Showing posts with label running headphones. Show all posts
Showing posts with label running headphones. Show all posts

Casio CTK-3000 61 Key Digital Keyboard

Casio CTK-3000 61 Key Digital Keyboard
Customer Ratings: 4 stars
List Price: Price Unavailable
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  • 61 piano-style keys
  • Touch Response (2 sensitivity levels, off)
  • 48-note polyphony (maximum)
  • 400 high-quality tones including stereo grandpiano tones
  • 150 rhythms including 55 ethnic rhythms and 20 patterns for piano play

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This is a very nice keyboard for home use, even more so as the price is right. The digital readout is easy to see, with nice big black letters and numbers for the important information. The sound is crisp and clear. There are many voices and rhythms to choose from. I especially like the "teach yourself to play" system with so many playalong tunes and a nice fat songbook. The folk and classical rhythms and accompaniments are WONDERFUL and not found on other keyboards. I like the piano voices in my CT640 better though. Maybe one day I will have this set up as a MIDI and can download those better voices from the Casio website into this keyboard. It's really a very nice instrument, with a headphone jack that works well, putting out a similar sound to what comes through the speakers. Because the piano voices are not the greatest, I recommend adding a sustain pedal when ordering as well as the power adapter, and, if your earphones have the little pin plugs, you will need a stereo phone plug to stereo pin plug adapter.

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This keyboard is a great keyboard for the money! If you want the one that comes with the stand and headphones, order this http://www.amazon.com/Casio-CTK3000-Keyboard-Professional-Headphones/dp/Casio CTK3000 Premium Pack with Power Supply, Keyboard Stand and Professional Closed Cup Stereo Headphones/ref=pd_ts_MI_25?ie=UTF8&s=musical-instruments. The review above appearently did not read the discription as I did and I got the other one with the accessories. Mine came with the accessories and stated it in the product discription, you got to read to know what your getting not just look at pictures. As I said, great beyboard.

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This little Casio is touch sensitive. It has really been a nice keyboard for my piano instruction. The voices are not as good as you would hear on more sophisticated keyboards, but they are good enough. The keyboard has a metronome and learning system. It also will switch so that they player can put chord accompaniment to a tune. The one thing I like most about this keyboard is that it is so light you can take it upstairs, downstairs or just put it on your lap. For my instruction purposes, this is great! If I need to accompany a student, this is a great little instrument to put on my lap and play along with the student. One other thing, it hooks right up to your computer and you can use it as an economical midi. I've got an Imac and Garage Band works very well with this little keyboard.

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My first time learning to play a keyboard and the built in screen got me playing simple songs strait away. very incouraging and makes you want to keep playing. It however does not teach you to read music, only shows you where to place your fingers when, but a small investment in a book or cd and you can.

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For the money this is a great keyboard. Great sound, totally compatible with computer programs, and full of hundreds of tones and rhythms. The only thing that I would warn potential buyers about is it doesn't come with an ac adapter or power cord so you'll have to buy one of those on your own. Not a huge deal, but a bummer if you're waiting for an instrument and then get it and can't turn it on.

Vox amPlug Classic Rock Guitar Headphone Amp

Vox amPlug Classic Rock Guitar Headphone Amp
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $30.66
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  • Available in three styles: VOX AC30, Classic Rock, and Metal.
  • AUX in jack lets you jam along with your CD/MP3 player.
  • 100% analog circuit faithfully simulates the response of the original amps.
  • AC30 emulates the AC30 top boost sound of a vintage VOX AC30.
  • Classic Rock gives you the great high-gain sound of a UK-made 100W amp.

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Easily the best headphone amplifier I've tried! In the past these things were either full of hiss, smothered in echo, or were little more than glorified fuzz boxes with an Walkman-style headset. (That was definitely the case with Vox's discontinued AC1). The Amplug is different. It plugs right into your guitar's output jack, and has distinct tone, gain, and volume controls. No, this doesn't sound like a 100 Watt Vox head shrunk into a palmsize toy. It DOES sound amazingly like a much larger and more expensive amplifier, with very pleasing and tube-like distortion at higher volumes. It's the "classic rock" model, meaning that it's optimized for the chunky tube-distorted sound of the mid 1970s.

I like the Amplug a lot.

If you're into lead or rhythm guitar in the styles of Free, Led Zeppelin, Kiss, or the Who, you're going to enjoy this as a very valuable and inexpensive practice tool. The sound quality is good enough to use the Amplug as an amp simulator if you want to record your guitar directly to your computer. I think many people would be fooled into thinking you really had a large tube amp if they heard the recording. It's an amazing simulation, and I prefer the tube emulation in it to some digital effects units I've tried. I actually like the fact that it doesn't have built-in reverb as I'd rather use my own reverb when recording than be forced to settle with the built-in type.

Drawbacks? The clean sound is anemic. (This is not the headphone amp to use if you're planning on comping jazz chords with a heavy right hand. I have tried my mandolin with the clean setting and the results were somewhat better due to the double coursed strings.) Also, the Amplug really does require fresh batteries the sound as the batteries weaken becomes more and more abrasive. As the batteries die, the sound gets progressively irritating. The plug isn't angled, so you're going to have a hard time using this with a Strat-like guitar. (I use a Gibson SG and I don't have this problem). The construction is very lightweight plastic that does not inspire my confidence. For a few dollars more, the Amplug could have a metal chassis that would be very durable. None of these things deter me, because I don't expect miracles from a Japanese-made plastic amp. This is in no way a surrogate for a real amp, such as Vox's own DA5, and is very much a single-trick device but it does its single trick very well.

I bought the Vox Classic Rock amPlug on a whim in a music store. I'm glad I did! It's helped to excite me once more about playing and practicing daily. The price is definitely right, and the distortion sounds are superb. Buy this with the understanding that no amp can do all things and you'll have a great time with it.

