass and had my phone in my back pocket, the signal cut out a few times when using it like this as well. I know that bluetooth signal tends to degrade outdoors, but the motorola's perform a lot better for me in these two configurations.

-The ear wing things tend to slip off the surface and not stay in place. I fear that as they stretch more, they will eventually fail to remain in place at all.

I'm dropping a star off of my rating for these reasons. Still a solid set of bluetooth earbuds!

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I love these headphones, I smile each time I pick them up to use.

First, to the most important thing... the sound. I held off writing this review, trying to put words to why I like the sound these so much. I did a lot of switching with my other Bluetooth headsets. It wasn't that I was 'wowed' with a rich, deep sound on these (the manufacture is probably cringing right now), but... the sound was just neutral. It felt good and accurate and effortless. The headphones got out of the way of the music. Perception of music and sound is so personal, what I love may not be your thing... but, I'm very happy with the sound of the Air-FI Metro. I pick these up every time I want to listen to music on headphones now.

The headphones are very sound isolating, so when putting them on with nothing playing, what you hear is markedly reduced. Which is problematic to situational awareness, but is a big benefit to quiet, soft songs. One thing which stood out to me for the sound is that that these headphones do not go as loud as any of my cheaper Bluetooth headphones. Of course, as the cheaper headphones got louder, they over saturated and sounded forced versus the Air-Fi Metro, which sounded great at any volume I played it at.

Next, the ergonomics of these headphones.. love love them. I pick these up and go. Using these is just effortless (and they sound great!). I have some issues with the cord itself, I think it is slightly too stiff, it catches on my neck and collar, pulling the ear buds out... I addressed this by using the wings that comes with the head phones. They significantly increase keeping the ear buds in the the ear. I didn't have any issue with knowing which control (+, on/off, -) I was pressing for the controller on the cord, and I have large hands.

A couple of things that could be improved... the Air-Fi Metro is called a Bluetooth headset, it has a microphone. I tried making calls with it, folks on the other end of the line could barely hear me. Why even put a microphone on these if it is just going to frustrate? Stick to strengths, the sound. Else improve the microphone. I've seen a number of comments on the proprietary charger and I agree. I have so much misc. equipment, I just do not want another type of cable to lose and/or break. I can see the size constraints driving the design, but really... deal with it, figure out how to make micro-usb work.

Pros:

+++ They sound great

+++ Simple to use, feel great wearing them

Cons:

Charger is proprietary

Useless microphone

Cord a bit stiff, catches

So I've listed pros/cons above... the first 2 pros vastly outweigh the cons for me.

I am very pleased with these headphones.

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MEElectronics Metro bluetooth ear buds. These are by far the best sounding ear buds out there. They are very comfortable. I have worn them 5 days one hr. each day and they are still sounding great. They are well built and the case they come with is very sturdy. These are the most exspensive upper end earbuds I have ever bought and I am very pleased.

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Just got this in the mail and started playing with it a few minutes ago. I've tried (and returned) several sets of bluetooth headphones in the past, and so far, this one addresses my primary complaint -audio quality!

I have a Samsung Note 2, which supports the aptX audio codec. At the risk of sounding like an ad for aptX, the difference between it and "regular" bluetooth audio is night and day. Before buying this product, make sure your phone supports this, or you'll get regular old bluetooth quality, which sucks.

I haven't used these long enough to comment on battery life yet. I'll update this review if I have any problems (really hoping battery life is decent).

Update:

I'm dropping a to 4-stars for very low range, at least on my Samsung Note II, which is currently the newest generation smartphone. I pretty much have to have my phone in my front pocket for music to play without cutting out in my back pockets gets me intermittent short cut-outs in audio. This isn't a deal-killer by any means, and 95% of the time this is how I would use the phone anyway.

To be fair, it's possible that this is an issues with Samsung's implementation of Bluetooth, but another reviewer mentioned the same thing, so it's probably the headphones.

