Showing posts with label bling headphones. Show all posts
Showing posts with label bling headphones. Show all posts

Numark M3

Numark M3
Customer Ratings: 4 stars
List Price: $149.00
Sale Price: $109.95
Today's Bonus: 26% Off
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  • 2-channel tabletop DJ mixerInputs: 2 phono/line switchable (RCA), 2 line (RCA), mic (1/4")Outputs: Master (RCA), Record (RCA), Headphone (1/4" stereo)3-band rotary EQ and gain on each channelHigh, Mid, and Low Frequency kill switches on each channel cut -35dB from frequency rangesTransform (Punch) button on each channel for sonic excitement at your fingertipsReplaceable crossfader with direction-reverse and slope-controlMic input and headphone output each have with gain and tone controls

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The Best toy I could ever purchase thank you,

I will enjoy this item for myself, thank you very much

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When I tried to buy this product it wasn't any longer available.

I received in exchange a M2 and for a very basic use is fine, but I did some recordings and it just doesn't have what it takes for a quality sound.

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This product was absolutely amazing =) i am a 100% completely satisfied with this mixer. it has all the stuff i need and some extra. i would highly recommend this to any Dj who's trying to start out.

PreSonus Central Station Plus: Studio Control Center with Remote Control

PreSonus Central Station Plus: Studio Control Center with Remote Control
Customer Ratings: 3 stars
List Price: Price Unavailable
Sale Price: $574.67
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  • 3 sets of stereo analog inputs and 2 sets of S/PDIF digital inputs
  • 3 sets of stereo speaker outputs with Select switches and trim pots
  • Passive audio path with no op amps or IC's
  • Onboard talkback microphone and talkback input
  • Dual 30-segment, fast-acting, peak-hold LED metering. Remote controllable via included Control Station Remote (CSR-1)

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]I've read several reviews comparing the Big Knob to the Presonus Central Station. I can speak first hand to this. I've had a CS for 4 or 5 years. It's the main audio out for my studio. It went out over a month ago, no audio. Talked to Presonus tech support several times. They thought it was the power supply. They don't make them anymore for this first model CS. They said I was in great luck because they found the last used one in their shop and sent it to me free. 2 weeks pass with only one set of monitors plugged into my workstation instead of 3 I normally run for comparison. I get the thing and it turns out the power supply is not the problem. I have to return the CS to Presonus. 1 week shipping, 1 week repair, 1 week return. $50 shipping ground, $85 standard repair fee. Too long to work without a monitor controller, so I bought the Big Knob. It sounded very good at first connection. Finally got the CS back after about 5 weeks. Replaced the Mackie with the Big Knob. Here's what I heard.

The BK is very dynamic and offers more gain than the CS. It sounds good. But the CS is noticeably more transparent probably due to passive electronics. Quite noticeable on a well recorded acoustic piano for example. If you were just doing rock or hiphop, you might even prefer the BK. It has perhaps more umph. For clearity, the CS wins. Im keeping the BK because I can feed it audio from the CS line out to control a subwoofer, something I couldn't do with the CS alone while feeding 3 monitor sets at the same time.

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While this unit sounds much better than anything in the price range, the price doesn't justify the fact it falls apart from the moment you buy it. Pretty much from month one on, count on it losing another feature. I have owned two and won't buy another and hope others will learn from my mistakes.

iLive iPod Karaoke System - IJ308W

iLive iPod Karaoke System - IJ308W
Customer Ratings: 2.5 stars
List Price: Price Unavailable
Sale Price: Price Unavailable
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  • Includes CD Player, Microphone
  • 2 Microphone Jacks, iPod Jack, Headphone
  • Compatible with CD+G, CD-R/RW
  • Features Auto Voice Control, Balance Control, Auto Repeat Playback, Song Skip/Search, Charges iPod While it's Docked, Echo Control to Reduce Hollow-Sounding Tracks
  • 2-Digit LED Display

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This karaoke machine is everything my 5 and 7 years olds could want. However, I find one advertised feature missing and some simple standard features lacking.

iLive as a CD+G karaoke player:

This product does a great job playing CDs or CD+G. It comes with one mic and has an input for a second. It has device controls and a remote control. These controls include a volume, mic volume, and singer volume. The singer volume allows one to turn down the singing on a regular CD (or iPod or any other audio input). The iLive plays music on a mono speaker. There are also audio and video outputs to play music and lyrics on a TV. One disappointment was that the mic did not come through the audio out; it can only be heard through the iLive itself. Another big disappointment is that the iLive has a single mono speaker. It's a great portable player that can run on AC power or batteries, but stereo was created in the 1960s and is a pretty standard feature these days. When I played a couple songs with lyrics on my TV, some of the video was blotchy. That could be attributed to the CD+G disc quality or the iLive player quality.

