Showing posts with label toddler headphones. Show all posts
Showing posts with label toddler headphones. Show all posts

Monoprice Enhanced Bass Noise Isolating Earphones, Green

Monoprice Enhanced Bass Noise Isolating Earphones, Green
Customer Ratings: 4 stars
List Price: $14.02
Sale Price: $6.94
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The sound quality is unbelievable considering the price. I have been using these on my phone and Nexus 7 and they sound great. Also, I had no idea how handy the inline control would be while driving I can pause a song or answer a call with a single press, or open Google Now with a long press and use the microphone control it. The only thing missing from these is a flat cable, they do tend to get a little tangled. Definitely recommend them to anyone looking for a low cost high quality set of headphones.

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12 FT Mini Plug 3.5mm 1/8" Audio Extension Cable 12FT

12 FT Mini Plug 3.5mm 1/8' Audio Extension Cable 12FT
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $3.78
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I ordered the 3.5mm 12 ft extension cable and I am very pleased with the length. If you need to extend the length of your mic's reach, I highly suggest this. However... I suggest getting a second extension cable.

Otherwise, this cable gives me everything I need to extend my microphone length and it works perfectly!

Five Stars!

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Fast shipping, long cord, and works great. I am using this so that I can walk around my office and still use a microphone for my Dragon Naturally Speaking. Works great.

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Is as advertised and is fairly heavy quality, well worth the money invested. Well worth it. extra words here and here

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Needed to connect new mics to our camcorders, which only have a cord about a foot long. These allow us to put the mic where we need it, about 12 ft away from the camera.

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Nice length, moderate cord thickness and flexibility. However, as with most cheap audio cables/headphones, it stopped working after a few months.

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Line 6 Tone Port KB37

Line 6 Tone Port KB37
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: Price Unavailable
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  • 37-note full-sized keyboard with Pitch/Mod wheels for MIDI control, 16 classic and modern amp models based on POD xt , 24 speaker cabinet models based on POD xt , 5 bass amp & cab models based on Bass POD xt , 24 studio and stompbox effects
  • Stereo Line Inputs for your line out level gear, Stereo Digital Output S/PDIF via RCA, Stereo Line Outputs via balanced 1/4-inch, Stereo Monitor Input via stereo 1/4-inch jack
  • Expression pedal input to control GearBox wah/volume or MIDI, Headphone Output with independent volume knob, VU Meters assignable to input, record send, output and monitor levels, Dual footswitch jacks for control of GearBox or MIDI/recording software
  • Pro Audio Performance with over 100dB signal-to-noise & dynamic range, ToneDirect monitoring, Transport & Control button/knobs assignable to GearBox and MIDI/recording software, 44.1 & 48KHz, 16 & 24 bit recording, 96KHz mode
  • 2 Mic Inputs with +48v Phantom Power, 2 Guitar/Bass Inputs, USB-powered, Rock-solid Drivers: ASIO, WDM, Mac OS X, Includes Ableton Live Lite, Mac OS X and PC compatible!
  • Expression pedal input to control GearBox wah/volume or MIDI, Headphone Output with independent volume knob
  • Pro Audio Performance with over 100dB signal-to-noise & dynamic range, ToneDirect monitoring, Transport & Control button
  • 37-note full-sized keyboard with Pitch/Mod wheels for MIDI control
  • Headphone Output with independent volume knob
  • 2 Mic Inputs with +48v Phantom Power, 2 Guitar/Bass Inputs, USB-powered, Rock-solid Drivers

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As a part-time, semi-professional musician/performer/producer [you can check out our NOVAkILL CDs here at amazon.com] I have a need for good quality and portability at a reasonable price. For maximum flexibility, I have been using USB audio I/O devices for the past 5 or 6 years, as they allow me to work on my workstation at home or laptop on stage with the same equipment. I was first attracted to Line 6 by the announcement of the KB37 because it looks so incredibly slick and sexy. To see if it could deliver the goods, I got hold of a UX2, which is basically the same as the KB37, without the keyboard. It took me about 5 minutes to realise the potential of this set-up so I got hold of a KB37 as soon as they were available.

HARDWARE The unit feels really solid. The plastic is very heavy-duty and it all seems pretty well put together, although one of my VU meters is slightly crooked. The three-octave keyboard has a good feel and also feels fairly robust. The I/O knobs [chrome] are perhaps a little loose [it is easy to bump them and change their position] where the controller knobs [black] are very stiff until you use them for a while. It is very light-weight and no wider than most two-octave keyboards so it is extremely portable. The footswitch jacks are a real bonus. The audio inputs and outputs are very good, allowing you to get high quality, clean recordings and to monitor everything easily.

