Showing posts with label myzone headphones. Show all posts
Showing posts with label myzone headphones. Show all posts

Casio CTK-3000 61 Key Digital Keyboard

Casio CTK-3000 61 Key Digital Keyboard
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: Price Unavailable
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  • 61 piano-style keys
  • Touch Response (2 sensitivity levels, off)
  • 48-note polyphony (maximum)
  • 400 high-quality tones including stereo grandpiano tones
  • 150 rhythms including 55 ethnic rhythms and 20 patterns for piano play

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This is a very nice keyboard for home use, even more so as the price is right. The digital readout is easy to see, with nice big black letters and numbers for the important information. The sound is crisp and clear. There are many voices and rhythms to choose from. I especially like the "teach yourself to play" system with so many playalong tunes and a nice fat songbook. The folk and classical rhythms and accompaniments are WONDERFUL and not found on other keyboards. I like the piano voices in my CT640 better though. Maybe one day I will have this set up as a MIDI and can download those better voices from the Casio website into this keyboard. It's really a very nice instrument, with a headphone jack that works well, putting out a similar sound to what comes through the speakers. Because the piano voices are not the greatest, I recommend adding a sustain pedal when ordering as well as the power adapter, and, if your earphones have the little pin plugs, you will need a stereo phone plug to stereo pin plug adapter.

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This keyboard is a great keyboard for the money! If you want the one that comes with the stand and headphones, order this http://www.amazon.com/Casio-CTK3000-Keyboard-Professional-Headphones/dp/Casio CTK3000 Premium Pack with Power Supply, Keyboard Stand and Professional Closed Cup Stereo Headphones/ref=pd_ts_MI_25?ie=UTF8&s=musical-instruments. The review above appearently did not read the discription as I did and I got the other one with the accessories. Mine came with the accessories and stated it in the product discription, you got to read to know what your getting not just look at pictures. As I said, great beyboard.

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This little Casio is touch sensitive. It has really been a nice keyboard for my piano instruction. The voices are not as good as you would hear on more sophisticated keyboards, but they are good enough. The keyboard has a metronome and learning system. It also will switch so that they player can put chord accompaniment to a tune. The one thing I like most about this keyboard is that it is so light you can take it upstairs, downstairs or just put it on your lap. For my instruction purposes, this is great! If I need to accompany a student, this is a great little instrument to put on my lap and play along with the student. One other thing, it hooks right up to your computer and you can use it as an economical midi. I've got an Imac and Garage Band works very well with this little keyboard.

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My first time learning to play a keyboard and the built in screen got me playing simple songs strait away. very incouraging and makes you want to keep playing. It however does not teach you to read music, only shows you where to place your fingers when, but a small investment in a book or cd and you can.

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For the money this is a great keyboard. Great sound, totally compatible with computer programs, and full of hundreds of tones and rhythms. The only thing that I would warn potential buyers about is it doesn't come with an ac adapter or power cord so you'll have to buy one of those on your own. Not a huge deal, but a bummer if you're waiting for an instrument and then get it and can't turn it on.

Cables To Go 21062 6ft Stereo Audio Cable

Cables To Go 21062 6ft Stereo Audio Cable
Customer Ratings: 4 stars
List Price: $4.99
Sale Price: $2.46
Today's Bonus: 51% Off
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I use this item in my car with my ipod and the auxilary input in my car stereo. I enjoy the fact that the wire is very lengthy, giving the option to allow passengers in the back of my car to change the music. I have encountered small moments when there was noise when I would move the wire around at the input jack. However, for the most part, the product is reliable and I haven't had too many problems with the item.

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This appears to be a competent basic level cable. I connected it and it worked perfectly. However, of all the reviewers who experienced a problem with this cable, 75% said it was in-car use, 13% said it was in-home use, and about 13% didn't say where it was used. The extreme temperature range and vibration this cable sees being stored and used in-car must be too punishing for such a basic level cable, causing this unacceptably high failure rate.

In-car users would be wise to choose a heavier duty cable. Heavier duty cables cost more, but so does the constant replacement of cheaper cables. Cable manufacturers and distributors should provide more meaningful cable specifications so consumers can judge and compare cable quality and durability; some manufacturers do (Cables to GO), (Cables for Less), but most don't.

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The Cables To Go 6ft 3.5mm M/M Stereo Audio Cable was delivered as promised, on time, and appeared to be in good shape. But the quality of the product is not good. The cable was purchased for use in connecting an MP3 player to the audio jack on a car stereo. After only a couple of weeks, the sound quality started to drop off. We wondered if the connection was bad, so we disconnected and reconnected the plug, but that didn't solve the problem. It turns out that the cable has a break somewhere inside the plastic coating and the only way to get the proper sound quality is to keep moving the cable until it gets to a position where the wires connect. The cable was cheap, so it's not worth trying to send it back and get a refund.

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A must have cable for connecting your PC audio to your new LCD monitor. No heavy lifting here; it either works or it doesn't. It works.

Package arrived from Abacus POSTAGE DUE ($2.00) but the vendor could not offer an explanation via email. Use your own judgement here.

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I bought this to plug up my Ipod 4G & Iphone 3G to my Aux input in my Jeep this cord is not only long enough to stretch to the back seat but it does not have any static or anything. I am extremely pleased!

Product also arrived early.

Thank you!

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Belkin F8V234AMOB 6-Inch Audio Y Cable

Belkin F8V234AMOB 6-Inch Audio Y Cable
Customer Ratings: 3 stars
List Price: $6.99
Sale Price: $4.25
Today's Bonus: 39% Off
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If you want to find a 2-way stereo output, please don't choose this, because this is a mono output, Unhappy, Don't believe it is the stereo output :-(((((((

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its not bad, it worked for what i needed it for. although it did lower the volume, it was not drastic or anything.

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Works great, not cheaply made. Holds up and does what it needs to do. Recommended. I use these a lot to hook up audio devices to use while I practice drums.

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Good quality and does what it is suppose to. I actually use this on my computer, splitting audio to computer speakers and TV since I have the TV connected to the computer. I have had no problems with this item to date.

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First, the jacks didn't work correctly. When I pushed the headphone cable in all the way, the sound was in one speaker at a very low volume. Pulling it out just a little made it work as desired, but then you can't move! Also, the description says black and so is the picture, but what I got has red and white jacks. I've returned them.

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MOTU Track16

MOTU Track16
Customer Ratings: 5 stars
List Price: $595.00
Sale Price: $549.00
Today's Bonus: 8% Off
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  • Elegant 16x14 audio interface with studio-grade sound quality16 Channels of input and 14-channels of output simultaneouslyConnections include: 2 XLR in, 2 guitar in, 2 balanced 1/4 line-ins, stereo 1/8 in, 2 main outs, 2 line outs, MIDI I/O, and 2 headphone outsDedicated 7-segment main out meters, and configurable analog I/O meters Easy one-touch operation, so no fiddling with tiny displays or guessworkWork in any environment thanks to backlit multi-color LED buttonsCustomize the multi-colored L

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I searched all over the internet looking for some real world specifications for the MOTU Track 16 and unfortunately, wasn't able to find any. Frustrated, I decided to call MOTU and try and find out some information. I was referred to one of their technical engineers (Dave), whom I asked, "Why aren't real world specs being provided for the MOTU Track 16?" (They are not even available on MOTU's website.) I was told that MOTU feels technical specifications aren't the best way to judge the quality of an audio interface and that some companies are using them to simply make their competing units "look better" on paper.

While I agree that it's important to try, whenever possible, to sit down and listen to how the interface "sounds" for most of us (including me) it's just not practical. That's why I like to see the specs. So, what did I find out? Not as much as I would have liked, but here is what was provided.

The preamps used in the Track 16 are Burr/Brown preamps. Burr/Brown preamps are highly regarded and the company was purchased by Texas Instruments in September of 2010 for 7.6 billion.

The Signal to Noise ratio of the Track 16 is 112 db ("A" weighted).

The frequency response of the main outs is -+ .05 db from 10hz to 22khz at 44.1.

Total Harmonic Distortion (THD) is .001%.

The ADC/DAC converter chipset is rated at 112 db dynamic range.

Crosstalk is > -90 db.

With these specs, the Track 16 should sound similar to my old M-Audio Delta 1010. Which I happen to like very much. However, I was looking for something that was closer to "studio grade" which in my case led me to the Focusrite Forte. After comparing the Track 16 specs to the Focusrite Forte I ended up choosing and buying the Forte. Why? Well, for one thing Focusrite provided all the specifications I could possibly want and even produced an online video, which allowed me to listen to the Forte before deciding to purchase it.