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Got this for Christmas, and it is a lot of fun. The sound is very warm an tube-like, unlike the old compressed-to-death SRD Rockman tone of the 80's. The gain can be turned down for a clean tone, but when turned up, it has a very nice distortion. The only feature missing is reverb, as it only delivers a studio dry tone. One drawback is that it swings around in the jack, but I'm not sure how it can be avoided. Also, it was actually refreshing to see "Made in Japan" labelas opposed to some of the shotty Chinese made products. If it had reverb I would give it 5 stars. Pretty cool to walk all over the house and be able to jam, and a nagging spouse is easily drowned out! :)

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The sound of this little guy is very good for what it is. Goes from clean to a nice classic rock crunch. What makes it a very good and recommended product is that it is very practical for quiet practice. Plug into the guitar, plug in headphones, and you are free and mobile to play around. The offset plug works in front angle sockets (Strat style) or end mounts (everything else), and the controls are readily available. Seems solid but I have only had it a few weeks. Right price for what it is.

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I just received this small headphone amp and just quit playing it after two straight hours. I purchased the Vox Amplug AC30 about a year ago and was less than impressed with it. At the time, I was running it into a Highway One Telecaster with stock single coil pickups.

I now have a Gibson SG Standard with stock pickups. I really debated weather or not to get the AC30 again or the Classic Rock because I couldn't find any definitive reviews about how clean the Classic Rock could get. Let me be DEFINITIVE...It can do cleans really well! It can also get some crazy gain too. I was really impressed by how responsive it was to my playing dynamics. Even with a lot of gain, all I had to do was roll back the volume and it sounded so warm and full.

Having watched the few YouTube videos with the AC30, I didn't think it would have enough gain or crunch. I'm so glad I went with the Classic Rock.

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I bought the Vox Amplug AC30 and loved it so much, it probably doubled (or tripled) the amount of time I play guitar. I loved it so much I went out and got the more expensive (by $10) Joe Satriani Signature Amplug. I liked the Satriani model also because it covered a different tonal range than the AC30, and delay feature is a lot of fun. But I had serious questions about the Classic Rock Amplug. Why did have only a 4-star review on Amazon among the lowest for any of the fabulous Amplug products. Would it be only a "one trick pony"?

Well, I have to tell you, I was completely blown away by how great the Classic Rock Amplug is, and I'm now even more blown away by some of these negative reviews. I've tried out a number of effects pedals for plugging into an actual guitar amplifier, and many pedal users are seeking what they call a "Marshall-in-a-box". In other words, they want a effects pedal that will single-handedly transform whatever amp they have into the sound of a miniaturized stack of Marshalls. Believe it or not, the Vox Classic Rock on higher gain settings is about as close to a "Marshall" sound as I can imagine. And it comes in a small, plastic headphone amplifier that runs on 2 AAA batteries and costs all of $39.99.

Functionally, the Classic Rock Amplug is the same as the AC30 three dials for gain, tone, and volume, an aux in jack (for MP3 players), a headphone jack, and an on/off switch. But that's where the similarities end. While the excellent AC30 model simulates the boxy, sparkly sound of a tube amplifier, the Classic Rock packs some PUNCH. The low end presence on this thing (even through a $20 set of entry-level Sony headphones from Target) is significantly greater than on the AC30. More importantly, the sound doesn't deteriorate with higher volumes. There are plenty of ways you can try to play guitar through headphones, but most of them become a static-filled mess as soon as you turn up the volume. Amazingly, the tiny Amplug has plenty of power on tap, and the "overdrive" is controlled through analog circuitry, with amazing clarity.

But the real surprise in the Classic Rock Amplug (and the point upon which I disagree with several other reviewers here) are the clean and slightly overdrive tones as you roll back on the gain knob. Several reviewers referred to the clean tones as weak, or claimed that there were no clean tones. Yet, with both my Les Paul and a Strat, I was able to set the Volume at around 6-8 and the gain at about level 2 and get a very nice clean tone without loss of volume. If any dirt was remaining, a slight rollback on the guitar volume further cured the problem. Even better, playing a Strat into the Classic Rock with the gain set somewhere between 2 to 4 actually created a Tubescreamer-like blues tone! This tone was one of the audio demos offered on Vox's website, but I didn't believe it for myself until I plugged the Classic Rock in and dialed in that tone.

Long story short, the Classic Rock is extremely powerful, but more verstaile than I thought. It can do the high-gain Marshall tones I expected, but also offers a wide array of clean or slightly-overdriven tones. It might even be more versatile than the AC30 Amplug, though I remain pretty loyal to the AC30. The good news is that the two models are different enough and cheap enough that you can own both. Highly recommend the Classic Rock 5 stars.

Shure WH20XLR Dynamic Microphone - Cardioid

Shure WH20XLR Dynamic Microphone - Cardioid
Customer Ratings: 4.5 stars
List Price: $95.00
Sale Price: $68.30
Today's Bonus: 28% Off
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  • Lightweight wireframe and elastic headband adjust for a secure, comfortable fit & extra-strong, small-diameter attached microphone cable resists breakage
  • Collapsible microphone boom for easy storage and transportation & smooth, natural frequency response comparable to high-quality dynamic hand-held vocal microphones
  • High input clipping level eliminates overload distortion
  • Reliable at temperature and humidity extremes
  • Supplied foam windscreen and clothing clip
  • Lightweight wireframe and elastic headband adjust for a secure, comfortable fit & extra-strong
  • Lightweight wireframe and elastic headband adjust for a secure, comfortable fit & extra-strong,
  • Collapsible microphone boom for easy storage and transportation & smooth,
  • Small-diameter attached microphone cable resists breakage
  • Natural frequency response comparable to high-quality dynamic hand-held vocal microphones

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Drummer here -and I got tired of turning my head to sing into a mike on a boom stand so started looking for a headset mike.

Frankly, I got this one because it was the cheapest offering from a name brand provider and it had the kind of around-the-head-and-over-the-ears mount I was looking for.

All in all, it's good enough. It's very heavy on mid-range (which you can EQ around, but you'll need to) and I was surprised at how susceptible it is to feedback from the monitors (not horrible, but definitely worse than an SM58).

On the plus side, it wears very comfortably and the boom arm stays where you put it (and I definitely move around for a drummer). It would be nice if it had a on/off switch, perhaps on a belt-clip pack. As it stands, the belt-clip works well at keeping the cable out of your way.