DRIVERS Line 6 Monkey makes sure your drivers and other software are always up-to-date so it is a good idea to let the monkey look for the latest versions when you are setting up as the CD that ships is nowhere near current [it doesn't even support the KB37]. Once the Monkey had done it's thing, everything just worked. You use the driver interface to assign controllers and footswitches to different functions. It works really well but is a little hard to get at in a hurry.

SOFTWARE [GEARBOX] This is definitely the best part of the deal. The are plenty of amps, cabinets and other effects available and you can chain them all together to create amazing results. If you are not happy with what you get, you can go on-line and buy even more from Line 6, but I have barely scratched the surface of the bundled options after almost a year. GearBox has very flexible routing you can assign the hardware VU meters to any of a number of things [inputs, outputs, etc]. You can monitor and/or record with or without effects and you can even record your vocals or guitar parts whilst monitoring other instruments through the unit. You can have a single stereo signal path or two unique mono paths. e.g. one set-up for your vocal and a completely separate effect-chain for your guitar at the same time, whilst monitoring your hardware synths through the unit. Because it operates outside the normal Windoze audio system, latency is negligible which makes it great for using live.

IN USE This is where we ran into a few problems at first. The KB37 only transmits on MIDI channel 1 so, because we had been using Channel 8, I had to go through all of our songs and change things to Channel 1. But it was worth it because in every other way, the KB37 delivers for us. It is a great device for recording vocals and synth parts and it is a flexible and handy controller for our sequencer and soft-synths. On stage it is even more impressive as we can use it for live vocal effects without having to run our voices through our sequencer software. With two footswitches attached I can change GearBox presets easily on stage and mute the effects between songs.

SUPPORT Terrible. We had a few problems with the unit when we first started using it and the Line 6 forum was completely useless. After 8 weeks of getting no help from them whatsoever, I eventually discovered that the problem was not with the KB37. If it had been, I doubt it would ever have been solved.

OVERALL This is close to the perfect solution for us. It is robust and portable, simple to use, yet offers incredible sound quality, both for getting clean recordings and from the amazing GearBox software. If the support was better, this would be a 5-star review.

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So far I've only use this to record my guitar with GarageBand on my Mac. Works great but download the latest drivers for it through Line 6 and skip the disc it comes with.

It's going to take me a year with some mics to give it a true review; though so far, I'm more satisfied.

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I used this for several months without any problems on an AM2 based PC, and after upgrading to a an Intel Based Q6600 Processor P35 Chipset system, I only then realized that the audio drop-out, stuttering is common to Intel chipset (ICH9) Systems :S ...and up to now, there is no solution.

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My son had asked for this for Christmas but it was backordered everywhere until after Christmas. I tried to find something comparable but when the salesman at Guitar Center saw that it was also an audio interface he said it was a great deal for the price. Before I gave up I tried Ebay and finally Amazon. I was so happy that not only was it in stock but arrived within two days!

Obviously this is more a review of the site than the product but it does exactly what it says and is the perfect small recording studio equipment.

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When I bought this, the software was not compatible (out of date). Contacted line6 and got a very unfriendly rep. Line6 service sucks, and this IS NOT worth the price. Ended up returning it.

Allen & Heath Xone:XD-40 Professional Monitoring Headphones

Allen & Heath Xone:XD-40 Professional Monitoring Headphones
Customer Ratings: 4.5 stars
List Price: Price Unavailable
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  • Excellent sound reproduction
  • 40mm diameter drivers
  • High power neodymium magnet design
  • High SPL capacity
  • Rotating earpieces for easy one-ear monitoring

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I read great things about these online so I figured they were worth a go. I was, however, severely disappointing. The sound quality on these is pretty average: I think they're a little lacking in the mid range and high bass and when I try to EQ these up a little the headphones crackle. They are also too big for me. I have an medium size head (according to bike helmets) and these hang a little too low on my ears even when they are the tightest possible configuration. Also they are dreadfully uncomfortable on my ear. They are also terrible for studio monitoring.

For DJ gigs they're great. They're light and since they're on and off my ears I don't have any fatigue from wearing them.

I bought these as a sort of do all headphone and was disappointed. I would say buy them for DJing headphones, otherwise pass and get something else.

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This are the best headphones I've ever used for DJn. Super light but strong enough to handle me throwing them in my bag when I'm late to my next club. Very loud and very crisp as well. The lower frequencies are also sharp and clean. I own a pair of beats by dre for personal use and these are, in my opinion, BETTER....

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lightwieght and sound great for the price...I have other pairs of headphones (v-moda crossfader, sony drv-700, pioneers 200) and wanted a pair to use whilst I commute and they defo fit the bill. The low are not that loud so it was a pleasant surprise, the mid are there and real clear, the highs are real clear but sometimes they stand out a little more.