I really wanted to give MOTU's Track 16 a shot, but I unfortunately couldn't afford to buy both the Track 16 and the Forte. Am I happy with the Focusrite Forte? Absolutely, it's "dead quiet" and sounds more "real" to me than my old Delta 1010.

In MOTU's defense; however, I have to admit they provide a lot of bang for the buck in the Track 16. The amount of stuff included with the Track 16 is just amazing. If I was playing out a lot, I would have probably decided to go with the Track 16. However, I'm not currently doing that, so I decided to go with an audio interface that would allow me to record my songs at the highest quality possible. For me, that's the Focusrite Forte. For those who are interested; the specs for the Forte are substantially higher than the Track 16. For example, the Signal to Noise ratio of the main outs is 118 db (A-weighted). The THD is < .0008% @ 1 kHz, 20Hz to 22kHz, which is inaudible. The DNR of the ADC/DAC chipset is rated at 120 db, though Focusrite does list a real world conversion rates of 117 db for ADC and 118 db for DAC.

If you're looking for a small audio interface, to record to your PC with, be sure and also check out these units as well.

RME Babyface

Apogee Duet II

Apogee Quartet

Focusrite iTrackSolo

Please note, the above are other interfaces I was considering purchasing. There are; however, quite a few audio interfaces made by a number of companies. If you're on a real tight budget, take a good hard look at Focusrite's iTrackSolo ($159.99 retail price) or consider buying a used M-Audio Delta 1010 (currently less than $100.00).

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Just received my MOTU Track 16 and it sounds amazing. Had a little hiccup in that I did not do a fresh restart and power up after installing all the drivers and software that came with MOTU. There was a bit of noise that I was hearing when I used the Mac Book Pro. That has gone completely away after doing a restart and powering up the MOTU Track 16. I have let a few friends hear it and they actually thought it sounder better than the others out there that look a little like the same. One even compared the sound to the Ensemble. I am able to use the Firewire on both my Mac Book Pro and Mac Pro running Pro Tools 9.0.6 with no issues. I am very happy with the MOTU Track 16 it sounds great and is working rock solid. I like how the Cue Mix software works and can see using this live as well. The DSP works great and "0" LATENCY with reverb and eq on. The Mic pres sounded good I used them with a DPA 4099G mic, Shure KSM 141 and CAD Triton Tube. all sounded good and warm with my use which is a Flamenco Guitar. The Led's are bright and easy to see even not close to Track 16. If you need a small unit that has the ability to be expandable like with MOTU 8 Mic Pre (light pipe) and need more than 2 channels this is worth a close look. The folks at MOTU make rock solid drivers, software and hardware. This unit Rocks Thanks MOTU

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Purchased this device for my husband, who works in music production and electronics, and he was very impressed by the recording quality of this product.

Professional Cable 2RCAM-35M-06 Stereo to RCA Cable - 6-Feet

Professional Cable 2RCAM-35M-06 Stereo to RCA Cable - 6-Feet
Customer Ratings: 5 stars
List Price: $13.99
Sale Price: $3.94
Today's Bonus: 72% Off
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It's pretty straightforward. All I wanted to do was connect my iPod to my soundbar without having to buy a cradle, and this connection does just that. Of course, it's not just for an iPod-pretty much anything with a standard aux port works well with this cable.

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Connects my iPhone to my stereo. Great product! Easy to install. Can be used with the iPod as well. Get one today.

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The wires are a bit thin, however it works as expected, and there is NO static when rotating the cable in my ipod's headphone jack. Its worth the price.

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The first item I received was the wrong product. I was maybe a bit more upset about this than I should have been. The week before I had ordered a charger from a different vender, and it was wrong as well. That vender was a nightmare, and for the 9 dollars I spent, I ended up saying 'forget it'. So I was miffed at receiving two products in a row wrong, and the return hassle.

But this vender was very nice to deal with. Instead of having to wait for a RA to get my cable sent again, they put the right cable in the mail right away, and I had it in my hand in a couple of days. Great!

As far as the product, Walmart had a cable that looked cheap for 10 dollars. That's why i went to Amazon looking for a better cable. This cable is a better heavier cable, and it was only a couple dollars. It works perfectly, and that 7 dollars is better off in my pocket than in Walmarts. So Thanks!

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This is amazing I priced the same type thing at a store and it was $40. What a great deal this one was. Very Happy!

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Ultrasone HFI-580 S-Logic Surround Sound Professional Headphones

Ultrasone HFI-580 S-Logic Surround Sound Professional Headphones
Customer Ratings: 4.5 stars
List Price: $219.00
Sale Price: $162.99
Today's Bonus: 26% Off
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These headphones are a bargain. After countless positive reviews I took a chance on these and am generally impressed. I, like most others, had to purchase based on reviews since Ultrasone has no retailers in my area. The reviews were bang on.

My criteria were:

-closed cans (good isolation, low to negligible leakage, compact enough for travel).

-efficient (easy to drive, high sensitivity)

-FUN frequency response, with engaging sound.

I have a set of open air ATH-AD700's which have absolutely shining mids and detailed highs but are void of bass. They are about as portable as an agoraphobic. I listen to strings and vocals at home though so I needed something for electronic and dub out and about. For this purpose these are fantastic.

Real quickly I'll just say that both style and build quality are absolutely superb. Feels German: tight and clinically engineered. Both isolation and leakage are at least par for the course. Listening to these at moderate to high volume on a red-eye flight will be a non-issue. Some people have commented on comfort but for my average sized head and ears they are excellent. Not as soft on the skull as the ATH-M50 but not as hot either. Overall a non-issue once again. Cord length is a little long for a portable can, but that's by no means a deal-breaker.

Based on reviews I was expecting the following from these headphones:

-good, punchy, accurate bass response.

-life-like, sparkly highs.

-somewhat recessed mids.

-above average soundstage.

-overall a fun and engaging sound.

It was all true.

At first listen these were actually fairly disappointing: hollow and even tinish comes to mind. I have owned them for about 100 hours now and they have been playing for about 90 of them though, and at this moment they have most definitely evolved, and come to life. Bass response is tight and accurate. If you are a bass head you MAY like these but the bass signature is more suited for audiophile tastes. If you want brain-shaking bass you may be better off with the Sony XB product line and just EQ them for any vocal tracks. The highs absolutely shine. Pendulum, daft punk, Benny Benassi...awesome! Adele, Leona Lewis, Frank Sinatra? Craaaaaaap.

Take note: when people love a particular pair of headphones they tend to cushion the weaknesses of the cans by saying things like "mids are somewhat recessed." What they mean is "the mids are totally, totally recessed." Now I'm probably being overcritical because most people say these benefit from a 200+ hour burn-in and I'm not even half way there. They also affirm that it's the mids that finally come into grasp during the process. We shall see. At any rate, if you listen to vocal extensively then don't get these, there are better alternatives (I'm listening to Mia Martina's "Burning" and due to her vocal frequency the song sounds outstanding). If you are doing vocal tracking steer completely clear.

Compared to the ATH-M50 these are such a delightful step up, unless you are monitoring. They have a more exciting sound, and have most, or all of high-end detail of the M50, without the muddy mid-section. Both sets lack mid-range response but the M50 covers it by seeping the bass into the mids and the result is just not enjoyable for most kinds of music in my opinion. These have soundstage making them somewhat less forgiving but also less pretentious. It's almost as if they warn you only seconds into a strong vocal track that they will not perform their best for songs like this. For almost everything else these will be at least good, and for most ears absolutely fabulous. For build-quality, sound signature, and audio quality (for my genres) they give the sensation of much more expensive headphones.

RECOMMENDED.

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Well the Ultrasone HFI-580's came in today. Guess this is a good as place as any to write my opinion. They sounded so good I had to share. :)

First impression of them. They're very meaty, much meatier than the inexpensive Koss UR-15C I was using prior. (A $20 pair of headphones (when I bought them).) The Koss don't sound "bad" per-se, especially since they've been through multi-hundred hours of burn-in, and have settled in to sound as good as they can.

The looks are very bold, and they look very impressive close up. They may be targeted towards the more edgier crowd, as they're very "in-your-face" and don't have as a muted appearance as some other higher-end phones. Could be good or bad on your point of view, personally I really like it.

Now, the sound. Since comparing it to the Koss is a travesty in and of itself (as it utterly dominates them), my other comparison comes from Sony MDR-710 LP ($70 when I bought them, Ultraportable supra-aural headphones. Owned for going on 2 years.)