As a cheap, portable karaoke player I'd give the iLive 3 stars.

iLive as an iPod player:

It plays music and photos or video (through the video output) from the iPod. At this time, iPods do not support a karaoke format. This is an iPod shortcoming, not an iLive shortcoming. What you can do is play your iPod music, turn down the vocals, and sing along on the mic without lyrics. My kids really enjoy this as they have a great song selection to choose from. However, the same shortcomings mono speaker, no mic through the audio output apply. One other advertised feature is actually lacking the unit does not charge the iPod. Lack of this feature makes the iLive a very poor iPod port.

Although cheap and portable, lack of iPod charging capability and false advertise lead to 2 stars as an iPod player.

Because the above functionality is combined into one unit at a low price, I give it 3 stars overall. It's great for kids, but lacking in quality and features.

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I got this karaoke machine on clearance at Target a couple months ago when our Target was remodeling/reorganizing. I gave it to my 8-y-o daughter on Xmas morning.

Upon initial set up, my daughter was thrilled. We had one CD+G that was capable of displaying lyrics, a High School Musical Special Edition CD. (*NOTE* The people writing on here to complain they can't figure out how to see the words displayed probably ably don't realize a special CD+G CD is required for this function. iPod units don't have lyric display capabilities at all.) Even though there was quite a loud background buzz coming from the speaker, she was having a good time singing along. About 20 minutes later though, the microphone went kaput. Just plain stopped working for no apparent reason.

There's a 90 day warranty, so I emailed iLive/DPI about the mic not working and asked for a replacement. I got a return email requesting that I fax them my receipt. I faxed it (long distance), along with a summary of my problem. I didn't hear anything back but assumed they'd take a couple weeks to process my new mic and get it in the mail.

Since my daughter was dying to sing, I gave in and bought a generic replacement mic at Target for $10, which worked just fine. But three days later, the CD player part of the machine stopped working too. When we put in a CD, it'd spin and make a grindy sort of noise, but no songs would play and it wouldn't respond to the push of any buttons, "stop" or "pause" or "skip".

At this point, the only part of the machine that worked in originally purchased form was the iPod connection. I emailed iLive again, telling them my problems had escalated to a seriously unacceptable level for a brand new machine. I got the same email back, asking me to fax the receipt. I faxed it again (another long distance charge).

When I hadn't heard anything from iLive customer service after yet another week, I emailed a third time, asking the status of my complaint. Their response was that they checked the past two weeks of faxes and could find no faxes from me. Hm, interesting, considering I had TWO fax confirmations with their fax number sitting right in front of me! I send along a third fax (yes, still long distance).

Finally, last week I got a phone call from customer service. The girl was very nice and polite, but informed me that since I purchased the machine at a discount price it was considered sold 'as is', which constitutes the warranty null and void. I was SO angry! The girl empathetically agrees to talk to her manager, and when she comes back to the phone she acts like I'm so lucky b/c her manager has agreed to offer me a deal they never offer anybody: if I send them a $30 check, they'll send me a new machine.

Are you kidding me??!! Another $30? That's more than it costs to get a new one here at Amazon!

Bottom line: BE WARNED! The idea of this machine is cool in that it's versatile in playing CDs, iPods, and CD+G karaokes, but even when all those things work, that loud buzz persists and it is definitely aggravating after awhile. Purchasing this machine at Amazon's discount price is going to make it "as is" and nullify the warranty as far as iLive is concerned. You will be out of luck.

Yesterday I bought The Singing Machine SMG-137. It works fantastic, no buzz, and I'd highly, highly recommend it over this machine (even though it does not have iPod playing capability).

I'll never buy another iLive product again!!

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I purchased this for my daughters. They love singing to radio Disney and all the other Disney songs.(High school musical,etc) I was very disapointed. It feels very cheap and it had an annoying buzz. I returned this product and purchased a more expensive Karaoke machine. I guess $50 does not buy much today. Good idea with the ipod, however when playing regular songs on ipod, lyrics do not appear on screen.

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Before I purchased this item, I too was skeptical, because of some of the other negative reviews. But I have to say, my wife has used this iLive iPod Karaoke System now since December 25, 2008, and we haven't had any issues with it at all. Everything has worked great! Sometimes you just have to go with your gut feeling. I'm glad I did.

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Got this for my daughter Christmas of 2007. It is awesome and she loves it. Especially useful b/c she can recharge her ipod! Would buy and recommend again!