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Line 6 Spider IV 30 30-watt 1x12 Modeling Guitar Amplifier

Line 6 Spider IV 30 30-watt 1x12 Modeling Guitar Amplifier
Customer Ratings: 5 stars
List Price: $329.99
Sale Price: $199.99
Today's Bonus: 39% Off
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  • 30 watts; 1x12" Celestion® Custom speaker; three-quarter closed-back cabinet for a tight, snappy response
  • 12 dialed in amp models: 2x Clean, Twang, Blues, Crunch, Metal, Insane; access the tones of Vintage British beauties, modern American monsters and more; 4 channel memories for user-created tones
  • 7 Smart FX based on celebrated stompbox and studio effects; tangy Chorus/Flange, swirly Phaser, expressive Tremolo, classic Delay, beautiful Tape and Sweep Echoes, and lush Reverb; 3 FX at once
  • Bass, Mid and Treble knobs behave like the EQ controls from each modeled amp; Drive knob; Channel volume; Master volume
  • 1/4-inch input; 1/4-inch headphone/direct output; 1/8-inch CD/MP3 input; built-in chromatic tuner; FBV foot controller jack
  • 7 Smart FX based on celebrated stompbox and studio effects; tangy Chorus/Flange, swirly Phaser, expressive Tremolo, classic Delay
  • 12 dialed in amp models: 2x Clean, Twang, Blues, Crunch, Metal, Insane; access the tones of Vintage British beauties.
  • 7 Smart FX based on celebrated stompbox and studio effects; tangy Chorus/Flange, swirly Phaser, expressive Tremolo, classic Delay.
  • Modern American monsters and more; 4 channel memories for user-created tones
  • Beautiful Tape and Sweep Echoes, and lush Reverb; 3 FX at once
  • 30 watts; 1x12" Celestion Custom speaker; three-quarter closed-back cabinet for a tight, snappy response
  • 12 dialed in amp models: 2x Clean, Twang, Blues, Crunch, Metal, Insane; access the tones of Vintage British beauties

Click Here to Read More Reviews >>

This thing is in limbo. It has too many functions to be a basic amp, and not enough to be a really broad-ranged amp like it's bigger siblings. It annoys me that it gives you effects, and then doesn't give you a whole lot of ability to fine tune them to your own tastes. The tremolo is especially annoying because you have no control over the depth, (which goes from all-on, to all-off) just the tempo. Another thing, and this is something that has become standard in the Spider series, is that the knobs are digital. While this is not a problem per se, it could be better implemented. When you change the amp model, it overrides whatever you had the knobs set to. This is a problem, because you have no idea what the positions of the knobs are for the presets, and you have to turn them a little to get control of the knobs function, which instantly throws it to the knobs current physical position (indicated by a dimple on the face of the knob, which, by the way is kind of hard to see in low light). Confused? Yeah, some kind of led's around the knobs to show their current digital position would be nice.

On the plus side, they should never crackle when you turn them, even 20 years from now!

The farther you roll the amp selector knob to the right, the higher the gain goes, so if you are trying not to disturb the neighbors, make sure you back off the master before you select Crunch, Metal, or Insane.

As far as sound quality goes, I don't have any complaints. It does sound pretty nice, it can be adjusted to give you a really clean sound, but, as is typical of solid state, it lacks the warm fuzzy tone of tubes. Not a knock really, just par for the course.

The instruction manual does not explain how to use the built in tuner function, and the FAQ's on the Line6 website seem to be describing the 15w model procedure, not this 30w (which is very different in the way it works), but you'll figure it out pretty quickly when you start turning the tuner knobs.

Bottom Line: If I had a piece of advice to give to those of you on the fence, I would either get the 15w model, (because I really don't see enough extra features in the 30w model to justify twice the price), or step up to the 75w model which has 300+ presets (and it's probably loud enough to gig with a drum set, which this probably is not). I honestly don't see a hundred dollars difference here, if they had included the 300+ presets on this model, I would give it 5 stars, but as it is, it is a nice little 4-star amp.