I only wish they could fold a little more but despite that I'm more that happy with this headphones.

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Don't listen to the negative review, I personally got these for DJ use. That is the key when reviewing this product, it's meant for a specific output purpose (DJ). Allen & Heath have always offered quality Products but at a price range usually out of reach for the average consumer. I got these on Sale for $29 on Amazon and am loving the sound these things dish out. They are pretty neutral on the highs and Mids, the lows are bumped up a bit, but not too much to where they are distorting or affecting the sound in any way. For DJ use, they are perfect because they isolate the outside sound pretty darn well! and they are extremely light, compact, foldable, and pretty sturdy, they are built with quality components. They do not feel like your cheap plastic that other cans come with. They are extremely comfortable, after a while you forget that you have them on, so listening for hours without hurting your ears or feeling too tight is a plus. I am also using these for everyday A/V playback and even found them useful for music production. Make no mistake, no headphone is recommended for Mix-downs or Mastering of music projects, so these aren't the greatest sounding cans made, but they do give a rich, full sound. So for hi-fi playback they are great!

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So I've tried all kinds of dj headphones,and none of them even comes close to the allen and heath headphones,do yourself a favour and grab yourself a pair,as I bought two pairs for my deejaying purposes.... Very happy with the purchase...

Cigar Box Amplifier Kit with Oliva G Cigar Box, Hardware and How-To Guide!

Cigar Box Amplifier Kit with Oliva G Cigar Box, Hardware and How-To Guide!
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $39.99
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  • Everything you need to build a great cigar box amplifier
  • Includes nice all-wood Oliva G cigar box, all hardware & how-to guide
  • 2.5-watt Artec amp board produces very respectable sound off of a 9V battery
  • On-board Tone/Gain Trim Pot allows fine-tuning of sound
  • Optional headphones and output jack hookups

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This was a lot of fun to build!

It helps (a lot) if you are mildly proficient with simple woodworking, electronics wiring, soldering, and being able to completely read all directions *before* you start.

Mine works great but I wired it up with alligator clips first before I soldered anything.

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not only is this a good little amplifier it is a fun project you can put this together in just a few hours. a good practice amp, very handy for buskers i would think

Tascam DR-100mkII Portable Recorder w Headphones Case Cables Tripod and Batteries

Tascam DR-100mkII Portable Recorder w Headphones Case Cables Tripod and Batteries
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $319.99
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Im very satisfied with this product. It came just in time and it came exactly as shown on this in the pictures.

Totally recommend it!

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Great portable recorder that is easy to learn to use. Like all recorders, the placement and sound level settings are critical for great results.

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I got the package deal on this Tascam because I knew I would need some of them. The price was reasonable and every thing works great! The only problem I had was they sent it signature required and neglected to tell me in advance. I had to take a day off of work to get it.But even wit that considered it was well worth it!

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Taking pictures on concerts and live shows is my gig, and with these guys, I'm also able to record sound on them!

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Hartke A100 Bass Amplifier Combo, 1 x 15 Inches AL - 100W

Hartke A100 Bass Amplifier Combo, 1 x 15 Inches AL - 100W
Customer Ratings: 5 stars
List Price: $539.99
Sale Price: $399.99
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  • 15-Inch aluminum cone driver, 100 watts of output power, Bass, treble and 7-band graphic equalization
  • Line level loop send and return jacks, Dedicated CD/MP3 input, Headphone output
  • Dual-position (flat or kickback) cabinet design
  • Rugged construction for supreme durability
  • Dimensions: 558mm/22" (H) x 462mm/18.2" (W) x 407mm/16" (D), Weight: 23kg/50.7lbs

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What can I say? Awesome. Works great. Used it this weekend at a gig and it ROCKED. Plenty of punch. Only draw back is thats its a little heavy, but worth it for the sound.

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This amp ROCKS! Lots of power, totally rumbles my house. Heavy for its size. Great tonal adjustments and a good equalizer. Powerful compressor/limiter.

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Depending of what do you have in mind this one can be a good choice, You will have a great tone and sound during unplugged, recording sessions, and little rehersals. Do not wait for a great backup during a venue performing because it is out of its range.

E-MU 0404 USB Audio Interface

E-MU 0404 USB Audio Interface
Customer Ratings: 4 stars
List Price: $199.99
Sale Price: $149.99
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  • Premium 24-bit/192kHz A/D and D/A converters
  • Type: E-MU XTCTM combo mic preamplifier and Hi-Z/line input w/ Soft Limiter
  • Dynamic Range (1kHz, A-weighted): 117dB
  • USB 2.0 Hi-Speed
  • Cross-platform support

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I need to point out that this is an *audio* interface first and foremost. Some of the other reviews only mention its MIDI capabilities. It is *also* a MIDI interface, but the primary purpose of this box is to facilitate the recording of audio. It has some great AD/DA converters to that end, along with the capabilities for very high sampling rates (unlike USB1 interfaces).