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When we added on-screen hymn lyrics to the Mass at St. Mary's Church, my duties as choir singer and sound engineer suddenly included PowerPoint projectionist. I need a microphone that does its job without getting in the way, but it also has to be where I need it when I turn my attention from the audio mixer to the computer. Since I sit right next to the gear, we didn't need the expense of a wireless system (along with its appetite for batteries), and even a wired condenser headset mic was out of the question, budget-wise. For the money, the Shure WH20XLR is a gift from audio heaven.

The headband wraps around behind the head and slips over the ears. Like a pair of glasses, you can become so accustomed to the headband that you almost forget you're wearing it. The four-foot long thin cable routes out of the way behind the wearer's back and terminates in an XLR connector that clips to a pocket or belt, providing a disconnect point. The WH20XLR comes with a pair of windscreens and an additional cable routing clip.

The sound is what Shure is famous for: warm, with a natural presence that never sounds like the wearer is swallowing the mic. The frequency response is on a par with Shure's handheld mics, and the output has enough headroom that I can use the same pre-amp and fader settings as the rest of the mics.

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I have been using this mic for more than a year and I can't say enough good about it. As a singer/guitarist I needed something that did not get in the way and sounded good at the samne time.

This microphone fills both requirements to a tee. It is light and comfortable to wear and yet provides a sound that is all but indistinguishable from Shure's legendary SM58. (Don't, however, try using it as a hammer).

You can pay more for a headset mic but you will be hard pressed to find more bang for the buck.

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Great sounding mic. Does not need batteries or phantom power. Fit's good with good cable management over the users back. Excellent for a drummer. Would have been nice to have an on/off switch somewhere and a little bit more back side rejection on the mic. Otherwise I would have given this a 5-star rating.

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I use this microphone for announcing at baseball and football games. Works great! I did purchase an inline on/off switch, though.

I-Sing - Pink

I-Sing - Pink
Customer Ratings: 2 stars
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First of all, the software wouldn't run on one of our computers, which was frustrating. I am not sure why, since it's running XP. I installed it on a different computer and it ran fine.

It's definitely NOT user friendly. It DOES work, but it's not fun to figure out how. It's not exactly difficult, but it's just not so much fun. It's kind of drudge work. Still, it works just as it says it will.

The Lyric creator that it comes with is pretty easy to use, but you have to enter lyrics line by line (like the other reviewer said), so it takes some time and I'm not sure you'll want to enter more than a song or two at a time. But, it is a nice piece of software and it is definitely easier if you find the lyrics online and then just copy and paste (and correct where needed) rather than typing it yourself.

When it comes time to USE the iSing, you just turn it on and run it in karaoke mode. Press the voice button to remove most of the vocals, use the included microphone and sing away (although, if you have a better one, you might have more fun). The voice button is a great feature but if you have layers of vocals on your tracks, it won't remove all of them. This is good if they are background vocals, but it's less desirable if there is another track of lead vocals. This track will still be heard. Also, it seems as if the machine removes some of the instrumental track, too. Not much, but I think it's noticeable a bit.

We haven't tried record mode since we still need to get a SD card. I can see this would be easy to use, though. There is a record mode, so you would record on the card and you'd upload it to your computer and save the file as an mp3 (which you could then burn).

So, this product is first generation. And, I'm not sure it will be popular enough to cause the company to improve it for a second time. But, it's a pretty good product. I bought it for my 15 year old (an aspiring vocalist/songwriter). She loves to sing, but was put off by this system. I spent this morning figuring it out and putting a few songs on it, creating lyrics, etc., and trying it out. It IS a great thing, but the prep work required to use it as it's designed is NOT fun. It's not difficult, just not amazingly user friendly and not fun.

Using it, though, IS fun. It comes with clear instructions, a usb cable, microphone, line in and out audio cable and earbuds. If you plug it in to a speaker system (with the included audio cable) rather than the earbuds, you can have a great time taking turns and singing with others.

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"Not user-friendly" is an understatement. I had to return it because I couldn't figure out how to transfer the music onto the thing. The lyric creator won't work and, overall, I'd say that anyone who buys this toy in the hopes that it'll be a decent handheld kareoke machine, is in for a not-so-pleasant surprise. Unless you're a computer geek, don't buy this product because you'll just be wasting your time and money.

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I wish I read these reviews before I bought the i-sing. What a disappointment. Although it does work fine as a mp3 player, we bought it mostly because it shows the lyrics to the songs. Well, it doesn't tell you anywhere on the package that you have to type in all the lyrics yourself! What a pain. Although I finally got the software loaded, it did not load easily and did not place an icon on my desktop so I had to go searching to create the shortcut myself. Yes, it works as a mp3 player, but that's about all that works. We were also disappointed to discover that we needed to buy a memory card for the thing. Overall, I just wish we never bought it.

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I must agree with the large number of reviews that the instruction manuals are horrible. It's really too bad because once you get it to work, this is such a fun product and it allows you the flexibility to karaoke to the songs that *you* love.

Pros:

Once you struggle through the installation and Lyric creation process, it is *so* much fun

You can use it not only for karaoke, but for creative educational uses such as foreign language practice (especially since it records!)

Cons:

-Instruction manuals need to be completely rewritten, preferably by someone who's native language is English.

-The instruction manual needs to be updated with accurate links. Here's one that works:

-The website needs to be completely redone and ALL the links need to be updated.

-The i-Sing software needs to be renamed as the "PC driver" so it is clear to anyone using a MAC that they do not need to install this because it's specifically needed only on a PC. Also, it should state that MAC users do not require this driver. The unit connects to a MAC without any driver installation!

-The Lyric Creator software doesn't always name the file as required by the program (it must exactly match the *.mp3 file name) so it should specify in the instructions you may need to rename the file (due to character restrictions). I had to do this 75% of the time!!! This was my primary issue in getting this to work.

I also had similar experience that longer songs (>~5min) had the lyrics cut off even though I entered them all in and they were all in the *.lrc file.