Buy Line 6 Spider IV 30 30-watt 1x12 Modeling Guitar Amplifier Now

Easily one of the best practice amp ever made. I'm a Fender amp guy. I play a Twin and a Hot Rod Deluxe. Between those two I can get any sound I want. The only problem is when I am getting the sounds I want, it's at a pretty high volume. So I bought this amp hoping to find some cool tones at modest volumes. This amp fits the bill perfectly. It's got great clean sound and I was REALLY surprised by it's metal tone. Nice high gain sound at a low volume, BONUS! The effects leave a little to be desired. They are very limited in how much you can tweak them. I'm not a huge effects guy anyway but I'd still like to be able to diddle around more with each effect. I really doubt this amp could be used live. A garage party, patio or pool party, it would probably be just enough. It just doesn't have the "grunt" needed to get over live in a big room. But for two bills you get one awesome amp for around the house that won't upset the neighbors or even my wife and kid in the next room. Awesome!

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In a matter of a couple of hours of non stop playing I was able to dial in my distorted and clean rhythm and lead. This amp is phenomenal and will be a staple on my next project. I've played on Fender amps, Marshal stacks, and Crate combos, bang for buck this amp kills them all.

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This amp has rich tones and I'm amazed with this little beast. This thing plays really well and you can set your favorite tones as you wish. I see this as a great amp for you pay.

I bought this amp to do some gigs with my friend, and this thing proved itself.

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Great amp, great price, great effects, light, but limited foot-switch capability. This amp works very well for home or studio work where volume is an issue.

Native Instruments Traktor Audio 2

Native Instruments Traktor Audio 2
Customer Ratings: 4.5 stars
List Price: $119.00
Sale Price: $99.00
Today's Bonus: 17% Off
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  • Smallest USB DJ audio interface in the world, fits easily in your pocket
  • The perfect travel companion for any DJ
  • Cirrus Logic 24bit/96 kHz AD/DA converters for pristine audio quality
  • New low latency Mac and PC drivers for tightest possible response
  • Two high-gain stereo outputs for punchy output levels

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At first I was a little skeptical of what to expect from this box, considering its price tag was below $100, but now that I've owned it for a while I have been pleasantly surprised. I have never owned anything from Native Instruments either, so I was a little wary of the all-plastic construction. Don't let that, or the price, deter you, this thing sounds great, and it's sturdy and reliable.

I am a semi-professional DJ and producer who's played out of state, and this thing has served me well on sound systems in excess of 100,000 watts. I also just purchased an Apogee Duet 2, and after doing some A/B testing I am hard-pressed to find a dramatic difference in the sound quality of the two units. Compared to the Duet 2, the Audio 2 DJ may be lacking a little high-end detail, slightly less meaty and a tiny bit muddier in the low frequencies, but I feel like it has nice midrange articulation. I think the overall sound stage separation and intelligibility is better in the Duet 2, as well as the dynamic range, but like I said... the differences definitely took some effort to pick out, and they are far from night and day. This could all just as well be in my head, just as all things audio are very subjective.

One thing I would disagree with is the other review I saw in here that says that it drives 600 ohm headphones easily. I have a pair of 600 ohm AKG 240DFs, similar to the other reviewer, and I don't think it has adequate juice to do them justice. 600 ohms is a hard load to drive for a unit that small. It's passable, but not great.

I have never had this thing fail on me, whether from poor audio/USB cable connections, or drivers. This thing has seen countless gigs, including a week at Burning Man, and it has yet to fail me. The volume knobs are starting to get a little staticky that's probably just the dust from Burning Man that needs to be sprayed/cleaned out!

Overall I am very impressed with this thing, and you absolutely can NOT go wrong for the price!

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The sound quality out of this box is definitely pretty good. I used it in a live setting already and it was enough to rock the system, but still sounded fantastic in such a tiny box! I use one output for the speakers, and one for headphones. I love it. Asio works fine, latency is nice and low. Works fine with Windows 7 x64. Just realize this is pretty minimal, with just two outputs and volume wheels. If that's all you need out of your sound card like me, get this!