Another review also talked about using it as an external sound card. You certainly can do that, but it's a waste of money other products exist that do the same thing better for cheaper, and without as much bulk or an external AC brick to deal with. No, if you're going to buy this box, buy it to record audio and/or MIDI.

If you're still confused as to why this thing exists, the bottom line is if you need it, you know it. This is a category of device designed for "advanced amateur" home recordists and musicians, who want to record their instruments and make their own demo tapes and need top quality and certain features that don't come stock in a standard PC sound card.

Now, as for this product vs. others in its category I've only had it for a day, but so far, it does what it's supposed to. What you're really paying for are the DACs and the software, both of which are extremely important to home recording. The hardware other than the DACs is kind of cheap and flimsy, but it works. It's not going to stand up to abuse, though it's all plastic, with gritty-feeling knobs and buttons and a thin plastic casing. One nice thing is having level displays on the box itself, which is something that some budget interfaces lack. Everything does work like it should.

A big question in audio interfaces is the actual interface itself between the box/card and your computer, which affects latency. I wanted something that I could use with any computer that I use, be it my laptop, my desktop, or a computer at my office. That ruled out PCI, which offers the best latency (but requires a breakout box if you want things like hardware level monitors), and it ruled out firewire too, because my laptop doesn't have the ports. I felt USB 2.0 was a decent compromise; it's not quite as good as firewire and definitely not as good as PCI, but it's a lot better than USB 1.1. If you can use PCI, though, Emu also offers a PCI version of this interface just be aware that you'll be giving up a few features, plus the obvious portability. If you want USB 2.0 for the same reasons I did, this is honestly one of the few audio interfaces out there that can use it. (Most manufacturers assume you're either a pro, in which case you want firewire, or you're a total budget amateur, in which case you want USB 1.1.) There is definitely some latency when monitoring your recordings through the PC, but on the plus side the box does offer zero-latency hardware monitoring directly through the box.

The software bundle is pretty amazing for the price, and it's another big reason why I bought this model. It actually ships with at least three (by my count) full-fledged recording apps: CuBase LE, Ableton Live and Cakewalk LE. Don't let the "LE" designations scare you they're totally feature-packed apps, just with fewer tracks and VST instruments than the full versions. Do you really need 96 recording tracks for a home recording? 24 should be enough. But the nice thing is these apps also give you an upgrade path to the full versions if you so desire, so you end up saving money vs. buying the full app by itself. This unit also comes with Amplitube LE, which is a plugin for Cubase that models a variety of guitar amps so you can really get that perfect sound that you're looking for I've been having a ton of fun with this.

I give it four out of five stars only because of its questionable durability. This is not the interface you want if you plan to carry it around in a gig bag all over the place. Also, it does have an external power brick (a small one) though that's what enables the phantom power for the mic inputs, so it's a good tradeoff. Still, if you want something really portable, look elsewhere (though you'll probably have to give up phantom power). But if you want a good all-around interface for not a lot of money, with a great software package and pro-level audio quality, and you plan to keep it on a desk most of the time, this unit is definitely worth a look.

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Unlike lots of people I did not buy this for it's MIDI capabilities. I bought this expressly to supplant my onboard sound in my Win XP machine. Unless you're an audiophile of some sort, most people have little idea how bad onbaord sound is (non-dedicated sound card).

This is primarily a first rate sound card and then a MIDI controller. It also has an excellent headphone amp integrated into it. Build quality is excellent as are the controls. Just for clarification this is a USB card, it will install easily and take over for your onboard or dedicated sound card.

Do yourself a favor and pick this up, the sound improvement is dramatic and not some audiophile "voodoo".

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I bought this product a few months ago from another retailer. I use it with a MacBook 2ghz, 2GB RAM, blah blah blah. When I ran MacOS 10.4 Panther it worked great. The audio quality is excellent *IF* your source inputs are clean. By that I mean, if you're using a high quality microphone with XLR inputs you will get a very clean sound. I've also used it with a Martin D16RT acoustic guitar with builtin mic and a Taylor 812ce with builtin pickup and again it recorded extremely clean audio. The product works as advertised.

But, as of February 12th 2008, if you're running MacOS X 10.5 Leopard it doesn't work. I can't start standard audio applications like Garageband, they just crash. You'll have to remove the EMU driver to get the system back to normal too. Took me several hours to figure dig through the issue and determine the cause.

I hope EMU provides a driver update for 10.5 in the near future. But CHECK BEFORE YOU BUY if you're running Leopard.