Suggestions for Users:

Download the most current version of the Lyric Creator software from the website

and click "Downloads"

Search for lyrics online so you don't have to manually type them (just cut and paste)

Use a mic and hook it up to your stereo receiver to really get the full Karaoke experience

Expect to spend ~10 min per song to copy/paste lyrics line-by-line

To edit lyrics, open the *.lrc file using "open with" the Lyric Creator software, then add the music file

Suggestions to the company:

-Re-write each of the instruction manuals

-Create a website or file share for the *.lrc files

or create website where people who don't want to struggle through the creation of the *.lrc file can just buy it

The software should be updated to save the file with the *exact* same name as the MP3 file (required to get the lyrics to work)

I-Sing Pinki-Sing Interactive MP3 Karaoke [ToyI-Sing Interactive Mp3 Karaoke SilverI-Sing BlackI-Sing Interactive Mp3 Karaoke Silver

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The manual is useless, the user interface is terrible, and the sound quality on recordings is unbelievably bad. To top it off, as others have said, all lyrics have to be typed in manually. Ours went back to the local store for a refund. Don't waste your time playing with this thing. It's junk!

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Mengoly - 3.3ft Charging Sync Data Cable for Samsung Galaxy S4 I9500 / S3 I9300, Micro USB

Mengoly - 3.3ft Charging Sync Data Cable for Samsung Galaxy S4 I9500 / S3 I9300, Micro USB
Customer Ratings: 5 stars
List Price: $9.99
Sale Price: $5.99
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these cords seem to be good construction and work well tho my phone charges slowly but it may be my car charger not the cables tho they are pretty thin.

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Zoom A3 Pre-Amp and Effects for Acoustic Guitar

Zoom A3 Pre-Amp and Effects for Acoustic Guitar
Customer Ratings: 2.5 stars
List Price: $334.99
Sale Price: $199.99
Today's Bonus: 40% Off
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  • Pre-amp/effects pedal for acoustic guitar, Easy-to-use interface includes LCD, footswitches, analog-style cursor keys/parameter knobs and LED indicators, Remodeling presets for 16 body types and 28 popular acoustic guitar models.
  • 40 effects can be used in any combination, Use two effects and one acoustic guitar model simultaneously, Acoustic guitar pre-amp with Mic and Pickup mixing options, 3-band EQ, Balance control and super-low noise design.
  • Anti-feedback footswitch filters up to three frequency ranges at once, Clean Boost footswitch for up to 12dB of additional amplification, Create and store up to 20 original patches, Integrated auto-chromatic tuner.
  • Tap tempo function, Direct box capability with balanced XLR output, Ground switch eliminates ground loop hum, Dedicated pickup input with pickup compensation switch (Flat, Magnetic, Piezo).
  • XLR-1/4-inch combination Mic/Line input with phantom power, 1/4-inch stereo/headphone output, Up to eight hours of operation using four AA batteries (not included), AC (adapter included) and USB bus powered.

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First... the sound is very very good. I will not dispute that.

This box has limitations. You can only do four "effects" at once (including the fixed, global EXCELLENT 3-band EQ).

So... for me, that mans guitar modeling (the first bank is always guitar modeling, you can't change it) + parametric EQ (which I found necessary) and then you can add either reverb or delay or compression or chorus or mike modeling, but not two of those. I can live with that limitation, and chose mike modeling (I play in a big room, no need for reverb, and I detest chorus on acoustic guitar).

But... the user interface is measurably the very worst I've ever encountered in any digital effects processor in over 20 years of working with them, and in order to set it up to cycle between 3 different effects settings (a must for the way I do things), you have to "set it up" by hitting an unintuitive sequence of button and switch positions EVERY TIME YOU TURN IT ON!

In addition, after A/Bing it with my over-10-year-old Yamaha AG Stomp, the AG Stomp was the equal or better of this in every possible way. Most of the folks who I asked to listen to an A/B test I did thought it sounded better... so... I kept the AG Stomp and returned the A3 to the store.

I love Zoom and will probably try another product from them some day, but I can't imagine a more complete and total failure of a product.

I'd say it gets 3 stars for the guy who is going to set up one patch and use it with one guitar the same way every time.

I'd give it 0 stars for the rest of us.

So...

One star it gets (reluctantly).

Yes, I hated this product...

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Many, many impressive features in this product for the serious or amateur musician. Designed in Japan, quality outside build with nicely appointed metal casing and quality aluminum milled control knobs. Basically, an all in one acoustic Swiss Army knife-blending of onboard pickup (piezo or electromagnetic) with dynamic or powered condenser mic, modeling to mimic the great acoustic standard body types, effects processing, EQ'ing, feedback detection with autofilters and a balanced XLR out or 1/4 plug unbalanced stereo out feed. An acoustic performers dream, right?? Well... let's talk about sonic performance.

This pedal is very quiet and quiet is good when you are playing acoustic guitar and singing. You do not want a high noise floor or annoying 60hz hum disrupting your artistry. Don't worry about noise with this pedal. Again, it is very quiet. But, lets talk serious about sonic clarity and fidelity. The pedal leaves me wanting for more on the pickup side. The sound is truncated and thin with everything in a neutral position. A-B your piezo or electromagnet with and without the pedal and you will hear what I mean. Add a microphone and this is not especially noticed in the ambience of the added mic sound. But what if you don't want to play with a microphone? Zoom needs to work on putting some quality in that aspect of the sound. Blended with a microphone and into a decent console or guitar amp(s) and the unit sounds nice, but it could sound so much fuller and balanced.

Now to my super big beef with this pedal. The person in production responsible for these control knobs needs to be drawn and quartered. A bit harsh I know, but these knobs are a pain in the arse as you will discover for yourself. They are made of milled aluminum. Durable and nice looking, right? Absolutely, but how is your bear pinch and grip? The circumferential milling has left these knobs like buttered metal when you are attempting to grip and turn them... extremely annoying as you are attempting to get those sweet spots for your settings.

I plan to keep and use the pedal. I will make some modifications to the control knobs for sure or spray stick-um on my fingers. I will augment the thin sound of the piezo with the additional sound processing of the pedal. The utility of having everything this pedal does in a small, compact format outweighs the inconveniences for me. But if you are a purest in your sound and ease of use, pass this one by. Zoom needs to re-work this pedal a bit. But I guess if it was a perfect product I would stop at this one and future purchases would go un-made.