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I too thought the audio 2 was a great product, and can't argue with any of the positive reviews. But after 14 days working with NI to resolve a driver problem and going outside of my return policy on the now useless device I'm more than a little upset. Everyone out there should know, this device is incompatible with any virtual or aggregate audio sources on windows or osx. If you use soundflower, rewire, jack, audio hijack, etc... DO NOT buy this device or any other NI audio interface. The audio after 10-20 seconds will start to compress and sound like its being played through blown speakers. I own a $40 ads tech external soundcard and a Belkin TuneStudio and these devices do not have this problem. NI has stated to me in they have no intention of fixing this issue. Be wary.

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I have now owned one of these Audio2DJ interfaces for about one year. Mine was a refurb, purchased on Amazon. First of all, it sounds quite nice. It's also fairly loud. I have used it in some of my live performance work, and the clarity still is quite amazing, considering the small size of the unit.

Bear in mind that there are NO INPUTS on this unit. However, it's great for what I use it for (working in my studio mainly, creating music recordings, mastering, etc.

I have gotten it to play nice with one other audio interface, a Behringer UCA-202, that I use for inputs mainly.

Aggregate? Does not work. I don't need it, but if you do, it's not going to work.

Native Instruments has a habit of making very specific types of interfaces slated to do only the purpose intended, and not much else.

If you're looking for a 24-bit soundcard that takes up very little space, is flexible as heck and can go and go...this may work for you. If you are looking for an interface to do virtual vinyl, look elsewhere...if you need input and output, this won't help you much. But, for those who need something BASIC...this does work quite well, and I am keeping mine!

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light weight and sounds great!! for the price you cant go wrong. and it comes with a free copy of traktor le.

Maxell Stereo In-Ear Earbuds with Microphone and Remote - Black (190300)

Maxell Stereo In-Ear Earbuds with Microphone and Remote - Black
Customer Ratings: 4 stars
List Price: $14.99
Sale Price: $9.74
Today's Bonus: 35% Off
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The sound from these earbuds are very good, at least for the price. However, the main reason why I choose this one over other cheap ones was the fact that the picture show 3 diffenrent buttons, I was surprise to see only one on it.

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I Bought These Earbuds Because I Wanted Something Cheap With The Remote On It, So That I May Control My iPod Nano Without Pressing The Buttons On The Actual Device Itself (Pressing The Physical Buttons On The iPod Or Using The Touch Screen To Switch Songs, Will Dramatically Drain The Battery). I Had Never Used These Before, SO I Was Unsure About How The Sound Quality Would Be, But It Turned Out Fairly Impressive. A Much Better Sound Than What I Was Expecting. The Only Con I Have About This Product Is That On The Packaging, It Shows A Picture Of A Volume Up/Down Button On The Remote. Unfortunatley This Is Not The Case, As You Only Get The Next Song/Prev Song Controls, And The Microphone, Thats It. Im Still Satisfied However, But I Think They Should Remove That Picture From The Packaging Before An Unhappy Customer Decide's To Hit Them With A Hefty Lawsuit. 4/5.

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I wanted a work around for the Galaxy 7" tablet to use it as a phone. This worked just fine with the TexPlus Free text.

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These are a nice hearing aid to enjoy music, hands free telephone talks. They don't cause my ears to be sore.

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Surprised at how good the sound quality is on these. I do find you need to make sure the plug is inserted all the way into your phone though if you want to use the mic.

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MEElectronics RX12P In-Ear Headphones with Inline Microphone - Blue

MEElectronics RX12P In-Ear Headphones with Inline Microphone - Blue
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $9.99
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I got these because they were an add-on item and I wanted some cheap headphones to just have around the house (I loose them like crazy). When I got them, I really wasn't expecting much, I mean, for $8 what can you expect. But OMG! These things blow the Skullcandy headphones I've been buying out of the water! The bass response is awesome (currently listening to the new Tron soundtrack). The thing I hate about the Skullcandy earbuds is that after a few months, one chanel goes dead. I think it's due to very small wire that connects them, but with the larger flat ribbon-type wire on these, I don't think they'll have that problem.

