Showing posts with label plantronics bluetooth headphones. Show all posts
Showing posts with label plantronics bluetooth headphones. Show all posts

Syba SD-CM-UAUD USB Stereo Audio Adapter, C-Media Chipset, RoHS

Syba SD-CM-UAUD USB Stereo Audio Adapter, C-Media Chipset, RoHS
Customer Ratings: 4.5 stars
List Price: $19.99
Sale Price: $8.49
Today's Bonus: 58% Off
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This is the platonic form of a USB sound card. It works well in Windows XP and Mac OS X, has clearly labeled inputs, decent build quality, and has no unnecessary features, at a very affordable price. We bought it to use stereo jack headsets with Skype on Mac computers that don't have microphone jacks, and this adapter fits our needs exactly. This also resolves a problem we have when using Windows XP on our iMacs Apple doesn't provide the correct sound drivers in Boot Camp, and the built-in iMac headphone jack doesn't work in Windows the USB adapter works perfectly.

In Mac OS X 10.5 and 10.6 (tested in both) the device is identified as a "C-Media USB Audio Device". Installation was plug-and-play, the device was immediately recognized after plugging in, although I had to manually select it as the input/output device in the Sound preference pane. After selecting it and setting the input levels, OS X and Skype both automatically switched back and forth between Built-in Audio and C-Media USB when it was plugged/unplugged, and remembered the input levels last used on each (although not the systemwide output levels).

A sticker on the outside of the box identifies the chipset as the C-Media CM119, and it is a USB 2.0 device.

Physically, the construction seems plenty robust for a $10 device. The mic and headphone jacks are color coded in standard pink and green, and have large white icon labels that are easily identified. The case is darkly translucent black, and a green LED inside blinks when sound is being transmitted or received, and otherwise glows steady when plugged in but not in active use. It is too thick to plug into the USB ports on the edges of the 2007-2009 silver aluminum iMac keyboards. On our aluminum iMacs it has to be plugged into the back, where it doesn't block any other ports (as long as other connected USB devices are not also thick). However, it can easily be connected to the USB ports next to the cord on the rear of the older white Mac keyboards from 2003-2007.

Drawbacks?

The microphone input is mono, which is fine for voice headsets, but probably not great for pro audio recording, which probably wouldn't be done with a $10 device anyway. I could do without the blinking light, but as it will be out of sight when connected behind my iMac, it's not a big deal.

Comparison

We also bought the cousin to this product, the 7.1 Channel USB External Sound Card Audio Adapter with external volume control buttons. The 7.1 version uses the same CM119 chipset, but was inferior to this Syba model in all respects.

The 7.1 model has a thicker body, making it more likely to block other USB ports.

The buttons on the 7.1 feel very flimsy, and are mostly useless as they only change the computer's software volume settings.

The 7.1 inputs are not correctly color coded (yellow and black) and the icon labels are tiny and hard to distinguish.

The 7.1 is identified by OS X as "Unknown USB Audio device"

The particular 7.1 unit we received was assembled with its USB port slightly angled off-center.

The only supposed improvements in the 7.1 version are the flaky exterior buttons and that it comes with a mini-CD of Xear "virtual surround sound" software for Windows only. Surely you could use some other "3D sound simulation software" with this Syba unit, and there are several reports of the buttons/housing breaking on the 7.1 version. I strongly recommend avoiding the 7.1 model at all costs, this one is simpler and sturdier.

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When this unit came, I plugged it in and the instillation was quick. I noticed that this sounded a bit worse than my cheap laptop's sound card... Saw other bad reviews and thought something was up... after some tinkering, I found that the fix to set the sound quality is to open up the sound control panel. Then click on the adapter and click 'properties'. Then go to the 'enhancements' tab and check 'Bass Boost' & 'Virtual Surround'. Then go to the 'Advanced' tab and make it so the drop-down list selects '16 bit, 48000Hz (DVD Quality)' instead of the crappy CD quality. I found that the sound is higher in quality and sounds amazing compared to the built in one...

Post your results in the comments :D

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If you need a basic stereo speaker output and a mic input, this will probably suit your needs well.

-Pros:

It's inexpensive, and it works as described.

Installation couldn't be easier just plug it in, and a driver is set up automatically. It works equally well with Windows Vista, Windows XP, and Ubuntu Linux. I have used the 64-bit versions of each on my PC, and each recognized and set up this device when I plugged it in, without any extra effort on my part.

This device is also thin enough that it doesn't block USB ports that are above or below, unless they're using a thick USB plug. However, it could block USB ports to the sides.

-Cons:

The audio output has a little bit if distortion, at least in my experience with it in Windows Vista 64-bit. Fortunately, at least in Windows Vista, you can use a different audio device for audio output.

Also, the microphone input is mono. For musicians, this wouldn't be suitable for making stereo recordings.

-Other Thoughts:

I bought this to use primarily as a microphone input, since the microphone input on my new PC does not work well. The microphone input on this device works very well. The microphone signal is loud and clear with no noise.

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Buyers Be Aware This item is Not as described with 'C-Media Audio Chipset' ! I'm a returned customer for the second one. Now, Seller is shipping a different model which has low sound quality with lower volume level compare to the original one I ordered from this Seller 3 months ago. It is smaller in size, different design & also Windows detect it as a 'Generic USB Audio'. I just filed a claim with Amazon after I received a rejection response from this seller.