Would love to hear comments of other users as well. Have a nice day.

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I sent mine back. It definitely added to the sound but tweaking the effects was a bear. The manual just didn't tel you enough. It's very sturdy, nice looking, but it gives the impression that you can do things like make your acoustic 6 sound like a 12. I got no result even close. To me, music is hard enough and it's kind of an emotional and impulsive thing where you want to just play and not get bogged down in models and the like. Very rarely does any kind of modeller give you an interface that is "transparent"--i.e. one so easy it doesn't get in the way and become what you're doing. For the Zoom A 3 I would need consulting advice. So I bailed on it. I had just gotten rid of my electric guitar modelling amp and decided to just play acoustic. The promo for the A 3 made it look so easy that I went for it. But it turned out to be another time and study intensive think to get sounds that don't really enhance yur acoustic but over-power it with electric simulations of other things you won't use if you're an acoustic player.

Barcelona Beginner Series Electric Violin with Carrying Case and Accessories - White

Barcelona Beginner Series Electric Violin with Carrying Case and Accessories - White
Customer Ratings: 3.5 stars
List Price: $199.95
Sale Price: $59.95
Today's Bonus: 70% Off
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  • Full-size 4/4 silent electric violin
  • Black pegs, chinrest, fingerboard & tailpiece
  • Brazilwood bow with unbleached horsehair
  • Includes carrying case, headphones, bow, and rosin
  • Idea for beginning students

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I purchased this model for the low cost and manufacturer. Overall a nice piece with the fine tuning a brand new model needs. This is a powerful and light Violin with a couple pieces added on. I think anyone looking to train up or have a decent instrument for the jam might be interested in this.

It will need to be worked on at a local music shop if you don't have the means to fine tune your new instrument.

I had to file out the peg box to allow the pegs full depth. Small holes had to be drilled back on the peg so the string ends would not hit the peg box.You will want to purchase "Peg Drops" to hold the plastic pegs in the fiberglass peg box. I followed some advice on lowering my bridge height, and sanding the bridge feet to contact the pickup perfectly using a flashlight to check for gaps.

After a few hours the chin rest worked itself off the end. The string post applies upward pressure on the chin rest, and the only way I found to hold it still was to:

1.Drill a slanted hole in line with the right side of the chin rest clamp 2. Take a piece of wire and sheath it. 3. place sheathed part of wire against the Violin body and twist the ends together until it held the chin rest in place, and fold out of the way.

In addition to "Peg drops", you will want to buy a new "Rosin", and a "shoulder rest" keeping in mind the area you have to put a shoulder pad on is not very wide with the design. I received 2 rosin cakes completely dried out and worthless. You may want to upgrade your strings, and you will definitely want to make sure they are wound correctly straight to the notch and no overlap.

You will receive:

4/4 Violin

Strings, 1 set

Bridge

Bow

Rosin (dried out?)

9 Volt Battery

Amplifier cord

Headphones

Hard foam case with music pocket

Buy Barcelona Beginner Series Electric Violin with Carrying Case and Accessories - White Now

The violin didnt work at all. The chip was sticking into the battarie compartment and when I tryed to take the battarie out the whole back of the violin almost came off. The collor of the violin is varry diffrent from the picture too. I DID get a full refund back though so I'm varry happy about that.

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Low rating because when plugging it in the electric part does not work. I have tried everything I can to fix it but still does not work the way it is described. Rosin dried out and popped the E barely tuning it.

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I don't know how the violin plays yet because i bought this for my girlfriend. It did not come with a hard case but a soft case, the bow is extremely cheaply made. Also like others I got the rosin as hard as a rock. The headphones are junk. They hardly work at all due to a short in the plug. The smallest string snapped as when I tried to put the bridge on even though it had not yet been tensioned but was still very loose. Now as for the quality of the violin itself I can't say yet due to the fact I don't play the violin. I can say that the violin itself is not made very well. Just pay the extra money and get a good one.

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I bought this and when I tried to tune it the first time a string broke and the knobs are to stiff. The resin was in broken pieces.

PreSonus FireStudio Project 10x10 FireWire Recording Interface Pack with Gig Bag, Microphone, Mic S

PreSonus FireStudio Project 10x10 FireWire Recording Interface Pack with Gig Bag, Microphone, Mic Stand, Pop Filter, 2 XLR Cables, 2 Instrument Cables, Headphones, and Polishing Cloth
Customer Ratings: 4 stars
List Price: $634.95
Sale Price: $469.95
Today's Bonus: 26% Off
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  • 8 dual-purpose front-panel channel inputs, each with high-headroom Class A XMAX mic preamplifiers
  • 2 FireWire 400 ports
  • 2 combo XLR/1/4" mic/instrument inputs
  • 6 XLR mic/line inputs
  • 8 general-purpose balanced 1/4" line outputs

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I bought this item for a co-worker. Everything came as advertised. One little problem i had was it came in three different packages at three different times which means i had to pay three different prices to get the items cleared which was a bit costly. If it wasn't for that it would have gotten the full five stars!!! But thanks for the service...

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Shure SRH440 Professional Studio Headphones (Black)

Shure SRH440 Professional Studio Headphones
Customer Ratings: 4.5 stars
List Price: $125.00
Sale Price: $89.99
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  • Provides exceptional sound reproduction and comfort
  • 10-foot coiled, detachable cable
  • Replaceable ear cup pads ensure long product life
  • Threaded 1/4-Inch gold-plated adapter included
  • Bayonet clip securely locks detachable cable into ear cup,Impedance: 44 Ohm

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I'm the type who likes to hear every detail in the music. When listening to an old analog track from the 70s I actually think it's cool to hear the increasing "hiss" as each instrument is punched in as the song builds. Or to hear the singer(s) take a breath just before committing their lines. Both the Sennheiser HD-280 Pro(which I have owned since 2007) and Shure's newer SRH-440 enable me to do that very well, and at *reasonable* not too loud volumes.

I looked up both headphones at headphone . com. The graphs of their freq response correspond well with how they actually sound to my ears, hence the title to this review. Both phones are very close in performance in the lows to mids, and in the high frequencies. I have next to no sensitivity above 12kHz, so I cannot comment on either in that respect.

