Showing posts with label studio monitor headphones. Show all posts
Showing posts with label studio monitor headphones. Show all posts

Gino 3.5mm Female to 2 RCA Male Jack Audio Video Cable 1.5M

Gino 3.5mm Female to 2 RCA Male Jack Audio Video Cable 1.5M
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $6.62
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I bought this cable for my brother's TV, which does not have a headphone jack.

Thanks to this product, it does now. Sound is crisp, clear, right to the brain! The length is perfect, as the Audio jacks are in the back.

To use, merely plug into your Audio jacks, and then plug in your wireless phones, and then, for maximum privacy, Mute the TV. Sound is Just Like Being There. Thanks for a product that corrects a manufacturer's oversight. Thanks, Jon

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This cable is exactly as described 2 male RCA jacks, a 1.5 meter flat cable, with a female 3.5 mm (i.e. earphone) jack on the other end.

If you have a device with RCA stereo audio output and you want to plug earphones or something else with a standard earphone plug into it, this will be great. You can get shorter or longer ones, but this length was perfect for me I'm using it with an older TV, and the cable is long enough to reach from the jacks at the back of the TV and around the side, so I can plug my TaoTronics bluetooth transmitter into it and turn it on or off without reaching around to the back of the TV.

The packaging was not in English, and as far as I know, there were no instructions, but it's simple enough that I can't imagine needing them. Strongly recommended if you want these connections and length.

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I used this to hook headphones to my tv, because my family usually complains I keep them awake. Now I can listen to the sound as loud as I want. Works great and it is a good length cable.

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Haven't attempted ordering them via a different seller, but AirBus was the provider fullfilled by Amazon, pictured as being gold plated, with a question and answer at the bottom of the item description confirming it was gold plated...and what I received was a set of smaller diameter wire, non gold plated, adapters that looked quite cheap relative to the other reviewers' descriptions. Ordered a differenet adapter cable also off of Amazon, different provider...fulfilled by Amazon, which was also pictured as being gold plated, and had gold in the description of the adapter...what I received, again, was not. So, buyer beware! I'd pay attention to the different buying options and perhaps if there is a US provider, I'd try that route to see if you'll end up with what was advertised. If not, request a refund item did not match description on the web...then go for a different source provider of the item. The only way they will stop this practice is if buyers notice they did not receive a gold plated version, or smaller diameter wire, and return the item. Then try a different source provider of the item until you find someone that sends what they are supposed to. If the returns hurt their pockets beyond the extra profits reaped by shipping cheaper than shown items, yet charging prices based on what is shown, only then will they stop the bait and switch practice. I'm not blaming Amazon, it's the source providers doing it to them. Amazon will never know who the constant offenders are if they are not brought to light. If anyone gets these, or any other adapter pictured as being gold plated for that matter, that arrives as described and pictured, please include that information in your review...along with the source provider of the item so that others may patronize that supplier.

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The cabling is very sturdy and not flimsy seems like it will hold up well over time and after being plugged in and out several times.

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Casio LK-230 Personal Keyboard Premium Package with 61 Keys, Headphones, Stand & Power Supply

Casio LK-230 Personal Keyboard Premium Package with 61 Keys, Headphones, Stand & Power Supply
Customer Ratings: 5 stars
List Price: $343.95
Sale Price: $171.52
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  • Enhanced high-quality basic functions
  • Powerful lesson functions
  • Incredible entertainment features
  • Designed to help you sound your best
  • This package is bundled with professional closed-cup headphones, single x-braced stand, songbook, music stand and power supply.

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I bought this piano about a month ago and I am very pleased with the performance. The keyboard is of decent quality. the only thing I didnt like is the cheap keys. Everytime you press the key you can feel the sound of the plastic which is very annoying given you really want to hear the sound of the piano not the plastic keys. But you couldnt expected anything better for the price anyway. Keyboard makes learning easy with its lighted keys system. Also a great feature is that it can be connected with computer. You could connect this with your computer and play an midi file to see the corresponding keys light up (it only works if you play the midi files on windows media player, I have windows XP). This gives you a nice way to figuring out the notes for any song.

The stand that comes with it is of good quality as well I had no problem putting it together (hardly five minutes) and it works well with the keyboard.

The headphones and the adapter (not the power adapter) that come with it are total junk. If you want to enjoy practicing on this keyboard I would strongly recommend getting new headphones and adapter. The power adapter that comes with it is good too. I haven't had any complains yet.

I would recommend this keyboard for any beginner or intermediate player.

(giving four stars because the headphone quality that comes with it is really really crappy! not pleased with the sound of the plastic feel and sound of the keys otherwise a great product for the price)

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Good piano and good buy. Obviously its not going to be amazing, it is a beginners piano, but overall it does everything i need it to. Cheap, and easy to use. The program is easy to follow and really does help people learn. I would recommend buying it. The headphones are good for playing at night.

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I am so happy with my new keyboard, the LK is just what I needed to get me started. Shipping was fast. I am a little disappointed with the headphones, though. The left continuously tunes out or crackles. It's not a connection issue with the adapter either. The speakers on the piano are loud and clear. There are so many songs and training; it's an intuitive little machine!

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It is bigger than I expected.

I play guitar and drums but never played piano/keyboard before. But I can play the Mozart Turk symphony now! It can teach you lots of songs. All you have to do is to push the button and arrange the rythm as slow as you can easily learn.

Headphone, power supply and the stand are also fine. Of course, order a transformer for the power supply if you are living in Europe.

Fully recommended!!!

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it was a good buy,fast delivery and the keyboard works great it's just what i needed for my daughter good price,

for me it's a five star because it is just what i was looking for.

"serious vendor"

PreSonus HP60 6-Channel Headphone Amplifier/Mixer

PreSonus HP60 6-Channel Headphone Amplifier/Mixer
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $299.95
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  • 6-Channel ultra-low noise, high-output headphone amplifier
  • Two balanced stereo cue inputs
  • Talkback input
  • Direct line output on each channel
  • "More Me" stereo input on each channel
  • Direct line output on each channel. "More Me" stereo input on each channel

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If you play live and your band is constantly complaining that they can't hear themselves in the mix, this is the perfect product to solve that. Lets back up...if you are a vocalist trying to hear yourself or to do harmonies, it is almost impossible if all you have is the main mix in your phones. This device allows you to take, say, the direct feed from your vocal channel and plug it into a stereo input...for each channel. The three singers in my band each have an output that they are able to mix into the main mix. The result: "more me" since my vocals are boosted above the other vocals and instruments. And you can't believe how much better you can sing when you can actually hear yourself.

Of course, the other vocalists can hear you too, but they can mainly hear themselves, so everybody can sing their parts without getting disoriented by the other vocalists

You get two stereo inputs for all the channels, and you can mix them together, so you could theoretically have a backing track mix on A and a click track on B. If the drummer needs the click, mix heavy toward B. If you are a singer and dont need to hear the click, mix heavy toward A. Then, boost your own personal direct signal from the mix board so that your vocals stand head and shoulders above the other stuff. NOW you can hear!!!

This is one of those products I'm constantly inventing in my head that don't exist, except that this one does, and with more features and flexibility than I ever would have imagined. Plenty of volume in the headphones, nice clean sound, and you can hook up six headphones to this thing, each with individual A/B track mix and "more me" mix input. Pricey, but worth it. This thing is a game changer. As the guy who usually gets the middle David Crosby part in the harmony matrix, I no longer get confused, off pitch, or lost. Bring it on...I can sing ANYTHING now...

