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Today's Bonus:
- * Ultra-light vibration pickup
- * Condenser transducer in sealed enclosure
- * Cable with lockable miniature XLR connector
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PROS:1-the flexibility to experiment with placement and tones on the soundboard and bridge.
2-sounds better than most pickups.
3-no need to drill holes in the guitar
4-low cost (also see CONS)
5-sound got even better when I combined the C411 signal with an Audio Technica AT831b clip-on mic pointed at the soundhole. This sound was almost as good as using my AKG C414 in the studio.
6-adhesive sticks really well and doesn't mark up or damage the wood
7-solid/loud output
8-can be used on multiple guitars
9-using two C411s at the same time (placed on different parts of the guitar)would probably sound even better
CONS:
1-doesn't sound better than a high-end condensor mic
2-cost of the mic is low but the AKG cable you need to use the mic cost more than mic.
3-attack is good for fingerstyle/classical/flamenco players but not ideal for really fast pickers (maybe a compressor would remedy this issue)
OVERALL:
worth the money and worth trying out as an alternative to other pickups/transducers for live sound.
Buy AKG C411L Ultra Light Instrument Mic W/Mini XLR Instrument Mic Now
when i originally purchased this product, i didnt really have great expectations for it. i had tried it once in a hurry,managed to get a decent sound, so i thought, i'll give it a shot. but man, when i actually took 15 minutes to find the sweet spot on my acoustic guitar, GOD this thing gave me an eargasm ;) my whole life, i had dreamt of getting a pure,natural acoustic guitar without bothering to drill holes in my guitar or having to worry about feedback on stage.this mic captures every imagineable detail on my steel sting acoustic & its incerdibly feedback resistant for most acoustic venues(dont expect to play at a rock show thru a 100W monster amp). the acoustic sound comes out so clear & natural,it picks up finger squeaks,finger taps everything & yet very little of surrounding noise. hats off to AKG for making such a great product. I've even tried it on a nylon string guitar(great sound), on a sitar(really good) & even on the body of a fretless electric guitar(!even the electric sounded decent!)
remember that this is not a pickup, its a condenser microphone. so it needs phantom power.
only downside: this mic is hardwired with a mini XLR plug. to use it, u need to buy another AKG product like the B29L or MPA V in order to supply phantom power. u cannot plug it straight into an amp or mixer. despite the added cost, i feel its really worth the price. in fact this should be an industry standard. i'm tired of going to concerts & having my beautiful acoustic miked with a SM57(acoustics sound like garbage thru a SM57).
great product, spend half hour with your acoustic guitar to find the sweet spot to paste it(with included removable adhesive) & u'll get years of auditory pleasure.
this is a highly recommended purchase.
Read Best Reviews of AKG C411L Ultra Light Instrument Mic W/Mini XLR Instrument Mic Here
I used this mic on my acoustic nylon guitar with great results. For me it works better over the bridge. Your guitar sound is what you get, if you have a good instrument you will get a good sound!Want AKG C411L Ultra Light Instrument Mic W/Mini XLR Instrument Mic Discount?
The earlier reviews pretty much sum it all up. The C411 has got the best balance of features of any acoustic pickup out there. But above all it is the best sounding pickup out there. I *prefer* that it is phantom powered. Every PA system in the world, as well as most all acoustic instrument amps have phantom power so no more fiddling with ever-dying batteries! Sure, an freestanding external condenser microphone (which is NOT a fixed condenser pickup like the C411) is about the only thing that *might* sound better, but an external freestanding mic (besides being more of a hassle) is more prone to feedback and freezes you to one spot and position onstage. As a contact mic, the C411 is far more resistant to feedback and will generally give you much higher levels before feedback, while still maintaining condenser delicacy, crispness and shimmer. Since the C411 sports an Omni pattern, and is generally mounted on the outside of the instrument, it really captures an open, airy, nuanced and highly realistic guitar sound. Not boxy like internal soundboard transducers or compressed and quacky like undersaddle transducers. I've been playing guitars professionally for over 2 decades, the C411 is the closest thing yet to the holy grail for any acoustic stringed instrument stage performer out there. You will not regret it.
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