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I had initially thought that this USB card was an incredible bargain. After more use and a comparative test, I started to believe that it is just an OK product.

The biggest attractions of this are its compact size, solid build, reliability, simplicity, clear markings (with the right colors), absolutely no installation requirement (on Windows 7), and low price.

However, I discovered some shortcomings of this product which may or may not matter, depending on your use.

First, the noise level isn't the best. It is very usable, but not as good as a decent built-in sound card. At least a laptop (Lenovo X200 tablet) I recently tested has noticeably cleaner builtin sound than this USB card.

Second, the microphone input of this USB Sound card is not powered. Most USB sound cards are insufficiently powered, but I suspect this one is particularly bad. This means that the sound card may not work with many condenser microphones that require power. I just tested with several microphones including an Audio Technica AT9842 lapel microphone, which works perfectly with the built in PCI soundcard of my desktop computer, but absolutely not with this USB Sound card. For your information, this microphone does not even require a very high voltage for power (I think it requires less than 5V). So you can forget about it if you want use some of the professional microphones that may require a phantom power much higher than 5V.)

All in all, for very simple use, this is a very good choice thanks to the several advantages mentioned above. But if you are going to use it for more advanced functions, you may find this sound card lacking.

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sE Electronics USB2200a

sE Electronics USB2200a
Customer Ratings: 5 stars
List Price: $499.00
Sale Price: $399.00
Today's Bonus: 20% Off
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  • Frequency Response: 20Hz-20KHz
  • Sensitivity: 14.1mV/Pa -37 ± 1.5dB
  • USB 2.0 USB1.x compatible
  • Zero latency Headphone monitoring
  • Max SPL for 0.5% THD@1000Hz: 130dB

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Our goal was to find the best USB mic that we could travel with for professional voice-over work (mostly male voice) so we could migrate away from Protools/mbox to Final Cut Studio SoundtrackPro/usb.

We first bought the Rhode Podcaster. It is very well built (10 year guarantee!) and very quiet. However, it did not meet our needs because it has a slight 'tinny' sound and not enough gain (even though we speak right on top of the mic; we like to speak in hushed tones).

We then tried the SE USB1000. By comparison to the Rhode (same price point) it was worthless. Poorly built and way too much background noise. For the price the Rhode is much better.

We really wanted the USB concept to work so we tried the SE USB 2200A and find it perfect for all our needs (male voice over mic with enough gain; quiet mic).

We think this would be the perfect USB mic if they took the XLR option out, extended the warranty to 3 years to compete with Rhode, and bring the price down to $200 to compete with Rhode. Until that happens, this is the only professional usb mic worth considering (in my humble opinion). We tried a few lower priced 'well reviewed' usb mics that are not even worth mentioning. They are toys meant for podcasts, not professional voice over.

By the way, we called the SE website tech support a few times and found whoever to pick up the phone to be knowledgeable, honest, and helpful.

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Hercules DJ Control Instinct USB DJ Controller with Audio Outputs

Hercules DJ Control Instinct USB DJ Controller with Audio Outputs
Customer Ratings: 4.5 stars
List Price: $129.99
Sale Price: $123.18
Today's Bonus: 5% Off
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  • 2-deck DJ Controller with Mixer Controls in the center and Deck Controls on the left and right sides
  • Built-in audio outputs for mix and previewing
  • Pressure-detecting jog wheels | Compact and user-friendly, 10.4" wide by 7.4" deep
  • Included DJUCED Mixing Software
  • Built-in audio: 4-channel playback | Mix output: 2 RCA + 1/8-inch stereo mini-jack for active speakers | 1/8-inch stereo mini-jack output for headphone previewing

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Great for small parties with friends etc. I have some pro gear really more for twisting knobs and hitting buttons and generally looking more like a DJ with the ability to create some of my own music. It,s great but really heavy and bulky. That being said for a hundred bucks the Instinct comes out of the box ready to kick! Awesome! Simply plug in make up your setlist and watch everyone bounce! The sync feature is flawless and if you have an idea of what spins naturally sound great together in your setlist you're in for a great night. Also the Instinct, your laptop and some good quality portable speakers can all fit into a backpack and your off to the plane, party, beach wherever. I definatley recommend it for anyone who wants to impress at basement parties etc.

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This device mixes like a full size mixer and is smaller than a 15 inch laptop in total diagonal. The best features are the knobs which are raised and incrementally increase in height from bass knob to treble knob allowing for easy switching between the EQ adjusters. Switching between loops samples effects and cues is smart but not if you want to do both at the same time. Overall satisfaction. HERCULES DELIVERS!

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I had some trouble making my computer (with windows 7) recognize this DJ controller I had some drivers issues even when dowloading the last ones.

But I after I got it working and playing with it for a couple of days now, I must admit it's an excellent controller. It has basic features like loops, effects, samples and cues and pitch and volume controls. I think it's an excellent tool to get introduce yourself to this DJ'ing world before upgrading to a more serious one.

For me one of the basic features is the headphone pres listening, that is basic if you want to improvise.