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We bought this HP60 to be used for live sound to run our in-ear monitors and it works great. Highly recommend this piece!

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Whow!!!! I gotta say !!!! PreSonus makes some great products! The amplification is powerful and clear! The mixing capabilities are versatile! And I gotta say it looks great in my rack as well !!!!!!!!

Traveler Guitar Speedster Hot Rod Electric Guitar Red

Traveler Guitar Speedster Hot Rod Electric Guitar Red
Customer Ratings: 5 stars
List Price: $642.99
Sale Price: $449.99
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  • Full scale, travel-size guitar
  • Built-in headphone amp with distortion
  • High-quality gig bag
  • High-output dual-rail humbucker pickup
  • 1/8" aux-in so you can plug in your mp3 player

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I had been tentatively thinking about getting the Speedster for some time now due to it's slick design and seemingly ergonomically friendly form. I have a small frame and wanted a stylish yet solid instrument to not only play on the road, but also for personal home enjoyment. What sold me on this purchase was the on-board headphone amp. There hasn't been very many reviews on this extra feature and youtube has not provided much in the ways of live demos, but I took the plunge and I have to say that this feature has really streamlined my playable setup. I can lounge on the couch with my headphones and jam without fussing over long wires to my amp. Even with my baby niece around, I wasn't afraid of her getting tangled in wires or of her getting permanent hearing damage :) But what I was really pleased about was how the onboard amp allowed me to "plug" into any device with a mic-in port such as a laptop or home speakers allowing impromptu playability or performance wherever I go. The output quality won't replace your typical amp gear, but the tones and levels still sound great. The hot-rod/laptop setup is definitely an efficient, and less cluttered pipeline for creative compositions on-the-go. I can see this guitar as being a great addition for those with creative juices that require instrument portability and easy connectivity with their portable studio solutions.

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Fit and finish is excellent. As good, or better, than more expensive full sized guitars.

The built in amp with distortion is a nice touch. It is not good enough to replace your amp, and pedals, but it will do for practicing with headphones. The sound provide by the pickup and built in app is decent and good enough for practice. The three way switch provide you with a clean, distorted, and off position. The whole thing is powered by one 9V; which is included so I was able to start playing it as soon as it arrived.

The design is inspired and well thought out. The relocation of the tuners to the body is an efficient use of space, and helps to reduce the overall length of the guitar by 5 inches. The neck is full sized so you feel like you are playing on a full sized guitar. The removable extender gives the guitar the feel of a full size guitar by providing you will all the natural required contact points between you and the guitar. It sits, and feels, well on your left or right knee.

It will not replace your full-time ax, but has all the tonal and design qualities that you need for practice during travel.

I wish they offered a higher end model with a better pick-up, and maybe a modelling amp built in. I suspect that spacing being at a premium we may need for the price and size of components to decrease for they can offer a higher sound quality travel guitar.

Casio LK-43 Lighted Keyboard

Casio LK-43 Lighted Keyboard
Customer Ratings: 5 stars
List Price: Price Unavailable
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  • 61 full-size keys with 12-note polyphony; keys light when played
  • Includes 2 built-in speakers, headphone jack
  • LCD window (7 6x 42 mm) shows current tone, rhythm, song, volume, tempo, other features
  • 3-step teaching system walks you through performance basics with manual melody advancement and smart accompaniment
  • 5-part multi-timbre MIDI in/out jacks

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It took me about a day to get used to the sound difference between this and piano. The sound was good, it was just obviously different. But now that I have gotten a little more used to the differences, I love it. It came with a stand and an adaptor and a music book to get you started with songs ranging from very easy to more difficult. There is a learning mode that includes 100 songs you can learn to play on 3 different levels. The keys light up to let you know which button to hit next. (This feature can be turned off). And there's a voice that tells you which finger to use. (This can also be turned off.) The learning feature is fun to play around with and as with all keyboards, there are many different sounds you can choose from. Also the Demo mode, plays all the 100 songs for you so you can see how fast they are and how they are supposed to sound and it's fun to sing-a-long to.

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Dad got it for me around 10, i stopped playing for about 6 years now and i feel bad.

I'm mostly doing this review, i doubt anyone will read this for the upcoming rock band 3. I hope to take this out, buy an adapter for the game and rock out without using that small fake rb3 keyboard.

Love this keyboard, i never learned to appreciate the hard earned money my dad paid for it at full price years back, quick google says you can get this keyboard used for about $60, i still think thats a lot and thats about 3 times as less my dad paid.

Love my dad thank you to introducing me into music, i didn't appreciate it as a kid, i've missed my music opportunity with the keyboard but i hope to play it recreationaly along with the guitar, violin, heck maybe the flute as a successful adult!

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We bought this for our granddaughter who is just starting out playing and taking lessons (age 5). It has worked flawlessly so far and she really seems to like the lighted keys.

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I have had this Casio Keyboard for 5 years. It is great and has lasted all this time. I am planning on getting a new keyboard because it has worn out. For starters or just playing in the house it is great! It has many different unique voices, keys that can light up, and tempo beats. Have fun, and take care of it!

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This has turned out to be a better gift than expected. I bought it for the lighted keys and training. the programming in the keyboard is amazing. it includes background music when learning, a voice to tell you what finger to use, a time keeper, many music options. The company that shipped the part also included the adapter which has been a huge help. I would buy again in a heartbeat!

Marshall 04090800 Monitor Over-The-Ear Headphones - Black

Marshall 04090800 Monitor Over-The-Ear Headphones - Black
Customer Ratings: 5 stars
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Sale Price: $169.99
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Sources: iPhone4; iPhone4 with Decware Zen Head or FiiO E12 amps using LOD; iPhone4 with v-moda Verza DAC/amp using USB, various computers using HRT MicroStreamer DAC/amp.

First impression of the Marshall Monitor: Somewhat recessed treble. It didn't turn out to be that simple actually, but in the final analysis, depending on how much treble boost is applied, the sound is either slightly bright in the upper treble, or moderately recessed in the lower treble. Note that my impressions of the sound, including analysis with test tones, is based on comparisons to my other headphones past and present. My standard for treble a couple years ago was the Sennheiser HD800, but I consider that to be slightly bright now, and most hi-fi experts seem to be converging on that opinion as well. Currently I find the v-moda M100 treble to be just about right, when the very strong M100 bass is reduced a little. I also think the Beyer DT770LE (not the regular edition DT770) treble is excellent, when its peak around 9 khz is reduced slightly.

Using the above examples as a starting point, I find the Monitor treble to have a moderate emphasis around 8 to 10 khz, but the overall treble without EQ is recessed enough that that emphasis isn't particularly noticeable. When the treble is boosted it could become a problem, and so I settled on the default iTunes Treble Booster setting, which works well enough for me. Again, my take on the sound isn't based on the Monitor in and of itself, but on comparisons to other headphones that provide a framework for reference.

The Monitor bass has a faintly audible fundamental at 15 hz and a weak but clearly audible fundamental at 20 hz. The weight that accompanies these tones confirms the presence of the fundamental frequencies. From 30 hz on up through the mids the response is very smooth, and even though I don't hear any distinct emphasis in the bass with test tones and tone sweeps, listening to music I'm familiar with confirms that the low bass has better than average impact, while the upper bass can sound slightly boomy on some material. I'm not a bass-centric person myself, preferring sound that's fairly close to neutral, yet I'm satisfied with the bass signature of the Monitor as being good for a wide variety of music. The midrange may sound less than detailed or clear to some users, but that impression would most likely be due to the recessed treble.