And, lets face it. For 8 bucks, who cares if they only last a few months, it's still half the price of a mediocre pair of Skullcandys.

Overall, I'm definitely going to be buying more of these (since I lose them all the time).

Definitely a thumbs up. The only thing I don't like is that they are an add-on item with a limit of 3 per order, so I can't fill my shopping cart with them. But I'm trying to find a way around that, lolz.

Way to go, this manuf!MEElectronics EP-RX12-BL-MEE In-Ear Headphones Blue

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Excellent headphones, they reduce ambient noise and sound great as good as some more expensive models out there. there is some feedback from contact with the cord aside from this no complaints what so ever! Would recommend and purchase again!

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The MEElectronics RX12s are very well built. They are made of plastic and definitely looks its price but everything is very well put together. The flat spaghetti is very nice and is pretty much noise/tangle free. The RX12 also looks quite nice and is comfortable on the ear.

They are what I would consider extremely bass heavy earphones. The large amount of thumping bass pretty much overshadows the rest of the frequency range. The midrange, where most vocals reside, takes a backseat and is often completely enveloped by the bass. The treble region is fairly laid back as well though it does still maintains decent clarity.

Overall, the sound quality is not bad, but only if you like bass...and not much else. For everyone else, I'd point you to MEElectronics' older (but better) models from the M-series including the M6 and M9 which both deliver a more balanced and richer sound.

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I was surprised how good these headphones were for the price. I have owned probably 10 different types of earbuds, as I use them every day at work. These sound almost as good as my 100 dollar Shure earbuds, but an 1/10 the price! Cable is flat and thin, but still seems sturdier than other headphone cables (which always break and is the reason I have owned so many).

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I've owned a number of comparably priced ear buds and am disappointed with these due to poor sound quality when listening to music. I like the bass but don't like the tone not an enjoyable experience and I'm sorry I bought them. They're fine for audiobooks/podcasts however and appear to be built well. I like the flat tangle free cable and the colors have a nice appearance. I just find it impractical to take them off and on if I want to listen to music.

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Yamaha SB3-9 Silent Brass System for French Horn

Yamaha SB3-9 Silent Brass System for French Horn
Customer Ratings: 4.5 stars
List Price: $189.95
Sale Price: $157.00
Today's Bonus: 17% Off
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  • The Yamaha Silent Brass System for French Horn includes the ST9 Control Module and PM-3 Horn Mute.

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Overall, the product does what it advertises, allowing you to practice with much less noise while still clearly hearing the sound yourself via headphones. It certainly isn't silent, but opens up many more situations where you can practice. When playing in my kitchen, I could still be heard in a bedroom down the hall with the door closed, but it wasn't objectionable.

Some people have complained about the change in air resistance while others say it is not an issue. For me, the "feel" is slightly different, especially on certain notes such as C and C# above middle C. So it took some getting use to. At first, it felt like I was playing the wrong note, due to the change in resistance. After playing for years, you get accustomed to how certain notes feel, and that was affected by the mute. If you've ever put down the wrong fingering but still pretty much got the right note by playing a different partial, that is how I can best describe the feeling. However, I got used to that after a few sessions and it hasn't bothered me as much.

Another ongoing issue I have had is with extraneous vibrations. It takes a bit of fiddling around to get the mute perfectly seated in the bell so annoying rattles are not heard. Perhaps that is an issue with my particular horn (Conn 8D).

The sound is generally pretty good up to about a forte level. Once you start to enter into the "brassy" sound, it is less satisfactory. A horn playing in that brassy range can be a magnificent and majestic sound. This doesn't translate well with the Silent Brass System. It sounds a bit distorted and weak. However again, you tend to get used to this after a while.

I found the electronics to be a little sub-par. It's hard to get enough volume without distortion with some headphones I had, though the included ear buds do a decent job. The built-in echo/reverb effect is helpful to give a little sense of space, but you won't confuse it with playing in a concert hall, or even a live bedroom. On short percussive notes, you can hear the flutter of individual echoes. I was expecting a little more than that.