Maybe a reason why my experience with this controller is so positive is because I don't use the default software but I use Virtual DJ instead. There are plenty videos on youtube that explains how to map this DJ controller with Virtual DJ

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This is just awesome. Loving the controls. And yes I can do away with all the sound cards. 2 inbuilt cards one for the headphone the other for the output. Just too good. 5 stars

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This was my first controller. Loved it. Not expensive so if you find out that you're a terrible DJ its no money lost.

Use the link below to see the new model...also check out the slightly older model (its grey) if you only want to spend $90 for just about the same functionality.

http://www.amazon.com/s/?_encoding=UTF8&camp=1789&creative=390957&fi

eld-keywords=Hercules%20DJ%20Contro

l%20MP3&linkCode=ur2&tag=cts07-20&url=search-al

ias%3Dmi

American Audio Hp 550 Red Foldable Professional Headphones

American Audio Hp 550 Red Foldable Professional Headphones
Customer Ratings: 5 stars
List Price: $69.95
Sale Price: $49.99
Today's Bonus: 29% Off
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  • Comfortable, All White Colored Sturdy High Powered Headphones With Mini Jack Connection
  • Includes: Headphone Bag; 1/4 Inch Stereo Adapter; Right Angle 1/4 Inch Stereo Adapter
  • Flexible Housing Design Allows For Double Or Single Ear Monitoring; Folds Up For Easy Transport

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As a person who used to have a couple pairs of the American Audio HP 700's, I discovered all the cool color options with the HP 550's (I actually like the all pleather stitched headband better too) The components for sound and quality of plastics are IDENTICAL between the HP 550/700. Will stick with the 550's from now on because I think they're cheaper in price.

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AUDIO TECHNICA AT8314-25 Premium Cable Microphone Cable

AUDIO TECHNICA AT8314-25 Premium Cable Microphone Cable
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $19.99
Today's Bonus:
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I already own two Audio Technica microphones and have been happy with them so I decided to go with their cable. For the price It is a great buy, no interference or sound degradation over 25 ft cable. Great buy.

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This is an awesome cable for the money. It's way sturdier than anything else in this price range and has held up well through 2 gigs a week. The sound is crystal clear with no static, crackling, connection problems, or interference.

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I purchased several of these for use by our church. I'm very happy with the quality. Will definitely buy this brand again (and already have!)

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excellent sound quality and surprisingly cheap. This is a steal in this price range and i highly recommend buying it.

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I've purchased a number of these cables over the past couple years and they work well when they work. But the last two have had problems. Buzzy static which is some kind of connection issue. I think AT's quality control could use some improvement. Always check your cable when you get it to avoid having a recording ruined or going past the Amazon return period. The company does offer a lifetime warranty on their premium cables like these but Audio Technica doesn't pay return shipping so it can cost seven or eight bucks to mail it in for replacement. The company should offer free return for at least the first year. Buy Canare which now costs about the same and you'll have no regrets.

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MOTU UltraLite-MK3 Hybrid FireWire/USB2 Audio Interface

MOTU UltraLite-MK3 Hybrid FireWire/USB2 Audio Interface
Customer Ratings: 4 stars
List Price: $595.00
Sale Price: $549.00
Today's Bonus: 8% Off
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  • Hybrid FireWire/USB2 connectivity - connect to your computer via either bus-powered FireWire or hi-speed USB2.
  • CueMix FXTM - flexible 10 input/14 bus mixer with on-board DSP effects, including reverb with sends/returns, EQ & compression on every input & output.
  • 10 inputs / 14 outputs - no channel sharing in UltraLite-mk3 Hybrid; mic , S/PDIF I/O, headphone out & main outs are handled as separate channels.
  • Classic ReverbTM - provides five different room types, three frequency shelves with adjustable crossover points.
  • Two forms of compression - a standard compressor with conventional threshold/ratio/attack/release/gain controls and the LevelerTM.
  • An accurate model of the legendary LA-2A optical compressor, which provides vintage, musical automatic gain control.

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** UPDATE: 7/19/2013

Having owned this device for 3 years now (wow, time flies!) I can say with a fair amount of certainty that this is a solid product. It has basically been on for 3 years without issue. During my initial setup of the device in 2010, things weren't very smooth (I recall having to install drivers and connect the device in a specific order, or Windows botched the driver install) but I just built a new PC and had no troubles this time around. I downloaded the latest version of the "All In One" driver/software combo from MOTU, installed it, fired up the device and it just worked straight away (via Firewire). I haven't beat on it with my DAW yet (still using Cubase) but some basic tests showed it was working just fine.

If you need a compact, portable device that works with both OSX and Windows 7 (x64) this is probably a good choice!

** ORIGINAL REVIEW (2010) **

Having purchased and used this device for the better part of 6 months, I figured it was a good time to write my review. I tend to get verbose, so I'll try and get right to the point! To give you some context I'm a singer/songwriter/producer/engineer (mostly as a hobby these days) so my "field use" of this device has been diverse; everything from recording vocals and guitars to producing dance music solely using internal VST instruments and plug-ins.

To further expand the context, I'm both an Apple and PC user and am platform agnostic for the most part (yes, people like me exist!) and have used this device on both operating systems/hardware, with heavy usage on the PC side.