My summary of the sound: Somewhat dark even with the slight treble boost, with a strong deeper bass that isn't bloated or excessively warm in the upper bass i.e. very good for high fidelity music playback, but purists or perfectionists should not apply. The soundstage seems average to me neither narrow nor wide it varies far more in my experience with the music than with the headphones. Isolation seems average and leakage is very low you could play the Monitor in a quiet office in a cubicle next to other cubicles, as long as you keep the volume to a decent but not overly loud level.

The Monitor seems to be mainly metal the headband accounts for most of that. There may be some plastic in the earcups, but those are covered with a leathery material that has a pebble-grain finish. The earpads are a soft spongy material covered with what I assume is 'pleather', a high-quality plastic that's similar to real leather but more comfortable, and possibly more durable. The outer part of the headband seems to be leather, and the inner part is similar to the earpads spongy material covered in pleather. The headband clamp is fairly strong and the earcups are somewhat narrow. The earcup fit is very similar to the Sennheiser Momentum, and I think most people who try the Monitor will find that it's partly around-ear and partly on-ear. The part that's on-ear should be the part of the ear that sticks out the least, so most users won't have comfort issues with this headphone.

The drivers are mounted at a slight angle, but with the smallish earcups I don't expect it makes a lot of difference in the sound. Still, angled drivers get a lot of press these days, so if nothing else it's probably a good marketing decision. The earcups rotate about 180 degrees toward the top and bottom of the head, but there is no rotation at all toward the front and back. The Monitor fits my ears perfectly, but I can imagine some head shapes that won't provide a good seal on the front or back of the earpads. The earpads attach magnetically to the earcups, just like the B&W P5 and P3, and you can just grab them and pull them off with little effort. Between those earpads and the driver is a small pad of material, a removable "felt filter" whose only purpose is to dampen out any excessive high frequencies. In my tests, the highs were recessed with the filters removed, so I didn't feel the need to do any testing with the filters left in place.

The Monitor's impedance is 42 ohms, and seems to be efficient enough for satisfactory use with most portable music players with most music tracks. However, if the tracks are very low in volume, you might need an external amplifier, especially in noisy environments. I haven't noticed any peculiar behavior with my Apple portable players, with or without external amps, but it goes without saying that you get an improvement in soundstage, "space and air" etc. with a decent amp. FiiO amps that I've tried include the E12, E17, and E07K.

The 4** foot long detachable cable is single-sided (left or right side), is thick enough to withstand moderate abuse, and is terminated with a standard 3.5 mm miniplug to attach to the earcup. The other end is also a miniplug, but has the extra connector for Apple i-devices. The little control box in the cable has a microphone and one button. With my Apple players, I can start or stop and get to the next track, but that's it.

**The Monitor cable is my idea of a great design starting about 8 inches down from the earcup it's coiled for another 6 inches. You can stretch that 6 inch coil out to 18 inches or so in a pinch, but that puts a lot of tension on the cord, and while that wouldn't do any particular damage, it increases the likelihood of pulling the headphone loose from your ears or disconnecting it from the headphone jack. The very good news is, the coil isn't heavy and doesn't detract from comfortable use, but it gives you advance warning when you've reached the end of your rope, so to speak.

There is no carrycase for the Marshall Monitor, just a cloth bag included with the headphone. I don't find cloth bags useful to protect the headphone in luggage or backpacks, but since the folding mechanism makes it very small, it should be easy to find a protective box for carrying in situations where it could get crushed. While it seems very strong and durable, it's still a high-tech stereo headphone, not an unbreakable tool like a hammer or wrench. For the price I paid ($200 USD), I can highly recommend the Monitor as a good high fidelity headphone if you're willing to tweak the EQ according to your taste. If not, it should still prove very useful as a portable headphone, having good isolation, reasonably light weight, and enough bass to overcome the excess low frequencies in the environment, especially in traffic or on public transport.

In other reviews I've done I've included the following music examples with comments about how the headphones sound with each track. My suggestion is instead of reading each one as an absolute unto itself, you could compare my notes here to other reviews and see how the Monitor compares with each individual track. Note that all of the following were played with the small amount of treble boost applied as described above.

Animotion Obsession (1980's New Wave/Techno): The upper bass synth has good detail and tone, and both male and female vocals sound natural without favoring either. The Monitor plays this perfectly.

Ben Heit Quartet Suite-Magnet and Iron (Jazz with a Bebop flavor): The piano that leads off sounds realistic and the saxophone sounds appropriately soft. The Monitor plays this music very well.

Cath Carroll Moves Like You (1980's New Wave/Techno): This track's percussion and voice are crisp and well-balanced, and there's a good sense of space or soundstage around the voices and instruments. The Monitor reproduces the space and detail very well.

Chromatics I'm On Fire (Synth-Pop, female lead): This track has a good amount of space around the voice and instruments, making for a very pleasant stereo image. The voice sounds good and the tambourine in the background is clearly identifiable.

Crystal Castles Wrath of God (Electro-Pop): The bass in this track has a strong impact but little detail, while the ambient electronic effects are clear and distinct. The Monitor plays this track very well given the limited quality of the recording.

DJ Shadow Building Steam With a Grain of Salt (Electronic/DJ): This track opens with what sounds like very high and very low piano notes, and the Monitor renders those notes well. The ambient voices are slightly indistinct, but well reproduced given their background presentation.

Franz Ferdinand Ulysses (Pop-Rock): The moderate level of bass in this track is played with good detail by the Monitor, and the voice and percussion are crisp and well-balanced.

Halie Loren Sway (Jazz vocal): Bass instrument(s) here sound slightly boomy with some headphones, but not so much with the Monitor. The trumpet sounds natural but slightly soft, and the voice is excellent.

Hans Zimmer Dark Knight-Aggressive Expansion (Soundtrack): The percussion in this track hits really hard, and the bass tones beginning around 0:45 have the ultra-deep "shuddery" kind of sound and feel that indicates very deep bass. The Monitor plays this music very well.

Kaskade 4am (Electro-House): The bass that kicks in around 1:01 into the track is very subtle, but the Monitor plays it well. The percussion and female voice balance well with neither overwriting the other the Monitor gets this right.

Katy B Perfect Stranger (R&B-House-Garage): The heavy bass that begins at 0:27 into this track is played well by the Monitor. The voice is somewhat forward and bright, but it doesn't overpower the instruments or get lost in the mix.

Machine Gun Kelly All We Have (Rap/Hip-Hop): The heavy bass beats that begin at 0:23 into the track do sound like drum impacts, although they're not sharp impacts. The male and female voices have a good balance, and the Monitor plays this about as good as can be expected given the limited quality of the recording.

Massive Attack Angel (Trip-Hop): This track begins with a steady low-frequency sound and some slightly soft deep-bass impacts. The voices blend well with the music and have just the right presence, although the recorded quality of the instruments isn't great. The Monitor plays this about as good as can be expected given the limited quality of the recording.