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I was quite excited about getting this sound card. At first I was a little concerned about using a USB 2.0 interface (versus a firewire interface) and I must say that I'm still not convinced that USB 2.0 is stable enough to support a real time / ASIO audio device. The pre-amps on the 0404 are very nice, very clear and transparent. The gain isn't very smooth though, and tends to "jump" quite quickly. If I worked for excessive periods in ASIO mode it began to click and pop a lot and sometimes the LED meter would freeze for no reason. Occasionally it would stop working all together and I'd have to restart it and the program(s) I was using. Support is a little less than spectacular, with (at the time I had it) no real driver or firmware updates. It comes packaged with some handy audio tools, programs and plugins.

Overall, really liked it at first but quickly grew annoyed at it's inconsistent and erratic behaviour. Decent for a beginner or not so demanding user but if you intend to get serious there are much better options available for a similar price.

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I use this in an Home Theater setup.

This external USB DAC is a steal at this price. It contains the same DSP as the $2000 "Transporter". On my high-end system, my PC-based media setup (PC running Foobar2000 -> ASIO Drivers -> EMU USB -> Home Theater) ... rivals the sound I get from my high-end ($1900) Toshiba DVD-Audio Player.

Its an awesome headphone amp ... my AKG K240 arrived today ... what a delight !

Also excellent for microphone recordings (which I seldom do)

Do use the ASIO drivers that comes with the EMU. And, boys and girls, always use lossless formats like WAV or FLAC for your recordings.

Highly recommended.

Triple C Designs SmartBUDZ Headphones, Interlace

Triple C Designs SmartBUDZ Headphones, Interlace
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $27.98
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It's nice to know that my head phones are secure. I no longer search around my the depths of my hand bag. Great hands free tool when talking and shopping!

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aboutSAGA 90 degrees 3.5mm Male to Female stereo audio extension cable for iPod, iPhone and MP3 Pla

aboutSAGA 90 degrees 3.5mm Male to Female stereo audio extension cable for iPod, iPhone and MP3 Players
Customer Ratings: 5 stars
List Price: $9.99
Sale Price: $2.71
Today's Bonus: 73% Off
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The Nexus 7 has it's power port out the bottom causing straight wires to eventually break from the bend at the bottom. This was very unhandy when I was using the Nexus with the charger plugged in. This adapter works great, it snaps into place solidly, has a very flexible 6 foot wire.

RECOMMENDED

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I bought this to replace the cord that comes with the BOSE on ear headphones. It seems like it is pretty durable. I connect it to my iPod and its 3 ft length is just right for me as I am pretty short (Im 5'7"). So depending on what you need it for, it might be a better idea to get a longer one for taller people. Overall, it does what its supposed to do and I'm happy with it.

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gets the job done, fast shipping & cheap! Can't ask for more :)

I would order again if I need another one.

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Beyerdynamic DT-880 Pro Headphones (250 Ohm)

Beyerdynamic DT-880 Pro Headphones
Customer Ratings: 5 stars
List Price: Price Unavailable
Sale Price: $219.95
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I do not have much experience with comparing of headphones, but I simply adore these. I use these beyerdynamic DT 880's mainly for listening to music (but they are also great for movies as well). I use them mainly in combination with my (humble?) NAD C-352 Stereo Integrated Amplifier for listening to CD's and DVD's. I have not yet tried them in combination with a headphone amplifier plugged into a mobile player or computer, but directly connected to the NAD C-352 they sound just wonderful, certainly the best I have personally heard so far but I do have a limited budget ;-).

These DT 880's from beyerdynamic are actually only my second pair of high-end (?) headphones I have ever owned. Actually, my preferred way of listening to music is via headphones. I live on my own, I do have a pair of wonderful speakers (the exquisite, clean and clear-sounding Monitor Audio Silver RS6 in a sense they sound quite like the headphones under review here), but one does have to take the presence of neighbours into account ;-) For those reasons I expect and are constantly on the lookout for the best (for as far as my relatively limited wishes are concerned). I think I now may have found it.

My 'infatuation' with the luxury of 'best possible sound' reproduced by headphones began only a few years ago, when, after careful consideration, I decided to buy myself a pair of Grado SR-80's. I think they are simply some of the best not even taking into account the 'low' price of this set (certainly for such great sound). But as goes in these things, somehow I wanted even more, like maybe a little less harsh or direct sound (more 'rounded') and a better sense of soundstage (both very desirable for things like opera and symphonic/orchestral music), while at the same time retaining the same clarity and refinement of the Grado SR-80's, and so I began to look out for something even 'better'. Better is of course a relative term, certainly when comparing these two wonderful sets of (differently priced) headphones, both with their own distinctive 'character'.