Rockman Bass Ace Headphone Amplifier

Rockman Bass Ace Headphone Amplifier
Customer Ratings: 3.5 stars
List Price: $131.16
Sale Price: $67.99
Today's Bonus: 48% Off
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  • Lets you hear your instrument's dynamic range and clarity to inspire you to "pick up your guitar and play"
  • These high-quality, low-priced headphone amps offer built in compression, volume control and auxiliary stereo input/output
  • You can even route the output to a mixer for recording!
  • The Bass Ace offers selectable treble boost and mid boost to add to your sound

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I just got the Rockman Bass Ace last week and have had a chance to play with it for several hours. In that time I'm decidedly lukewarm about recommending it too highly.

I'm 44 and I play the bass in a very progressive church with music that ranges from heavy rock to funky gospel to nice slow worship music. We have a great sound system and I use pro-quality equipment so I place a premium on high fidelity tone. I bought the Bass Ace so I can plug in my Ipod and practice along with the upcoming week's music without bothering my family.

I've owned a number of headphone amps in the past including a Boss HA-5 Play Bus (which I still have) and an original Tom Shultz Rockman Guitar model (long gone). I also sometimes use the headphone-out option on my Line 6 Pod XT Live. Incidentally, the Guitar Rockman was great as long as you wanted to sound EXACTLY like Boston. The XT Live produces the the best tone overall but it is not very portable. The Boss is easily the best portable headphone amp of the group for bass even though it's designed for guitars and it's over 20 years old. But I a bass-centric unit...

At this point you're probably familiar with the specs and basic attributes of the Dunlop Rockman Bass Ace so I'll skip to my impressions.

PRO'S

Price: Overall, the Rockman is not a bad unit for the price.

No power switch: The amp comes on when you plug the bass in and goes off when you unplug it. No switch to forget just remember to unplug it after use each time.

Bass tone: With decent headphones (see below) and some tweaking the bass tone produced by the Rockman is not bad definitely usable. That said, compared to the Line 6 and the Boss listed above it is clearly the worst of the three.

CONS

Auxiliary Input Tone: When I did an A/B comparison with my Ipod direct into the headphone and then through the Bass Ace, the tone through the Rockman was MUCH worse than direct. On other headphone amps I've used the AUX input was very transparent and sounded virtually identical to the direct line. The AUX input on the Rockman sounds muffled. Very disappointing. Also, the input jack is a 1/4" meaning you need to have a converter to plug in your Ipod. I suppose that is a personal preference.

Headphones: The headphones that come with this unit are virtually unusable. I have a set of mid-priced Sennheisers and in an A/B comparison the difference is incredible. The elcheapos that come with the Rockman buzz and distort at even the lowest volume. Push them a little and the tone is unbearable.

Size: This thing is HUGE compared to other headphone amps. Based on the weight (it's relatively light) it must be mostly empty space so I can only assume that the Bass Ace was purposefully made larger than necessary in order to give it gravitas. This thing is the size of a small cigar box. The result is that it feels cheap and hollow and it's too big to comfortably hang on your belt or on the guitar strap like I've done with other units.

EQ: This is a con because there is no real EQ. I never have a problem getting excellent tone out of my Warwick Thumb but I had to tweak the EQ on my bass dramatically to coax a decent tone out of the Rockman. The Bass Boost function is useless. To me it seemed like less of a boost and more of a scoop. Engaging the Bass Boost actually reduced the bottom end. The Treble Boost function improved the tone somewhat (after I rolled back the treble settings on the bass) but introduced a serious hiss. I got used to it but overall what you get is what you get with this unit. There are no effects, delays or reverb. Also, there is no Drive or Gain option. That's fine with me since I like a fat, clean tone but don't expect to be able to dial in monster tone if you bass doesn't have it already.

Name: Bass Ace? Really? That's the best they could do? C'mon Dunlop. Haven't you ever heard of a focus group?

Summary:

Overall, this is not a particularly high quality unit compared to the Tom Shultz equipment I've used before. I would imagine that he is disappointed in the unit bearing his name. That said, what can you expect for this price point.

If you want excellent headphone tone out of the box or if you want a unit that serves double duty as a pre-amp to run direct into a PA, keep looking. This lo-fi amp is not going to make the cut.

If you need a cheap, portable, easy to use headphone amp to practice with then you might be happy with the Rockman Bass Ace as long as you pick up a good set of headphones to go with it.

NOTE TO DUNLOP: Get Tom in with the guys at R&D and design a serious bass DI with a headphone out option with the following features:

>XLR Line Out

>1/4" Line Out Dry

>1/4" Line Out Blended

>1/8" Headphone Out (Blended Only)

>Gain (Punch)

>Treble (Top)

>Bass (Bottom)

>Presence (Attitude)

>Blend (wet vs. dry signal)

>Output Level (also controls headphone volume)

>Ground Lift Switch

>Active/Passive Switch

Put in a metal box in a color other than black and work up a better name. Price it at $199 and offer it as a DI/Headphone amp combo that sounds better than a C Tech and offers more options than a Sansamp. You'll rack up.