Morcheeba Bullet Proof (Trip-Hop): Bright percussion and medium-strength bass impacts make up most of this, with some dance-club spoken intonations thrown in. The Monitor plays the percussion pretty well, and the voices sound good too.

Peter Tosh Get Up Stand Up (Reggae): The bass here has a decent but moderate impact, and the lead and backup voices have good separation that's not too narrow or wide. The Monitor renders the bass with good detail and the voices sound very natural.

Porcupine Tree Trains (Pop-Rock): This track opens with some nicely-detailed string sounds and a forward-sounding male voice with a higher-than-average register. There are a series of "clip-clop" effects starting at 3:19 that may lack clarity and proper harmonic detail on some headphones, but the Monitor reproduces those effects very well.

Rachmaninoff Prelude in C-Sharp Minor Op3 No2 (Classical, Piano): Grand piano played mechanically from an original recording by the master himself. The bass is unusually light here, but the Monitor renders the notes very well given the limited quality of the recording.

Scarlatti-Kipnis Sonata in E Major K381 (Classical, Harpsichord): The harpsichord here is highly detailed and sounds fairly bright, but not excessively.

Trombone Shorty Backatown (Jazz-Funk): The deep bass impacts here are quite strong, and work very well with the horns and other instruments. The Monitor delivers the impacts with good weight and detail, and the horns have the kind of bite that gives them a realistic sound.

William Orbit Optical Illusion (Billy Buttons Mix) (Electronic): This is about as close as I want to get to easy-listening music. The string tones beginning at 0:18 have appreciable detail, and while the bass isn't very strong, it still adds a good underpinning to the music. The short poetic rap at 4:14, preceded by an etherial female voice, works very well with this track.

---------Monitor REVIEW PT.2; OLDER MUSIC TRACKS ----------

Bauhaus Bela Lugosi's Dead (~1980): Strong midrange sound effects this is a good worst-case test for resonant-type sounds in the most sensitive midrange area. Handled extremely well by the Monitor.

Beethoven Symphony 9, Solti/CSO (1972): Excellent overall sound. Of special note for this headphone are the bass impacts beginning around 10:30 of the fourth movement. Those impacts won't overwhelm you since they're soft and well in the background, but you can feel some of the weight they carry.

Blues Project Caress Me Baby (1966): Rarely mentioned, but one of the greatest white blues recordings ever. The loud piercing guitar sound at 0:41 into the track is a good test for distortion or other problems. Handled very well by the Monitor.

Boz Scaggs Lowdown (1976): Good sound quality this is a great test for any nasality in the midrange. Handled very well by the Monitor.

Buffalo Springfield Kind Woman (~1968): A Richie Furay song entirely, rarely mentioned, but one of the best sounding rock ballads ever. This will sound good on most headphones, but it's a special treat with the Monitor.

Cat Stevens Morning Has Broken (early 70's): A near-perfect test for overall sound this track will separate the best sounding headphones from the lesser quality types. Nothing specific, except that almost any deviation from perfect reproduction will stand out with this track. Sounds very good with the Monitor.

Catherine Wheel Black Metallic (~1991): Goth with industrial overtones I like this since it's a great music composition and the sound effects are smoothly integrated into the mix. This may sound distorted or mushy with some headphones, but the Monitor renders the deliberate instrumental distortions clearly.

Def Leppard Bringin' On The Heartbreak (1981): MTV goth/pop/metal at its best good ambience and high energy the better headphones will separate the details and make for a good experience. Lesser quality and the details tend to mush together. The Monitor plays this very well.

J.S. Bach E. Power Biggs Plays Bach in the Thomaskirche (~1970): Recorded on a tracker organ in East Germany, the tracks on this recording have the authentic baroque sound that Bach composed for, albeit the bellows are operated by motor today. The Monitor plays the tones seamlessly through the upper limits of the organ, which cover nearly the full range of human hearing. Of special note are the pedal notes tracker organs have low-pressure pipes and don't typically produce the kind of impact around 30-35 hz that modern organs do. A headphone that's lacking even a little in the low bass will sound especially bass-shy with this type of organ, but the Monitor delivers the full experience of this music.

Jamming With Edward It Hurts Me Too (1969): Intended originally as a test to fill studio down time and set recording levels etc., this was released a few years later for hardcore Rolling Stones fans. Although not as good technically in every aspect as the Chess studio recordings of 1964, and in spite of the non-serious vocals by Mick Jagger, this rates very high on my list of white blues recordings, and sounds absolutely delicious with the Monitor.

Jennifer Warnes Rock You Gently (1992?): The strong deep bass percussion at the beginning of this track has been cited as a test for weakness or distortion in certain headphones. The Monitor plays those notes with good impact and control. Having played this track a number of times now, I'm impressed with the Monitor's bass reproduction and detail throughout the track.

Jimmy Smith Basin Street Blues (early 60's): This track has some loud crescendos of brass and other instruments that don't sound clean and musical on some headphones. The Monitor reproduction is excellent. Listen particularly to the second crescendo at 15 seconds in, for maximum detail effect. I'd like to emphasize that these crescendos are probably the worst-case test I have for instrumental separation and detail, and the Monitor plays them perfectly.

Ladytron Destroy Everything You Touch (~2009): Featured in The September Issue, this song has heavy overdub and will sound a bit muddy on some headphones. Sounds great with the Monitor.

Milt Jackson/Wes Montgomery Delilah (Take 3) (1962): The vibraphone is heavily dependent on harmonics to sound right, and the Monitor plays it perfectly.

Pink Floyd/Dark Side of the Moon Speak To Me (1973): Strong deep bass impacts will be heard and felt here.

Rolling Stones Stray Cat Blues (1968): Dirty, gritty blues that very few white artists could match. On some headphones the vocals and guitar lack the edge and fall more-or-less flat. If you're a really good person, playing this song will probably make you feel nervous and uneasy. Sounds great with the Monitor.

Tony Bennett I Left My Heart In San Francisco (1962): Frank Sinatra's favorite singer. Highest recommendation. With some of the best headphones, the sibilants on this recording are very strong, but they're not too bad with the Monitor.

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Audio Technica Mid-Sized Closed-Back Dynamic Stereo Headphones

Audio Technica Mid-Sized Closed-Back Dynamic Stereo Headphones
Customer Ratings: 3.5 stars
List Price: $49.95
Sale Price: $24.90
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  • Specifically designed for digital program materials
  • High-performance drivers and low-mass diaphragms
  • Maximized power handling capability
  • Excellent isolation and powerful bass
  • 9.8' cable with 3.5 mm stereo mini-plug
  • 1/8" Stereo Jack attached to cable with 1/4" adapter included
  • 20-21,000 Hz Frequency Response
  • 9.8' Cable
  • Closed Back Design

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Bought these after a decent amount of looking around for a small set of cans that would provide good sound and fit my price range. Was able to pick these up for $25 and enjoy them on a daily basis. These are left at work in my cubicle, so i'm not torquing the plug or transporting these at all which is why i wasnt worried about the connector on them. And even if that were to go i'd just buy, solder, and replace the tip myself :)

Sound range is great for my needs noise "isolation" isnt really a feature of these, but they do a great job of allowing me to keep focused at work w/o any distractions.

Had these for 6 months now and not a single issue. Great buy!

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Didn't Last longer than a few months. This came in my school kit for film and media. The sound was okay when it was working. Nothing amazing, but good enough for what i needed and the price of them (they were selling 40 dollars in my school store). After about 4 months of use, the part near the audio jack started to separate and fray. They were completely unusable after that. I posted pictures so you know what i am talking about.