ABOUT THE QUALITY THEY OFFER. These DT 880's are more expensive than the Grado SR-80's, but they are indeed better: they do offer more for the extra money (they are about twice the price, but certainly worth it, IMHO, certainly if one can spare the money). Well, they certainly sound different. To me, the DT 880's sound finely analytical, but at the same time 'relaxed' and 'civilized' or 'refined', offering a fine balance between the highs, middles and lows, without favoring any of those in any obvious way, thereby 'drowning out' any other element within the sound picture, like singing voices (which are, actually, like everything else, reproduced wonderfully crisp and clear, revealing more of their finer nuances and details than other headphones). I certainly like this very much; it is just what I want. Nothing is ever too much 'in your face' and at the same time you get the chance to hear a wealth of detail without getting fatigued. This last thing may have something to do with the fact that the reproduced sound is set unlike any other set of headphones I have ever tried (up to now) within a naturally wide and open soundstage: the feeling of 'as if you were there yourself', especially pleasant with opera-recordings and movies. This quality of the DT 880's is especially obvious in (live) recorded performances set within a wider acoustic space. The natural and honest sound-reproduction really pays great dividents here: one does really get a sense of the acoustics of the space the recording was made, adding greatly to the enjoyment, at least to this particular listener.

Maybe one slight 'disadvantage' of this honesty of reproduction may to some people be that any possible shortcomings of a recording (like hiss in analogue recordings) also become somewhat more apparent than with other headphones. But I personally have not found this to be annoyingly so, comparing the difference with my other headphones.

IMHO, one cannot go wrong with these headphones. They are really, really great. They offer an extremely clear, honest, wide-ranging and detailed sound picture that is extremely pleasing and refined (don't read 'bland'!) to the ear, but which truly brings out the best in any recording of any kind of music, I think.

I have grown to love them. If you can or would only want to spare the money for just one great set of high-end headphones that will serve all your needs, then these are the ones, I believe. Please try these for yourself and be amazed. Highly recommended.

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Although I prefer the AKG K701 for most of my listening, this competing entry from Beyer is so close that it's almost a coin toss. (One recent comparison in a headphone artcle came up with a dead heat.)

This is surprising, considering that the DT880 is one of the most reasonably priced of the major mid-priced headphones. The bass is full but nicely textured not a touch of bass bloat to be found here. The highs are detaied and never seemed sharp to me, and the overall sound offers a huge soundstage. Instead of the music being on top of your, these Beyers lend a perceived distance of a few feet; ths makes classical music sound doubly elegant, and surprisingly makes rock music grandiose in an appealing kind of way.

These headphones don't require a headphone amp, but certainly profit from one. The 30 ohm version makes for more volume, though the 250 ohm version is standard, and best for most daily listening.

The DT880 sounds great, but lacks a tad of the K701's high-end sparkle. Conversely, Beyer's value, comfort, and workmanship can't help but impress. This is a phone that has labored under the shadow of the AKGs and the Senn 650s, but listeners are always impressed by the DT880s sound. It may be your best value in a mid-priced, all-purpose headphone.

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These sound wonderful, especially when driven by a quality headphone amp. Top to bottom, lows, mids and highs, these headphones reproduce all types of music faithfully. The presenation and soundstage are a bit forward of what Sennheiser offers, but not so pronounced as to conflict with more sweeping classical pieces. Even on high-engergy rock music, they shine.

The comfort is top-notch, though if you haven't worn full-size over-the-ear (circumaural) headphones, anything in this class will require an adjustment. The round earpads do allow a variety of positions, whereas other 'phones with oval pads may form to your head slightly better, they do not allow variation in position.

The Sennheiser HD650 may edge out this headphone in ultimate performance, but not by a wide margin. The price and comfort are big advantages of this headphone, so many people may make this their overall top choice.

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In my quest for a reasonably expensive headphone to beat my actual favorite, the AKG Q701, I often did read about the Beyerdynamic headphones and I decided to try the DT880. Considering that I am very often using my Iphone 4 with or without a headphone amp, I decided to go for the 32 Ohms model. I made sure to give it a fair burn-in time so for a week, I did let it run almost constantly with some variation of music and pink and white noises. Today, I can estimate the burn-in to have passed the bar of 100 hours.

In order to compare effectively the two models, I will use my Iphone alone in the first place and then add a FiiO E-11 and reuse the same tracks. I expect the AKG to under perform with no amp as this phone is very power hungry. The tracks I will use are those that I always use when trying to compare headphones, because I love them first but also because I know how they should sound and more importantly because they provide a good sample of music genres and tonalities. The tracks will be compressed at 320Kbps and are as follow:

Ultrasone Sound test Siley Put short (Jazz, Binaural recording perfect for localization of sounds).