IMHO

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I agree that the headphones are a piece of cr...

Used with good earphones, you'll get a decent sound.

One downside: playing bellow the standard E will cause distortion, especially on a fifth string.

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I had one for my guitar in the 80's and it was nice ! This new product seems to have been made as cheap as possible. Probably like many companies looking to have more profit at the cost of quality. The case is cheap plastic and the headphones are probably worse than ones at the dollar store. The headphones were a BIG disappointing as being shipped with a "BASS ACE" because they cannot handle the bass sounds, and just rattle like crazy. Might be good for an old 9v transistor radio. They should be ashamed shipping these with this product (Bad Form). I would have preferred the AC adapter over the 50 cent headphones.

I paid $62.00, but the quality seems like it should have been $39.99 since it does not have the AC adapter. I do like having the Bass Ace, though, using my better headphones...the sound is much better. Needs the AC adapter because the battery life seems short.

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I bought this item with a history of having own a Bass Rockman many years ago. To my surprise, it was not what I remebered or expected when I received it. The older rockmans were metalic and sturdy. Was new is molded plastic an seems a little frail.

So far, I am not impressed, but satisfied with what I got. The unit produces descent sound if you DO NOT use the supplied head phones. I'm currently using mine with BOSE QuietComfort noise cancelling head phones, which produces better quality sound from the unit. Also, I'm using Bartolini active pick ups on a pre-Gibson Tobias , which can overdrive and distort.

So, for the price, it's not a bad buy. But expect quality to equal the price, and nothing more.

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You like to practice your arpeggios, right? You can't wake the kids or neighbors or roommates while you do it, right? This is the gig for you.

It doesn't sound awesome. It gets you where you need to go. And for the price it's tough to beat.

Jabra Headset Binaural with Noise Canceling Boom

Jabra  Headset Binaural with Noise Canceling Boom
Customer Ratings: 3.5 stars
List Price: $124.00
Sale Price: $67.24
Today's Bonus: 46% Off
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As an account executive of a marketing company I am on the phone all day. I have tried numerous headsets over the years and have never really liked any of them. I finally decided to spend a little more than I usual do and see if there really is a difference...THERE IS...gone are the headaches from wearing them all day, these fit nice and are very comfortable, I can hear without having to turn the volume up, I am not distracted by my co workers. I can finally actually hear what people are saying...it does not come with the 2.5 connector which I find not fun but I was able to order it thru Amazon...in fact I returned the first set because I thought it was missing....if you are on the phone all day these are perfect...the cord is a little short.

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Easy to use. I do a lot of work on the phone, and this really helps with all the wireless phones in use these days.

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I want a binaural headset for my phone with a 2.5mm connector. Will this work?? I have no idea because there is no mention of what connector it has, not even a picture.

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Works as expected. I am using it with a Polycom IP550, which did require one of those smart cables (a little extra expense) and a bit of play around with the setting on the smart cable. Once I found the optimal setting, I have no complaints.

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i was asked to erase my review in order to get a full return on my money if u didnt want a bad review u should change your policy because a satisfied company gives a good review and a unsatisfied customer gives bad reviews i would have changed my review but u said i couldnt get my money all back unless i did so i would rather keep the headset than to be bully in to erasing it i give great review when i am treated fairly i really cant say anything bad about the headset but the policy sucke like i said

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Korg WAVEDRUMORT The Expanded Wavedrum Designed for Arabic Music

Korg WAVEDRUMORT The Expanded Wavedrum Designed for Arabic Music
Customer Ratings: 5 stars
List Price: Price Unavailable
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  • New sounds and new loop phrases have been added; finished in a rich, deep red color
  • Real drumhead and textured rim playing surfaces offer inspired performances
  • Innovative technology combines DSP synthesis and PCM samples; plus effects
  • 150 preset + 150 user programs; Live Mode stores up to 12 favorites for instant recall
  • Jam along to the 140 loop phrases or to the MP3/CD/AUX input; headphone output

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I bought one of the 'standard' wavedrums a while ago. Although I knew that a electronic drum would never really replace an acoustic hand drum, what I saw of the wavedrum convinced me that it had a lot of potential. I have enjoyed it immensely, and it has proved itself very useful. My main music type that I play is kind of a world fusion type, as well as Christian worship (contemporary obviously, but more in the vein of Kevin Prosch or Misty Edwards than standard Christian music. Spontaneous at times, incorporating several kinds of genres and instruments). The wavedrum fit in perfectly. Before, I had my whole set up at big events.. often times a drum set with a doumbek, some types of cajons, a riq, djembe, and a jingled darbuka handy nearby incase I wanted them. In set up B, I used a special cajon with a microphone I placed inside, and some of the same hand drums. Both set ups were a LOT to carry. The wavedrum has allowed me to lighten the load. The oriental even more so, because those added features really pack a punch.