Now the Sony's sound pretty darn good, but they are supra-aural versus the Ultrasone and Koss which are circum-aural. The Sony are the reason I decided to purchase these Ultrasone, because they really opened up how a decent pair of headphones can really change the way you listen to things. I have also owned a great many cheap earbuds and circum-aural headphones in my life($5 10), so I know how the sound stacks up to cheapy's too.

Being circum-aural has advantages because of attenuation of outside noise. I first thought about gushing about how awesome they sound, but then I decided some actual thought out impressions would be more helpful. :) It's hard to describe since I'm not in the habit of reviewing headphones, so I don't know all of the terms one uses to describe the nuances of headphones to another person, but here it goes.

The sound is very "rich" compared to my other headphones I own, I don't know how to put it, there is more detail and it just sounds "fuller". I intentionally picked tracks I had listened to many times, because I knew how they sounded pretty well from my other pairs. I was picking up pitch shifts in notes and sounds that were previously undetectable. It just seems like it covers a much broader range of sound and the sound is fantastic. I listened both to CD music, and mp3's. I didn't have any DVD audio to test... other than DVD movies.

Bass. As I said the bass notes are very important to me. They actually tie the Sony MDR-710 here, you'd be surprised at how bassy those little Sony's are, and I might go so far as to say they actually have more bass than the Ultrasones. But again, it just seemed like the Ultrasone's convey more detail in bass, probably due to being more isolated from the circum-aural design. (Keep in mind the Sony's have about 40 hours of burn-in, and the Ultrasone's are out of the box.)

On DVD's, again I was picking up more detail. The sound of peoples clothes as they rubbed together was one thing that stuck out. Footsteps, breathing, just overall much more sound detail. I was pretty impressed overall, I watched Matrix Reloaded to test the action scenes. (Say what you want about the movie itself but the action scenes are incredible.)

Gaming. Well what better game to test on than GTA-IV since it just came out. (I chose the 360 to test on because my PC although using optical out to my receiver does not output 5.1 from the optical out.) I figured here is where the much touted "S-Logic" feature pattented by Ultrasone would finally show it's colors. It just sounded like a really good pair of stereo headphones, although I haven't ever listened to a pair of "true" 5.1's (3 speakers & sub in each ear cup). But from what I read, most 5.1 headphones can't deliver other than LTB. I did actually shop around for 5.1 headphones but I didn't find any with the right combination of features and aesthetics that appealed to me (USB-based is automatic disqualification for me).

So maybe S-Logic does work, this is something I will just have to give more than 30 minutes to. I did actually stand stationary and close my eyes and spin the control stick until I was unsure of my position, then slowly started rotating, detecting if sound was coming from left or right is easy as it only plays in one ear, but as it came to front to back, I did manage to accurately pick if the source was coming from in front of me or behind me 3/3 times. This is only a rough test and 3/3 could have just been luck, but I didn't spend much more time testing this.

Ultrasone claims you can achieve the same level of listening volume with lower decibles, due to their S-Logic off-center drivers, this was something I didn't believe and was skeptical of. Turns out it is true and then some, I actually had to turn the volume down a bit from what I usually have it set it.

Overall I am very impressed and think it was money well spent. They won't be replacing the Sony as those are so compact when they fold up and can slip into a pocket easily. Rather they will compliment them mainly for home use and some mixing.

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I have had these headphones for a few weeks now and I absolutely love them, they sound amazing. Put simply they sound like movie theatre speakers/club speakers.

**IMPORTANT** They have a "V" shaped sound curve, which means the lows/bass are forward, mids are recessed and highs are forward. They are FANTASTIC for techno, rap and for my tastes good for hard metal. For music with mostly mids, like jazz, classical, orchastra ect these are not ideal. That being said I still love listening to soundtrack/orchastra music on these, it sounds way better on these than on my macbook pro speakers. The bass is always loud but is not overpowering or muddy.

PROS

Sound quality throughout the sound spectrum, BASS if you love bass get these!! Build quality, 5 year warranty, They go LOUD, decentralized drivers reduces listening fatigue/hearing damage(Ultrasone claims 40% less and I agree), Surround Sound does work well, very good sound isolation (keeps your music in and cuts background noise).

CONS

Comfort is mediocre, they are not uncomfortable but can become uncomfortable if you listen for extended periods of time. Portability, the cord is 10ft long, and is not detachable. Long burn in time, Ultrasone says 50 hrs.

DETAILS

Lows/Bass, As said before the lows are incredible. They can produce a phenomenal loud rumble, that is lower than my macbook pro speakers can go. The bass is loud and VERY punchy, at moderately loud volumes I can feel the bass kick in my ears. They are incredibly fun to listen to, especially with techno music, the BOOM BOOM is addictive. Bass guitar sounds great on these too, loud, punchy and much lower and less flat than it sounds on my macbook pro. The bass is also very clear and tight, I can clearly hear the bass guitar strings vibrating. The bass is loud without being overpowering, this is even more the case when they are burnt in(yes burn in does make a difference)

Mids: The mids are very clear and very, very good (though not quite as good as the lows/highs)and can be intruded upon by the bass, you can clearly hear lows in the background taking center-stage along with your mids during a mids part of a song. This is less of a problem once they are burned in and to what degree this happens to depends greatly on the song. That being said this sound characteristic has grown on me and I like it for metal and most orchestra stuff. If the bass is too much you can use Itunes or another equalizer to turn it down, in my experience this totally solves the problem.

Highs: Fantastic, crisp, clear and never shrill or piercing. In my experience these wont make highs that would hurt your ears in situations where other headphones would. The highs are a bit loud compared to the recessed mids.

Comfort: The earcups are very comfortable, the headband does not have a ton of padding (though the padding there does soften up). After about and hour of listening the headband can bother the top of your head a bit but in my experience a simple adjustment, pulling them back or forward, will fix that. For VERY VERY 2hrs+ long listening sessions you may want to take a break for a few mins. Other ppl complain about the clamp they have on your head, I don't have a very wide head and I never found this to be an issue. They also stretch out and lose the clamping effect.

Build quality: I have only had them for a few weeks but they seem very sturdy, I wear glasses with them and have them on for about an hour each day. The glasses leave indents in the earcups but this goes away and it has not done any damage or left any permanent marks. The cord is very long, 10 ft, and is not detachable, but it is very thick and sturdy, it is thicker than a mac charger cable and almost as thick as a ps2 controller cable.

LACK OF LISTENING FATIGUE: The decentralized drivers eliminate any fatigue on your ears. I listen to them at moderatley loud volumes and they don't bother my ears while other headphones would. Ultrasone claims 40% less pressure on your ear drums and I agree. For those who care about their hearing but like loud music, this is a major +

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In my opinion, these are the best headphones you can get at this price range. It's a steal for what Amazon is selling them for these days. Even after paying duties (I live in Canada), I was more than happy with the price. That said, I haven't tried the famous M50s from Audio Technica, which I think are the basis for comparison for closed cans under $200.

The reason why I chose these over the M50s came down to portability. These aren't THAT much smaller, but they feel smaller and easier to carry. The M50s just seem too big for my liking when listening to my iPod.

In terms of sound, I've tried these straight from an iPhone and they are very easy to drive. One of the biggest things I like is that they leak very little sound, even at high volumes. The bass is deep and very strong, at times even in-your-face strong, but never uncomfortable. Highs are very clear and not too sparkly. Mids are a bit recessed but they are definitely present. The soundstage is great. Since the headphones are easy to drive, using an amp won't make that much of a difference, but I tried them with my Fiio E17 and still they sounded wonderful.

Build quality is superb. Sturdy and stylish. They are mostly made of plastic, but don't let that fool you. I can't hear any creaking on my set. My only two complaints would be that the ear pads fit too tight over your ears. It's as if the head band itself is too tight and closed. But it is definitely not a deal breaker. The other is the HUGE cable. Seriously, I can wrap it around my iPhone until you can't recognize it's an iPhone anymore! But the upside is you can listen to your home setup from a distance.

As of this review, I own three pairs of headphones: the 580s, a set of D2000s, and a set of Shure 535 IEMs. I think I got all my bases covered now. The Denons are great for home listening. The 580s give me my bass fix on the go. And the Shure give me the balance I like when listening to non-electronic music. If only I had more money to spend on headphones...

Either way, get these! You won't regret it at this price ($120 at time of writing).

EDIT: a full month after owning these, I have returned them and got the Audio-Technica M50 instead. The tightness of the Ultrasone clamp, coupled with the poor padding, made the headphones incredibly uncomfortable to wear for long periods of time. If you have a big head, these may not be for you. Really happy with the Audio-Technica now. Audio quality is on par with the Ultrasone. The only thing perhaps is that the Ultrasone set had way punchier bass (not to say the Audio-Technicas don't, just not as much).