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I didn't expect these to compare to my pro Sennheiser, but I thought they'd be okay for mowing the yard. Ya, NO. They sound like crap. Don't do it.

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The headphones are ok for the price not expecting the best I use it for school and they are comfortable

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Needed something sufficient for my cube while providing great sound obviously price was a factor and these have not disappointed.

As mentioned I am a FOH sound engineer as well so did need something with a good sound and can say that while i dont use these to mix, they're more than sufficient for my casual listening at work (diff job). The reviews on here are pretty harsh on the connector issue, but I take particular care of my stuff so dont see this being an issue ever. If it's in your pocket and getting pulled on all the time then that'd be up to you.

Bottom line prob best set you can find if you get them under $30 holding their sound very well.

Marshall MG50CFX-KIT-1 50W 1x12 Guitar Combo Amp Kit

Marshall MG50CFX-KIT-1 50W 1x12 Guitar Combo Amp Kit
Customer Ratings: 5 stars
List Price: $607.39
Sale Price: $407.97
Today's Bonus: 33% Off
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  • Compact size for practice and small jams with carbon fiber look and feel, featuring critically acclaimed Marshall analogue tone and large complement of digital effects
  • Output (RMS): 50W, Speaker: 1x12"
  • Channels (storable): Clean, Crunch, OD1, OD2, Digital Effects: Chorus, Phaser, Flanger, Vibe, Octave, Digital Delay: Hi-Fi, Tape, Multi, Reverse, Digital Reverb: Spring, Studio
  • Power Amp Damping Switch, Mp3/ Line In jack, Emulated headphone Output, External FX Loop, 2-Way Chgannel Switching Footswitch, MG Footcontroller Compatible
  • Includes: ChromaCast Pro Series 10ft Cable and ChromaCast Pick Sampler

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This is a real good practice amp and really good sound. This smokes my old Laney which sit in the closet now. I use a lot of boss pedals with this also and the sound is fantastic. If your looking for a good amp for practice this is it....no question about it.

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Anime Kuroshitsuji Black Butler Headphones

Anime Kuroshitsuji Black Butler Headphones
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $19.95
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I bought these for the design but the great quality is a bonus in my opinion. Since alto of retailers will slap on a logo from a series and not actually think about the quality.

All in all a great pair of headphones, they are stylish like Beats and have nice sound to them; I believe the only down side is that the jack piece isn't too long so don't expect to use it at longer distances.

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PreSonus AudioBox USB 2x2 USB Recording Interface

PreSonus AudioBox USB 2x2 USB Recording Interface
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $149.00
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  • 2 award-winning XMAX Class-A mic pres
  • Rugged steel chassis
  • Completely portable professional recording solution
  • Midi input/output
  • Studio One Artist included

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Brand New Review for Nov 2010:

I recommend this only if: 1) you are not recording a guitar with high output pickups through the instrument-in, because it will clip even with the gain turned all the way down on the AudioBox, 2) you are not using an SM57 or some other dynamic mic that requires more than 35dB of gain, otherwise it will be too quiet, and 3) your headphones have an impedance above 100 ohms, otherwise the USB-powered Audiobox can't keep up with the current draw and will have no bass in the headphone monitoring out.

If you meet those conditions, then this is a great, affordable, stable recording interface. On my Mac it's plug-n-play, both on my older G4 powerbook with Tiger and newer 2010 Mac Mini with Snow Leopard. On the Mac, no separate software or drivers are needed. The construction of the AudioBox is very good. All metal box, and metal knobs. The blue metal looks great.

The mic preamps sound pretty darn good, crystal clear if you're using a condenser mic. For recording vocals on condensers, this interface is great. If you're on an old system, however, recording direct guitar and running it through a virtual amp simulation will give you latency problems. Not as much on Core 2 Duo systems and above. Be advised that the zero-latency monitoring is for a clean signal going in, not the processed sound from your software plugin, thus you can't do zero-latency distorted guitar recording that way unless you listen to yourself play clean while recording.

Now officially this does not have line-level recording ability. So you can't take the headphone output from a walkman, guitar amp, or mp3 player into this. But actually that does work as long as you carefully keep the line signal volume low and plug it into the instrument jack on the AudioBox. I've done this and it records just fine. But if the line volume gets turned up too high, you risk burning out the chip inside the AudioBox, since it wasn't engineered with safety mechanisms for that, thus Presonus says it doesn't do line-in.

It gets 4 stars for what it does well, and minus 1 star because of the caveats / exceptions listed at the beginning. As with all gear buying, my honest recommendation is to save up and get something 1.5X the cost of what you thought you could afford. If I could do it all over again, I would get an Echo Audiofire 4, Focusrite Saffire Pro 14, or Apogee Duet and call it a day. But, my Audiobox has served me well for over two years now, made some great clear recordings, right up until I got new headphones with too low impedance and the bass dropped out.

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I tried the PreSonus AudioBox recently and was extremely disappointed with it. I didn't try it with a microphone since I'm usually recording guitars direct, but the preamps are designed to ALWAYS have 20 db of gain being applied even with the input turned all the way down. I looked this up on their official forums, and it is intentional. Because of this, I was never able to get a signal that wouldn't clip when palm muting (even with passive pickups). They don't have any kind of software mixer either, so you have to buy an attenuator pad or find some other workaround.

There's also a knob that you use to blend the mix between the hardware direct monitoring signal and the regular output. Even with the knob turned all the way to the regular output side, you still get some "leak" from the direct signal coming through the monitors. This can cause feedback problems, give you inaccurate monitoring (in my situation, because I'm hearing dry/clean guitar signal at the same time as amp sim VSTs), and is just a general pain in the ass.

And just to add icing on the cake...I also discovered that the output starts digitally clipping with the output knob at only 9 O'CLOCK! Ridiculous.

I think PreSonus had a great product on their hands, and intentionally screwed up the design, as to stray people towards their higher end stuff when they become inevitably disappointed with the AudioBox. Their official forum moderators used the excuse "well, you can't expect those kind of features from an entry-level interface" when people complain about its shortcomings. Really?! I didn't realize the ability to record a USABLE SIGNAL was apparently something that only the big dogs get. What a joke.

I returned it and bought an E-MU 0404 USB for only 20 bucks more, and I am much happier.

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This is the best external sound card I have ever used to record. I have used quite a few over the years and presonus has all the competition beat hands down. This unit is extremely quite, it reproduces exactly what it captures without adding any color as some cheaper units tend to taint your sound. The are no latency issues and I had no problem installing it on my Windows XP OS. I use this unit with Sonar 7 PE and have not experienced a single issue since I've used it. I highly recomend this equipment to any home studio operator. I will be purchasing preson equipment from now on.

***UPDATE*** July 15, 2010

I updated my computer to Windows 7 64 bit. I did not have one issue. The Audiobox works like a champ.

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I'm just going to expand on a few things already said here. I've been working with the Audiobox for several days now and have tested just about everything I have in my studio through it. I have a Dell Core-2 Quad desktop and a HP DV5-1010 laptop. I wanted a mobile setup so I got the Audiobox after returning a Focusrite Pro24--probably nothing wrong with it, but I couldn't get it to work with my laptop--but then, I can't get any firewire device to work properly with it. So what I'll have to say will be confined to how the Audiobox works with my laptop.