PC: Intel E8500 (CPU), Intel DP35DP (Motherboard), 8GB RAM, Win7 Ultimate x64, Cubase 5.5 64-bit

MAC: MacBook Pro (MB986LL/A) 2.8Ghz 15.4-Inch (2009 Model), OS X Snow Leopard, Ableton Live

POSITIVES

---------

In general the device is very well-built; solid casing, sturdy knobs, all while staying very lightweight with a VERY low footprint. It is extremely feature-rich, especially for the size! It will likely fit in any audiophile or basic laptop bag, which makes it a pleasure to keep on my desk when connected to my main system. Prior to this I had a Delta 1010 and needed a small mixer between it and my monitors for control but everything is built right into the device.

Connecting microphones, instruments, and headphones to the device is a snap with so many front-facing inputs. I'm also a huge fan of having an entirely separate headphone output on the front of the device with its own volume control, which makes it easy to quickly jump between my monitors and headphones when mixing. No more clutter or external mixers!

NEGATIVES

---------

While I'm happy with the device in most regards, there are some significant issues. Bad enough that I will state plainly that I do not feel that the cross-platform or USB/Firewire hybrid functionality is ready for primetime, even after several driver updates. I firmly believe this is an Apple-targeted device first, and development/support for PC systems has been secondary. All of the negatives I've experienced so far have been on the PC, detailed below. It is hard to not give this 4 stars because the functionality and form are so great, but in a practical scenario I've had a lot of stability issues.

SETUP: The initial set up was difficult. This was not a plug-and-play device. Driver installation, device connection and system restarts had to be in a specific sequence in order to get the device to be recognized and function in Windows 7 x64. I had to uninstall/reinstall the driver/software a couple of times in order to get it right. Thank heavens for community forums!

FIREWIRE: The move to Firewire has been interesting, to say the least. This is a rat's nest of information unto itself and really a problem with the Windows environment in general, but the short of it is that if you ever decide to use the 3rd party Unibrain SBP2 FireWire 800 drivers (because Microsoft is behind the curve with FireWire support) you may need to rollback the driver to the Windows default, just for the one particular port that the MOTU is connected to or the device will no longer work. I upgraded to this driver when I purchased a DROBO so I could utilize FireWire 800 speeds and had to figure out this workaround. MOTU isn't to blame for this, although I would like to see them support the superior Unibrain drivers for FireWire.

SOFTWARE / DRIVERS: The CueMix software is a bit confusing -and defective! In my adulthood I've become much better about reading manuals, but I'm of the mind that if something is unintuitive to the point of being unusable out of the gate, it should be simplified. Routing is somewhat complicated but what made this part of the process extremely difficult to figure out is that the software, after a random period of time, stops displaying ANY sort of input/output meter data whatsoever so you cannot see which channels are active. This is paramount to getting a visual cue of how hot an input is or what the output level of the device is. The device continues to operate the same, and input/output meters continue to work in DAW apps, but the CueMix software basically dies and the only way to get it to come back is with a system reboot, or a power off/on of the device.

Also, I haven't seen a Blue Screen of Death since the early 2000's but this device has blessed me with at least one per-month. If the device is powered off/on while the driver is loaded (i.e. any time in Windows), or if you change device settings while within a DAW (such as latency level, a very common adjustment) the driver will typically crash and take the whole system with it. Even with the most recent software update, the whole thing just feels slightly unstable. Opening CueMix while in a DAW makes playback begin to stutter and glitch sometimes, and I'm typically left feeling like if I breathe on the device my app or OS will crash. Again, I haven't had this issue with any M-Audio hardware -or any hardware since the early days of Windows XP.

SUPPORT: I contacted support regarding the above issues, fully open to the idea that my system configuration could be at fault, but after contacting them twice through the registered user support forms on the website, I never received any feedback (5 months and waiting). Any time I have a question or issue I have to scour user forums in order to get any information.

In closing, this is a great piece of hardware but if you're looking to run a Windows 7 x64 environment you might want to consider another device. It is entirely possible that my specific hardware configuration is to blame, but being pretty straight-forward I doubt this is the case. I think this device was targeted at MacBook users, with PC support being secondary. The set up on the Mac was MUCH simpler, and no, this is not a case of PC vs Mac; being well-versed in both operating systems I can tell you that most other devices follow a relatively similar setup path, but setting this up on a PC was a bit nightmarish.

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Very clean preamps, logical setup, reasonably user friendly, sounds great and works beautifully with Cubase 5. Also compatible with Vista 64 bit. Great package for serious home recording.

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No technical problems at all with the installation, or drivers. On the Sonar forum site it's been suggested that this interface will work it's best using a TI chipset firewire interface. I have no problems so far. I'm using it now in Sonar 8.5, through firewire (motherboard VIA chipset).

Within Sonar each of the mono inputs (or combined as a stereo input), can be assigned it's own track. That's 8 mono or 4 stereo tracks that can be recorded at once. So no more line in, single stereo input transfers for any previous SB owners. The sound quality can be awesome, but my computer is getting a bit old (XP SP3, Duo 2.4 gig, 2gig Corsair XMS, Infinity MB) and, the ultra high sample rates are probably not very realistic (176400, 192000) for myself, through Sonar with multiple tracks and plugins. But 96000 is achievable, with 40 audio and 13 MIDI tracks, using about 10 VSTs, (total round trip latency of 9.8 milliseconds, using 256 samples).