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After 80 hours of break-in, I'm really impressed with the 580s. They've calmed down and opened up into a powerful and energetic sounding headphone with amazing bass.

I've listened to the 580s on an unamped Clip+, a PC with a Asus Xonar D1, and a PC with a Asus Xonar Essence STX, using a mix of mostly FLACS and some high bit rate MP3s (generally v0 VBR or 320kbps). Obviously, the HFI-580s perform a little better at higher volumes with deep bass with the dedicated headphone amp of the STX, but their low impedance allowed them to even sound excellent with the Clip+. In fact, it's amazing to think about how one could get amazing bass sound out of a Clip+ and the HFI-580s for less than what an iPod Touch costs.

The 580s strong point is obviously with EDM and other bass heavy music, which I listen to about half the time. No contest. The HFI 580s are great, an all around better headphone than my Sony MDR-V6s. When it comes to mid-bass and low frequency bass, the HFI-580s are like a good enthusiast level sub paired with mid level towers in a home audio setup; I know that they are hitting down pretty low. In listening to Ludacris's Get Back, I could feel a slight tingling in my arms from the ultra low frequencies. With other bass heavy EDM tracks, the 580s could put out significant midbass slam pressure that one can feel on the ears.

With other genres where there is any mid-bass or lower, the HFI 580 really does a nice job of foregrounding the bass for those that want that, and pleasurably so given the quality. For instance, last week I watched the Godfather. Since I occasionally get into a classical kick, I decided to listen to Erich Kunzel and the Cincinnati Pops Orchestra's Theme from the Godfather. The bass in that piece is so important for the tone, and the HFI 580 did a marvelous job of conveying the mood of the song. Then when coupled with the nice bass fill, the S-Logic soundstaging also did a marvelous job for me on the new Incubus HQ Live album.

So as others have pointed out, it's all there with a good tight powerful bass sound with plenty of texture. It really is like having an expensive sub built right in your phones. I own quite a few good subs, and the bass in the 580s is of equivalent quality to what you would have to spend $500 to $1000 MSRP for a sub for home audio at BestBuy. For anyone who would consider themselves in the car audio subwoofer SQ group, the HFI 580 would be an excellent choice. Although I could see how those listeners that would belong in the car audio SPL subwoofer crowd might be disappointed. The bass seems to be running a little hot, but maybe not massively enough for serious SPL bassheads (although bass EQ and a headphone amp could cure that).

Finally, I also have seen some comments on Amazon complaining a lot about sibiliance. I think some of those comments are a result of one or more of the following three factors:

1) Not enough break-in. While the treble is a little aggressive and bright (that can be tamed with a little EQ), burn-in greatly improves on what they sound like out of the box.

2) Revealing nature of the headphones. The treble does have some good clarity, and poorly recorded EDM and rock is going to reveal itself. At the same time, I'm also hearing detail that was not there before in good recordings.

3) The recessed mids, which stress the treble. Particularly if listening to something that is bass light where the treble will call even more attention to itself.

All-in-all, I wish I could give these headphones 5 1/2 stars!!!

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Pioneer DJ-Inspired SE-MJ71-S Steel Wheels Headphones (Silver)

Pioneer DJ-Inspired SE-MJ71-S Steel Wheels Headphones
Customer Ratings: 4 stars
List Price: $79.99
Sale Price: $47.95
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Customer review from the Amazon Vine Program I have a headphone addiction. There are dozens of pairs on my shelves waiting for me to choose from. They range from high end Sennheiser HD-600s (my all around favorites) to Beyer Dynamic to AKG to the dozens of Fostex T-20s I have in my studio. But I'm always looking for the next pair that will satisfy my collecting needs.

These Pioneer Steel Wheels are the latest addition to my stash. They look great and are closed cup design so they block out a respectable amount of ambient sound (like a drumset or loud TV). The ear pieces are somewhat small and don't fit over the ear like larger designs but they were adequate and comfortable enough for shorter listening periods, although I can image they would feel like a vice grip after a few hours.

The build quality of the headphones is fine but the cable is about as cheap as any I've seen and it's much too short for anything but iPod listening. The wire is thin and the mini-plug feels like it will break if it's subjected to long term use or any sort of accidental mishandling. I also had an issue with the headband not being large enough for my head. I had to move it from the top of my head to the back but I'm really tall with a large noggin and doubt most people will have a problem.

But all that really matters is how these headphones sound. Well, they sound odd. The top and bottom end are really hyped and the midrange is scooped out creating a comb-filtered sound. You know that hollow sound you get when you cup your hands over your ears or listen to something through an empty cardboard tube from a roll of paper towels? Or imagine taking an equalizer and cutting 4kHz by 12dB and boosting the bass and treble all the way. I guess the philosophy of that design is to give you that humungo sound the kids dig but I find it annoying. The majority of music is in the midrange so these headphones actually reduce most of what you want to hear in leu of creating a hyped, thumping, sparkly sound. But remember you're sacrificing the vocal, snare drum, guitars, piano and most every other instrument to achieve that boombox sound. Not my thing.

So, except for the headband that's nearly too small, the cable that's thin, cheap and too short and the hyped sound that emphasizes the top and bottom end and lacks midrange these headphones are fine. But the $80 price tag seems high to me. I've bought other phones for that price and gotten much more out of them. In fact, these are just about the worst sounding $80 headphones I have. I suggest looking at Sennheiser or AKG for amazing sounding alternatives at the same price point.

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Customer review from the Amazon Vine Program Everyone could use a good set of headphones and I know some people who own multiple sets so that they can reach for just the right headphones when they need them. I own only a few sets, and I have found that the Pioneer Steel Wheels headset is an average set of headphones that will suffice for most basic uses.

What makes Pioneer Steel Wheels headphones so average in quality? Well, there are a few reasons to consider them middle of the road, but let's talk about the positive points first. These headphones are attractive in appearance and I like that they are so lightweight. The manufacturer lists the weight at around four ounces (about 120 grams), which isn't much at all and you can barely tell you're wearing them. They do a fine job blocking sounds from the outside, and they fit snugly but are comfortable and can be worn throughout the day.

Now, let's take a close look at the flaws with these headphones because there are a few. The greatest problem I have with these headphones is the short cord lengthit is only about four feet and this is not nearly enough for many common uses. The cord is very thin, too, and while this hasn't caused any direct problems, it just doesn't seem like it will last. It seems to flimsy and nondurable.

The other problem I noticed with Pioneer Steel Wheels is that the sound isn't as crisp and clear as with other headphones and earbuds I have used. The main problem I notice is the same one that others have noted: The sound comes through with excess bass. I can tell a noticeable difference when I wear these headphones vs. when I listen to the same music source with different headphones or with no headphones at all. These headphones impart a distinct basslike sound, much like you would hear if you turned up the bass control knob a few notches. However, I found the sound was perfectly fine if listening to, say, an audiobook or a news/talk program. Only with certain types of music do I notice the problem.

So, like I said, these headphones look nice and they are confortable to wear, but when you factor in the issues with certain sounds and the short, flimsy cord, I can only rate them average overall. Serious headphone fanatics will probably find them inadequate, but for the rest of us, they are good enough to give a small recommendation.

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Customer review from the Amazon Vine Program First off, I received these via the Amazon Vine program, and, I have to say, these are some of the nicest on-ear headphones I have used to date.

The plastic structure looks outstanding, is very light and overall very comfortable. The fit of the ear pads is just right for me ... snug, yet cozy ... Even when I am wearing my glasses. Unfortunately the top has no padding, which would have been nice (just plastic resting on the top of my head). The 3.9 foot long cord (I would have liked a little longer) with its 3.5 mm mini-plug works great for mp3 players and other audio players.

With a frequency response of 5 Hz to 28,000 Hz and 40 mm drivers, you get an impressive range of both high and low musical notes ... Sweet sounds! I also like that, while I am playing music, these headphones really seem to reduce the outside noise (nice for the office with loud neighbors).

Overall ... These lightweight on-ear headphones are very cool looking, comfortable, and sound fantastic ... Very nice for the price and I would recommend.

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Great sound quality. In fact I have them on right now. They cancel some noise but not all. They could have a little more bass though. But for the money they are great.

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I chose the four star rating because of the headphone design and most of all it's sound quality. I was pleasantly surprised at the cans range and power. You can hear alot of the musical details, from many if not all of the instruments in a song. The singing or speaking voices are clear as well. Overall, I would recommend these headphones to anyone, especially to those who do not like the bulky over the ear cans. These cans fold up and can be stored away easily when traveling, etc. I would have given them a perfect score had they produced a more powerful range of sound 30,000hz. Get them anyway and you will not be disappointed!