I can confirm the reports that the preamps don't have enough gain to handle dynamic mics-I tested a Shure SM 57, a Beta 58 and and old Audiotechnica dynamic. You have to turn the gain all the way up on the Audiobox and get right up on the mic to get a useable signal. That leads to a problem with Channel 1 -when the input volume is cranked up all the way, it begins to emit a high-pitched whine which will go into the recording. You can get rid of most of it by unplugging the laptop, so it's a grounding problem with the laptop--other devices have caused that noise also. But it's a nuisance, since the pathetic battery in my HP won't last for more than an hour. Oddly, Channel 2 on the Audiobox doesn't have this noise problem.

My workaround for this is that I have an Art Dual MP preamp that will add more than enough gain so I don't have to crank the Audiobox's inputs up that high. That also diminishes mobility, but it is a good backup. If I want to use just the Box without the preamp, I use Channel 1 for my guitar input--I play both acoustic and electric through mostly a Boss GT-8 processor, and the output from that sounds beautiful recorded through the Audiobox. I plug my vocal mic into the quieter Channel 2 and can put down a good-enough quick and easy recording that way.

I've also recorded a stereo acoustic guitar track with a pair of Oktava MC-012 condenser mics. They provided plenty of gain for a good signal without having to crank the input on the Audiobox up to the noisy range, producing a very good recording. I can also plug my Martin acoustic with an active piezeo pickup directly into the Audiobox and get a good signal. I've also recorded the output of my Roland electronic drums directly into the Audiobox with good results.

The Studio One Artist software that comes with the box is really well-designed and probably worth what you pay for the Audiobox alone. I'm working with the full demo version of Studio One, and it is fantastic--I will probably upgrade to the full version when the demo period runs out. It has many great features, but I'll just mention its mastering presets--they save a lot of time and you can usually find one that gets you pretty close to the punch and presence you want. There are some good reverbs as well. I have several other DAWS on different computers, and in the past I've recorded with one computer and mixed and mastered with another. I think that with the Audiobox and Studio One, I'll be able to do respectable recordings from start to finish on my laptop. I can confirm that the Audiobox also works well with Adobe Audition, both the newest version and the old Version 1.5 that I have.

One final issue--latency. I found that working with the "Normal" setting in Studio One (the middle of 5 settings) my laptop was emitting occasional clicks and pops that got into the recordings. I found that to eliminate these pops, I had to move the setting to "Relaxed Normal" which causes greater latency. That is not a problem for me because I record and overdub using just the raw signals coming in from my instruments and voice, and so I don't need to monitor the input with the software's effects. This allows me to record with zero latency. It might be a problem for others who need to hear the software's effects on the input as they record. I might add here, that the "Mix" control on the Audiobox is very convenient for getting just the right blend of recording output and input as you're overdubbing-just crank it one way for more of the recording in your headphones, and the other way for more of the input. Studio One also makes punch-ins and editing of tracks, as well as mixdown ridiculously easy.

One other annoying thing--if I unplug the Audiobox from the computer while I have a session going, it causes the drivers to go haywire, and they have to be reinstalled. After the second time I did that, I learned my lesson.

Conclusion: this is a good cheap interface to get signal into a laptop computer. The software alone is probably worth the price of the box, and you will probably also be tempted to buy the upgrade later on. I give it about a 4-1/2 because I think the input gain could somehow be calibrated better. If you have any kind of preamp or processor around like the Art or the Boss, you won't have any problem getting enough gain. The box allows me to go mobile with my recording and the 48k, 24-bit sound is a noticeable improvement over 44.1k, 16-bit, at least to my ears.

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I just bought the Audiobox USB and after wrestling with installation for five hours, I'm done with it and plan on returning it first thing tomorrow.

After repeatedly installing, reinstalling, uninstalling, etc., I've determined that this equipment just isn't compatible with a 64-bit Windows 7 system. At least for me, it manages to only install the driver for playback and not the one for recording. Upon attempting the latter, the system hits me with an error message and doesn't seem to know what to do with itself.

The manufacturer, PreSonus, will claim that the updated and compatible 64-bit drivers are available on its website, but this is a load of hogwash as those don't work either. Not even the audio editing software that came in the box, StudioOne, managed to install correctly. That and the DRM associated with it made me want to vomit (mandatory account creation and online registration on the PreSonus website before using the software you just bought?? Gimme a break...)

So in all, this wasn't compatible with my system, and judging from the troubleshooting and forums available on the PreSonus website, I'm not the only person who has had this problem. If you have run Windows 7 on 64 bit or have a decently up-to-date computer, I'd be wary of this Audiobox USB interface. I just hope this review can save someone down the road some headaches. Peace.

Skullcandy S6HSFZ-319 Hesh 2 Headphones, Gray/Black/Lime

Skullcandy S6HSFZ-319 Hesh 2 Headphones, Gray/Black/Lime
Customer Ratings: 4.5 stars
List Price: $59.99
Sale Price: $49.95
Today's Bonus: 17% Off
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EDIT 8/5/2012: Removed extensive comparisons with other models considered to limit the length of my already somewhat long-winded review. If you care to read my in-depth thoughts on the other models, though, I plan to post a full review of each model in the next week or so.

I came fairly to choosing these while looking for a pair of over-the-ear headphones primarily for on-the-go usage with a portable media player. I've got a pair of Skullcandy 50/50 earbuds that are overall pretty good and have served me well, but I've realized after about a year that I just prefer the feel of over-the-ear headphones over in-ear for a variety of reasons including overall comfort, how easy it is to accidentally pull earbuds out of your ears, or lose the rubber tips, and so on. From the other side of the spectrum, I've got a pair of Sennheiser HD280 over-the-ear headphones that I use as my primary "at home" listening medium. Those are freakin' amazing and I love them, but their overall size and extra-long coiled cord would make them a bit unwieldy for portable use. So essentially what I got these for was to use as a good pair of over-ear headphones for listening to music on-the-go, typically for 1-2 hours at a time with a break here and there for various reasons.

Other headphones considered (in order of preference, descending):

V-Moda Crossfade LP2*

Soul by Ludacris SL150*

Sony MDR-XB500

Sony DR-ZX701IP

Skullcandy HESH 2

Beats by Dr. Dre Solo*

Skullcandy Lowrider

Skullcandy Skullcrushers

*see update(s) at the end of the review

Anyway, on the the review:

:::: Sound ::::

Overall better than average balance of sounds for the price range. I listen to a fairly wide range of music including most types of EDM (electronic dance music), classical, jazz, rock/metal and so on. My main staples of late are drum 'n' bass and dubstep, although a lot of what have become my long-term favorite artists tend to mix the "new" (rock/EDM) with more traditional musical styles and instrumentation... look up Korpiklaani, Amon Tobin, Banco de Gaia and/or Gogol Bordello for a few examples. I'm not a hardcore audiophile (or at last doesn't consider myself to be), but I am big music fan and want my music to sound good when I listen to it. For the most part, this model has proven to be no slouch in the headphone arena, especially given the price point. In fact, these cans have done surprisingly well across the board of my musical tastes.