This is probably obvious, but as with any mute, you lose the ability to control pitch with your hand. And of course you can't practice stopped passages.

Sometimes I felt a little tangled up in all the cords, especially if you use the CD/MP3 input to play along with recorded music, which requires an extra cord. However, that just goes along with the territory and there isn't much that can be done about that short of using wireless connections, which have their own issues.

All in all, the product is useful despite its limitations, though you will definitely still need some "normal" practice time. I would recommend it to anyone who is limited in their ability to practice due to the noise. It is a big improvement over standard practice mutes and much better than not practicing at all, which is usually the alternative. Since there really isn't any competition anyway, this is the obvious best choice!

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As a working mom with young kids, my opportunities to practice the horn are rather limited. When I can grab time during the evening before the kids are in bed, it basically kicks my husband out of our room for the duration. The Silent Brass system for French Horn allows me to practice much more than before. Sure, I'd rather practice unmuted, but when I can't do that, Silent Brass saves the day. As with any mute, people nearby can still hear me, but much more softly than usual. In fact, my husband has sat around reading and even napped in the same room where I was practicing with the Silent Brass system. I could hear my horn just fine through the ear buds, and it was quiet enough not to bother him, even though I was playing ffff passages at full force.

It does have a few shortcomings. There is an annoying buzz (in the ear buds, not from the muted horn itself) every time I play 3rd-space C. No other notes, just that one. Unfortunately that note occurs quite often! I thought it might be a quirk of my horn, but I tried it on my old single and the same thing happened. Differences in dynamics get flattened out; mezzo-piano does sound different from fortissimo, but not NEARLY as much different as when I am playing without the mute. Sharp accents come through on the earbuds very sloppy, almost nonexistent. Still, compared to no practice at all, which is the only alternative at the times I'm using the system, it is fabulous!

The mute doesn't seem to mess with the pitch, though I was afraid it would. Seems to play right where it should.

Playing with the mute feels a little different because of the slight back-pressure, but I think that might actually be helping my un-muted playing.

As another reviewer commented, you do lose the ability to use your right hand in the bell to adjust the sound of your horn. There's no making up for that, but at least they did thoughtfully provide a "handle" on the mute. I stick my fingers into the handle, and that allows me to hold my horn in a fairly normal position.

Bottom line, it's not quite as good a practice as you would get playing unmuted, but it's 1000% better than no practice at all. I wasn't going to buy one because of the price, but when I mentioned that to my husband, he said "Buy it. Really. Buy it now." If you're limited in your practice time because the sound level bothers others, then my advice is the same: "Buy it. Really."

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Generally, the Yamaha SB3-9 Silent Brass System for French Horn is a great tool to help people who don't have much of a choice about places or time to practice. The sound is reduced enough to avoid others in the next room. After long time of using, I find the sound coming from the earphone a bit twisted though. It's still a great practice companion.

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Makes the instrument go silent to others while you continue to be able to practice. At it as in tune if you were playing live but if you want or need to practice without disturbing others then use this. DO NOT BUY THE MUTE ONLY. BE SURE TO BUY THE MUTE AND AMPLIFIER.

Odyssey FRGSMIXDECKEX Numark Mixdeck Express Flight Ready Glide Style Case

Odyssey FRGSMIXDECKEX Numark Mixdeck Express Flight Ready Glide Style Case
Customer Ratings: 4.5 stars
List Price: $299.99
Sale Price: $186.00
Today's Bonus: 38% Off
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  • Patented Gliding Laptop Platform
  • Removable V-cut Front Access Panel
  • Heavy-Duty Ball Corners

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Great case it's small, sturdy, and I know my Numark Mixdeck is safe! It also makes my setup look good!