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TC Electronic BG250 1x15" 250 Watt Bass Combo

TC Electronic BG250 1x15' 250 Watt Bass Combo
Customer Ratings: 4 stars
List Price: $599.00
Sale Price: $299.00
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  • 250 Watts TonePrint technologyBuilt-in bass tunerTubeDrive featuring tube pre- and power amp emulationBass contoured tone controlsRehearsal input for playback in speaker or headphonesBalanced out for seamless recording or PA outputHigh power headphone output for silent rehearsal Footswitch control of TubeTone, Tuner & TonePrint (optional)15 Custom driver and 1 custom tweeter

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TC Electronic has produced an absolute winner with the BG250 Bass Combo Amp. The 15" speaker just purrs with the low B on my 5 string bass guitars with lots of punch when needed. The EQ and TubeDrive controls have been able to dial any sound style from hard and gritty to warm and jazzy with ease. The Tone Print function was not a big buying factor but has proven a welcome addition. The stock Chorus effect had too much flange type warble for my taste but was easily swapped for a more suitable tone with many other free options available online. One HUGE plus has been the relatively light weight of this unit. Portability combined with the ample power output means it is convenient to move for jam sessions with friends and still be easily heard. The construction seems quite sturdy despite the lowered weight. I have cranked this beast and got no rattling from the cabinet or front metal grille. The balanced line out looks ideal for mixing into a PA system if needed. I use it to patch a signal directly into a Focusrite Scarlett 2i2 2 In/2 Out USB Recording Audio Interface with excellent results. The built in tuner is also perfect for 5-string bass since it has low B through G strings. My wife greatly appreciates the headphone port so I can practice at night without disrupting the whole family. The BG250 has had one negative. Even at low volumes this thing rattled the snares on my cajon so badly the drum had to be moved to another room. Bottom line, I narrowed my search to the BG250, Hartke HyDrive 112c Bass Guitar 1x12 Combo Amplifier, 250 Watts and Fender Rumble 350 Bass Amplifier. The BG250 won my dollar votes with zero regrets. It is highly recommended. Please click "Yes" if this review was helpful. Post a comment with any additional questions as well.

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I needed some basic combo bass amp for my heavy rock band gigs. I have told my self that if I get to be louder than the guitarist in the band(not an easy task mind you) it would mean that I get to keep the amp. Sure nuff, this amp has squashed his very loud Mesa ...I am sold. The tone print feature is a nice touch, but I mostly use the built in chorus and the tuner. This is a very powerful light weight amp for an unbeatable price. Arguably the best bass amp of its class right now. I had a much higher end Phil jones suitcase before and I love this one much more.. So light and yet, loud!

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I played bass for years in bar bands and built up a very nice 800w pro rig. But now that I am older and have back problems the weight of it is too much for me to lug around. I picked up this puppy a few months ago and am very pleased with it. It weighs less than a single piece of my big rig yet it produces enough sound to do the job. The tube emulator is nice. It allows you to dial in tube-like warmth like no other solid state amp I have tried. My big rig is driven by an Alembic F1-X preamp so tube sound is big to me. I don't use effects, so the toneprint feature is not something I use, but playing with the built-in chorus proves it is high quality and works well.

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I played this amp at GC in Nashville when I was there. I was pretty impressed. It was cheaper, free shipping, no sales tax on Amazon so I ordered it the day I got home from tour. I'm now using this amp when I play local gigs with a Jazz combo I sit in with. Great value.

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Product would not do anything accept for a green LED that showed the power switch was in the on position. Aux and headphones did not work as well. The vendor was not at fault providing the unit was not opened and resold.

Rolls MSC106 Mic Stand Clamp for Rolls Accessory Boxes - (New)

Rolls MSC106 Mic Stand Clamp for Rolls Accessory Boxes -
Customer Ratings: 4 stars
List Price: $24.00
Sale Price: $17.50
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Just like all Rolls equipment, very sturdy! I was bummed to find that it comes without the thumb screw, though, to secure it to the microphine stand (pictured), and multiple trips to Home Depot's screw aisle still haven't resulted in a successful match. Thanks goodness for duct tape and low stage lighting!

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Either Rolls changed their mechanical design on the bracket, or the headphone amps. Out of four PM50s headphone amps, the bracket directly fit only two. Two brackets lined up correctly on two headphone amps. The other two brackets had only one hole in alignment. The bracket holds the headphone amp, but with only one screw. I will have to modify the bracket to add another screw for extra stability.

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This clamp would have been 5 stars if it had a larger circumference to not only fit on a Microphone Stand but also a Drum Tom Stand. It can be spread and retrofitted with a Channel-Locs and Pliers, but you shouldn't have to.

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Rolls clearly thought a good deal about this design. The mounting holes for your device are down further on the plate (below the label) to ensure that there is plenty of room for the cables that attach to the back of your device. The mounting screw is set up for the thinner part of most microphone stands, as that's likely the spot that your hand is able to reach most easily. I know some have complained about this feature, and I was at first a little annoyed that it wouldn't mount to the larger diameter barrel, but I use my Rolls PM351 every week and I can't play my instrument and make adjustments without this bracket being on the upper barrel. Great product!

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I used this to attach my Rolls PM50S Personal Monitor Amplifier System to a mic or cymbal stand for live uses. The only small issue I have is the mounting hole in the back is too small to fit any stand except the top small pipe of a mic stand. It is hard steel so I had to use a pair of vise grips to open it wide enough to fit a wider stand.

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Reloop RHP-10 Limited Edition Professional DJ Headphones (White)

Reloop RHP-10 Limited Edition Professional DJ Headphones
Customer Ratings: 4.5 stars
List Price: $119.99
Sale Price: $89.99
Today's Bonus: 25% Off
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  • Professional headphones, closed rotary and retractable construction
  • Noble rubber paint finish. Aluminium inlays on the ear cups.
  • High-quality bracket with super robust aluminium bar.
  • Includes exchangeable ear cups: large cut-out for enclosed wearing, small cut-out for incumbent wearing; and matching carrying pouch
  • All connections gold-plated
  • Noble rubber paint finish.
  • Aluminum inlays on the ear cups.
  • Includes exchangeable ear cups: large cut-out for enclosed wearing, small cut-out for incumbent wearing;
  • All connections gold-plated.
  • Matching carrying pouch.

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Most of the reviews for these seem to be from DJ usage plugged into a standing audio system. My reason for buying these were for portable headphones (I guess with something this big, "Portable" becomes a bit questionable!).

I've always been a big fan of these DJ-Style "full-sized" headphones, finding earbuds pretty unusable for any period of time and the small foam-padded ones to be lacking in sound if listening to music. Over the past 6 or 7 years I've collected a number of pairs when it came time to buy a new set, these were the nicest looking ones in my budget that fit the "full sized but portable" need I had.

Right off the bat, I like the design it's a nice pure white color throughout. A number of other designs in these style of headphones seem to either look "cheap" (with silver and black plastic), odd (red, black and giant silver logos) or make you look like you're using listening for aliens (with the insane size of some of them). These ones stood out as "cool" looking, and the fact they come in a number of styles is great (I like the Reloop RHP-10 Ceramic Mint Professional DJ Headphones and Reloop RHP-10 Purple Milk DJ Headphones White / Purple designs also!

I will say that it's best to try these out first if possible the designs seem great online but look a little "different" than you expected when you actually put them on and look at yourself in a mirror (I don't mind, but I can see it as a 'deal breaker' for some, unless you know what colors "work" for you (in the past I've always gone for a safe Black pair of headphones)). In fact, I like the white headphones but think it's the matching white cord that makes it look a bit odd when walking around with an MP3 player (a black cord with the white headphones seems like it might be the way for me to go; fortunately the cable/cord is removable).

As mentioned right above, the cord is removable included in the box are the headphones with 2 sets of earpads (ones with a WIDE opening to cover your entire ear and one with a SMALL opening so that the padding sits on your ears). Most appear to choose the small pads (the default ones), but I found the wide ones to feel much more comfortable, especially for long periods of time. Great to have the options both included! Replacing them is easy as the headphones have a groove to slide them onto.

Unfortunately, Reloop appears to have changed the contents the pack no longer includes a Straight headphone cord, only the Coiled cord (previously, and according to amazon, it includes both cords to give you the option for the one you want to use), lastly it includes a carrying bag (I find I need to remove the headphone cord in order to store it in the bag, but not a big deal). When looking at it online, it sounds like the bag included is only to hold the accessories (cords, additional earpieces), but it does in fact hold the headphones.