Ultrasone sound test Wellen track 7 (sound of water waves perfect for the head stage definition).

Frank Sinatra: How insensitive (Jazz, good also for localization of sounds).

Robin Thicke: Lost Without you and Angel (Perfect for the voice testing and for bass impact).

Pink Floyd: Astronomy Domine from A piper at the gates of dawn (Rock and excellent also for the localization of sounds).

DJ Magic Mike: Feel the Bass (Infra-Bass, enough said...) will be played from my computer because it is missing on the Iphone.

But first, let's start with the non musical parts:

Comfort: The Beyerdynamic DT880 Premium 32 Ohms are extremely comfortable. Their pads are the softest I have ever experienced and rest comfortably around your ears. On the top of your head, I think it is some faux leather. The pressure level is absolutely fine. They are slightly heavier than the AKG but I would still give them 5 stars. The AKG are also extremely comfortable. Their cushions aren't as soft but they also fit like a dream around my ears and the pressure is lesser. I can keep them on for hours.

Conclusion: DT880 : 1. AKG: 1.

Price: I paid $255 for the AKG (MSRP $479)and $309 for the DT880 (MSRP $359).

It could be deducted from the pricing that the DT880 keep a better value than the AKG. Personally, I do not know what to make of this. One may deduct that the MSRP was overblown for the AKG or that the DT880 are overpriced now. While looking at the final price, the AKG appears as the better deal.

Conclusion: DT880 : 0. AKG: 1.

Packaging:

The AKG come with two cables but no carrying case. Both cables are green and of high quality. Both are too long for a portable use. The cables are easy to connect or disconnect and it is a plus because most times, the cable is failing before the rest. Since these headphones are not meant for a portable use, a carrying case was not really necessary.

The DT880 come with only one cable and it is not removable. It is also a bit long for a portable use. It also comes with a huge carrying case. I like it because it is sure to protect it but it is way too bulky for thinking about using it when I travel.

Conclusion: DT880 : 0. AKG: 1.

Sound Isolation:

The AKG Q701 are an open design.

The DT880 are a semi open design.

Both are leaking quite a lot and are not meant for use in public areas. Although the DT880 are slightly more portable, I would still not make them my choice for outdoor use. Both should be kept for home use, listening to music or playing video games (both are excellent at it).

Conclusion: DT880 : 0. AKG: 0.

Now, let's come to the real important part of this test: the sound. I will start by saying that the sound for both was really good out of the box but improved quite a lot with the burn-in time. My first impression before going any further is that they are quite similar, with maybe the AKG sounding a bit more natural and with a larger head stage (open design versus the semi open design of the DT880) and the DT 880 with the mids a bit more forward and overall more powerful. I may sometimes find the DT880 a bit more tiring. Note that the 68 Ohms of the AKG are very deceptive since they sound as hard to drive as maybe a 300 Ohms headphone set.

I will finish this introduction by saying that I am partial to a large head stage and as natural a sound as possible. I like analytical headphones and so far the AKG proved perfect in that field.

Ok, let's start:

Ultrasone Sound test Siley Put short (Jazz, Binaural recording perfect for localization of sounds).

Both headphones delivered very well on this track. The DT880 were a bit more powerful than the AKG. The AKG sounded a bit more precise but this is by a hair...

Ultrasone sound test Wellen track 7 (sound of water waves perfect for the head stage definition).

Once again, it is a wash between the two. Both are delivering well on every detail and head stage. You really feel the waves coming from afar, getting past you and going the other direction. Some birds are heard in the distance to the right and one come your direction and it is well rendered by both sets.

Frank Sinatra: How insensitive (Jazz, good also for localization of sounds).

The DT880 are definitely more powerful. The voices are more recessed but still present on the AKG. Both deliver nicely and I cannot fault any. Though they sound different, nothing is missing for either. Amped or not , both sound magnificent.

Robin Thicke: Lost Without you and Angel (Perfect for the voice testing and bass punch).

These songs are nicely performed with both headphones. Their signature is different again, with the mids a bit more present for the DT880 and also more power. Once the FiiO amp is connected, the bass improvement is slightly better on the DT880.

Pink Floyd: Astronomy Domine (Rock and excellent also for the localization of sounds).

I like the AKG better on this song but it is not because the DT880 are at fault. Once again, the mids are not as forward on the AKG and it gives me an impression of neutrality more visible than with the DT880. But once again, the DT880 offer a superb delivery.

Used with the FiiO E11, the AKG start shining and takes a slight edge in my listening pleasure.

DJ Magic Mike: Feel the Bass (Infra-Bass, enough said...) will be played from my computer because it is missing on the Iphone.