Now like I said, the wavedrum is NOT a replacement for any of these drums, and I don't think it was intended to be. If you are a doumbek prodigy, you're going to play a real doumbek. The subtle technique used in those instruments is just something you need the real thing for if that's what your primary goal is. However, the wavedrum does emulate things very well. Better than any other electronic drum I've seen. I can get doum, tek, and ka depending on how I strike the drum in the 'doumbek' wavedrum algorithms. And the added algorithms and PCM sounds over in the Oriental over the original wavedrum are even more expressive. If you're not a world hand drum virtuoso trying to be a virtuoso, and you play many of these instruments live on a regular basis, I'd really look into this.

That being said, if you want the best from this, you will have to learn to tweak the sounds. It's not that hard, it's just time consuming. I started to recreate all the sounds that I wasn't too fond of, and tweak the ones I was fond of to improve them. I've found the chimes and cymbal/jingle effects are very high quality in the oriental, and I keep finding myself adding them into many of the sounds! It's getting ridiculous.

If you're going to buy a wavedrum, get this one over the original. It is worth it, particularly if you like Arabic/eastern percussion. Or, if you're a serious performer who already has the original, you could do what I did and use this in conjunction with it. You hook up 2 via the headphone out of one, and the aux in of the other (provided you turn up the aux in volume on the receiving wavedrum). It has proven very useful to me, and many people who hear some of the incredible embellished sounds it can make are just blown away.

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I got it into my silly head a while back that I wanted to take up drumming, and like a fool I dove headfirst into this little item. Strange waters for a beginner to go treading into, but I don't regret the purchase in the least. These are very deep waters, and I'm utterly delighted to be in them.

I'm very interested in synthesizers and am familiar with the quality of Korg instruments. After a lot of research on youtube.com and reviews in many publications over all versions of the Wavedrum, I felt that the Oriental Limited Edition was the one to go for with its 50 additional programs over the original (total 150), 9 additional algorithms and the availability of an additional 50 user defined presets (total of 150). After a few weeks of playing it, I replaced the head with a Remo 10" Weatherking Black Suede Ambassador which seems to be a close match for the Korg Wavedrum Black Limited Edition's Remo head. Was this necessary? Had I worn out the original head? Not in the least. This is one tough, durably made instrument. I just wanted to try a different head. Changing the head is a two or three minute operation and the tools necessary to do it with were provided with the instrument. There is an instructive demonstration on youtube.com for this. The new head added quite a different character and playing feel to the drum. Personally, I quite prefer the Black Suede Ambassador. Not a bad addition at $14ish dollars.

How qualified am I to give this review? Apart from being an owner of the object, probably not very. I can only give you my own experience with it and I don't have much to compare it with. I've never studied drumming and what I now know is mostly derived from watching videos and DVDs on drumming technique. Yes, I'm a percussion dilettante with little experience with drums apart from a few hours spent with a pair of drumsticks on a practice pad in college that belonged to my music major roommate. To tell you the truth, in size and shape this instrument is a lot like a practice pad. Unamplified it sounds about like one too. With its thick, strong aluminum rim attached to a dense, plastic body, I believe it's a lot tougher than a practice pad. All my hand drum experience is with a knock-off, Indonesian made djembe.

Do I use it for anything practical? A little. Mostly I just have fun with it. I do a little freelance game development at times and I love making sound effects. This fits right in with that. It's also a great way to blow off steam. Any solid object that won't hit you back is good for blowing off steam, but not so many of those sound as good as this does.

I wonder how the Wavedrum would play if it were attached to a wooden djembe-like body. I've observed that it's good at picking up sounds from my drum stand when I strike it. I think attaching this to a traditional, wooden drum form like a conga, djembe, doumbek or darbuka could be a productive field of endeavor. I've been having fun running a clip-on piezoelectric contact microphone through the Wavedrum's aux input and attaching it to things like stainless steel water bottles, paper towel rolls and even sheets of copier paper to explore their percussive qualities. Could not such a mic be run through a wooden base be used pick up some interesting hand slaps and mallet blows? All you need for such a thing already exists in the Wavedrum. I think you, the engineers at Korg, or a third party developer could have an interesting Wavedrum accessory on their hands with this idea. You heard it here first!

To make the most of this instrument is going to take you a lot of work. Fun work though. It will take you quite a while to exhaust your exploration of the 150 instruments it 'contains.' It's going to take you longer to master programming your own drum patches. I'm not saying that it's so difficult as all that. I mean that the number of variables available to you is huge. Even more so with the Oriental Limited Edition. You're going to need to have your owner's manual at your side to do it, and it requires study. Indeed it does. Study that I find is richly rewarded with all the amazing sounds I can get out of it.