Lastly, you get a headphone adapter (goes from 3.5mm to 6.2mm) all connections are gold placed and the adapters screws into place (instead of simply pushing into it and locking)

The headphones collapse into itself, making it much more compact -this is a big deal when using them for portable headphones (my Sennheiser HD595 Dynamic High Grade Performance Premiere Headphones are amazing but don't collapse into it, so they're neat impossible to take with you unless you want to carry them at their full size.

The Reloop earpieces also rotate (so you can have them pointed towards your ears, away from your ears, or rotate them so they point in front of you (I thought this was really nice as an option for when you want to hear something lightly but might not be able to have the headphones on your ears completely).

Sound quality is good -a lot of people are mentioning the great bass sound from it, but I must have have a higher requirement for bass than most (the bass was fine, but not as much as I wanted I'm looking into a headphone amp with bass boost). This is for MP3 players at least it might sound better on a DJ system where you have more control.

Audio quality is good much better than the small/light headphones but definitely not in the same range as my Sennheisers (I'm not holding it at a fault for that the sennheisers are about 2x the price, I'm just using it to explain the sound quality could be noticeably better if you need high-quality headphones).

For a MP3 player, the coiled cord is nice in that you're not dealing with an excessive amount of cord (the Sennheisers, for example, use a permanently attached cord 10-feet in length). Not the ideal situation for walking around with, especially when it's thick. The Reloop cord coils to a much smaller size so it doesn't look so odd when using it with an mp3 player (as mentioned above though, the white coiled cord looks a bit odd when used with an MP3 player but that's a personal preference).

Unfortunately, the coiled cord does create problems when you use this on a smaller device (iPod, iPad, PSP) sitting on a desk (movies, for example) as the cord can pull the device off a table since it's coiled. For this reason, I really did want a straight cord. For a DJ setup, this shouldn't be a problem.

There are no audio controls on the cord (which would've been nice to have for volume control if you need to quickly lower it).

The Reloop headphones are very comfortable for long periods of time (try out both pads to see which works best for you). Even with glasses, they weren't a problem at all.

I really like the replaceable cord option, the colors look nice.. I just wish it had a bit more bass and still included both cord options. For the price, I won't say they're the best but they're definitely worth the money. Look into the other color options to see if another fits your style better the other color options can often be had for less money (and there's even a black option if you want a more plain looking pair)

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I just tried my new re-loop RHP-10 headphones and I need them because I'm hearing impaired and it's plugged into my TV so I don't wake up the neighborhood. They sound fantastic better than my old JVC hopefully they will last as long. I highly recommend these to anyone who loves deep sound these are it. And they look so COOL.

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I am a Professional DJ and had been doing a lot of gigs all over the country. I had this RELOOP RHP 10 Pro DJ headphones since march 2011 and it never failed to deliver the job required of it in the scene.As a DJ playing for several hours with heart pounding and bass pumping music, what would i need is a headphone that delivers a clear, crisp sound, provides good sound isolation, comfortable to wear, light to the head for long hours of wearing and durable for rigid use. All of these qualities are packed together in this one non-expensive Reloop RHP 10. Plus the awesome Immaculate White design is such a babe magnet as well !!! Money well spent!!!!The RainMan Prof. Raymond Dizon/Bepee Em /Traktor CDO)Reloop RHP-10 Limited Edition Professional DJ Headphones (White)

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I really like the sound these headphones given the main use is with a Ipod. But after just 3 weeks I took them off and the left one broke off. If it only needed to snap back on it would have been a easy fix. However a black wire was broken where one side of ear piece connected to the other. Toast. Amazon sent me the email postage (free) and since the headphones sounded good to me Amazon sent a new pair within a week. Buyer beware of the springiness of the headphones it caused my first pair to break.

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all plastic, but feels solid. adjusts easily and holds position well. decent range, and good volume even off my iphone. the seal of the cups keeps sound in ok, keeps sound out very well. comfortable for more than an hour, but expect some heat buildup and possible sweating. better than any earbuds i've used and cheaper than any cans with similar specs. they look better too

ART USB Phono Plus

ART USB Phono Plus
Customer Ratings: 4.5 stars
List Price: $99.00
Sale Price: $79.00
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I've been monkeying with the Artcessories USB Phono Plus for about 10 days now. I bought it for the primary purpose of recording some LP records to my laptop. My ultimate goal was to make CDs and decent MP3s from my old vinyl. In combo with Audacity (free audio editing tool) and my Project turntable, this ARTcessories product has worked extremely well in every respect. I have not yet found a single shortcoming with this solid and portable little box.

A few things you should know:

1. This is a stand-alone phono pre-amp. It will RIAA adjust for phono before sending audio to your computer via USB. THIS IS GREAT FOR LAPTOPS -most laptops have only a mono microphone in miniplug that's pretty much good for nothing!

2. You could use this box as nothing more than a phono pre-amp. It has RCA inputs for phono AND a ground screw. Cool, huh? At $100 it would be a good deal if it did nothing more than that. I loop from the Phono Plus back into a Marantz receiver and then listen through some fairly decent Wharfedale speakers. I'd say that sound quality is every bit as good as the phono stage built into my Marantz.

3. This device allows you to monitor the phono input (or other input) either by means of a stereo miniplug connection or by way of a pair (L and R) of RCA outs. You could hook up typical PC speakers or subwoofer sytems to this box if you don't want to loop out to a stereo amp. You can also listen to the Phono Plus with headphones. The Phono Plus has a gain knob to ontrol output level. This is critical for headphone listening as well as for making good captures in Audacity.

4. This device will take input from line level RCA, digital toslink, digital coax, as well as from phono sources. Crazy, huh? I plan on using this box to record some local radio and TV audio by connecting it to either my tuner or by putting it where a cassette recorder would normally fit in a tape loop.

All in all, what a great toy! There is so much you can do with this unit. I've really only scratched the surface (no vinyl pun intended). I've been playing with this thing and talking about results and LP recording experiments at shiromaguro.com. See my work there. With a clean LP, I have found that recordings through the Phono Plus captured by Audacity can be ripped to CD or MP3 with no editing at all(except for maybe chopping big grabs into tracks). Sound qulaity of the product WAV or MP3 files is great.

Installation and setup are really non-issues here. Plug it in and connect all the cables. It just works.

Bottom line: if you want to grab vinyl to your PC laptop or to a PC that lacks a good sound card (one with stereo inputs) this is a great way to go. In a few weeks of shopping for my solution, I found nothing else comparable.

Why not 5 stars? My mistake. I should have given this unit 5 stars. Then again, I personally never read 5-star reviews....

Ultimately, I hope that this product will make it easy for lots of people to make some cool and unique MP3s, not just the usual CD rip stuff. Seriously, this product could single-handedly be responsible for the digitization of piles of old analog material that would otherwise be left to fade from existence. Personally I have made it a point to find out which of my old records never made it to CD --those are the ones that get digitized first!

Bravo to ART for a great product.

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My goal: to convert vinyl records into CDs.

After looking at the available USB turntables, I realized my old Technics linear tracking turntable is way better than any of them. So the solution for me was to buy a USB interface, which, it turns out, means a USB phono preamp.

I did some comparison shopping before buying the ART Phono Plus 2. There are a couple of similar products. One in particular has good specs. It claims USB 2.0, whereas the Phono Plus 2 only claims USB 1.1.

However, that unit made no claim to having a monitor output, whereas the Phono Plus has quite a nice monitor interface. In particular, it lets you monitor the sound coming right off the preamp. This is necessary if you want to do any manual fading when recording, because the sound coming out the computer speakers has at least a 2 second delay from what's coming off the needle.

The Phono Plus has a screw connection for the phono ground. Neither of the other units mentioned having this. On my turntable, leaving the ground wire floating creates a large amount of 60Hz hum in the output.

Finally, although the ART is the most expensive of the three, almost twice the cost of the second, and three times that of the third, I found absolutely no reviews of any kind of the other two, whereas the ART has been reviewed extensively, both by customers and magazines. And everyone, including me, loves it.

This is a well-built unit, from a durability standpoint, definitely not a cheap piece of junk. Ergonomically, it has some down points, as well as some good ones.

Plusses:

. Monitor allows routing from the preamp, from the USB, or both. (The rationale for the "both" setting is that you will never be playing a record and a digital sound file at the same time, so it allows you to hear either without having to change the switch setting.)

. There is a block diagram of the internal signal routing on the bottom of the unit, which could prove valuable if it is used portably.

. The unit will run off USB power when hooked to a desktop computer. For portable laptop operation, plugging in the A/C power adapter (included) overrides USB power, preventing drain on laptop batteries.

Minuses:

. Gain control has too small a diameter to be easily moved small amounts, like you need to do in the Level Setting Wizard in Spin-It-Again.