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I bought this item and its fantastic really really nice does the job wonderful....u u u u u u u u u u

Benchmark DAC1 USB Black

Benchmark DAC1 USB Black
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $1,195.00
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  • Two Channel, 24-bit, 192-kHz, D-to-A Conversion
  • Jitter Immunity with Ultra Lock technology
  • 1 x USB, 1 x AES, 1 x S/PDIF, and 1 Toslink input. Balanced XLR outputs, and unbalanced RCA outputs.
  • Driverless USB 1.0 - 96kHz, 24-bit
  • HPA2 headphone power amplifier

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This was admittedly an upgrade from an audio component (an ASUS Xonar Essence STX sound card) that sat within a few of our audio-dedicated computer workstations, and although the Xonar Essence STX was a very, very competent piece of audio gear for its form factor, there was absolutely no comparison with respect to the sheer control, clarity, extension and unblemished sound of the Benchmark DAC1 USB.

We auditioned the Benchmark DAC1 USB next to an Ayre Acoustics QB9, which is another phenomenal piece of equipment (both pieces have been very, very favorably reviewed in many audio magazines and online resources) but the bottom line was that our workstations needed the multiple digital inputs available to the Benchmark DAC1 USB, as well as the dual headphone outputs, none of which are available Ayre Acoustics QB9.

We gave both the Benchmark DAC1 USB and the Ayre Acoustics QB9 100 hours burn-in apiece using pink noise tracks and various instrumental and vocal CD tracks played through a Musical Fidelity M1 CDT transport, an older CAL Audio Delta transport, and native LG Blueray burners attached to our computer workstations, and then auditioned each unit with Have, AudioQuest and Kimber digital inputs via the USB, AES and coax inputs of the Benchmark DAC1 USB, and via the USB input of the Ayre Acoustics QB9, since the Ayer only accepts USB input. The speakers used for auditioning were Mackie HR624 MK2's and Neumann KH 120's, all connected to the DACs via AudioQuest King Cobra XLR or Kimber Hero XLR interconnects. For lower-end bass testing, we also tested both DACs using both a Velodyne MiniVee and Focal Sub6 subwoofers in conjunction with the aforementioned studio monitors.

In terms of the sonic landscape, the extension and control of the lower registers was phenomenal for both the Benchmark DAC1 USB and the Ayre Acoustics QB9, as was the breathtaking clarity of the midrange and cleanness of the upper registers. Some of us thought that the Ayre Acoustics QB9 may have had just a very slight advantage on a few occasions when it came to the decay of notes in certain source material, but this was not uniformly agreed by everyone, and even by those who thought it to be an advantage, there were times when their vote shifted to the Benchmark DAC1 USB when other source materials were played.

In the end, however (at least for us) the slightly greater openness sometimes heard in the Ayre Acoustics QB9 was nowhere near enough incentive to rationalize the Ayre Acoustics QB9 costing more than twice as much as the Benchmark DAC1 USB. In addition, the Benchmark DAC1 USB had a notably smaller footprint, which made it ideal for the workstations where it was to be deployed. The footprint wasn't the ultimate deciding factor by any real means, but we thought it worth noting for those who may be looking for a USB-connected DAC for their home setups.

In all, the Benchmark DAC1 USB is a giant killer representative of the best that digital audio has to offer. Very highly recommended.

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We produce a daily 5-hour music mix for over 100 public radio stations around the USA (undercurrentsradio.net). Day and night, the DAC1 USB, patched directly into ADAM A7 self-powered monitors, is the direct pathway between our digital music library and our ears. We can't rave enough about how great this unit sounds ~ everything is so sonically delicious it's hard to tear ourselves away!

Build quality, reliability, flexibility, esthetics, they too are all top-notch. The only glitch we've encountered is the volume pot has degraded, making a little bit of static when it's adjusted. Benchmark has a 5-year warranty and they've offered to replace the defective part and swap a loaner unit while its in the shop, all with a prepaid shipping container. That's service!

There's another point I'd like to mention, one not often discussed but critical to us. Over the years we've used a range of popular semi-pro and professional audio gear for critical monitoring and had to deal with the annoying habit they all shared of choking when jumping between playback on iTunes, YouTube, SoundCloud and our own library of .wav and lossless files. The clock would get stuck on one and not seamlessly handle the next, so frequent reboots were the norm. The Benchmark DAC1 has changed that forever because the clock is so rock-solid that it never ever loses synch on playback. That, plus the obvious 20% bump in audio quality, makes it worth every penny.