Where they differ, and you will see this at the website I referenced, is in their handling of deep(below 80Hz) bass and of the high-midrange section (3-4kHz). The Sennheiser does NOT lack for bottom! It's not boomy just *there*. The Shure needs a little nudge of the LF EQ band to match the Senneheiser, but where it out"shines" the Sennie is in that high area just where midrange becomes treble. It isn't glaringly bright there, but you can definitely hear more breathing and sibilance through the Shure. The Sennheisers are good for overall listening, but if you are a techno or house/club music junkie or modern rock affecionado you will fall in love with the bass bottom of these. The Shures have most of the spectrum covered, but will specifically satisfy classical listeners with their interpretation of strings and other high-freq instruments, as well as jazz and most rock sub-genres.

All in all, they are a draw as far as sound quality goes.

Construction/Comfort wise, both are decently built. Nothing plasticky cheap about either, although the Sennheiser is slightly heavier. The HD280 has that "vise-grip" on your head something which I just accepted as being part & parcel with classic German quality. It doesn't bother me and has actually loosened slightly in the 3 years I've owned them. The Shure not nearly as tight. In fact, when leaning my head up to see my monitor or down to see what the cat is throwing up(!) the headband slips down over my forehead or back. If the Sennies were tight these are loose! No amount of adjustment helps, unless one has a much larger head than I.

Still, they isolate sound almost as well as the Sennheisers, and sound just as good, in their own way. I recommend either and find it a good idea to have two decent cans around to listen to and monitor my music. There is also a body of thought out there that both speakers and headphones should be "broken or burned" in. Nothing wrong with that, so long as bass/treble controls are kept flat and no EQ is employed. Play a variety of your favorite CDs through the headphone at the loudest volume you'd COMFORTABLY listen to for AT LEAST 10-12 hours, and let them play over night in the corner. ++On that note a good-old-fashioned CD carousel or 6disc magazine is a great asset++ Burning in can't hurt, as long as the phones or speakers aren't blasting to the point of distortion. And my Sandisk Sansa mp3 player drives them both quite well, the Shures slightly louder at the same volume given the Sennheisers.

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The Shure SRH440 is the best set of over ear monitors I've ever heard for critical listening in the price range. I don't think you can buy a better set of non-noise canceling cans for around $100. I think many headphones that cost $200 or less fall short of the sound quality. The build quality is sturdy, and I can tell I will have these headphones for a lifetime. Even not extended, they hug my very average sized head just right, and there's plenty of slack for people with bigger heads. And they are comfertable for hours at a time, and the pads are soft pleather but, not the cheap stuff. Plus they are replaceable.

They keep a fairly decent amount of sound out, if they were a little more snug they would keep more out, but even so walking down the street you have to try to get distracted by cars going by. If you're from or have ever been on the T in Boston, you know how loud it is. With these things on my head, I can still hear the very muted grinding of the rails, but its hard to care when even on the quietest volume setting on my 80GB ipod classic the music is not only still very audible, it's clear as day.

The highs, mids, and lows are completley balanced like a flat equalizer setting, unbiased on there own and not effecting each others presence. I wouldn't recommend them if you're a bass junkie, because the base is very smooth and even for both electronic music or a big jazzy double bass. Whether on the lowest or highest volume on any device I've used it with, everything is extremely clear and life-like. All genres of music and talk. Listening to rock you can relearn what distortion is supposed to be, listening to classical you can hear the sweat on the soloist fingers as they slide around the strings, listening to stand up has that scratchy, sweaty pickup of a comedy club mono channel microphone.

I bought these for an everything, every day user after enjoying the Shure SE210 in ear monitors for two years. I took a chance because I didnt know a lot about these phones, just that shure had not yet let me down. I must say, I am a customer for life.

I cant even begin to imagine what the SRH840's sound like, but I'm guessing for $200 they blow everything $350 and under out of the water.

*Edit: Great shipping and service from Sarjo Wholesale Group.Thanks!

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In running a professional studio finding the right headphones has always been a problem. They need to be durable, true sounding and isolating. We always used the AKG 141's and 240's but they are not very robust and need lots of TLC to keep running. They sound great but are open backed so the isolation is not optimal. But now a new pair of 141's are close to $150.The Beyer Dt 770 are better isolating, though they sound a bit "canny" not very natural in the vocal range. But they are $199 a pair.The Audio Technica ATH 50's sound great but are also in the $200 range

Enter Shure, the makers of the revered 57 microphone. The SRH 440 Headphones sound excellent,isolate well,are rugged and best of all I found them for $80 on Amazon. Now when they get thrown across the room I don't worry.

The only thing I don't like about them is the coil cord they come with. Straight cables are much more practical for studio use. But the cables are detachable.

We've been using them for a few weeks now and they are liked by me and the professional singers we work with.

Shure SRH 440 Professional Studio Headphones (Black)

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Ok I heard a lot of good things about these online and decided that I wanted some headphones for home use so I decided to get these.

At first use, the sounds are very decent with excellent mid range sounds. This is not a headphone for people that like the sound of bass that rattles a car's trunk. These are for those that want to hear every detail in a song...even the minute ones. It offers good bass, but just not to an extreme some people would like.

I had an issue though it seems to have gone away. I would have one side of the headset go out but slowly. The music would cut, then vocals. I checked to see if it was properly connected and twisted and it was. The issue seems to have resolved itself though its a bit unsettling once you've just received the headset.

Whats cool is that these headphones fold in so they are easier to transport if you do have to take them somewhere.

Personally, and if you have an ear with a protruding antihelix such as myself, these headphones (and probably many others) will hurt if you wear them for 30+ minutes. There is nothing but a very thin material between your ear and the plastic base over the speaker. This will push the ear creating discomfort.

Its a great headphone, but comfort is lacking (for me) and im concerned about the reliability of this pair...back to my music...

*update 6/14/11* having problems yet again with the left (cord side) speaker/cable problem. For some reason the speaker kicks in an out. Sometimes when I unplug it and plug it back in, it works...sometimes it doesnt fix the problem. I will probably have to contact the vendor.