My previous interface was a Sound Blaster Live, so the available options and technical details can be a little bit daunting. What I have figured out so far, is that it has an assignable return. This takes the place of the "What You Hear" function, on a SB card. The onboard hardware options are easily turned on and off, like the dynamics and EQ sections. So yeah I may not know how to fine tune each and every parameter, most of this can be done internally in a DAW.

The advantage is it's there for when it will matter to learn these functions in detail and take a huge load off my system, using the external enhancements for compression reverb etc. instead of VSTs. Right now it's not a critical issue to myself and I have yet to actually study the manual.

The included CueMix software layout is a little clunky (and what was the reason it can't be maximized to show one more track without scrolling and separate enhancement windows?? ).But not prohibitively so and has been rock solid on my system.

I'm really satisfied with this purchase and it has improved the quality and consistency of my home recordings. For the first time what I hear in the software at 96000 using mixes at about 80 megabytes in size, is what I hear on a final conversion to a 256kbit MP3, total 6.62 megabytes. The capabilities and detail adjustments are available for when I care to learn to use them and in no way obstructive, if I choose not too.

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Before this I had an m-audio omni studio pci card based interface. This annihilates it in every way. Solid drivers, easy installation, amazing sound, simple routing, usable fx... There are a lot of interfaces on the market and prices keep dropping but I believe this to be a sound choice when looking for a high quality, extremely versatile interface with no headaches. Very practical in it's simplest form yet able to handle whatever you can throw at it. I have cuemix and the drivers installed on 2 pcs and 1 mac and no problems on any of them.

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I've been running the MOTU Ultralite on my Mac Pro for nearly a year and must say it does not disappoint: rock stable, amazing fidelity, easy to use and compatible with all the apps I threw at it. After installing the drivers, it was plug 'n play. I haven't used the USB connection but having owned other MOTU products I'm well accustomed to Firewire so why change? Love the fact it runs off the connection and no wall wart is required.

I have the TSR mains connected to my M-Audio BX5 for monitoring/mixing and found the integral DAC to render audio accurately and, I might add, enjoyably. The headphone amp also sounds good, has plenty of volume and it is easy to render pleasing mixes with my Sennheiser HD580 headphones.

I mainly use the Ultralite for live stereo recording of classical guitar solos and ensembles with Bias Peak Pro 7. The Ultralite and Bias Peak work together like they came from the same company and are totally seemless. For multi-tracking projects it also works flawlessly with Logic (& GarageBand of course). Not a fan of AudioDesk (the free multi-track app it ships with it) but it's basically a watered down version of Digital Performer. So if you like Performer, you'll get along well with AudioDesk.

The mic preamps are very clean--no noise reduction plugin needed--and have plenty of gain and headroom for my mics (KM184).

For the record the MOTU drivers and apps have been hardcore solid with my Macs, running fine under Snow Leopard, Lion and Mountain Lion. I haven't suffered a single crash, freeze or strange behavior in the Ultralite or any of my plugins or recording apps. And my sessions and editing go on for 4 or 5 hours at a stretch.

The only "gotcha" is a minor one: the control knobs are rather tiny, black against black and close together but I realize the size is a design choice you make to squeeze everything into a half rack space. I'd rather have portability than a full rack unit with big honkin' knobs. Sliver colored knobs would be easier to see in your typical darkly lit studio.

MOTU is at its core a Mac centric company. I actually bought their first product, Professional Composer in 1986, running it on a tiny beige Mac. I think some of the Windows users have suffered a bit because of MOTU's lack of experience with PCs. I'm guessing it's more difficult to develop PC drivers due to greater hardware variations and flavors of Windows. Whatever, I'm a happy camper and their products have been solid for me. The only PITA is MOTU's copy protection is rather draconian.

Shure WH30XLR Cardioid condenser headset mic with XLR connector.

Shure WH30XLR Cardioid condenser headset mic with XLR connector.
Customer Ratings: 5 stars
List Price: $209.00
Sale Price: $158.27
Today's Bonus: 24% Off
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  • Tailored frequency response enhances vocal range.
  • Flexible gooseneck for optimum microphone placement. Isolation shock mount reduces vibration noise.
  • Cardioid polar pattern provides maximum gain before feedback. Low profile & lightweight design.
  • High sound pressure level capability. Secure snap-on windscreen reduces "p" pops.
  • The RPM420 preamp requires phantom power from any 11 - 52 V source.

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I did a quick review of the Shure WH30XLR and was very pleased with its sound. This was recorded on my iMac at work in a sound studio. I used a Shure X2U to go from XLR to USB. Subsequently, I've used this on several video netcasts we do and have been very happy with this mic. Not the best looking mic, but love its sound. Enjoy!

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It is comfortable to wear. The behind-the-head style is far better than over-the-top-of-the-head. The sound is what you would expect from a Shure microphone: strong, clean sound. Can't complain about it at all. We use it for our drummer to sing in our band.

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It's a pleasure to use this microphone as I am a singer and also keyboard player. The quality is even higher than my previous SM 58.

Great !