Many have noted that this drum is not a substitute for the many many ethnic instruments that it is able to emulate. Of course it's not. But it is a musical instrument in its own right. It has its own unique qualities, properties and characteristics. Just as it is not a replacement for all of those drums, those drums, for all their virtues, cannot replace this one either.

Thanks for reading such a long review! I deeply enjoy this instrument. I just wanted to convey that.

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All the stuff that was already said. :) The Oriental edition is the Wavedrum with just about twice as many great sounding programs, algorithms and loops. It takes hours to explore all the tasty sounds in a Wavedrum; double that for the Oriental. But like all good drumming exercises, soon your thoughts stop and you begin to heal. Namaste!

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This is a very responsive electronic drum. This version should probably be called the Middle-Eastern edition because the focus was more on that than say Taiko or Chinese drums. So if you're expecting Chinese/Japanese/Korean kinds of drums, you won't find that many on here. However, the Middle Eastern style drums are pretty cool and responsive. There are drums from Africa and other places too.

Pros:

More sounds to choose from than the Original or Black edition of the Korg Wave Drum.

Very responsive.

Sounds great.

Detects what you are playing with (sticks, mallets, brushes, chopsticks)

You can do cool sound bending tricks by pushing on the head.

There's bumps that you can scrap on the rim to make different noises.

Cons:

Switching from patches takes a long time unless you save it to the pre-loaded banks (like 5 or 6 seconds, which means you need to set things up for shows)

Headphone and outputs are a little low in volume even when the volume is set to max. A mixing board can fix this.

The snare drums on here probably shouldn't be used since it is not the bounciest drum head to play on (due to whatever's under the actual swapable drum head)

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If you have not used this thing before you buy itthen go check it out at a music store. It is a bit more complex than I thought it would be. Took about an hour to figure out how to properly adjust the sensitivity on the head and rim, and I still dont think I got it right. Perhaps its just the instructions, a DVD would be nice w/ it. Seems pretty solid built though... its a unique tool to say the least.

Shure SE535-CL Triple High-Definition MicroDriver Earphone with Detachable Cable (Clear)

Shure SE535-CL Triple High-Definition MicroDriver Earphone with Detachable Cable
Customer Ratings: 4.5 stars
List Price: $549.99
Sale Price: $478.00
Today's Bonus: 13% Off
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Fantasmagical! Only non-real words can describe these ear buds! I could talk about these forever but, I'll widdle it down to just a few facts to influence your decision ;)

Pros:

1. EVERYTHING.

2. 2 subwoofer drivers per bud

3. 1 tweeter per bud.

4. crossover in between them all (No matter what sound level you select they will deliver with zero distortion and acoustical perfection).

5. Industrial strength shielded cord.

6. Solidly built splitter.

7. Gold contacts at ear bud swivels and jack.

8. Ear buds swivel to minimize cord tangle.

9. Replaceable cord.

10. Comfortable in the ear when worn correctly.

11. 6 different ear bud grommets to suit each individual ear hole size and depth.

12. 37dB of insulation. So say a F-18 Super Hornet is landing right above your berthing you'll feel the vibrations, but won't hear the noise!! HURRAY!

Cons: dun dun dun

1. Price. They are worth every penny and you'll be SOL if you have to switch to a lower standard for some unGodly reason.

2. The cord. Although it's one of the best I've played with, the shielding inside will make for this little loop to form. One must untwist in the was its wrapped. It isn't that big of a pain, but you want to keep it straight so the cord won't get kinked.

3. Swivel ear buds. Fantasmical idea and I wouldn't go back to the other style...EVER. But one should clean it occasionally. (Exceptionally gentle though theres a mini gold wire centered for the electric to flow through.

4. The around the ear loop doesn't hold it's shape very well. It will re-bend when it goes around your ear but it'd be easier if it just stayed.

All 4 of the cons aren't really cons. Their just nuances of an amazing piece of technical marvel. These are by far the best ear buds I've used and the best personal sound instruments I've heard in general! Meaning their better then even the over the ear and around your head types.

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The 535 has been improved in several areas from the earlier 530 model, the latter of which I have two samples. The build quality has been discussed elsewhere. It is substantially solid and commendable. The replaceable cord is almost indestructible, but it being replaceable it is a non-issue.

More important is the sound quality which has been dramatically improved in a number of ways due to refinements to the shaping of the cavity within which the balanced armatures are fitted (I speak about the "speakers" inside which are more comparable to tuning forks than typical electo-magnetic speakers.) The crossover points between these armatures may also have been refined and adjusted for flatter response meaning audibly flat, rather than just measurably flat. The external shape of the device was changed too, and it should fit more comfortably for many ears once one gets used to inserting them.