The infra-bass is maybe the most difficult sound for any headphone to reproduce. I failed completely a Sennheiser 598 for it's lack in reproducing it. In this case, both do work well, with once again the DT880 more powerful without an amp. Without a proper amp, the AKG won't be the best because of the power limitation.

With the amplification provided by the FiiO E11 turned to the max, the DT880 start distorting slightly and leave me with a tingling in the ears due to the vibration of the diaphragms. This does not happen with the AKG. When I try to use a similar comfort level for my ears, the AKG appear slightly better.

Conclusion:

I have failed to find better than the AKG Q701 but I found it's equal in the DT880 Premium. I would suggest going for the DT880 if most of the use is done without an amp or if one prefers the mids a bit more forward. I would suggest to go with the AKG if the price is an important factor (you will save about $60) and if you like a more neutral sound. In either case, the Beyerdynamic DT880 Premium is a first class headphone!

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First of all, read the other reviews carefully. I've noticed that several of them are actually reviews of the DT770s and the DT990s. These comments are about the DT880s. And at least two other reviews refer to these as "sealed" headphones. They are NOT sealed...they are open-backed and will not seal out ambient noise or help you keep your music to yourself.

I'll be brief. The tonal balance and clarity of these phones are very, very good. Comfort is exceptional, as is quality of construction. They are a good value for their price range and can be highly recommended for you to audition. Are they "the best"? Not in my opinion. My AKG K-701s and Sony MDR-SA3000s have better high-end clarity, but slightly less low-end. My Grado 325is have much better presence and imaging, though they are less comfortable and not constructed as durably. The Sennheiser HD-650s sound better overall. I'd suggest comparing the DT880s to a few of these I've mentioned.

I will also reiterate what others have stated: these are relatively inefficient headphones. You WILL need a headphone amp to enjoy these. If you can't afford a nice headphone amp (be prepared to spend at least $125 on an amp), buy some Sennheisers. Also, be aware of this when you audition the DT880s. If you switch between these and a pair of more efficient headphones, you will probably be unduly impressed by the simple difference in volume.

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Joyo JA-03 Pocket Amp for Electric or Acoustic Guitar with Vintage Appeal, Modern Design for effici

Joyo JA-03 Pocket Amp for Electric or Acoustic Guitar with Vintage Appeal, Modern Design for efficient, clean sound boost!
Customer Ratings: 3.5 stars
List Price: Price Unavailable
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  • Small enough to clip to your belt or hang from guitar body
  • 1/8 inch stereo in allows you to play along with music
  • Features 3 controls: Gain (dist.), tone (treb.) and volume
  • Includes the 2 AAA batteries required for operation
  • Most importantly, quality sound. Piezo pickups from guitars are brought to life

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I bought this as an easy portable way to amplify my solid body acoustic electric (with mini speakers I use [[ASIN:B00065XSP8 Macally Podwave Portable Stereo Speakers for iPod and MP3 Players (White)]) but I'm sure any would work] for just playing and singing with friends. I'd tried battery operated guitar amps but they really sounded muddy and didn't fit inside the instrument case. This setup fits right in the case with plenty of room to spare. What I'm really amazed by is how great it sounds for ten bucks. I didn't have terribly high expectations, but this unit certainly exceeded them. I did try it out, by the way, with an electric, and while you won't mistake it for an actual acoustic, it'd would be plenty adequate for song-writing, playing around.

Bottom line, I can't believe how good this thing sounds, and I can't believe that Vox tries to get thirty bucks for these things. And if you own an older SST (I think the new Epiphone's have a built-in headphone amp--you'd just need tiny speakers) or Parker with a piezo, this will make your amazing ax as much fun around the house as your annoying cousin's crappy First Act.

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Good for basic practice but when you hook the aux cable and headphones up it is kind of a tangled mess of wires hanging off the butt of your guitar. I've not used it long enough to say how long batteries last. The unit is a little vulnerable to bumps and hits hanging off the bottom of the guitar but still I think it is a very cheap and useful gadget for a quick plugin and play item.

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This is a cheap solution to a simple problem.

It does the job it claims but there is quite a bit of noise that you hear over the headphones even with the volume all the way down.

But for 10 bucks I can't complain too much.

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I used this on my bass with headphones, mostly because I couldn't afford to buy a $100 amp on top of the guitar. I crossed my fingers and hoped for the best. Yes, it works with a bass, and sure the tone is not as rich as I hoped. But for a pocket amp that fits in the palm of your hand, it helps you practice without disturbing others. It also has an AUX jack where you can plug in your computer or MP3 to play along with songs or listen to instructions on video. That was a very handy feature. Well worth the $12 I paid for it and then some.

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I use this compact device with my Traveller Guitar when I'm on the road and want to play quietly. Also use the guitar in the passenger seat on long cross-country road trips.

Excellent value for the price.