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I've been playing drums for years. I sing backing vocals and I hate using a regular mic perched on a stand. It always gets in my way and I usually wind up hitting it, or it's out of reach when I'm right in the middle of a song. I've used headset mics in the past and was never thrilled with how they sounded or how they would pick up other surrounding sounds. I just bought the Shure WH30XLR Cardioid condenser headset mic and after using for the first time playing out, I'm hooked! It is a very well made, light weight mic and it sounds crystal clear. I had no problems with it picking up my drums or cymbals. I had it aimed right at the corner of my mouth and it picked up my speaking and vocals with no problem. I LOVE LOVE LOVE this headset mic!!! I'd highly recommend this to any drummer who sings and hates using a regular mic on a stand. Thanks to the headset, I was able to move freely and headbang as hard as I wanted to with no problems. Even my sound man was impressed with it! Shure, you done good!!

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I've played a couple gigs with this so far and absolutely love it! It sure beats leaning over to talk into a normal mic! I've read other comments about the headset being to tight or the mic not reaching around to the front of your mouth and all I have to say about that is be patient. Work with your sound tech to get the mic into the right position....it will stay put once you find the sweet spot. Also, use the band on the headset to adjust it and/or bend the frame. I have a relatively small head, but the adjustments I've made keep this headset in place.

I love this product and am 100% satisfied with my purchase!

Traveler Guitar EG-2 Electric Travel Guitar with Gig Bag (Sunburst)

Traveler Guitar EG-2 Electric Travel Guitar with Gig Bag
Customer Ratings: 4.5 stars
List Price: $714.99
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  • Full 25 1/2 Inches Scale
  • Fits in airline overhead bins.
  • Includes on-board headphone amp with clean & distortion settings.
  • Features 2 precision-placed single coil pickups.
  • Includes Deluxe Gig Bag.

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The quick lick. I have an ES 175 and I love it, yet I would never consider taking it with me on trips and leaving it in a hotel. Better yet, those that practice a lot know that family members really don't want to hear you running scales or riffs for hours on end, so the "Pocket Rocket" headphone amp with clean & distortion settings is a must. The action is set from the factory perfect, no buzzing, and no strain either thru the headphones or my amps. I really recommend this guitar especially for the $$$. The sound is rich and full and very comparable to my 1978 Gibson.

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I'll be respectfully brief and to the point. This is not only a great travel guitar, but a pretty damn interestingly voiced guitar on its own. Frankly, when I put the EG-2 through a very nice hardware amp simulator and played a bit I was pleasantly surprised. Enough sounds in its palette to satisfy with really good tone and feel. It is very well made and aside from not being able to comment on it's longevity I am very satisfied with this guitar and the niche it fills admirably.

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This mini-strat fills the bill for me as a travel guitar. It will fit in a 29" suitcase, diagonally in its guitar case. It a 27" suitcase it will fit only with out the included case.

High points: The guitar has a nice tone, very close to to that of a Fender Stratocaster. It appears to be well made with decently low action. Intonation on the upper frets is good. The quality of the tuners and bridge and workman ship all appear good. There were no visible flaws. The aux input and headphone jack were the key features for me beside its full size neck in a small travel size.

It stays in tune almost as well as my American made Strat.

Low points: The aux input was loose, I unscrewed is mounting, and tightened the nut while holding the aux jack so it wouldn't turn as I tightened it. The Pocket Rocket feature will drain the included battery in 1 day if left on. Mine arrived with a dead battery. The guitar case could use a second strap so it can be carried like a back pack.

Other than that, I'm quite satisfied. I'd rate it B to B+.

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I was at a conference for four days last month and really missed playing my guitar. I had been thinking about the traveler and went to a local guitar center and bought an EG-1 (mini les paul) with one humbucker at the bridge. It had OK action but I didn't care for the single pickup because I am on a Stevie Ray / Mark Knopfler / Robin Trowler (you get the idea) kick. When I saw the EG-2 I figured I had to try itjust to tote it around and play when I had some time once I got home. This guitar arrived the after I got home, and I can't put it down. It sounds just like a real strat, and plays with nice action. I have a small FM transmitter that I used for playing a portable CD player over a car FM receiver from years ago, and now my car radio is my new portable practice amp. The quality of this guitar is much better than the EG-1 that I had at the hotel, so maybe this company is learning some lessons on how to make it right. I am totally happy with this guitar and will keep it in my truck and not worry too much about it given the cost. That said though I would hate to have anything happen to this guitar!

My other guitar is a PRS Studio which I would never consider leaving in my truck!

-PRS-Player

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For a travel guitar the build quality seems pretty good, but I'd recommend trying it in the store before buying. I bought it to play in the car at lunch and take on vacation, but I find playing on such a little body very uncomfortable especially in the car personally I need arm support (I might try the Speedster instead, which has the detachable arm rest). Because of this and because the bridge (or where the bridge normally is maybe I should call it the nut since string direction is reversed) is much further back than on other guitars, playing is just too awkward for me. Also some of the finish around one screw was a little chipped off when I received it. The sound is good the switches (pickup and Pocket RockIt) are a little iffy but nothing too serious.

On the upside, the fret board is comfortable and nice. The bag is also very good quality much better than my other gig bags.

I'm sure this guitar would be great for some people just maybe not for my purposes.