*update 7/23/11* contacted seller about sending the headset back.

*update 8/12/11* contacted manufacturer

update and probably last. contact attempts failed with shure as they have been unresponsive to the last 2 emails i sent out. Feb 27 and March 8 were the last dates of the emails. Issue unresolved. Minus star for customer service.

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The SRH440 was my first venture into professional studio monitors. I have heard the sound quality on the Sennheiser HD555 , HD280 Pro, Beats Solo and Grado Labs' SR60i. The Beats have the best bass of the ones I heard but were atrocious for the mids and highs. The Grado's and Sennheisers are a little bit better than the SRH-440s accross the board but they are open design, which usually have a slightly better sound stage and reproduction of sound. The HD280 wasn't nearly as good in my opinion, but some people claim that the 280 Pro have better mids and highs.

Now with all that said you guys might wonder why I gave this pair a 5 star rating. Well simply put, this is the best closed, circumaural pair you can buy under $100. The sound quality is absolutely stunning. Make sure to burn them in for at least 100 hours and you will see a sharp rise in sound quality. I needed a pair that was good for indoor and outdoor use. It had to be closed, minimal leakage of sound, with a decent length detachable cable, no 10 foot cable like that of the 555. This pair does the job for me and its affordable enough that they are a great first step into the world of audiophiles. Again, its a great pair for casual listeners who want EXCELLENT build quality (these are heavy and very well built). I would highly recommend this product to broke audiophile wannabes (like me!) or casual listeners who want a solid pair of headphones with very good sound quality.

eForCity 3.5mm to RCA Auxiliary Cable Cord for iPod/MP3

eForCity 3.5mm to RCA Auxiliary Cable Cord for iPod/MP3
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $2.99
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  • Apple iPod, iPhone, or iPad are registered trademarks of Apple, Inc.
  • Expand the uses and further the enjoyment of your new iPod and Zune with this cable which allows you to connect to your home stereo.
  • Connectivity: 3.5mm male to 2 RCA (Red/White) Male.
  • Weight: 1.0 pounds.
  • Color: Black. Length: 6 ft./1.8 m. Apple iPod, iPhone, or iPad are registered trademarks of Apple, Inc. Products are Apple compatible and not endorsed by Apple, Inc.

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The cable is specifically mentioned to be compatible with iPod players, however the headphone jack end (not sure what it's called) does not fit properly. It slides out and if you compare it closely to the connector for headphones-it is visibly different. The end of the cable slides out and most of the time the contact is not correct and sound comes out one side, does not come out at all, or is extremely poor quality. GO WITH SOMETHING ELSE.

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No complaints. It works as described and the price is great. Speed delivery and solid product. Buy with confidence. You won't regret it.

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I use it for parties and I hook my iPod up to this and I works wonderful. I'm glad that I bought it.

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Bought it for my old stereo so I could AUX my IPOD through it, works fine and most likely will continue to do so.

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Love this cord because of how long it is. I can not wait to play some music off this system.

Alesis DM6 USB Kit Five-Piece Electronic Drum Set

Alesis DM6 USB Kit Five-Piece Electronic Drum Set
Customer Ratings: 4 stars
List Price: $699.00
Sale Price: $389.00
Today's Bonus: 44% Off
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  • Five-piece electronic drumset with DM6 drum module; 5 realistic-feeling drum and cymbal pads translate hits into message data translate hits into message data, which is played back as a drum sound by the DM6 drum module
  • DM6 module contains 108 top-notch drum, cymbal, and percussion sounds
  • Includes kick, snare, (3) tom, (2) cymbals and a hi-hat pad and a hi-hat pad, kick pedal & hi-hat controller
  • Dual-zone 8-Inch snare pad expands expressive playing freedom with multiple sounds per pad
  • USB-MIDI output for sending MIDI data to virtual instruments & software on your computer
  • DM6 drum module features an aux input for practicing with an external audio source
  • 15 programmable drum sets

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I've had my Alesis DM6 drumset up and running for a couple days and I must say I am pleasantly surprised. Up until now any electronic drumset in the $500 range was nothing more than a toy. Because I know that Alesis knows how to make great electronic drumsets I was hoping that their experience making higher end kits would trickle down to this brand new DM6 line. It did. This drumset is fabulous when you consider the price point and, in fact, has no real competition that I could find.

Pros:

Everything is included. I've looked at a lot of drumsets and many don't include everything you need like bass drum pedals and more. This has everything you need to play right our of the box, even a pair of drum sticks. OK, a couple things not included you will need and that's a set of headphones and a throne (chair) to sit on.

Sturdy, well made components. The natural rubber drum heads are quiet but have a very good feel and rebound to them. The rubber cymbals are not as quiet as the drum heads but do what they are supposed to do very nicely. All metal hi-hat and bass pedals. Wide diameter aluminum frame rails and compoents.

Very realistic sounding drum samples.

Dual zone snare. You can make the snare sound like a rimshot when you hit the rim. Or program it for a cowbell when you play "Don't Fear the Reaper". Or make it sound like any of the other drum sounds included.

Ability to interface with your computer via USB. This opens up a world of options including MIDI and recording your performances on your favorite recording software. I don't know of any sub $500 kit of this quality that does that.

MY FAVORITE THING is I just plug in my iPod into the DM6 module and I can play right along to my favorite songs.

You can buy an ION Drum Rocker module (I was able to get one on eBay, not sold by Alesis) and use this kit for your Rockband drumset. You'll need 8 new cables too, so while there is extra expense, it's possible

Cons:

Some kits, including mine, were delivered with firmware that was less than perfect. I, and others I have heard, would sometimes have problems with the snare drum triggering properly. I had to hit it harder than I thought I should to get it to trigger. A quick and easy firmware update totally fixed this problem but I know some people have problems updating thgings like this.

The Botton Line:

Everything I've said in this review is under the caviat, "...for the price." If you are new to drumming this would be a great first set. But if you are and experienced drummer on a tight budget you will not be disappointed as long as you aren't expecting the DM6 to be a Roland Pro high end drum kit. The bottom line is this is the best $500 (street price) electronic drumset ever made.