. Jacks and ports on the back are labeled either in pine green or purple. All are virtually illegible. I had to use a magnifying glass and a flashlight to see where to hook up my turntable to it.

It's hard to read the Phono/Line and Rumble Filter In/Out labels. But each has a light that lights up when the button is pressed, so at least you can easily tell what state the button is in, even if you can't tell what it means.

I was very surprised that in a unit this expensive, no USB cable was included. It requires the "printer" type, with a square connector on the preamp end and a flat rectangular connector on the computer end.

With my computer powered on, I plugged in the USB cable from the Phono Plus. Lights on the preamp lit up! In a couple of minutes, everything was magically configured. I didn't have to do or install anything.

However, as I discovered later, this process "broke" my computer speakers. No sound would come out of them any more at all, from any source! I had to go into

Settings -> Control Panel -> Sounds and Audio Devices, Audio tab, and change the Default Device back to my on-board sound. Hooking up the Phono Plus had changed this so all sound was routed through the USB back to the preamp! This includes the Windows startup music, and the "beep" that occurs when you hit a wrong key. (I am using Windows XP, the most basic Home Edition.)

When I was comparison shopping, I was unable to find the specs for this unit, even on the manufacturer's web site, so I thought I'd post them here.

Frequency Response: 10Hz 50kHz, +/0.5dB

THD: .01% Typical @ 1kHz

Hum and Noise: >90dB below clipping

Input Impedance: 47k Ohms/100pF (phono); 270k Ohms (line)

Maximum Input Level: 40mVrms @ 1kHz (phono); +19dBu (line)

Maximum Gain: 45dB @1kHz (phono); +6dB (line)

Analog Output Connections: RCA (preamp line output); 1/8" (monitor/headphone output)

Maximum Output Level: +6dBu (1.4Vrms)

Filter Type/Response: Switchable, High Pass, -3dB @ 22Hz

A/D & D/A: 16 bit, 44.1kHz or 48kHz, USB selectable

Digital Audio Interface: TOSLINK in and out; S/PDIF coax (RCA) in

Computer Interface: USB 1.2 compliant, Windows 98SE or newer, Mac OS9.1 or newer

Power Requirements: 7-12VDC or 9-12VAC @ 150mA, or USB bus powered

Dimensions: 1.75"H x 4.2"W x 3.5"D (44.5mm x 107mm x 89mm)

Weight: 1.35 lbs. (0.61kg)

(Note: 0dBu = 0.775Vrms)

Additional spec-type information:

. Uses USB adaptive mode for playback and USB asynchronous mode for record.

. Preamp equalization is RIAA (although no spec or version number is given).

. Although I bought it to use with my turntable, it is also quite possible to digitize cassette tapes with it, using the Line inputs.

It comes with Audacity software on a CD-ROM.

Using the Phono Plus is extremely simple. Basically, hook up the two phono outputs and the phono ground wire. Hook up the USB cable to the computer.

At this point, fire up Spin-It-Again, hit Record A Vinyl LP, put a record on the turntable, and you're converting a record into a CD!

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I've tried digitizing LP's using Sound Cards, external sound cards, and this. No question, this thing produces the most warm, natural, noise-free sound and it's rediculously easy to use. The gain control is a big benefit better than any control on any sound card I've tried but it's the warm, full, natural sound that sold me on this thing.

Important to note that ART now sells USB Phone Plus v2 (V2 adds one very important feature volume control for your headphone monitor), and that is what was delivered to me when I ordered from the vendor listed here (Shoreline Music) even though what is pictured here is not the V2 product The differences are small basically it's the same housing, just an additional switch and volume control for your headphones but you'll want to be sure you're getting the latest product.

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I have a fairly large collection of classic rock and folk LP's. I have been wanting to transfer thier content to my computer and my mp3 player for some time. The ART USB audio interface is exactly what I needed.

I connected a high quality turntable/cartridge to the unit and was able to start ripping content immediately. I have stored content to my hard drive and my portable media player and am now enjoying these "forgotten treasures". The product has lived up to its marketing and I would recomend it to others wanting to digitize their analog audio media.

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My goal has always been to be able to transfer into digital format, all types of analog archives I had: vinyl, tapes, some DAT tapes, and even the audio part material I wanted to rescue from some old TV content I had on some old VHS tapes. And my constant frustration has always been the same: I had to settle with either one of the two only two options I could find in the market.

One was to go the simple way, connecting directly any of the audio equipment through the built in audio input of a computer and use its own built-in A/D converter to obtain the transfer. This method never left me satisfied because somehow at some point of this "chain" some quality of sound was alway lost (may be a stereo pin jack for the connection was not as good as using an RCA stereo cable; or bypassing a turntable through a home preamp/receiver in order to convert phono signal into line signal carried also some slight amount of sound deterioration may be just from the fact that middle priced average home equipment just works like that; or even the computer's own built-in A/D converter may not be the best quality available out there in the market).

So my other option if I wanted to insure best sound quality possible in carrying and converting the analog sound into digital, was having to go all the way to high end professional type of equipment sound cards or external interfaces, whose cost I found practically out of range for what I wanted to do; as besides the functions I needed, these type of devices usually also include a lot of other features that are useful only for musicians or studios (like XLR type inputs and outputs, mono channels, balanced, unbalanced, MIDI connections, bus through routhers ins and outs, etc.).

So, if you feel trapped in the same kind of crossroads and you are a type of user like me with those exact same needs I have, allow me to honestly and sincerely highly recommend you ART's USB PhonoPlus V2. Being very used to permanently purchase electronics and devices on the internet, to find out late that they don't work as expected and ending up always having to return them; while skeptical though still intrigued by the features this product declared, I risked to gave it a chance and purchased it to give it a try. And to my surprise it turned out to become one of those rare finds I run into only once in a while.

This product is a gem, and the cost/benefit of what you pay for versus what you get, I can say it's the best one I've ever found out there in the market.

It comes with exactly the types of inputs that you need for these types of tasks, not more, not less. There's dedicated line in, phono in, and even Toslink digital. And it shows (actually sounds!) that the manufacturer has picked really good components for the internal circuitry; as the sound you obtain when you digitally record in your computer, is a crystal perfect impeccable copy of whatever you can hear in the analog source that is reproduced.

The rest is all up to you in "post sound processing", depending on however you best like to do your own sound cleaning/restoration and using whatever best software suits you for your taste; but you can rest assure that at least the "raw master" digital sound format you will "capture" with this device will have nothing to envy to the one you could get using a high end recording facility.

I'd like to honestly commend the ART people for thinking, developing and putting out a product like this. Completely satisfied customer here.

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PreSonus Monitor Station Studio Control Center

PreSonus Monitor Station Studio Control Center
Customer Ratings: 4 stars
List Price: Price Unavailable
Sale Price: $299.95
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  • Master volume control
  • 3 stereo inputs w/ phono input
  • 3 balanced 1/4" speaker outputs
  • 4 headphone amplifiers w/ 1/4" jacks
  • Talkback, mono, mute, variable dim

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Purchased this for a small home DJ setup that needed separate monitor level control from the main mix. It is well suited for the task, and setup was easy and not complicated. The controls provided are exactly what I needed.

The downside is that it has a lot of crosstalk. Even with all speakers turned off it still passes a bit of audio through to them. For a while I was searching for a pair of hidden headphones before realizing it was the monitors themselves. The audio is very clear and dim, but easily noticeable. The source of the audio doesn't even have to be active on the mix for the crosstalk to occur having ST1 active, ST2 off, and no speakers selected I can easily hear the ST2 source out of the speaker outputs.

For my application this is OK as a DJ stand very rarely will there be anything coming out of both sources (one is the main mix, the other is an output from a PC), but it annoys me quite a bit. One person also has commented that the system now sounds hollow, something that was not noticeable before; a sub was moved to the main mix out instead of in the monitor chain, so there was a small difference in the monitor setup, but the sub was active at the time the comment was made (from the main out mix).

I have yet to really do a good comparison, but so far I am just average on the product it does exactly what I wanted, but seems to color the audio a bit and the crosstalk really concerns me. I can't be sure that the main out doesn't have the same issue yet (haven't tested), but I just really didn't expect that.

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You did not provide an A/C power supply or warranty card. Very unhappy with this purchase and will be sending this item back if I don't get a response and power supply. This is my third attempt to reach you

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By far one of my favorite pieces of gear in my studio. This works perfectly to communicate with vocalists in the vocal booth. The multiple speaker options, the meter read out, the aux input. It's all come in handy for me and I couldn't picture working in a studio without it. I absolutely love this device.