Fender Rumble 350 Bass Amplifier

Fender Rumble 350 Bass Amplifier
Customer Ratings: 5 stars
List Price: $649.99
Sale Price: $499.99
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  • 350 Watts
  • 2X10" Fender® Special Design Speakers
  • One Channel
  • Controls: Volume, Overdrive Gain, Overdrive On/Off, Overdrive Blend, Punch EQ Preset, Scoop EQ Preset, Bass, Semi-Parametric Mid with Level and Frequency, Treble
  • Additional Features: 3-Band EQ (with semi-parametric midrange controls), "Mid Scoop" Button, Auxilliary Input for CD/MP3 or Drum Machine, Delta Comp Adaptive Compression Circuitry, Effects Loop, Headphone Jack, XLR Line Out Jack with Ground Lift, Ported Cabinet, Black Vinyl Covering, Rugged Black Metal Grille

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I've owned this amp for about a year now. It was purchased to replace my marshall mb15, and I must say, it is a huge improvement both in tone and in volume (obviously). This baby gets very loud, even when using a passive bass! I rarely turn the volume above 12 o'clock during practice. As far as tone goes, theres a lot of room for sculpting it on this amp. The semi-parametric mid EQ is a nice touch and is very helpful for pushing the overall sound across at different frequencies when the highs and the lows are not enough. The presets are alright, I never use the punch really but I almost always play with scoop on, it really gives you a fat sound. The overdrive is good but not great, its more of a grating sound layed overtop of the bass as opposed to an actualy overdrive of the signal, so I would say if thats a big reason your interested to reconsider that and get an overdrive pedal to run in series with this. Also, you may be surprised by this amps mobility. It only weighs around 70 pounds, but it has castors that you can screw into the bottom, and some surprisingly sturdy handles on the sides. Moving this amp in and out of my basement and to the car is much easier than I ever would have imagined when I bought it!

All in all, I'm happy with my purchase of this amp. Its got plenty of power for rock/classic rock, and I'm sure you won't have a problem getting good country, reggae, or metal sounds out of this amp too. The main reasons I give this amp 4 stars instead of 5 is due to the reasons I've already stated, there are a few features that I don't really like about it, but generally it is a very powerful and useful unit to have around be it practicing in a group, alone, or for small shows.

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The Rumble 350 is loud. How Fender manages to get such a big sound out of a relatively small box, I don't know. What I like is the portability of the 350. I can handle it myself, even on stairs (although it's way easier with two guys), and it plays superbly. I have no trouble in clubs, with power to spare. Best buy for the money. Very pleased with my purchase.

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The Rumble 350 is a very capable amp. Big all round sound out of a small ported box. Very portable and easy to handle with one person (70 lbs.). Great Highs, Mids, and Lows. I used it in 2500sqft building, no problem. 100% best buy for the money. Would recommend!!!!

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I'll keep it short. This is an excellent amp for the price. Solid construction and solid tone. It really punches out those low notes without sacrificing clarity. Satisfactory tone shaping. The distortion is decent (not great, but good) and the punch/scoop presents are nothing to be impressed about, but hey, that's not why I got it. It's a fairly portable, decently powerful, solidly built, great sounding amp. And if you want to mess around with effects the effects loop is pretty handy. Thoroughly satisfied.

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Before buying this amp, I tested a lot of different combos. My old Peavey TKO 115 had been good, especially with the fat low tones, but I was looking for something better to replace it. I tried Ampegs, Markbass amps, and the new Peaveys. While all of them had their good points, The Ampeg was a little murky, the Peavey had tons of slam but slightly iffy sounding pitch definition, and the Markbasses I tried were really pricey. I took a chance and trusted the reviews of this Fender.

I'm well pleased. I think that the Rumble 350 compares favorably with the Markbass 2x10 combo, while being smaller and lighter. Perhaps the Markbass has more punch when on a big stage, but for the difference in price, you can easily get a 4x10 cab to work with when the situation warrants it.

I was initially skeptical that I'd want to use the horn on this amp, but after working with it, I have to say that it works great, and I have been leaving it on. Unless you're looking to blend into the mix and minimize fret/pick/pluck sounds, it lends the amp good, natural sounding highs.

This amp can play seriously loud for its size. Louder than is safe or rational inside a house. I was able to discover all the harmonic vibration frequencies of nearby household items with a single trip up and down the fretboard.

For those who are concerned that a 2x10 combo will not allow you to have that low end slam you've traditionally gotten from a larger cone, like a 15, I think that you may want to check out the newer drivers. These "Special Design" drivers have a lot more peak-to-peak excursion than the old cones, and are thus able to move the air necessary to hit those low notes.

For me, the overdrive aspect has not been particularly useful. I've played with it, but I would suspect that if you wanted more "dirt" in your sound, you'd probably be better served with a pedal effect. For clean tone, however, this amp has it in spades. It also runs very, very cool. After an extended session, the back of the amp section was cool to the touch. It does have a fan, so if you're doing critical, close miked recording, that could be a concern. I doubt that it would be audible in a live environment, though.

Really good amp. I think it will run with anything remotely similar in price. Well done, Fender.