On bass-heavy EDM tracks like the appropriately-named "Shudder" by Black Sun Empire/Crushington, these headphones deliver a visceral bass that you can definitely feel, while lighter songs like "Bedtime Stories" by Amon Tobin don't suffer from weak treble/highs. I haven't listened to a lot of rock/metal/punk in some time, but I pulled up a few of my favorite songs and they all sounded at least as good as I remember them. This style of music tends not to produce the same levels of visceral bass response that EDM does, but this is true on my significantly higher-end HD280s as well, so the cause is not a fault in these headphones. Because the mids/treble in a lot of EDM can accurately be described as a "whine" or "siren-like" sound, I also made sure to test these with music consisting almost exclusively of "organic" instrumentation... classical, jazz, choral and the like... with positive results. Potentially a superficial test, since I doubt the electronics in the headphones can differentiate between them, but I feel like it'd be easier to notice flaws in the sound reproduction of a poor-quality pair of headphones using this type of music than the heavily-synthesized sounds of EDM. Call it a hunch.

Overall, these headphones are a solid contender given the asking price for them. The Sony models were a bit better in terms of pure sound quality, but had other issues that made them less than ideal for me. The other Skullcandy headphones were substantially weaker, in my opinion, and these are the clear winners within the brand.

:::: Comfort ::::

These headphones fit tightly, which I like overall, but combined with the on-ear design makes them somewhat uncomfortable for extended listening. For the first hour, hour and a half or even two hours in some cases, these headphones feel perfectly fine. Strong bass seems like it might exacerbate the issue for bespectacled folk like myself, though, since having the side parts of the frames pressed between one's ear and one's head does get uncomfortable after a bit, even while listening to tunes on the "lighter" side of things/without heavy bass vibrations, although I admit to not having tested this while I had the headphones. I've also seen some complaints in other reviews about the lack of padding on the arch of the headphones, although with the way they fit (on my head, at least) this is a non-issue since the arch only slightly rests on the top of my head. For my uses, however, these issues don't become unbearable, since I'm taking off the headphones before they would start to set in 90% of the time.

Once again, at the price point these headphones are sold at, they offer a solid value in the comfort department even with the shortcomings noted above, especially given the "total package" in comparison to other similarly-priced headphones. I would say honestly speaking, though, that I would have to rate these headphones lower than all the other models tried in terms of pure comfort (although the Lowriders were only comfortable because they were so loose fitting that they fell off fairly easily, so I'm not sure how much that counts).

:::: Style ::::

These headphones are overall pretty decent looking. The 3/4 angle found in most stock photos is certainly the most favorable angle to view these from, with a straight-ahead view being the worst (the cups are almost perfect half-spheres, resulting in a "Princess Leia buns" appearance). One of the irritating things about over-ear headphones in general, of course, is that the better ones do have a tendency to be huge monstrosities that look awkward as heck when you wear them, so it requires some creative design in general to produce an aesthetically pleasing pair. In the end, these have enough style to them and sound good enough that the "buns" effect, while still somewhat irritating, is something I can live with.

Compared to other models I considered, the overall appearance of the Skullcrushers and Sony DR-ZX701IPs are much more to my liking. The lower profile of the DR-ZX701IPs also help to make them more aesthetically pleasing, in my opinion. If it weren't for the other issues, the articulating ear cups and collapsible/stashable design of the Skullcrushers/Lowriders would have been a major selling point for me, as well. The Lowriders I would rate lower due to being /too/ lightweight looking to the point of simply looking cheap, and the Sony MDR-XB500s just look ridiculous, and don't even have the articulation/stashable design of the Skullcrushers and Lowriders.

:::: Durability ::::

Gotta say that these feel like a rather solid pair of headphones, despite being almost 100% plastic aside from the wiring, driver magnets and ear cushions. As far as practical real-world durability, that's something I can't tell after only having owned these for a week or two. I'm fairly easy on my electronics, but being a computer technician and working with laptops, the casings of which are usually thin plastic pieces, has given me a rather precise sense for how much strain plastics can safely handle, and these headphones seem like they would require a fairly severe incident to break accidentally, and can handle normal wear and tear admirably.

The MDR-XB500s are more-or-less on par with these and, compared to the Lowriders or even the Skullcrushers (although to a far lesser degree), these feel like a veritable brick house of solid design. One advantage of these and the other Skullcandy options, though, is that they carry a lifetime warranty that gets you 50% off a replacement pair even if they break (most companies would just shrug this off as abuse and not do anything for you).

:::: Miscellaneous Thoughts ::::

Another reviewer, whom I don't remember if he posted his review on Amazon or elsewhere, unfortunately, brought up an interesting point he noticed about these headphones. According to him, an audiophile with a much more refined ear than mine if his self-description is at all accurate, it sounded like these headphones were emphasize the bass and bottom-end mids to give them the "awesome bass" that they have, which he felt to be a fairly strong negative point against this model. If I remember correctly his reasoning had to do with causing listening fatigue more easily than headphones where this technique is not used. So far this has not seemed to be an issue for me, though.

:::: Conclusion ::::

Despite the comfort factor being in favor of the Sony MDR-XB500 headphones and other factors for the most part being equal or slightly better, I do intend to use these headphones primarily in public, and the aesthetics of those are absolutely awful, so I had to pass. The DR-ZX701IPs are nice and low-profile/lightweight, but have volume issues (they just didn't seem *loud*, even at full volume on my music player). That said, these headphones are no disappointment in any category, even if they also aren't the best of the models I've tried in some areas, either. Another benefit of going with a Skullcandy model, since it's worth repeating is that they offer a lifetime warranty that even provides partial coverage against physical damage/abuse, so if the durability ends up being cruddy one would likely get their next pair for free or drastically discounted even if they didn't fail until 2-3 or years after the date of purchase.

**** UPDATED 7/27/2012 ****

Ultimately, I've ended up returning these and am now checking out some higher-end headphones. I guess I'm a pickier listener and/or more of an audiophile than I thought. The models I'm considering now are the Soul SL150 on-ear headphones (we have a live display of them where I work, and they sound pretty awesome) and a pair from a company called V-MODA (Crossfade LP2), which I've admittedly never heard of before, but was favorably mentioned in reviews of the SL150s. Part of the reason for this is that as I broke in the HESHes, they seemed to lose some of their "punch" across the sound spectrum. I found myself being able to listen to music with them on my phone at full volume for most music and still desiring it to be ever-so-slightly louder, whereas before they were loud enough that I had to turn them down 1-2 notches, depending on what I was listening too.

I'm not changing the main review, though, to include comparisons to these models, since they are in an entirely different price bracket. After all, for over 100% more $$$, the models I'm considering now had better sound significantly better. Despite my personal choice as a borderline-but-not-quite-audiophile to fork over a bit more cash to get a pair of headphones I'm truly excited about, I stand by my original assertion that the Hesh headphones from Skullcandy are a very respectable choice given the price range, and would serve plenty of people just fine.

**** Updated 8/4/2012 ****

Ended up absolutely falling in love with the V-MODA Crossfade LP2s. The Soul SL150s proved to be above and beyond any of the Sony or Skullcandy models and all-around extremely good, but the V-MODAs were another monumental step up even from there in my opinion. They are also the best constructed and best looking of all of the on-ear and over-ear headphones I've checked out by far, on top of being the best sounding. The warranty even offers a level of guarantee similar to Skullcandy's (100% coverage against normal use for 2 years, 50% off replacements for the life of the product if the failure is not a defect/normal wear issue or the product is older than 2 years).