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I have just purchased my USB1 DAC....What an improvement over my creative titanium hd sound card. This unit has a good amount of flexibility,and the Head phone amp is quite good especially for hi z headphones. USB1 Even gives you a choice of Headphone jacks . Light but well designed unit, My biggest pro is that the unit has a very transparent output and does not color your music.

Also you can increase the volume by removing the jumpers (10db pad) and then give the headphone amp tremendous volume for your cans. XLR out can also be increased by moving the head jumpers to a different position.

No Cons

American Audio HP-550 Pro DJ Headphones

American Audio HP-550 Pro DJ Headphones
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $39.98
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  • Foldable Dj Headphones
  • Included Replaceable Ear Cup Pads
  • Carrying Bag

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Overall they are a decent pair of headphones, especially for the price (I paid $30). The mid range is a bit too high, bass is accurate, and the treble is really clear. When I turn them up real loud the bass does not clip (distort) at high volumes. Messing around with an equalizer you can get a really great sound for listening to music, otherwise they would sound too muddy. They can get a bit uncomfortable over long use. They cover over my ear fine, but if you have big ears I can see them not fitting well. I use them for home recording drums, bass, guitar, it serves it's purpose well. It cancels noise pretty well also, not great, but good. It comes with a nice bag, the headphones fold up and fit into the bag so you can take them around.

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I typically don't ever review an item after I purchase it(unless it was of poor quality; and I only do that to alert others) but in this case I wanted to offer some praise for this set of headphones. I picked them up for $14 shipped because amazon had them running as a black friday special. They sold out in a few seconds but I got lucky. I got them for work because I didn't want to expose my pricey set of Bose headphones to the sometimes dusty/dirty enviroment I work in. For $14 brand new you absolutely can not beat them. I paid more than that for a set of skull candy ear buds a while back. I'm not musically talented so I can't accurately comment on aspects such as treble, bass, ect, but they do not distort at high volume and if a song with bass comes on they bump nicely. For a cheap set of headphones that you don't have to worry about messing up, but yet still sound good, I highly recommend these. Mine also came with a carrying bag, a 90 degree 1/4" adapter jack, and a straight 1/4" adapter jack. With out the adapter jacks they plug into any MP3 player, Iphone, ipod, ect, jack.

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After countless searching and reading reviews on $50-$75 "dj" headphones I opted to go with these due the mostly positive reviews and price. I had an idea of what to expect as far as sound quality but I was REALLY disappointed that there is no "clarity" in these headphones it's a lot of bass, the mids sound really muffled and the highs could also use a boost up. The design is ok and I did like that it came with a bag and 2 adapters.

Next time I'm going to save my pennies for the $159 (professional) Technic headphones.

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This is the best headphone in terms of price and build in quality compare with $200 on the market same specification (VMODA CROSSFADE LP) I already have it frequency response (5hz-30kh) spl:107dB+/-3dB at 1kHz. 64ohm)if you know what this mean.I use this headphone with my pc connected with turlebeach air force dss 7.1 sound system,the sound my dvd movies and games are amazing compare with $3000 sound system.You must listen this with equalizer for better result sound is amazing

I wish I would find this headphone before,I also have Sennheiser HD 280 PRO but as I said I would still buy American Audio HP-550 Pro I did purchesed 3 of them 1 for me 2 for gift buy it before it last $31.90

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The HP550s have great sound quality and a lot of power, and at a good price. I noticed an instant improvement in my mixdowns (I produce hardstyle and hardtrance). One problem for me is that my ears are slightly too big for them, but, then again, I have big ears. The other issue is their isolation. They block out almost all sound, but occasionally you do hear something come through. I would recommend these for anyone on a budget, but if you want pure quality, spend the extra $100 for pioneer hdj-1000s.