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I recently bought this set and I LOVE IT. In the past I've had a full-size Tama set and another set as well. I also had a Roland TDK-7 that I could never get adjusted to suit me.

This kit, however, is so much better and more responsive than the Roland set. The rack was very easy to setup, and my only gripe would be that it would have been nice if the connecting cables had been a bit longer. I was nervous with the standard setup that had the control module between the toms. Even though it sets back a bit, I had visions of whomping on it and decided to make some adjustments. I put the clamp for the crash symbol on the back bar instead of the left side bar, and moved the clamp for the module to the left side bar. That put it totally out of harm's way, however, it was a stretch for the 'floor tom' cable to reach the pad, but with a little adjustment it got there.

Everything you need is in the box except for a seat. The rack is there, all the electronics and cables are there, and even the drum sticks are included. Updates to the module can be done from your computer after downloading them from Alesis; you will need a USB cable to do that (not included, but a standard easily found cable).

The pads have a strange 'sticky' feel to them but they have a nice natural-feeling bounce and are fun to play. The symbols look and react like metal cymbals and the sound is very realistic. The pad used for the snare is a dual function pad, with the rim of the pad being slightly raised and producing a different sound. In the standard kit it sounds like the 'rim shot' that you would expect.

Others have made observations about the pedals creeping, but I'm not having that issue. I have an area rug with a rubber back that is on a laminate floor with the drums on the rug; no creeping so far. The pedals are very responsive and the adjustments for the pads are great. I was up and running very quickly. I do agree that several of the pre-programmed kits sound a whole lot alike and it would have been nice to get more variety.

I read about some issues with the snare missing some hits and the ride cymbal going to the bell a little too quickly and downloaded the recommended software update. Although that went well, the instructions had a few omissions and a couple of errors that I reported to Alesis. For your average computer-savvy person, it would not be a huge problem and I was able to figure it out.

I've seen this set for as low as $399, and it's totally worth it. I paid well over $1,000 for the Roland TDK-7 and I like this one just as much. Relatively small investment for big fun.

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My 8-year-old daughter told me she wanted a set of drums for Christmas. I instantly knew that they had to be electronic to maintain the peace. I also knew that I couldn't justify spending more than $500 on a kit. So, the search began. I came away with the understanding that the DM6 is the best value out there, but that Alesis was still working out some bugs. I also read that a firmware upgrade purportedly fixes the known bugs.

I decided to go with the DM6, and I am very pleased that I did. The build quality is great. Like other reviewers, I noticed some quirks (like missed hits). I already knew that I might need to update the firmware, so I did and the quirks went away. All you need is a computer (Windows) with a USB cable. The instructions for upgrading the firmware are not as clear as I would like, but it was fairly straight forward. You might want some help from a friend if you have never done this before.

The sound is incredibly realistic. There are certainly better drum kits out there, but none come close to the value of the DM6! If you or a child want to explore the world of percussion, then get the DM6. It should have a decent resale value should your interest wane, or if you outgrow it. When my daughter plays it with headphones on, all I hear is the pitter-patter of the rubber pads---SUCCESS!

I should also note that the pedals are designed to be used on carpet. Velcro lets the pedals stick to the carpet. The pedals will scratch wood floors unless you place a mat (like I did) underneath. It needs to be big enough so the throne (stool) is also on top the mat, so the pedals (and mat) do not walk away as you play.

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Let me start by saying that if this kit functioned perfectly, then it would have been a fantastic value for the money. In fact, when it's not malfunctioning, I have a lot of fun with it. The hardware is durable, the kits are fun, and it looks nice. However, buyers should know that not only are there several problems that people tend to experience, but Alesis customer service is horrendous. Their wait times on the phone are long, and they basically did nothing to help solve my issues.

The first problem I had was with the snare not registering properly. This was easily resolved by downloading the new firmware on Alesis's site. Next I experienced a problem that is detailed in several forums if you do a google search:

Basically, when playing faster beats that incorporate lots of hi-hat and snare, the hi-hat won't register for most hits. This renders the kit useless for heavier forms of rock such as metal, hardcore, and punk. If the module had "crosstalk" settings, then perhaps the issue could be resolved.

I wish I could say positive things about this kit, but it tends to be defective for many of its users. Also, the module is rather limited; I get the sense that Alesis intentionally made it this way so as to incentivize people to buy more expensive models. In other words, I don't think it would have been much more expensive to provide more a more comprehensive module system.

I wish I would have done a more thorough internet search before having bought it, because I'm not the only person to have experienced these problems.

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I used to play on an acoustic set, however, I'm living in an appt now, so I got an electric set to keep the noise down. My experience with electric drums is basically limited to trying out a few in the store. I would highly recommend that you try out a few sets before you buy. Overall, I was very impressed by these. The best thing I can say about them is that when I'm playing it sometimes feels like I'm playing an acoustic set.

Good things:

-Sample quality is greatthe sound is very realistic.

-Handy metronome.

-Hardy build quality.

-Great quality-for-the-price.

-Easy assembly.

-Real bass drum hammer.

-Surprisingly good high hatalthough the pedal isn't connected to the cymbal, it feels connected (you can splash it and everything).

-Decent software configuration options (for example, you can change the snare pad to a piccolo snare pad).

Bad things:

-Rim shots on the snare pad don't really work correctly. They trigger when you hit the plastic casing for the snare, not the raised rubber edge of the pad.

-The ride cymbal has an odd "feature" where when you hit it hard, it sounds like your playing on the bell, and will only sound normal when you hit it softly. I can't find a way to make it stop doing this. Although if you pay attention, it's pretty easy to control.

-You can't do rim clicks (unless you change the sample that the snare pad makes to the click sample, but then it will activate even when you strike the center of the pad).

-Crash cymbal doesn't sound right if you hit it softly.

-Snare drum sounds the same all over. It should sound quieter and more echo-y towards the sides. Although this is probably asking too much for such a cheap electric set.

-The triggers on the cymbals generally only trigger at a minimum impact, so its very hard to hit them very softly.

Also, I've heard some rumblings about a firmware update. However, I haven't tried loading it, so I can't attest to it solving any of these problems.