While a few listeners reported hearing "no difference" between the 535 and Shure's earlier 530 model, I strongly disagree. Or given that many people really can't hear even dramatic differences, it is merely true for them, but not true for those who can hear minute but significant changes between designs of audio equipment. The 535 is different from the 530 physically period. And sonically in a number of areas any sophisticated golden ear can hear. Among my audiophile acquaintances we could easily hear the improvements as follows:

1. Increased clarity and "transparency" throughout the frequency range resulting in better delineating of instruments, one from the other, and the textures and shapes within the sound. For example, the airy whoosh of a flute, the tinkles in the distance of a softy struck triangle at the back of the stage, the rosiny draw of the bow of a string instrument, the brassy rasp of a trombone, and the shimmer and afterglow of a brushed cymbal.

2. Higher resolution of the soundspace, such that the leading edges of percussion instruments penetrate with greater force, impact and speed. The fading tails of sound decaying away are easily distinguishable and followed to its silence.

3. The sound images locked-in-the-head feeling has been reduced significantly and the soundscape is now wider, many sounds seem to exist outside the head, even at a distance from one's ears.

4. More spatial clues and sound reflections are audible, such as naturally recorded hall ambiance and slap echo against a stage wall.

5. The bass is important to most listeners, it being the foundation for the rest and the rhythmic underpinning of music. The 535 excels in this area, even over Shure's 530 earlier model which provided deep bass surely, but not with the 535's impact, solidity and tightness, definition and textures. There are other brands with seemingly MORE bass or lower bass capability. This may be an illusion. For plumbing the deepest bass we have the requirement for very high definition. The 535 is, by a long shot, superior you need to seal the earbud to your ear canal to hear it in all its glory.

6. One can continue describing sonic improvements over earlier designs, but there are space limits. Conclusion: I have not yet heard a more enjoyable, and most importantly, accurate portable device to date. The price, understandably, will be a factor for most people. However for the discerning listener who demands the quality of sound the 535 can furnish and will install CD Redbook standard or higher resolution audio files in their music players/iPods, the Shure 535 will be a stunning addition to their musical enjoyment on the go, in a plane, while exercising, or at home.

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Most people are looking for assurances that the reviewer of a product is qualified, so allow me to indulge briefly: I'm a lifelong musician, sound engineer, and headphone enthusiast/general audiophile. I love music not only for the artistry and quality of arrangement, musicianship, etc, but also for the beauty of sound that comes from the recording/mastering process, ultimately delivered through your speakers or headphones.

The first thing most listeners will notice with the 535's is their phenomenal mid-range response, which is largely out of style in most of today's popular (read: crap) audio products. The tight, clean bass is delightfully present in the mix without clouding over other ranges. The treble is bright and organic, not harsh and overpowering. The improved bass response, build design, and crossover sets these apart from earlier and lower models (I actually did an A/B test with the 425s vs 535s since I own both the 535s won by a huge margin). I love cranking these puppies up...it feels like the music is emanating FROM MY BRAIN. Make sure you get a good seal on the 535's and they will change your life. Boom.

I have been very loyal to Shure for the past 5 years or so for their honest sound, quality builds, and great customer service. I had the E4G's and SE425s for several years, and when the cord broke on the former pair, they shipped me a brand new pair without question.

Bottom line: these aren't for "pop" audio listeners looking for destructively rumbling bass and over-cranked, shimmery highs. Try Bose, you will be more happy with the inaccurate replication of the music. For those seeking full, powerful, honest sound with a great build and innovative features, buy these and don't look back.

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These earphones sound AMAZING! They are exactly what I would expect to hear after paying $500. But, (and it's a big "But") after using these for slightly over one month the supposed durable cable connector (the part that connects to the ear phone itself) became loose distorting and cutting off sound every time I moved the cable. I figured it was just the cable so I paid an additional $40 for a replacement cable, and quickly discovered it was not the cable itself but the input point on the ear phone! Now I have to send them back to Shure for repair! This in my opinion is simply unacceptable for a pair of $500 earphones hence the 2 star rating! And just a caveat, I in no way mistreated the earphones. They were kept in the case (the case is poor quality btw) when not in use, and were handled exactly as instructed! So, I recommend if you buy these, make sure the connection is not loose, and wiggle the cable while music is playing to make sure there is no break in sound! If so send them back immediately or you'll be stuck having to deal with Shure directly!

Got the new pair and they were awesome, so much so, they got stolen. Now I'll have to fork over another $500...geez...

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I hope that this review will help someone who is "on the fence" on investing in a pair of SE535s.