As far as the Skullcandy HESH model is concerned, I still stick by my assertion that they are an overall solid product for the price point and a great choice for people who want something better than $10 earbuds, but still don't consider headphones an "investment" (especially bass-heads), but urge others that have better quality sound as their primary consideration to take a serious look at the V-MODA Crossfade LP2s, despite the significant price jump. I personally feel they will prove to be worth every penny.

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Pros:

nice solid build

detachable cord

the cups cover my ears

blocks out 86% of noise

great lows and punchy bass

really cool look

great performance for $50-60

Cons:

Mids and Highs are muddy and condensed

does not fold

no protection cases included

feels heavy after extended use

Conclusion:

Obviously its not gonna out perform Dre Beats or Bose quiet comforts ($300)

but for the price its destroys most in ear headphones out there...

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If you are looking for great looking headphones that also produce great sound quality at an affordable price, then these are for you. I also own a set of Bose headphones and although I like the Bose better, the Hesh 2 headphones have high quality craftsmanship and cost a fraction of the Bose. I can honestly say that these headphones are the best in their class and worth every penny.

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the first thing I noticed when I un-boxed these was the HUGE improvement in quality over the original hesh, they just felt much better in the hands and I was pumped to test them out. Plugged them into my iPod, put bassbooster on, and played "We run the night" First I thought wow these are much crisper sounding then my original hesh, which was a good thing, but then the bass hit and it was like "meh" it produced it just fine but just not very loud, then I looked down at my iPod and saw I was one level below max volume! My fave part about the original Hesh was the efficiency, they were quite loud at half volume. Not so with these headphones.

Next I plugged these into my headphone amp, and HOLY SHIT these cans came alive! bass was rock solid, highs were crisp and clear, loudness was perfect! These sound way better then the original hesh, skullcrushers and agent when amped.

These headphones are much more accurate then the original hesh, I've found that poorly compressed songs and low bit rate songs are much more noticeable on these headphones then my first hesh. These headphones replicate the recorded songs perfectly and you can hear every nuance.

They are also incredible for EDM, all my hardcore techno songs are getting a second life on these headphones and I think this is due to the high accuracy of the bass and highs on these headphones. Because they are more accurate it also means less listening fatigue, I can listen to these for hours with little to no listening fatigue.

These aren't as good for post-hardcore/screamo/metal etc. because they seem to be lacking a little in the mid-high bass, but they still sound great.

For rap and hip hop these sound pretty beast mainly due to the amazingly accurate low-end bass and crisp highs which can be prevalent in rap songs.

Dubstep is insanely good on these headphones, every subtle vibration is blasted into your brain with awesomeness xD

Because mainstream stuff takes elements from EDM, hip-hop, rap and even dubstep sometimes, all the top 40 songs will likely sound amazing on these cans.

EDIT: after blasting these with my amp for about an hour, the efficiency improved DRAMATICALLY, tested with iPod again and bass is now much better then the original hesh and the volume at half is about the same as original hesh at half. THESE HEADPHONES ROCK! BUY THEM! skullcandy just keeps getting better:)

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A lot of people have written long winded reviews about these... so i'll be extremely brief.

Went to (big box store) to try out headphones.

First priority was comfort, second was blocking out external noise.

Primary purpose is to listen to powerpoint and videos for my online class, usually in a noisy environment.

Of all the headphones I tried, two worked really well.

The first was a $400 pair of Bose... way out of my budget.

The second were these.

Almost bought them in store, but I wanted black, and the store only had white.

Also, the store had them for $60.

Ordered them here for almost $20 less. Got them quickly.

Tried them out with all sorts of music on multiple devices, and they exceeded my expectations.

Went to a loud diner, logged into my homework, watched a presentation with all the exterior noise blocked out.

Perfect.

Came home, lay on the couch for a few hours listening to more music.

Surprisingly comfortable.

These arent as trendy as the $200 headphones everyone has.

However, they work. Really really well.

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Pyle Home PHBT5G Stereo Bluetooth Streaming Wireless Headphones with Call Answering and Built-In Mi

Pyle Home PHBT5G Stereo Bluetooth Streaming Wireless Headphones with Call Answering and Built-In Microphone, Green
Customer Ratings: 4 stars
List Price: $47.99
Sale Price: $37.00
Today's Bonus: 23% Off
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I just got these in the mail. Wahoo! They were easy to pair and can be paired to two devices. User manual could be better with visuals, but directions are clear. Yes, they are comfortable. I use them in my Reiki meditation.Pyle Home PHBT5P Stereo Bluetooth Streaming Wireless Headphones with Built-in Microphone, Pink

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Excellent sound and quality. Easy to set up and best yet, no wires to get tangled. I would highly recommend it to anybody.

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Love the headset I use them when I go to the gym or just around the house. The sound quality is really good granit it's not like your in room with 7.1 surround but it's simular to 5.1 surround just mnus the big thumping bass. It's Noise canceling as well and For $38.00 it's a really good deal. Not to mention the Bluetooth connectivity is really awesome and that means no wires so you are free of that :) I also thought it was simple to pair with my 7th gen iPod nano and also my iPad 2 so all in all it's a great product. Yes it's true you can only pair it too 2 devices. But jeesh what do you expect for under $40.00 in my book this set is awesome and stylish fits the back of my head great too cause I have a decent size head I take a large helmet size in my motor cycle helmet so if that gives you any inclination that these will fit ANY size head. unless you are a Huge over sized giant then you might want too look at something different. But in my opinion they are awesome I couldn't be happier with them just wish they came in the color blue as well :) I would deffinatly recommend these to who ever is looking to get a wireless blue tooth headset that let's you listen too music movies and even make phone calls without the nussence of having wires hanging around :)

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These earphones have great sound quality. When paired to a device there is no static, and when you turn the volume up all the way you can hear the sound from across the room. It is also nice being able to have the headphones paired to two devices at once. These are really great Bluetooth headphones for the price!

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I picked up this Pyle bluetooth headset for twenty bucks on a lark hoping to get a backup pair for my primary headset. I'll keep it simple with a pro's/con's list.

Pros:

1. Cheap.

2. They work. Audio quality is acceptable for the price range.

3. Battery life is good, but...(see Con 2)

4. Decent range, well within the bluetooth standard.

Cons:

1. They are not size adjustable. If your head isn't small like a child's or tiny person they barely reach from the back of your head to cover your ears and pinch so hard it's almost uncomfortable. I feel they had to compromise here and either make them big enough for us large 'mericans and disappoint the pinheads, or make them small and disappoint us big noggin folks. Its obvious they were marketed towards the small stature people of Asia(their place of origin naturally) so us hormone-laden food eaters need not apply.

2. Uses proprietary small barrel charger. No micro or mini usb here. Because that would be too easy with practically every non-iTard rechargeable device out there uses micro usb. Disappointing extra charger to carry around/keep track of.

3. The boop-boop-boop notification sound when you power on the device, power it off, and get low battery notification is so loud it practically blows your eardrums out. I've turned the headset all the way down with the volume controls and it has no effect on the level of these notification sounds. I've never been to a live concert and don't listen to music(I'm using these to listen to news podcasts) so I'm sorry if my hearing is undamaged. The notifications are too damn loud! I have to turn the headset on and off while not on my head.

In summary, I could forgive any one of the above cons, but the combination of all three make this headset a total fail. I wont give them a 1-star review because they at least function electronically speaking.

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