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Although of sturdy metal construction, mine had a soft foot, which was fixed with a little physical persuasion and a some extra rubber on the one slightly elevated corner. The rubber alone would probably have done it. Low on extra rubber feet and patience, both worked out just fine. So it also passed a stress test with flying colors. Hopefully there won't be a drop test.

Anyway, I'm really surprised how useful this item became after purchasing it. Recording directly to a computer was leading to a problem with interfacing multiple inputs and outputs. I was considering an internal PCI solution with an external harness, but even then, the tether was looking really short and I didn't want to have to crawl behind the computer for every time I switched ins or outs.

Monitors are great for mixing, but usually pretty sparse on bass. Not having a trained ear, or used to monitors, it's extremely convenient to be able to get a bass reference at the push of a button. "This is how it sounds stark clear and honest ". At the push of a button "this is how it sounds with sub-woofer and how I'm used to hearing music". I still need that crutch for leveling bass guitar and kick drums. Granted I'm a novice, but if there is any influence of the purity of the source sound, I certainly can't hear it.

There are two (left/right), 1/4" "ST1"/"ST2" and one RCA (left/right) inputs (The aux input has it's own "input" level adjustment. I'm using one for my sound interface mains MOTU UltraLite-MK3 Hybrid FireWire/USB2 Audio Interface , one for the return and the aux RCAs, on an old mixing deck.

Both the the "Main and "Cue"outputs, have individual options of using any combination of the three "ST1", "ST2", or "AUX (RCA) " inputs. The "Cue" mix has it's own main level knob and the large center knob, controls the level for the whole unit. In addition there are three dedicated "A", "B", "C", outputs. Each has it's own level adjustment, so there's no problem keeping consistent volumes with different speaker sets, monitors etc 8" Monitor Speaker . There are four, 1/4" stereo headphone jacks, each with a button selecting either "Main or "Cue" as the source, with individual level knobs for each. The internal microphone works great across the cue mix, which also has it's own individual level adjustment and an XLR adapter is provided on the back, for an external "Talk" microphone.

I'm extremely satisfied with this unit and regardless of any upgrades I may have in the future, as long as I'm dealing with any analog source whatsoever, I can see it being invaluable for years to come.

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PreSonus is known for making quality equipment at a reasonable price and the Monitor Station is no exception. I use mine as the center of my DAW monitoring system to A/B mixes between pro near field monitors, consumer grade home stereo speakers, and small computer speakers. But, the unit can be used in several different ways. Totally worth the price.

Samson MediaOne 5A Precision-tuned Powered Studio Monitors, 5 Woofer

Samson MediaOne 5A Precision-tuned Powered Studio Monitors, 5 Woofer
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $134.36
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  • Precision-tuned, rear-vented enclosure
  • 5-inch copolymer woofer
  • 25mm silk dome high frequency driver
  • 2 x 20 watts of Class A/B internal power
  • Front panel level control, headphones and stereo input jack

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I live in a small room which is about 10ft wide and 12 feet long. I have a lot of gear, guitars, acoustic drums, keyboard, sleeping mattresses etc in it.

I was looking for a very basic compact monitoring system so that I could get decent mixes. So I didn't have my hopes up too high. Also, I'm planning to move from the PC based recording system to a mobile one via a Tascam multitrack setup. So portability is another requirement. "To make records with the mobile"

So I went through a whole load of budget monitors on amazon and read every review here, on buzzillions, on zzounds and internet forums. It seemed that the MediaOne series was the least bashed one of the lot. My problem was that the sellers selling these on amazon were charging a kings ransom for shipping to India which kind of put me off.

So I went down to the market today to try my luck and lo and behold there they were. I tried them out at the store and thought they were alright. I'd only know how good they were in my home so I picked them up.

I ran these out of my SB Live Value card which has decent fidelity. I have a Presonus Firebox too.

Here's my take on these after listening to a a few tracks through FL Studio projects as well as youtube.

+ Pretty flat response

+ Makes you hear things you would miss on usual hi fi/computer speakers

+ Has surprisingly good bass. I felt fitments shaking in my room during Adam Szabo's house tracks.

+ Is pretty loud for a small room. I don't need to turn it over 40-50%

+ Look very nice

+ Super compact. This is real nice. A great space saver and the monitors sit sweetly on either side of my Samsung 22 inch computer screen.

This was my first real time on monitors and I enjoyed the clarity of sound I heard. You hear everything.

I don't have any real negatives as of now but I'll be sure to update this review in case I find out any.

Just a few trivial ones:

No XLR/1/4 inch inputs

Feels a little plasticky at parts like the ac power in.

The power cable should have been twice as long at least

Should have come with an RCA connector

If you're worried about the size of the woofer, think about the room you're in and how good it is acousticaly.

My logic is that if you have an average bedroom, you'll never be able to even appreciate a large or an expensive monitor because of all the reflection of sound that will happen. For a small and acoustically untreated room you need a NEAR FIELD setup where the monitors are loud enough to hit your ears and then not bounce around and shake the room too much.

I'm on youtube arjunkaul

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Some of the other reviews on this page claim that the bass isn't as "loud" as it should be, and for most intents and purposes, they are correct.

These speakers aren't going to make your music sound the way it does on your home stereo ... at least in terms of bass. However, what I've found is that while mixing, these speakers actually produce extremely smooth bass response, but they make it so you have to work to get it sounding as such. It takes a lot of patience, but if you can achieve tight, controlled low-end in your mix through these monitors, you're guaranteed to get good bass translation on 80% of the systems out there. Even those with subwoofers. If you pop a mix on these things and are surprised by how "muddy" or overdriven the low end sounds, it's because you have a bad mix. In that respect, yes, the bass would sound horrible. However, that's the beauty of these puppies. They force you to troubleshoot. They are honest. So honest you may blame them for problems that exist elsewhere in your mix.

Others have said they are very loud for how small they are. This is true, however I didn't purchase these to rock out with. I use them for mixing and occasionally mastering. The volume they produce can go much louder than I will ever need. They are compact, professional looking (for the most part), and come with a mini headphone output and an AUX in, which is more handy than you'd think.

The volume knob does feel a bit cheap, and the headphone plug definitely isn't built for the rigors of touring. Otherwise, if all you have is a hundred bucks and an ear that's trained to listen, you really can't go wrong with these.

-Adam (using the wife's account)

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I run a small in home studio that I use for personal music production. I bought a pair of these monitors about a month ago along with the MediaOne 4a monitors that I run in conjunction with these speakers. The mid and high clarity is awesome. I am able to hear things in my music that I was not previously able to. it has made mixing and mastering a less frustrating process. I play and record mostly death metal and low ends are a must for this type of music. These monitors (as wells as the 4a)lack in that department. I ended buying a small sub (10 Inch Sony for $100) from BestBuy to compensate with great results. With what I paid for the entire setup ($400 for two sets of monitors, a subwoofer, and the amp to push it all) I couldn't be happier.

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I'm writing this review with these cranked up to their max because I was sitting here at my computer thinking "Wow I am so impressed with these for the $100 I paid for them." I did not know that a 3" woofer could pump out so much sound. I have them connected to the outputs from an external audio interface, which allows me to boost the sound level and quality, but these were exactly what I wanted for my computer desk. I have a pair of more expensive studio monitors in the other room with 8" woofers (Event 20/20 Bas) which are amazing speakers, but I'm blown away with how closely these little Samson 3 inch'ers compare. Of course, they don't have the same amount of low end, but geez, I'm certainly not complaining for their size. In fact, I'm really happy with how much bass they DO have. I keep looking at them thinking that they shouldn't be able to reproduce sounds that low with 3" woofers! I can even feel it in my chest and that just baffles me. I may pair them with a subwoofer to handle the really low tones below 80Hz later, which these can't reproduce, but everything else they do great with. The mids are punchy and the highs are crystal clear. If you've never experienced a set of high quality studio monitors, these are an excellent starting point and will blow you away. Hell, I've heard monitors in a professional studio that cost over $1,000 a piece and these still impress me with how much clarity they bring out of my music even in my non-acoustically-treated office space.

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When these monitors finally arrived, well I suppose I shouldn't say finally, because they came with lightnin speed, but like I was saying when they got here I was amazed at how small they were and I thought to myself I had made a huge mistake. No way did I think these little monitors would be good enough for playback and mastering in my home studio, but as luck would have it, they turned out to be these great sounding little monsters. Excellent bass response and crystal clear highs make these monitors sound like a Bose radio. Needless to say, I was blown away and Im quite happy with my choice of purchase. They do start to distort a little when turned up awfully high, but if you need to turn them up that loud than maybe you should have your hearing exhamined. A good buy.