Focusrite Saffire Pro 24 Firewire Audio Interface

Focusrite Saffire Pro 24 Firewire Audio Interface
Customer Ratings: 4.5 stars
List Price: Price Unavailable
Sale Price: $299.95
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  • 24 channels of I/O (16 In, 8 Out)
  • 2 award winning Focusrite mic-pres, 8 ADAT in, 6 analog out, SPDIF/Stereo in/out, MIDI in/out
  • 2 unique loop-back virtual channels for routing between software applications
  • Bundle: Xcite + Software Bundle, Ableton Live 7 Lite, and Focusrite Comp/Reverb/EQ/Gate VST/AU plugin
  • Dedicated headphone output, 5 LED front panel

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To all experiencing troubles with their Saffire I/O box-

I just ended a 2 week battle with mine that ended in me prevailing and now I have an amazing breakout box with awesome preamps. First advice, don't give up keep trying all suggestions you read online as the preamps in this unit are not to be missed (especially considering the price).

I am running Windows 7 64bit on Gigabyte MB // i5 Quadcore @ 2.8Ghz // 8GB DDR // SIIG FW400 card with TI chipset (very important) // Ableton Suite 8 // Nonome 1.2.4 // mlrv 2.0 // Saffire PRO 14 Firewire //

I fried my old M-Audio Fast Track Pro at a show almost a month ago. After borrowing a friend's PreSonus Audiobox USB I noticed horrible popping and distorted signal. Updating the drivers seemed useless and after some research I found out that Pre Sonus doesn't even write exclusive drivers for their products they use pre-existing drivers that do NOT work well W7 64bit. So I switched to the Saffire PRO 14 after reading much about the preamps and overall performance praise. I was horrified when I couldn't even get a clear system sound out of the thing so I immediately exchanged for a new PRO14 thinking the problem was the box itself. When the new Saffire PRO 14 booted up with the same distortion I knew it was not the box. After much reading and research in the forums and messageboards I found that a very common problem with the Saffire PRO 14 PC users is the chipset of the firewire card. I purchased the Focusrite recommended SIIG FW card with a TI chipset and so far all problems have been solved. After more research I found that this problem is common with almost all FW audio interfaces for PC users. IN summary, check your FW card. It's probably the wrong chipset. Hope this helps someone.

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After 6 years with a Presonus Firebox, I decided to change. Before the firebox I used the original MBox from digidesign. The pres in that unit sounded great. I did not realize that until I switched to the Presonus. Although the preamps were acceptable, it didn't have that extra something the Focusrite pres delivered. The Saffire 24 brings back that fantastic sound I was missing. Great input options and software that is easy to grasp. I will probably stick with Focusrite for a long time. This unit is quiet and rock solid.

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Correction to the January 2010 review that noted problems with Windows 7, 64 bit - As of March 2010 Windows 64bit and OS X Snow Leopard are fully supported by the focusrite drivers (Saffire Mixcontrol 2.0).

I own both the Saffire Pro 24 and the Saffire Pro 24 DSP. Both have been rock solid on both my Windows and Mac boxes. Plenty of I/O options. If I only was going to get one interface I'd get the Pro 24 DSP as the Virtual Reference Monitoring (VRM) is quite impressive.

Another advantage of these interfaces is that they can be used in standalone mode (i.e. without a computer attached). I use this for one of my setups where I have a couple of synths attached to the Saffire Pro 24. If I want to track something out to my DAW it's as simple as hooking up the firewire cable to my laptop and I'm good to go.

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I've had the Saffire Pro 24 for a few days now and I haven't found anything not to like. The preamps are inaudible to my ear and I haven't had any problems recording or playing back audio. I'm using it with a Macbook Pro and running OSX 10.6.3. I bought the Pro 24 to replace a competing M-Audio product, which sounded about as good and looked better, but wasn't stable and reliable enough that I would consider using it outside of my studio. The Saffire Pro 24 software provides many more options for setting up routing and mixes as well. And, when I wrote Novation with a question, they responded quickly and helpfully.

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I purchased this unit after struggling for over a year to get my Alesis IO14 to function. I was tired of having to shut off my network drives, the USB, my firewall and everything else just to get the IO14 to work for five minutes before constantly glitching or giving me a BSOD. After researching for weeks, I decided to get the PRO 24 and what a difference! I was able to install the drivers and software and have the unit up and running in less than 10 minutes and the sound quality is great! The preamps are far beyond what I expected for the price and the audio output is the cleanest I ever heard. When I first put on my headphones I thought the unit wasn't working because I am so used to equipment that gives a little hiss when it is running. Not with the PRO 24. The mixing software is also excellent and provides tons of options including looping audio from iTunes or Youtube (or any other source on your computer) right into your DAW. This unit also provides room for expansion with 2 XLR inputs, 2 line inputs, 2 SPDIF inputs, and 8 ADAT inputs through a lightpipe. Plus you can link this unit with other PRO 24s or most other Focusrite interfaces. Overall a fantastic unit for the price. I did give the unit 4 stars for features because it does lack the VRM and line effects that are found on the PRO 24 DSP. I personally don't see this as a huge deal since these features and definitely luxuries rather than necessities and I didn't think it was worth paying another $100 for the DSP functions and an extra headphone output. I would recommend this unit for anyone who is serious about recording and needs more than 4 channels without paying an arm and a leg.