I have owned multiple pairs of Shure headphones, some middle of the line and also pair of top of the line SE530s. I use my headphones almost daily, for work and for pleasure, and when I use them I use them for many hours at a time. In fact, I think I place an extra level of use on my headphones, more than most people would. I travel the world for business and I take my headphones and Iphone with me where ever I go. I don't need to spend any time raving about the high quality and exceptional sound that Shure creates with their headphones, there are plenty of reviews that can attest to their superior fidelity and you should expect nothing less than perfection when laying out $500 for a pair of headphones, however I want to focus on the customer support.

After 6 months or so after my original purchase I started to have problems with my SE530s, specifically the left earbud would cut out at the lower connection. I sent the headphones in and they were immediately replaced with a new pair. All was good until about 6 months or so the problem happened again, so I sent that pair in for repair and they were replaced. All in all, I replaced these SE530s three times, the last time almost a year AFTER the original warranty ran out. Shure customer service were always courteous when I called, and replaced my product(s) without issue and almost immediately after receiving my old headphones at their department.

Now, don't take this review as a problem with Shure's products. I believe that anytime a company produces a product there can be problems that occur. What I experienced with my SE530s were an exceptional product, with exceptional sound, that had a hard time under exceptional usage. Now, this could have been bad luck, or hell a bad design for all I know. Shure stood by their product and looked out for me as a customer. That is what I want people to take away from my review.

In the end, I purchased the SE535s and decided to keep my SE530s as a backup. I felt the SE535s with the replaceable cables would function better under the extreme usage that I put my headphones though and so far they have performed as I expected them to.

There are few things in the world that you really get what you pay for. The Shure SE535 headphones are in a class by themselves within this group.

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AKG K267 Tiesto DJ Headphones

AKG K267 Tiesto DJ Headphones
Customer Ratings: 4.5 stars
List Price: $449.00
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  • "I wear them on stage during the shows and also when I work on my music in the studio. I also like the Dual Plug-In feature that allows alternate cable dressing from either left of right side."
  • It's dual plug-in feature allows the DJ to attach the cable to either side for maximum comfort.
  • No matter if you want to keep sound neutral or are in the mood to maximize deeper sub bass frequencies, with the K267 TIËSTO headphones you are flexible in chosing bass boost. Adapt your sound experience to your individual preferences every single moment!

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The sound quality and noise isolation are superb, however, the left ear piece disconnected under normal use after about a month. There is a great deal of stress on a swiveling screw that broke loose.

I managed to get it to screw back in but they don't feel right and wobble around a bit. Still sound great though, that'd why I'll let them have 2 stars

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All I have to say is: Feel the sensation as you are listening to your music from the AKG by Tiesto K267 reference headphones! Best to listen to Tiesto's music and other DJs who work on their mixes or remixes on Tiesto's Musical Freedom Production company.

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This Headphone AKG K-267 Tiesto These are the best I've had in years, the sound is very good and not distorted, I recommend 100 %.

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it is excelant headphones, easy to use, hi qualty sound, i will wait for the next model.

one thing i hate about it that it is easy to break.

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after listening for over 8hours straight i can tell its breakin in a bid and of course am using mini amp. its so good that i can't help but order another pair. i have these for two days now but really enjoy my boom boom music on these so much that im just moving with beat and i can't believe am staying late just listening to my favorite techno/hip hop/rap music....

these impressed you so much you may wanna get a second pair for you significant other so both can dance at night to that boom boom music without disturbiing the neighbors...oh yeah!! and i am not drinking nor under any booster drinks but these cans do give that earth shakin dance floor feel. so far not irritating nor fatiguing.

just sonically amazing. wow i think i should cool down my jets cause its after 3am naa... oh yeah am listening to Tobymac and capital kings and they rockin in these cans. yep! boom boom boom boom oh yeah loose myself....bump it up. Don't to play with the settings on the cans.. Am using stage and yep shakin.

my device use Fiio11 and galaxy s2 and its just bumpin...

SMSL Music Fortress FORT Computer USB Decoder Headphone AMP Amplifier 130mW MAC

SMSL Music Fortress FORT Computer USB Decoder Headphone AMP Amplifier 130mW MAC
Customer Ratings: 5 stars
List Price: Price Unavailable
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I was not sure about this headphone DAC as I was finding no reviews for it. But for the price it works well and sounds very good.

At first I was impressed with the sound but I wanted to do some more testing with a Leader LDM-171 distortion meter.

The noise plus distortion came in at 0.25% at 1khz.(at 500mv output) That seemed to be a reasonable figure for what it is. Should be below what

can be heard. A frequency sweep showed a very flat response down to the bottom octave. At 20hz it had drop of about 0.75 db.

A little weak in the lowest octave but hardly enough to notice. Overall good sound at a reasonable price and looks to be

well built. I am very happy with it and it sure beats the sound from my notebook headphone jack. It powers my Grado Labs

headphones with plenty of power. I had to give it 5 stars due to the sound, price and construction.

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